Relevant bibliographies by topics / Archetypus

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Archetypus'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Archetypus"

1

Кравцова, Марія. "ОСОБЛИВОСТІ ВІДТВОРЕННЯ АРХЕТИПІВ У ПЕРЕКЛАДІ ХУДОЖНЬОГО ТВОРУ." Inozenma Philologia, no. 136 (December 10, 2023): 52–60. http://dx.doi.org/10.30970/fpl.2023.136.4203.

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The article examines the peculiarities of reproduction of archetypes in the translation of an artistic work. The interpretation of the concept of ‘archetype’, its classifi cations and levels of its mental representation in the text are studied herein. While examining the issue of universal and ethnocultural archetypes, the author of the article introduces the term ‘culturally determined archetypes’. The article contains the proposals as to the actions that are to be taken by a translator in the process of reproduction of the source language archetype in the target language, outlines what exactly it is necessary to pay attention to in order to properly translate the archetype. It is noted that if the archetypes are translated inadequately or inaccurately, the integrity of the literary work may be violated due to the partial loss of the symbolic meaning, or the emotional impact on the reader. It is proposed to include the archetypal analysis of the source and target texts to the translation studies analysis. Key words: archetype, psychological archetype, cultural archetype,culturally-preconditioned archetype, archetypal image, motive, symbol, translation.
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Demir, Ahmet. "The Wild Woman Archetype: A Comparative Study of Motif Correspondence Between “Bluebeard” and the Turkish Fairy Tale “İğci̇ Baba”." Folklore: Electronic Journal of Folklore 92 (April 2024): 121–44. http://dx.doi.org/10.7592/fejf2024.92.demir.

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Given that myths and tales are living and memory areas of archetypes, in this study the French tale “Bluebeard” and the Turkish fairy tale “İğci Baba” are compared both in terms of the wild woman archetype and the motif correspondence based on this archetype. In this respect, two tales are analysed based on archetypal criticism. Moreover, archetypal criticism paves the way for imagery analysis by making it possible to see the collective, universal, and archetypal image of women to be seen through the motif correspondence associated with the wild woman archetype. The correspondence of motifs based on the wild woman archetype makes it possible to compare “Bluebeard” and “İğci Baba”, which are texts from different geographical regions, cultures, and eras. The wild woman archetype and the motifs in the two tales, such as initiation, the forbidden secret room, the irresistible curiosity and desire to know, and the key, are strikingly similar. The encounter with the wild woman archetype in two texts can be explained by the suprapersonal, supracultural and universal character of the archetypes, and the strong correspondence between the two texts based on similar motifs can be explained by the universality of the fairy tales and supracultural motifs.
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Stok, Fabio. "Donatus, ‘Philargyrius’, and the Archetypus of the Vita Vergili." Giornale Italiano di Filologia 67 (January 2015): 283–97. http://dx.doi.org/10.1484/j.gif.5.109931.

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SEVERYNOVA, МARYNA. "The transformation of the archetype in the semiosis of musical culture: from the archetypal prototype to the concept and metaconcept." CONTEMPORARY ART, no. 18 (November 29, 2022): 295–304. http://dx.doi.org/10.31500/2309-8813.18.2022.273811.

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A scientific problem. The article examines the musical and cultural aspects of the «archetype» phenomenon and its transformation from an archetypal prototype through an artistic image to the concept and metaconcept in musical culture. Regardless of the relevance of these phenomena in the modern space of culture, this problem remains little researched, although it is still connected with the urgent issues of finding the primary foundations, the primary sources of being, the identification of universal patterns-models in the composer’s creative work. The aim. To investigate the transformation of the archetype in the semiosis of musical culture and to reveal the genealogical interdependence of the transition of the archetype into the concept and metaconcept. The methodology is based on scientific cultural, psychological, literary and musicological investigations, as well as a systematic approach, comparative and logical-analytical methods. With the help of this methodology, the transformation of the archetype, their interdependence in musical culture was revealed. Results. The definitions of «archetype» and «concept» are considered, their common and distinctive features are clarified, and the transformation of archetypes into concepts is traced. In this context, it was noted that entering the world of everyday ideas, the archetypal prototype is filled with new emotional and informational content; it acquires a personal, socially conditioned specificity and moves into the realm of concepts. The interpretation of the definition «concept» as coexistence by J. Deleuze and F. Guattari is analyzed. The concept is considered in the context of perspectives of frame semantics in music. Conclusions. As a result of the research, a genealogical connection between two definitions «archetype» and «concept» was noted. It was found that a concept is not an image, not every artistic image can become a concept, since the concept potentially carries an invariant content in the form of an archetype, which is individually and creatively realized in each specific case of a composer’s creative work. It was determined that archetypes and concepts perform the function of memory (cultural, social, national), form the continuity, integrity of being, its value-meaning core. It was proven that archetypes of the cultural unconscious are metaconcepts of culture: both archetypes and concepts form a certain «metalanguage of culture» (Y. Lotman), or an «overlanguage». It was found that archetypal prototypes are, in their essence, archetypal semes, which go from the collective unconscious to the subconscious of a modern person, and their reactualization takes place. Archetypal semes (units of the universal subject code — sound, tone, rhythm, intonation, etc.) form the figurative sphere of the concept. It was determined that the concept in musical creativity expands the semantic and emotional-sensual possibilities and meaning of the archetypal prototype; it carries out an intermediary function in the transmission of sociocultural experience; it forms the communicative space of culture. The important essence of concepts is noted the formation of potential meanings, which the concept contains not in the text itself, but in contexts, «on the border of statements».
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Caldwell, Marylouise, Paul Henry, and Ariell Alman. "Constructing audio‐visual representations of consumer archetypes." Qualitative Market Research: An International Journal 13, no. 1 (January 19, 2010): 84–96. http://dx.doi.org/10.1108/13522751011013990.

