To see the other types of publications on this topic, follow the link: Architectural and urban composition.
Journal articles on the topic 'Architectural and urban composition'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 journal articles for your research on the topic 'Architectural and urban composition.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.
1
M. E. Ibraev and T.S. Keneshov. "PROBLEMS OF COMPOSITION IN URBAN PLANNING (UNDERSTANDING AND APPLICATION OF THE COMPOSITION)." Herald of KSUCTA n a N Isanov, no. 4 (December 16, 2019): 543–48. http://dx.doi.org/10.35803/1694-5298.2019.4.543-548.
Full textAbstract:
This article deals with the problems of composition formation in urban planning. The methods of creating the architectural space structure and the possibility of their use in urban planning and educational practice are considered. The author proposes the use of the principles of the foundations of the compositional organization in the construction of urban spaces. Take into account the influences of cultural traditions and characteristics of the territory in the formation of a compositionally harmonious urban framework.
2
Kordić, Nemanja. "Determining architectural composition through infrastructural tenets." Arhitektura i urbanizam, no. 52 (2021): 77–91. http://dx.doi.org/10.5937/a-u0-30694.
Full textAbstract:
Today, in the 21st century within the context of the neoliberal market, architecture has become a tool of capital, demanding minimal investment with maximum spatial and environmental performance. Permanent changes that follow the rapid development of an information-based society imply an infrastructural take on the architectural composition, which has become increasingly programmatically unstable and market driven. Therefore today, an architectural composition traditionally understood as a set of part to-whole relations on three basic levels: form, function (program and its performance) and structure, can be perceived through the relations between volume, program range and infrastructure (which integrates the structural and performative aspects). Beginning with the hypothesis that socio-economic changes alter the conceptions of infrastructure in the design process, and understanding ways to transform the architectural composition, a set of key historical moments and relations are established between the development of: architectural tools and methodologies, norms and policies of spatial and energy efficiencies, and understanding infrastructure as an omnipresent element within the architectural composition. In urban design and architectural design, two terms can be distinguished: infrastructural ground - a term that brings infrastructure closer to the architecture scale, and infrastructural tenets, which are methods in the design process used to evaluate the spatial efficiency and the capacities for programmatic change, determining the relation between transformations within the design process and those of a completed project. Therefore, a new design approach is needed to define the capacities of programmatic transformations that can follow different models: flexibility, performativity and process, while maintaining the optimal spatial efficiency. The research showed that the choice of a transformational strategy depends on the program and envelope typologies to determine a project-specific infrastructural tenet - the layout of infrastructural elements which is located and quantified using the basic spatial efficiency parameters and indicators. As a launching point for further research, a theoretical matrix is proposed for four envelope typologies and three dominant program typologies, followed by a list of basic spatial efficiency parameters to loosely describe their infrastructural layouts.
3
Wang, Shu. "Discussion of Cities Construction Shape in Urbanization." Applied Mechanics and Materials 368-370 (August 2013): 11–14. http://dx.doi.org/10.4028/www.scientific.net/amm.368-370.11.
Full textAbstract:
With the accelerated pace of urbanization in China , more and more around the town 's land development , but most of the towns architectural form in a chaotic , self-development conditions , constitute urban architectural form of the four elements : building color , spatial composition , four aspects of the architectural style and building materials and other constraints , planning and building genuine regional characteristics in the urban architectural form.
4
Kharytonova, A. A., and M. V. Goldina. "INFLUENCE OF INDUSTRIAL STRUCTURES ON MODERN ARCHITECTURE." Regional problems of architecture and urban planning, no. 14 (December 29, 2020): 114–22. http://dx.doi.org/10.31650/2707-403x-2020-14-114-122.
Full textAbstract:
The article considers the issue of the trend of attention to forms of industrial and engineering nature, since they have significant architectural potential. Industrial structures affect the formation of urban development, the architecture of various buildings. The role of engineering structures on the territory of industrial enterprises is especially high, since the improvement of technological processes and environmental requirements are accompanied by a complication of engineering services for industrial production. The list of facilities and infrastructure buildings, engineering and transport communications, which are located on the territory of enterprises and industrial zones. According to the functional purpose, engineering structures are grouped into five main groups: sanitary facilities; storage facilities; transport and communication facilities; structural structures used to support equipment and communications; facilities for energy and gas supply systems. A feature of many engineering structures is the combination in their volumes of elements of a technological, "machine" and general construction character. The architectural organization of the development of not only industrial enterprises, but of all urban construction, has a tendency, opportunity and the need to create an environment in a technical style. To solve architectural problems, engineering structures should be considered as elements of the architectural environment, not only performing certain utilitarian functions, but also having compositional significance. The most interesting industrial buildings in volume and composition provide the basis for a new modern style, where the main architectural theme is the elements of the building engineering system, their volumetric characteristics and compositional solutions. An architectural environment is being formed in a production or technical style.
5
Mazzetto, Silvia. "VENETIANS REVIVALS AT THE BEGINNING OF THE TWENTIETH CENTURY: EXAMPLES OF NEO-MEDIEVALIST ARCHITECTURE IN THE RIO DEL GAFFARO AREA." International Journal of Architectural Research: ArchNet-IJAR 12, no. 2 (August 2, 2018): 223. http://dx.doi.org/10.26687/archnet-ijar.v12i2.1353.
Full textAbstract:
This paper presents some examples of architectural revivals created by a promising Venetian architect at the beginning of the twentieth century, in a marginal area of the city of Venice known as Rio del Gaffaro that was subjected to an intense phenomenon of redevelopment and urban development, following the construction of new road and rail links to the mainland. The original hypotheses for the evolution of the lagunar city, proposed by their author, use an innovative compositional syntax that becomes the thin line of division between traditionally antagonistic references such as classicism and modernism, or orientalism and localism, in some of the best examples of neo-medievalist revival in early 20th century Venice. In particular, the use of historical reference in the composition of the new architectural forms establishes an intense, but quiet and pacific dialogue between the ancient and the modern. In this comparison, all interruptions between past and present are removed, not only in the composition of the residential architectural cell but also in the formation of the new urban fabric into which it is inserted. This way of reinventing history was to open the way for many subsequent readings and interpretations by other Venetian architects.
6
Thornquist, Clemens. "Dressed bodies and built environments: the interactive composition of public space." Journal of Public Space, Vol. 4 N. 1 | 2019 | FULL ISSUE (May 31, 2019): 3–14. http://dx.doi.org/10.32891/jps.v4i1.662.
Full textAbstract:
The human body has been pivotal in much architectural research. Researchers of public space often underscore its interactive and transformative qualities as linking to a broader understanding of the different individual social practices taking place in such spaces. What seems to be lacking however is an analysis of the relationship between the dressed body and the built environment which together constitute a public space. The aim of this paper is to explore and elaborate on the interaction between dressed bodies and architectural structures and outline an alternative approach to understanding the different aesthetic forces at play in the constitution of public space. Using a photographic series of piloted experimental sites, this paper points out how the aesthetics of fashion enrich, contribute to, and change the aesthetics of urban architectural environments. The result prompts a clearer understanding of the interaction between dressed bodies and architecture and offers guidance for future research designed to bridge the gap between the aesthetics of the scale of the body and the scale of building and infrastructure in the constitution of public space.
7
Zagroba, Marek, Agnieszka Szczepańska, and Adam Senetra. "Analysis and Evaluation of Historical Public Spaces in Small Towns in the Polish Region of Warmia." Sustainability 12, no. 20 (October 11, 2020): 8356. http://dx.doi.org/10.3390/su12208356.
Full textAbstract:
Public spaces play a special role in the social life, culture, and traditions of historical towns. Public spaces are defined by their urban layout and architectural design and they embody the unique identity of old towns. They integrate local communities and contribute to the formation of social bonds. Urban planning and architecture play an important role in this process. The historical character of public spaces is a prerequisite for social interactions. The aim of this study was to analyze and evaluate historical urban public spaces (market squares) in three small towns in the region of Warmia in north-eastern Poland. Architectural features, urban layout, and the composition of urban and architectural factors, which are largely responsible for synthetic perception of multidimensional space, were evaluated. These goals were achieved with the use of an interpretive historical research method based on original evaluation criteria. The results were used to identify public spaces that require revitalization. Revitalization programs help preserve or revive attractive locations by restoring the right balance between economic and social factors and cultural heritage. The study demonstrated that orderly and harmonious planning of public spaces considerably influences perceptions of space.
