Relevant bibliographies by topics / Architect-designed houses – great britain

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Academic literature on the topic 'Architect-designed houses – great britain'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Architect-designed houses – great britain"

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Shkolna, Olha, and Ostap Kovalchuk. "Morčić, Moretto, Mohrenbüste, and Blackamoor as a Manifestation of Orientalism in European Jewellery Art." Bulletin of KNUKiM. Series in Arts, no. 49 (December 15, 2023): 34–47. https://doi.org/10.31866/2410-1176.49.2023.293282.

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<strong>The aim of the article</strong>&nbsp;is to reveal the artistic and figurative features of the concepts of Morčić in Croatian art, Moretto in Italian, in particular Venetian, Mohrenb&uuml;ste in German sculpture, and Blackamoor in the art of Great Britain as a typical for modern Europe manifestation of Orientalism in the jewellery art of the regions influenced by interactions with the Moors, representatives of the Negroid race, colonialism, and the fashion for exotic servants. <strong>Results.</strong>&nbsp;During the period of the end of the late Middle Ages &ndash; at the junction wit
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Z., Klymko, Proskuryakov O., and Kubai R. "COMPARISON OF CREATIVITY OF THE WORLD FAMOUS ARCHITECT AND SCENOGRAPHIST F. KIESLER AND SCENOGRAPHIST AND ARCHITECT E. LYSYK." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 2, no. 2 (2020): 91–96. http://dx.doi.org/10.23939/sa2020.02.091.

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The end of the XIX and XX centuries, among other things in architecture, design, scenography were marked by the unique work of two great artists - F. Kizler, born September 22, 1890 in Chernivtsi and E. Lysyk, born September 21, 1930 in the village. Cords near Brody. Their birth, life, creative heritage showed and proved that the era of the Great Artists of the universal type, who synthesized architects, painters, sculptors, decorators, the leader among whom was KF Schinkel, did not end there. Both Kizler and Lysyk showed that such creativity not only did not end, but thanks to their activity
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Riedlová, Kateřina, and Věra Kubicová. "Villas in the "Underground"." Advanced Engineering Forum 12 (November 2014): 55–60. http://dx.doi.org/10.4028/www.scientific.net/aef.12.55.

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The political changes of 1948 brought, among other things, a significant shift in the housing policy. Focus was no longer on living in detached family houses or urban villas so popular prior to 1948. On the other hand, we can also find architecturally great villa like family houses designed by professional architects. However, construction of these houses was not far from being illegal since everything was done secretly without the slightest possibility of being presented within the professional circles or the public. The investors recruited mainly from social and cultural groups of famous peo
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Kuittinen, Riikka, Eevamaria Juuti, Matti Lakkala, and Janne Pihlajaniemi. "Individuality Included." Architectural Research in Finland 3, no. 1 (2022): 121–32. http://dx.doi.org/10.37457/arf.121670.

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Only a few percent of new detached houses in Finland are designed by architects. Most people planning to build a house use only free design services included in the price of house delivery. This means for example that a building engineer designs the house based on some standard model, which he changes according to discussions between sales person and customer. This often results in seemingly generic houses that do not capture most value of the plot. Log houses make no exception in the Finnish market, even if they are a somewhat luxury product abroad. Why do not people in Finland use architects
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Колесникова, Л., Lyudmila Kolesnikova, С. Семенцов, and S. Semencov. "BELGOROD CITY MANSIONS OF THE XVIII CENTURY." Bulletin of Belgorod State Technological University named after. V. G. Shukhov 3, no. 3 (2018): 65–68. http://dx.doi.org/10.12737/article_5abfc9bd493b67.14636641.

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The article deals with the historical aspects of the appearance of a new urban development policy in Russia at the turn of the 17th and 18th centuries during the reign of Peter the Great, due to the fact that this era was the turning point in the history of Russian town-planning. In the interests of the state the urban policy was carried out, which was intended to provide the necessary fire-prevention and sanitary measures. The article describes the construction in Belgorod according to a new regular plan in 1768, designed by the architect A.V. Kvasov. It analyzes the architecture of the extan
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Kellaway, Laura. "Simplicity of Form: a tale of two cathedrals and interiors lost?: Hamilton Founders Memorial Theatre (1962) and St Joseph's Catholic Church Morrinsville (1964)." Architectural History Aotearoa 19 (December 13, 2022): 122–38. http://dx.doi.org/10.26686/aha.v19i.8054.

