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Liu, Jia Sheng. "The Influence of Architectural Culture on Architectural Design." Applied Mechanics and Materials 357-360 (August 2013): 278–81. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.278.
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The paper focuses on the relationship between the architectural culture and architectural design, puts forward the concept of architectural culture, expounds architectural cultures influence on Chinese traditional architecture and the western traditional architectures, and summarizes the importance and influence of architectural culture in the modern architectural design. This paper provides reference and experience for architects to design the modern architecture that can embody the design and spirit more vividly.
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Xu, Bao Hui, and Yu Bao. "Landscape Architectural Design of Ecological Sightseeing Park." Applied Mechanics and Materials 522-524 (February 2014): 1760–63. http://dx.doi.org/10.4028/www.scientific.net/amm.522-524.1760.
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Ecological tourism park is a new form of tourism emerging in recent years, which have very important significance to the new rural construction. The design of landscape architecture in ecological park is still at the exploratory stage. This paper presents the design idea, design method of landscape architecture. In order to improve the design level of architectures in the ecological park, the method of integrating the architectural art, design technology and environment is proposed.
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Ma, Jian. "Architectural Programming and Architectural Design." Advanced Materials Research 1065-1069 (December 2014): 2650–53. http://dx.doi.org/10.4028/www.scientific.net/amr.1065-1069.2650.
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Architectural programming provides the basis of architectural design, and provides a framework to guide the whole construction process, results and quality control of the project, the construction activities towards our default direction. Architecture programming plays a very important role in the control of the whole design process and design quality.
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He, Li Xia, Tao Jiao, and Qian Zhang. "Regionalism in Architectural Design." Advanced Materials Research 926-930 (May 2014): 619–22. http://dx.doi.org/10.4028/www.scientific.net/amr.926-930.619.
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A common phenomenon in modern architecture is the over emphasis on technology at the expense of natural environment, regional culture, and human emotions. In this essay, the regionalism spirit in architectural design is introduced for future reference in architectural design.
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Su, Hong Zhi. "Systems Scientific Analysis of Architecture Adaptability Design." Applied Mechanics and Materials 744-746 (March 2015): 2165–70. http://dx.doi.org/10.4028/www.scientific.net/amm.744-746.2165.
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Architecture is the arena on which man's life unfolds, due to the constant changes taking place in life, deformability is demanded to increase the adaptability of modern Architecture. Thus, to achieve such deformability, research on the systematic hierarchy of architectures is carried out; indicating that the hierarchies are the intermediary of the inner transformation of the architecture and the formation process of architecture system is a process of gradual differentiation. With the development of the gradual differentiation process, the flexibility of architecture begins to fail while increasing its determinacy. The key point determining the adaptability of architectures lies in the inter-transformation between the various levels of sub-hierarchy systems. According to the complexity and hierarchy of the transformation, categorization and analysis with future study on the performance manifestation of architectural adaptability design are implemented.
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Sarma, U. V. R., Neelakantam Pavani Pavani, and P. Premchand. "Building Software Architecture using Architectural Design Patterns." International Journal of Science and Engineering Applications 2, no. 4 (2013): 71–77. http://dx.doi.org/10.7753/ijsea0204.1004.
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Tong, Lihong, and Xueliang Zhu. "Analysis on Application of Traditional Architectural Elements in Modern Architectural Design." World Construction 4, no. 3 (2015): 24. http://dx.doi.org/10.18686/wcj.v4i3.7.
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<p>In modern architectural design, the scientific use and development of Chinese traditional architectural elements is an issue studied in-depth by every building designer. Exploration is made from the application of humanity concept in traditional Chinese architectural culture. The traditional architectural space design applications, the use of traditional architecture symbols, traditional architectural elements applications and other aspects, have important significance to implant traditional Chinese architectural elements into the development of modern architecture.</p>
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Tong, Lihong, and Xueliang Zhu. "Analysis on Application of Traditional Architectural Elements in Modern Architectural Design." World Construction 4, no. 3 (2015): 24. http://dx.doi.org/10.18686/wc.v4i3.7.
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<p>In modern architectural design, the scientific use and development of Chinese traditional architectural elements is an issue studied in-depth by every building designer. Exploration is made from the application of humanity concept in traditional Chinese architectural culture. The traditional architectural space design applications, the use of traditional architecture symbols, traditional architectural elements applications and other aspects, have important significance to implant traditional Chinese architectural elements into the development of modern architecture.</p>
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Charleson, A. W. "Seismic design within architectural education." Bulletin of the New Zealand Society for Earthquake Engineering 30, no. 1 (1997): 46–50. http://dx.doi.org/10.5459/bnzsee.30.1.46-50.
