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Journal articles on the topic 'Architectural criticism'

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1

et al., Ibrahim. "Architectural theory as a tool for architectural criticism necessarily employed for the betterment of architectural education." International Journal of ADVANCED AND APPLIED SCIENCES 9, no. 1 (2022): 71–83. http://dx.doi.org/10.21833/ijaas.2022.01.009.

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Criticism, or "to criticize" derives from the Greek krinein meant to distinguish, which is to separate, to silt, to make a distinction. The word "theory" comes from the philosophical Latin term "theoria" meaning spectator, while in modern days means the attempt to decide architectural right and wrong on a purely intellectual base. Pedagogically architecture students participating in a review learn from whoever provides useful criticism benefiting from critiques or reviews. This research in comparison to the ones that went through focuses on Architectural Criticism and Architectural Theory and
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Hayes, William H. "Architectural Criticism." Journal of Aesthetics and Art Criticism 60, no. 4 (2002): 325–29. http://dx.doi.org/10.1111/1540-6245.00079.

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Fasheun-Motesho, Yetunde Olajumoke, Victor Adeyemo, Oludare Obaleye, and Oluwatosin Dorcas Ayanleke. "Architectural criticism: A review of types and context." Caleb International Journal of Development Studies 06, no. 01 (2023): 218–28. http://dx.doi.org/10.26772/cijds-2023-06-01-15.

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Given its wide scope, architectural criticism as a discipline has had a long history of discussions and debates over its uses, contexts, methods, and even boundaries. Authors have alluded to its complex and virtually indefinable nature. The term architectural criticism itself is diverse in its usage, as it is used to describe the activities of critics, academic architectural treatises, and the architectural design decision-making process. Beyond its architectural origins, architectural criticism itself also approaches architecture from an interdisciplinary standpoint, often blending and adapti
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Grigas, Algimantas. "Architectural Criticism in the Soviet Lithuania 1958-1988: Vision of the New Architecture in the Specialized Periodicals." Journal of Sustainable Architecture and Civil Engineering 33, no. 2 (2023): 58–71. http://dx.doi.org/10.5755/j01.sace.33.2.33419.

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Architecture criticism of Soviet Lithuania has not been properly addressed in scientific research. The novelty of the work relates to the branch of architecture criticism as part of the history of arts, particularly in the context of the historiography of 20th- century modern architecture. This paper is to uncover the various forms of architectural criticism and its agents among the vocational and scientific publications aimed at other architects of the Lithuanian SSR. Using a systematic approach and qualitative research methods, a database of 100 critical articles is constructed. The phenomen
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Karbol, Hasanain A., Sarah M. Al-Saadi, and Basim H. Almajidi. "Bias in the Critique of Arab Architecture." International Journal of Design & Nature and Ecodynamics 16, no. 5 (2021): 573–81. http://dx.doi.org/10.18280/ijdne.160512.

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The research derives its significance from the importance of the subject of architectural criticism, and what it reflects on the reality of contemporary architecture and local identity in the Arab region in light of the changing political and economic ideas. From this point of view, the research problem can be summarized as: The extent of the comprehensiveness of previous studies of the relationship of bias to architectural criticism and determining its characteristics and types as a mechanism of criticism in contemporary Arab architecture. To address the research problem, the goal of the rese
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Danilov, Vadim V. "THE IMAGE OF “SOVIET MODERNISM” IN THE ARCHITECTURAL CRITICAL DISCOURSE OF “PROJECT RUSSIA” MAGAZINE IN THE 1990S." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 7 (2022): 185–98. http://dx.doi.org/10.28995/2686-7249-2022-7-185-198.

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In the 1990s, a new architectural criticism was born, strikingly different from the previous Soviet examples. From the narrowly professional genre, architectural criticism turns back into journalism, combining the artistic interpretation of architectural works and the socio-political views of the authors, placing architecture in broader cultural contexts, inheriting the practices of the pre-revolutionary period. One of the most representative examples of the new post-Soviet criticism is the “Project Russia” journal. In many articles published in this journal in the 1990s the previous architect
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Gohardani, Navid. "ARCHITECTURE IN EFFECT: A Glance at Critical Historiography." International Journal of Architectural Research: ArchNet-IJAR 8, no. 1 (2014): 184. http://dx.doi.org/10.26687/archnet-ijar.v8i1.335.

