To see the other types of publications on this topic, follow the link: Archetypal Criticism.
Journal articles on the topic 'Archetypal Criticism'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 journal articles for your research on the topic 'Archetypal Criticism.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.
1
Chesebro, James W., Dale A. Bertelsen, and Thomas F. Gencarelli. "Archetypal criticism." Communication Education 39, no. 4 (October 1990): 257–74. http://dx.doi.org/10.1080/03634529009378808.
Full text
2
Margoshvili, Medeya. "Archetypal Concept and Contemporary Architectural Criticism." Researcher. European Journal of Humanities & Social Sciences 2, no. 3 (July 17, 2019): 67–83. http://dx.doi.org/10.32777/r.2019.2.3.4.
Full text
3
Miernik, Agnieszka. "Transfiguracja symboli archetypowych w utworach Marty Tomaszewskiej." Studia Europaea Gnesnensia, no. 14 (December 15, 2016): 69–81. http://dx.doi.org/10.14746/seg.2016.14.4.
Full textAbstract:
An analysis of the process concerning transfer of archetypal symbols in fairy-tale plots, conducted firom the perspective of depth psychology (C.G. Jung), reveals the human being to be a culture creator (homo culturalis), who uses vivid language and aims at abstracting a multidimensional sense of existence. The paradigm of archetypal literary criticism (N. Frye) offers multidimensional insights into a work of literature and demonstrates the shifts of the arche, a constant adjustment of archetypes to the demands of the present. When attempting to determine the archetypal order in the works of Marta Tomaszewska, one should be aware of the fact that it is one of many possible efforts to read multi-perspective symbolic contents and it validates the thesis presuming an endless source of the collective unconscious.
4
Ryan, Mark. "Fearful Symmetries: William Blake, Northrop Frye, and Archetypal Criticism." ESC: English Studies in Canada 37, no. 2 (2011): 173–83. http://dx.doi.org/10.1353/esc.2011.0021.
Full text
5
GÖRMEZ, Aydın. "A Comparison Of Two Literary Theories: Psychoanalysis And Archetypal Criticism." Social Sciences Studies Journal 5, no. 53 (January 1, 2019): 7578–85. http://dx.doi.org/10.26449/sssj.1987.
Full text
6
Błocian, Ilona. "Archetype and matrix image (potential forms of an image)." Vestnik of Saint Petersburg University. Philosophy and Conflict Studies 37, no. 1 (2021): 154–61. http://dx.doi.org/10.21638/spbu17.2021.112.
Full textAbstract:
The article is devoted to the analysis of potential forms of the image in culture and the development of the Jungian concept of an archetype in Wunenburger, Bachelard, Durand and modern cultural studies. The notion of archetype in Carl Jung’s concept is related to the distinction between the archetype in itself, noumenon and archetype image conceived as a phenomenal manifestation of archetypal forms in the space-time, historical and social reality. This distinction has a Kantian lineage, which Jung was clearly conscious of. He provides a reference to the conception of Kant, calling it “a school of philosophical criticism” several times in his writings. In the studies of Jung’s concept, his approach to transcendentalism (Z. Rosińska) is at times present, and a certain type of its specific, evolutionary interpretation is used. The archetype, being a “thing in itself ”, determines the appearance of phenomenal forms in the space-time, historical and social world, while remaining outside the direct entanglement and referring to the evolutionally active sphere of the unconscious as an anthropological datum. The archetypal image expresses the permanent approximation of manifestation of the semantic core of the archetype itself. The notion of an archetype has evolved in contemporary understandings and conceptions; it was conceived as a psychological expression of the evolutionary pattern of behavior, as an affective-representative node and ante rem of an idea, as a hermeneutic pattern of meaning or as a kind of matrix image. The archetype can be understood in connection with anthropological structures or with a cultural image; one way of comprehension does not exclude the other.
7
Docherty, Michael. "Raymond Chandler's Spatial Interrogations: Relocating the Detective-Frontiersman." Crime Fiction Studies 2, no. 1 (March 2021): 79–95. http://dx.doi.org/10.3366/cfs.2021.0035.
Full textAbstract:
This article examines Philip Marlowe, Raymond Chandler's archetypal private eye, within the context of contemporary historical discourses which theorised the figure of the ‘frontiersman’. It builds upon established scholarship that connects the frontiersman and detective as archetypes of white masculine American heroism, but argues that such criticism is insufficiently engaged with the frontier's spatial characteristics and their implications for the detective. Seeking to redress this, I claim that the detective's conceptual inheritance of the frontiersman's mantle is manifest most clearly in a shared approach to the navigation and ‘conquest’ of space. In closing, I offer the office as an exemplary space of post-frontier modernity.
8
Okpo, Friday Romanus. "The Myth of Sisyphus in Richard Wright’s Native Son." SAGE Open 11, no. 2 (April 2021): 215824402110061. http://dx.doi.org/10.1177/21582440211006147.
Full textAbstract:
The identification of archetypes in literary texts follows the path of deep structural analysis, as surface reading will dwell ordinarily at the level of incidents. This research is driven by the configuration of the myth of Sisyphus in Richard Wright’s Native Son. Our claim is that the myth figures in the text as a shade of the crime and punishment sequence, with an absurdist twist. This claim is substantiated following the archetypal literary theory, which employs to a great extent the methods of discourse analysis. The novel has often been read along the ideological questions that racism raises and attempts to answer. This essay marks a deviation from that seemingly jaundiced view of literature. What this essay foregrounds is the eternal regeneration of narratives, an eternalness that bears the nature of the archetype in its repetitiveness. This necessitates the choice of archetypal literary criticism as the theory for this research. To reach its conclusions, this article adopts a qualitative approach, taking its data from the events in the novel, and investigating the mythic orientations at work in the novel, with the view that at the forefront of this is the myth of Sisyphus, a shade of the myth of crime and punishment. This article does not account for the sociocultural frame of racism as a material but understands it in the wider conception of myth, as a figuration of the Sisyphean myth which shares with the racism in the text the quality of perpetuity or seeming endlessness. We show that racism is in this akin to the sufferings and struggles of Sisyphus, that it is Sisyphean.
9
Bishop, P. "Rhetoric, Memory, and Power: Depth Psychology and Postmodern Geography." Environment and Planning D: Society and Space 10, no. 1 (February 1992): 5–22. http://dx.doi.org/10.1068/d100005.
Full textAbstract:
The attitude towards rhetoric, metaphor, and imagery is identified in this paper as being central both to the definition of postmodernism and to any postmodern scholarship. It is also claimed that questions about the relationship between archetypal psychology and geography mirrors the wider postmodern phenomenon of comparative knowledges. By focusing on radical criticism of contemporary heritage movements it is shown how archetypal psychology can help to deepen metaphorical reflection on such crucial issues as fantasy, theory, history, and memory. In particular, it is insisted that such reflections should themselves avoid philosophical abstraction and stay as close as possible to the logic of imaginative discourse.
10
Uslu, Ahmet. "Yücel Balku's Stories With in The Context Of Archetypal Criticism and Fiction." Pamukkale University Journal of Social Sciences Institute 2017, no. 27 (2017): 1–27. http://dx.doi.org/10.5505/pausbed.2017.09821.
