Relevant bibliographies by topics / Architectural Decoration and ornament

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Architectural Decoration and ornament'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Architectural Decoration and ornament"

1

Sharapov, I. A. "Discourse of Ornament in Twentieth-Century Architecture." Art & Culture Studies, no. 2 (June 2021): 60–87. http://dx.doi.org/10.51678/2226-0072-2021-2-60-87.

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The article provides an overview of the ornament in the architecture of the twentieth century, indicating the points that form the direction of the axial trajectories of the development of the ornamental form in the context of architecture. The research is based on the method of analytical description of ornament positions extracted from the the practice and textual corpus of architect’s statements. Utterances synthesize the discursive range of ornament in the field of architecture. The body of the ornament covers the subject aspects of human life and is present in the spatial form of the architectural environment. Traditionally, the location of the ornamental form is associated with the art of decoration, so the standard ornament is considered as an additive, additional in relation to the singularity of the form. The same principle applies to architecture. This study actualizes the problem of redefining the ornamental form, marking point inversions of the additivity of ornamen tal decoration as a formative aspect involved in creating the results of architectural activity. The formative principle of the article is a chronological sequence of twenty positions outlining the discourse of ornament in the context of twentieth-century architecture.
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Ahani, Fatemeh, Iraj Etessam, and Seyed Gholamreza Islami. "The Distinction of Ornament and Decoration in Architecture." Journal of Arts and Humanities 6, no. 6 (June 6, 2017): 25. http://dx.doi.org/10.18533/journal.v6i5.1188.

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<p>Ornament has been present throughout the recorded history, revealing human's aspirations, reflections and imaginations. Correspondingly, the discussion of ornament has almost uninterruptedly been a major topic for architectural discourses; one which has led to the publication of several significant texts in which ornamental practices has been addressed from a variety of perspectives. An investigation into the key architectural texts however, reveals that the absence of a certain definition of ornament and its functions in architecture as well as the interchangeable use of the terms 'decoration' and ornament as synonyms, have always been a serious obstacle to reach a clear conception of ornament nature . In this regard, the present paper attempted to distinguish between 'ornament' and 'decoration' based on a comparative analysis of the scholars’ accounts and the way the terms were employed in the architectural texts. Results indicated that the aforementioned concepts can be distinguished by means of seven criteria including components, connection, reference source, role, field of application and reference mode. According to the most referred criteria, ornament is an essential part of architecture which creates a firm bonding with its carrier and often fulfills functions more than aesthetic one .It is mostly made up of transformed motifs and evokes natural forces that originate deeply beyond or within the body of building. Decoration on the other hand, is a pleasing arrangement of real things; a suggestion of the decorous which does not have a permanent connection with its carrier. It is also purely representational, due to its reference to external matters such as mythology, religion, history, or cultural practice. </p>
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Kursīte, Janīna. "Puithoonete ornament / Ornament of wooden buildings." Studia Vernacula 12 (November 5, 2020): 124–36. http://dx.doi.org/10.12697/sv.2020.12.124-136.

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In this translation of a chapter from monograph “Latvian’s Home” (“Latvieša māja”, 2014), the author provides an insight into the decorations of wooden houses in Latvia, including incisions and ornamental wall decorations and she also differentiates architectural details like the so-called ‘sun posts’ and decorated boards on sides of a triangular opening in the hip under the roof. At the beginning of the paper the author refers to the fact that the ancient geometrical ornament has been more typical of Latvians, which has been preserved also during the time when East-European nations gradually took over the ornaments depicting plants and animals. The author approaches ornamentation as one complete entity and draws attention to the perceived visual rhythm in ornamentation. The individual signs of the ornament are combined either in pairs (statically) or in odd numbers (dynamically). The more modern ornamentation is made up of geometrical ornament with plant ornaments. The author gives an overview of more widely-used signs – slanting crosses, triangles, octagons, and the chalk marking 20+K+B+m+14 widespread in Catholic regions, etc. Kursīte discusses one peculiar decorative element of the houses – the so-called ‘sun posts’, which in big rooms are just very practical (e.g. in houses of prayer), but which might have also carried some cosmic symbolism. In buildings (mainly dwelling houses and storehouses), the doors and window jambs, wider battens/boards, and the wooden window shutters were decorated. Ornamental decorations were also used on the top of the boards decorating the triangular opening in the hip under the roof, which were carved like a bird’s or a horse’s head, or shaped like a horn, sometimes even under the collar beams. The decorations were directed outwards so they would be visible. The other kind of ornament (mostly single signs) was cut on house tenons/mitre (i.e. inside). This was not visible, but the ornament had to protect the foundation of the house and the building from hazards coming from the outside (evil ghosts, evil people, natural elements, etc.). In conclusion it may be said that from a magical and a decorative point of view, ornamentation played an important role in the wooden architecture of Latvia. In the short preface the themes highlighted by Kursīte are compared with the wooden architecture of Estonia; it is stated that there are similarities but one has to work hard to find them.
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4

