Relevant bibliographies by topics / Architectural competitions

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Architectural competitions'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Architectural competitions"

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Manic, Bozidar, Dragana Vasiljevic-Tomic, and Ana Nikovic. "Contemporary Serbian Orthodox church architecture: Architectural competitions since 1990." Spatium, no. 35 (2016): 10–21. http://dx.doi.org/10.2298/spat1635010m.

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This paper focuses on the architectural competitions for Orthodox Christian churches in Serbia since 1990, both on the analysis of the designs submitted and the competition requirements. The first competition for an Orthodox church in Serbia after World War II was announced for Pristina in 1991. After that, competitions for the temple in Cukarica, Novi Beograd, Nis, Aleksinac and Krusevac were conducted. Thanks to the fact that architectural competitions allow a greater degree of creative freedom to the architects than regular practice, various solutions were offered, from replicas of models from architectural history and tradition to fully non-traditional proposals. Depending on the relationship to tradition, architectural design approaches can be classified into three main groups: radically modernizing, conservatively traditionalist, and compromising. Of the six competitions conducted, four churches were built, which are among the most architecturally successful newer churches in Serbia. This points to the importance of the implementation of the architectural competition in this field of architecture. The diversity of the award-winning projects shows that there is awareness of the possibility for the further development of church architecture, favouring a moderate approach.
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Khan, Hasan-Uddin. "Architectural Competitions: Creating Dialogues and Promoting Excellence?" International Journal of Islamic Architecture 9, no. 1 (March 1, 2020): 5–18. http://dx.doi.org/10.1386/ijia_00001_2.

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Abstract Architectural competitions have become a major way of commissioning buildings, especially for corporate and government structures. They belong to a practice that dates back to ancient Greece. This editorial essay ponders some of the critical issues raised by the two major types ‐ project competitions and ideas competitions ‐ through representative case studies of the Aga Khan Award for Architecture and the recent competition for master plan and buildings for the Kuwait Foundation for the Advancement of Science. The notions discussed are based on the author's personal experiences over four decades, and the roles played by the major players involved in the process ‐ the client or sponsor, the competition organizers, the designers/architects, and the architectural juries. The article ends with a consideration of why architectural competitions are valuable in the lessons they offer and the discourses they raise, and their significance for architects and architecture more broadly.
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Gottschling, Paul. "Where design competitions matter: Architectural artefacts and discursive events." Journal of Material Culture 23, no. 2 (October 3, 2017): 151–68. http://dx.doi.org/10.1177/1359183517733774.

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Recent ethnographies among professional architects have given us a novel version of the argument against architectural autonomy: architects work in a condition of entanglement not only with clients and markets, but also with the very objects through which architectural conception takes place. There is a tension between this view and one that surfaces within management scholarship on design competitions. In these studies, the design competition is a moment of architectural work in which architectural autonomy is uniquely pronounced, where the artistic statements of architects achieve a special efficacy. The author investigates the possibility that the design competition enacts a different sort of architectural entanglement than what we see in recent anthropologies. He considers two situations of architects working on design competitions, one in an architectural school in the UK and one at the Office for Metropolitan Architecture. He concludes that, in design competitions, discourse itself becomes subject to adjustment and iteration.
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Babenko, V., and K. Davydenko. "COPYRIGHT FOR THE PROJECT IN ARCHITECTURAL COMPETITIONS." Ukrainian Journal of Civil Engineering and Architecture, no. 1 (June 24, 2021): 26–35. http://dx.doi.org/10.30838/j.bpsacea.2312.230221.26.714.

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Problem statement. Works of architecture, as objects of copyright, is one of the key industries on which the economies of the countries of the modern world are based. The importance of architectural activity for the harmonious development of society is unquestioning, both from the point of view of the development of projects and the creation of structures, the cultural value of which is of a spiritual nature, and due to the functional value of architecture, includes aesthetic, social and everyday components. Copyright in architectural works is an important form of protecting and enforcing the rights of architects and neglect of this right usually leads to litigation. There is a problem of awareness of copyright issues in Ukraine, both in architectural projects and in many aspects of architectural activities, in particular, the observance of the copyright of architects when their architectural projects participate in architectural competitions. The main objective. Research of architectural works submitted to competitions as objects of intellectual property rights, study and generalization of existing rules of participation of architectural projects in architectural competitions, legality of their use by competition customers and observance of copyrights of architects, including students and masters of architecture. Conclusions. The participation of architects in architectural competitions is an extremely important issue due to the copyright of both experienced and young architects, especially if the participants in the competition are students of architectural and construction universities. The complex of copyright on the result of his creative activity in the field of architecture arises from the moment of creation of the work (including the project), regardless of whether it was completed and published or not. After the implementation of the project, the author's rights to constructed buildings, structures and other works as objects of copyright also belong to the author, if they were not transferred under the contract, as well as taking into account the law on rights to objects created by the employment contract and to order. The copyright for the project belongs exclusively to the author (authors) and is protected in accordance with the Laws of Ukraine. As we can see, the judicial and legislative systems of Ukraine allow an architect (or other copyright owner) to protect his project and rights to it, to punish those who encroach on someone else's intellectual property and to bring violators to justice. Legal protection is equal for all participants of the competition and can help young architects not only to gain experience in project development, at different stages of the competition, but also in case of victory, to further participate in its implementation, subject to compliance with the rules and conditions.
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ANDERSSON, JONAS E. "Architecture and the Swedish welfare state: three architectural competitions that innovated space for dependent and frail older people." Ageing and Society 35, no. 4 (February 5, 2014): 837–64. http://dx.doi.org/10.1017/s0144686x14000014.

