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Relevant bibliographies by topics / Architectural and urban composition

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Academic literature on the topic 'Architectural and urban composition'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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Journal articles on the topic "Architectural and urban composition"

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M. E. Ibraev and T.S. Keneshov. "PROBLEMS OF COMPOSITION IN URBAN PLANNING (UNDERSTANDING AND APPLICATION OF THE COMPOSITION)." Herald of KSUCTA n a N Isanov, no. 4 (December 16, 2019): 543–48. http://dx.doi.org/10.35803/1694-5298.2019.4.543-548.

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This article deals with the problems of composition formation in urban planning. The methods of creating the architectural space structure and the possibility of their use in urban planning and educational practice are considered. The author proposes the use of the principles of the foundations of the compositional organization in the construction of urban spaces. Take into account the influences of cultural traditions and characteristics of the territory in the formation of a compositionally harmonious urban framework.

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Kordić, Nemanja. "Determining architectural composition through infrastructural tenets." Arhitektura i urbanizam, no. 52 (2021): 77–91. http://dx.doi.org/10.5937/a-u0-30694.

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Today, in the 21st century within the context of the neoliberal market, architecture has become a tool of capital, demanding minimal investment with maximum spatial and environmental performance. Permanent changes that follow the rapid development of an information-based society imply an infrastructural take on the architectural composition, which has become increasingly programmatically unstable and market driven. Therefore today, an architectural composition traditionally understood as a set of part to-whole relations on three basic levels: form, function (program and its performance) and structure, can be perceived through the relations between volume, program range and infrastructure (which integrates the structural and performative aspects). Beginning with the hypothesis that socio-economic changes alter the conceptions of infrastructure in the design process, and understanding ways to transform the architectural composition, a set of key historical moments and relations are established between the development of: architectural tools and methodologies, norms and policies of spatial and energy efficiencies, and understanding infrastructure as an omnipresent element within the architectural composition. In urban design and architectural design, two terms can be distinguished: infrastructural ground - a term that brings infrastructure closer to the architecture scale, and infrastructural tenets, which are methods in the design process used to evaluate the spatial efficiency and the capacities for programmatic change, determining the relation between transformations within the design process and those of a completed project. Therefore, a new design approach is needed to define the capacities of programmatic transformations that can follow different models: flexibility, performativity and process, while maintaining the optimal spatial efficiency. The research showed that the choice of a transformational strategy depends on the program and envelope typologies to determine a project-specific infrastructural tenet - the layout of infrastructural elements which is located and quantified using the basic spatial efficiency parameters and indicators. As a launching point for further research, a theoretical matrix is proposed for four envelope typologies and three dominant program typologies, followed by a list of basic spatial efficiency parameters to loosely describe their infrastructural layouts.

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Wang, Shu. "Discussion of Cities Construction Shape in Urbanization." Applied Mechanics and Materials 368-370 (August 2013): 11–14. http://dx.doi.org/10.4028/www.scientific.net/amm.368-370.11.

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With the accelerated pace of urbanization in China , more and more around the town 's land development , but most of the towns architectural form in a chaotic , self-development conditions , constitute urban architectural form of the four elements : building color , spatial composition , four aspects of the architectural style and building materials and other constraints , planning and building genuine regional characteristics in the urban architectural form.

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Kharytonova, A. A., and M. V. Goldina. "INFLUENCE OF INDUSTRIAL STRUCTURES ON MODERN ARCHITECTURE." Regional problems of architecture and urban planning, no. 14 (December 29, 2020): 114–22. http://dx.doi.org/10.31650/2707-403x-2020-14-114-122.

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The article considers the issue of the trend of attention to forms of industrial and engineering nature, since they have significant architectural potential. Industrial structures affect the formation of urban development, the architecture of various buildings. The role of engineering structures on the territory of industrial enterprises is especially high, since the improvement of technological processes and environmental requirements are accompanied by a complication of engineering services for industrial production. The list of facilities and infrastructure buildings, engineering and transport communications, which are located on the territory of enterprises and industrial zones. According to the functional purpose, engineering structures are grouped into five main groups: sanitary facilities; storage facilities; transport and communication facilities; structural structures used to support equipment and communications; facilities for energy and gas supply systems. A feature of many engineering structures is the combination in their volumes of elements of a technological, "machine" and general construction character. The architectural organization of the development of not only industrial enterprises, but of all urban construction, has a tendency, opportunity and the need to create an environment in a technical style. To solve architectural problems, engineering structures should be considered as elements of the architectural environment, not only performing certain utilitarian functions, but also having compositional significance. The most interesting industrial buildings in volume and composition provide the basis for a new modern style, where the main architectural theme is the elements of the building engineering system, their volumetric characteristics and compositional solutions. An architectural environment is being formed in a production or technical style.

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Mazzetto, Silvia. "VENETIANS REVIVALS AT THE BEGINNING OF THE TWENTIETH CENTURY: EXAMPLES OF NEO-MEDIEVALIST ARCHITECTURE IN THE RIO DEL GAFFARO AREA." International Journal of Architectural Research: ArchNet-IJAR 12, no. 2 (August 2, 2018): 223. http://dx.doi.org/10.26687/archnet-ijar.v12i2.1353.