Full text
11
Betko, Iryna. "Мифо-архетипические мотивы психобиографии Тараса Шевченко." Acta Neophilologica 1, no. XXIII (June 1, 2021): 157–70. http://dx.doi.org/10.31648/an.6230.
Full textAbstract:
The study of various aspects of the symbolic biography of Taras Shevchenko is a contemporary direction of modern Ukrainian literary criticism. This article analyzes the mythological and archetypal motifs in Great Mother. They played a special role in the life and work of the poet, who never made up for the slave and orphan complexes. The strategy of symbolic-biographical analysis significantly expands the psychoanalytic context of the study.
12
Khan, Imdad Ullah. "Archetypes and Creative Imagination in ‘Ode to Psyche’: A Jungian Analysis." Linguistics and Literature Review 7, no. 1 (March 26, 2021): 57–65. http://dx.doi.org/10.32350/llr.71.05.
Full textAbstract:
John Keats’ ‘Ode to Psyche’ is steeped in mythology and dream symbolism, which encourages us to understand it from the perspective of depth psychology/archetypal criticism. The odes of John Keats have been studied from historicist, feminist, and biographical perspectives. This paper aims to complement these perspectives by elaborating the mythical dream imagery of the poem as referring symbolically to the process of psychic integration and poetic creativity. The paper also views the poem as exemplifying the need for a complementary ongoing communication between the conscious and the unconscious aspects of the mind to maintain a holistic psyche. Archetypal theory is used to frame the figurative structure of the poem as a symbolic mythical variant of the process of poetic creativity. The paper employs three theoretical constructs, namely syzygy or complementation of opposites; active imagination; and individuation, as a framework to analyze the poem from an archetypal perspective. Employing a depth psychological perspective to understand poetry enhances the aesthetic pleasure derived from reading poetry and enhances the 'healing effect' of poetry by illuminating the psychological connotations of the poem. The paper concludes by attempting to answer two research questions explored in the analysis. First, does archetypal perspective contribute to enhancing readers' aesthetic pleasure derived from reading poetry? Second, what are the theoretical contributions of the current analysis towards contemporary Jungian literary theory?
13
秦, 艺航. "An Archetypal Criticism Analysis of Faulkner’s Redemption Thought in The Sound and the Fury." World Literature Studies 07, no. 02 (2019): 45–52. http://dx.doi.org/10.12677/wls.2019.72008.
Full text
14
Kulavkova, Katica. "A Transаesthetic Interpretation of "Pamięć nareszcie" / "Memory at Last" by Wisława Szymborska." Colloquia Humanistica, no. 5 (December 17, 2016): 216–33. http://dx.doi.org/10.11649/ch.2016.016.
Full textAbstract:
A Transаesthetic Interpretation of Pamięć nareszcie / Memory at Last by Wisława SzymborskaThis essay attempts to combine several elements relevant for such interpretative practices as hermeneutics, textual explication, speech acts theory, C. G. Jung’s analytical psychology, as well inspirations taken from ritual studies, archetypal literary criticism, and transcendental hermeneutics. This combination of interpretational practices shall be applied to the reading and analysis of Wisława Szymborska’s poem Pamięć nareszcie / Memory at Last. My chief aim is to analyse the ritual dimension of the poem (without disregarding, however, the work’s stylistic features). Wiersz Pamięć nareszcie Wisławy Szymborskiej. Interpretacja transestetycznaNiniejszy esej jest próbą połączenia kilku elementów pełniących ważną rolę w takich praktykach interpretacyjnych jak hermeneutyka, eksplikacja tekstu, teoria aktów mowy, psychologia analityczna C. G. Junga, a także inspiracji płynących z badań nad rytuałem i archetypami, wreszcie z hermeneutyki transcendentnej. Połączenie wymienionych praktyk interpretacji będzie służyło lekturze i analizie wiersza Wisławy Szymborskiej Pamięć nareszcie. Moim głównym celem jest analiza rytualnego wymiaru wiersza (choć także jego cech stylistycznych).
15
De Shield, Christopher, and Gerardo Polanco. "Succouring an Ixtabai: Zee Edgell’s Deployment of Belizean Folklore in The Festival of San Joaquin (1997)." Revista Canadiense de Estudios Hispánicos 44, no. 1 (May 22, 2021): 23–42. http://dx.doi.org/10.18192/rceh.v44i1.5899.
Full textAbstract:
While folklore is often used in Belizean literature, it is generally treated there in one of two ways: infantilized as ghost story - told expressly for fascinating children - or in novel retellings - for the preservation of tradition. The Festival of San Joaquin, by celebrated Belizean author Zee Edgell, treats her recurring thematic and social concerns while deploying folkloric figures as an organizing motif in a novel way for Belizean literature; she offers a reworking of folklore that aspires toward recuperative ‘active myth.’ Exploration of her work might reveal it as amenable to an indigenous archetypal criticism, but such a criticism can only contribute to efforts at decolonization should it interrogate its own problematic adoption of folkloric figures whose indigenous origins have been obscured in the post-colonial era.
16
Saputra, Bianca. "Steinbeck’s East of Eden: Redefining the Evil within Cathy Ames." International Letters of Social and Humanistic Sciences 82 (June 2018): 19–23. http://dx.doi.org/10.18052/www.scipress.com/ilshs.82.19.
Full textAbstract:
East of Eden, published in 1952, has been criticized as both feminist and misogynistic in nature. This contrasting criticism can be attributed to the varied interpretations of female roles in the novel. This paper aims to examine East of Eden using feminist and archetypal theory. Archetypal theory studies roles characters play through fundamental and inherited symbols. These symbols are thematic associations that are common to humanity in general. Feminist theory analyzes texts based on how power is manipulated to establish the dominance or subordination of either gender. In particular, feminist theory studies how females claim, assert or subvert power for themselves. Coupled together, the theories seek to understand how established conventions influence the female experience. By analyzing the intersection between the roles portrayed by the women in the Salinas Valley and societal expectations, this paper intends to explore the influence of tradition on decision making.
17
Matich, Olga. "Vasilii Aksenov and the Literature of Convergence: Ostrov Krym as Self-Criticism." Slavic Review 47, no. 4 (1988): 642–51. http://dx.doi.org/10.2307/2498185.
Full textAbstract:
As the archetypal young prose writer of the 1960s, Vasilii Aksenov represented the hopes of the Khrushchev generation for the good life and for cultural and political liberalization. Rebelling against the ideological puritanism of socialist realism and the moral imperative of Russian literature, Aksenov’s writing reflected the pleasure principle, hedonism, unofficial popular culture, and the aesthetics of consumption. He perceived life as a multicolored, multinational carnival, which became the backdrop of his heroes’ adolescent identity crises and later problems of mid-life and aging. In response to Stalinism, war, and Soviet ideological bombast, Aksenov and his generation created a literature with a clearly western orientation; experimental, playful, and linguistically subversive, it was optimistic, but not in the socialist realist sense.