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ABSTRACTIn 2012, three architectural competitions were held as part of the strategic programme ‘Living Well, Growing Old’, launched by the Swedish government in 2010. The intention was to use the innovative quality of the architectural competition in order to conceive future-oriented built environments for the ageing Swedish society. In Sweden, several architectural competitions with a focus on space for dependent and frail older people have been organised over the past century. Architectural design has been incorporated into reforms for social care of older people. This study focuses on the relationship between architecture and socio-political visions in three architectural competitions, realised in 1907, 1948 and 1979. The study demonstrates that architectural competitions within this field are more than a list of functional and spatial requirements for architects to respect. Instead, they are socio-political statements that define spatial frameworks within an ideological view on how ethically to provide care for dependent and frail older people in a welfare regime.
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Gabrėnas, Arnoldas, and Darius Linartas. "Wooden Objects in Architecture Competitions." Journal of Architectural Design and Urbanism 3, no. 1 (September 14, 2020): 20–28. http://dx.doi.org/10.14710/jadu.v3i1.8604.

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The article deals with the role of wooden architecture constructions in competitions that took place in the recent decade. Architecture competitions for which designs from wood were offered are discussed. The properties of such constructions and their results in the competition, as well as the subsequent phases of the existence of a design, if any, are singled out. It should be noted that wooden constructions, owing to their properties, are increasingly noticeable and are acknowledged with awards. Given that this process takes place in architecture competitions, we can predict architectural trends in the near future.
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Schmiedeknecht, Torsten. "Conventions of a competition system: jury reports and competition briefs published in Wettbewerbe Aktuell." Architectural Research Quarterly 17, no. 2 (June 2013): 177–87. http://dx.doi.org/10.1017/s1359135513000535.

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‘Conventions of a competition system: jury reports and competition briefs published in Wettbewerbe Aktuell’ is part of a broader enquiry into the relationship between architectural competitions in Germany in the 1970's, 1980's and 1990's and the dissemination of competition results in the form of drawings, model photographs, abbreviated contents of competition briefs and jury reports, in the journal Wettbewerbe Aktuell. The paper briefly introduces the German competition system and its regulations relevant at the time, before charting Wettbewerbe Aktuell's beginnings and publishing format. A close reading of primary school and museum competitions published in the journal then provides the platform for an analysis of the content and format of the briefs and jury reports published with the prize-winning schemes. The objective of the paper is to identify principles, similarities and regularities and their possible effects on competition architecture, in the texts – briefs and jury reports – which describe and analyse architectural competitions in Wettbewerbe Aktuell.
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Mooser, Markus. "Exemples de projets réalisés dans le cadre du programme «Bois 2000» de l'OFEFP – Concours | Examples of Projects Carried Out as Part of the SAEFL «Timber 2000» Programme – Competitions." Schweizerische Zeitschrift fur Forstwesen 152, no. 3 (March 1, 2001): 97–100. http://dx.doi.org/10.3188/szf.2001.0097.

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The «Timber 2000» promotional programme, sponsored by SAEFL, consists of many varied projects. The aim of this review is to detail 3 complementary competitions which show one of the many aspects of «Timber 2000». The competitions are:• The Lignum Prize – an architecture prize for wooden structures• Cyclo-Bivouac – an architectural competition for students• Meuble 21 – a competition of wooden furniture design The article details the inevitable logistical problems that must be overcome to successfully organise such competitions. The organisers want to put what they have learned to good use when organising future competitions, which will be necessary to promote timber effectively. The information provided could prove invaluable for future competition organisers, and prevent them from overlooking essential items.
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Leitanaitė, Rūta. "ARCHITECTURAL EXHIBITIONS-COMPETITIONS IN LITHUANIA AS A TOOL OF PROMOTING ARCHITECTURE / ARCHITEKTŪROS PARODA-KONKURSAS LIETUVOJE KAIP ARCHITEKTŪROS POPULIARINIMO PRIEMONĖ." JOURNAL OF ARCHITECTURE AND URBANISM 37, no. 2 (July 10, 2013): 133–40. http://dx.doi.org/10.3846/20297955.2013.813165.

