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Journal articles on the topic 'Architect-designed houses – great britain'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Shkolna, Olha, and Ostap Kovalchuk. "Morčić, Moretto, Mohrenbüste, and Blackamoor as a Manifestation of Orientalism in European Jewellery Art." Bulletin of KNUKiM. Series in Arts, no. 49 (December 15, 2023): 34–47. https://doi.org/10.31866/2410-1176.49.2023.293282.

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<strong>The aim of the article</strong> is to reveal the artistic and figurative features of the concepts of Morčić in Croatian art, Moretto in Italian, in particular Venetian, Mohrenbüste in German sculpture, and Blackamoor in the art of Great Britain as a typical for modern Europe manifestation of Orientalism in the jewellery art of the regions influenced by interactions with the Moors, representatives of the Negroid race, colonialism, and the fashion for exotic servants. <strong>Results.</strong> During the period of the end of the late Middle Ages – at the junction wit

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2

Z., Klymko, Proskuryakov O., and Kubai R. "COMPARISON OF CREATIVITY OF THE WORLD FAMOUS ARCHITECT AND SCENOGRAPHIST F. KIESLER AND SCENOGRAPHIST AND ARCHITECT E. LYSYK." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 2, no. 2 (2020): 91–96. http://dx.doi.org/10.23939/sa2020.02.091.

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The end of the XIX and XX centuries, among other things in architecture, design, scenography were marked by the unique work of two great artists - F. Kizler, born September 22, 1890 in Chernivtsi and E. Lysyk, born September 21, 1930 in the village. Cords near Brody. Their birth, life, creative heritage showed and proved that the era of the Great Artists of the universal type, who synthesized architects, painters, sculptors, decorators, the leader among whom was KF Schinkel, did not end there. Both Kizler and Lysyk showed that such creativity not only did not end, but thanks to their activity

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3

Riedlová, Kateřina, and Věra Kubicová. "Villas in the "Underground"." Advanced Engineering Forum 12 (November 2014): 55–60. http://dx.doi.org/10.4028/www.scientific.net/aef.12.55.

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The political changes of 1948 brought, among other things, a significant shift in the housing policy. Focus was no longer on living in detached family houses or urban villas so popular prior to 1948. On the other hand, we can also find architecturally great villa like family houses designed by professional architects. However, construction of these houses was not far from being illegal since everything was done secretly without the slightest possibility of being presented within the professional circles or the public. The investors recruited mainly from social and cultural groups of famous peo

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Kuittinen, Riikka, Eevamaria Juuti, Matti Lakkala, and Janne Pihlajaniemi. "Individuality Included." Architectural Research in Finland 3, no. 1 (2022): 121–32. http://dx.doi.org/10.37457/arf.121670.

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Only a few percent of new detached houses in Finland are designed by architects. Most people planning to build a house use only free design services included in the price of house delivery. This means for example that a building engineer designs the house based on some standard model, which he changes according to discussions between sales person and customer. This often results in seemingly generic houses that do not capture most value of the plot. Log houses make no exception in the Finnish market, even if they are a somewhat luxury product abroad. Why do not people in Finland use architects

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Колесникова, Л., Lyudmila Kolesnikova, С. Семенцов, and S. Semencov. "BELGOROD CITY MANSIONS OF THE XVIII CENTURY." Bulletin of Belgorod State Technological University named after. V. G. Shukhov 3, no. 3 (2018): 65–68. http://dx.doi.org/10.12737/article_5abfc9bd493b67.14636641.

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The article deals with the historical aspects of the appearance of a new urban development policy in Russia at the turn of the 17th and 18th centuries during the reign of Peter the Great, due to the fact that this era was the turning point in the history of Russian town-planning. In the interests of the state the urban policy was carried out, which was intended to provide the necessary fire-prevention and sanitary measures. The article describes the construction in Belgorod according to a new regular plan in 1768, designed by the architect A.V. Kvasov. It analyzes the architecture of the extan

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6

Kellaway, Laura. "Simplicity of Form: a tale of two cathedrals and interiors lost?: Hamilton Founders Memorial Theatre (1962) and St Joseph's Catholic Church Morrinsville (1964)." Architectural History Aotearoa 19 (December 13, 2022): 122–38. http://dx.doi.org/10.26686/aha.v19i.8054.

