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Yerzhanova, S. B., and K. K. Baidetova. "PSYCHOLOGICAL AND PHILOLOGICAL ASPECTS OF THE ARCHETYPE." BULLETIN Series Psychology 64, no. 3 (September 20, 2020): 85–89. http://dx.doi.org/10.51889/2020-3.1728-7847.15.
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In our article, we paid attention to the history of the concept of archetype, studied and analyzed the concepts of archetypal plot, motive, and stopped at its place in literature, mythology, psychology, and culture. We paid special attention to the work of the Swiss scientist-psychologist C. G. Jung, who introduced the term archetype into science and studied it in psychological, philosophical, and cultural aspects. Having identified the first archetypal images shown by Jung, we made an analysis, giving importance to the role of the concept of" collective unconscious " in the archetype. In addition, we determined the scientific significance of philological research. The concepts of archetypal plot and archetypal motif introduced by the Russian scientist Meletensky were defined, and examples of archetypal motifs and plots in mythology were given. We have analyzed the concepts of myth and archetype, citing the scientific justifications in the literature. The development of the mythical motif in the works of modern Kazakh writers requires a detailed study of the concept of archetype. At all times, literature cannot separate itself from its original source –myth. Since the Archetype is closely related to mythology, we believe that the importance of this topic is very high today
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Hafi, Isnaini Yulianita, and Syukrina Rahmawati. "The Reality of The Father’s Archetype in Modern Indonesian Literature: Carl Jung’s Analytic Psychological Study." HUMANIKA 29, no. 2 (January 16, 2023): 293–302. http://dx.doi.org/10.14710/humanika.v29i2.50303.
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The purpose of this study is to describe the correlation between the results of literary research about the archetype symbol of the father complex with Jung's analytic psychological theory. Known literary works are concrete evidence of the existence of someone who tries to show his presence in the midst of social life which is full of symbols and myths. Based on the concept of the father complex that appears because of the archetypal characters, it has been clearly seen from the ancestors' time that an unconscious activity forms an adaptive psyche working system before the birth of consciousness and hereditary. This study uses a Literary Psychology approach. The research method used is descriptive qualitative with Jung's analytical psychology theory in studying the novels Koplak by Oka Rusmini and Ayah by Andrea Hirata. The research results can be seen through the four aspects of archetypes according to Jung: a father and a leader who is full of responsibility, a father and a wise man, a romantic and assertive father, and a brave father who is willing to sacrifice for his children. The concept of the father complex in the character of the father in the novel Koplak and Ayah has a difference in psychological conditions and social realities that are raised through stories. The implications of this research can be realized by realizing the concept of the father archetype which shows the existence of a basic personality in society in general.
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Zharylgapov, Zhansaya, and Bibi Syzdykova. "THE CONCEPT OF ARCHETYPE IN LITERATURE AND JUNG'S THEORIES." Bulletin of the Eurasian Humanities Institute, Philology Series, no. 3 (September 30, 2023): 172–84. http://dx.doi.org/10.55808/1999-4214.2023-3.12.
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Many thinkers of the twentieth century came to the conclusion that world culture does not have a common history, the content and meaning of each historical and cultural era cannot be borrowed from each other, nor can they be included. This conclusion opened an appeal to the study of traditional culture in the formation of a new culture of Kazakh literature. Along the way, the Masters of the word sought a new, global perception of the world through psychology, philosophy and mythology, and all directions became the prototype of the inner world. Any phenomenon in the universe, an emerging discovery, will also have an original origin. What we call the original is the origin of all creation on the planet, it is an archetype. In the article, the formation and entry of the concept of "archetype" into scientific circulation was associated with the name of the Swedish scientist Carl Gustav Jung and special attention was paid to the scientist's theory of archetypes. A brief description of the scientist's concepts of "personal unconscious", "collective unconscious" and archetypes "mother", "child", "shadow", "animus" and "Anima", "wise old man" was given. At the same time, attention is paid to the important opinions of both scientists before and after K. G. Jung about the origin of the term" archetype", and there is a desire to consider its use in literature from the point of view of various studies and concepts.
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Khair, Rahimal. "Arketipe Ketaksadaran Tokoh Faris dan Inayah dalam Novel Lail wa Qudbhan Karya Najib Al-Kailani." Arabiyatuna : Jurnal Bahasa Arab 4, no. 1 (May 8, 2020): 49. http://dx.doi.org/10.29240/jba.v4i1.1359.
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This research aims to describe the psychological conflict that can impact the changes of Faris and Inayah attitudes when acting on novel Lail wa Qudbhan by Najib al-Kailani. The approach of this research is the psychology of literature that discusses of the psychology aspects of figures in the work or is called the textual approach. The theory used to study the psychology of figures in this research is Carl Gustav Jung’s psychology theory and focused on the archetypes of the character’s unconsciousness. The research method used is a qualitative method, documentation technic with descriptive analysis of data analysis. There is also the result of this study found that the cause of the change in attitude of Faris and Inayah figures is their unconscious archetype. Faris’s archetype consists of a persona obstinacy, a shadow of killing and copulation, his anima is uncontrolled emotional, a great mother who brings destruction, wise old man who advise and teach patience, and Self want freedom of life and happiness. While Inayah’s archetype consists of a persona of a happy wife, a shadow of murder an indidelity, an animus of rational and stubborn thinking, a great mother who loves, wise old man who teaches patience, and Self want freedom and happiness.
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Şirin, Turgay. "Parallelisms between Jungian Archetypes with Ibn ‘Arabi’s Concept of Ayani-Sabita." Spiritual Psychology and Counseling 4, no. 1 (February 15, 2019): 25–37. http://dx.doi.org/10.37898/spc.2019.4.1.0052.
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This study attempts to put forth the relationship between Carl Gustav Jung’s concept of the archetype and Muhyiddin Ibn ‘Arabi’s concept of Ayani-sabita. In this context, the nature of the concepts of Muhyiddin Ibn ‘Arabi’s Ayani-sabita and Jung’s concept of the archetype are examined, as well as the similarities and differences between each of the two concepts, by researching the issues of the relationship of these concepts with existence and humans. Attention is attempted to be drawn in the study’s results to the topics that the concept of Ayani-sabita, which is often unrecognized in the literature on psychology, can contribute to contemporary psychology, arriving at the conclusion that this concept may be one that can contribute to the science of psychology just as Jung’s archetype concept.