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Historiography marks a relatively unexplored research domain in architecture. Despite the obscure nature of this subject matter, architectural historiography equally illuminates a hidden pathway to the historical interaction of architecture with art or literature. Critical historiography adds another dimension to this emerging research topic that further encapsulates multiple levels of criticism. In recognition of a growing interest for historiography, it can be argued that the critical aspects of historiography may serve as crucial instruments for an enhanced understanding of architectural hi
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Hatton, Brian. "Exploring architecture as a critical act, questioning relations between design, criticism, history and theory." Architectural Research Quarterly 8, no. 2 (2004): 105–8. http://dx.doi.org/10.1017/s1359135504000132.

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This conference, which took place 25–27 November 2004, was held by the Bartlett School of Architecture in association with the Architectural Humanities Research Association (AHRA). Its stated aim was to examine the relationship between critical practice in architecture and architectural criticism, intending to place architecture in an interdisciplinary context with reference to modes of criticism in other disciplines, specifically art criticism, and to explore modes of critical practice in architecture: buildings, drawings and texts. Brian Hatton attended the second day of the conference; his
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Ainun Tenri Milinia Putri, Dea Mustika, and Eva Dwi Kurniawan. "Kritik Arsitektur Dalam Cerpen “Arsitektur Kesunyian” Karya Sungging Raga." Konstruksi: Publikasi Ilmu Teknik, Perencanaan Tata Ruang dan Teknik Sipil 2, no. 1 (2024): 167–75. http://dx.doi.org/10.61132/konstruksi.v2i1.156.

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Architectural criticism is not only used on physical buildings but can also be found in literary works, one of which is in the short story entitled Architecture of Silence by Sunggung Raga. The aim of this research is to find architectural criticism contained in short stories using descriptive methods which is a way of solving problems using analyze and read carefully the architectural aspects contained in the short story. Take several short story quotes and explain them into aspects of descriptive criticism, namely static, dynamic and process aspects
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Holly, Michael Ann, and Tina Waldeier Bizzarro. "Romanesque Architectural Criticism: A Prehistory." American Historical Review 99, no. 3 (1994): 889. http://dx.doi.org/10.2307/2167811.

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Raman, Pattabi, and Richard Coyne. "THE PRODUCTION OF ARCHITECTURAL CRITICISM." Architectural Theory Review 5, no. 1 (2000): 83–102. http://dx.doi.org/10.1080/13264820009478390.

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Raman, Pattabi, and Richard Coyne. "The Production of Architectural Criticism." Architectural Theory Review 16, no. 2 (2011): 103–23. http://dx.doi.org/10.1080/13264826.2011.601540.

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Boddy, Trevor. "The Conundrums of Architectural Criticism." Journal of Architectural Education 62, no. 3 (2009): 8–96. http://dx.doi.org/10.1111/j.1531-314x.2008.00254.x.

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Topolovská, Tereza. "Reading buildings: The textual turn of architecture as a parallel to the spatial turn in literary studiesi." Ars Aeterna 14, no. 1 (2022): 58–70. http://dx.doi.org/10.2478/aa-2022-0006.

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Abstract This article seeks to explore the parallels between the spatial turn embraced by contemporary literary theory and the so-called textual turn in architecture. More specifically, links between the contemporary developments of architectural theory and practice and literary criticism are established. In order to highlight the nature and origin of the connection between these two contemporary tendencies, this paper draws on a number of authoritative texts of both literary criticism as well as architectural theory, predominantly within the Anglo-American context. Architecture is presented f
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Adiyanto, Johannes. "Archi-text-ture: Architecting Through Writing." Architectural Research Journal (ARJ) 1, no. 1 (2021): 1–7. http://dx.doi.org/10.22225/arj.1.1.3296.1-7.