18
Lee, Dongwon. "A Study on Natural Symbols of Akam Poetry: On the Basis of Frye’s Archetypal Criticism." Journal of East-West Comparative Literature 45 (September 30, 2018): 239–60. http://dx.doi.org/10.29324/jewcl.2018.09.45.239.
Full text
19
Gijo, Divya, and Kevin George. "Archetypal Criticism: A Brief study of the Discipline and the Sempiternal Relevance of its Pioneers." International Journal of English Literature and Social Sciences 6, no. 2 (2021): 054–60. http://dx.doi.org/10.22161/ijels.62.11.
Full text
20
Muneeni, Jeremiah Mutuku. "Female Assertion as an Antidote to Male Dominance: Mother Archetypes in Achebe’s Novels—Things Fall Apart, No Longer at Ease, and A Man of the People." Editon Consortium Journal of Literature and Linguistic Studies 1, no. 1 (April 30, 2019): 13–19. http://dx.doi.org/10.51317/ecjlls.v1i1.55.
Full textAbstract:
There has been an intense debate with regards to Chinua Achebe’s (mis)representation of women in his creative works, especially his first four novels. Some scholars have argued that Achebe is a patriarchal writer who has relegated women to the periphery. Nevertheless, a few have read subtle nuances of gender balance in his works. This paper is a continuation of this debate. Specifically, it argues that Achebe has created Mother Archetypes in his novels and if the same is not recognized, he will continue to be demonized as a gender insensitive writer. The unit of analysis is three of the five Achebe’s novels namely: Things Fall Apart, No Longer at Ease, and A Man of the People. The paper interrogates the aforementioned novels within the framework of archetypal criticism, with the aim of unearthing and examining Mother Archetypes inherent in them. The paper identifies religion, education, and justice as the spheres of life in which Achebe has created, empowered and elevated Mother Archetypes to be at par with their male counterparts. However, owing to the breadth of the subject, the paper dwells on education. The paper concludes that creation of empowered Mother Archetypes in Achebe’s novels is a symbolic relay in which women characters hand in the symbolic empowerment baton to the next woman in the next novel until the last one where the creation of a woman major character, Beatrice, wins the race against male dominance.
21
Oliveira Lopes, Rui. "A New Light on the Shadows of Heavenly Bodies." Religion and the Arts 20, no. 1-2 (2016): 160–96. http://dx.doi.org/10.1163/15685292-02001008.
Full textAbstract:
The distinct tradition of Indian shadow puppetry has been the subject of much interest among scholars, focusing mainly on its origin, the mutual exchange between different regions across Asia, and the relationship between theater performance and popular culture. This study discusses the similarities of shadow puppets with temple mural painting and loose-leaf paintings, and shows how puppets may have shifted technically from narrative paintings on loose-leaf folios toward motion pictures, in order to create a more interactive link between the audience and the storyteller. The first part of this paper explores the archetypal and psychological meanings of shadow in Indian culture and religion, as well as its relationship with the origins of painting. The main issues include archetypal references to the shadow of Hindu gods described in Vedic, epic, and Purāņic sources, the use of prototypes to transmit knowledge to humankind, and the analysis of shadow puppets as moving pictures. Secondly, the paper analyzes the materiality of puppets and their consistency with Indian aesthetics and art criticism in the form of theoretical principles found in classical texts and art treatises such as the Nāțyaśāstra, the Viṣṇudhārmottāra, and the Śilpaśāstra.
22
Nushi, Admira. "A Comparative Overview Between the Duo Characters of Don Quixote Dela Mancha and the Rise and Fall of Comrade Zylo." World Journal of Education and Humanities 3, no. 1 (November 17, 2020): p19. http://dx.doi.org/10.22158/wjeh.v3n1p19.
Full textAbstract:
Cervantes’ influence in Albanian literature has not been studied much by Albanian literary criticism, but there is still a lot of interest in finding the traces that literature leaves in another literature, revealing the reciprocal communication between them. Cervantes’ influence with Don Quixote of La Mancha the work of the Albanian famous writer Dritëro Agolli, The Rise and Fall of Comrade Zylo, which conveys the actualization of two archetypal characters of the work of Cervantes in the Albanian literature. The study of Cervantes’ grotesque occupies an important role in the analyses the Albanian literary criticism makes to Quixote. This literary figure is closely related to the creativity of many Albanian writers in the years of dictatorship, and grotesque is considered as a direct influence of Cervantes. Don Quixote of La Mancha is not considered timeless only because the fact that after centuries it continues to be published, read, translated into new languages, but most importantly, we think that literature does not stop being influenced by Don Quixote of La Mancha.
23
Sushyi, Olena Vladimirovna. "SOCIAL ARCHETYPIC IN THE PUBLIC ADMINISTRATION PROBLEM FIELD: CONTEMPORARY STATE AND PROSPECTS OF DEVELOPMEN." UKRAINIAN ASSEMBLY OF DOCTORS OF SCIENCES IN PUBLIC ADMINISTRATION 1, no. 14 (June 16, 2018): 325–38. http://dx.doi.org/10.31618/vadnd.v1i14.123.
Full textAbstract:
This article surveys the development process of social archetypes as a new direction for interdisciplinary research in the public administration problem field, that implemented in the framework of scholarly sessions of Ukrainian School of Archetypes (USArch), namely: International Theoretical and Methodological Seminars and International Competitions for Young Scholars “Archetypes and Public Administration” (2010–2018), International Lectures Cycle “Patterns and Characteristics of Ukrainian Social Transformation” (2016), Internet discussions and skype conferences. Program sessions themes of the listed scholary forms are summarized as well as prospects for further movement of USArch and development of social archetypes as a new direction for interdisciplinary research are defined.Attention is drawn to the fact that the post-soviet scholarly community doesn’t have a sufficiently developed opinion on social archetypes as an interdisciplinary field of research and its methodological foundations. The basis for criticism is an ambiguous attitude both to the teachings of K. Jung about the archetypes of the collective unconscious, and to the psychoanalytic trend as a whole. It is suggested that reducing the degree of critical attitude to social archetypes as an interdisciplinary field of research in the subject field of public administration depends on a number of conditions. Firstly, using the common formulation and interpretation of the ideas that influenced its formation and development. Secondly, from an adequate understanding of both the possibilities of social archetypes which are determined by its original methods of explanation and methods of analysis of subtle social phenomena which can serve as a key point for further theoretical and empirical research, and the theoretical and practical limitations of the archetypal approach. That is why social archetypes is positioned as an interdisciplinary research area. I argued that the social archetypes is not a universal scholarly apparatus and not an orthodox inheritance of the ideas of Jungianism. Finally, it is a methods that allows us to establish patterns and features of modern social development, the practical application of which expands the possibilities of public-management’s activity. At the same time, it is a metaphor through which the researcher is invited to plunge into the wider psychosocial and sociocultural context of social phenomenas and processes.
24
Sloniovska, O. V. "PECULIARITIES OF MYTHOLOGICAL CRITICS AS A LITERARY METHOD OF ANALYSIS OF LITERARY WORKS OF UKRAINIAN DIASPORA WRITERS." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 3(55) (April 12, 2019): 275–82. http://dx.doi.org/10.31471/2304-7402-2019-3(55)-275-282.