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Raissa, Thalitha Yumna, and Arju Susanto. "MANIFESTASI ARKETIPE TOKOH LAISA DALAM NOVEL DIA ADALAH KAKAKKU KARYA TERE LIYE: ANALISIS PSIKOLOGI SASTRA." AKSARABACA Jurnal Bahasa, Sastra, dan Budaya 2, no. 1 (February 16, 2024): 176–85. http://dx.doi.org/10.47313/aksarabaca.v2i1.946.
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ABSTRACTThesis entitled “Archetypes Manifestation of Laisa’s Figure in The Novel Dia Adalah Kakakku by Tere Liye: Analysis Psychology Literature” is the study of character and personality Laisa’s figure through aspects of archetypes in the novel Dia Adalah Kakakku by Tere Liye. The study aims to describe archetypes persona, shadow, animus, and self in the main character Laisa’s as well as the characteristics of figures. This research is about qualitative research that produces descriptive data that then analyzed using a model of psychology literature, Carl Gustav Jung how about four archetypes, such as: persona, shadow, animus, and self. Source data used to view novel Dia Adalah Kakakku by Tere Liye. The results of this research indicate that Laisa’s is a manifestation of the archetypes persona, shadow, animus, and self. Four elements is connected to each other. If the four elements has been achieved, then everyone can move forward towards the perfection life. It is said that because individual has achieved standard of the elements archetype in personality. Keywords: psychology literature, archetype, the character.ABSTRAK Penelitian yang berjudul Manifestasi Arketipe Tokoh Laisa Dalam Novel Dia Adalah Kakakku Karya Tere Liye: Analisis Psikologi Sastra merupakan penelitian terhadap penokohan tokoh utama dan kepribadian tokoh Laisa melalui aspek arketipe kepribadian yang ada dalam novel Dia Adalah Kakakku karya Tere Liye.Penelitian ini bertujuan untuk mendeskripsikan arketipe kepribadian yang mencakup, persona, bayangan (shadow), anima, dan diri (self) dalam diri tokoh utama Laisa dalam novel Dia Adalah Kakakku karya Tere Liye serta karakteristik tokoh yang tercakup dalam novel Dia Adalah Kakakku karya Tere Liye. Penelitian ini merupakan penelitian deskriptif kualitatif yang kemudian dianalisis dengan menggunakan model psikologi sastra teori psikologi analitik Carl Gustav Jung untuk memahami bagaimana arketipe kepribadian yang mencakup persona, bayangan (shadow), anima, dan diri (self). Sumber data yang dipergunakan adalah novel Dia Adalah Kakakku karya Tere Liye. Data diperoleh dari teknik simak dan catat. Hasil penelitian ini menunjukkan bahwa kepribadian tokoh utama dalam novel Dia Adalah Kakakku karya Tere Liye merupakan manifestasi dari adanya arketipe persona, bayangan (shadow), animus, dan diri (self). Keempat unsur arketipe saling terkait satu sama lain. Apabila keempat unsur arketipe itu sudah tercapai, maka setiap orang dapat bergerak maju menuju kesempurnaan hidup yang dijalaninya. Dikatakan demikian karena individu telah mencapai taraf keseluruhan unsur arketipe kepribadian yang sesungguhnya. Kata kunci: psikologi sastra, arketipe, penokohan
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Zhou, Caihong, and Zongmei Fu. "An Archetypal Analysis of the Queen Mother of the West in Chinese Mythology." Folklore: Electronic Journal of Folklore 92 (April 2024): 167–84. http://dx.doi.org/10.7592/fejf2024.92.zhou_fu.
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Amongst all the goddesses in ancient China, the Queen Mother of the West (Xiwangmu) represents the most multi-layered mother archetype with the richest connotations. Through a longitudinal literature review, this paper aims to explore different facets of the Queen Mother of the West as a representation of the Great Mother archetype in Jungian psychology. In ancient China, she was a supreme goddess controlling the order of the universe. Her residence, Mount Kunlun, is capable of nourishing and devouring life. She possesses the elixir of life and controls the punishments of the world. Thus, the Queen Mother of the West is transformed into a deity of both life and death. In the funeral rituals of the Han and Tang dynasties, she was a goddess who summoned the dead and led their spirits to heaven, while in folklore she was a mythical Muse for many emperors and the anima of many intellectuals. She is the mother of reincarnation and the eternal spirit. As a symbol for instinct, archetype and femininity in the collective unconscious, the Queen Mother of the West embodies both the positive and negative aspects of the mother archetype: the positive being the persona of the Great Mother and the negative being the shadow. At the ultimate stage of spiritual development, she acts as the anima and the transcendent Holy Virgin in ancient Chinese culture.
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Serrican, Ece. "Reflexion of the archetype concept in Carl Gustav Jung’s theory of analytical psychology to the literature." International Journal of Social Sciences and Education Research 1, no. 4 (December 28, 2015): 1205–15. http://dx.doi.org/10.24289/ijsser.279130.
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Kuang, Xiuli, and Chen'bei Yang. "Archetypal Literary Criticism and Structuralism." Философия и культура, no. 5 (May 2023): 87–97. http://dx.doi.org/10.7256/2454-0757.2023.5.40083.
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The study of literature from the point of view of the search for archetypal images and the study of artistic creativity from the standpoint of structuralism are two important trends. Both of these trends have emerged in the contexts of different scientific paradigms. The origin of archetypal criticism is associated with the figure of Herman Northrop Fry, and the basis of archetypal criticism is psychology, namely the concept of psychoanalysis, founded by Sigmund Freud and Carl Gustav Jung. While the origin of structuralism is associated with linguistics and the name of Ferdinand de Saussure, who first began to consider language as a system of signs in which each element defines other elements and is itself determined by them. With all the difference in origin, in general, both theories do not contradict each other - on the contrary, they complement each other. Archetypal literary criticism and structuralist theory of art have deep internal theoretical connections in several ways: both theories look for repetitive elements in literature, both consider literature as a space of memory about the past. Archetypal literary criticism and the structuralist theory of art direct the appeal to the psychology of man as the creator of works of art. Both directions are also largely based on the idea of binary oppositions: within the framework of the archetypal criticism of the pair, many archetypes are grouped into pairs, whereas within the framework of structuralism, the idea of structure itself is based on elementary concepts opposed to each other; finally, both methods have been criticized for the same shortcomings, such as the denial of author subjectivity and the denial of human progress. This article attempts to show that the theory of archetypes in literature and the structuralist theory of art complement each other, and how exactly this complementarity is achieved.