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An architectural exhibition-competition is analyzed as a type of architectural media, which performs as a promotion tool of architecture and education of the wide public. Via review of current architectural exhibitions-competitions in Lithuania, Baltic States and several European level architectural awards, the criteria and characteristics, defining and destining the quality and prestige of an architectural exhibition-competition are distilled and defined. Santrauka Straipsnyje architektūros paroda-konkursas tiriamas kaip architektūrinės žiniasklaidos (media) tipas, kurio misija – kokybiškos architektūros propagavimas bei architektūrinė visuomenės edukacija. Svarbiausių architektūros parodų-konkursų ir apdovanojimų, organizuojamų Lietuvoje, Latvijoje, Estijoje bei Europoje, analizė atskleidžia kokybiško, prestižinio architektūros parodos-konkurso kriterijus ir charakteristikas, kurias galima pritaikyti ir Lietuuvoje.
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Sørensen, Nils Lykke, Anne Kathrine Frandsen, and Turid Borgestrand Øien. "Architectural Competitions and BIM." Procedia Economics and Finance 21 (2015): 239–46. http://dx.doi.org/10.1016/s2212-5671(15)00173-2.

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Dissertations / Theses on the topic "Architectural competitions"

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Rönn, Magnus, Jonas E. Andersson, and Zettersten Gerd Bloxham. "Architectural competitions - histories and practice : Editors’ comments." KTH, Arkitektur, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-123400.

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Architectural competitions are no longer simply professional praxis for architects and a recurrent exercise for students at schools of architecture. The competition has also turned into a field of research, and this book is part of an effort constituting the architectural competition as a field for studies with scholarly claims. The first doctoral dissertations on competitions were presented in the 1990s in Europe. Another clear manifestation of research interest is the growth and spread of scholarly conferences on architectural competitions.   The contributions to the book show in a convincing way that the architectural competition is an interesting and rewarding object for research. The competition processes bear rich empirical findings to which one may refer for knowledge about architecture as professional practice, as educational subject and research platform. The architectural competition illustrates processes of change in society that are technical and organizational as well as social; it shows up constructive dilemmas, the borderline of rationality and the relative, creative insecurity of knowledge production in architectural projects.

QC 20130610

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Manzoni, B. "Competing through architectural competitions : paradoxes and strategies." Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1460766/.

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Architectural competitions are a fascinating, yet controversial, subject. Building from cross-disciplinary studies on competitions, creative professional service management literature and paradox theory, this research explores the paradoxes of competitions from the viewpoint of the architects’ strategizing for them. Paradox is used as a research focus and as a theoretical lens. A paradoxical inquiry links conflicting insights from four case studies of Italian and British architectural firms. This work is relevant for architecture as well as management scholars. On the one hand, it develops a theory of competitions’ paradoxes whose roots are legal, procedural, sectoral and organisational and it offers an understanding of competitions that can train architects to reduce mixed feelings and system contradictions and to compete more effectively. On the other hand, it offers an application of paradox theory to creative professional service industries and it advances paradox theory with regard to the interplay between acceptance, resolution, synthesis and separation. More specifically this research shows that paradox is a distinctive way to make sense of competitions’ contradictions. With regard to the competition process, several paradoxes are identified, namely those related to: strategic intent (acquiring the job vs. exploring in design terms and diversifying the business), staffing (availability vs. competence; diversity vs. cohesiveness), scheduling work (planning vs. allowing for flexibility), design strategy (following vs. challenging the brief), design proposal (depth vs. breadth of design contents), design submission (simplicity vs. complexity) and facilitating design work (directing vs. empowering the team). For each paradox, this research classifies underlying tensions; it proposes management approaches, categorised into synthesis and separation, and it highlights the relationships between paradoxes and a) contextual legal and procedural factors (writing of the brief, selection and shortlist, proposal design, jury assessment) framing the tensions and b) organisational ones (goals and strategic planning, marketing and sales, project, people and knowledge management) inculcating actions.
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Erdem, Gunay. "An Inquiry On The Limits Of Multidisciplinary Collaboration In Design: Architectural Competitions." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/3/12606970/index.pdf.

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Architecture both as a field of knowledge and profession had always been an outcome of multidisciplinary collaboration. The limits of this collaboration are directly effective on both the method of design and the end product itself. In contemporary modern architecture, this interaction between architecture and other disciplines reached to an altered mode where design strategies became open to transformations and the traditional understanding of design replaced with alternative approaches. This thesis aims to understand the limits of multidisciplinary collaboration and altered mode of design under the contemporary context. Architectural design competitions will be a major case study area towards understanding disciplinary transparencies and their impact on design process. Under this framework the study questions the limits of continuity between architecture and other disciplines as transformative power of each other.
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Gottschling, Paul Thomas. "To submit is to relate : a study of architectural competitions within networks of practice." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/to-submit-is-to-relate-a-study-of-architectural-competitions-within-networks-of-practice(c3f8961d-94a8-4c91-91e2-935a6dcc4bf9).html.