Full textAbstract:
The article deals with the issues of scientific use of the tools of mythological criticism in all its current interpretations by scientific schools and currents. The main problematic task of the article appeared to be the reasoned proof of the productivity of analysis by the tools of archetypal criticism of the Ukrainian diaspora writers’ works in the 20-50’s years of the twentieth century. As key tasks we consider the following: to analyze the mythological thinking of the Ukrainian diaspora leading writers in the 20-50’s years in a proper way; to prove the effectiveness of the powerful consolidating literary myth of Ukraine created by the artists; to draw appropriate conclusions on the basis of artistic texts.
The scientific research is based on the significant foundations of scientific achievements of foreign and Ukrainian philosophers, psychologists, ethnographers, anthropologists, folklorists, literary critics and it is defined with the innovative approach to the artistic texts by I. Bagrianyi, V. Barka, V. Samchuk, T. Os’machka, E. Malaniuk, O. Ol’zhych.
The current instruments of archetypal criticism are implemented distinctly, they are systematized and supplemented with the notions of afflatus, insights, categories of mythological concepts, frames, patterns, components of reframing, national domains, mythological phantoms (holograms).
It has been proven that the Ukrainian diaspora’s literature of the 20 – 50-s of the twentieth century has worked out the mythological paradigm of the superiority of the occupied people over an invader, it has created the code-program of Ukraine for the future on its own ancestral land in the centre of Europe, and not Ukraine in the exile, as Ukrainian immigrant politicians propagandized.
The Ukrainian immigrants appear as participants of author’s and life survival experiments in the twentieth century on diaspora prose pages. By interpreting mainland Ukraine as a sacred space, the writers of Ukrainian diaspora artistically tested the concept of a strong spirited and very conscious national heroes, in such a way they intensified the potential readiness of the real people to implement their own state-building efforts.
The literary myth of Ukraine that was realized by the creative efforts of the diaspora writers, possessed important features of the vitaistic and consolidating metaphysical phenomenon. Therefore it has a powerful influence on Ukrainians even in our time.
25
Martínez Preciado, Zulma, and Liliana Moreno Muñoz. "Compilación y análisis de la Literatura Kogi." Revista Grafía- Cuaderno de trabajo de los profesores de la Facultad de Ciencias Humanas. Universidad Autónoma de Colombia 9 (January 15, 2012): 9. http://dx.doi.org/10.26564/16926250.333.
Full textAbstract:
Resumen:El artículo, visibiliza el potencial simbólico de algunas formas compositivas Kogi, que se abren paso en el panorama de la literatura indígena colombiana. Para ello, se recopilaron textos teóricos, críticose investigativos; así como antologías de literatura kogi, y se hizo el análisis a partir de la mitocrítica. Las fases fundamentales del proyecto fueron: indagación acerca del estado del arte respecto a la literatura kogi; recopilación de producción literaria kogi y determinación de formas compositivas y funciones; y selección y análisis de una muestra representativa de la producción literaria kogi, en la que se tuvieron en cuenta algunos motivos arquetípicos recurrentes. Palabras clave: literatura indígena colombiana, kogis, literatura kogi, cultura kogi, mitocrítica, motivos arquetípicos.Resumo:O artigo faz visível o potencial simbólico de algumas formas compositivas Kogi que ganham espaço no panorama da literatura indígena colombiana. Para isso foram recopilados textos teóricos, críticos e investigativos, assim como antologias de literatura Kogi, e foi feita a análise partindo da microcrítica. As fases fundamentais do projeto foram: indagação sobre o estado da arte respeito à literaturaKogi, recopilação de produção literária Kogi e determinação de formas compositivas e funções; e seleção e análise de uma mostra representativa da produção literária Kogi, na qual foram tidos comconsideração alguns motivos arquetípicos. Palavras chave: literatura indígena colombiana, kogis, literatura kogi, cultura kogi, microcrítica, motivos arquetípicos.Abstract:The article, makes visible the symbolic potential of some Kogi compositional forms that make their way into the landscape of the Colombian indigenous literature. To do this, we collected theoretical texts, critical and research as well as literature anthologies kogi, and the analysis was based on the myth criticism. The key stages of the project were: inquiry about the state of the art with respect to literature kogi; kogi literary collection and determination of compositional forms and functions; and selection and analysis ofa representative sample of kogi literary production, in wich took into account some recurring archetypal motifs. Key words: Colombian indigenous literature, kogis, kogi literature, kogi culture, myth criticism, archetypal motifs.
26
Dmytrenko, V. "ARCHETYPE «SHADOW” IN «STALINKA” BY OLES ULYANENKO." Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no. 1(94) (July 2, 2021): 6–15. http://dx.doi.org/10.35433/philology.1(94).2021.6-15.
Full textAbstract:
The article deals with Oles Ulyanenko’s first novel «Stalinka» (1994), which presented the appearance of a new extraordinary artist in literature. Today we have a lot of research for this novel and the writer’s works in general, with a radically opposite representation of the artistic component of his works. There are studies, and not only in which the artist is accused of immorality and other «sins», but also those that contain attempts to define the writer as a kind of seer. Such ambiguity and, at the same time, high appreciation of the work of the writer by P. Zahrebelnyi, who initiated the awarding to the novice writer of the unique Small Shevchenko Prize (1997) for the novel «Stalinka», as well as F. Shteinbuk’s monograph «Pid Znakom Savaofa» or «Tam, de …» Ulyanenko» (2020) opened new dimensions for the analysis of the writer’s work. It inspired the author of the publication to comprehend the work of the extraordinary artist from archetypal criticism. The selection of the archetype «shadow» is represented in work in various guises. It is dominant for understanding the characters of the work. The interpretation of the text with the selection of this archetype helps reveal new meanings encoded by the author and gives the work new dimensions in understanding the author’s hyperbole of human sins. The publication argues that the malignant transformation of the individual is the result of external influences associated with the totalitarian reality of Stalin’s time. The general situation in the country has objectified the «shadow” archetype as the collective unconscious in its worst manifestations. Man’s overcoming of his dark nature is presented in the novel through the image of Lord-Yonka, who undergoes a kind of initiation, i.e., a series of dedicated trials, and eventually overcomes the dark part of his soul, becomes ready for another life.
27
Dale, Corinne. "The Housewife's Tale: Maternal Poetics in Eudora Welty's Delta Wedding." Keeping Ourselves Alive 3, no. 2-3 (January 1, 1993): 209–22. http://dx.doi.org/10.1075/jnlh.3.2-3.07hou.
Full textAbstract:
Abstract In Delta Wedding, Welty immerses the reader in the world of the traditional home-centered woman. The novel explores the transformational, even sacred, nature of housework and domestic ritual through the experiences of five female characters at different stages of development, from 9-year-old Laura to Ellen, the "mother of them all." Structurally, the novel is organized by the intertwined and repeated circular journeys of the women, journeys that echo primal stories of female development. The repetition and sense of stasis that are integral to these elements as archetypal female experiences have irritated some critics. But the novel provides a framework for the maternal ethic of "holding" and offers a feminist poetics, essential for fully appreciating other texts that celebrate traditional female experiences. (Literary criticism; gender studies)
28
Obidič, Andrejka. "Margaret Atwood’s Postcolonial and Postmodern Feminist Novels with Psychological and Mythic Influences: The Archetypal Analysis of the Novel Surfacing." Acta Neophilologica 50, no. 1-2 (November 13, 2017): 5–24. http://dx.doi.org/10.4312/an.50.1-2.5-24.