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PurposeThe purpose of this paper is to explain how audio‐visual archetypal representations likely to engender emotional identification and consumer‐inquisitiveness by marketing professionals can be constructed.Design/methodology/approachThe paper employs video‐ethnography involving the following steps: development of a typology of consumer archetypes based on a priori theory, screening for and identifying informants to exemplify each archetype, filming interviews in and around their homes, developing realistic audio‐visual representations of each archetype and assessing marketing practitioners reactions to the audio‐visual representations.FindingsIn response to the audio‐visual archetypal representations, marketing practitioners displayed a high degree of interest and emotional relatedness. The interest generated in the screenings motivated animated discussion and often a desire to better understand the consumers represented by each archetype. These heightened reactions contrast strongly with the relatively emotionally flat responses to traditional marketing research reports.Originality/valueThe paper demonstrates that carefully crafted audio‐visual representations of consumer archetypes are likely to engender a consumer orientation in marketing professionals and hence associate with improved marketing decision‐making. It explains that this situation is likely explained by audio‐visual media's superior capacity to foster experiential, emotional knowledge of others, and, the origins of consumer archetypes in the collective un/consciousness and/or widespread strongly embedded cultural beliefs, norms, and values.
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Binbin, Shen, Nataliia Kravchenko, and Svitlana Matvieieva. "Archaic archetypes and symbols of the Ukrainian and Russian peoples: to debunk the myth of a single people." Revista Amazonia Investiga 11, no. 59 (December 15, 2022): 184–93. http://dx.doi.org/10.34069/ai/2022.59.11.17.

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The article models the protocultural fields of the archetypal-mythological memory of Ukrainians and Russians as consisting of divergent elements. The core of the fields are archaic cultural archetypes and archetypal motifs “mother”, “field”, “plowman”, “labor”, “individualism”, and “equality” for Ukrainians, and “father”, “distance”, “vastness”, “inertia”, “collectivism”, and “submission” for Russians. The сore archetypes determine the differences in the ethnic mentality of two peoples and can enter the subsequent semiospheres and political mythology without significant adaptation, transforming into symbols of national identity. The periphery is formed by archetypes common, but re-articulated in subsequent semiospheres to be adapted to national narratives of different periods. The general archetype Sacred space was associated in the archaic consciousness of Ukrainians with the “House”, symbolizing the maternal principle and the Motherland, while the Russians embodied this archetype in the symbols of the Holy Mountain, metonymically expanded to the symbols of “Holy Rus”, Heartland, Rimland, defining the motif of messianism in symbolic politics of Russia. The archetype of the Hero is manifested in Ukrainian folklore by the images of the legendary plowmen, who conquer the steppe elements from the nomads, while in the Russian ethnic consciousness it is interpreted as the Messiah-Savior of the world.
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X. S. Selezneva, А. Sh. Zhumasheva, and G. S. Ercan. "ARCHETYPICAL PLOTS IN ENGLISH FOLK TALES: FEMALE ARCHETYPES OF THE MOTHER AND STEPMOTHER." Bulletin of Toraighyrov University. Philology series, no. 3,2023 (September 29, 2023): 302–13. http://dx.doi.org/10.48081/rlfm6931.

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"This article discusses the female archetypes presented in the characters of the stepmother and mother in English folk tales as the embodiment of the image of one of the most significant literary archetypal images «Mother». The purpose of this article is to analyze the archetypes of the stepmother and mother, which are a manifestation of the light or dark side of one archetype of the «Mother» on the material of some magical and everyday English folk tales. The work presents excerpts and examples from such folk tales as «The rose tree», «The Well Of The World’s End», «Kate Crackernuts», «The House in The Lake», «Fate of the Children of Lir», «Jack and His Golden Snuff-Box», «The Red Ettin» «Lazy Jack». In addition, an attempt is being made to present variants of the classifications of female archetype images, which today is ambiguous and not always specific. The archetype «Mother» is not necessarily the mother of the hero, it can in fact be any woman of the older generation who has a psychological influence on the hero, on his life and worldview and is not in a relationship with him The authors come to the conclusion that the female archetypal image can become a source of strength for the hero, endowing him with the ability to survive and stand against trials. However, in a negative aspect, it dooms the hero to powerlessness in the face of difficulties, weakens, makes dependent. Keywords: folk tale, English fairy tale, female archetypes, archetypal plots, linguocultureme. "
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Komarov, Vadim V. "Archetypal images of a leader." Izvestiya of Saratov University. Philosophy. Psychology. Pedagogy 24, no. 1 (March 21, 2024): 84–89. http://dx.doi.org/10.18500/1819-7671-2024-24-1-84-89.