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This is a study of architectural competitions as they engage with the design practices of architects within the UK and Europe. Since only one firm or one design emerges at the end, and the project programme exists prior to the submissions, there tends to be a gap between programme and practice, past and future, language and situation. It is the aim of this research to investigate what changes in our understanding of architectural practice when we acknowledge that architects work to linear programmes and submit deliverables within the set of relations that make up the competition. In conducting this research I address a gap in the social scientific understanding of architectural practice. While ethnographies of architectural studios have described the way design emerges through an interplay of humans and nonhumans, formats or structures like the competition have not yet become analytical categories in the ethnographic literature. To bridge what seems like a gap between the immaterial world of the competition and the material world of the studio, I draw from actor-network theory to view the competition as a set of relations that include objects and practices. Considering the technology of the competition, I follow five different strands of research. I identify the matters of concern that architects talk about when they talk about competitions; examine the documents involved in administering a competition; follow an atelier at an architectural school where students participate regularly in competitions; observe the Office of Metropolitan Architecture prepare a concept design; and visit an exhibition of submissions. Here I describe the ways in which competitions come together within the practice of architects. This study makes three contributions. First, the study adds to our understanding of architecture as a set of relations, rather than a stable identity. The second contribution has to do with language and practice, demonstrating that ‘big’ categories like ‘building’ nevertheless act within collectives of architects, clients, contractors and so on. A final implication is for methods. Since certain categories exist between sites, organising the activity of actors in different offices across what might be hundreds of miles, ethnographic fieldwork on architecture can become fragmented and multi-sited. The implications of the architectural competition for an ethnographic understanding of architectural practice, then, are to see more and ‘bigger’ collectives within the lives of architects.
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Schmiedeknecht, Torsten. "Structural aspects of German architectural competitions : Wettbewerbe Aktuell 1971- 2001 : the developemnt of architectural design competitions and the use of precedents in routine and exceptional practice in Germany as published in the journal Wettbewebe A." Thesis, University of Liverpool, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.539568.

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Romaniuk, Olha. "Designing in the Context of Urban Heterotopia: Participative Programming and Narrative Formation through Transversal Design Process." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1275667372.

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Fialho, Valéria Cássia dos Santos. "Arquitetura, texto e imagem: a retórica da representação nos concursos de arquitetura." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/16/16138/tde-27052010-104933/.

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Este trabalho busca lançar um novo olhar sobre momentos relevantes da história dos concursos de arquitetura no Brasil, partindo da premissa de que concursos são eventos que geram interesse por conterem um tipo de informação que reflete cada momento específico da produção arquitetônica. Discute a importância da representação no desenvolvimento do projeto arquitetônico, o papel do material gráfico na propagação de conceitos, assim como a supervalorização do discurso e da imagem e a inversão de valores que tal processo acarreta. Identifica, neste contexto, a existência de uma gramática específica nos projetos desenvolvidos para concursos, na qual a relação entre texto e desenhos assume características peculiares. Coloca a questão de como estes eventos geram uma discussão crítica e de que maneira este material torna-se referência para a formação de conhecimento específico na área. Para tanto, seu conteúdo está organizado em três momentos. O primeiro estabelece um arcabouço conceitual e define uma metodologia para análise dos projetos coletados. O segundo consiste na análise de três eventos fundamentais de nossa historiografia: o concurso para o Plano Piloto de Brasília (1956) um dos acontecimentos essenciais para a arquitetura brasileira e marco na história dos concursos; o do Pavilhão de Osaka (1969) representante de um período de afirmação de um discurso e parte fundamental da trajetória do movimento moderno brasileiro; e o concurso para o Pavilhão de Sevilha (1991) - evento polêmico e de repercussão