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St Joseph's Catholic Church, Morrinsville, was designed in 1958-62 by Doug Angus of Angus, Flood &amp; Griffiths of Hamilton. Built in 1964-65, the design was radical, had simplicity in form both externally and internally. The simple external upturned parabola defied the level of innovation and detailing, creating both the exterior and interior form with the use of pre-stressed concrete ribs, and pre-cast panels between. The parabolic form was 49' 6" in height, designed by engineer Thomas Flood. The 8,000 sqft church accommodated 600 people. It was said to be New Zealand's largest single-pour
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Coles, Anne-Marie. "Non-Linear Discourse and Control of Technology: The Pharmaceutical Society and Poisons Legislation in 19th-Century Britain." Sociology 51, no. 3 (2015): 511–26. http://dx.doi.org/10.1177/0038038515588471.

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The Pharmaceutical Society of Great Britain was established in 1841 to represent the interests of its members, many of whom were small chemist and druggist retailers. Throughout the century this institution attempted to influence new policies designed to control the sale of poisonous substances routinely held by these shopkeepers. Using its in-house publication, the Pharmaceutical Journal, the Society argued for recognition of chemists and druggists as experts in the storage and distribution of poisons. This article examines the discursive strategy adopted by the Pharmaceutical Society in its
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Pechenkin, Ilya E. "Neoclassicism with a British Accent: Edwardian and Georgian Reflections in Russian Architecture of the 1900s–1910s." Vestnik of Saint Petersburg University. Arts 14, no. 2 (2024): 382–404. http://dx.doi.org/10.21638/spbu15.2024.208.

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The article is dedicated to one of the stylistic trends of architecture of the Russian Empire in the early decades of the 20th century, namely neoclassics. The repertoire of classical architecture as such is cosmopolitan, but the very idea of arousing the classics at the beginning of the last century, marked by the appearance of Art Nouveau and the beginnings of modernism, turned out to be equally close to Great Britain in the Edwardian era and Russia during the time of the last emperor. This unanimity in the rejection of stylistic innovations is interesting as a phenomenon and undoubtedly des
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Bullen, J. B. "Alfred Waterhouse’s Romanesque ‘Temple of Nature’: The Natural History Museum, London." Architectural History 49 (2006): 257–85. http://dx.doi.org/10.1017/s0066622x00002781.

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The Natural History Museum in London is a spectacular building in many senses (Fig. 1). As one of the outstanding landmarks of high Victorian architecture, it was designed to draw attention both to itself and to its contents. No other museum building in Britain adopted a Romanesque style on this scale; no other building had used terracotta in such a rich and decorative manner, and no other building (other than, perhaps, the University Museum, Oxford) so curiously employed external decoration to illustrate its internal function. It was calculated to appeal to a wide public and its animal sculpt
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ANDONOVA, Paulina. "Architectural Structure and Functions of the Külliye of Sofu Mehmed Paşa in Sofia with a Special Focus on its Medrese and Kütüphane." Vakıflar Dergisi, November 20, 2023. http://dx.doi.org/10.16971/vakiflar.1319598.

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During the Ottoman rule, especially in its early centuries, high-ranking officers founded large waqf establishments which provided free education, health care and protection and served as poor-relief social institutions. One of these multifunctional complexes which served the whole Muslim community was founded in the center of the European province Rumeli by Sofu Mehmed Paşa, an Ottoman governor during the reign of Sultan Süleyman I. The waqf külliye in Sofia designed by the great architect Mimar Sinan comprised a Friday mosque, a medrese with a manuscript library, a caravanserai and guest-hou
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Books on the topic "Architect-designed houses – great britain"

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Peter, Allison, ed. David Adjaye: Houses. Thames & Hudson, 2005.

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Allenby, Guy. Eight great houses. Pesaro Pub., 2002.

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Jun, Doi, ed. David Adjaye: Output. Toto Pub., 2010.

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Peter, Allison, Enwezor Okwui, and Whitechapel Art Gallery, eds. David Adjaye: Making public buildings : specificity, customization, imbrication. Thames & Hudson, 2006.

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Soros, Susan Weber. The secular furniture of E. W. Godwin. Published for the Bard Graduate Center, New York by Yale University Press, 1999.

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Weber, Soros Susan, Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture., and Victoria and Albert Museum, eds. James 'Athenian' Stuart, 1713-1788: The rediscovery of antiquity. Yale University Press, 2007.