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This paper presents some examples of architectural revivals created by a promising Venetian architect at the beginning of the twentieth century, in a marginal area of the city of Venice known as Rio del Gaffaro that was subjected to an intense phenomenon of redevelopment and urban development, following the construction of new road and rail links to the mainland. The original hypotheses for the evolution of the lagunar city, proposed by their author, use an innovative compositional syntax that becomes the thin line of division between traditionally antagonistic references such as classicism and modernism, or orientalism and localism, in some of the best examples of neo-medievalist revival in early 20th century Venice. In particular, the use of historical reference in the composition of the new architectural forms establishes an intense, but quiet and pacific dialogue between the ancient and the modern. In this comparison, all interruptions between past and present are removed, not only in the composition of the residential architectural cell but also in the formation of the new urban fabric into which it is inserted. This way of reinventing history was to open the way for many subsequent readings and interpretations by other Venetian architects.

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Thornquist, Clemens. "Dressed bodies and built environments: the interactive composition of public space." Journal of Public Space, Vol. 4 N. 1 | 2019 | FULL ISSUE (May 31, 2019): 3–14. http://dx.doi.org/10.32891/jps.v4i1.662.

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The human body has been pivotal in much architectural research. Researchers of public space often underscore its interactive and transformative qualities as linking to a broader understanding of the different individual social practices taking place in such spaces. What seems to be lacking however is an analysis of the relationship between the dressed body and the built environment which together constitute a public space. The aim of this paper is to explore and elaborate on the interaction between dressed bodies and architectural structures and outline an alternative approach to understanding the different aesthetic forces at play in the constitution of public space. Using a photographic series of piloted experimental sites, this paper points out how the aesthetics of fashion enrich, contribute to, and change the aesthetics of urban architectural environments. The result prompts a clearer understanding of the interaction between dressed bodies and architecture and offers guidance for future research designed to bridge the gap between the aesthetics of the scale of the body and the scale of building and infrastructure in the constitution of public space.

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Zagroba, Marek, Agnieszka Szczepańska, and Adam Senetra. "Analysis and Evaluation of Historical Public Spaces in Small Towns in the Polish Region of Warmia." Sustainability 12, no. 20 (October 11, 2020): 8356. http://dx.doi.org/10.3390/su12208356.

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Public spaces play a special role in the social life, culture, and traditions of historical towns. Public spaces are defined by their urban layout and architectural design and they embody the unique identity of old towns. They integrate local communities and contribute to the formation of social bonds. Urban planning and architecture play an important role in this process. The historical character of public spaces is a prerequisite for social interactions. The aim of this study was to analyze and evaluate historical urban public spaces (market squares) in three small towns in the region of Warmia in north-eastern Poland. Architectural features, urban layout, and the composition of urban and architectural factors, which are largely responsible for synthetic perception of multidimensional space, were evaluated. These goals were achieved with the use of an interpretive historical research method based on original evaluation criteria. The results were used to identify public spaces that require revitalization. Revitalization programs help preserve or revive attractive locations by restoring the right balance between economic and social factors and cultural heritage. The study demonstrated that orderly and harmonious planning of public spaces considerably influences perceptions of space.

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Ponomarev, Evgeny, Konstantin Ivshin, and Oksana Golubeva. "Formation of visual comfort of small cities architectural environment." E3S Web of Conferences 244 (2021): 05031. http://dx.doi.org/10.1051/e3sconf/202124405031.

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Statement of the problem. The aim of the study is to analyse the basic elements of creating visual comfort in the urban environment in the conditions of the renovation of the existing development of Russian small towns. Results. The main results of the research are the development of the syntactic context of architecture in urban space; the definition of the architectural language as the basis for the formation of compositional characteristics of visual comfort in urban space. Conclusions. The significance of the obtained results lies in the novelty of the approach to the mechanism of updating the architectural environment of cities based on the reform of the visual characteristics of the existing buildings; in the interpretation of architectural forms that reveal the original qualities of urban architecture. The use of the methodological basis of the mechanism of visual renewal of the architectural environment and the formation of urban space as a meaningful context that reveals individual characteristics to the viewer who is in the space of the city. At the same time, the visual-figurative context of the architectural environment of cities acquires a meaningful meaning, which allows us to comprehensively consider the process of renovation of existing buildings, including the tool for visual-spatial construction of architectural solutions.

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Michalak, Hanna, and Jerzy Suchanek. "LIGHT IN THE INTERIORS OF THE URBAN LANDSCAPE." Space&FORM 2020, no. 46 (June 24, 2021): 117–32. http://dx.doi.org/10.21005/pif.2021.46.c-02.

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Urban compositions, which organize spaces in contemporary cities, are often perceived by its users – citizens, only as a net of communication paths There are known initiatives by more or less formalised social groups, which, in order to bring hitherto unnoticed fragments of urban territories into public consciousness, support their revitalisation, as well as the efforts of local authorities (also professional) related to architectural and urban education of children. These actions should facilitate the reading of the composition of urban spaces, which seems necessary for their proper use. This task is easier when the composition is clear, based on a conscious perception of existing spatial structures. Crystalline structures are best highlighted by light. It builds a scenography of space, helps in its perception and brings out formally important points. This article presents selected aspects of the use of daylight and artificial light in urban interiors.

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Wiberg, Mikael. "Making the Case for ”Architectural Informatics”." International Journal of Ambient Computing and Intelligence 3, no. 3 (July 2011): 1–7. http://dx.doi.org/10.4018/jaci.2011070101.