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Chatterjee, Arup K. "A Study in Furniture: The Moonstone’s “Detective Fever” and Pharmacy of Deduction." Interdisciplinary Literary Studies 24, no. 1 (March 1, 2021): 142–71. http://dx.doi.org/10.5325/intelitestud.24.1.0142.
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ABSTRACT This article challenges notions of furniture as being merely figures of speech in Victorian fiction, through what is here demonstrated in an archetypology of furniture based on Wilkie Collins’s novel, The Moonstone (1868). Taking the story beyond its allegory of imperial psychology, I chart the functional aspects of furniture, viewed as archetypes. The Moonstone inspired the interiors of detective plots in the works of Sir Arthur Conan Doyle and Agatha Christie, enabling furniture to transcend its status as dispensable nouns and assume archetypal roles that catalyse and morph the interiors and plots of literary texts. The Moonstone overturned prescriptive and eroticized stereotypes of Victorian parlours, replacing them with male-criminal-and-detective archetypes and the archetypal pharmacy—the prototypical 221B Baker Street quarters. The novel furnished characters’ intimate relationships to objects (glass artifacts, tables and chairs, chests of drawers, and bookshelves), which in turn furnishes the detective plot, at a time when Victorian aesthetics was witnessing a functionalist turn. This in turn shaped the investigative spaces of Holmes and Poirot with tremendous value derived from the new archetypal functions of furniture.
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Leigh, David J. "Carl Jung’s Archetypal Psychology, Literature, and Ultimate Meaning." Ultimate Reality and Meaning 34, no. 1-2 (March 2011): 95–112. http://dx.doi.org/10.3138/uram.34.1-2.95.
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Vendina, Tatyana I. "Dialect Word as “Archetype” of Russian Culture." Slavic World in the Third Millennium 14, no. 1-2 (2019): 125–39. http://dx.doi.org/10.31168/2412-6446.2019.14.1-2.8.
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The article analyzes the problems of anthropological linguistics. In the last decades, the ideas of anthropological linguistics have been actualized, which contributed to the revival of interest in Alexander von Humboldt’s idea that a language is “activity of national spirit.” It focuses on the study of the manifestations of the “human spirit” in language, customs, rituals, myths – in other words, the analysis of the processes of perception, knowledge, thinking, and man’s emotional attitude to the world. Language as “activity of national spirit” in accordance with the direction of anthropological linguistics is considered both as a tool of mental ordering of the world and as a mirror of ethnic worldview. Before linguistics opened a new field of research related to the hermeneutic study of language, which allowed us to move from empirical data to their interpretation analysis, i.e. to rise from the level of registration of facts to the level of their explanation. From linguistics “in itself and for itself” (F. Saussure), it turned into a “why/why-linguistics” (A.E. Kibrik). And in this transformation of interpretative linguistics, cognitive science has a special role and gives cultural, ethno-psychological, and historical explanation to the linguistic facts. The author believes that an adequate description of the nation’s psychology and its culture should be obtained based on the data of their language. Appeals to authorities’ opinions in the field of literature or philosophical thought are not convincing, because it is always a point of view from the outside, which is subjective. According to the author, it is necessary to abandon the imposed assessments and penetrate into the ideology of language. Moreover, the success of cognitive-oriented linguistics suggests that the language structure is not arbitrary and it is significantly motivated by the organization of cognitive structure, which is reflected in the mirror of natural language. Using a lot of dialect material, the author proves that by studying the dialect word we will be able to understand not only the archetype of our culture, but also its true essence. The author illustrates this position on the example of such basic concept of Russian traditional culture as WORK. The analysis of dialect material in the proposed perspective allowed to critically assess the negative perception of the Russian people, who are allegedly characterized as lazy and passive. According to the author, WORK is not just an activity, but an ethically significant activity, which is still determined by the Russian mentality, so the idea that Russians do not accept hard work is denial of the moral basics of their life.
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Slattery, Dennis Patrick. "The Medial Archetype: Retrieving the Feeling Soul." Jung Journal 17, no. 3 (July 3, 2023): 116–21. http://dx.doi.org/10.1080/19342039.2023.2224727.
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Diaz Lopez, Victor. "La Odisea homérica y la cueva como arquetipo de paisaje rural y primer hábitat mediterráneo." Hábitat y Sociedad, no. 14 (2021): 287–302. http://dx.doi.org/10.12795/habitatysociedad.2021.i14.15.
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The search for an answer to the question of when the landscape begins, brings us closer to a subject as complex as that of looking for traces of landscape in Homer’s genesic works. From a phenomenological analysis of literary texts, we are forced to draw on such heterogeneous sciences as psychology, painting or geography, to promote a transdisciplinary convergence that helps us in our search for landscape and housing archetypes from attentive and inquisitive readings of the Homeric hexameters and some of the possible objectifications of their places of indeterminacy. We focus on the Odyssey, Homer’s second masterpiece, recited and written at the end of the 8th century BC and considered the germ of Western literature. Such an epic narrative develops complex plots in settings belonging to known and differentiated territories known as “Hellas”. In short, Homeric stories necessarily take place in a “place”, be it real, imaginary or fictitious, of a physical space or vital territory- in which action and daily life will take place. The Poet, as aedo-educator, selects stereotypical natural or cultural spaces of the Mediterranean in order to show archetypes of nature, geography, the polis, and the Mediterranean landscape itself, as an educational and unifying program for the dispersed peoples of Hellas. And the objectifications of that Homeric world, carried out throughout history by different memory repositories, will be the basis for the creation of the West. Here we dare to identify the cave —located on mountainous limestone slopes and facing the sea— with the archetype of the first Mediterranean rural landscape and habitat.