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Architecture is often understood as a real and tangible science, in the form of space and form. This understanding is associated with the origin of the word ‘techne’ which refers to the engineering in the construction process of a building, an architectural work. Writing on new architecture developed around 1968, at a time when architectural criticism by Louis Huxtable became known although the form of writing, identification both in pictures and description, had been done since the time of the Roman Empire by Vitruvius and later interpreted by Leon Battista in the Renaissance. This paper desc
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Petrulis, Vaidas. "Architectural Criticism in Lithuanian Interwar Press: Preconditions of the Phenomenon." Art History & Criticism 17, no. 1 (2021): 59–70. http://dx.doi.org/10.2478/mik-2021-0005.

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Summary The main goal of the article is to find out whether a specific genre of architectural criticism was formed in the public discourse of interwar Lithuania (1918–1940), and if so, to define the main tendencies of this phenomenon. After defining the critique of architecture as a public discourse in which, based on theoretical knowledge, reflections on the essence of architecture or evaluations of ongoing urban development and buildings are popularly presented, the article discusses such texts in interwar Lithuania. The publication will acquaint readers with the most creative reviewers of a
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Margoshvili, Medeya. "Archetypal Concept and Contemporary Architectural Criticism." Researcher. European Journal of Humanities & Social Sciences 2, no. 3 (2019): 67–83. http://dx.doi.org/10.32777/r.2019.2.3.4.

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Linder, Mark. "Sitely Windows: Robert Smithson's Architectural Criticism." Assemblage, no. 39 (August 1999): 6. http://dx.doi.org/10.2307/3171258.

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PARSONS, GLENN. "Fact and Function in Architectural Criticism." Journal of Aesthetics and Art Criticism 69, no. 1 (2011): 21–29. http://dx.doi.org/10.1111/j.1540-6245.2010.01443.x.

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Tkachev, V. N. "Anatomy of architectural criticism: professional problems." Vestnik MGSU, no. 11 (November 2013): 19–25. http://dx.doi.org/10.22227/1997-0935.2013.11.19-25.

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Avermaete, Tom. "Architecture 'talks back': On the (im)possibilities of designing a critical architectural project." SAJ - Serbian Architectural Journal 3, no. 3 (2011): 214–25. http://dx.doi.org/10.5937/saj1103214a.

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Claims on critical positions in architecture are common ground in contemporary practice and reflection. This article probes into the critical capacity of the architectural project by returning to the notion of 'typological criticism' that Manfredo Tafuri introduced, as well as to the concept of the 'semi-autonomy' of architecture as theoretized by Louis Althusser. The article argues that the criticality of the architectural project resides in its mediation between autonomous and heteronomous aspects and proceeds through the entity of the architectural type.
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Abuakar, Dadum Hamza, Adullahi Musa Hauwa, Bashir Mohammed Adulmalik, Danladi; Mohammed, Abubakar Sarkile Kawuwa, and Muhammadu Habibullah Kyari. "Towards Improving the Students' Learning in First Year Architecture Studio - The Critique Session." Journal of Environmental Sciences and Resources Management Volume 15,, Number 1 (2023): 1–10. https://doi.org/10.5281/zenodo.8412071.

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<strong>ABSTRACT</strong> This paper explores the use of criticism in the architectural design studio. Criticism is a very useful tool in the communication of ideas and the evaluation of designs, yet its application in design studios has not reached its full potential in architecture. The first-year design studio has an important role to play as the basis for architectural education. In crucial sessions, first-year architecture students are expected to focus on their work independently, with peers and, most importantly with design tutors, for the first time in their learning experience. This i
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Ding, Guanghui, Jonathan Hale, and Steve Parnell. "Constructing a place for critical practice in China: the history and outlook of the journal Time + Architecture." Architectural Research Quarterly 17, no. 3-4 (2013): 237–52. http://dx.doi.org/10.1017/s1359135514000062.

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This paper investigates the history and programme of the Chinese architectural journal Time + Architecture (Shidai Jianzhu). As one of the newly established architectural periodicals in post-Mao China, the journal was launched in 1984 by academics Luo Xiaowei, Wang Shaozhou and their colleagues at the Department of Architecture in Tongji University, Shanghai. The journal's close association with academic institutions and commercial design firms shaped its dual nature; that is, both scholarly and professional. At the turn of the millennium, the journal's substantial reform of editorial policy r
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Tavernor, Robert. "Architectural history and computing." Architectural Research Quarterly 1, no. 1 (1995): 56–61. http://dx.doi.org/10.1017/s1359135500000105.