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Society is undergoing a major digitalization - not at least in the field of architecture. The digitalization of our built environment has also begun to reflect itself in research (see e.g., Cai & Abascal, 2006; Margolis & Robinson, 2007; Greenfield, 2006). At the cross point in-between architecture, urban development, and the digitalization of modern society, there is a major research potential – untapped and ready to be explored. This paper initiates an “architectural informatics” perspective and outlines a research agenda as to address questions of how to better integrate our built environment and digital world. This paper outlines three research themes including: 1) Architectural composition with digital materials (theory development), 2) Architecture for sustainable digitization (development of value ground), and 3) Digitization processes & architecture as social intervention processes (methodology development). Common to these three areas is the overall aim to develop architectural and computational concepts and theories as to address this common area, to find new practice based methods to facilitate new forms of cooperation between engineers, architects and the inhabitants of our built environment, as well as to explore architectural informatics as a phenomenon and opportunity.

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Dissertations / Theses on the topic "Architectural and urban composition"

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McCunn, Meika. "Urban composition, the use of color and form inspired by art for architecture." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ31619.pdf.

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Hakky, Rafee. "The Ottoman külltye between the 14th and 17th centuries: its urban setting and spatial composition." Diss., Virginia Tech, 1992. http://hdl.handle.net/10919/39085.

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n order to serve the Muslim community, the Ottomans built nuclei which included educational and social services around the mosque. A nucleus of these was called a "külltye". Facilities in külltyes can be categorized under four main areas: religious, educational, social, and private. This research project attempted to examine the Ottoman külltye from an urban design point of view. It explored the külltye through two main questions: firstly. what was the relationship between the külltye and its surroundings. and secondly. how the kkülltye was designed. In order to answer these two questions, the külltye was studied at five scales: the state, the city, the immediate surroundings, the külltye itself, and flnal1y the individual open spaces in the külltye. This research work is basically a morphological study; however, when possible and appropriate the meaning behind the form is addressed. At the state scale it was found that a good level of sensitivity was utilized when planning for new külltyes. Larger cities had a larger number of külltyes and more complex programs for these külltyes. külltyes in small cities were programmed so as to serve the small community adequately without being oversized. külltyes in cities had more educational facilities while külltyes in the country were more oriented towards serving travelers. Within the city itself. central areas housed larger külltyes; while residential neighborhoods had smaller külltyes since they were intended to serve only that particular neighborhood. The number and kind of facilities were affected by the particular period during which külltyes were built. During the fifteenth and sixteenth centuries külltyes were large and housed a large variety of services. That period was a period of growth and prosperity. Later centuries exhibited a different trend where külltyes became smaller and included simpler programs. Reasons for this new trend could be the existence of enough services and the economic deterioration of the state.
Ph. D.

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Mallik, Chandralekha. "Preservation of human scale : in the continuous process of urban development /." Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25799952.

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Casewit, Niccolo Werner. "Related explorations in architectural and musical composition." Thesis, Massachusetts Institute of Technology, 1987. http://hdl.handle.net/1721.1/78965.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1987.
MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.
Includes bibliographical references (p. 71-76).
Architecture has been described as "frozen music." To be sure, architecture has many physically static features, yet it can best be understood as a process in motion and as motion. Both architecture and music share attributes of qualitative movement. A composition unfolds in phases of tension and repose, extension, and arrival. Explicit patterns of organization are defined by proportions, gradients of texture and intensity, and through the experience of space in time. RELATED EXPLORATIONS ... is an inquiry and a proposed demonstration of a parallel process of composition. A landscape, a sonata, and a building design are "composed" synesthetically with respect to their temporal qualities. An agricultural site in Northern Massachusetts is chosen for a new community of artists. The project accommodates artist housing, studios, workshops, and facilities for performances and exhibitions. Perceptual qualities of the site, programs, and formal strategies are illustrated with diagrams, notations, and original photography. Musical scores and design drawings are presented together to aid direct comparison of the mediums. A cassette recording of the sonata for violin in D-major is included with this submission (30 minutes). The cassette will be shelved with the thesis manuscript in Rotch Library.
by Niccolo Werner Casewit.
M.Arch.

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Bolger, Cassidy John. "Urban Debris and the architectural stage." Thesis, Virginia Tech, 2000. http://hdl.handle.net/10919/33380.

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The thesis is an investigation into the discipline of architecture. A building project serves as a tool in this investigation. The building project uses frame and skin elements to study the means of articulating a wall. Hierarchy, urban debris and scale relationships control this articulation. The design intentions are rooted in an understanding of architecture as the stage for the life of the city.
Master of Architecture

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Komez, Esin. "On Urban Architecture: Urban Architectural Strategies In Three Examplary Cases." Master's thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/12610765/index.pdf.

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The term &ldquo
urban architecture&rdquo
has different meanings and is open to many interpretations. This thesis aims to highlight and further elaborate some definitions of &ldquo
urban architecture&rdquo
in which it is mainly characterized as architecture in the urban context. The Second Volume of Harvard Architecture Review on &ldquo
Urban Architecture&rdquo
is referred as a main source in discussing the content of the term. The concept of &ldquo
urban architecture&rdquo
can be identified in several theoretical contributions to the field of architecture. In this context, the themes &ldquo
urban artifact&rdquo
developed by Aldo Rossi and &ldquo
urbatecture&rdquo
developed by Bruno Zevi, are discussed in relation to &ldquo
urban architecture&rdquo
. In order to further clarify the concept, its relation to the fields of urban design, urbanism, and landscape urbanism is investigated. While it is distinguished from these fields, &ldquo
urban architecture&rdquo
is defined as an alternative architectural design approach and not as a new field. As an approach to architectural design that operates in an expanded field including landscape design and urbanism, &ldquo
urban architecture&rdquo
points to some strategies that allow to integrate works of architecture into their urban settings. Following this conceptual elaboration, the thesis aims at exploring the design strategies that characterize urban architecture. In this context, strategies related with landscape, infrastructure, and urban field are identified. The strategies based on these themes and their tools of operation are discussed through three case studies that cover Olympic Sculpture Park for the Seattle Art Museum, Kunsthal, and Borneo and Sporenburg.