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Emashev, Andrey Andreevich, and Viktoria Borisovna Bakula. "Universal Archetypes in the Novel «Alkhalalalai» by the Sami Writer N. Bolshakova." Ethnic Culture 4, no. 4 (December 27, 2022): 29–33. http://dx.doi.org/10.31483/r-103765.
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The literature of the Kola Sami, an indigenous small-numbered people of the Arctic, is still insufficiently researched by literary critics and is little known to the scientific community. The novel «Alkhalalalai» by Nadezhda Bolshakova, a member of the Writers' Union of Russia, is the first novel in the literature of the Kola Sami. The article is devoted to the study of the archetypal basis of the novel. The analysis of universal archetypes of the Great Mother, Virgin, Heavenly Father, Rebirth, etc. is carried out. The methodology of the research consists of works in the field of cultural studies, ethnography, anthropology and psychology; mythology and folklore; literary theory; literary studies of Sami literature. The main methodological principle in the work was the application of C.G. Jung's theory of archetypes, reinterpreted by literary criticism. To solve the research tasks, methods of theoretical analysis of works in the field of anthropology, cultural studies, mythology, folklore, literary studies were used; synthesis of the data obtained; comparative analysis. As a result of the analysis, it was found that in the text of the work, the worldview of the aborigines of the North was reflected, among other things, in the system of universal archetypes, ritual and mytho-folklore elements. Since the novel belongs to ethnic literatures, elements of the archaic worldview of ancient man are strong in it. The literary creativity of the Sami is still influenced by the myths and folklore of the Northern culture.
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Miernik, Agnieszka. "Transfiguracja symboli archetypowych w utworach Marty Tomaszewskiej." Studia Europaea Gnesnensia, no. 14 (December 15, 2016): 69–81. http://dx.doi.org/10.14746/seg.2016.14.4.
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An analysis of the process concerning transfer of archetypal symbols in fairy-tale plots, conducted firom the perspective of depth psychology (C.G. Jung), reveals the human being to be a culture creator (homo culturalis), who uses vivid language and aims at abstracting a multidimensional sense of existence. The paradigm of archetypal literary criticism (N. Frye) offers multidimensional insights into a work of literature and demonstrates the shifts of the arche, a constant adjustment of archetypes to the demands of the present. When attempting to determine the archetypal order in the works of Marta Tomaszewska, one should be aware of the fact that it is one of many possible efforts to read multi-perspective symbolic contents and it validates the thesis presuming an endless source of the collective unconscious.
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Mikinka, Aleksandra. "Magna Mater modernistów – kobiecość archetypiczna i inne aspekty boginiczności w epoce Młodej Polski." Białostockie Studia Literaturoznawcze, no. 22 (2023): 139–54. http://dx.doi.org/10.15290/bsl.2023.22.08.
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The Great Goddess is a figure/idea/deity that has been “resurrected” again and again over the past century and a half, both in the context of various scholarly studies and Western spirituality. The popularity of the concept of the Great Goddess is analyzed from the perspective of various disciplines: psychology, anthropology, history of religion, etc. The origins of this phenomenon – the great return and vindication of the female deity in culture – lie primarily in the 19th-century literary texts and philosophical essays. The pancultural motif of Magna Mater has already captured the attention of Polish literary scholars, but the research has mainly concerned contemporary works and has concentrated primarily on the fantasy genre. Drawing in particular from the field of depth psychology, the author of the article adopts similar research methods to analyze works from the turn of the 19th and 20th centuries. She seeks to discover in them the archetype of the Great Goddess, which already at that time began to inspire female and male artists. This resulted in extremely interesting literary creations and motifs, including Polish works.
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Swogger, Benjamin J. "In Memory of Anthony Stevens: A Career Retrospective with Emphasis on His Formative Role in the Archetype Debate." Journal of Analytical Psychology 69, no. 1 (February 2024): 88–101. http://dx.doi.org/10.1111/1468-5922.12969.
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AbstractThis paper celebrates the life and legacy of psychiatrist and Jungian author Anthony Stevens, who passed away at age 90 on July 13, 2023. It outlines Stevens's origins as a research fellow in Greece, where his work on infant attachment led to a lifelong dedication to establishing the biological and evolutionary foundation of psychiatry. It details his instrumental role in the debate about the theory of archetypes and describes the current state of the literature including the responses and reactions to Stevens's biological innatist position. The paper concludes with a career retrospective in which Stevens's major works are introduced and briefly described.
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Susanto, Arju, Lana Nadia, and Kurnia Rachmawati. "ARKETIPE TOKOH LAIL DALAM NOVEL “HUJAN” KARYA TERE LIYE: KAJIAN PSIKOLOGI SASTRA." AKSARABACA Jurnal Bahasa, Sastra, dan Budaya 2, no. 2 (February 19, 2024): 206–19. http://dx.doi.org/10.47313/aksarabaca.v2i2.3173.