expressiva, que caracteriza um atribulado período de transição cultural. Após a análise destes eventos de formação, o trabalho altera seu foco e, em seu terceiro momento, traça a trajetória construída desde a realização do concurso para Sevilha até os dias de hoje. Seguindo esta narrativa panorâmica, discute um evento contemporâneo, o concurso para o Museu da Tolerância da USP (2005), para, a partir do arcabouço gerado pelo estudo dos momentos de formação e seu rebatimento neste evento, abordar o contexto atual. Nas conclusões, o trabalho trata da identificação de uma retórica da representação expressa no conjunto de desenhos e textos analisados e discute a mensagem específica que cada desenho carrega e sua influência no desenvolvimento dos projetos. Confronta a democratização de meios com a especialização dos concorrentes e questiona a acessibilidade às técnicas de representação em contraponto à dificuldade de lançar mão dos recursos disponíveis sem cair na gratuidade. Como segundo ponto discute o valor dos textos que acompanham os desenhos, encarados como fios condutores da opção retórica, e identifica as diferentes posturas adotadas pelos autores. A última questão colocada diz respeito ao papel didático dos eventos enquanto momentos de reflexão crítica e discute a permanência das idéias, os elementos de formação de repertório e sua influência no campo da educação. A pesquisa conclui sua argumentação defendendo a leitura deste conjunto de trabalhos a partir do resgate de documentos que podem revelar aspectos fundamentais para o retrato de uma época e a formação de um conjunto de valores.
This research pursuits a new understanding on relevant moments of the history of architectural competitions in Brazil, by the premise that these are events that render interest for they provide a kind of information that reflects each specific moment of the architectural production. It discusses the importance of representation in the development of the architectural design, the role of graphic material for the transmission of concepts, as well as the overvaluation of discourse and image and the inversion of values that it causes. In this context, it identifies the existence of a specific language in projects developed for competitions, in which the relation between texts and drawings assume peculiar characteristics. It sets the question of how these events generate a critical discussion and how the produced material becomes reference to the formation of specific knowledge in the subject. For that purpose, its content is organized in three moments. The first one establishes a conceptual basis and defines a methodology for the analysis of the collected projects. The second moment consists of an analysis of three fundamental events of our historiography: the Brasilia Urbanization Plan competition (1956) one of the essential realizations for the Brazilian architecture and the history of competitions; the Osaka Pavilion competition (1969) representant of a period of affirmation of a discourse and important part of the Brazilian Modern Movement development; and the Seville Pavilion competition (1991) a polemic event with an expressive repercussion, which characterizes a turbulent period of cultural transition. Following the analysis of theses events of formation the research changes its focus and, in its third part, traces a panorama of realizations from the Seville competition to nowadays. After that, it discusses a contemporary event, the USP Tolerance Museum competition (2005), in order to, from the basis generated by the study of the formation events and its reflections on the recent one, establish an approach to the current context. In the conclusions the research treats of the identification of a representational rhetoric expressed in the analyzed collection of drawings and texts and it discusses the specific message contained in each drawing and its influence in the development of the projects. It confronts the democratization of means with the contestants\' specialization and questions the accessibility to the representation techniques in counterpoint to the difficulty of exploring the available resources avoiding loosing consistence. As a second point, it discusses the values of the texts that accompany the drawings, faced as main conductors of the rhetorical option, and it identifies different strategies adopted by the authors. The last question is about the didactic role of the events while moments of critical reflection and it discusses the permanence of ideas, the formation of repertoire elements and its influence in the field of education. The research concludes its argumentation defending the understanding of the collection of works based in the rescue of documents that may reveal fundamental aspects to the portrait of an era and the formation of our values.
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Gorbea, Díaz Carlos Enrique [Verfasser]. "Vehicle Architecture and Lifecycle Cost Analysis In a New Age of Architectural Competition / Carlos Enrique Gorbea Díaz." München : Verlag Dr. Hut, 2012. http://d-nb.info/1023435306/34.