Kursīte, Janīna. "Puithoonete ornament / Ornament of wooden buildings." Studia Vernacula 12 (November 5, 2020): 124–36. http://dx.doi.org/10.12697/sv.2020.12.124-136.

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In this translation of a chapter from monograph “Latvian’s Home” (“Latvieša māja”, 2014), the author provides an insight into the decorations of wooden houses in Latvia, including incisions and ornamental wall decorations and she also differentiates architectural details like the so-called ‘sun posts’ and decorated boards on sides of a triangular opening in the hip under the roof. At the beginning of the paper the author refers to the fact that the ancient geometrical ornament has been more typical of Latvians, which has been preserved also during the time when East-European nations gradually took over the ornaments depicting plants and animals. The author approaches ornamentation as one complete entity and draws attention to the perceived visual rhythm in ornamentation. The individual signs of the ornament are combined either in pairs (statically) or in odd numbers (dynamically). The more modern ornamentation is made up of geometrical ornament with plant ornaments. The author gives an overview of more widely-used signs – slanting crosses, triangles, octagons, and the chalk marking 20+K+B+m+14 widespread in Catholic regions, etc. Kursīte discusses one peculiar decorative element of the houses – the so-called ‘sun posts’, which in big rooms are just very practical (e.g. in houses of prayer), but which might have also carried some cosmic symbolism. In buildings (mainly dwelling houses and storehouses), the doors and window jambs, wider battens/boards, and the wooden window shutters were decorated. Ornamental decorations were also used on the top of the boards decorating the triangular opening in the hip under the roof, which were carved like a bird’s or a horse’s head, or shaped like a horn, sometimes even under the collar beams. The decorations were directed outwards so they would be visible. The other kind of ornament (mostly single signs) was cut on house tenons/mitre (i.e. inside). This was not visible, but the ornament had to protect the foundation of the house and the building from hazards coming from the outside (evil ghosts, evil people, natural elements, etc.). In conclusion it may be said that from a magical and a decorative point of view, ornamentation played an important role in the wooden architecture of Latvia. In the short preface the themes highlighted by Kursīte are compared with the wooden architecture of Estonia; it is stated that there are similarities but one has to work hard to find them.
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5

Nurul Fajri, Sri Ayu, Aznan Nazzer Nur Syarif, and Andi Hildayanti. "Filosofi Ornamen dan Dekorasi Interior pada Klenteng Xian Madi Kota Makassar." TIMPALAJA : Architecture student Journals 1, no. 1 (January 9, 2020): 57–69. http://dx.doi.org/10.24252/timpalaja.v1i1a7.