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ABSTRAKSuatu karya sastra boleh jadi merupakan miniatur dari kehidupan nyata, tokoh-tokoh yang dihadirkan dalam suatu karya sastra bukan tidak mungkin adalah karakter asli seseorang yang dekat dengan pengarang dan tak jarang pula ditemukan pada satu karya sastra penggambaran lingkungan yang sama persis dengan suatu lingkungan di dunia nyata.Dengan hadirnya unsur-unsur nyata pada karya sastra khususnya karakter asli manusia pada tokoh-tokohnya menjadikan suatu karya sastra dapat dijadikan suatu objek kajian psikologi. Hal tersebut dikarenakan karya sastra merupakan cerminan psikologis pengarang dan sekaligus memiliki daya psikologis terhadap pembaca. Novel “Hujan” menceritakan tentang kisah hidup seorang gadis muda bernama Lail. Sesuai dengan judul novel, setiap momen-momen penting yang terjadi pada Lail selalu memiliki latar suasana ataupun keterkaitan dengan hujan. Lail sebagai tokohutama dalam novel ini memiliki karakter yang terbilang biasa saja dengan tipe kepribadian seperti gadis muda pada umumnya. Penelitian ini bertujuan untuk mendeskripsikan struktur novel “Hujan” karya Tere Liye sertamendeskripsikan arketipe tokoh Lail berdasarkan teori psikologi analitik Carl Gustav Jung dengan metode penelitian deskriptif kualitatif. Teknik pengambilan data yang dipergunakan dalam penelitian ini adalah teknik membaca, simak, dan catat. Penelitian ini menghasilkan struktur novel “Hujan” karya Tere Liye berupa unsur intrinsik novel yangberupa; 1) tema; 2) plot; 3) penokohan; 4) latar; dan 5) sudut pandang. Selain itu, penelitian ini juga mengshasilkan unsur-unsur arketipe tokoh Lail dalam novel “Hujan” karya Tere Liye yang berupa persona, shadow, animus, dan self. Kata Kunci : Arketipe, Novel Hujan, Psikologi Sastra ABSTRACTA work of literature may be a miniature of real life; the characters presented in a work of literature may also be inspired by the original characters of someone related to the author;and a work of literature may portray a setting that is exactly the same as the environment in the real world.The inclusion of factual components in novels, particularly the characters of real people in the characters, can be applied as a psychological research object. This is due to fact that works of fiction are both a psychological reflection of the author and a psychological influence on the reader. The novel “Hujan” tells about the life story of a young girl named Lail. Every momentous moment in Lail's life has a background or is correlated to ran, as the title of the novel says. Lail as the main character in this novel has a character that is relatively normal with a personality type like young girls in general. This study will use descriptive descriptive research methodologies to describe the structure of Tere Liye's novel "Hujan" and the archetypes of Lail'scharacter based on Carl Gustav Jung's analytical psychology theory.The data collection technique used in this study is the technique of reading, listening, and taking notes.The structure of Tere Liye's novel "Hujan" in the form of novel intrinsic elements in the form of: 1) topic; 2) plot; 3) characterizations; 4) setting; and 5) point of view are theoutcomes of this study. Furthermore, as a result of the research, archetypal aspects of Lail's character in Tere Liye's novel "Hujan" appear in the categories of persona, shadow, animus, and self. Keyword : Archetype, Novel Hujan, literature psychology
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Rosales-Wyman, Carolina I. "Dreams and the Archetype of Home as the Path to Healing." Jung Journal 17, no. 1-2 (April 3, 2023): 63–68. http://dx.doi.org/10.1080/19342039.2023.2171714.
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Das, Jigisha. "The stalwart - Carl gustav jung." Telangana Journal of Psychiatry 9, no. 2 (2023): 169–72. http://dx.doi.org/10.4103/tjp.tjp_59_23.
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ABSTRACT Carl Gustav Jung was a Swiss psychiatrist who pioneered in analytical psychology. His fundamental work on the unconscious human mind, association tests, archetypes, anima and animus, the self, the persona, introverted, extroverted, synchronicity, psyche, complexes, and individuation has an influential impact on psychology, for which he became the father of analytical psychology also known as Jungian psychology. His works in literature, art, philosophy, religion, and spirituality are inspirational. In World War I, he worked under Eugen Bleuler as a psychiatrist at Zurich University. He was a close associate of Sigmund Freud but it did not last long. “Psychology of the Unconscious” is one of his exceptional works.
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Rigsby, Roberta K. "Feminist critics and archetypal psychology: What's in it for us?" Lit: Literature Interpretation Theory 2, no. 3 (February 1991): 179–200. http://dx.doi.org/10.1080/10436929108580055.
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Sladojević Matić, Jelena. "Encounter with Shadow and Its Manifestations in Fairy Tales and Literature." AM Journal of Art and Media Studies, no. 23 (October 15, 2020): 149–58. http://dx.doi.org/10.25038/am.v0i23.403.
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Shadow is one of the basic concepts of analytical psychology, a structure with its archetypal basis, related to the contents separated from the conscious part of personality. Most often those are instinctive and inferior contents of sexual and aggressive nature, but also talents and potentials that are removed from the field of consciousness. We can talk about personal and archetypal Shadow that is manifested through different social phenomena of projecting negative and inferior content on marginal groups. Shadow as a universal and omnipresent structure can be recognized in myths, fairy tales and literature. Its presence in cultural heritage offers possibility for therapeutical work to clarify to our clients both its contents and the levels of integration, using amplification. In this paper, I will illustrate some of the manifestations of archetypal and personal Shadow. Article received: April 28, 2020; Article accepted: June 6, 2020; Published online: October 15, 2020; Original scholarly paper
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David-West, Alzo. "Archetypal Themes in North Korean Literature." Jung Journal 5, no. 1 (January 2011): 65–80. http://dx.doi.org/10.1525/jung.2011.5.1.65.
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Grobbelaar, Denise. "The White Lion as Symbol of the Archetype of the Self and the Cannibalization of the Self in Canned Hunting." Jung Journal 14, no. 2 (April 2, 2020): 11–29. http://dx.doi.org/10.1080/19342039.2020.1742550.
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Warwick-Smith, Katheen. "Tracking Prudence: What an Iconographic Trail Reveals about Western Culture and its Pathology." Journal of Jungian Scholarly Studies 15, no. 1 (March 23, 2020): 22–45. http://dx.doi.org/10.29173/jjs124s.
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In the Middle Ages the cardinal virtue Prudence is revered and her depiction widespread. In the modern era, however, few Westerners esteem Prudence or can recognize her iconography. This article traces the evolution of the archetypal image of Prudence beginning in the fifth century through art and literature. By the modern era the formerly multifaceted Prudence becomes narrowly characterized as cautious or prudish, evidenced in popular culture (e.g., film). Her value might appear negligible. However, archetypal Prudence reemerges in Jung’s paradigm. The lens of depth psychology further reveals the current presence of archetypal Prudence within western culture, especially its prevalent pathological presentation, which may have implications for western culture’s sustainability. Prudence, as a virtue rooted in human neurobiology and the archetypal psyche, seems crucial to navigating the current manifestations of cultural and ecological chaos, perhaps demonstrating one of humanity’s current psychological tasks: to bridge human consciousness with Nature.
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Bankauskaitė, Gabija, and Raminta Stravinskaitė. "Masculinity in Algirdas Landsbergis's Short Stories." Respectus Philologicus 40, no. 45 (October 11, 2021): 122–33. http://dx.doi.org/10.15388/respectus.2021.40.45.97.