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Introduction. The article examines the archetypal images of the leader, reveals the concept of the archetype of the leader, shows the image of the leader in the context of different historical and cultural epochs. Theoretical analysis. The analysis of key sources on the topic was carried out, the theory of the archetype and the collective unconscious of K. Jung was chosen as the methodological basis of the research. The author also gives the comparative analysis of leadership archetypes and modern ideas about the archetypes of leaders based on the own typology of leadership styles and V. G. Turkina’s approach to the analysis of the archetypes of the modern hero-leader through the prism of key parameters of mass society. Conclusion. Of particular importance for understanding the content of leadership are the key archetypes of analytical psychology (anima, animus, shadow, self). The author comes to the conclusion that leadership is perceived at all times and among different peoples from common positions: leaders appear in the images of a superman (deity), ruler, hero, sage, transformation. These images can be considered archetypal. Modern images of leadership generated by socio-economic progress and the peculiarities of mass culture, mass production and consumption correlate with the primordial images of leaders, but reflect the current state of society. These are the archetypes of the Achiever, Inspirer, Bureaucrat, Organizer, Team (Project) Leader and Expert.
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Kleinlogel, St Alexander. "Archetypus und Stemma Zur Problematik prognostisch-retrodiktiver Methoden der Textkritik." Berichte zur Wissenschaftsgeschichte 2, no. 1-2 (July 25, 2007): 53–64. http://dx.doi.org/10.1002/bewi.19790020108.

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Berezhna, Marharyta. "WHAT DO WOMEN SPEAK ABOUT: NARRATIVES OF FEMALE CHARACTERS IN MAINSTREAM CINEMA." Scientific Journal of Polonia University 58, no. 3 (September 1, 2023): 28–36. http://dx.doi.org/10.23856/5804.

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The paper focuses on the language of female characters in the top thirty box office films with a leading female character (1999–2023). The research applies the narrative analysis to the turns of heroines to account for their archetypal representation. The paper proposes a view on female archetypal characters popular with large audiences around the globe and presents a typology of widely recognizable female narratives. The received framework reflects the contemporary vision of the female image and role in society. The study employs Jung’s idea of the archetype as a repetitive image of the collective unconscious. Each archetype is governed by several constant motivations and needs, defining the characters’ (verbal) behavior. Maslow’s hierarchy of human needs serves as the basis for the delineation of archetypes. The moral valence of each character depends upon the satisfaction of her aspirations. Recognized and met wants predetermine the protagonist/heroic archetypes, while thwarted needs bring about antagonist/villainous archetypes. The research is based on Schmidt’s typology of forty-five master characters. Among the overwhelming majority of traditional images of the Nurturer and Matriarch archetypes, there appear the representatives of the Female Messiah, Father’s Daughter, and Amazon, respectively, pursuing the goals of improving society and finding self-identity and independence.
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Dissertations / Theses on the topic "Archetypus"

1

Braun, Markus. "Die Eignung von Entrepreneurial Orientation zur Beschreibung von Archetypen bei Kleinen und Mittleren Unternehmen." Doctoral thesis, Universitätsbibliothek Chemnitz, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-108546.

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In der betriebswirtschaftlichen Forschung gewinnt die KMU- und Entrepreneurshipforschung zunehmend mehr Aufmerksamkeit. In den letzten Jahren wurden zahlreiche Konzepte aus der Forschung für große Unternehmen auf den Entre­preneur­ship- und KMU-Bereich übertragen und dort angewendet, ohne ihre Eignung für Klein- und Kleinstunternehmen zu überprüfen. Eine (empirische) Überprüfung, inwieweit die zugrundeliegenden Modelle und Annahmen auch im Bereich der KMU allgemein zutreffen, ist daher sicherlich angebracht. Eines dieser Werkzeuge, das in letzter Zeit immer mehr in den Blickpunkt der Forschung rückt, ist Entrepreneurial Orientation. Mit Entrepreneurial Orientation steht ein Werkzeug zur Verfügung, dass den gesamten Lebenszyklus eines Unternehmens abbilden kann und Elemente sowohl der Entrepreneurship- als auch der Organisations- und Strategieforschung integriert. Inwieweit Kombinationen von Entrepreneurial Orientation bei Konfigurationen von Unternehmens­eigenschaften für kleine und mittlere Unternehmen einen Erkenntnisbeitrag leisten können, wird in diesem Buch theoretisch und empirisch untersucht
Recently, a major focus in economical research is on small- and medium-sized enterprises and entrepreneurship. As part of this development, many concepts have been transferred and adapted to the Entrepreneurship and SME sector from large corporation research, without being tested for their fit to this area. An (empirical) examination how the underlying models and assumptions transferred apply also to the field of SMEs in general seems to be necessary. One of the tools that gain more attention every year is the concept of Entrepreneurial Orientation. Entrepreneurial Orientation provides a tool that can model the entire lifecycle of an enterprise and integrates elements of entrepreneurship as well as organizational and strategy research. This book does provide a theoretical and empirical evaluation of how Entrepreneurial Orientation may be useful by designing configurations of small and medium-sized enterprises
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Forasacco, Denis. "Girolamo Savonarola in der deutschen Dichtung um 1900 : zwischen fiktivem Archetypus und Projektionsfigur der Krise /." Hamburg : Kovač, 2008. http://www.verlagdrkovac.de/978-3-8300-3466-7.htm.

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Forasacco, Denis. "Girolamo Savonarola in der deutschen Dichtung um 1900 zwischen fiktivem Archetypus und Projektionsfigur der Krise." Hamburg Kovač, 2007. http://d-nb.info/986460419/04.

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Braun, Markus. "Die Eignung von Entrepreneurial Orientation zur Beschreibung von Archetypen bei Kleinen und Mittleren Unternehmen." Doctoral thesis, Universitätsverlag der Technischen Universität Chemnitz, 2013. https://monarch.qucosa.de/id/qucosa%3A19866.