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Wilhelm, Bernard C. "Urban fabric as a catalyst for architectural awareness : center for architectural research." [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002765.

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Wilhelm, Bernard C. "Urban Fabric as a Calayst for Architectural Awareness: Center for Architectural Research." Scholar Commons, 2008. https://scholarcommons.usf.edu/etd/564.

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Architects throughout have been forced to practice design surrounded by a society that generally lacks of architectural awareness and interest. A growing trend to transition from a relatively isolated profession into a field that promotes stronger public involvement is critical for architecture to evolve. Within the past 10 years, the growth of architectural centers have begun to dissolve the barrier between the profession and the general public in that their primary function regardless of what form they represent, is to introduce and educate issues of architecture that are an inescapable part of our built environment. An investigation of architectural research institute precedents, would allow for opportunities to understand how they have engaged professional knowledge with a growing educated public opinion. Promoting the idea of similar functions locally to a skeptic public has to be based on the importance of change, where new technologies are consistently transforming the way we approach design problems. Introducing a variety of techniques to display information, which go beyond any two dimensional format into a three or four dimensional, more tactile, interactive medium, allowing the observer to become engaged in what they are learning is important for individuals to establish meaning. The facility itself would be a catalyst for learning in which design issues are presented and solutions are viewed by the viewer in a multi-sensory way. The ultimate goal would be able to establish a system of memory responses to allow the general public a better connection with architecture. Creating a center of information housed within a singular building would be a beneficial beginning but it is important to express that information beyond any static building into a contextual environment in which it can be further related with. Adding richness to public spaces that promote cases of good architectural design can be an example that would allow the absorption of concepts through participation. Eventually, the results would lead to more knowledgeable public input about how their built environment is viewed and encourage better design.

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Sakellaridou, Irini. "A top-down analytic approach to architectural composition." Thesis, University College London (University of London), 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504524.

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This thesis is an exercise in theory with an empirical exercise. It deals with the traditional architectural ideas of 'composition' and 'parti', and applies a formal analytic approach to them. It takes a top-down approach to the notion of 'composition', which tries to reflect the way architects think, and looks at the 'parti' as the deep structure of the building, which is abstract, global, and capable of many realisations. As a case study, 19 houses of Mario Botta are analysed. The purpose of the empirical exercise is to explore how far it is possible to produce an analytic construction of the notion of 'parti'. It asks: are there formal top-down themes which underly the composition of the houses and have to do with their relational structure? After the description of the houses a formal analysis of the identified themes takes place. These formal top-down themes are defined as rules. A distinction is made between the nature of the rule, the degree of its realisation and the domains (mass, elevations, plan) of its realisation. Formal analysis, thus, measures properties of the mass, the elevations and the plan. What analysis shows is that the interrelations of the rules define the 'parti'. Three phases are identified in the development of the 'parti' of the houses which show an evolution of it from combinations to structure. A distinction between a short and a long genotype for order is thus made, as well as a distinction between the intension and the extension of the rule seen as a relation. In the last part the thesis explores what these findings suggest towards theory building as well as implications for further research by addressing the notion of relation and by defining two different types of interrelations.

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Skora, Theresa A. "Urban scarification an architectural strategy of healing /." This title; PDF viewer required. Home page for entire collection, 2010. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

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Books on the topic "Architectural and urban composition"

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Urban composition: Developing community through design. New York: Princeton Architectural Press, 2012.

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Carmassi, Massimo. Progetto urbano e architettura. Firenze: Alinea, 1996.

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Collective urban design: Shaping the city as a collaborative process. Delft, Netherlands: DUP Science, 2005.

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Architectural composition. New York: Rizzoli, 1988.

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Architectural composition. London: Academy Editions, 1988.

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name, No. Architectural design and composition. Bussum: THOTH, 2001.

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Curtis, Nathaniel Cortlandt. The secrets of architectural composition. Mineola, N.Y: Dover Publications, 2011.

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Urban prospects. [København]: The Royal Danish Academy of Fine Arts, School of Architecture Publishers, 2011.

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Jahn Kassim, Shireen, Norwina Mohd Nawawi, and Mansor Ibrahim, eds. Modernity, Nation and Urban-Architectural Form. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-66131-5.

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The ultimate urban makeover: Unique architectural renovations. Mulgrave, Vic: Images Pub., 2007.

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Book chapters on the topic "Architectural and urban composition"

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Mikhailov, A. "Volumetric-spatial, urban planning and compositional features of public-presence objects." In Reconstruction and Restoration of Architectural Heritage 2021, 83–86. London: CRC Press, 2021. http://dx.doi.org/10.1201/9781003136804-16.

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Kasprisin, Ron. "Design composition." In urban Design, 52–108. 2nd Edition. | New York : Routledge, 2019. | Revised edition of the author’s Urban design, 2011.: Routledge, 2019. http://dx.doi.org/10.4324/9781315111254-4.