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Spinelli, Julia Rabello. "Habitação de interesse social em centros urbanos : analise das propostas resultantes dos concursos publicos promovidos pela Prefeitura Municipal de São Paulo no periodo de 2001 a 2004." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/257764.

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Orientador: Leandro Medrano
Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Engenharia Civil, Arquitetura e Urbanismo
Made available in DSpace on 2018-08-11T21:46:50Z (GMT). No. of bitstreams: 1 Spinelli_JuliaRabello_M.pdf: 9264425 bytes, checksum: ce3f5f47ce09e7270e9a08d288d0c839 (MD5) Previous issue date: 2008
Mestrado
Arquitetura e Construção
Mestre em Engenharia Civil
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Linartas, Darius. "Significance of Creative Competitions to Lithuanian Art of Architecture." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20120106_101159-04287.

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The subject matter of the research is architectural competitions in Lithuania to begin with their origin (end of the 18th century) up to the present times (2010). The dissertation aims at disclosing the significance of architectural competitions to art of architecture in Lithuania, improvement of architects’ professional excellence and public meaning of competitive selection, as well as analyzing the preconditions for improvement of the competition system. The following tasks have been raised and formulated: 1. to explore the genesis of architectural competitions and review the historical development of architectural competitions in Lithuania starting from its origins to the present day; 2. based on specific examples of architectural competitions in Lithuania, to analyze the main types of competitions and their purposes, disclose their peculiarities and meaning; 3. to perform the critical analysis on organization process of architectural competitions in Lithuania (preparation of requirements, rules, involvement of society to the design process and evaluation) and further existence and quality of the competition winning design projects; and 4. to disclose the peculiarities of public, architectural and professional significance of creative competitions. The dissertation has an introduction, three chapters with separate summaries, general conclusions, lists of bibliography and author’s publications on the dissertation subject, list of illustrations and two appendices. The... [to full text]
Disertacijos tyrimų objektas – architektūros konkursai Lietuvoje nuo ištakų (XVIIIa. pabaigos) iki šių laikų (2010 m.). Šio darbo tikslas yra atskleisti architektūros konkursų reikšmę Lietuvos architektūros menui ir architektų profesinio meistriškumo augimui, visuomeninę konkursinės atrankos prasmę, išnagrinėti konkursų sistemos tobulinimo prielaidas. Tam suformuluoti šie uždaviniai: 1. Ištirti architektūros konkursų genezę, apžvelgti Lietuvos architektūros konkursų istorinę raidą nuo jų atsiradimo iki šių dienų. 2. Remiantis konkrečiais Lietuvos architektūros konkursų pavyzdžiais, išanalizuoti pagrindinius konkursų tipus ir tikslus, atskleisti jų ypatumus ir prasmę. 3. Atlikti Lietuvos architektūros konkursų organizavimo bei konkursuose laimėjusių projektų būties ir kokybės kritinę analizę. 4. Atskleisti kūrybinių konkursų visuomeninės, architektūrinės ir profesinės reikšmės Lietuvoje ypatybes. Disertaciją sudaro įvadas, trys skyriai, skyrių apibendrinimai, bendrosios išvados, naudotos literatūros ir autoriaus publikacijų disertacijos tema sąrašai, iliustracijų sąrašas bei du priedai Įvadiniame skyriuje aptariamas darbo aktualumas, analizuojama literatūra, problemos ištirtumas, aprašomas tyrimų objektas, formuluojamas darbo tikslas bei uždaviniai, aprašoma tyrimų metodika, darbo mokslinis naujumas, ginamieji teiginiai. Įvado pabaigoje pristatomos disertacijos tema autoriaus paskelbtos publikacijos ir pranešimai konferencijose bei disertacijos struktūra. Pirmame disertacijos... [toliau žr. visą tekstą]
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Books on the topic "Architectural competitions"

1

Jong, Cees de. Architectural competitions: 1792-today. Köln: Benedikt Taschen, 1994.

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A, Kazusʹ I., ed. Soviet architectural competitions, 1920s-1930s. London: Phaidon, 1992.

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Cooke, Catherine. Soviet architectural competitions, 1924-1936. Laren: V+K Publishing, 1992.

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Strong, Judith. Winning by design: Architectural competitions. Boston: Butterworth-Heinemann, 1996.

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Architectural competitions in nineteenth-century England. Ann Arbor, Mich: UMI Research Press, 1990.

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Board, Tallaght Hospital. Tallaght Hospital architectural competition. Edited by Steedman Neil. [Dublin]: Tallaght Hospital Board, 1985.

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McGhie, Caroline. Architectural competitions: A handbook for promoters : open design competitions, invited competitions, the competitive interview. London: Construction Research Communications for Department of the Environment and the Department of National Heritage, 1996.

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SIA Architectural Design Award 2014. Singapore: SIA Press Pte Ltd, 2015.

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Casper, Dale E. Architectural competitions and awards, 1980-1984: Journal articles. Monticello, Ill: Vance Bibliographies, 1986.

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Tedjo, Baskoro. Pendalaman sensibilitas melalui desain: Karya arsitektur, 1997-2012. Jakarta: Imaji Media Pustaka, 2012.

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Book chapters on the topic "Architectural competitions"

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Strebel, Ignaz, and Jan Silberberger. "Two geographical logics in architectural competitions." In Architecture Competition, 31–44. New York : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315567594-2.

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Carbonell Segarra, Mercedes, and Asunción Díaz García. "The Graphic Evolution of Architectural Competitions." In Graphic Imprints, 506–20. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93749-6_41.

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Toprak, Gizem Kuçak. "Disseminating the Use of Sustainable Design Principles Through Architectural Competitions." In Lecture Notes in Civil Engineering, 272–79. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-64349-6_21.

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Mustakallio, Panu, and Jarek Kurnitski. "Energy Efficiency Measures: In Different Climates and in Architectural Competitions." In Cost Optimal and Nearly Zero-Energy Buildings (nZEB), 79–102. London: Springer London, 2013. http://dx.doi.org/10.1007/978-1-4471-5610-9_6.

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Bonenberg, Wojciech. "Success Analysis in Architectural Design Competitions in Terms of Design Quality." In Advances in Human Factors, Sustainable Urban Planning and Infrastructure, 47–55. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-94199-8_5.

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Jockusch, Peter. "Post-Occupancy Evaluation as a Tool for the Preparation of Architectural Competitions." In Building Evaluation, 35–57. Boston, MA: Springer US, 1989. http://dx.doi.org/10.1007/978-1-4899-3722-3_4.

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Strebel, Ignaz, and Jan Silberberger. "Introduction." In Architecture Competition, 1–28. New York : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315567594-1.

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Silberberger, Jan, and Ignaz Strebel. "The obligatory passage point." In Architecture Competition, 139–50. New York : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315567594-10.

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Schmiedeknecht, Torsten. "Architecture as process." In Architecture Competition, 151–70. New York : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315567594-11.

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Sobek, Werner. "Advanced structural engineering." In Architecture Competition, 171–75. New York : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315567594-12.

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Conference papers on the topic "Architectural competitions"

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Pancorbo, Luis, and Ines Martin Robles. "Architectural Competitions. Architecture as Essay." In 107th ACSA Annual Meeting. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.am.107.53.