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In der betriebswirtschaftlichen Forschung gewinnt die KMU- und Entrepreneurshipforschung zunehmend mehr Aufmerksamkeit. In den letzten Jahren wurden zahlreiche Konzepte aus der Forschung für große Unternehmen auf den Entre­preneur­ship- und KMU-Bereich übertragen und dort angewendet, ohne ihre Eignung für Klein- und Kleinstunternehmen zu überprüfen. Eine (empirische) Überprüfung, inwieweit die zugrundeliegenden Modelle und Annahmen auch im Bereich der KMU allgemein zutreffen, ist daher sicherlich angebracht. Eines dieser Werkzeuge, das in letzter Zeit immer mehr in den Blickpunkt der Forschung rückt, ist Entrepreneurial Orientation. Mit Entrepreneurial Orientation steht ein Werkzeug zur Verfügung, dass den gesamten Lebenszyklus eines Unternehmens abbilden kann und Elemente sowohl der Entrepreneurship- als auch der Organisations- und Strategieforschung integriert. Inwieweit Kombinationen von Entrepreneurial Orientation bei Konfigurationen von Unternehmens­eigenschaften für kleine und mittlere Unternehmen einen Erkenntnisbeitrag leisten können, wird in diesem Buch theoretisch und empirisch untersucht.
Recently, a major focus in economical research is on small- and medium-sized enterprises and entrepreneurship. As part of this development, many concepts have been transferred and adapted to the Entrepreneurship and SME sector from large corporation research, without being tested for their fit to this area. An (empirical) examination how the underlying models and assumptions transferred apply also to the field of SMEs in general seems to be necessary. One of the tools that gain more attention every year is the concept of Entrepreneurial Orientation. Entrepreneurial Orientation provides a tool that can model the entire lifecycle of an enterprise and integrates elements of entrepreneurship as well as organizational and strategy research. This book does provide a theoretical and empirical evaluation of how Entrepreneurial Orientation may be useful by designing configurations of small and medium-sized enterprises.
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You, Xiao. "Archetype and archetypal image in Chinese myths, legends and tales." Thesis, University of Essex, 2018. http://repository.essex.ac.uk/23484/.

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This research aims to examine Chinese myths, legends and tales from the perspective of analytical psychology. Considering that analytical psychologists have paid little attention to Chinese myths and that previous studies on Chinese myths from the standpoint of analytical psychology are lacking, this thesis investigates the universal archetype and its cultural carrier, or archetypal image, in Chinese mythical texts. First, this study examines both Jung’s engagement with Chinese culture, in order to see the function and significance of Chinese thought in analytical psychology, and the reception of Jungian thought in China, in order to demonstrate the lack of research on Chinese myths from the perspective of the theory of analytical psychology. Second, the study defines the concepts of archetype and archetypal image, and adopts the method of myth analysis from Jung and his followers to interpret Chinese motifs and symbols. Third, interpretations from the perspective of analytical psychology are applied to three motifs in Chinese culture: creation myths, flood myths and erotic anima figures. These provide materials for exploring similarities and differences in the mechanism and development of the human psyche between East and West. Fourth, this research concentrates on discussing two important Chinese symbols – Long (dragon) and Qi lin (unicorn) and their counterparts in western culture – by analysing these symbols at both the archetypal and cultural levels. The final part of this study explores the possible therapeutic value of Chinese myths in helping analysts to comprehend the human psyche and analysands to understand themselves in greater depth. This thesis fills a gap in the understanding of Chinese myth by means of Jungian psychology with the hope also of applying analytical psychology to Chinese culture more thoroughly and insightfully in both theoretical and practical contexts.
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Pajerová, Hedvika. "Analýza marketingové komunikace značky Staropramen a určení jejího archtypu." Master's thesis, Vysoká škola ekonomická v Praze, 2014. http://www.nusl.cz/ntk/nusl-206523.

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The aim of this thesis is to identify the key characters used in a marketing campaign of Staropramen and based on their impact on the selected members of target group of the company to determine what archetype this campaign use. Analyzed campaign is communication of the company implemented in 2014 to celebrate the 145th anniversary of the brewery in Smíchov. I analyze this campaign using qualitative marketing research, focus group method, based on associations. Special emphasis is placed on the importance of the archetype role as a powerful tool companies can use for brand building. Conclusion of this thesis is to determine the archetype that in this communication Staropramen uses. The archetype is representative of the group Nobody is lonely island called Everyman. This thesis is part of a complex semiotic research of Staropramen brand and its communication.
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Šlechta, Martin. "Módní značka jako forma sebepojetí." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-150378.

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Williams, Kaylea N. "Archetypes in Clay." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/honors/400.

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The artist discusses the background, ideas, and work entitled Archetypes in Clay, for the completion of her Bachelor of Arts Degree and undergraduate research for the Fine and Performing Arts Scholar program at East Tennessee State University. The artist used this development of work to explore personality types, and how they can be portrayed through clay vessels. In particular, the artist shows her work, how she created the vessels, the testing involved, and the struggles she faced. Archetypes is the focus behind the concept of this project. Her work includes four ceramic vessels, created with clay and finished with glaze. The artist cites Carl Jung, Isabel Briggs-Myers, and NERIS Analytics Limited as important research in this project.
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Eglin, Stuart. "Working with archetypes : archetypes in organisations, Jungian psychology in group situations." Thesis, University of Manchester, 2004. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.488052.

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Ucar, Ozbirinci Purnur G. "Mythmaking In Progress: Plays By Women On Female Writers And Literary Characters." Phd thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/2/12608981/index.pdf.