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Deiters, Constanze, and Andreas Rausch. "Assuring Architectural Properties during Compositional Architecture Design." In Software Composition, 141–48. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-22045-6_10.

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Bloss, William. "Urban Atmospheric Composition Processes urban atmospheric composition." In Encyclopedia of Sustainability Science and Technology, 11311–24. New York, NY: Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4419-0851-3_493.

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Bagnolo, Vincenzo. "Urban Sketching. Drawing on Location as a Tool for Reading Architectural and Urban Contexts." In Architectural Draughtsmanship, 729–42. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58856-8_57.

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Hagen, Aina Landsverk, and Jenny B. Osuldsen. "Urban youth, narrative dialogues, and emotional imprints." In Architectural Anthropology, 135–48. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003094142-8-12.

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Ingaramo, Roberta. "Urban and Architectural Forms." In Topics and Methods for Urban and Landscape Design, 35–67. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-51535-9_3.

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Lazo-Mella, Felipe. "Revisiting Civitates Orbis Terrarum. The Urban Space Spectacle." In Architectural Draughtsmanship, 1621–34. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58856-8_126.

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Recaman, Luiz. "Remains of Architectural Reason." In The New Urban Condition, 11–31. Abingdon, Oxon ; New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003100362-3.

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Ajò, Gabriele. "The Mangalem Quarter in Berat (Albania): Studies in the Urban Composition of the Aggregate and in the Historical Building Techniques with Relation to Seismic Action." In Current Challenges in Architecture and Urbanism in Albania, 99–109. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-81919-4_7.

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Conference papers on the topic "Architectural and urban composition"

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Gorgeri, Fabiola. "Memory and change through Le Corbusier. Fragments of urban views." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.927.

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Abstract: In the urban project of Le Corbusier the relationship between new and existing is opportunity of poetic composition. The real traces of the past of one place are transformative tools by which the new project is developed. The projects after World War II, like reconstruction project of Saint-Dié, are occasions to reflect about the new urban developments, rapid and extensive, and the relation of them with the landscape in a new territorial vision. The fragments of past and the new buildings are seen like belonging to a same context of reference and the entire urban composition forming part of a landscape on more large scale. Therefore, the urban project is an ensemble of architectural objects and nature that are held together by calculated visual relation. It is a kind of montage of urban views related to the dimension and measure of the human subject, like visual points or pedestrian paths. Memory and change are linked together by the natural history process and commensurate also to the human measure by a three dimension urbanism where the architecture can anew make the city. Resumen: En el proyecto urbanístico de Le Corbusier la relación entre la nueva y la existente es la oportunidad de la composición poética. Las huellas reales del pasado de un lugar son herramientas de transformación por el que se desarrolla el nuevo proyecto. Los proyectos después de la Segunda Guerra Mundial, como el proyecto de reconstrucción de Saint-Dié, son ocasiones para reflexionar acerca de los nuevos desarrollos urbanos, rápidas y amplias, y la relación de ellos con el paisaje en una nueva visión territorial. Los fragmentos del pasado y los nuevos edificios son vistos como pertenecientes a un mismo contexto de referencia y toda la composición que forma parte urbana de un paisaje de más gran escala. Por lo tanto, el proyecto urbano es un conjunto de objetos arquitectónicos y la naturaleza que se mantienen unidas por la relación visual calculada. Es una especie de montaje de vistas urbanas relacionadas con la dimensión y la medida del ser humano, al igual que los puntos visuales o caminos peatonales. La memoria y el cambio están unidos entre sí por el proceso de la historia natural y acorde también a la medida humana por un tres dimensiones urbanismo donde la arquitectura de nuevo puede hacer de la ciudad. Keywords: urban project; landscape; memory; Saint-Dié. Palabras clave: proyecto urbano; paisaje; memoria; Saint-Dié. DOI: http://dx.doi.org/10.4995/LC2015.2015.927

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Jasim, Sumayah Layij. "High-Rise Dominants in the Urban Landscape of Baghdad: Architecture and Composition." In The 2nd International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200923.048.

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Breen, Jack. "The Concept of Choice in Learning and Teaching Composition." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.61.

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This paper addresses the aspect of Composition in architecture and urban design and focuses on the meaning of choice within the design process. Through the conscious generating of visual models of choice and the stimulation of analysis of the ways in which individual design decisions are shaped, a greater insight may be achieved into the understanding of composition and the way in which this aspect may be expressed in individual designs.

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Nezhadmasoum, Sanaz, and Nevter Zafer Comert. "Historic-geographical and Typo-morphological assessment of Lefke town, North Cyprus." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6254.