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Abstrak_Tujuan penelitian ini adalah untuk mengidentifikasi dan mengkajifilosofi ornamen dan dekorasi interior yang terdapat pada Klenteng Xian Madi Kota Makassar. Pada dasarnya kebudayaan Tionghoa mewariskan heterogenitas ragam hias Arsitektural Klenteng yang unik dan filosofis, mulai dari pemilihan warna dan penerapan atribut pada dekorasi ruang Klenteng. Penelitian ini digunakan metode penelitian deskriptif kualitatif yang bertujuan untuk mendeskripsikan dan mengemukakan makna filosofi dari ornamen dan dekorasi interior Klenteng Xian Madi. Berdasarkan hasil penelitian bahwa interior Klenteng Xian Madi didominasi dengan warna merah dan gold. Bagi umat Tionghoa warna emas melambangkan keberuntungan, dan keceriaan. Warna gold melambangkan kebahagiaan dan kemakmuran. Disamping itu, terdapat beberapa patung yang terletak di segala sisi ruang Klenteng sebagai tempat sembahyang umat Tionghoa. Sehingga filosofi ornament dan dekorasi interior Klenteng Xian Madi dapat diketahui secara empiris, karena masing-masing ornament dan dekorasi interior mengandung makna sebagai bentuk komunikasi bagi pengamat yang datang.Kata kunci: Arsitektur Klenteng; Filosofi Ornament; Dekorasi Ruang,Metode Deskriptif Kualitatif. Abstract_ The purpose of this study is to identify and clarify the ornament and interior decoration philosophy found in the Xian Madi Temple, Makassar City. Chinese culture inherits the heterogeneity of the unique and philosophical architectural decoration of the pagoda, starting from the selection of colors and the application of attributes to the pagoda's room decoration. This study used a descriptive qualitative research method that aims to describe and express the philosophical meaning of the ornamentation and interior decoration of the Xian Madi Temple. Based on research results that the interior of the Xian Madi Temple is dominated by red and gold. For Chinese people, the golden color symbolizes luck and cheerfulness. The gold color symbolizes happiness and prosperity. Also, there are several statues located on all sides of the temple room as a place of prayer for Chinese people. So that the philosophy of ornament and interior decoration of Xian Madi Temple can be known empirically because each ornament and interior decoration contains meaning as a form of communication for observers who come.Keywords: Temple Architecture; Ornament Philosophy; Room Decoration; Qualitative Descriptive Method.
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Petcu, Elizabeth J. "Amorphous Ornament:." Journal of the Society of Architectural Historians 77, no. 1 (March 1, 2018): 29–55. http://dx.doi.org/10.1525/jsah.2018.77.1.29.

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Leon Battista Alberti famously likened the relationship between architectural structure and superstructure to the dualism of skeleton and skin. In Amorphous Ornament: Wendel Dietterlin and the Dissection of Architecture, Elizabeth J. Petcu scrutinizes how the Architectura treatise (1593–98) of Strasbourg artist Wendel Dietterlin the Elder (ca. 1550–99) subverted Alberti's theory and the aesthetic of stability it promoted by popularizing a style of amorphous architectural motifs that recall bone, cartilage, muscle, and flesh, melding built framework with decorative surface. Drawing these corporeal conceits from contemporary anatomical publications, Dietterlin inspired buildings, architectural prints, and objects that challenged tectonic conventions, upset the traditional split between exterior and interior, and emulated the figural arts’ involvement in representing interior human forms. In assessing how Dietterlin's Architectura turned the proverbial body of architecture inside out, Petcu demonstrates that Renaissance comparisons between body and building did not always project ideals of architectural beauty and reveals overlooked origins of baroque-era fusions of architecture and the figural arts.
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Agustin, Dyan, Nur Rahmatul Lailiyah, Mu'ammar Fadhil, and M. Ferdiyan Arya. "Kajian Ornamen pada Rumah Tradisional Madura." NALARs 19, no. 2 (June 29, 2020): 97. http://dx.doi.org/10.24853/nalars.19.2.97-104.