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This paper is based largely on a document presented at a conference celebrating the 25th anniversary of the Martin Centre, held at the University of Cambridge in October 1992. It takes as its point of departure Sir Leslie Martin's essay, ‘Architects’ approach to architecture' (Martin, 1967). Commencing with his argument that ‘intentions and processes’ in architecture are more fundamental than form, this paper questions past attempts at relating history to architectural process, and outlines the potential offered by more recent advances in technology – especially, photogrammetry and the compute
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Mohammed AlMulla, Arwa. "Architecture of Narrative Writing in Saudi Novels Literature and Criticism." Al-Dad Journal 7, no. 2 (2023): 75–101. http://dx.doi.org/10.22452/aldad.vol7no2.5.

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Via a systematic and architectural narrative vision through which the narrative movement is trace, this research is about architecture of Saudi novels, denoting contextual patterns from the first threshold (title), symbols, signs, and icons, from the preface and chapters to the distribution of the black ink and areas, to the architecture of horizontal and vertical writing, and punctuation and pauses as well as the elements of advertising, presentation, and focalization. Saudi novels are classified into tense narrative architecture, empirical narrative architecture, and artistic narrative archi
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Alpan, Açalya, Büşra Temur, and Mustafa Egemen Serçe. "From Social Media To Civic Engagement: The Role Of The Grassroots Movement 'Architectural Uprising' (Arkitekturupproret)." Sketch: Journal of City and Regional Planning 06, no. 02 (2025): 1–27. https://doi.org/10.5281/zenodo.14620967.

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This study examines the discourse and critiques of the grassroots movement Architectural Uprising (Arkitekturupproret) through its Facebook subgroup, 'Stop Ugly New Buildings in Our Cities &ndash; Architecture Shaming!' and explores how digital activism can contribute to the democratization of architecture in urban environments. The research employed a two-step analysis: first, a general evaluation of the group; followed by a directed qualitative content analysis of 26 posts, each with over 60 comments. The comments were categorized into three predefined groups of criticism&mdash;visual, funct
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Jeongil, Seo,. "Aesthetic Symbolism in Lewis Mumford’s Architectural Criticism." Journal of architectural history 26, no. 1 (2017): 7–16. http://dx.doi.org/10.7738/jah.2017.26.1.007.

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Benedikt, Michael. "On the Role of Architectural Criticism Today." Journal of Architectural Education 62, no. 3 (2009): 6–7. http://dx.doi.org/10.1111/j.1531-314x.2008.00253.x.

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Noelle, Louise. "Essays in architectural criticism, de Alan Colquhum." Anales del Instituto de Investigaciones Estéticas 14, no. 55 (1986): 271. http://dx.doi.org/10.22201/iie.18703062e.1986.55.1281.

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Lootsma, Bart. "From pluralism to populism: Architectural criticism in times of the Internet." SAJ - Serbian Architectural Journal 3, no. 3 (2011): 254–69. http://dx.doi.org/10.5937/saj1103254l.

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Architecture has changed from a discipline in service of the larger part of the population through public housing, public buildings, public spaces, urban planning and design to a particular and already in itself disparate niche market of the real estate business that has more to do with the media industry than with public tasks. Architectural criticism has become part of this media industry as well. Thus, Postmodern architecture could flourish as the bastard child of political and cultural populist strategies. Today, architectural criticism finds itself in a deep crisis due to new developments
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Loerke, William C. "A Rereading of the Interior Elevation of Hadrian's Rotunda." Journal of the Society of Architectural Historians 49, no. 1 (1990): 22–43. http://dx.doi.org/10.2307/990497.