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This thesis analyzes the process of women&rsquo
s mythmaking in the plays written by female playwrights. Through writing the lives of female writers and rewriting the literary characters, which have been created by male writers, the women playwrights assume the role of a mythmaker. A mythmaker possesses the power to use the &lsquo
word,&rsquo
thereby possesses the power to control &lsquo
reality.&rsquo
However, for centuries, women have been debarred from generating their own myths, naming their own experiences, and controlling their own &lsquo
realities.&rsquo
Male mythmakers prescribed the roles women were required to perform within the society. Feminist archetypal theorists believe that through a close study of related patterns in women&rsquo
s writing, common grounds, and experiences, the archetypes shared by women will be disclosed. Unveiling these archetypes will eventually lead to the establishment of new myths around these archetypes. As myths are regarded as the source of collective experiences, analyzing how women have rewritten, revised, devised, and originated myths would thus permit women to reclaim the power to name, and hence to influence the so-called reality established by the patriarchy. Hence, this study analyzes the constantly developing process of women&rsquo
s mythmaking/mythbreaking in Liz Lochhead&rsquo
s Blood and Ice, Rose Leiman Goldemberg&rsquo
s Letters Home, Bilgesu Erenus&rsquo
Halide, Timberlake Wertenbaker&rsquo
s The Love of the Nightingale, Bryony Lavery&rsquo
s Ophelia, and Zeynep Avci&rsquo
s Gilgamesh. These playwrights try to depose the stereotypical images attributed to women by male mythmakers.
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Books on the topic "Archetypus"

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Hasselmann, Varda. Archetypen der Seele: Die seelischen Grundmuster - eine Anleitung zur Erkundung der Matrix ; Durchsagen aus der kausalen Welt. 8th ed. München: Goldmann, 2005.

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Karl, Hoffmann. Der Sasanidische Archetypus: Untersuchungen zu Schreibung und Lautgestalt des Avestischen. Wiesbaden: L. Reichert, 1989.

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1940-, Lauter Estella, and Rupprecht Carol Schreier 1939-, eds. Feminist archetypal theory: Interdisciplinary re-visions of Jungian thought. Knoxville: University of Tennessee Press, 1985.

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Thiis-Evensen, Thomas. Archetypes in architecture. New York: Oxford University Press, 1989.

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Bolen, Jean Shinoda. Goddesses in older women: Archetypes in women over fifty. New York: HarperCollinsPublishers, 2001.

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Forasacco, Denis. Girolamo Savonarola in der deutschen Dichtung um 1900: Zwischen fiktivem Archetypus und Projektionsfigur der Krise. Hamburg: Verlag Dr. Kovač, 2008.

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Erich, Neumann. The origins and history of consciousness. London: Maresfield Library, 1989.

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Pearson, Carol. The hero within: Six archetypes we live by. San Francisco: Harper & Row, 1986.

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Malenko, S. A. Arkheologii︠a︡ Samosti: Arkhetipicheskie obrazy osushchestvlenii︠a︡ Chelovecheskogo i formy ego sot︠s︡ialʹnogo oborotnichestva : monografii︠a︡. Velikiĭ Novgorod: Novgorodskiĭ gos. universitet im. I︠A︡roslava Mudrogo, 2008.

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Absher, Tom. Men and the goddess: Feminine archetypes in Western literature. Rochester, Vt: Park Street Press, 1990.

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Book chapters on the topic "Archetypus"

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Lier, Doris. "Archetypus." In Wörterbuch der Psychotherapie, 44–45. Vienna: Springer Vienna, 2000. http://dx.doi.org/10.1007/978-3-211-99131-2_109.

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Kuehs, Wilhelm. "Songline und Archetypus." In Mythenweber, 37–40. Wiesbaden: Springer Fachmedien Wiesbaden, 2015. http://dx.doi.org/10.1007/978-3-658-09813-1_2.

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Kuehs, Wilhelm. "Archetypus und dynamisches Objekt." In Mythenweber, 41–49. Wiesbaden: Springer Fachmedien Wiesbaden, 2015. http://dx.doi.org/10.1007/978-3-658-09813-1_3.

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Bermbach, Udo. "Kunst und Mythos L’Orfeo — Archetypus der Oper." In »Der moderne Komponist baut auf der Wahrheit«, 6–14. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-02925-6_2.

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Isépy, Peter. "DIE ÜBERLIEFERUNG DER „BIBLIOTHEKE“ DES PHOTIOS UND DIE FRAGE NACH DEM ARCHETYPUS." In Beihefte zur Zeitschrift für deutsche Philologie, 321–62. Berlin: Erich Schmidt Verlag GmbH & Co. KG, 2022. http://dx.doi.org/10.37307/b.978-3-503-19487-2.11.

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Merchant, John. "Archetypes." In Encyclopedia of Personality and Individual Differences, 246–50. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-24612-3_1362.

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Bisbal, Jesus. "Archetypes." In Encyclopedia of Systems Biology, 37–38. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4419-9863-7_628.

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Chattah, Juan. "Archetypes." In Film Music, 100–115. New York: Routledge, 2023. http://dx.doi.org/10.4324/9780429504457-8.

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Williams, Ruth. "Archetypes." In C.G. Jung, 38–60. 1 Edition. | New York : Routledge, 2019. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315638416-3.

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Merchant, John. "Archetypes." In Encyclopedia of Personality and Individual Differences, 1–4. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-28099-8_1362-1.

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Conference papers on the topic "Archetypus"

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Feng, Xiaohan, and Makoto Murakami. "Character Archetypes in an Online Creative Course Setting: The Case of Femme Fatale." In 11th International Conference on Signal Image Processing and Multimedia. Academy and Industry Research Collaboration Center (AIRCC), 2023. http://dx.doi.org/10.5121/csit.2023.130912.