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St Joseph's Catholic Church, Morrinsville, was designed in 1958-62 by Doug Angus of Angus, Flood & Griffiths of Hamilton. Built in 1964-65, the design was radical, had simplicity in form both externally and internally. The simple external upturned parabola defied the level of innovation and detailing, creating both the exterior and interior form with the use of pre-stressed concrete ribs, and pre-cast panels between. The parabolic form was 49' 6" in height, designed by engineer Thomas Flood. The 8,000 sqft church accommodated 600 people. It was said to be New Zealand's largest single-pour

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Coles, Anne-Marie. "Non-Linear Discourse and Control of Technology: The Pharmaceutical Society and Poisons Legislation in 19th-Century Britain." Sociology 51, no. 3 (2015): 511–26. http://dx.doi.org/10.1177/0038038515588471.

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The Pharmaceutical Society of Great Britain was established in 1841 to represent the interests of its members, many of whom were small chemist and druggist retailers. Throughout the century this institution attempted to influence new policies designed to control the sale of poisonous substances routinely held by these shopkeepers. Using its in-house publication, the Pharmaceutical Journal, the Society argued for recognition of chemists and druggists as experts in the storage and distribution of poisons. This article examines the discursive strategy adopted by the Pharmaceutical Society in its

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8

Pechenkin, Ilya E. "Neoclassicism with a British Accent: Edwardian and Georgian Reflections in Russian Architecture of the 1900s–1910s." Vestnik of Saint Petersburg University. Arts 14, no. 2 (2024): 382–404. http://dx.doi.org/10.21638/spbu15.2024.208.

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The article is dedicated to one of the stylistic trends of architecture of the Russian Empire in the early decades of the 20th century, namely neoclassics. The repertoire of classical architecture as such is cosmopolitan, but the very idea of arousing the classics at the beginning of the last century, marked by the appearance of Art Nouveau and the beginnings of modernism, turned out to be equally close to Great Britain in the Edwardian era and Russia during the time of the last emperor. This unanimity in the rejection of stylistic innovations is interesting as a phenomenon and undoubtedly des

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9

Bullen, J. B. "Alfred Waterhouse’s Romanesque ‘Temple of Nature’: The Natural History Museum, London." Architectural History 49 (2006): 257–85. http://dx.doi.org/10.1017/s0066622x00002781.

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The Natural History Museum in London is a spectacular building in many senses (Fig. 1). As one of the outstanding landmarks of high Victorian architecture, it was designed to draw attention both to itself and to its contents. No other museum building in Britain adopted a Romanesque style on this scale; no other building had used terracotta in such a rich and decorative manner, and no other building (other than, perhaps, the University Museum, Oxford) so curiously employed external decoration to illustrate its internal function. It was calculated to appeal to a wide public and its animal sculpt

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ANDONOVA, Paulina. "Architectural Structure and Functions of the Külliye of Sofu Mehmed Paşa in Sofia with a Special Focus on its Medrese and Kütüphane." Vakıflar Dergisi, November 20, 2023. http://dx.doi.org/10.16971/vakiflar.1319598.

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During the Ottoman rule, especially in its early centuries, high-ranking officers founded large waqf establishments which provided free education, health care and protection and served as poor-relief social institutions. One of these multifunctional complexes which served the whole Muslim community was founded in the center of the European province Rumeli by Sofu Mehmed Paşa, an Ottoman governor during the reign of Sultan Süleyman I. The waqf külliye in Sofia designed by the great architect Mimar Sinan comprised a Friday mosque, a medrese with a manuscript library, a caravanserai and guest-hou

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11

Brockington, Roy, and Nela Cicmil. "Brutalist Architecture: An Autoethnographic Examination of Structure and Corporeality." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1060.

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Introduction: Brutal?The word “brutal” has associations with cruelty, inhumanity, and aggression. Within the field of architecture, however, the term “Brutalism” refers to a post-World War II Modernist style, deriving from the French phrase betón brut, which means raw concrete (Clement 18). Core traits of Brutalism include functionalist design, daring geometry, overbearing scale, and the blatant exposure of structural materials, chiefly concrete and steel (Meades 1).The emergence of Brutalism coincided with chronic housing shortages in European countries ravaged by World War II (Power 5) and g

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Roney, Lisa. "The Extreme Connection Between Bodies and Houses." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2684.