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The Pantheon, in particular the interior of the Rotunda, has posed a paradox: unrestrained praise for its overall effect; severe criticism for its interior elevation. The criticisms were rooted in a Renaissance perception of Roman imperial architecture, a perception based too heavily on a Vitruvian view of Hellenistic trabeate architectural design, largely irrelevant to the Rotunda. This view of the critiques of San Gallo the Younger, Michelangelo, Desgodetz, and Viollet-le-Duc leads one to the Roman aims of the Roman architect who designed this interior. I wish to show how the Hadrianic state
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Bazarova, Eteri, and Vladimir Shipkov. "I.E. BONDARENKO'S CRITICISM OF ARCHITECTURAL PRACTICE THE ECLECTIC PERIOD." Construction and Architecture 10, no. 4 (2022): 76–80. http://dx.doi.org/10.29039/2308-0191-2022-10-4-71-75.

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The formation of a bright representative of the neo-Russian style of architect, architectural historian and art critic I.E. Bondarenko partially coincided with the period of mature eclecticism. Of interest is his attitude to the work of his contemporaries, recorded in the "Notes of the artist-architect" written by him in 1939-1940, which were published only in 2018. A separate theme of the memoirs is the evaluation of the period of eclecticism in the architecture of Russia. Together with the comments on the notes, plans and exhibition programs stored in the Russian State Archive of Literature
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Payne, Alina A. "Architectural Criticism, Science, and Visual Eloquence: Teofilo Gallaccini in Seventeenth-Century Siena." Journal of the Society of Architectural Historians 58, no. 2 (1999): 146–69. http://dx.doi.org/10.2307/991482.

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This article examines the transition from a mimetic conception of architecture as proposed by the great treatise writers of the Renaissance, to the modern, science- and engineering-oriented one that began to supplant it in the eighteenth century. The focus of the investigation is the textual culture of Italian Baroque theory and its vehicle, the till now largely unknown corpus of the Sienese scientist Teofilo Gallaccini. It is argued that alongside the traditional path of architectural theory produced by architects, which evolved in the grooves set in the Vitruvian Renaissance, there existed a
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Dukić, Anđela. "Branko Popović as a contemporary and critic of Belgrade's architecture scene." Nasledje, no. 24 (2023): 183–98. http://dx.doi.org/10.5937/nasledje2324183d.

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The activity of Branko Popović is primarily defined in historiography through valorizations of his artistic oeuvre and his role as an art critic, one that he continuously undertook during the first half of the 20th century. Given that Popović's contributions to architectural criticism and the interpretation of contemporary architectural phenomena and problems have often lain outside the main scope of particular research endeavours, instead often being presented in summarial form within monographs and anthologies, there is an acute need for elaboration of this area of his outputs. Popović prima
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Gao, Yuanben. "Commentary and Reflection on Contemporary Graphic Architecture through Kant's Aesthetic Critique Theory." Journal of Smart Cities 8, no. 1 (2023): 64. http://dx.doi.org/10.26789/jsc.2023.01.003.

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Since the beginning of the 21st century, a wave of innovative graphic architecture has emerged. However, these architectural works seem to have failed to inherit the profound aesthetics and sense of beauty associated with classical graphic architecture from history. Instead, they often exhibit superficial and exaggerated qualities, sparking widespread debate and criticism. This paper aims to integrate Immanuel Kant's aesthetic critique perspective, as presented in his work "Critique of Judgment," into the discourse on contemporary graphic architecture. By incorporating Kant's analyses and argu
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Dianat, Alborz. "Nationalizing the International Style." Journal of the Society of Architectural Historians 81, no. 4 (2022): 495–512. http://dx.doi.org/10.1525/jsah.2022.81.4.495.

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Abstract In Nationalizing the International Style: The Formation of British Identity in the Architectural Criticism of P. Morton Shand, Alborz Dianat considers the critical role played by architectural journalist P. Morton Shand (1888–1960) in the debate that took place in the interwar period as British architecture grappled with the seemingly irreconcilable ideas of nationality and modernity. Drawing on an archive of correspondence only recently made public, Dianat shows how Shand assumed a position of leadership in efforts to nationalize architectural modernism in Britain. Shand’s journalist
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Calder, Barnabas. "Is criticism under threat? Are critics compromised in an age of rapid production?" Architectural Research Quarterly 10, no. 2 (2006): 97–98. http://dx.doi.org/10.1017/s1359135506000182.