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Creative writing courses have flourished in recent years. However, the accuracy of the content of some courses has yet to be examined. Character archetypes are an unavoidable topic in most courses requiring character creation. We found that some online creative courses include characters whose character archetypes are debatable. For example, the Femme Fatale is often considered a character archetype, but some scholars believe it is a stereotype bias. While the use of character archetypes and stereotypes in creative work is a matter of personal freedom, it is inappropriate to educationally disseminate content that is still controversial in the academic community. This study explores the history and reasons for the generalization of the Femme Fatale, the differences between the Femme Fatale and other character archetypes, and derives three reasons why the Femme Fatale is inappropriate as a character archetype in creative work. This study is intended to call attention to the rigor of the content of online creative writing courses.
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Ahmed, Omar, Majd Moujahed, Nurettin Sezer, Liangzhu (Leon) Wang, and Ibrahim Galal Hassan. "Urban Scale Cooling Load Prediction of High-Rise Buildings in a Hot and Arid Climate." In ASME 2023 17th International Conference on Energy Sustainability collocated with the ASME 2023 Heat Transfer Summer Conference. American Society of Mechanical Engineers, 2023. http://dx.doi.org/10.1115/es2023-107814.

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Abstract This study employs an archetype-based modeling approach to estimate and analyze the urban scale cooling load profile of high-rise buildings in the Marina district of Lusail City, Qatar. Since the Marina district is a newly built district, the building typology and geometric characteristics are considered the main criteria for the selection of representative archetypes of the district. Three high-rise building archetypes are developed using EnergyPlus software to represent the available building stocks in the district, which are residential, commercial, and mixed-use. Required data for the input parameters are collected from various sources such as the Lusail City GSAS 2 Star Rating Guidelines, which define the minimum requirements in the region, ASHRAE 90.1, and ASHRAE 62.1 standards, along with user surveys when available. Detailed cooling load profiles of the three building archetypes are obtained in EnergyPlus, which enables aggregating the cooling loads to obtain the cooling load profile of the Marina district at various time resolutions. The cooling load profiles obtained after the simulation of each building archetype model in EnergyPlus are validated with real building cooling loads measured in the case study area. The developed cooling load profiles in this study can inform district cooling facilities for an optimal design and operation of the plant, reveal the energy-saving potential of buildings, and aid in defining cost allocations or billing strategies for end users without the need for the installation of zone-level submeter to each apartment unit. This study further contributes to the establishment of a representative building archetype library for hot and arid climate zones. Thus, the building archetype models produced for the Marina district in this study are also applicable to other regions with similar building types and climatic characteristics.
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Pawlowski, Camila, and Rosilane Ribeiro da Mota. "Do You Choose Him or Does He Choose You? - Analyzing Character Archetypes in Otome Games." In Anais Estendidos do Simpósio Brasileiro de Jogos e Entretenimento Digital. Sociedade Brasileira de Computação, 2022. http://dx.doi.org/10.5753/sbgames_estendido.2022.224865.

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The relationship between fiction and humanity is long-established and can create strong affective bonds. This connection can also be seen in digital games, especially otome games. In this sense, this research was developed in order to obtain a richer understanding of players’ bonds with character tropes from otome games through the archetypal typology developed by Margareth Mark and Carol Pearson, and was able to identify that the analyzed tropes are connected to at least one of the archetypes defined by the authors. This study’s findings can contribute to the understanding of parasocial relationships between fictional characters and humans, and, additionally, aid game developers in creating more intricate characters infused with the power of archetypes.
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Andronnikova, O. O. "АРХЕТИПЫ ВЫЖИВАНИЯ В ПСИХОТЕРАПИИ ЖЕРТВЕННОСТИ." In ПЕРВЫЙ МЕЖКОНТИНЕНТАЛЬНЫЙ ЭКСТЕРРИТОРИАЛЬНЫЙ КОНГРЕСС «ПЛАНЕТА ПСИХОТЕРАПИИ 2022: ДЕТИ. СЕМЬЯ. ОБЩЕСТВО. БУДУЩЕЕ». Crossref, 2022. http://dx.doi.org/10.54775/ppl.2022.68.91.001.

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The article is devoted to the study of archetypes as emergent principles filled with individual experience of experiencing in a situation of early trauma. Five specific archetypes of childhood trauma are noted as ways of dealing with trauma in the child's mental reality. The archetypes of survival (victim, saboteur, wounded child, prostitute) are singled out and described as protective personality structures arising from parental and social upbringing, general life experience. Their motivation and actual needs, sensual content and directions of therapeutic work are determined. A psychological analysis of the emergence and dynamics of the sacrificial archetype of Medusa Gorgon is given, the main directions of therapeutic work with it are determined. Статья посвящена исследованию архетипов, как эмерджентных принципов, наполненных индивидуальным опытом переживания в ситуации раннего травмирования. Отмечены пять специфических архетипов детской травмы как способы обращения с травмой в психической реальности ребенка. Выделены и описаны архетипы выживания (жертвы, диверсанта, раненого ребенка, проститутки), как защитные структуры личности, возникающие из родительского и социального воспитания, общего жизненного опыта. Определены их мотивация и актуальные потребности, чувственное наполнение и направления терапевтической работы. Дан психологический анализ возникновения и динамики жертвенного архетипа Медузы Горгоны, определены основные направления терапевтической работы с ним.
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Mesquita, Léo C. C., Aymeric Vié, and Sébastien Ducruix. "LES of the Ignition of a Two-Phase Staged Swirling Burner: Influence of Ignition Location and Operating Conditions on the Flame Shape." In ASME Turbo Expo 2020: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/gt2020-15227.