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   Perhaps nothing in media culture today makes clearer the connection between people’s bodies and their homes than the Emmy-winning reality TV program Extreme Makeover: Home Edition. Home Edition is a spin-off from the original Extreme Makeover, and that fact provides in fundamental form the strong connection that the show demonstrates between bodies and houses. The first EM, initially popular for its focus on cosmetic surgery, laser skin and hair treatments, dental work, cosmetics and wardrobe for mainly middle-aged and self-described unattractive participants, lagged after

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13

Sully, Nicole. "Modern Architecture and Complaints about the Weather, or, ‘Dear Monsieur Le Corbusier, It is still raining in our garage….’." M/C Journal 12, no. 4 (2009). http://dx.doi.org/10.5204/mcj.172.

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Historians of Modern Architecture have cultivated the image of the architect as a temperamental genius, unconcerned by issues of politeness or pragmatics—a reading reinforced in cultural representations of Modern Architects, such as Howard Roark, the protagonist in Ayn Rand’s 1943 novel The Fountainhead (a character widely believed to be based on the architect Frank Lloyd Wright). The perception of the Modern Architect as an artistic hero or genius has also influenced the reception of their work. Despite their indisputable place within the architectural canon, many important works of Modern Ar

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14

Jürgenhake, Birgit. "De gevel – een intermediair element tussen buiten en binnen: Over het tonen en vertonen van het twintigste-eeuwse woongebouw in Nederland." Architecture and the Built Environment, 2016. http://dx.doi.org/10.59490/abe.2016.16.1653.

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This study is based on the fact that all people have a basic need for protection from other people (and animals) as well as from the elements (the exterior climate). People need a space in which they can withdraw from the rest of the world. The two states, inside and outside, public and private, contact with, or isolation from, the outside world, are relevant in fulfilling this basic need. People also want their home to have a certain appearance or status which they can identify with and which they can present to the outside world. This can also often be derived from the façade. The façade whi

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Jürgenhake, Birgit. "De gevel – een intermediair element tussen buiten en binnen." Architecture and the Built Environment, 2016. http://dx.doi.org/10.59490/abe.2016.16.1642.

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This study is based on the fact that all people have a basic need for protection from other people (and animals) as well as from the elements (the exterior climate). People need a space in which they can withdraw from the rest of the world. The two states, inside and outside, public and private, contact with, or isolation from, the outside world, are relevant in fulfilling this basic need. People also want their home to have a certain appearance or status which they can identify with and which they can present to the outside world. This can also often be derived from the façade. The façade whi

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16

See, Pamela Mei-Leng. "Branding: A Prosthesis of Identity." M/C Journal 22, no. 5 (2019). http://dx.doi.org/10.5204/mcj.1590.

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This article investigates the prosthesis of identity through the process of branding. It examines cross-cultural manifestations of this phenomena from sixth millennium BCE Syria to twelfth century Japan and Britain. From the Neolithic Era, humanity has sort to extend their identities using pictorial signs that were characteristically simple. Designed to be distinctive and instantly recognisable, the totemic symbols served to signal the origin of the bearer. Subsequently, the development of branding coincided with periods of increased in mobility both in respect to geography and social strata.

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17

Morley, Sarah. "The Garden Palace: Building an Early Sydney Icon." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1223.

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IntroductionSydney’s Garden Palace was a magnificent building with a grandeur that dominated the skyline, stretching from the site of the current State Library of New South Wales to the building that now houses the Sydney Conservatorium of Music. The Palace captivated society from its opening in 1879. This article outlines the building of one of Sydney’s early structural icons and how, despite being destroyed by fire after three short years in 1882, it had an enormous impact on the burgeoning colonial community of New South Wales, thus building a physical structure, pride and a suite of memori

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18

Aly, Anne, and Lelia Green. "Less than Equal: Secularism, Religious Pluralism and Privilege." M/C Journal 11, no. 2 (2008). http://dx.doi.org/10.5204/mcj.32.