8
Ponomarev, Evgeny, Konstantin Ivshin, and Oksana Golubeva. "Formation of visual comfort of small cities architectural environment." E3S Web of Conferences 244 (2021): 05031. http://dx.doi.org/10.1051/e3sconf/202124405031.
Full textAbstract:
Statement of the problem. The aim of the study is to analyse the basic elements of creating visual comfort in the urban environment in the conditions of the renovation of the existing development of Russian small towns. Results. The main results of the research are the development of the syntactic context of architecture in urban space; the definition of the architectural language as the basis for the formation of compositional characteristics of visual comfort in urban space. Conclusions. The significance of the obtained results lies in the novelty of the approach to the mechanism of updating the architectural environment of cities based on the reform of the visual characteristics of the existing buildings; in the interpretation of architectural forms that reveal the original qualities of urban architecture. The use of the methodological basis of the mechanism of visual renewal of the architectural environment and the formation of urban space as a meaningful context that reveals individual characteristics to the viewer who is in the space of the city. At the same time, the visual-figurative context of the architectural environment of cities acquires a meaningful meaning, which allows us to comprehensively consider the process of renovation of existing buildings, including the tool for visual-spatial construction of architectural solutions.
9
Michalak, Hanna, and Jerzy Suchanek. "LIGHT IN THE INTERIORS OF THE URBAN LANDSCAPE." Space&FORM 2020, no. 46 (June 24, 2021): 117–32. http://dx.doi.org/10.21005/pif.2021.46.c-02.
Full textAbstract:
Urban compositions, which organize spaces in contemporary cities, are often perceived by its users – citizens, only as a net of communication paths There are known initiatives by more or less formalised social groups, which, in order to bring hitherto unnoticed fragments of urban territories into public consciousness, support their revitalisation, as well as the efforts of local authorities (also professional) related to architectural and urban education of children. These actions should facilitate the reading of the composition of urban spaces, which seems necessary for their proper use. This task is easier when the composition is clear, based on a conscious perception of existing spatial structures. Crystalline structures are best highlighted by light. It builds a scenography of space, helps in its perception and brings out formally important points. This article presents selected aspects of the use of daylight and artificial light in urban interiors.
10
Wiberg, Mikael. "Making the Case for ”Architectural Informatics”." International Journal of Ambient Computing and Intelligence 3, no. 3 (July 2011): 1–7. http://dx.doi.org/10.4018/jaci.2011070101.
Full textAbstract:
Society is undergoing a major digitalization - not at least in the field of architecture. The digitalization of our built environment has also begun to reflect itself in research (see e.g., Cai & Abascal, 2006; Margolis & Robinson, 2007; Greenfield, 2006). At the cross point in-between architecture, urban development, and the digitalization of modern society, there is a major research potential – untapped and ready to be explored. This paper initiates an “architectural informatics” perspective and outlines a research agenda as to address questions of how to better integrate our built environment and digital world. This paper outlines three research themes including: 1) Architectural composition with digital materials (theory development), 2) Architecture for sustainable digitization (development of value ground), and 3) Digitization processes & architecture as social intervention processes (methodology development). Common to these three areas is the overall aim to develop architectural and computational concepts and theories as to address this common area, to find new practice based methods to facilitate new forms of cooperation between engineers, architects and the inhabitants of our built environment, as well as to explore architectural informatics as a phenomenon and opportunity.
11
Chepurna, Svitlana, Tetiana Zhydkova, and Olha Popova. "Decorative Concrete with the Addition of Highly Dispersed Organogenic Calcite (Chalk) in the Landscape Architecture of the Modern City." Key Engineering Materials 864 (September 2020): 27–34. http://dx.doi.org/10.4028/www.scientific.net/kem.864.27.
Full textAbstract:
One of the main components of urban design and landscape architecture that shapes and emphasizes the urban environment are small architectural forms. These elements of landscape architecture are used outdoors, so the material is influenced by a variety of atmospheric phenomena (temperature fluctuations, insolation, etc.). The results of the experiments showed that increased water resistance rates reduce the degree of exposure of the aggressive liquid medium, in particular sulfate and magnesium surface and groundwater, and frost resistance create conditions for the operation of these samples outdoors. The whiteness of the obtained results indicates that the obtained composition of concrete can be used as decorative with the addition of colored pigments.
12
Plakhotna, N. A. "THE FEATURES OF FORMATION ARCHITECTURAL-SPATIAL ENVIRONMENT OF THE BELGIUM CITIES." Regional problems of architecture and urban planning, no. 14 (December 29, 2020): 150–58. http://dx.doi.org/10.31650/2707-403x-2020-14-150-158.
Full textAbstract:
The article examines the architectural and spatial environment of cities in Belgium, numerous examples of architectural solutions of buildings, both architectural monuments and future projects that have not yet been embodied. From the point of view of considering the foreshortenings of the city of Belgium proposed in the article, they can be considered as: a historically developed system of social and functional settlement of citizens, modern and future environment, an object of aesthetic perception. Architecture bears a projection of the integrity of the human personality and social interaction between people, as well as the preservation of an integral architectural environment as a whole. The modern architecture of Belgium – NewArt Style – is a set of basic forms and features characteristic of buildings of a certain time and a certain people, manifested in the features of a functional, constructive and artistic order. Each era has created its own style. The historically developed architectural and spatial environment of the cities of Belgium is a valuable object of research, both from a historical point of view and from an architectural point of view. It can be said that every European city has a rich history, reflecting in its characteristic compositional and landscape features, which makes it possible to identify the main problems of preserving the historical part of the city, which occupies most of the territory in the overall city planning and has a significant impact on its modern spatial composition and architecture in the future. This allows modern European architects to identify strategies for the development of a small historical city without violating its architectural and spatial integrity and artistic qualities, as well as to preserve a harmonious and comfortable urban environment.
13
Krstic, Hristina, Annalisa Trentin, and Goran Jovanovic. "Interior-exterior connection in architectural design based on the incorporation of spatial in between layers. Study of four architectural projects." Spatium, no. 36 (2016): 84–91. http://dx.doi.org/10.2298/spat1636084k.
Full textAbstract:
Different spatial layers in the architectural structure of a building can create particular spatial relations and an architectural space that cannot be defined as an inner space or as an outer space, but one which has the characteristics of both. This space, which can be called ?in between space?, appears as the result of a specific design concept in which the architectural composition is created by gradual insertion of volumes one inside another, like a box that is placed inside a box, inside of which is placed another smaller box and so on. The incorporation of various layers in the spatial arrangement of volumes in certain architectural compositions can be conceived as a possible approach in connecting the interior and exterior. This kind of conceptual design distinguishes itself from the common approach by its specific architecture that offers richness, variety, complexity and unique perception of space, thereby increasing its value. The paper investigates this particular concept through the analysis of four residential houses (Villa Le Lac by Le Corbusier, Solar House by Oswald Mathias Ungers, House N by Sou Fujimoto and Guerrero House by Alberto Campo Baeza), and it strives to find out the concept?s use and advantages, all with the aim of opening up new possibilities in the design of buildings and enriching the design process.
14
Buivydas, Rimantas, and Jūratė Jurevičienė. "TOWARDS CLASSIFICATION OF SACRAL ARCHITECTURE." JOURNAL OF ARCHITECTURE AND URBANISM 30, no. 3 (September 30, 2006): 105–10. http://dx.doi.org/10.3846/13921630.2006.10697071.