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Altintas, Livanur Erbil, Altug Kasali, and Fehmi Dogan. "Computational Design in Distributed Teamwork Using digital and non-digital tools in architectural design competitions." In 37 Education and Research in Computer Aided Architectural Design in Europe and XXIII Iberoamerican Society of Digital Graphics, Joint Conference (N. 1). São Paulo: Editora Blucher, 2019. http://dx.doi.org/10.5151/proceedings-ecaadesigradi2019_316.

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Gorbea, Carlos, Ernst Fricke, and Udo Lindemann. "The Design of Future Cars in a New Age of Architectural Competition." In ASME 2008 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/detc2008-49722.

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This paper presents how complex system architecture lifecycles, such as that of cars, follow a similar S-curve shaped path as that of individual technological innovations. By applying this theory we show that today’s automotive industry has started a new chapter of architectural competition with similarities to its early history from 1885–1915 when steam, electric and internal combustion engine cars were competing to dominate the automotive market. Taking a historical perspective, we find that firms that organize their development activities to focus on bringing about architectural innovation are better placed in succeeding in the future market until a new dominant architecture emerges. The architecture lifecycle framework used in this study is constructed by means of a performance index. The index scores the performance of 91 cars of various architectures based on five overall system variables: power, weight, maximum velocity, fuel efficiency and the manufacturer’s suggested retail price. Depicting architectural performance over time helps identify periods of architecture competition and dominance where historical agents to change can be identified. The key factors that brought about architectural competition in the early 1900’s involved a series of innovation breakthroughs in engine and fuel technologies. Today, a new wave of power train innovations is being triggered primarily by environmental regulatory demands to reduce vehicle emissions. Future research lies in presenting a methodology for selecting vehicle architectures early on in the product development cycle that are best suited for the market going forward based on a manufacturer’s goals and a cost-benefit analysis.
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Tate, Derrick, Timothy T. Maxwell, Bharatendra S. Sharma, and Kunal Patil. "Selection of Vehicle Architecture for EcoCAR Competition Using Axiomatic Design Principles." In ASME 2010 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/detc2010-29103.

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Axiomatic design (AD) techniques have not previously been applied in designing the overall architecture of an automobile. The present work investigates use of axiomatic design concepts for vehicle design in the Texas Tech University Eco-CAR program. The three different architectures considered are fuel cell, two-mode hybrid, and belt alternator/starter system (BAS+). The objective in using axiomatic design methods is to choose an architecture for the EcoCAR competition vehicle that follows the principles of axiomatic design, and in turn, should prove to be the best choice of vehicle architecture among the three considered. Function means trees (FMT) and design matrices (DM) are constructed for each of the architectures and are used in deciding whether the architecture is a coupled, uncoupled, or decoupled design per the independence axiom. The choice is supported by means of simulation results obtained for each architecture. Finally, a two-mode hybrid architecture is selected based on the use of axiomatic design and the simulation results.
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Smulevich, Gerard. "The Digital Bauhaus." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.63.

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This paper describes the use of electronic space in a fourth year undergraduate architectural design studio. It attempts to address the importance of developing a design process that is redefined by the use of computing, integrating concept and perception. This goal is set in the studio exercise, an international student design competition to design an addition to the school of architecture at the original Bauhaus/Weimar. The studio involved re-evaluating the Bauhaus principles of integrating the artist and the craftsman, but in contemporary or post-industrial terms. In 1989 the Wall came down. Seamless access of western telecommunications and media became greatly responsible for the crumbling of the rigid machine-age soviet technocracy; and with it, the former east German city of Weimar, home to the first Bauhaus, was once again a living part of architectural history. When the Association of Collegiate Schools of Architecture announced an international student competition to design a new addition to the school of architecture at the original Bauhaus/Weimar, we immediately decided that this should be an Electronic Bauhaus.
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Strawn, Brian, and Karla Sierralta. "Architecture is Competition." In 107th ACSA Annual Meeting. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.am.107.54.

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Schaich, Noah, Christian Free, Nishan Nekoo, and Michael J. Leamy. "Architecture Selection for Hybrid Electric Mobility As a Service Vehicle." In ASME 2020 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/detc2020-22303.

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Abstract This paper documents the vehicle modeling and fuel economy simulation efforts for the Georgia Tech EcoCAR Mobility Challenge team during Year 1 of the current Advanced Vehicle Technology Competition (AVTC). The goal of the first year of the competition was to propose two possible hybrid electric vehicle (HEV) architectures based on a 2019 Chevrolet Blazer platform that could be built and refined throughout Years 2–4 of the competition. A Simulink vehicle model was used to compare a variety of HEV architectures with several different combinations of engines, batteries, and electric machines. An adaptive Equivalent Consumption Minimization Strategy was used to split torque between the internal combustion engine and two electric machines so that architectures with two electric machines could be modeled. The model was validating by comparing results from simulating a conventional Chevrolet Blazer with the 2.5L naturally aspirated engine to fuel economy results obtained by the Environmental Protection Agency (EPA). In addition to developing a hybrid vehicle, the competition is focused on exploring Mobility as a Service (MaaS), which introduces some special considerations when choosing a hybrid vehicle architecture. The results of the Simulink model as well as requirements set by the MaaS market led the Georgia Tech EcoCAR team to pursue a dual electric machine P0P4 parallel through the road hybrid vehicle.
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Gunagama, M. Galieh, and Yulia Pratiwi. "The Role of Architectural Competition in the Learning Process of Architecture Students." In EduARCHsia & Senvar 2019 International Conference (EduARCHsia 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/aer.k.200214.027.