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ABSTRAK. Ornamen merupakan suatu hiasan yang dibentuk dengan mengembangkan dari bentuk-bentuk yang ada di alam. Ornamen pada bangunan tradisional berbentuk ragam hias dimana teknik maupun pengungkapannya dibuat menurut aturan-aturan, norma serta pola yang telah digariskan dan menjadi kesepakatan bersama dan diwariskan secara turun temurun. Pada rumah tinggal Madura, terdapat ornamen dalam elemen arsitekturalnya dimana keberadaan ornamen tersebut tidak lepas dari adanya akulturasi kebudayaan antar suku yang menetap di Madura. Penelitian ini membahas akulturasi kebudayaan mana saja yang mempengaruhi bentuk, warna ornamen di rumah tradisional Madura serta makna dari masing-masing motif ornamen yang digunakan. Metode yang digunakan adalah metode kualitatif dengan analisis deduktif untuk mengetahui rupa visual dari ornamen pada rumah tradisional di Madura. Hasil analisis menunjukkan beberapa motif yang digunakan pada rumah tradisional Madura antara lain motif flora, fauna antara lain motif ekor ular, naga, burung phoenix dan motif swastika. Pada motif flora-swastika merupakan akulturasi kebudayaan dari Cina, Jawa hindu, dan Madura. Motif flora fauna didominasi dengan hasil akulturasi budaya antara Madura dengan Cina. Untuk area penempatan ornamen bagian atap, dinding, pintu, kolom. Sedangkan penempatan ormanen pada komplek hunian Tanean Lanjhang adalah roma tongghuh (rumah induk) dan Roma na’poto (Rumah Anak). Sedangkan pada kobhung (langgar), tanean (halaman), dapor (dapur), kandhang (kandang) tidak terdapat ornamen karena tempat tersebut lebih diutamakan segi fungsinya. Kata kunci: Ornamen, Rumah, Madura ABSTRACT. Ornament is a decoration that is formed by developing from the forms that exist in nature. Ornaments in traditional buildings are in the form of decoration. The techniques and disclosures are made according to the rules, norms, and patterns that have been outlined and become collective agreements and passed down from generation to generation. In Madura's house, there is an ornament in its architectural element where the decoration's existence is inseparable from the acculturation of cultures between tribes who settled in Madura. This study discusses which cultural acculturation influences the shape, the colour of ornaments in traditional Madurese homes, and the meaning of each ornamental motif used. The method used is a qualitative method with a deductive research method to determine the visual appearance of ornaments in traditional houses in Madura. The analysis results showed several motifs used in traditional Madurese homes, including flora and fauna motifs, including snake-tailed motifs, dragons, phoenixes, and swastika motifs. The flora-swastika motif is an acculturation of culture from China, Hinduism, Java, and Madura. The motif of flora and fauna is dominated by the results of cultural acculturation between Madura and China. For the ornamental placement area of the roof, walls, doors, columns. The placement of people in Tanean Lanjhang residential complex is Rome Tongghuh (main house) and Roma na'poto (Children's House). While in kobhung (langgar), tanean (page), dapor (kitchen), kandhang (cage), there are no ornaments because the place is preferred in terms of function.Keywords: Ornament, House, Madura
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Zahra, Fatima, and Safrizal Shahir. "Development and Evolution of Palmette Ornament: An Influence on Islamic Architecture." Landscape architecture and art 21, no. 21 (December 30, 2022): 124–30. http://dx.doi.org/10.22616/j.landarchart.2022.21.13.

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Decorative architectural ornaments are the mainstay of several art forms. Islamic architecture had several properties and characteristics, including the non-depiction of living beings and emulating God's creation of wrongdoing. Therefore, floral, geometrical, and vegetal motifs became the main component of Islamic architectural ornaments. Similarly, Palmette is included and practiced on a large scale in Islamic architecture due to its vegetal or floral forms. This article focuses on the historical aspects of palmette ornament. Additionally, it explores the development and evolution of the ornament from west to east. Moreover, how palmette ornaments are practiced in Islamic Architecture. For this purpose, historical approach of description is used to explore and analyze the palmette ornament in depth.
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Bzhahov, M., and A. Sultanova. "THE USE OF THE NATIONAL ORNAMENT OF THE KABARDINS AND BALKARS AS ARCHITECTURAL DECORATION OF FACADES OF BUILDINGS." Construction Materials and Products 2, no. 4 (June 27, 2020): 79–83. http://dx.doi.org/10.34031/2618-7183-2019-2-4-79-83.

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the article presents the results of research on the use of the national ornament of the Kabardins and Balkars as an architectural decoration of facades of buildings, contributing to the increase of architectural and artistic expression of facades of buildings. Classification of the national ornament of the Kabardins and Balkars is given, stylized schemes of the national ornament are considered and variants of their placement on facades of buildings as an architectural decor are offered.
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Mammaev, M. M. "SYMMETRY AND ASYMMETRY IN FORMS AND DECORATIVE FINISH OF MUSLIM GRAVESTONES OF THE 14th -15th CENTURIES IN THE VILLAGE OF KUBACHI." History, Archeology and Ethnography of the Caucasus 13, no. 4 (December 15, 2017): 54–73. http://dx.doi.org/10.32653/ch13454-73.