Full textAbstract:
The paper analyzes Margaret Atwood’s postcolonial and postmodern feminist novels from the psychological perspective of Carl Gustav Jung’s theory of archetypes and from the perspective of Robert Graves’s mythological figures of the triple goddess presented in his work The White Goddess: A Historical Grammar of Poetic Myth (1997). In this regard, the paper focuses on the mythic and psychological roles embodied and played by Atwood’s victimized female protagonists who actively seek their identity and professional self-realization on their path towards personal evolution in the North American patriarchal society of the twentieth century. Thus, they are no longer passive as female characters of the nineteenth-century colonial novels which are centered on the male hero and his colonial adventures. In her postcolonial and postmodern feminist novels, Atwood further introduces elements of folk tales, fairy tales, legends, myths and revives different literary genres, such as a detective story, a crime and historical novel, a gothic romance, a comedy, science fiction, etc. Moreover, she often abuses the conventions of the existing genre and mixes several genres in the same narrative. For instance, her narrative The Penelopiad (2005) is a genre-hybrid novella in which she parodies the Grecian myth of the adventurer Odysseus and his faithful wife Penelope by subverting Homer’s serious epic poem into a witty satire. In addition, the last part of the paper analyzes the author’s cult novel Surfacing (1972 (1984)) according to Joseph Campbell’s and Northrop Frye’s archetypal/myth criticism and it demonstrates that Atwood revises the biblical myth of the hero’s quest and the idealized world of medieval grail romances from the ironic prospective of the twentieth century, as it is typical of postmodernism.
29
Hobson, Marian. "Malcolm, Mallarmé and Music." Paragraph 32, no. 2 (July 2009): 129–39. http://dx.doi.org/10.3366/e0264833409000480.
Full textAbstract:
Starting with a very brief account of the way language's relation to music was conceived before the nineteenth century, Malcolm Bowie's relation to music is considered by close textual analysis of two passages from his work on Mallarmé. I argue that it is through reference to music that Bowie is able to suggest non-closure even in Mallarmé’s use of the archetypal closed form, the sonnet; and through reference to music that Mallarmé’s non-trivial triviality can be handled in a new way. Bowie doesn't posture or postulate through a dialectics, nor stay still by stationary even-handedness. In his way of writing, the reader is neither fired up nor sedated: he or she has to react to muted mini-dramas, which break out in each sentence but which are contained in a clearly directed tone of scholarly criticism.
30
Al-Anshari, Faridz, and Marliza Yeni. "The Influence of Nature toward the Main Character’s Self-Realization in David Malouf’s An Imaginary Life: an Eco-Critical Reading." Vivid Journal of Language and Literature 8, no. 1 (August 15, 2019): 8. http://dx.doi.org/10.25077/vj.8.1.8-12.2019.
Full textAbstract:
This article discusses David Malouf’s novel entitled An Imaginary Life from an eco-critical perspective. It examines certain symbols from nature that appear in the novel during the journey of Ovid, the main character, in the exile. The data is collected by applying library research methods. Primary data are all symbols from nature related to Ovid’s journey and the formation of his new identity in the exile. Meanwhile, the secondary data are all information from books and articles related with archetypal symbols and criticism. The result of analysis is presented by the descriptive method. The analysis results in two conclusions. Firstly, nature that is presented as wild at the beginning of the story turns into a home for the main character at the end of the story. Secondly, nature, represented by some symbols, evidently plays an important role in making Ovid embrace his new life and forms new identity apart from his past life as a famous poet back in Rome.
31
Omeje, Greg, and Chibuzo Onunkwo. "The Reconfiguration of Sisyphean Myth in Hemingway’s The Old Man and the Sea and Akwanya’s Orimili." International Journal of Applied Linguistics and English Literature 8, no. 6 (November 30, 2019): 86. http://dx.doi.org/10.7575/aiac.ijalel.v.8n.6p.86.
Full textAbstract:
A literary work fascinates scholars and critics in different ways which may be based on literary experience or interest. In whichever perspective, literature engages the mind with multiplicity of interpretations. Hemingway’s The Old Man and the Sea and Akwanya’s Orimili have been studied in varied ways but no study, as far as this research is concerned, has looked at either or both texts from the view of configuration of the myth of Sisyphus. Here is a reading that intends to look at the mythic patterns in the two works with respect to the characters of Santiago and Ekwenze Orimili, the protagonists. In the study, attempt is made to define the Sisyphean features, and establish how the patterns are configured in the two texts. The study uses the tool of archetypal criticism, from the perspectives of Northrop Frye, to examine these similar discursive formations in the texts. The study establishes that mythic thinking gives literature rootedness in tradition, and universal appeal.
32
Guangdong, WANG, ZHOU Tao, and LUO Xingping. "New Explorations of Archetypal Folk Criticism: Explanations for a few Theoretical Issues of the Research Subject "Contemporary Chinese Literature and Folk Culture"." Critical Theory 3, no. 2 (2019): 70–91. http://dx.doi.org/10.47297/wspctwsp2515-470204.20190302.
Full text
33
Slim, Hugo. "Humanitarian Diplomacy: The ICRC's Neutral and Impartial Advocacy in Armed Conflicts." Ethics & International Affairs 33, no. 1 (2019): 67–77. http://dx.doi.org/10.1017/s0892679418000904.
Full textAbstract:
AbstractAs part of a roundtable on “Balancing Legal Norms, Moral Values, and National Interests,” this essay describes the humanitarian diplomacy of the International Committee of the Red Cross (ICRC) by comparing it conceptually with other forms of advocacy and illustrating it with the ICRC's recent experience in the Yemen crisis. Humanitarian diplomacy is examined as one particular way of balancing legal norms, moral values, and national interests in the pursuit of greater respect for international humanitarian law (IHL) and principled humanitarian action in armed conflicts. The essay looks back to ancient history for archetypal forms of humanitarian advocacy in various cultural traditions. It then describes humanitarian diplomacy's practice of discreet diplomacy and confidential dialogue with all parties to a conflict, and compares its relatively “quiet” approach with the “loud” approach of outrage activism focused on “naming and shaming,” which tends to be the norm today. The essay argues that there is an important and complementary place for the ICRC's style of humanitarian diplomacy alongside other forms of advocacy even in the face of criticism that the ICRC is sometimes publicly silent about what it knows of atrocities and avoids naming and shaming.
34
Yakusheva, Lyudmila A. "ACTUALIZATION, MYTHOLOGIZATION AND TRANSFORMATION OF THE LITERARY HERO: THE STIRLITZ PHENOMENON." Verhnevolzhski Philological Bulletin 23, no. 4 (2020): 189–95. http://dx.doi.org/10.20323/2499-9679-2020-4-23-189-195.