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Griffiths, Ralph Alan. The making of the Tudor dynasty. Alan Sutton, 1987.

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Houses - Created by Peter Aldington. Taylor & Francis Group, 2016.

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Stamp, Gavin. Edwin Lutyens: Country Houses. Monacelli, 2001.

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Maudlin, Daniel. Idea of the Cottage in English Architecture, 1760 - 1860. Taylor & Francis Group, 2017.

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Book chapters on the topic "Architect-designed houses – great britain"

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Beccaloni, George. "Homes Sweet Homes: A Biographical Tour of Wallace’s Many Places of Residence*." In Natural Selection and Beyond. Oxford University PressOxford, 2008. http://dx.doi.org/10.1093/oso/9780199239160.003.0002.

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Abstract Alfred Russel Wallace lived in a great many houses during his long life, and even in his later years he moved house frequently, always choosing properties with pleasant views over the surrounding countryside (Richard Russel Wallace, pers. commun. 2006). In this chapter I discuss the houses he lived in for more than a few weeks, plus all the buildings he is known to have designed, even if he never occupied them. I will concentrate on his houses in Britain because of the difficulty of documenting the dozens of usually ephemeral dwellings he occupied during his travels in South America,
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Bradley, Richard. "The Enormous Room." In The Idea of Order. Oxford University Press, 2012. http://dx.doi.org/10.1093/oso/9780199608096.003.0012.

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It is ironic that anyone studying the domestic architecture of Copper Age Sardinia must turn to underground tombs as a source of information, whilst the monumental ‘houses’ of the Bronze Age are among the most conspicuous structures anywhere in Europe. The contrast between these two periods introduces a new theme. The first part of this chapter will study stone towers and related structures in the West Mediterranean. In every case they were associated with settlement sites and some may have been domestic buildings in their own right. Over time, they came to favour a circular plan. This section
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Larsen, Kristin E. "International Initiatives and Building a Legacy." In Community Architect. Cornell University Press, 2016. http://dx.doi.org/10.7591/cornell/9781501702464.003.0008.

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This chapter considers Clarence Samuel Stein's legacy as a community architect, along with his postwar engagement in international initiatives in town planning. In the years after World War II, Stein found himself turning his attention toward international translations of his new town ideas. Communications with international architects, housers, and planners characterized this period, with a focus on specific projects, such as the new towns of Chandigarh in India and Stevenage in Great Britain, and broader community building concepts with housing and planning experts in places as diverse as Sw
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Levy, Sharon. "The Microbe Solution." In The Marsh Builders. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190246402.003.0007.

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In the hot, dry summer of 1858, the Thames was a stew of sewage that festered in the sun, giving off an unbearable stench. “We believe this to be the uncleanest, foulest river in the known world,” wrote a London pundit in July. “There you shall see in the brief space of half an hour and two or three miles, a hundred sewers disgorging solid filth, a hundred broad acres of unnatural, slimy chymical compost . . . The water—the liquid rather—is inky black.” Dockworkers suffered nausea, headache, sore throats, temporary blindness—some of them fainted from breathing in the river’s aroma. In the newl
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Sillars, Stuart. "Housing for the People." In Picturing England between the Wars. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198828921.003.0006.

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The inter-war years great housing innovation and expansion. As a result, a new kind of publication, the book detailing structures and layouts of buildings, became popular. Earlier illustrated texts had explored housing problems and their solutions, but all were too technical or lacked impact. The Illustrated London News and The Graphic, as well as books by Jack London, and photographs of slum houses, began a tradition of verbal-visual discussion, although lacking practical advice and immediate impact. By contrast, the Tudor Walters Report of 1919, on housing for working people, made highly eff
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Kildea, Paul. "The Rape of Lucretia (?1951)." In Britten on Music. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780198167143.003.0034.

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Abstract In 1946 in England there was in all-the-year-round use one Opera House Sadler’s Wells (the present permanent Covent Garden Opera Company had not yet been formed1) and although ‘Peter Grimes’ had been well received the year before, it seemed unlikely that other new Operas would be put on. To some of the singers, writers and musicians involved in ‘Peter Grimes’ this appeared to be the moment to start a group dedicated to the creation of new works, performed with the least possible expense and capable of attracting new audiences by being toured all over the country. We, in this group, co
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