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Abstract Staged multipoint injection has been developped as an interesting technology to control flow and flame dynamics in Lean Premixed Prevaporized (LPP) swirled gas turbine burners. The BIMER combustor, a two-staged swirling burner composed of a pilot stage and a multipoint stage, has been operated for many years to shed light on the complex phenomena related to such kinds of burners, as well as to build an experimental database for the validation of numerical developments. During the experimental campaigns, several flame archetypes have been encountered, flame shape transitions and a consequent hysteresis cycle were observed depending on the liquid fuel splitting between the stages. As each flame archetype presents different combustion characteristics and thermoacoustic behavior, it is highly relevant to understand how to stabilize such archetypes. In this optics, the objective of the present paper is to investigate ignition as a way to control the final flame archetype. By means of Large Eddy Simulations, we explore different operating conditions and have a direct insight into the flame propagation process. Two operating conditions are simulated: a low and a high flow rate condition. Two simulations are performed for each operating point, one where the ignition kernel is initiated in the Outer Recirculation Zone (ORZ) and the other one where it is initiated in the Central Recirculation Zone (CRZ). In all cases the fuel is injected only through the pilot injector, as in the ignition process during experiments. For the low power point, both ORZ and CRZ ignitions lead to the stabilization of a V-flame. When igniting on the high power operating point, the ORZ ignition results in a M-shaped flame, while the CRZ one results in a tulip shape. These different behavior are analyzed and discussed in the final part of the paper.
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Adams, T., J. Schupp, N. Neumark, S. Poli De Frias, F. Ahangari, G. DeIuliis, S. Chu, et al. "Archetype Analysis Reveals Distinct Disease-Specific Archetypes of Fibroblast and Myofibroblast Co-Occurring Within the IPF Lung." In American Thoracic Society 2019 International Conference, May 17-22, 2019 - Dallas, TX. American Thoracic Society, 2019. http://dx.doi.org/10.1164/ajrccm-conference.2019.199.1_meetingabstracts.a4018.

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Слабинский, В. Ю. "METAPHORICAL CARDS OF ATTITUDES OF «ARCHETYPE DOLLS»." In Антология российской психотерапии и психологии. Crossref, 2023. http://dx.doi.org/10.54775/ppl.2023.12.55.002.

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В настоящее время в психодиагностике, психотерапии и психологическом консультировании происходит революция, вызванная антропологическим поворотом. В практическом ключе антропологический поворот связан прежде всего с практикой привнесения этнографических, фольклорных, историко-археологических и архивных материалов в психологию, педагогику, психотерапию как этапом дальнейшего развития транскультурального и мультидисциплинарного подходов с выходом на создание новых практических инструментов. Особую ценность в свете антропологического поворота играют методики, позволяющие гармонизировать разные модусы человеческого бытия. Для обозначения психологических методик, предназначенных для подъема и интеграции материала бессознательного (индивидуального и коллективного), Лоуренс К. Франк (Lawrence K. Frank) предложил термин «проективные методики». Метафорические ассоциативные карты (проективные карты) – особый жанр психотерапии и психологического консультирования, разработанный в русле антропологической психотерапии и основывающийся на принципах и постулатах проективных методик. Методика Метафорические карты отношений «Куклы-архетипы» разработана в русле метода позитивной динамической психотерапии, в русской традиции мантических карт и включает в себя 42 карты, на которых изображены специально отобранные в канве теории структурных архетипов народные тряпичные куклы. В комплект Метафорических карт отношений «Куклы-архетипы» входят: 42 карты и методическое руководство, которое включает разделы: 1. МАК – метафорические ассоциативные (проективные) карты; 2. МАК – колода «Куклы-архетипы»; 3. Структурные архетипы; 4. МАК – описание отдельных карт; 5. МАК – описание 6 карточных рядов – 7 вариантов судьбы, индивидуации в зависимости от ведущего структурного архетипа: Доли, Воли, Лады, Ивана, Шамана, 2-х вариантов контринициации; 6. МАК – методики применения. Revolution takes place in psychodiagnostics, psychotherapy and psychological counseling, caused by an anthropological turn nowadays. In a practical way, the anthropological turn is connected with the practice of introducing ethnographic, folklore, historical-archaeological and archival materials into psychology, pedagogy, psychotherapy as a stage of further development of transcultural and multidisciplinary approaches with access to the creation of new practical tools. Techniques that allow to harmonize different modes of human existence are especially valuable in the light of the anthropological turn. Lawrence K. Frank proposed the term «projective techniques» for the designation psychological techniques designed to raise and integrate the material of the unconscious (individual and collective). Metaphorical associative cards (projective cards) are a special genre of psychotherapy and psychological counseling developed in line with anthropological psychotherapy and based on the principles and postulates of projective techniques. The Metaphorical relationship cards «Dolls-archetypes» technique was developed in line with the method of positive dynamic psychotherapy, in the Russian tradition of mantic cards and includes 42 maps depicting specially selected folk rag dolls in the outline of the theory of structural archetypes. The set of Metaphorical relationship cards «Dolls-archetypes» includes: 42 cards and a methodological guide, which includes sections: 1. MACs – metaphorical associative (projective) cards; 2. MACs – deck «Dolls-archetypes»; 3. Structural archetypes; 4. MACs – description of individual cards; 5. MACs – description of 6 card rows – 7 variants of fate, individuation depending on the leading structural archetype: Dolya, Volya, Lada, Ivan, Shaman, 2 variants Counterinitiation; 6. MACs – methods of application.
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Núñez-Pacheco, Claudia, and Lian Loke. "Felt-sensing archetypes." In the 28th Australian Conference. New York, New York, USA: ACM Press, 2016. http://dx.doi.org/10.1145/3010915.3010932.