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This symposium, held at Building Design Partnership's offices on 21 September, was jointly organised by the International Committee of Architectural Critics (CICA), and its Chair, Dennis Sharp, and the Architecture Foundation, represented on the panel by its Director, Rowan Moore. The topic under investigation was the challenges posed to the critic by a period of massive architectural production: are critics being swamped by the quantity of new buildings, thus reducing the quality of criticism? In addition, is honest criticism held in check by the corporate power of architects, in a world wher
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Pobeguts, Sergey. "“Take your time…”." проект байкал, no. 70 (December 17, 2021): 6–7. http://dx.doi.org/10.51461/projectbaikal.70.1882.

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The article concerns some peculiarities of A. Rappaport’s thinking: his commitment to unhurried consideration of any issue in general and architectural problematics in particular; his feeling of the necessity to go back to the origins of contemporary views of architecture to bring the lost spiritual and moral qualities back to architecture; his criticism of professional education as a set of renewable cliches.
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Danilov, Vadim. "The figure of the «architectural critic» in the Russian media culture of the 1990s-2000s." Культура и искусство, no. 8 (August 2024): 65–80. http://dx.doi.org/10.7256/2454-0625.2024.8.71473.

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The article examines the figure of the «architectural critic» as a phenomenon of post-Soviet media culture, the main period of which falls on the 1990s-2000s. Against the backdrop of an extensive cultural background of significant transformations in the architectural sphere in the early post-Soviet period, the crisis of expertise of the discourse of Soviet architecture and at the same time architecture gaining widespread public interest, a new space of architectural criticism is being formed, which for the first time in a long time appeared on the pages of mass periodicals. The new critic is a
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Fernie, Eric. "Romanesque Architectural Criticism: A Prehistory. Tina Waldeier Bizzarro." Speculum 69, no. 4 (1994): 1120–22. http://dx.doi.org/10.2307/2865615.

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Fung, Stanislaus. "Orientation: Notes on Architectural Criticism and Contemporary China." Journal of Architectural Education 62, no. 3 (2009): 16–96. http://dx.doi.org/10.1111/j.1531-314x.2008.00258.x.

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Stevanović, Vladimir. "Implications of Vattimo's 'Verwindung' of modernism in architectural theory." SAJ - Serbian Architectural Journal 7, no. 2 (2015): 157–72. http://dx.doi.org/10.5937/saj1502157s.

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In the postmodern era, besides new approaches to architectural practice, substantial changes happen in architectural textual production owed to the inflow of the postmodern transdisciplinary theory in architectural discourse. Theorists, critics and historians of architecture gladly use the contribution from philosophy, political sciences, sociology, art theory and literary criticism to categorize and explain postmodern architectural styles or tendencies, no longer unifying them exclusively by means of formalistic aspects dating from the same period. Now, topics and paradigms from various postm
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Chaves, Carolina, and Ana Tostões. "The Modern Movement and the Brazilian cultural tide." Cadernos Do Arquivo Municipal, no. 19 (March 29, 2023): 1–23. https://doi.org/10.48751/CAM-2023-19198.

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Throughout the 20th century, more precisely between 1930 and 1960, asserting Brazil&rsquo;s independence became a political and cultural project that led to Brazilian Modern Architecture and established accurate landmarks as Ministry of Education and Public Health (MESP) and Bras&iacute;lia. The Brazilian identity, built on Portuguese heritage, justified the approximation and cultural exchanges between Brazil and Portugal, in an ebb that would later cause some nausea. We analyse the national and international criticism exposed in books, magazines and congress proceedings about Brazilian Modern
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Lopez Melendez, Miguel. "90 years of solitude." Paranoá 17 (April 1, 2024): e47929. http://dx.doi.org/10.18830/1679-09442024v17e47929.

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This paper shifts its attention from “South-South” relations to the absence of “South-South” relations in a culturally blind chapter of architectural criticism. It focuses on the postwar debate on architectural autonomy whose disciplinary reduction, especially in the United States, prevented an urban interpretation of a culturally sensitive autonomy. The paper argues that the dogmatic architectural criticism of the twentieth century and the post-critical discourse of the twenty-first century have failed to recognize that critical sensibilities other than Eurocentric and North American approach
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Elvira, Suci, Haryati, and Ishak. "Evaluating design through architectural criticism and sustainability principles: a case study of Modern Plaza Gamalama Ternate." IOP Conference Series: Earth and Environmental Science 1454, no. 1 (2025): 012065. https://doi.org/10.1088/1755-1315/1454/1/012065.