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Historic-geographical and Typo-morphological assessment of Lefke town, North Cyprus Sanaz Nezhadmasoum¹, Nevter Zafer Comert² Department of Architecture. Eastern Mediterranean University. Famagusta. North Cyprus.Via Mersin 10. Turkey E-mail: sanaz.nezhadmasoum@gmail.com, nzafer@gmail.com Keywords: Historic-geographic approach, Typo-morphology, Urban form, Lefke town Conference topics and scale: Urban morphological methods and techniques Morphological analysis in cities have been employed to conduct the research on the urban form and fabric of the place, that helps to determine the conservation plans or strategies of towns that reveal clues to their own history (Whithand,2001). Such analysis methods are a process that reviews the evolution and evaluation of towns throughout history. This paper focuses on, Conzen’s and Caniggia’s ideas, MRG Conzen’s historic-geographical approaches (1968) on planning level and Caniggia’s typo-morphological process (2001) on architectural level. Those methodologies help to understand the transformation procedure of different regions of city throughout the years and recovering how the city elements and urban hierarchy are interrelated. Additionally, the focus of this paper is to study the town’s morphological transformations, regarding its spatial, geographical and historical combinations. Within this context, Geographical and historical surveys done on the whole town of Lefke, in north-west Cyprus, and a detailed explanation on the typo-morphological analyses of some particular regions will be given in this article. One of the significant character that makes the town unique is its historical background which lay down with an organic urban pattern from Ottoman period. Lefke town was first formed with a medieval character, and through centuries of functional and physical transformations, has been highly influenced by British extensions, which were either prearranged modifications affected by socio- natural, economic, and political situations, or instinctive and spontaneous changes. All these historical factors, along with its geographical features, make Lefke an interesting case to be studied with an urban typo-morphological approach. References Caniggia G, Maffei G., 2001, Interpreing Basic building Architectural composition and building typology Alinea editrice, Firenze, Italy Cömert, N. Z., & Hoskara, S. O. (2013) ‘A typo-morphological study: the CMC industrial mass housing district, lefke, northern cyprus’, Open House International, 38(2), 16-30. Conzen, M. R. G. (1968) ‘The use of town plans in the study of urban history’, in Dyos, H. J. (ed.) The study of urban history (Edward Arnold, London) 113-30. Larkham, P. J. (2006) ‘The study of urban form in Great Britain’, Urban Morphology, 10(2), 117. Moudon, A. V. (1997) ‘Urban morphology as an emerging interdisciplinary field’, Urban morphology, 1(1), 3-10. Whitehand, J. W. (2001) ‘British urban morphology: the Conzenion tradition’, Urban Morphology, 5(2), 103-109.

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Astrini, Wulan, Herry Santosa, and Indyah Martiningrum. "The Characteristic of Minaret Based on Community Preference for the Composition of Mosque Architecture in Malang City." In International International Conference of Heritage & Culture in Integrated Rural-Urban Context (HUNIAN 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/aer.k.200729.018.

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Bodei, Silvia. "La Fábrica verde de la Ciudad lineal industrial: una propuesta de Le Corbusier para el trabajo del hombre en la “época maquinista”." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1128.

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Resumen: En Les trois établissements humains (1945) Le Corbusier, junto con el grupo ASCORAL, describe la fábrica verde como un establecimiento industrial organizado según “una biología de las circulaciones, de la composición de los edificios y de la eficiencia”, que “reinstala de nuevo las condiciones de la naturaleza alrededor del trabajo”. Son palabras importantes, que destacan algunos de los temas cruciales del pensamiento social de principios del siglo XX y sobre los cuales Le Corbusier reflexionó para crear nuevas soluciones arquitectónicas y urbanísticas. El artículo recorre sintéticamente estos aspectos del pensamiento de Le Corbusier a través de sus diferentes modelos urbanos, para detenerse en particular sobre la idea de Fábrica verde de la Ciudad lineal industrial, puesta en práctica en el proyecto de la fábrica de armas en Aubusson (1940), donde el verde, el paisaje, la circulación y los espacios están pensados con una idea de funcionamiento alternativa a la organización del trabajo, alejada de los ritmos mecánicos de la cadena de montaje. Esta concepción es alimentada por referencias culturales y arquitectónicas, entre las cuales figura el pensamiento del sindicalista obrero Hyacinthe Dubreuil, que Le Corbusier traduce en un proyecto para una fábrica que quiere conciliar el maquinismo funcional con la naturaleza a través de soluciones y relaciones compositivas “orgánicas” más que mecánicas. Abstract: In Les trois établissements humains (1945) Le Corbusier, with the ASCORAL group, describes the Green Factory as an industrial establishment organised according to « a biology of circulation, a composition of buildings and efficiency », that « newly reintroduces natural conditions around the workplace ». These are important words that highlight some crucial themes of the social thought of the XX century on which Le Corbusier had reflected a long time in order to create new architectural and urban solutions. The article traces and summarises these particular aspects of the architect's thought process through the different urban models of his studies, to then dwell especially on the idea of the Green Factory and the “linear industrial city ”, applied to the project for the arms factory in Aubusson (1940). Here trees, landscape, circulation and spaces give work a different and alternative meaning that is very distant to the mechanical rhythms of the production line. This concept is nurtured by cultural and architectural references, amongst which figures that of the trade unionist and factory worker Hyacinthe Dubreuil. Le Corbusier translates Dubreuil's thought in a project for a factory that wishes to conciliate functional machinism with nature, by using "organic" compositive solutions and relationships rather than mechanical ones. Palabras clave: establecimiento industrial, modelos urbanos, paisaje, espacios de trabajo. Keywords: industrial establishment, urban models, landscape, workspaces. DOI: http://dx.doi.org/10.4995/LC2015.2015.1128

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Martínez Medina, Andrés. "Elogio del cuadrado: cuadrícula, cuadro, cuatro, cubo." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.837.