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In interwar and post-war societies, men were required to show endurance, courage, and emotional stability, but their traumas, caused by the experience of war and the economic, political, and social realities of the post-war period, are just started to be analysed. Algirdas Jeronimas Landsbergis (1924–2004), a playwright, prose writer, editor, literary and theatre critic of the Lithuanian diaspora, conveys these themes in his work. The images of masculinity revealed in the texts help clarify the general experience of the society hidden in the works and understand what kind of masculinity prevailed in society after the world wars changed the lives of women and men. Using K. G. Jung’s theory of analytical psychology, the article analyses A. Landsbergis’ short stories, which literature researchers less studied. Texts are explored as reflections and shapers of society, and in the case of masculinity, it is discussed what is meant by the archetypes of masculinity recorded in the literature. Based on the work of R. L. Moore and D. Gillette and J. C. Campbell, the archetypes of the divine child, the child prodigy, the Oedipus child and the hero and mature masculinity – the king, warrior, magician and lover are distinguished.
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Ahmetagić, Jasmina M. "PSIHOLOŠKI PRISTUPI U SRPSKOJ FILOLOGIJI." Nasledje, Kragujevac XVIII, no. 50 (2021): 129–40. http://dx.doi.org/10.46793/naskg2150.129a.
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Opposing the widely spread association of psychological approaches to literature with reductionist psychoanalytic interpretations, in this text, we demonstrate that the psychological approach to literature is just one available interdisciplinary method, which has produced some of the most valuable results in Serbian philology. We presented the basic directions, methods, achievements, and shortcomings of different psychological approaches, and outlined the pro- files of the literary scholars who connected these disciplines in a representative manner. We pointed out the diversity of psychological approaches, not only regarding their theo- retical orientation (Freudian psychoanalysis, with its unique extension in Lacan’s work, Jung’s analytical psychology, followed by existentialism and self psychology), but also regarding their results. It was mainly the vast psychological knowledge in the studies of H. Klajn, N. Milošević, Z. Gluščević. M. Šutić, R. Kordić, and O. Žižović that served as the starting point, building a specific perspective that allowed us to analyse the given literary works from its many sides, without neglecting its literary and aesthetic components. We demonstrated that applying Jung’s analytical psychology and the theory of archetypes produced by far the most valuable insights, while overestimating Freud’s psychoanalytic frame of reference emphasized the weak points of the approach. We also identified self psychology as a potentially fruitful but also heavily underutilized method in Serbian philology. As a rule, whenever we treated the psychological approach as an auxiliary means of liter- ary interpretation, it yielded valuable results and we found innovative approaches that deep- ened our understanding of the literary work. On the other hand, when we applied psychology as a key, a solution to the work’s mystery, we ended up with one-sided approaches, that are, in the end, the only approaches to which the frequently and unjustifiably used term “psycholo- gism” can be applied.
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Shah, Hunar, and Samina Rahat. "Jungian Archetypes in Hermann Hesse’s Demian." Spry Contemporary Educational Practices 3, no. 1 (January 2024): 29–48. http://dx.doi.org/10.62681/sprypublishers.scep/3/1/2.
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Introduction: This study delves into the interpretation of Hermann Hesse's "Demian" through the lenses of Jungian Psychology and archetypal literary criticism. Specifically, it aims to illuminate the personality traits of the protagonist, Emil Sinclair, using a qualitative approach. Focused on the concept of "individuation," the research employs textual analysis and interpretation to unravel Sinclair's character development across various stages of his life. Methodology: The research methodology involves exploring Hermann Hesse's "Demian" as the primary source of data. Additionally, secondary sources such as books, articles, and previous research on the novel contribute to the data collection process. The research adopts a qualitative approach with interpretive content analysis as the chosen technique. The inductive research approach guides the exploration of the protagonist's psychological journey. Results/Findings: The analysis reveals that Emil Sinclair, the main character, undergoes a transformative process towards "individuation" and psychological balance. Experiencing the "shadow," Sinclair progresses through various stages of mental growth, integrating unconscious elements with consciousness a key aspect from the Jungian perspective. The fusion of opposites, facilitated by his connections with Demian and Frau Eva, contributes to Sinclair's development into a more balanced individual. Future Direction/Implication: This study not only contributes to the understanding of Hermann Hesse's "Demian" but also opens avenues for future research on the psychological processes depicted in literature. The implications extend to the exploration of individuation, psychological maturation, and the integration of opposites in fictional characters. This research sets the stage for further investigations into the profound intersections between literary works, psychological theories, and archetypal criticism.
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Kehl, D. G. "The Distaff and the Staff: Stereotypes and Archetypes of the Older Woman in Representative Modern Literature." International Journal of Aging and Human Development 26, no. 1 (January 1988): 1–12. http://dx.doi.org/10.2190/f7ky-r6gk-ye7l-pbcd.
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Belles-lettres, dealing with what it means to be human, serve to expose stereotypes, strip them away, and reveal the truth behind the misconceptions, often in terms of archetypes. An all-too-common subject of stereotyping is the aging of women. Much modern fiction and poetry cogently exposes such demeaning stereotypes. References to twenty-five representative poems and nine works of fiction by thirty-five modern authors (American, British, Australian, French) demonstrate that the elderly woman often survives with dignity, even nobility, in a society often insensitive to her plight, that she often ages with grace, retaining her independence, fortitude, and passion for life.
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Fink, Jessica K. "Archetypal Tarot." Jung Journal 16, no. 2 (April 3, 2022): 62–74. http://dx.doi.org/10.1080/19342039.2022.2053470.
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Galipeau, Steven. "Archetypal Typology." Jung Journal 3, no. 2 (April 2009): 89–94. http://dx.doi.org/10.1525/jung.2009.3.2.89.
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Quigley, Narda R., Catherine G. Collins, Cristina B. Gibson, and Sharon K. Parker. "Team Performance Archetypes: Toward a New Conceptualization of Team Performance Over Time." Group & Organization Management 43, no. 5 (August 16, 2018): 787–824. http://dx.doi.org/10.1177/1059601118794344.