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Abstract This research evaluates the architectural design of Plaza Gamalama through descriptive, interpretative, and functional criticism methods, integrating sustainable material theory. The descriptive analysis focuses on the visual and structural characteristics, including the grid design, multi-story structure, vibrant colors, and traditional clove ornamentation. Interpretative criticism highlights the emotional and aesthetic experiences created by the modern retro design, while functionalism criticism assesses the building’s efficiency and balance between aesthetic and practical aspects.
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Çokuğraş, Işıl, and C. İrem Gençer. "Mualla Eyüboğlu’s Work in Village Institutes: A Hands-On Approach to National Architecture in 1940s Turkey." International Journal of Islamic Architecture 12, no. 1 (2023): 137–60. http://dx.doi.org/10.1386/ijia_00097_1.

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Turkish architect Mualla Eyüboğlu’s career started at the Village Institutes, which were established in the early Republican period (1923–present) to meet Anatolian villages’ needs for modern educational development through hands-on training. As the head and instructor of the Construction Section in the Hasanoğlan Village Institute in 1942, Eyüboğlu worked all over Anatolia, thereby taking part in the construction of modern Turkey. Eyüboğlu’s role as a tutor, designer, and construction supervisor at these Village Institutes was closely linked to broader discussions of national architecture. Si
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Behnamian, Sara, Saman Behnamian, Fatemeh Fogh, Firooz Pashaei, and Malihe Mahin Saran. "NOVELTY ARCHITECTURE AND MATHEMATICS IN AN IRANIAN MOSQUE." Journal of Islamic Architecture 6, no. 1 (2020): 7–12. http://dx.doi.org/10.18860/jia.v6i1.5508.

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Islamic architecture, particularly mosques architecture, has mainly been the focus of many architectural exhibitions in Muslim-majority countries. Recently, it has been influenced by novelty architecture and has been evolved into elaborate structures. Quds mosque in Tehran, Iran, is a picturesque architecture feat of a modern outlook that came under a lot of criticism for abandoning the traditional symbols of Islamic architecture. This study observes the Quds mosque from a mathematical standpoint using fractals as the method. Fractals are geometric constructions that exhibit similar or identic
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Кондель-Пермінова, Наталія. "Architectural and Art Criticism in Ukraine: State and Prospects." Artistic Culture. Topical Issues, no. 16 (June 11, 2020): 93–97. http://dx.doi.org/10.31500/1992-5514.16.2020.205260.

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Batubara, Muhammad Aziz, Hasan Asari, and Muhammad Faishal. "Studi Historis dan Analisis Arsitektur Masjid Jamik Silalas Sei Deli, Kecamatan Medan Barat." Warisan: Journal of History and Cultural Heritage 4, no. 2 (2023): 63–73. http://dx.doi.org/10.34007/warisan.v4i2.1924.

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The integration of Islamic and cultural values, as well as local values in the Medan Barat Subdistrict, is marked by the emergence of new architectural representations in mosque design within the sacred realm of religious activities. This article examines the historical trajectory and architectural development of Jamik Silalas Sei Deli Mosque in the Medan Barat Subdistrict, encompassing its historical establishment, construction, and changes in the orientation of Islamic architectural styles over time. This study falls under the purview of Islamic architectural history and is a qualitative res
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Burley, Jon. "The Emergence of Landscape Urbanism: A Chronological Criticism Essay." Land 7, no. 4 (2018): 147. http://dx.doi.org/10.3390/land7040147.

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Scholars and practitioners have great interest in topics related to spatial patterns and the organization and properties of space. Landscape urbanism is one of these topics of interest. This essay, in the form of chronological criticism, presents a broad historical overview of the rise of landscape urbanism, primarily from a landscape architectural/geographical/ecological perspective, comparing the normative theories derived in the Western traditions embedded in urban design and architecture with the general values of landscape urbanism. In part, the essay employs the metaphors of Euclidean/Ca
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