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Resumen: Un recorrido por la producción de Le Corbusier evidencia la insistente presencia del cuadrado como base de las composiciones en diversos campos (urbanismo, arquitectura, pintura, mobiliario…) y en diferentes formatos (en planta, alzado y sección, o como marco, módulo y cuadrícula). La presente comunicación realiza un análisis formal (gráfico y simbólico) de sus proyectos y obras, rastreando los modos en que se utiliza el cuadrado permaneciendo en el tiempo como una constante recurrente. Para ello se recorren cuatro áreas temáticas que descienden en escala y en dimensiones: 1) capitolios, 2) museos, 3) pabellones y 4) casas, estudiando una serie de ejemplos en cada área a partir de los planos de la Fundación Le Corbusier, generando discursos que reconstruyen un hilo del tiempo en la evolución de los procesos compositivos. De este modo, se desgrana el empleo del cuadrado, en correspondencia con las áreas de estudio, como: 1º) perímetro de la plaza pública donde insertar las arquitecturas representativas, 2º) marco o caja-fuerte donde encerrar los tesoros artísticos (o sagrados), 3º) volumen cúbico abierto y desmontable y 4º) caja definida por la retícula de la estructura. El cuadrado es siempre un medio y no un fin. Persiste un intento de sugerir algunos de los orígenes en su formación clasicista, sus viajes y sus pinturas. Abstract: A tour through the production of Le Corbusier shows the insistent presence of the square as a basis of compositions in various fields (urban planning, architecture, painting, furniture...) and in different formats (in floor, elevation and profile, or as a theme, module and grid). This communication makes a formal analysis (graphic and symbolic) of its projects and works tracing the different ways to use the square that remains as a recurring constant. We can do it through four thematic areas descending in scale and dimensions: 1) capitols, 2) museums, 3) pavilions and 4) houses, studying a series of examples in each area based on the drawings of the Foundation Le Corbusier, generating speeches that reconstruct a thread of the time in the evolution of the compositional process. In correspondence with the four themes of study, we can discovery the employment of the square as different instruments. First: the square as the perimeter of the public space where to insert the representative architectures. Second: as a frame or safety deposit box where to enclose treasures artistic (or Holy). Third: as a cubic volume open and detachable. Fourth: as box defined by the grid of the structure. The square is always a means and not an end. In addition, there is an attempt to suggest some of the origins in his classic formation, his travels and his paintings. Palabras clave: Le Corbusier, composición, cuadrícula, cuadrado, cuadro, cubo. Keywords: Le Corbusier, composition, reticle, square, frame, cube. DOI: http://dx.doi.org/10.4995/LC2015.2015.837

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Mahcar, Fatiha Imane, and Belkacem Takhi. "Revaluation of Ksar El-Haouita in Laghouat, Algeria." In International Students Science Congress. Izmir International Guest Student Association, 2021. http://dx.doi.org/10.52460/issc.2021.001.

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Algeria has a rich urban and architectural heritage, which presents regional specificities. Once the ksour was a symbol of balance and perfect harmony with its environment, unfortunately today they no longer reflect their former function. The Ksourian architecture, including that of Laghouat is a prestigious heritage of high value; it is the testimony of genius knowledge and the capacity of their occupants to adapt to the difficult environment. The housing is considered the essential core of this architecture it represents the entire composition of the ksar, its design is inspired by the immediate environment and respects ancestral social values. It is characterized by a simple architecture and simple construction techniques which are based on the construction in load-bearing walls, the construction materials used are local materials of great resistance and less expensive. This study addresses the theme revaluation of heritage, particularly our case study ksar El-Haouita which has experienced a neglecting and depopulation due to several factors. The ksar El-Haouita is among the most famous ksour located in the south of Algeria and exactly in the region of Laghouat. It is built with simple materials and techniques of construction. The construction materials used are local materials like stones and lime found in the environmental surroundings of the ksar. The aim of this study is to identify the major causes of the degradation of ksar, also to preserve ksar El-Haouita through specific operations and to improve the tourist attractiveness of ksar El-Haouita in order to promote heritage, to convert it back into sustainable Saharan tourism. Our study based in the first place; on a theoretical underpinning which contains the notions that have a relation with our theme, the problematic and the envisaged objective, then a presentation of ksar followed by a morphological analysis accompanied by identification of the problems to identify the phenomena of damage and its disfigurement. The last step is to treat an aspect for the development of ksar, this aspect is devoted to the restitution of the defensive system (doors, ramparts, ramparts of houses and towers) of the ksar, through a diagnostic and several operations like (rehabilitation and reconstruction). The aim result of this study is to show that the revaluation of the ksar is a very vast operation and proposes interventions that allow the preservation of the ksar and also to understand the elements that help the success of interventions and to put some of the parameters considered as reference elements and basic principles for the operations on the ksar and among these operations it is (the case study, which is the restitution of the defensive system of ksar El-Haouita).

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Milanovic, N., and M. Malek. "Architectural support for automatic service composition." In 2005 IEEE International Conference on Services Computing (SCC'05) Vol-1. IEEE, 2005. http://dx.doi.org/10.1109/scc.2005.30.

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Walker, Sara Louise. "Urban Electricity Systems: A UK Case Study." In Architectural Engineering Conference 2013. Reston, VA: American Society of Civil Engineers, 2013. http://dx.doi.org/10.1061/9780784412909.060.

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Reports on the topic "Architectural and urban composition"

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Byers, Arthur C. Boston Architectural College Urban Sustainability Initiative. Office of Scientific and Technical Information (OSTI), July 2013. http://dx.doi.org/10.2172/1091299.