Full textAbstract:
The paper presents the method of scientific investigation of sacral architecture in the frontier region of Lithuania with Byelorussia and Poland. It also reveals the achieved results and highlights guidelines for future research. The investigation was supported by Lithuanian Science and Studies Foundation and completed in 2005. The paper describes the established criteria of architectural evaluation and prepared digital database of the main sacral structures. The present work covers the analysed features: the interaction of confessional building traditions, the influence of professional architecture on local architecture, the peculiarities of territorial dispersion of sacral buildings. Architectural and material composition, interaction of buildings with their environment and other sacral structures, symbolism and authenticity of 106 objects were investigated. The results of the investigation could be applied in recording of cultural properties and preparing of cultural heritage preservation projects.
15
Almodovar-Melendo, Jose-Manuel, and Joseph-Maria Cabeza-Lainez. "Environmental Features of Chinese Architectural Heritage: The Standardization of Form in the Pursuit of Equilibrium with Nature." Sustainability 10, no. 7 (July 12, 2018): 2443. http://dx.doi.org/10.3390/su10072443.
Full textAbstract:
We present a scientific discussion about Chinese historical architecture and cultural paradigms in order to analyze the formation of building patterns objectively connected to environmental features. In this regard, we will demonstrate the process of standardization from architectural modules related in different levels of composition around “voids”, onto cosmological urban tissues in harmony with nature. The conclusions show that we can only understand Chinese architectural patterns in relation to Dào or nature, and in turn, they possess profound social and environmental values from which we receive useful lessons to advance towards sustainability in architecture and urban planning. The authors believe that it is critical for China and the world to find a new approach to the building construction industry with an ecological and philosophical background recognizable as “Chinese” and based in its own past. In order to support the information provided in the first part of the article, the authors have conducted an environmental analysis of the traditional Chinese urban layout whose results greatly confirm the initial hypotheses, i.e. the historical fashion of constructing neighborhoods improves conditions of the town in terms of comfort and is able to save energy, thus reducing pernicious change effects.
16
MINOBE, Yukio, Kazunari SAKAMOTO, and Mikiko TERAUCHI. "ARCHITECTURAL COMPOSITION OF URBAN BUILDINGS BY INTERRELATIONSHIPS WITH SURROUNDINGS : A study on integrational form in contemporary architecture." Journal of Architecture and Planning (Transactions of AIJ) 67, no. 558 (2002): 137–44. http://dx.doi.org/10.3130/aija.67.137_3.
Full text
17
Djarot Purbadi, Yohanes, Reginaldo Christophori Lake, and Fransiscus Xaverius Eddy Arinto. "The Symbolic Regionalism on The Architectural Expression Design of Kupang Town-Hall." Journal of Design and Built Environment 20, no. 3 (December 31, 2020): 71–84. http://dx.doi.org/10.22452/jdbe.vol20no3.5.
Full textAbstract:
This study aimed to explain the synthesis design approach of the architectural expression in the Town Hall building of Kupang city. This is necessary due to the need for Town Halls, as public facilities, to reflect technically correct building standards, environment, and the aspects of political symbolism. Kupang Town Hall design uses the roof image expression of the Timor, Flores, and Sumba ethnic architecture in a harmonious composition and this means it is an example of an ethnic architectural synthesis in a modern building which represents a function, meaning, modernity, and local cultural identity. This research employed the social semiotics method to examine the design in relation to the surrounding social life context and the design was found to be produced from the symbolic regionalism approach which involved mixing the architectural images of Timorese, Flores, and Sumba ethnicities to modernize and conserve ethnic architecture and represent the cultural identity of East Nusa Tenggara. This, therefore, means architectural synthesis methods which are established on the symbolic regionalism approach have the potential to be used in designing public facilities in different places of Indonesia to reveal local cultural identities in modern buildings through symbolism based on an ethnic architectural image.
18
Vigdorovich, O. "Formation of urban planning thinking as one of the priority areas of activity of the Department of Urban Planning and Urbanism." New Collegium 4, no. 102 (December 25, 2020): 81–84. http://dx.doi.org/10.30837/nc.2020.4.81.
Full textAbstract:
The article covers the history of the creation and development of the Department of Urban Planning and Urbanism of the Kharkov National University of Civil Engineering and Architecture. There is a retrospective of the long-term work of the department staff timed to celebrate the 90th anniversary of the university. The interpretation of the formation of the urban planning format of thinking, as a powerful lever for the training of architects and urban planners, is demonstrated in different areas of scientific, educational, methodological and professional work of the department.
The main task of the pedagogical work of the department was the preparation of specialists of a new formation for work in many areas related to urban planning and architectural design, this is the training of specialists of educational qualification levels "Bachelor" and "Master" in specialty 191 "Architecture and Urban Planning".
Scientific research of the department staff is carried out in the following areas: urban sociology, transport systems, urban ecology, urban systems, streamlining engineering and transport networks of urban systems, urban development management, the introduction of systemic and synergetic approaches in the formation of urban planning systems, rational methods of building and reconstruction of cities and villages in Ukraine.
Within the framework of the topic of improving the architectural environment and urban planning space of modern cities, studies are being carried out on the formation of the planning structure and spatial composition of Kharkov during the period of industrial and post-industrial development and the analysis of the implementation of urban planning concepts in the microdistrict development of Kharkov.
The development of urban planning thinking, as the formation of a special structure of professional consciousness, is one of the main tasks of the work of the team of the Department of Urban Planning and Urbanism of KNUSA.
19
SUZUKI, Takashi. "PRINCIPLE OF COMPOSITION AND VARIATIONS OF ARCHITECTURAL AND URBAN SPACES WITH A COURTYARD." Journal of Architecture and Planning (Transactions of AIJ) 61, no. 482 (1996): 135–45. http://dx.doi.org/10.3130/aija.61.135_1.
Full text
20
OGAWA, Jiro, and Kazunari SAKAMOTO. "SPATIAL COMPOSITION OF CONTEMPORARY URBAN BUILDINGS IN JAPAN : A study on architectural composition with volumetric units (5)." Journal of Architecture and Planning (Transactions of AIJ) 64, no. 520 (1999): 189–96. http://dx.doi.org/10.3130/aija.64.189_2.
Full text
21
Nazaruk, Mykola. "ARCHITECTURE OF THE RAILWAY STATIONS HOLOBY AND KOVEL IN THE WORK OF O. M. VERBYTSKYI." Current problems of architecture and urban planning, no. 59 (March 1, 2021): 80–88. http://dx.doi.org/10.32347/2077-3455.2021.59.80-88.
Full textAbstract:
Annotation text. Architecture of the late XIX – early ХХ century causes great interest in researchers. At this time, railways and railway stations were actively built all over the world. At this time also, a new architectural style, called Art Nouveau, has distributed around the world. The representative of this style in Ukraine is the architect O. M. Verbytskyi, whose work is largely reflected in the architecture of railway station complexes.
Today, the question arises of restoring the original appearance of historic architectural objects, including railway stations. Therefore, the research of history railway, and also the research of town-planning, planning, volume-spatial structure and stylistics of the railway station complexes as a type of buildings are relevant in the framework of historical and architectural researches of Volhynia in the second half of XIX – early ХХ century.
The research methodology is based on general (observation, comparative analysis, etc.), interdisciplinary (structuring, classification, etc.) and disciplinary, that inlude architectural and town-planning (analysis of the urban situation, functional structure and morphology of individual buildings and their complexes) research methods.
Holoby and Kovel railway stations are original and exquisite buildings by their architecture.
The volume-spatial solutions of the Holoby and Kovel railway stations are characterized by the following features: innovation, architectural expressiveness, boldness of compositional solutions, combination of curvilinear forms with rectilinear ones, Art Nouveau style.
The article deals with the history of creation, planning structure, volume-spatial composition and stylistics of the railway stations Holoby and Kovel, which are designed by the outstanding Ukrainian architect O. M. Verbytskyi and built in the beginning of the ХХ century.
22
Li, Dinghai. "Material Management in Planning and Construction of Ancient Buildings." Open House International 44, no. 3 (September 1, 2019): 60–63. http://dx.doi.org/10.1108/ohi-03-2019-b0016.