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In its preamble, The Western Australian Charter of Multiculturalism (WA) commits the state to becoming: “A society in which respect for mutual difference is accompanied by equality of opportunity within a framework of democratic citizenship”. One of the principles of multiculturalism, as enunciated in the Charter, is “equality of opportunity for all members of society to achieve their full potential in a free and democratic society where every individual is equal before and under the law”. An important element of this principle is the “equality of opportunity … to achieve … full potential”. Th

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19

Collins, Steve. "‘Property Talk’ and the Revival of Blackstonian Copyright." M/C Journal 9, no. 4 (2006). http://dx.doi.org/10.5204/mcj.2649.

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    Proponents of the free culture movement argue that contemporary, “over-zealous” copyright laws have an adverse affect on the freedoms of consumers and creators to make use of copyrighted materials. Lessig, McLeod, Vaidhyanathan, Demers, and Coombe, to name but a few, detail instances where creativity and consumer use have been hindered by copyright laws. The “intellectual land-grab” (Boyle, “Politics” 94), instigated by the increasing value of intangibles in the information age, has forced copyright owners to seek maximal protection for copyrighted materials. A prop

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20

Juckes, Daniel. "Walking as Practice and Prose as Path Making: How Life Writing and Journey Can Intersect." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1455.

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Through my last lengthy writing project, it did not take long to I realise I had become obsessed with paths. The proof of it was there in my notebooks, and, most prominently, in the backlog of photographs cluttering the inner workings of my mobile phone. Most of the photographs I took had a couple of things in common: first, the astonishing greenness of the world they were describing; second, the way a road or path or corridor or pavement or trail led off into distance. The greenness was because I was in England, in summer, and mostly in a part of the country where green seems at times the onl

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21

Brien, Donna Lee. "Why Foodies Thrive in the Country: Mapping the Influence and Significance of the Rural and Regional Chef." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.83.

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Introduction The academic area known as food studies—incorporating elements from disciplines including anthropology, folklore, history, sociology, gastronomy, and cultural studies as well as a range of multi-disciplinary approaches—asserts that cooking and eating practices are less a matter of nutrition (maintaining life by absorbing nutrients from food) and more a personal or group expression of various social and/or cultural actions, values or positions. The French philosopher, Michel de Certeau agrees, arguing, moreover, that there is an urgency to name and unpick (what he identifies as) th

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Huang, Angela Lin. "Leaving the City: Artist Villages in Beijing." M/C Journal 14, no. 4 (2011). http://dx.doi.org/10.5204/mcj.366.

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Introduction: Artist Villages in Beijing Many of the most renowned sites of Beijing are found in the inner-city districts of Dongcheng and Xicheng: for instance, the Forbidden City, Tiananmen Square, the Lama Temple, the National Theatre, the Central Opera Academy, the Bell Tower, the Drum Tower, the Imperial College, and the Confucius Temple. However, in the past decade a new attraction has been added to the visitor “must-see” list in Beijing. The 798 Art District originated as an artist village within abandoned factory buildings at Dashanzi, right between the city’s Central Business District

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Lavers, Katie. "Cirque du Soleil and Its Roots in Illegitimate Circus." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.882.

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IntroductionCirque du Soleil, the largest live entertainment company in the world, has eight standing shows in Las Vegas alone, KÀ, Love, Mystère, Zumanity, Believe, Michael Jackson ONE, Zarkana and O. Close to 150 million spectators have seen Cirque du Soleil shows since the company’s beginnings in 1984 and it is estimated that over 15 million spectators will see a Cirque du Soleil show in 2014 (Cirque du Soleil). The Cirque du Soleil concept of circus as a form of theatre, with simple, often archetypal, narrative arcs conveyed without words, virtuoso physicality with the circus artists prese

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Nairn, Angelique. "Chasing Dreams, Finding Nightmares: Exploring the Creative Limits of the Music Career." M/C Journal 23, no. 1 (2020). http://dx.doi.org/10.5204/mcj.1624.

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In the 2019 documentary Chasing Happiness, recording artist/musician Joe Jonas tells audiences that the band was “living the dream”. Similarly, in the 2012 documentary Artifact, lead singer Jared Leto remarks that at the height of Thirty Seconds to Mars’s success, they “were living the dream”. However, for both the Jonas Brothers and Thirty Seconds to Mars, their experiences of the music industry (much like other commercially successful recording artists) soon transformed into nightmares. Similar to other commercially successful recording artists, the Jonas Brothers and Thirty Seconds to Mars,

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