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This article is sequel to the article published in the third issue of the Journal “Herald of the Institute of History, Archeology and Ethnography of the Dagestan Scientific Center of the Russian Academy of Sciences” in 2017 and it deals with the peculiarities of decorative finish of Muslim gravestones of the 14th -15th centuries in the village of Kubachi, partly in the village of Ashty, and now uninhabited villages of Dats’amazhe and Kalakoreish. This article, unlike the previous one, covers the issues related to the principles and methods used by stonecutters, calligraphers and ornamentalists in the decoration of the headstones. The analysis shows that bilateral symmetry was the guiding principle, which stonecutters used in decorative finish of the gravestones and of various architectural details as well. It is noted that the patterned and epigraphic compositions presented on the medieval headstones are based on the principle of free or relative symmetry, since there is no exact coincidence of the left and right sides of the figures. Along with the compositions with bilateral relative symmetries, there are the so-called mirror symmetries, in which the left and right sides are the same and coincide. These are mainly compositions of floral ornament. In medieval stone-cutting art of the village of Kubachi, mirror symmetry is most often found in heraldic compositions with images of paired, opposing animals, birds and fantastic creatures carved on various architectural details. The stonecutters adhered to the principle of relative (free) symmetry while making relief decorative Arabic inscriptions against the background of the floral ornament. The same inscription of the patterned and epigraphic band (border) in the upper part of many headstones is divided into two equal parts by a small ornamental medallion or braided ornament. But according to the figure (structure) these parts (right and left) are different. The stonecutters were to show the symmetry of the whole decoration of the headstones - the center and its sides. Among the architectural details there are also some decorative Arabic inscriptions executed in compliance with bilateral mirror symmetry. This symmetry is presented in the inscription (pseudo-inscription) on the archivolt of the window tympan of late 14th - early 15th centuries with the image of a horse rider, and on the archivolt of the window tympan with the image of a deer dropped down to the front legs. The author of the article presents the data on the relationship between Kubachi and the neighboring villages of Itsari, Shiri, Dats’amazhe in the development of the stone-cutting art and other types of decorative and applied art - wood carving, metalworking, carpet weaving, etc. in terms of similarity of compositional techniques and ornamental motives, performed in compliance with the principle of symmetry. The author analyzes similarities and differences in the decoration of the headstones at the medieval cemeteries of the village of Kubachi - “Bidaq huppe”, “Ts’itsila”, “Baqutsila”, “Dats’amazhe”, and also in the villages of Ashty and Kalakoreish. The modern ornamental art of Kubachi has inherited the rhythm, symmetry, balance, and proportionality peculiar to medieval ornamental compositions.
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Dissertations / Theses on the topic "Architectural Decoration and ornament"

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Reid, Bronwyn. "Cast architectural ornament : plaster and compo." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1214384.

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Plaster and compo are both materials used for cast architectural ornamentation. Preserving, repairing, and in-kind replacing cast architectural ornamentation is necessary to maintain the integrity of a space. Plaster and compo are visually and texturally very similar materials. Compo was invented to be a less costly substitute for plaster. Whereas the two materials are easily mistaken for one another, they are chemically quite different. The ingredients and methods used to create the two separate materials exemplify this difference. Understanding the differences is key to successfully preserving the ornaments and, thus, the spaces in which they are located. Repairing plaster with compo or compo with plaster can lead to the destruction of cast architectural ornaments. Furthermore, chemical paint removers that are safe to use on plaster can deteriorate compo. It is necessary to thoroughly understand the nature of the materials so that informed decisions can be made about their treatments. The study addresses the similarities and differences, the maintenance, deterioration, repair, and replacement of the two materials.
Department of Architecture
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Wong, Chun-ming. "Cantonese opera on the temple ridge conservation of Shek Wan ceramic figurines on the ridge of the Hung Shing Temple at Apleichau /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B4218874X.

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FARRELL, GAVIN R. "ORNAMENT: SEMANTICS AND TECTONICS IN CONTEMPORARY URBAN ARCHITECTURE." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1115929765.

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Odom, Jason Scott. "An investigation of the ornamental joint." Thesis, Georgia Institute of Technology, 1998. http://hdl.handle.net/1853/23120.

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Alves, Francine D. A. C. C. O. "A arquitectura e o mosaico romano de pavimento-relações-interacções." Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas, 2002. http://dited.bn.pt:80/30055.

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Vieira, Eduarda Maria Martins Moreira da Silva. "Técnicas tradicionais de fingidos e de estuques no norte de Portugal-contributo para o seu estudo e conservação." Master's thesis, Instituições portuguesas -- -Universidade de Évora, 2002. http://dited.bn.pt:80/30074.