Full textAbstract:
According to the unique style and historical significance, Chinese ancient architecture which has a long history, plays an important role in world architecture. Most of Chinese ancient architecture uses wooden frame as a load-bearing system, however, a unique combination of components has emerged in its development. Due to the well-preserved ancient buildings and a long historical and cultural background of Qijiang ancient town, the paper takes the Qijiang ancient town as an example through field measurement and investigation. The composition of the external environment of the building, architectural characteristics and building monomer composition were analyzed and studied. The unique architectural art charm of Qijiang ancient town was showed. Moreover, the delimitation of the protection scope mainly includes the scope of protected areas and the scope of the construction control zone. Among them, the protected areas are generally divided into key protected areas and general protected areas; the construction control zones are generally divided into Type I of construction control zone and Type II of construction control zones. Ancient buildings are the most existing heritage types in China and are an important part of the immovable cultural relics in China. The group layout of ancient buildings is an important feature in the layout of ancient buildings in China, which is conducive to the realization of the overall protection of heritage.
23
Han, G. M., and X. Q. Deng. "Application of Media Art Visual Communication Concept in Multi-Scale Control." Open House International 41, no. 3 (September 1, 2016): 113–17. http://dx.doi.org/10.1108/ohi-03-2016-b0020.
Full textAbstract:
Color is the dominant element of visual communication design. For cities, color is one of their characteristics. Improving the overall style of a city through the control and planning of architectural color has been a hot issue in urban control and planning in recent years. Considering color pollution in urban planning, we analyze the important role of color in visual communication design from the perspective of the visual communication concept of media art. The current situation of residential building colors in Shanghai City is investigated. We determine the residents’ preferences and requirements related to architectural exterior color on the basis of a data analysis of color and material selection, color matching, composition, and others. This study changes the traditional architectural color design concept that centers on individuals and lacks overall control. Specifically, we construct a set of multi-scale color controlling and planning systems at the macro-, meso-, and micro-scales. We also guide and control the urban architectural color such that it is in accordance with the systematic color planning strategy. This method enables the systematic and holistic external color planning of urban residential buildings.
24
Dudka, O. "THE LATEST TRENDS IN THE FORMATION OF THE ARCHITECTURE OF MODERN PUBLIC CENTERS IN A SUSTAINABLE DEVELOPMENT." Municipal economy of cities 6, no. 159 (November 27, 2020): 78–84. http://dx.doi.org/10.33042/2522-1809-2020-6-159-78-84.
Full textAbstract:
The article reveals the latest trends in the modern development of the architecture of public centers in large cities, innovative methods of formation in the urban environment, defines their specificity and requirements, analyzes the features, patterns and modern design solutions in conditions of sustainable development. The relevance of this study is associated with the need for new systemic approaches in the formation of multifunctional facilities, taking into account modern urban planning concepts, which allow the formation of new types of public entities and become an important structural element of the urban environment. Turning to foreign experience in organizing multifunctional public centers, one can find that the main components of the architectural formation are their urban planning and the spatial organization of a favorable architectural environment. It is important to note this aspect: for the formation of large public centers in conditions of sustainable development, the following main trends are characteristic: the formation of a developed spatial organization - an architectural and compositional formation. Also a bright architectural and artistic image - a dominant in the urban environment, integration into the natural landscape - ecological direction of sustainable development, effective functional zoning, well-developed engineering infrastructure and communications. Thus, it has been determined that a multifunctional public center in the structure of a large city is a specific type of architectural object, which is formed into a single complex of spatial and planning elements that organize the core of the social and business life of this city.
25
OGAWA, Jiro, Akira YASUNO, and Kazunari SAKAMOTO. "EXTERIOR COMPOSITION OF MULTISTORY BUILDINGS IN THE URBAN CONTEXT : A study on architectural composition with volumetric units (3)." Journal of Architecture and Planning (Transactions of AIJ) 62, no. 496 (1997): 105–12. http://dx.doi.org/10.3130/aija.62.105_2.
Full text
26
TEMNIKOVA, Elena A. "ARCHITECTURE AND COMPOSITION PRINCIPLES OF KUIBYSHEV DEVELOPMENT ACCORDING TO GENERAL PLAN OF 1949." Urban construction and architecture 7, no. 1 (March 15, 2017): 98–101. http://dx.doi.org/10.17673/vestnik.2017.01.17.
Full textAbstract:
This article details the concept of development of the General Plan of the city of Kuibyshev of 1949. The necessity of quick reaction development of city master plan is highlighted. Natural potentials of territory are in the core of urban development idea as well as residential areas location in the most «advantageous» in terms of architecture and sanitary sciece. The existing city composite scheme that allowed to project on an elevated area parallel to r. Volga main road - Novo- Sadovaya street is revealed. Functional division of the city is shown. The basic principle of the residential areas solution - the creation of architectural ensembles not only outside the quarter, but also inside it maintaining the functionality of all the elements - is determined.
27
Smirnova, O. "FORMATION OF INNOVATIVE BUILDINGS BY MEANS OF ERGODESIGN IN THE CONTEXT OF SUSTAINABLE DEVELOPMENT OF THE URBAN ENVIRONMENT." Municipal economy of cities 6, no. 159 (November 27, 2020): 103–7. http://dx.doi.org/10.33042/2522-1809-2020-6-159-103-107.
Full textAbstract:
The article provides a definition of the concept of "innovative buildings and structures". It was determined that innovative buildings formed using ergo design means are environmental objects (residential, public, industrial and polyfunctional buildings and complexes) intended for organizing processes of different nature, which in interaction form a specific functionally rich architectural and design environment with high ergonomic, psychological and aesthetic characteristics. It has been established that, depending on the conditions of placement in the urban environment, innovative buildings can be represented by local buildings with a small composition of premises, a group of architectural buildings with an increased number of components, a complex of architectural objects. The article discusses the features of the architectural and design formation of innovative buildings and structures as objects of sustainable development of the urban environment. It has been determined that rationally planned innovative buildings and structures are effective if they meet the requirements of environmental protection, reduce energy costs, and provide high environmental and other conditions for urban life. In order to develop methodological foundations for the formation of innovative buildings and structures in the urban environment, the current trends in their architectural and design formation have been identified. The article reveals the techniques of architectural and design formation of interior and exterior spaces of innovative buildings and structures in an urban environment using ergo design means. The means of ergo design, which are used for the architectural and design formation of innovative buildings in the urban environment, have been determined. It has been determined that the inclusion of an integral space in the structure of innovative buildings using ergo design means creates a comfortable multifunctional environment and allows solving a number of tasks. Based on the generalization of the material, the article identifies the main space-planning techniques for the formation of innovative multifunctional buildings using ergo design tools, which affect the creation of a unique individual artistic image of an object in an urban environment.
28
Prayitno, Budi. "Sustainable Customized Consolidation Design of Kuin Riverside Kampong Regeneration in Banjarmasin, Indonesia." SHS Web of Conferences 41 (2018): 07001. http://dx.doi.org/10.1051/shsconf/20184107001.