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Ryan, Ita, Utz Roedig, and Klaas-Jan Stol. "Understanding Developer Security Archetypes." In 2021 IEEE/ACM 2nd International Workshop on Engineering and Cybersecurity of Critical Systems (EnCyCriS). IEEE, 2021. http://dx.doi.org/10.1109/encycris52570.2021.00013.

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Kosmas, Chatziioannidis, Antoniadis Ioannis, and Fragulis George. "Storytelling archetypes in gamification." In ETLTC-ICETM2023 INTERNATIONAL CONFERENCE PROCEEDINGS: ICT Integration in Technical Education & Entertainment Technologies and Management. AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0183272.

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Reports on the topic "Archetypus"

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Бережна, Маргарита Василівна. Maleficent: from the Matriarch to the Scorned Woman (Psycholinguistic Image). Baltija Publishing, 2021. http://dx.doi.org/10.31812/123456789/5766.

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The aim of the research is to identify the elements of the psycholinguistic image of the leading character in the dark fantasy adventure film Maleficent directed by Robert Stromberg (2014). The task consists of two stages, at the first of which I identify the psychological characteristics of the character to determine to which of the archetypes Maleficent belongs. As the basis, I take the classification of film archetypes by V. Schmidt. At the second stage, I distinguish the speech peculiarities of the character that reflex her psychological image. This paper explores 98 Maleficent’s turns of dialogues in the film. According to V. Schmidt’s classification, Maleficent belongs first to the Matriarch archetype and later in the plot to the Scorned Woman archetype. These archetypes are representations of the powerful goddess of marriage and fertility Hera, being respectively her heroic and villainous embodiments. There are several crucial characteristics revealed by speech elements.
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Бережна, Маргарита Василівна. The Traitor Psycholinguistic Archetype. Premier Publishing, 2022. http://dx.doi.org/10.31812/123456789/6051.

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Film studies have recently begun to employ Jung’s concept of archetypes prototypical characters which play the role of blueprint in constructing clear-cut characters. New typologies of archetype characters appear to reflect the changes in the constantly developing world of literature, theater, film, comics and other forms of entertainment. Among those, there is the classification of forty-five master characters by V. Schmidt , which is the basis for defining the character’s archetype in the present article. The aim of the research is to identify the elements of the psycholinguistic image of Justin Hammer in the superhero film Iron Man 2 based on the Marvel Comics and directed by Jon Favreau (2010). The task consists of three stages, namely identification of the psychological characteristics of the character, subsequent determination of Hammer’s archetype and definition of speech elements that reveal the character’s psychological image. This paper explores 92 Hammer’s turns of dialogues in the film. According to V. Schmidt’s classification, Hammer belongs to the Traitor archetype, which is a villainous representation of the Businessman archetype.
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Hachem-Vermette, Caroline, Kuljeet Singh Grewal, Gilles Desthieux, Javeriya Hasan, and Somil Yadav. Strategies for the Design of New and Existing High Energy Performance Solar Neighborhoods. Edited by Caroline Hachem-Vermette, Kuljeet Singh Grewal, and Maria Wall. IEA SHC Task 63, May 2024. http://dx.doi.org/10.18777/ieashc-task63-2024-0003.

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This report provides a comprehensive overview of solar neighborhoods, including their definition, applications, standards, and regulations. It also outlines the methodology and tools used to develop archetype designs and analyses solar strategies at both building and neighborhood levels. The report presents selected archetypes from Canada, France, Italy, Norway, Sweden, and Switzerland and provides a decision-making tool for solar strategies. The target audience for this report includes architects, urban planners, policymakers, and anyone interested in sustainable and energy-oriented developments.
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Huff, Kathryn, and Travis Knight. Demand Driven Cycamore Archetypes. Office of Scientific and Technical Information (OSTI), December 2019. http://dx.doi.org/10.2172/1594895.

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Posthumus, Helena, Bart de Steenhuijsen-Piters, Just Dengerink, and Sietze Vellema. Archetypes : Common systemic behaviours in food systems. Wageningen: Wageningen Economic Research, 2018. http://dx.doi.org/10.18174/464055.

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Бережна, Маргарита Василівна. The Destroyer Psycholinguistic Archetype. Baltija Publishing, 2021. http://dx.doi.org/10.31812/123456789/6036.

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The aim of the research is to identify the elements of the psycholinguistic image of the main antagonist Hela in the superhero film Thor: Ragnarok based on the Marvel Comics and directed by Taika Waititi (2017). The task consists of two stages, at the first of which I identify the psychological characteristics of the character to determine to which of the archetypes Hela belongs. As the basis, I take the classification of film archetypes by V. Schmidt. At the second stage, I distinguish the speech peculiarities of the character that reflect her psychological image.
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Bissonnette, Anne Marie Eveline. Understanding the Gaps: Four Archetypes of 1790s Gowns. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1582.

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Russell, H. A. J. Archetypal aquifers and Canada 1 water. Natural Resources Canada/CMSS/Information Management, 2021. http://dx.doi.org/10.4095/329827.

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Hornbeck, Richard. Dust Bowl Migrants: Identifying an Archetype. Cambridge, MA: National Bureau of Economic Research, August 2020. http://dx.doi.org/10.3386/w27656.

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Ainsworth, Paul, and Svetlana Kryukova. A Multimedia Interactive Environment Using Program Archetypes: Divide-and-Conquer. Fort Belvoir, VA: Defense Technical Information Center, January 2006. http://dx.doi.org/10.21236/ada443259.

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