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We examine the concept of team performance and propose a framework to understand patterns of change over time. Following a literature review on team performance (focusing on empirical articles published between 2007 and 2017) and drawing on Greek and Roman mythology, we identify five team performance trajectories: “Jupiter” (consistently high performing), “Neptune” (relatively steady, average performance), “Pluto” (low performing), “Icarus” (initially high performing, with a downward spiral), and “Odysseus” (initially low to midrange performing, with an upward spiral), which we refer to as “team performance archetypes.” We discuss how they might be used in conjunction with growth modeling methodology to help facilitate theory building and data collection/analysis with respect to team performance. In addition, we discuss the future research implications associated with using the archetypes to help conceptualize patterns of team performance over time.
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Landsbergytė-Becher, Jūratė. "Metaphor in the Context of Baltic Music: the Idea of Eternal Return." Pitannâ lìteraturoznavstva, no. 101 (July 9, 2020): 177–90. http://dx.doi.org/10.31861/pytlit2020.101.177.
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Metaphor is the essential form for building momentum in the phenomenon of Baltic music. It created a new silent style of defensiveness and transcendentality, which eventually could help to change the self-awareness of the nation. The purpose of this article is to research the linguistic power of a metaphor, its transfer into the music and how it helped to uncover disinformation in the period of Soviet ideological domination. The comparative methodology is used to examine metaphors in the areas of music, literature, political science, and aesthetics of art philosophy. This article is structured to show the motion of metaphor in particular turns of time. Metaphor is a powerful instrument to raise the dimensions of the archetypes of national identity and statehood rights. Its usage could be compared with religion, nature, sacrality of space and history, and it is necessary for the change in the knowledge about the nation’s development. Metaphor is the renewed road to comprehend the importance of statehood existence and what happened in Baltic states during the times of crucial changes. It could be said that the metaphor helped to regain independence without the army and spreads its influence similarly at the present day, penetrating the new media streams connecting the matters of statehood. The article findings summarise the origins of the power of the nation based on the phenomenon of the resurrection of archetypes (under the theory of C. G. Jung), which were rediscovered by using principles of psychology.
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Andrikopoulos, Laura. "Myth, Enchantment and Psychological Astrology." Culture and Cosmos 23, no. 02 (October 2019): 25–42. http://dx.doi.org/10.46472/cc.0223.0207.
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James Hillman's archetypal psychology aimed to take psyche out of the consulting room and back to the cosmos, through cultivation of a mythical consciousness that recognises all reality as symbolic and metaphorical. A life-long lover of astrology, Hillman has been identified as a reformer from within psychological astrology, with his archetypal perspective offering potential for a re- enchanted expression of the subject. However, earlier varieties of psychological astrology, which have been labelled as disenchanting, show a strong concern with mythology. This paper examines what difference there is, if any, in the role and function of mythology in different twentieth-century psychological astrologies and the relationship between such use and characterisations of (dis)enchantment.
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Johnston, Guillemette. "Archetypal Patterns of Behavior." Jung Journal 1, no. 4 (October 2007): 43–68. http://dx.doi.org/10.1525/jung.2007.1.4.43.
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Henderson, Robert S. "Images of Archetypal Forces." Jung Journal 4, no. 2 (April 2010): 102–9. http://dx.doi.org/10.1525/jung.2010.4.2.102.
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H. Schmidt, Paul. "Poetry’s “shimmering robes”." Journal of Jungian Scholarly Studies 19, no. 1 (June 6, 2024): 57–77. http://dx.doi.org/10.29173/jjs268s.
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Despite the many essays that provide instructive tracing of Carl Jung’s archetypes in Romantic literature (and elsewhere), critics have declined to examine the important implications and consequences of parallels between Jung’s theory of artistic awareness and Romantic aesthetic ideology. This ideology finds expression in the language of Blake, Percy Shelley, Emerson, Coleridge, Wordsworth and others regarding artistic creativity, specifically its origins and aims, but especially the creative process itself. In this essay, I examine the way Jung samples Romantic ideas and imagery in his characterization of art and in his conception of the religious experience of the artist in the act of creation. In doing so, I suggest that attachment to popular (not always accurate) Jungian ideas about art has reinforced the continued acceptance of compelling Romantic myths about unconscious creativity. I argue that, in his essay “On the Relation of Analytical Psychology to Poetry” and other essays, as part of an effort to liberate modern conceptions of art from reliance on mechanistic views of the human mind, Jung impeaches the merits of the Freudian model tied to medical forensics and installs in its place a Romantic theory of art rooted in the idea of intuitive creativity.
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Shvets, Alla, and Marta Drohomyretska. "Anthropological Dimensions of War in the Works of Natalia Kobrynska." Balkanistic Forum, SOCIAL ANXIETY AND SOURCES OF MOBILISATION 31, no. 3 (September 15, 2022): 191–207. http://dx.doi.org/10.37708/bf.swu.v31i3.12.
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In the article, Nataliia Kobrynska’s anti-military prose is analyzed in the context of an anthropological approach, which makes it possible to shed light on the “human and war” issue in a wide anthropological range. In particular, aspects of collective and individual emotions of war, gender issues, Christian anthropology, trauma of loss, motive of escape, national memory and archetypes, psychology of murder, children's perception of war are considered. This involves the biographical context of the writer herself, who witnessed and fell victim to the war, personally experiencing all its horrors and describing them in her works.The artistic description of war is dominated by N. Kobrynska’s expressionist worldview, depictions of the phenomena of mental and physical pain, borderline states of existence, ontologization of death, cordocentrism, motives of the end of the world, phantasmagoric visions of mutilation, deconstruction of the human body. The writer demonstrates the war-induced transformations in both public and individual consciousness that the new frontline experience has brought to an individual. It is particularly evident in the psychology of her characters, as the author notes the deformation of human values, when, on the one hand, a person adapts to war, experiences emotional atrophy, becomes inert to murder, and on the other hand, the same person gains new experience – the struggle for new vital meanings, mercy towards one's neighbor, exalted prayerfulness, ritual veneration of heroes, waiting for relatives to return from war. The anthropological dimensions of the phenomenon of war are dominated by the humanistic guidelines of the writer.
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Uraneck, Joan P. "Picasso and the Archetypal Imagination." Jung Journal 15, no. 2 (April 3, 2021): 81–102. http://dx.doi.org/10.1080/19342039.2021.1901481.
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Bostrom-Wong, Susan. "Transcending Form, Creating Archetypal Beauty." Jung Journal 13, no. 3 (July 3, 2019): 24–25. http://dx.doi.org/10.1080/19342039.2019.1632067.