Full textAbstract:
On the one hand, the hyper-urbanization phenomenon gives numerous advancements in urban living quality, yet on the other hand, it also raises an equal amount of problems. Environmental issues come in the form of density issues, the existence of slums, floods, social inequality, and urban architectural identity. As a city with “City of a Thousand Rivers” as its brand, Banjarmasin now faces a shift in an urban architectural image from a river based city to a land-based city due to the rapid land-based infrastructure development. This resulted in the degradation of environmental and architectural quality of river-based village (kampong) settlement, the main component of Banjarmasin river front city, due to a strong paradigm shift. Kuin, a river side residential area/riverside tourist destination that is currently experiencing a degradation of environmental quality and place identity, is undergoing an urban renewal. Unfortunately, the policy approaches to urban planning that has been implemented are based on general formal guidelines; guidelines which do not take the informal nature of kampong river-side settlements, due to the lack of guidelines based on riverside place identity. This paper aims to explore the characteristics of riverside settlement using architectural image observation method, space syntax method for analyzing settlement configuration genotype, connectivity, interface and interlink territory integration, as well as questionnaire and interview methods to assess the perceptions of residents and municipal authorities. From the results of this research, five compositions forms have been identified: attachment to riverside settlement identity in the form of pilling, spanning, floating, embracing, and ascending with elements such as waterfront alleys, jukung (traditional boat), lanting (floating houses) as well as floating traditional markets that serves as the frame to the configuration. The identification process is done by using the approach of observing the spaceuse appropriation and the space-user perception on how to consider its sustainability aspect as a means to determine a level of adjustment. The result shows that self organized and self customized kampong residents and tourist are aware towards the river environment, the assets of local floating markets as well as the local social space. On the other hand, municipal authorities gave more attention to formal normative and regulative aspects. This analysis is used as the basis for recommendations for kampong riverside settlement design consolidation, which is done through guided participatory design workshops. The result of this study is constructed as a concept for urban riverfront composition architecture, amphibious space territory, and urban riverfront settlement identity and expected to be able to further advance the knowledge surrounding the subject of urbanism and territoriality.
29
Dar, Valeria V. "TYPOLOGICAL FEATURES OF SMALL GARDENS IN THE ARCHITECTURAL AND LANDSCAPING SYSTEM OF EKATERINBURG." Architecton: Proceedings of Higher Education, no. 2(70) (June 29, 2020): 19. http://dx.doi.org/10.47055/1990-4126-2020-2(70)-19.
Full textAbstract:
The typology of small gardens has been studied, including their characteristics and prevailing features in the architectural and landscaping system of Ekaterinburg. A comparative analysis of international and domestic experiences in creating urban small green spaces has revealed regular patterns in small garden design: the choice of style, image, spatial layout and composition of vegetation. Based on this approach and detailed field surveys of the most characteristic small gardens in Ekaterinburg, their typology is proposed taking into account correspondence to the architectural and landscape environment, location in the urban development, spatial treatment, functional purpose, style, and plant assortment. Classification helped reveal the typological features of these small green spaces and suggest ways to improve their esthetics, comfort, and sustainability allowing for the urban planning and landscaping specifics of Ekaterinburg.
30
Remizova, Olena. "ARCHITECTURAL MEMORY AND FORMS OF ITS EXISTENCE." JOURNAL OF ARCHITECTURE AND URBANISM 44, no. 2 (September 14, 2020): 97–108. http://dx.doi.org/10.3846/jau.2020.13053.
Full textAbstract:
The article attempts to highlight the traces of memory in the theory, history and practice of architecture. The subject of research is the existing forms of memory in architecture. It is traditionally accepted that the “history of architecture” as a science is the main repository of knowledge about the evolution of architecture. Facts and artifacts, descriptions of monuments and cities are retained in it. The article emphasizes that the traditional “history of architectural objects” is not the only form of memory. Another equally important and complicated aspect of the architectural memory is detected during the decoding of the evolution of project activity and its language. Analysis of the evolution of architecture allowed us to differentiate the epochs in which historical thinking prevails: the Renaissance, Romanticism, Eclecticism, Art Deco, Postmodernism. They are characterized by such ways of thinking as dialogical, historical and typological, historical and associative. They are opposed to design approaches in which abstract thinking dominates (Art Nouveau and Modernism). The article shows that the concept of architectural memory has many shades and manifests itself in a variety of different forms of professional consciousness. As historical knowledge, memory exists in such forms as: a chronological description, science of history, evolutionary studies, catalog of styles, museum, archive. In designing and its language, memory is represented in such forms as canon, dialogue with bygone era, norm, architectural fantasy, remembrance, historical association, reconstruction, restoration and others. It is shown that the most important way of storing and transferring information is the architectural language and compositional logic. Postmodern consciousness raised the problem of loss of memory and the development of architectural language and communication of culture.
31
Hougaard, Anna Katrine. "Architectural Drawing - An Animate Field." Open House International 40, no. 2 (June 1, 2015): 44–53. http://dx.doi.org/10.1108/ohi-02-2015-b0007.
Full textAbstract:
Architectural drawing is changing because architects today draw with computers. Due to this change digital diagrams employed by computational architectural practices are often emphasized as powerful structures of control and organisation in the design process. But there are also diagrams, which do not follow computational logic worth paying attention to. In the following I will investigate one such other kind of diagram, a sketch diagram, which has a play-like capacity where rules can be invented and changed as you go. In that way, sketch diagrams are related to steered indeterminacy and authorial ways of directing behaviour of artefacts and living things without controlling this behaviour completely. I analyse a musical composition by John Cage as an example of a sketch diagram, and then hypothesize that orthogonal, architectural drawing can work in similar ways. Thereby I hope to point out important affordance of architectural drawing as a ¬hybrid between the openness of hand-sketching and the rule-basedness of diagramming, an affordance which might be useful in the migrational zone of current architectural drawing where traditional hand drawing techniques and computer drawing techniques are being combined with each other.
32
Zagroba, Marek, Katarzyna Pawlewicz, and Adam Senetra. "Analysis and Evaluation of the Spatial Structure of Cittaslow Towns on the Example of Selected Regions in Central Italy and North-Eastern Poland." Land 10, no. 8 (July 25, 2021): 780. http://dx.doi.org/10.3390/land10080780.
Full textAbstract:
Cittaslow International promotes harmonious development of small towns based on sustainable relationships between economic growth, protection of local traditions, cultural heritage and the environment, and an improvement in the quality of local life. The aim of this study was to analyze and evaluate the differences and similarities in the spatial structure of Cittaslow towns in the Italian regions of Tuscany and Umbria and the Polish region of Warmia and Mazury. The study examined historical towns which are situated in different parts of Europe and have evolved in different cultural and natural environments. The presented research attempts to determine whether the spatial structure of historical towns established in different European regions promotes the dissemination of the Cittaslow philosophy and the adoption of sustainable development principles. The urban design, architectural features and the composition of urban and architectural factors which are largely responsible for perceptions of multi-dimensional space were evaluated. These goals were achieved with the use of a self-designed research method which supported a subjective evaluation of spatial structure defined by historical urban planning and architectural solutions. The study demonstrated that Medieval urban layouts can be successfully incorporated into the modern urban fabric to promote sustainable development and slow living.
33
Karpenko, Vladimir E. "Educational complex of light-colored modeling of urban environment." SHS Web of Conferences 43 (2018): 01013. http://dx.doi.org/10.1051/shsconf/20184301013.
Full textAbstract:
Mechanisms, methodological tools and structure of a training complex of light-colored modeling of the urban environment are developed in this paper. The following results of the practical work of students are presented: light composition and installation, media facades, lighting of building facades, city streets and embankment. As a result of modeling, the structure of the light form is determined. Light-transmitting materials and causing characteristic optical illusions, light-visual and light-dynamic effects (video-dynamics and photostatics), basic compositional techniques of light form are revealed. The main elements of the light installation are studied, including a light projection, an electronic device, interactivity and relationality of the installation, and the mechanical device which becomes a part of the installation composition. The meaning of modern media facade technology is the transformation of external building structures and their facades into a changing information cover, into a media content translator using LED technology. Light tectonics and the light rhythm of the plastics of the architectural object are built up through point and local illumination, modeling of the urban ensemble assumes the structural interaction of several light building models with special light-composition techniques. When modeling the social and pedestrian environment, the lighting parameters depend on the scale of the chosen space and are adapted taking into account the visual perception of the pedestrian, and the atmospheric effects of comfort and safety of the environment are achieved with the help of special light compositional techniques. With the aim of realizing the tasks of light modeling, a methodology has been created, including the mechanisms of models, variability and complementarity. The perspectives of light modeling in the context of structural elements of the city, neuropsychology, wireless and bioluminescence technologies are proposed. Conclusions are given on the environment-forming and transforming significance of artificial light and light technologies in the space of modern city. Light-colored modeling identity is expressed in methodical and figurative-artistic continuity in the use of techniques of light composition and optical art. The use of light composition contributes to the expression of local identity by means and techniques of light composition in the context of the image, “genius loci” using the example of the Vladivostok seaside city. Identity in psychology is expressed in the personal selection of the techniques of light composition, which are used in light-colored modeling.