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Duport, Laurent J. "Georges Candilis (1913-1995) architecte pour le plus grand nombre." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.664.

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Résumé: Né à Bakou en 1913 Georges Candilis est un architecte d’origine grecque qui étudie à l’Ecole Supérieure Polytechnique d’Athènes où il rencontre Le Corbusier en 1933 lors du 4e congrès des CIAM. Arrivé à Paris en 1945 il intègre l’Atelier de Le Corbusier où il travaille exclusivement sur les études et le chantier de l’Unité d’Habitation de Marseille. Après avoir été chargé de représenter Le Corbusier au 7e CIAM à Bergamo en 1949 Candilis va se rendre au Maroc où il va construire des nombreuses opérations en qualité de directeur de l’ATBAT Afrique et de membre du groupe GAMMA. Il va se révéler un des acteurs du Team X assurant le passage des CIAM au Team X dont il organisera 5 réunions entre 1960 et 1977. De retour en France en 1955 Candilis va s’associer avec les architectes Woods et Josic. L’équipe va remporter le concours Million et construire près de 4000 logements à Bagnols sur Cèze, Toulouse et en région parisienne. D’autres concours vont suivre en France et à l’étranger, l’équipe construira ainsi l’université libre de Berlin. Par la suite Candilis assure seul la mission d’architecte en chef de la station de Leucate Barcares (1962-1976) et entre 1970 et 1978 il est chargé de plusieurs projets au Moyen Orient. Parallèlement Candilis est impliqué dans la diffusion de l’architecture dès 1953 comme membre du comité de rédaction de revues et dans l’enseignement en qualité de professeur à partir de 1963. Il s’éteint à Paris le 10 mai 1995. Abstract: Born in Baku in 1913 Georges Candilis is an architect of Greek origin who studied at the Polytechnic School of Athens where he met Le Corbusier in 1933 at the 4th Congress of CIAM. Arrived in Paris in 1945 he joined the Atelier of Le Corbusier where he works exclusively on studies and the site of the Unité d’habitation in Marseilles. After being appointed to represent Le Corbusier at the 7th CIAM in Bergamo in 1949 Candilis will travel to Morocco where he will build many operations as Director of ATBAT Africa and a member of the GAMMA group. It will be one of the actors of Team X and ensure the transition from CIAM to Team X for which he will hold 5 meetings between 1960 and 1977. Back in France in 1955 Candilis will partner with architects Alexis Josic and Shadrach Woods. The team will win the Million competition and build nearly 4,000 housing units in Bagnols sur Cèze, Toulouse and around Paris. Other competitions will follow in France and abroad, the team will thus build the Free University in Berlin. Subsequently Candilis assumes alone the chief architect mission of Leucate Barcares station (1962-1976) and between 1970 and 1978 he was responsible for several projects in the Middle East. In parrallel Candilis is involved in the diffusion of architecture since 1953 as an editorial board member of reviews and in architectural education with a grade of Professor since 1963. He died in Paris on May 10, 1995. Mots-clés: CIAM, Team X, Enseignement, Habitat, Tige, Web. Keywords: CIAM, Team X, Education, Housing, Stem, Web. DOI: http://dx.doi.org/10.4995/LC2015.2015.664
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Vermisso, Emmanouil. "A case-study in cross-disciplinary student work: a CNC-manufactured body for FSAE racing." In 2011 ACSA Teachers Conference. ACSA Press, 2011. http://dx.doi.org/10.35483/acsa.teach.2011.10.

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The project discussed here involves the contribution of architecture students towards the design and fabrication of the body for an open wheel race-car for the annual SAE competition (Society of Automotive Engineers). The development of this body constitutes only a portion of a wider project that involves engineering a fully functional car within the time-span of one academic year, within the school of Mechanical Engineering. Naturally, the overall project involves a wide range of skills that exceed architectural training and the author is interested in this collaborative effort between two distinct departments and the logistics involved in its materialization.
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Reports on the topic "Architectural competitions"

1

Srivastava, Niraj, and Michael Rice. Strategies for Competition Beyond Open Architecture (OA): Acquisition at the Edge of Chaos. Fort Belvoir, VA: Defense Technical Information Center, April 2014. http://dx.doi.org/10.21236/ada624741.

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