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Dürfeld, Michael. "Das Ornamentale und die architektonische Form : systemtheoretische Irritationen /." Bielefeld : Transcript, 2008. http://www.loc.gov/catdir/toc/fy0804/2008423180.html.

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Hui, Yat-chuen Alexander. "Lingnan in a mustard seed the cultural significance of Shiwan doll-figure decorated pottery roof ridges on temples in Hong Kong and Macau /." Click to view the E-thesis via HKUTO, 2003. http://sunzi.lib.hku.hk/hkuto/record/B31476946.

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Pecharka, David Michael. "That which best serves : materials in response to needs as an approach to architecture : the influence of bricks and brickwork." Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/23374.

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Pleasant, Elizabeth A. "Ornamentation, representation, and experimental drawing." Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/21606.

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Books on the topic "Architectural Decoration and ornament"

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Heideloff, Carl Alexander von. Medieval ornament. New York: Dover Publications, 1995.

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Domeisen, Oliver. Ornament neu aufgelegt = Re-sampling ornament. Basel: Merian, 2008.

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Vance, Mary A. Architectural decoration and ornament: Monographs, 1970-1987. Monticello, Ill., USA: Vance Bibliographies, 1988.

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Colling, James Kellaway. Medieval decorative ornament. New York: Dover Publications, 1995.

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T, O'Connor John, ed. Ornament at Harvard. Cambridge, Mass: Next Publications, 1986.

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Hurlbut, Spring. Sacrificial ornament =: Ornement sacrificiel. Lethbridge: Southern Alberta Art Gallery, 1992.

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White, Antony. Architecture & ornament: A visual guide. New York: Design Press, 1990.

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White, Anthony G. Architectural ceiling decoration: A selected bibliography. Monticello, Ill., USA: Vance Bibliographies, 1989.

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Czerner, Rafał. The architectural decoration of Marina el-Alamein. Oxford: Archaeopress, 2009.

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Halfpenny, Joseph. Gothic ornament: Architectural motifs from York Cathedral. Mineola, N.Y: Dover Publications, 2005.

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Book chapters on the topic "Architectural Decoration and ornament"

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BAÑÓN, Carlos, and Félix RASPALL. "Architectural Ornament: Timescapes." In SpringerBriefs in Architectural Design and Technology, 39–51. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-8388-9_4.

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Donald B., Corner, and John Rowell. "Form and Ornament." In Architectural Terra Cotta, 19–52. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429057915-4.

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Ishii, Setsuko. "Holography as an Architectural Decoration." In Encyclopedia of Computer Graphics and Games, 1–6. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-08234-9_276-1.

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Ishii, Setsuko. "Holography as an Architectural Decoration." In Encyclopedia of Computer Graphics and Games, 881–86. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-23161-2_276.

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Modesti, Adelina. "Architectural Patronage, Interior Design and Decoration." In Women’s Patronage and Gendered Cultural Networks in Early Modern Europe, 187–204. New York: Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781315200125-9.

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Kana’an, Ruba. "Architectural Decoration in Islam: History and Techniques." In Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures, 357–73. Dordrecht: Springer Netherlands, 2016. http://dx.doi.org/10.1007/978-94-007-7747-7_8634.

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Zhou, Ziliang. "Application of VR Technology in Architectural Decoration Design." In Application of Intelligent Systems in Multi-modal Information Analytics, 684–91. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74811-1_98.

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Ottenheym, Konrad. "II: Architectura Moderna. The Systemization of Architectural Ornament around 1600." In Unity and Discontinuity, 111–36. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.archmod-eb.4.00120.

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Yi, Hongxing. "Application of Situational Experience Teaching in the Course of Architectural Decoration Construction." In Application of Intelligent Systems in Multi-modal Information Analytics, 1479–84. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15740-1_191.

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Wang, Xinyi, Weimin Guo, and Zhi Yang. "A Study on the Research Methods Used in Modern Chinese Architectural Decoration Design." In [ ] With Design: Reinventing Design Modes, 2724–38. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-4472-7_175.

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Conference papers on the topic "Architectural Decoration and ornament"

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Malcoci, Vitalie. "Semantic approaches of rural architectural decor from the south of Moldova." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.10.