34
Shabalina, N. "KASLI ART CASTINGS IN THE IMAGE OF ENVIRONMENTAL ARCHITECTURAL OBJECT." Bulletin of South Ural State University series "Construction Engineering and Architecture" 16, no. 3 (2016): 12–17. http://dx.doi.org/10.14529/build160302.
Full textAbstract:
In the XX century architectural and artistic traditions casting continued to evolve and be enriched with new developments designs and models. The experience of the monumental decorative art in the urban environment fruitful and worthy of study and creative thinking. The author refers to the experience of architectural and construction activity in Chelyabinsk 70-80-ies of XX century – the objects of public civil buildings in which decorative components were important compositional and figurative meaning. Combinations of the various modules of artistic casting allowed designers to create images of the original decorative compositions architectural and environmental objects, as their distinctive markers.
35
Toscani, Chiara. "L'invariante architettonica del poché." TERRITORIO, no. 47 (February 2009): 187–91. http://dx.doi.org/10.3280/tr2008-047021.
Full textAbstract:
- This paper attempts to summarise the Poché architectural invariant by means of a few crucial steps, focusing particularly on its use in Le Corbusier's composition poetics. Although short, this discussion offers the chance to rediscover some of the properties that the Poché invariant activates in architectural composition such as interference, hybridation and deformation. They are properties which thanks to the later theoretical support of Venturi and Rowe, should be of interest for an analytical and critical reading of some contemporary design projects, the most structured of which would seem to a theoretical revisiting of Eisenman.
36
Gosztyła, Marek, and Agata Mikrut. "Contemporary conservation doctrine - issues of conservation protection zones based on the example of Tarnobrzeg." E3S Web of Conferences 45 (2018): 00019. http://dx.doi.org/10.1051/e3sconf/20184500019.
Full textAbstract:
The paper concerns the issue of conservation protection covering the researched areas of Tarnobrzeg. In particular, it describes the principles of delimiting areas and grounds for narrowing the previously adopted preservation zones. Based on reliable analyses, one presents the fundamentals, which result in the necessity of modifying and verifying the protection zones. The reasons for such a proceeding arise from the continuous development of civilization. Together with this, it is necessary to update urban areas, which is why the conservation works protecting the historic urban fabric should not stand in the way of modern urban development. Present-day conservation doctrine cannot seek to inhibit the almost natural process of the transformation of urban structures. Doctrines should correspond with contemporary realities and create opportunities for the urban and architectural development of the urban space while respecting and exposing historic architecture. The rational application of conservation doctrines and undertaking activities in a substantive manner will allow the creation of multilayer city compositions that represent an architectural depiction of history. The described issue of conservation protection zones in Tarnobrzeg is to be a form of discussion on the application of applicable conservation doctrines in the reality of contemporary cities. The question, whether the objectives and methods of action arising from the adopted conservation theory fulfil their basic function today, seems to be one of the most important issues of contemporary conservation of monuments. Since there is no doubt that finally clarified conservation decisions, formulated without thorough analysis and research, may and do result in not always expected architectural solutions.
37
Zonouz, Hassan Khalili. "EFFECTS OF CLIMATE CONDITIONS IN FORMATION AND DEVELOPMENT OF ZONUZ'S HISTORICAL GARDEN CITY ARCHITECTURE." Journal of Architecture and Urbanism 39, no. 2 (June 30, 2015): 124–31. http://dx.doi.org/10.3846/20297955.2015.1048839.
Full textAbstract:
Zonuz architecture has originated from prehistoric era by having worthwhile architectural signs of the Kura – Aras culture related to Bronze Age (3800 BC), as seen in Qiz Qala and Oğlan Qalasi, located about 5 km from the city. This architecture by the dry stone method is standing at the top of the mountain and has been made of field stone which was undoubtedly outstanding in its period. This technique has reached its style as back to back diagonal stones placed within 30–45 different degrees among them with respect to the wall making evolution during the period of 6000 years. This method has been used in all buildings and walls of house-gardens of the city for millenniums appropriately. The technique reveals that instead of brick, natural elements with more resistance have been applied. Availability of travertine is the reason of using it along with mortar in order to constructing the entire city and many other buildings. However, in some cases like Qizil-Korpi bridge plaster has been used and in some others – that needed more strength – a composition of lime and clay is applied. But it can be acknowledged that the structure of the building and foundations is part of the natural environment. Urban areas in this location have developed condition of constructing new architecture and house-garden urban engineering in terms of more convenient natural situation including better utilizing sun light, more appropriate slope as well as plenty of springs – about 360. This is a city with spatial shape which is integrated with natural beauty of Azerbaijan and has created a rare house-garden quality. Although urban engineering and architecture of this city have got an outstanding index and many articles have been published in the field of Geology, Geography, Philosophy and so on, but nothing can be found about its architectural report, techniques and thoughts throughout the resources. The aim of present research is based on finding out topography and climate conditions effecting the architecture and city planning; in this article the author also tries to mention Zonuz architecture and type of architectural spaces and its structures in order to make a better understanding and increasing sensitivity about the building and urban setting, conservation and restoration. In order to come to a conclusion we had to choose a method for this subject and going through library shelves seemed to be real poor; hence we had to do site study and consider actual cultural, technical and historical cases and their relation with topography and city planning.
38
Sabitov, Ildar Narimanovich, Dilara Radikovna Kudasheva, and Denis Yaroslavovich Vdovin. "High-rise architecture in Ufa, Russia, based on crystallography canons." E3S Web of Conferences 33 (2018): 01007. http://dx.doi.org/10.1051/e3sconf/20183301007.
Full textAbstract:
The article considers fundamental steps of high-rise architecture forming stylistic tendencies, based on C. Willis and M. A. Korotich’s studies. Crystallographic shaping as a direction is assigned on basis of classification by M. A. Korotich’s. This direction is particularly examined and the main high-rise architecture forming aspects on basis of natural polycrystals forming principles are assigned. The article describes crystal forms transformation into an architectural composition, analyzes constructive systems within the framework of CTBUH (Council on Tall Buildings and Urban Habitat) classification, and picks out one of its types as the most optimal for using in buildings-crystals. The last stage of our research is the theoretical principles approbation into an experimental project of high-rise building in Ufa with the description of its contextual dislocation aspects.
39
CHIZZONITI, Domenico Giuseppe. "THE STRUCTURE OF SPACE: CUBISM AND MODERNISM. FIGURES AND ICONS IN JOSEF GOČÁR’S WORK." JOURNAL OF ARCHITECTURE AND URBANISM 41, no. 1 (March 27, 2017): 9–21. http://dx.doi.org/10.3846/20297955.2017.1296793.
Full textAbstract:
This research paper relates to a number of works by Josef Gočár, a Bohemian architect who was active in a time period between “Cubist” vanguardism and “Rationalist” modernism. The theme regards the search for a general method which evaluates the key elements of the structure of space in architectural design. The main asset of architectural composition has traditionally been the close association between the syntactic order of the elements and a semantic perception of space. The aim of this essay is to explore the relation between the role of the experimental design regarding the multiple and changeable architectural experience and the creative process of architectural work. The methodological experience hereby demonstrated refers to a specific case study that belongs to the scientific research carried out by Gočár and his researchers’ group at the Prague Fine Arts Academy (AVU). His work is hereby re-interpreted in an effort to explore the experiential contribution to the architectural design discipline, and the figurative aspect, by reexamining various characteristics of his practical experience as an architect involved in the civic priorities of the city, from the scale of urban settlement to the individual design work.
40
MANONINA, T. N., and A. A. SAMSONOVA. "CULTURAL ARCHITECTURE OF JUDAISM IN SIBERIA: SYNAGOGUE OF MARIINSK." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 3 (June 27, 2019): 99–111. http://dx.doi.org/10.31675/1607-1859-2019-21-3-99-111.