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Lary, Gholamali Kazemi. Urban-planning aspects of the architectural organization of innovative parks. PІDVODNІ TEHNOLOGІЇ, June 2019. http://dx.doi.org/10.31493/tit1909.1902.

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von Behren, Christa. Composition and Dispersal Dynamics of Vegetation Communities in Urban Riparian Forests. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6293.

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Barbarasch, Bruce. Effects of surrounding land use on plant species composition in urban forest fragments. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6013.

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Forman, Chris, Avi Goldfarb, and Shane Greenstein. How did Location Affect Adoption of the Commercial Internet? Global Village, Urban Density, and Industry Composition. Cambridge, MA: National Bureau of Economic Research, September 2003. http://dx.doi.org/10.3386/w9979.

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Feler, Leo, and J. Vernon Henderson. Exclusionary Policies in Urban Development, How under-servicing of migrant households affects the growth and composition of Brazilian cities. Cambridge, MA: National Bureau of Economic Research, June 2008. http://dx.doi.org/10.3386/w14136.

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Cook, Stephen, and Loyd Hook. Developmental Pillars of Increased Autonomy for Aircraft Systems. ASTM International, January 2020. http://dx.doi.org/10.1520/tr2-eb.

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Increased automation for aircraft systems holds the promise to increase safety, precision, and availability for manned and unmanned aircraft. Specifically, established aviation segments, such as general aviation and light sport, could utilize increased automation to make significant progress towards solving safety and piloting difficulties that have plagued them for some time. Further, many emerging market segments, such as urban air mobility and small unmanned (e.g., small parcel delivery with drones) have a strong financial incentive to develop increased automation to relieve the pilot workload, and/or replace in-the-loop pilots for most situations. Before these advances can safely be made, automation technology must be shown to be reliable, available, accurate, and correct within acceptable limits based on the level of risk these functions may create. However since inclusion of these types of systems is largely unprecedented at this level of aviation, what constitutes these required traits (and at what level they must be proven to) requires development as well. Progress in this domain will likely be captured and disseminated in the form of best practices and technical standards created with collaboration from regulatory and industry groups. This work intends to inform those standards producers, along with the system designers, with the goal of facilitating growth in aviation systems toward safe, methodical, and robust inclusion of these new technologies. Produced by members of the manned and unmanned small aircraft community, represented by ASTM task group AC 377, this work strives to suggest and describe certain fundamental principles, or “pillars”, of complex aviation systems development, which are applicable to the design and architectural development of increased automation for aviation systems.

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Wright, Kirsten. Collecting Plant Phenology Data In Imperiled Oregon White Oak Ecosystems: Analysis and Recommendations for Metro. Portland State University, March 2020. http://dx.doi.org/10.15760/mem.64.

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Highly imperiled Oregon white oak ecosystems are a regional conservation priority of numerous organizations, including Oregon Metro, a regional government serving over one million people in the Portland area. Previously dominant systems in the Pacific Northwest, upland prairie and oak woodlands are now experiencing significant threat, with only 2% remaining in the Willamette Valley in small fragments (Hulse et al. 2002). These fragments are of high conservation value because of the rich biodiversity they support, including rare and endemic species, such as Delphinium leucophaeum (Oregon Department of Agriculture, 2020). Since 2010, Metro scientists and volunteers have collected phenology data on approximately 140 species of forbs and graminoids in regional oak prairie and woodlands. Phenology is the study of life-stage events in plants and animals, such as budbreak and senescence in flowering plants, and widely acknowledged as a sensitive indicator of environmental change (Parmesan 2007). Indeed, shifts in plant phenology have been observed over the last few decades as a result of climate change (Parmesan 2006). In oak systems, these changes have profound implications for plant community composition and diversity, as well as trophic interactions and general ecosystem function (Willis 2008). While the original intent of Metro’s phenology data-collection was to track long-term phenology trends, limitations in data collection methods have made such analysis difficult. Rather, these data are currently used to inform seasonal management decisions on Metro properties, such as when to collect seed for propagation and when to spray herbicide to control invasive species. Metro is now interested in fine-tuning their data-collection methods to better capture long-term phenology trends to guide future conservation strategies. Addressing the regional and global conservation issues of our time will require unprecedented collaboration. Phenology data collected on Metro properties is not only an important asset for Metro’s conservation plan, but holds potential to support broader research on a larger scale. As a leader in urban conservation, Metro is poised to make a meaningful scientific contribution by sharing phenology data with regional and national organizations. Data-sharing will benefit the common goal of conservation and create avenues for collaboration with other scientists and conservation practitioners (Rosemartin 2013). In order to support Metro’s ongoing conservation efforts in Oregon white oak systems, I have implemented a three-part master’s project. Part one of the project examines Metro’s previously collected phenology data, providing descriptive statistics and assessing the strengths and weaknesses of the methods by which the data were collected. Part two makes recommendations for improving future phenology data-collection methods, and includes recommendations for datasharing with regional and national organizations. Part three is a collection of scientific vouchers documenting key plant species in varying phases of phenology for Metro’s teaching herbarium. The purpose of these vouchers is to provide a visual tool for Metro staff and volunteers who rely on plant identification to carry out aspects of their job in plant conservation. Each component of this project addresses specific aspects of Metro’s conservation program, from day-to-day management concerns to long-term scientific inquiry.

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Relation of Environmental characteristics to the composition of aquatic assemblages along a gradient of urban land use in New Jersey, 1996-98. US Geological Survey, 2002. http://dx.doi.org/10.3133/wri024069.

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