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Gruenwald, Oskar. "Response: Camp Literature: Archetype for Dissent." Slavic Review 48, no. 2 (1989): 280–83. http://dx.doi.org/10.2307/2499120.
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I would like to thank the Slavic Review, and its fair-minded editor, Sidney Monas, for allowing me to break the silence on certain taboo themes and respond to critics—civilities practiced mostly in the breach in the societies we study. Due to space limitations, I shall respond fully to Robert Hayden, who raises many issues, apart from the problem of definition, and trust that in the process I may encompass also Matt Oja's thoughtful remarks. Hayden's critique of my article on Yugoslav camp literature is based on two premises, which he fails to prove: that camp literature is not well defined and hence includes a good deal of official writings, or, alternatively, that it lacks internal consistency; and that the very concept of camp literature “misrepresents the political and intellectual currents in the country.” Much of his commentary is an ad hominem argument. Curiously, much of it, even if inadvertently, substantiates my central thesis: Yugoslav prison and camp literature represents a catalyst in the current processes of liberalization, democratization, and humanization in both politics and culture in post-Tito Yugoslavia.
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Kreinheder, Albert. "The job archetype." Psychological Perspectives 17, no. 2 (September 1986): 252–54. http://dx.doi.org/10.1080/00332928608408738.
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Moon, Joonil. "Shamanism of the Evenks and Ecological Thought in ‘Northern Texts’." East European and Balkan Institute 48, no. 1 (February 29, 2024): 77–101. http://dx.doi.org/10.19170/eebs.2024.48.1.77.
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The aim of this paper is to examine the shamanic worldview of the Evenki people among Siberian shamanism and the ecological ideas associated with it in the literary texts of Siberian ethnic minority authors. Siberia is perceived as a place where shamanism originated. However, as Eliade’s theory of shamanism has been recognized as a representative research methodology, empirical research on the origin and specificity of Siberian shamanism has been stifled, and the concept of shamanism has become ambiguous, resulting in a distortion of the origin and nature of Siberian shamanism. The shamanism of Siberian ethnic minorities is a religious phenomenon that has become embedded in the archetypal structure of their emotions, psychology, and consciousness in the process of interacting with the surrounding natural environment and human and social environment, as a holistic way of life that includes rituals, rituals, myths, moral ethics, and ecological life philosophy, as well as artistic systems. During the Soviet period, shamanism and the traditions and customs of Siberian ethnic groups were increasingly usurped by social reform and Russification policies under atheistic socialism. After the collapse of the Soviet Union, writers from ethnic minorities who sought to see their culture through their own eyes, rather than relying on the findings of Western or Russian researchers, emerged and produced literature that expressed their traditional shamanic worldview. It can be said that conditions have been created for the study of Siberian shamanism to be illuminated by literature. This paper examines literary texts about the Siberian Ebenki people to explore the shamanic worldview and ecological ideas of this Siberian ethnic minority.
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Mills, Jon. "The Essence of Archetypes." International Journal of Jungian Studies 10, no. 3 (February 8, 2018): 199–220. http://dx.doi.org/10.1080/19409052.2018.1503808.
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Jung’s notion of the archetype remains an equivocal concept, so much so that Jungians and post-Jungians have failed to agree on its essential nature. In this essay, I wish to argue that an archetype may be understood as an unconscious schema that is self-constitutive and emerges into consciousness from its own a priori ground, hence an autonomous self-determinative act derived from archaic ontology. After offering an analysis of the archetype debate, I set out to philosophically investigate the essence of an archetype by examining its origins and dialectical reflections as a process system arising from its own autochthonous parameters. I offer a descriptive explication of the inner constitution and birth of an archetype based on internal rupture and the desire to project its universality, form, and patternings into psychic reality as self-instantiating replicators. Archetypal content is the appearance of essence as the products of self-manifestation, for an archetype must appear in order to be made actual. Here we must seriously question that, in the beginning, if an archetype is self-constituted and self-generative, the notion and validity of a collective unconscious becomes rather dubious, if not superfluous. I conclude by sketching out an archetypal theory of alterity based on dialectical logic.
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Smith-Marder, Paula. "The Rat as Archetype." Psychological Perspectives 43, no. 1 (January 2002): 50–64. http://dx.doi.org/10.1080/00332920208403530.
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Smith-marder, Paula. "The Pig as archetype." Psychological Perspectives 35, no. 1 (March 1997): 110–19. http://dx.doi.org/10.1080/00332929708403318.
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JORISSEN, L. "Reïmportatie van een archetype." Spiegel der Letteren 33, no. 1 (January 1, 1991): 79–83. http://dx.doi.org/10.2143/sdl.33.1.2005817.
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Piemontese, Luigi, Regina Neudert, Christoph Oberlack, Simona Pedde, Matteo Roggero, Ana Buchadas, Dominic A. Martin, et al. "Validity and validation in archetype analysis: practical assessment framework and guidelines." Environmental Research Letters 17, no. 2 (February 1, 2022): 025010. http://dx.doi.org/10.1088/1748-9326/ac4f12.
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Abstract Archetype analysis is a promising approach in sustainability science to identify patterns and explain mechanisms shaping the sustainability of social-ecological systems. Although considerable efforts have been devoted to developing quality standards and methodological advances for archetype analysis, archetype validation remains a major challenge. Drawing on the insights from two international workshops on archetype analysis and on broader literature on validity, we propose a framework that identifies and describes six dimensions of validity: conceptual; construct; internal; external; empirical; and application validity. We first discuss the six dimensions in relation to different methodological approaches and purposes of archetype analysis. We then present an operational use of the framework for researchers to assess the validity of archetype analysis and to support sound archetype identification and policy-relevant applications. Finally, we apply our assessment to 18 published archetype analyses, which we use to describe the challenges and insights in validating the different dimensions and suggest ways to holistically improve the validity of identified archetypes. With this, we contribute to more rigorous archetype analyses, helping to develop the potential of the approach for guiding sustainability solutions.
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Ivic, Sanja. "The Archetypal World of Nikola Teslaby Ivan Nastovic." Jung Journal 7, no. 4 (September 2013): 48–55. http://dx.doi.org/10.1080/19342039.2013.840220.
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