Full textAbstract:
The article describes the synagogue of Mariinsk, a monument of architecture of the regional significance. The synagogue is a prominent architectural object of Judaism in West Siberia. The historical retrospective of Mariinsk development is shown, statistical data are presented on the national composition of the population in the 19–20th centuries. Participation of Jewish merchants in self-government of the city is highlighted, the contribution to the development of industry and commerce, and the diaspora's charitable activities are noted. The history of the synagogue construction in Mariinsk is traced in detail. The historical facts characterizing the process of synagogue construction and restructuring are given. The architectural project of the Mariinsk synagogue is characterized, a graphic reconstruction and architectural analysis of this structure are presented. The special historical, architectural and town-planning values of this synagogue among the surviving religious buildings of the Siberian region are noted. The article presents the legal provisions of the Complete Collection of Laws of the Russian Empire, regulating the construction of synagogues and their location in urban environment. Statistical information from the statistics committee of the Ministry of the Interior on the number of synagogue buildings in the provinces of pre-revolutionary European Russia and in some cities located in Siberia is considered. New archival materials of the Tomsk and Kemerovo regions, iconographic material from the funds of the Tomsk Regional and Mariinsk Local History Museums are used. A list of scientific works on synagogue architecture is presented. The materials of this paper can be used both by architects and historians for studying religious buildings of various denominations.
41
Duzhik, Daria, and Anna Kozhnova. "Modern high-rise architecture in terms of historical development of Ryazan." Stroitel stvo nauka i obrazovanie [Construction Science and Education], no. 2 (June 30, 2019): 7. http://dx.doi.org/10.22227/2305-5502.2019.2.7.
Full textAbstract:
Introduction. Preservation of historical and cultural environment is one of the most important tasks nowadays. Nevertheless, a developing city requires the development of architectural and urban environment, which contributes to the emerging of modern objects in historical areas of the city, often discordant. The primary parameter that determines the degree of discordance is the excess of the average height of the building, as well as architectural and stylistic parameters, placement in the structure of the city, etc. The problem of general increase in number of storeys in historical core of the city requires studies, analysis and definition of some restrictions in order to preserve the integrity and authenticity of the historical and cultural environment. Materials and methods. The work is based on the study of contemporary foreign and domestic solution experience of the problem of modern architecture in the conditions of historical construction image. The initial data for the studies were the materials of the current Project of zones of protection of objects of cultural heritage of Ryazan, and project materials developed in 2017. On the basis of field survey and the analysis of photographic images of buildings in the development, the nature and complexity of the architectural composition. Results. In accordance with the current Project of protection zones the most typical examples of multi-storey buildings in the historical context were identified, a characteristic and an assessment of the degree of their discordance were given. Conclusions. The study was aimed to solve the problem of preserving the integrity and authenticity of the historical and cultural environment in the construction of modern multi-storey buildings. The emerging of new buildings in historical core is necessary and inevitable, so, some architectural and urban planning techniques were revealed to reduce the degree of discordance
42
Sojková, Eva, and Petr Šiřina. "Greenery of Urban Conservation Zones – a Component for Preservation of Monuments Authenticity." Acta Universitatis Agriculturae et Silviculturae Mendelianae Brunensis 64, no. 1 (2016): 357–64. http://dx.doi.org/10.11118/actaun201664010357.
Full textAbstract:
The work deals with the criteria determination of qualitative rating of greenery as the basis for the protection and regeneration of greenery in areas with monumental values – urban conservation zones. Attention was turned to analysing the previous development of the whole territory as well as individual components (function, position in the settlement structure, ground plan shape, composition, architectural style of buildings, traffic arrangement, utilization). Selected urban conservation zones of Central Bohemian and Moravian-Silesian Region were used as model areas for verification. We present the results of a qualitative rating of their current green areas concerning the above- mentioned characteristics.
43
Paek, Seunghan, and Dai Whan An. "Missionary Architecture and Hybrid Modernity in Colonial Korea: The Case of Yonsei University." Open House International 42, no. 4 (December 1, 2017): 5–12. http://dx.doi.org/10.1108/ohi-04-2017-b0002.
Full textAbstract:
This article explores the hybrid modernity made through missionary architectural practices during colonial Korea, by examining how the master plan of Yonsei University, one of the earliest mission schools in Korea, has gone through a unique evolutionary process throughout the convoluted modern history of the twentieth century. In doing so, this article conducts a thorough visual and spatial analysis of the given case with two emphases: first, analyzing three campus master plans—produced in 1917, 1925, and 2016 respectively—in a comparative way; and second, analyzing the layout and façade composition of major buildings that comprise the campus in great details. These master plans are crucial evidences enabling us to investigate the transatlantic architectural practices in early 20th century, as Henry K. Murphy, the architect in charge of the first two master plans of Yonsei University, was one who had long practiced in New York and greatly admired the values of Asian architecture through a series of field trips to major Asian cities, including Beijing, Shanghai, Tokyo, and Seoul. While the 1917 master plan was in part influenced by the Western precedents, as well as ones from Japan and China some of which Murphy himself was involved in as a master architect the 1925 case deviates from it and illustrates multiple points of transformation that go beyond spatial symmetry and visual harmony. The 1925 one is marked by the rearranged spatial disposition and façade composition of dormitories and residential halls as influenced by the geographical peculiarities of Korea at that time. Long after the revision, the third, 2016, version illustrates the much expanded, triangular shape toward the south with added buildings and facilities, while the entombment area and other historical fragments in the upper part are well preserved. Hence, this article claims that the case of Yonsei University elicits the hybridization of missionary architectural practices and local Korean culture throughout the twentieth century, which is neither subsumed by the missionaries' imposition of design ideas nor bound by the authentically Korean tradition of design.
44
Vaytens, Andrey, and Yulia Yankovskaya. "Saint-Petersburg landscape scenarios and green architecture in the strategy of urban development." MATEC Web of Conferences 170 (2018): 02001. http://dx.doi.org/10.1051/matecconf/201817002001.
Full textAbstract:
The evolution of architectural and urban planning practice is only possible through an essential understanding of the basic trends of development for architecture in the contemporary world and their historical backgrounds. One of the most important trends is «green architecture» and «perception the city as landscape». The study looks at the specifics of landscape scenarios development in Sankt-Petersburg and prospects for the inclusion of green architecture into the structure of City Plans and General Plans. Landscape scenarios and elements of green architecture are considered in the context of their historical development, structural features, compositional and design techniques. The article examines in detail the historical stages of the introduction of elements of green architecture in landscape scenarios in the City Plans and General Plans of Sankt-Petersburg-Leningrad in XX century.
45
Kajackaitė, Monika. "URBAN CORES IN THE VALEY OF RIVER NERIS IN VILNIUS – SYSTEM OR UNCONTROLED COINCIDENCE? / URBANISTINIAI BRANDUOLIAI NERIES UPĖS SLĖNYJE VILNIAUS MIESTE – SISTEMA AR NEVALDOMAS ATSITIKTINUMAS?" Mokslas - Lietuvos ateitis 3, no. 3 (June 7, 2011): 101–8. http://dx.doi.org/10.3846/mla.2011.058.
Full textAbstract:
The idea of an article emerged of an observation of architectural – urban complex developement in the right coast of river Neris. This complex is partly materialized 70’s idea of “architectural hills”. Despite of sceptical or even opponential heritage guard’s attitude about this complex, evident that it is successful realization of considerable dimension urban conception. On the other hand, the result contravene primary idea, because it takes considerably bigger area of cities topography, i.e. situated on both sides of Konstitucijos avenue, thuthermore, practical realized changed system of altitude accents, and so on. Distinctly identified visual zones of urban cores in the city raise a question if the mentioned cores organize common compositional system, or if it’s development is based only on local principles of compositional idea. The main aim of this article – suggest methodical development principles of urban structure, considered on territories spatial compositional systems particularity. An article is the result of certain research, in which were evaluated transformations of territories urban structure, compositional importance to visual identity of a city, and structurised perspective strategy of territories urban development.