Full textAbstract:
Conceptualization of artistic actions of the last XX century is a natural and logical process. In the cultural studies discourse of the Soviet cultural typology we can see a sustained interest in educational problems based on visualized acts of a semiotic and semantic range, which are defined through the cultural context of the epoch. The most recognizable sign-index of the 1970s (in terms of time, ideological system and Soviet mentality) is Maxim IsaevStierlitz. On the one hand, this is an image which artistic value was questioned even when it had appeared. On the other hand, mass popularity turned Stierlitz in a precedent phenomenon, and the consideration of canonization conditions inspired this research. The article continues the author's series of publications dedicated to «homo soveticus» and the phenomena of the Soviet era – communal apartments, shop lines, summer cottages. The author, based on her intuition and also on the synthesis of cultural and literary analysis, actualizes resources of myth-based criticism and history of memory, and reconstructs one of the most popular myth-images in literature and cinema of the second half of the XX century – the image of the popular Soviet spy. The research focuses on the reasons of Stierlitz’s mass popularity, archetypal qualities of this character, and its perception by difference cultural generations. The author analyzes vectors of this character’s mythologization.
35
MATZ, AARON. "GE0RGE GISSING'S AMBIVALENT REALISM." Nineteenth-Century Literature 59, no. 2 (September 1, 2004): 212–48. http://dx.doi.org/10.1525/ncl.2004.59.2.212.
Full textAbstract:
In this essay I examine one author's peculiar struggle with the implications and expectations of realism in �ction. In late-Victorian England, George Gissing was at the epicenter of the debates about realism in the novel; for many of his contemporaries he was the archetypal writer of realist �ction. His novels seemed to rely on the grim detail and un�inching techniques associated with that school, and in his criticism he returned constantly to the question of "the place of realism in �ction" (the title of an essay he wrote in 1895). But Gissing never reached a stable verdict on the subject. In his masterpiece, New Grub Street (1891), one of his destitute writer-�gures is nicknamed "the Realist" and preaches "an absolute realism"; in the ruthless world of Gissing's modern Grub Street, the catchword is almost everywhere. What is so odd about the novel is how Gissing's portraits of aspiring realists vacillate between genuine sympathy and merciless satire. Sometimes Gissing seems to identify with those who subscribe to a platform of late-Victorian realism; at other times he appears to mock the whole ridiculous affair. New Grub Street effectively dramatizes Gissing's ambivalence about the workings and purposes of realism in the novel. In this essay I study his vexed attitude by considering New Grub Street in relation to Gissing's Augustan satirical precursors, the response to his �ction in the 1890s, and his own critical writings from the era, especially his extensive commentary on Charles Dickens.
36
Charalambides, Jason E. "Rediscovering the essence in a classical order through analysis and deconstruction." Archnet-IJAR: International Journal of Architectural Research 13, no. 1 (March 18, 2019): 218–36. http://dx.doi.org/10.1108/arch-12-2018-0031.
Full textAbstract:
Purpose The purpose of this paper is to expose a classical Vitruvian archetype and subject it to the logic of deconstruction. The process engages two opposing camps and mindsets, and, through analysis, reaches a point that allows the reader to make assessments on how the archetype fulfills the perceived objectives of its time and how it can be assessed through a more contemporary methodology. Design/methodology/approach This study employs two methodologies in the analysis of an architectural model that became a reference point in the evolution of Western Architecture. A traditional approach similar to Ruskin’s Victorian-style analysis and criticism builds the study’s foundations. That is followed by the method of deconstructivism, challenging the traditional thought, resurfacing of the duality of every attribute assigned to the initial datum. Initially, the study brings to the proscenium the nature of this classical order as a sui generis archetype, defining the engendered properties that describe it. That is followed by an inverse process as applied by the twentieth-century deconstructivist movement. Findings The paper finds the dichotomy of perception of a classical archetype based upon the methods applied. Practical implications Recognition of a dichotomy of perception of a classical architectural archetype becomes overture toward a number of well-defined archetypes based on what could be considered Cartesian non-complex architectural archetypes. Originality/value This paper offers a Gestalt-based reflection on the nature of the Doric order.
37
Sarmadi, Hamid, Mortaza B, Hafez A, and Sirous S. "Negative Correlation Between Economic Structure of Rentier State and Non-Democratization (Case Study: Saudi Arabia)." Humanities and Social Science Research 1, no. 1 (April 8, 2018): p1. http://dx.doi.org/10.30560/hssr.v1n1p1.
Full textAbstract:
The Saudi Arabia having patrimonial government politically system and unique nature of power structure that all political affairs set in Ale Saudi dynasty. Government system is traditional and dependent to person and persons of dynasty are absolute rulers and away from criticism and ruler willing prefer to law. Despite of authoritarian and monarchy system and non-democracy development in Saudi Arabia special now that kind of government system isn’t acceptable side of dominant discourse of global community, this country could rely on oil produce regarding to rentier state features have active representation in international communities and too in home sue achievement to legitimacy and vindication. the interests of state-building and to reinforce its legitimacy, which is hardly the act of a state free of interests. Saudi Arabia is also an archetypal example of a state that still faces influence from actors within the state and elite structures, i.e. princes, senior officials, and clerics, among others. In this article analysis rentier state effect on non-democracy development in case study of the Saudi Arabia and research claim is that in nature of relations between rentier state and non-democracy development exist negative correlation. Namely whatever government income dependent to oil export and state economic nature has been independent from peoples, will be decrease from democratic charge in political dimension. This country by oil produce and effect to world powers economies cause that be complex government structure under monarchy system and use endowment of oil rent. Now observe modern dictatorship that despite of economic and social reforms side if internal, regional and international pressures in general dimension of society, will be non-democratic politically structure.
38
Rushing, Janice Hocker, and Thomas S. Frentz. "Integrating ideology and archetype in rhetorical criticism." Quarterly Journal of Speech 77, no. 4 (November 1991): 385–406. http://dx.doi.org/10.1080/00335639109383970.
Full text
39
Vélez Sainz, José Julio. "«Abrazó al primer hombre»: el teatro político de César Vallejo." Archivo Vallejo 1, no. 1 (November 29, 2018): 19. http://dx.doi.org/10.34092/av.v1i1.21.
Full textAbstract:
El presente trabajo procura una revalorización del teatro de César Vallejo y de su estética teatral (tal y como aparece en El arte y la revolución) a partir de situar correctamente su obra dentro de los parámetros del teatro político y soviético del momento. Vallejo, como Piscator, Meyerhold, Maiakovski, Mishon y otros autores de teatro revolucionario, presentan un proyecto ideológico y estético paralelo en el que la nueva estética proletaria supere a la burguesa. En esta estética es fundamental el uso de la nueva cinematografía, el documento, la «biomecánica», la coreografía armónica y una concepción escenográfico-espacial constructivista. A la par, este artículo adelanta que, desde el Instituto del Teatro de Madrid, nos encontramos en un proceso de realizar una edición de los textos teatrales en francés que incluya los tachones, enmiendas y correcciones. Esta edición podría beneficiarse de ser planteada a partir de los presupuestos de la crítica genética de modo que se deje a las claras el proceso de composición del autor y que permita una mejor fijación del arquetipo de unos textos de tan complicada transmisión.