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Traditional artistic creation, manifested through customs, traditions, folklore, is the basic substratum of the knowledge about a civilisation and its culture. Th roughout the entire process of its constitution, the Romanian people produced a huge substratum of archaeological cultures and mythic-folkloric structures that constitute the essence of folk creation. Folk architecture is one of the most impressive material forms from the past of any civilization. Evolving over time, it shaped some of the traditions and practices in peasant constructions, in the evolution of architectural forms, and the development of ornament and architectural decoration. Th e issue addressed refers to the plastic language of universal motifs, which are deeply rooted in Romanian culture and which contain messages encoded in a string of symbolic connotations. It involves deciphering the message and interpreting the symbolic meaning of the Tree of Life, some aspects of the solar cult, symbols as images of the world and of the universe, and the multiple representations that are part of the animal iconography repertoire.
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Yu, Tao, Hao Shen, Qianchao Chai, Fei Chen, Ledan Qian, and Yi Li. "Flexible Ornament Selection System for VR Decoration Exhibition." In 2018 International Conference on Virtual Reality and Visualization (ICVRV). IEEE, 2018. http://dx.doi.org/10.1109/icvrv.2018.00039.

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López González, Concepción. "La decoración lítica de las Torres de Serranos de Valencia." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11346.

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The lithic decoration of the Serranos Towers of ValenciaThe apparent austerity of this powerful door of the Christian wall of the city of Valencia built in 1392 by Pere Balaguer, encloses a magnificent and rich decoration of carved stone. The intervention aimed at cleaning the stone promoted by the City Council, allowed an in-depth study of the ornamentation that had not been previously carried out. A graphic study of all the pieces of carved stone that decorate the Towers was made. The different types of decoration carved in stone were established according to three parameters: according to their function, according to the theme or ornamental motif and according to the type of size used. Likewise, comparative analyzes were established with other buildings constructed in the Crown of Aragon at the same time. This study showed the influences and collaborations between stonework workshops that worked in different geographical points.
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Artemyeva, E. P. "ORNAMENTAL SPECIES OF AMARANTUS AND THEIR USE IN GREENING OF YEKATERINBURG." In Landscape Architecture in Botanical Gardens and Arboretums. Publishing House of Irkutsk State University, 2021. http://dx.doi.org/10.26516/978-5-9624-1952-7.2021.5.

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Amaranth is widely used in Yekaterinburg's greening. The Botanical Garden of Ural Federal University has a large collection of ornamental species and cultivars of amaranth plants. Amaranths did not lose their decorative properties when grown in the industrial city despite the high level of gas and dust contamination and the content of heavy metals in the soil.
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Limei An, Haonan Tan, Jiankai Zhang, Yongrui Hou, and Cuiqing Li. "Energy-saving design in architectural decoration." In 2011 International Conference on Multimedia Technology (ICMT). IEEE, 2011. http://dx.doi.org/10.1109/icmt.2011.6003358.

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Yu, Yang, and Li Jiang. "Study on Architectural Ornament Images of Wuzhou Arcade Buildings." In 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icadce-17.2017.102.

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Li, Yubing, Yu Liu, Xudong Wang, and Zenglong Fu. "Application Of Intelligent Construction In Architectural Decoration Industry." In 2022 2nd International Conference on Computers and Automation (CompAuto). IEEE, 2022. http://dx.doi.org/10.1109/compauto55930.2022.00018.

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Bianchi, Fulvia, Donato Attanasio, and Walter Prochaska. "Architectural Decoration of the Imperial Agora’s Porticoes at Iasos." In XI International Conference of ASMOSIA. University of Split, Arts Academy in Split; University of Split, Faculty of Civil Engineering, Architecture and Geodesy, 2018. http://dx.doi.org/10.31534/xi.asmosia.2015/02.16.

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Feng, Dan. "Application analysis of CAD technology in architectural decoration design." In 2021 2nd International Conference on Urban Engineering and Management Science (ICUEMS). IEEE, 2021. http://dx.doi.org/10.1109/icuems52408.2021.00046.

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Yang, Jianmin. "Design of Architectural Decoration Based on Smart Home System." In 2022 14th International Conference on Measuring Technology and Mechatronics Automation (ICMTMA). IEEE, 2022. http://dx.doi.org/10.1109/icmtma54903.2022.00183.

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