46
Mannering, Virginia, and Tom Morgan. "New Public Excavations." Joelho Revista de Cultura Arquitectonica, no. 11-12 (September 9, 2021): 135–48. http://dx.doi.org/10.14195/1647-8681_11_12_8.
Full textAbstract:
The paper draws on recent salvage archaeological excavations in Melbourne, Australia that prompt questions on architectural concerns of ‘site’ in contemporary architectural discourse. For design practitioners, site is usually communicated in direct and straightforward ways, with some practical understanding of the physical forces that form the current site, but little of influencing political or cultural elements. This is particularly problematic in settler-colonial cities such as Melbourne which are built out of complex and contested environments. The urban archaeological excavation is therefore seen as a metaphorical ‘autopsy,’ a brief moment of pause when the site’s history and composition can be publicly examined and challenged. Crucially, the act exposes the significant and potent presence of ground and dirt as actants in the city. This paper examines archaeological and architectural texts and practices to explore the added meaning that a refocusing on dirt and ground as material and medium can add to the architectural reading and interpretation of site in the settler‑colonial city.
47
Günay, S. "GEOGRAPHICAL INFORMATION SYSTEMS AS A TOOL FOR 3D VISUALIZATION OF LOST ARCHITECTURAL HERITAGE." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences IV-2/W6 (August 21, 2019): 69–75. http://dx.doi.org/10.5194/isprs-annals-iv-2-w6-69-2019.
Full textAbstract:
<p><strong>Abstract.</strong> Existing architectural heritage provides information about the architectural and urban characteristics of the civilizations that built them. Their surviving façade compositions, plan organizations, structural and material elements, give clues about various architectural and urban characteristics of these buildings and the periods that they belong to. In the case of lost architectural heritage, it is challenging to know more about these attributes due to the fact that the accessible information about these buildings could be limited. At this point, cartographic and photographic resources provide valuable information about lost architectural heritage. In addition to their geographic locations, information about their dimensions, structural systems, material finishes, colours could be some of the information that can be collected through cartographic and photographic historic documents.</p><p> This paper presents a summary of the methodological approach of using Geographical Information System (GIS) for 3D visualization of lost architectural heritage in the case of Izmir &ndash; Turkey, by using 1905 fire insurance plans of Charles E. Goad.</p>
48
Vasylenko, O., O. Mykhailenko, I. Shmarev, and A. ,. Tanirverdiyev. "ARCHITECTURAL LIGHTING OF THE INTERIOR SPACES OF RESIDENTIAL AND PUBLIC BUILDINGS (LIGHT COMFORT)." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 263–71. http://dx.doi.org/10.31650/2519-4208-2020-20-263-271.
Full textAbstract:
The paper identified the main aspects of the natural lighting of interior spaces of residential and public buildings, affecting the light forms of education, the quality of light, visual comfort, visual discomfort, uneven illumination, and so on. The quality of architecture as a visual art is mainly evaluated because of visual impressionsthat are possible only in the presence of light. The modern period of development of society is characterized by objective civilized processes of global urbanization, as a result of which architecture itself becomes a cause of a disturbance in the state of balance of the environment for human life and the cause of the ecological crisis. It is known that under the influence of such anthropogenic factors as a decrease in the transparency of the atmosphere due to the growth of cities and industry, insolation resources are changing in residential areas. In the framework of the concept of an urban-ecological approach in the formation of the human environment, the problems of creating a comfortable bioclimatic architecture or ecological buildings that allow the multilateral use of the energy of the Sun are highlighted.Among the factors determining the quality of the environment, an important place is occupied by the natural light environment, which largely depends on the nature of the light climate. Sunlight has a comprehensive impact on all major categories of architecture, including light comfort, durability, expressiveness, and economy. The appropriate level and quality of lighting in rooms and urban areas is an important prerequisite for creating light comfortable living conditions for a person, contributes to his creative activity, increase labor productivity and improve leisure conditions. The parameters of the light environment are one of the main elements that form the microclimate of the premises.In many developed countries, in connection with the expansion of megacities, the issue of not only functional, but also visual aesthetic comfort of the environment is becoming relevant. Creating a light environment that meets the practical, psychological andaesthetic requirements of the people who live in it is one of the most important tasks of an architect. Knowledge of the basic compositional properties of lighting, the ways of its rational use in architecture, and the possession of methodological skillsin architectural design contribute to the successful solution of this problem. Lighting conditions determine the correct perception of the compositional rhythm, the proportions and depth of the premises, plastics and color finishes of the surface.The concept of a light environment includes the integral coordination of the components of natural and artificial lighting, considered in unity and interaction. The progressive reception of integrated (combined) lighting is dictated by social need and is reflected in improving the quality of lighting and in saving resources for the design and construction of buildings and structures.Modern advances in the field of fundamental and natural sciences allow us to improve the methods and means of research and forecasting in the knowledge of the complex interaction of man and the environment. The main task is to optimize the light environment in architecture with the rational use of energy and natural resources.The analysis of scientific works and design practice of architectural firms of Ukraine allowed us to identify a number of unresolved issues (in the aspect of accounting and solving the problem of the comfort of the lighting environment in architecture): 1) black-and-white shaping as a specific tool for architectural composition to achieve plastic expressiveness and as a tool for the architect’s creativity; 2) in the process of developing the facades of buildings for various purposes, the relation to the functional and formative function of light is traced; 3) theeffect of sunlight on interior spaces; 4) the effect of sunlight on residents in high-rise residential buildings. The problem of creating a comfortable lighting environment in European architecture has not been comprehensively considered to date, which served as the basis for analysis and discussion in this work.The comfort of the light environment is lighting, it is the light formation of the interior spaces of architectural objects. The comfort of the lighting environment can satisfy people in the interior according to many requirements, divided into qualitative and quantitative categories.Quantitative categories are determined by the level of necessary illumination. Qualitative categories are determined by the spectral composition of light and its distribution in space.
49
IVANOVA, Elena Gennad'evna. "IRREGULAR ARCHITECTURAL ENSEMBLE AND GROUP-FORM." Urban construction and architecture 6, no. 1 (March 15, 2016): 63–67. http://dx.doi.org/10.17673/vestnik.2016.01.10.
Full textAbstract:
The main purpose of this article is making a defi nition of irregular ensemble compositional and morphological features, as a specifi c architectural and town-planning phenomenon. Irregular architectural ensembles, unlike regular ones, are capable of more fl exible reaction on the dynamics of living conditions. An research on ensembles of this type can be useful for architectural design and urban planning. This study of the morphology of irregular architectural ensemble represents the phenomenon of group form - defi ned as low-ordered, incomplete association of volumes and spaces. Group form is opposed to the regular architectural ensemble as a compositional form. The phenomenon of irregular ensemble is treated as an intermediate between the two oppositions, and is defi ned in the article as compositional group form.
50
Sotnikova, Nadezhda. "Organization of outdoor practice of students." E3S Web of Conferences 273 (2021): 12062. http://dx.doi.org/10.1051/e3sconf/202127312062.
Full textAbstract:
In this article we consider ways of solving the problem of lacking practical experience in drawing and painting among the students of architecture departments. We propose a solution to this problem through creation of teaching methods aimed to develop a perception of of nature, compositional and technical skills and abilities. We study the principles of the approach to the plein air practice working program of the leading architectural universities in Russia, and also compare and analyze two approaches to the program: an interdisciplinary approach based on the relationship of architecture with the visual arts - drawing and studying architectural monuments and holding a plein air in the form of master classes by professional artists, with an emphasis on techniques and technologies of work in the plein air. Revealing the methodological features of building a program for mastering the universal and general professional competencies of an architect and designer: acquaintance with the monuments of architectural heritage, a creative research approach to the object of study, the development of compositional thinking and the basics of linear constructive drawing, the development of graphic techniques necessary for working on sketches of projects. Recommendations are given for the development of tasks for plein air practice for students of architecture, reconstruction, urban planning and design departments.