ABSTRACTThis paper attempts to reappraise the theatre and theatrical aesthetics of Cesar Vallejo, as it appears in El arte y la revolución (‛Art and Revolution’) by properly placing his work in the political theatre and Soviet parameters of those times. As Piscator, Meyerhold, Maiakowski, Mishon and other authors of revolutionary theater, Vallejo presented an ideological and aesthetic project in which the new proletarian aesthetic overcome the bourgeois. In this aesthetic, it is essential to use the new cinema, the document, «biomechanics», the harmonic choreography and a constructivist scenographic-spatial conception. At the same time, this paper anticipates that, from the Instituto del Teatro de Madrid (Institute of the Theatre of Madrid), an edition of the theatrical texts in French, including cross-outs, amendments and corrections, is in process. This edition could benefit from being raised from the presuppositions of the genetic criticism so the author’s composition process are clear and allow a better setting for the complicated transmission of archetypal texts.
Keywords: Cesar Vallejo, Soviet theatre, proletariat, revolution, philology, ecdotics.
40
Krank, Eduard Osvaldovich. "German Packaging for Russian Novel: on the Problem of the Genre of the “Fiery Angel” by V. Bryusov." Ethnic Culture 3, no. 2 (June 25, 2021): 34–38. http://dx.doi.org/10.31483/r-98778.
Full textAbstract:
The article is devoted to the problem of the genre of V. Bryusov’s novel “The Fiery Angel”. The purpose of the article is to assert that the author uses the tradition of the medieval German novel in a stylized capacity. Bryusov needs the method of literary mystification not so much to hide relationships of real people who served as prototypes for the heroes of the novel, but to establish an allusive cultural connection between Germany in the era of M. Luther and the “Silver Age” of Russian literature, with its interest in issues of religion and gender. The relevance of the study dictated by the attention of the modern reader to the literature of the “Silver Age”, as well as a special interest in metamorphoses that the novel genre undergoes in the era of modernism and postmodernism. The research materials are the text of the novel, biographical information related to the personalities of prototypes, reviews of literary criticism, as well as literary studies. We use descriptive, hermeneutic, synchronic, diachronic, historical-genetic, comparative, analytical and biographical methods in this work. The results of the study and their discussion consist in reflection on the paradigm in defining the genre of the novel, in pointing out the tradition of literary mystification, which rises to the “Belkin’s Tales” by A. Pushkin. Also important is the circumstances that the religious searches inherent in the prototypes of the heroes of the novel are akin to Protestant moods of the Reformation. As a result, we conclude that the author, because of the anthropological unity of the archetypal situation, continued the literary tradition of the German Middle Ages. It is laid down in the basis of the plots of both V. Bryusov’s novel and the first part of “Faust” by I.W. Goethe, as well as A. Belyi’s novel “Petersburg”, in which the love triangle invariant and its transformation from prototypes to characters is represented by the same mechanism as is characteristic of the “Fiery Angel”. The assertion of this way of implementing a behavioral scheme (anthropological invariant) in the process of transforming prototypes into characters is the innovation of our work.
41
Zabiyako, Anna A., and Olga E. Tsmykal. "Literary Ethnography in Lyrical Text (Poetic Ethnographism by Larissa Andersen)." Humanitarian Vector 16, no. 1 (February 2021): 45–55. http://dx.doi.org/10.21209/1996-7853-2021-16-1-45-55.
Full textAbstract:
The relevance of the study determines the interest of modern literary criticism in various forms of artistic understanding of ethnographic realities by Russian writers in Manchuria in the first half of the 20th century (literary ethnography). The novelty of the research lies in the study of the lyrical experiments of literary ethnography. The research problem is to determine the specificity of the lyrical method of ethnographic reflection and the creation of an image of artistic perception. The research methodology is based on the structural and semantic analysis of prose texts by Larissa Andersen, addressed to ethnographic material. The authors explore the methods of creating her artistic images of perception of China, Korea, and Japan through the analysis of narrative strategies, the system of image-concepts, and archetypal images of a foreign culture. Research methods: historical-literary, structural-semantic, method of mythological reconstructions, comparative analysis of the translation with the original. The authors state that the literary ethnography of the Far East in various genre and stylistic forms is developing in the literature of the Far Eastern emigration. The most convincing experiences of artistic ethnography, scientific and artistic beginnings are balanced, presented in the narratives of scientific writers N. Baikov and P.Shkurkin, and later genre modifications of M. Shcherbakov, V. Mart, B. Yulsky, focused on research and book experience. Lyrical reflection of ethnographic material has its own specifics. The authors compared the experiences of creating ethnographic lyrics and prose by Larissa Andersen and came to the following conclusions: despite the lack of well-founded scientific knowledge, in her ethnographic essays, on the one hand, her individual ability to comprehend the essence of the observed phenomenon and capture the artistic image of the perception of another culture in capacious detail-concept (mythologeme, characteristic, ethno-stereotype, meta-image), on the other hand, there is an interest in Chinese literary sources and ethnographic texts of predecessors (S. Alymova and others). A characteristic technique for creating an artistic image of perception in essays is the form of personal “narration”， bringing the point of view of the perceiving consciousness of the author and the reader closer together. Keywords: literary ethnography, poetic ethnographism, image of perception, literature of the Far Eastern emigration, Russian Harbin
42
Khresheh, Saqer Salameh Ahmad Sahmasin, and Ady Radwan. "ARCHETYPE OF PATRIARCHY IN SAHAR KHALIFEH’S WILD THORNS." International Journal of Humanities, Philosophy and Language 2, no. 8 (December 5, 2019): 109–15. http://dx.doi.org/10.35631/ijhpl.28008.
Full textAbstract:
Wild Thorns by Sahar Khalifeh emphases on the Zionist occupation of Palestine. It reflects the Zionist occupation as patriarchy. This research aims at inspecting the type of occupation that has been symbolized in the form of patriarchy in Wild Thorns. The research has been directed depending on Jungian criticism that interprets literature as a source of “archetypes”. Therefore, the research aims at interpreting the archetype of patriarchy proposed in Freud’s Totem and Taboo. Depending on this theory, humanity experienced father dominance over children and wives. Accordingly, a revolution or resistance by children and wives is justified due to the bad deeds imposed by the father dominance. In such a way, Patriarchy is embodied in Wild Thorns by the depiction of the relationship between the occupier and the occupied that enables Israel to play the role of a father who imposed bad regulations that made people live in Palestine difficult.
43
Lapidge, Michael. "The archetype ofBeowulf." Anglo-Saxon England 29 (January 2000): 5–41. http://dx.doi.org/10.1017/s0263675100002398.
Full textAbstract:
It is a cardinal tenet of classical textual criticism that medieval scribes were most prone to error when copying from an unfamiliar system of script. Accordingly a good deal of attention has been given by classical scholars to what happens to a text when it is copied from one system of script to another, and to the characteristic sorts of error which such copying involves. The great French textual critic, Alphonse Dain, even coined a Greek term,metacharakterismos(μεταχαρακτηρισμός), to describe the scribal process of copying, character by character, from one script to anodier. (The Latin equivalent would betranslitteratio, which might be rendered ‘transliteration’ in English.) Dain was thinking principally of the transliteration of Greek uncial manuscripts into minuscule script; but the process is also known to have taken place in the transmissional histories of Latin texts, when works of classical literature in (say) rustic capital script were transliterated into the various regional minuscules. By observing patterns of repeated error, Latin textual critics have often been able to demonstrate that the archetype of such-and-such a text must have been written in a particular system of script. The first attempt at such a demonstration was apparently that by the humanist scholar Joseph Scaliger (1540–1609), who in hisCastigationes in Catullum(1577) showed that the archetype of all surviving manuscripts of Catullus was written in what he calledLangobardicae litterae, what we should describe as a form of pre-Caroline minuscule.
44
Kryvoruchko, Svitlana, and Tatiana Fomenko. "The Image of Laurence in the Novel Simone de Beauvoir "Magic Pictures"." Journal of Social Sciences Research, no. 52 (January 25, 2019): 400–407. http://dx.doi.org/10.32861/jssr.52.400.407.
Full textAbstract:
Self-determination of a woman is important for her self-realization at the beginning of the XXI century. A modern woman successfully combines two careers. She presents herself as a specialist and wife / mother. French writer S de Beauvoir drew attention to this in her novel "Magic Pictures" in 1966. Her heroines make it possible to understand the psychological problems of women. The classification of archetypes of goddesses in accordance with the stereotypes of modern women was applied. This concept logically complements feminist criticism and helps to investigate the way the archetypes of the goddesses are manifested in the images, respectively, "feminine", "feminist" and "female" concepts. This will contribute to the clarification of the parable in the works of S. de Beauvoir. S. de Beauvoir uses psychoanalytic approaches to distinguish conscious and unconscious in heroines of literary works, and great attention is paid to unconscious motives and feelings. The writer distinguishes psychoanalytic symptoms, conditions of women to display their personal "psychodrama", which is reflected in literary conflicts. S. de Beauvoir interprets conflicts as external and internal. During the analyses of the writer’s works we also differentiate the conscious and unconscious in her heroines, observe conflicts between men and women, between generations, between the desires of one person, in order to understand better the "mental" state, which promotes character’s development as an existant. The writer made an extremely important artistic and aesthetic contribution into the creation of "feminine" artistic images, which reveals the archetype of Aphrodite, that through the issue of choice introduces the idea of the importance of "love", deprives of feelings and the status of the "Оther" as an inferiority complex, reaching the level of self-realization of an existant.S. de Beauvoir explores the phenomenon of literary existentialism as a problem of choice which a character has to face and contributes to its evolution. S. de Beauvoir’s creation of influential characters, according to "feminine" concept, achieves the highest resonance in the mid ХХ century and extends to the beginning of ХХ–XXI century.
45
Frentz, Thomas S., and Janice Hocker Rushing. "Integrating ideology and archetype in rhetorical criticism, part II: A case studyof Jaws." Quarterly Journal of Speech 79, no. 1 (February 1993): 61–81. http://dx.doi.org/10.1080/00335639309384019.
Full text
46
Shcheglov, Yuri K. "Some Themes and Archetypes in Babel'‘s Red Cavalry." Slavic Review 53, no. 3 (1994): 653–70. http://dx.doi.org/10.2307/2501514.
Full textAbstract:
It is an established fact that the so-called "Southern" (mainly Odessabased) school of writers enriched Soviet literature of the 1920s with a number of "European" dimensions neglected by the then dominant Russian realist tradition, such as (to name but a few) intertextuality, a focus on language and style, and a sharpened sensitivity to plot and composition. It can be said that in Babel' criticism some of these aspects are just beginning to receive the full measure of attention that they merit. However, the rich fabric of Russian and western cultural subtexts in Babel''s prose and its intricate relationships with various literary and mythological prototypes remain largely unexplored. Among recent studies that begin to fill this gap, the forthcoming monograph in Russian by Yampolsky and Zholkovsky deserves special mention as one of the most comprehensive to date.
47
Mills, Jon. "Jung as philosopher: archetypes, the psychoid factor, and the question of the supernatural." International Journal of Jungian Studies 6, no. 3 (September 2, 2014): 227–42. http://dx.doi.org/10.1080/19409052.2014.921226.
Full textAbstract:
In a previous essay offering an exegesis of Jung's metaphysics, I concluded that his position on the archetypes emphasizes basic constitutional patterns that manifest as imago, thought, affect, fantasy, and behavior inherent in all forms of human psychic life (bios) that are genetically transmitted yet realized on different stratifications of psychical order, including mystical properties emanating from supernatural origins. Mark Saban and Robert Segal provide thoughtful critiques of my work that challenge my basic premises. Saban represents a particular Jungian camp conforming to empirical apologetics, while Segal is more critical of Jung's philosophical ideas. The two main themes that emerge from their criticism are that I fail to show that Jung is a metaphysician, and that the archetypes are not supernatural phenomena. Here I will be concerned with recapitulating Jung's metaphysical postulations about the world and psyche and address more specifically the question of his commitment to supernaturalism.
48
Scheffler, Eben. "Jung, the Pentateuch and ethics." Verbum et Ecclesia 25, no. 2 (October 6, 2004): 653–75. http://dx.doi.org/10.4102/ve.v25i2.292.
Full textAbstract:
This article reflects on the contribution that can be made to the interpretation of the Bible by employing the analytical psychology of Carl Jung. After some relevant biographical considerations on Jung, his view of religion and the Bible is briefly considered, followed by a look into Genesis 1-3 in terms of his distinction of archetypes. It is suggested in the conclusion that Jungian psychological Biblical criticism can lead to a changed, but fresh view on the ‘authority’ or influence of the Bible in the lives of (post)modern human beings and their (ethical) behaviour.
49
Meyer, Michaela D. E. "Utilizing mythic criticism in contemporary narrative culture: Examining the “present‐absence” of shadow archetypes inspider‐man." Communication Quarterly 51, no. 4 (September 2003): 518–29. http://dx.doi.org/10.1080/01463370309370171.
Full text
50
LIPPERT-RASMUSSEN, KASPER. "Are Enabling and Allowing Harm Morally Equivalent?" Utilitas 27, no. 3 (May 4, 2015): 365–83. http://dx.doi.org/10.1017/s0953820815000035.
Full textAbstract:
It is sometimes asserted that enabling harm is morally equivalent to allowing harm (the moral equivalence thesis). In this article, I criticize this view. Positively, I show that cases involving self-defence and cases involving people acting on the basis of a reasonable belief to the effect that certain obstacles to harm will remain in place, or will be put in place, show that enabling harm is harder to justify than allowing it. Negatively, I argue that certain cases offered in defence of the moral equivalence thesis fail, because either (1) their similarity with the archetypal trolley case limits their relevance to an assessment of this thesis, or (2) they are compromised by their reliance on the elusive notion of a situation being completely stable.