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This paper discusses the teaching of earthquake resistant design within schools of architecture. It aims to stimulate discussion on more effective means of teaching the subject, and to suggest ideas and resources for schools whose seismic design curriculum might benefit from further development.
 It is argued that seismic design issues should be included and integrated into architecture curricula. The case is based primarily on observations of building failures resulting from flawed architectural design decisions and subsequent critical reaction from within the architectural profession itself. However, another reason is that the large sizes and restrictive layouts of some seismic load resisting systems impact unavoidably upon architectural layouts.
 The content, teaching methods and teaching staff qualities appropriate for a seismic design curriculum are discussed in a case study from the School of Architecture, Victoria University of Wellington. Two key aspects of perceived success are the course's relevance to architectural design and the variety of presentation. Teaching methods, teaching aids and useful references are provided.
 The evaluation of the courses considered in the case study is discussed, and postgraduate and post-graduation seismic education in New Zealand is reviewed.
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Singh, Prof Y. P. "Earthquake Resistance Architecture: A Study for the Architectural Design of Buildings in Sesmic Zones." International Journal of Trend in Scientific Research and Development Volume-1, Issue-5 (2017): 1–5. http://dx.doi.org/10.31142/ijtsrd2229.
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Xiang, Xingwei, Xiaolong Yang, Jixi Chen, Renzhong Tang, and Luoke Hu. "A Comprehensive Model of Teaching Digital Design in Architecture that Incorporates Sustainability." Sustainability 12, no. 20 (2020): 8368. http://dx.doi.org/10.3390/su12208368.
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Digital technology and its use in architecture support the construction industry in transitioning to more sustainable building development. Digital technology is widely taught in architecture programs in China, but there are few consistent strategies for combining digital architectural design with traditional architectural design in architectural education. Consequently, sustainable design concepts are not included in digital architectural design courses, and thus architectural education is not concerned with sustainable development. In this paper, we focus on the teaching of digital design in architecture and investigate how digital architectural design teaching can incorporate sustainability. Data from 15 universities were qualitatively analyzed, leading to the development of four models of teaching digital architectural design. Development of the models revealed that there are three increasing levels in digital architectural design teaching and that there is a close relationship between the teaching level and the transfer of architectural knowledge. This recognition led to the development of a single comprehensive model of digital architectural design teaching that is universally applicable. This research increases our understanding of digital architectural design teaching in architecture programs and strengthens the multi-level connections between digital architectural design teaching and designing and constructing sustainable built objects.
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Li, Wei. "Architectural Design with Autocad." Advanced Materials Research 926-930 (May 2014): 1692–95. http://dx.doi.org/10.4028/www.scientific.net/amr.926-930.1692.
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Architectural design is a creative work, the final results of it is image and visually expressed in the form of drawings. AutoCad technology and architecture design are the combination of computer application technology, especially the inevitable outcome of the development of computer graphics technology. Usage this software is not only able to design construction drawing with specification, beautiful buildings, and can effectively help designers improving the design level and work efficiently, this is the manual drawing. Mastering the AutoCad architectural drawings in other words is to have the advanced and standard of architectural design language tools.
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Wu, Xiaowen, and Claudio Gambadella. "Religions Culture Sharps the Space." Resourceedings 2, no. 3 (2019): 184. http://dx.doi.org/10.21625/resourceedings.v2i3.658.
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Religious culture shapes the characters of space and it reflects people’s attitudes towards the relationships between people and gods. Every religious architecture, such as a temple or a church, demonstrates its physical connections with life. This paper focuses on comparing different countries’ religious architectures to better understand the dominant cultural elements which influence design concepts of these architectures. In Western cultures, the religious architecture format is the church. However, Tadao Ando designs the Church of the Light with oriental features. It changes western religious cultures to adapt to local conditions. Ando’s work is just one of many examples in which the local culture can transform religious architecture form with their own characters, and nake it become an iconic mark to represent their country. This paper, analyzing project thinking and development invovling a local citizen, user, artist, and architect, tries to find out how design concepts, decisions on site location, and construction method will be determined. In these case studies on architectural formats from all over the world, this paper uses valuable data to show what elements will be the most critical ones to influence people’s thinking about religious cultures and religious architectural transformation. Furthermore, in this research, it compares religious cultural characters between western and oriental regions. This research also answers questions about how cultures change local people’s behaviors. This is the most valuable point of religious architectures, because they can comfort people and mitigate their sorrow. The research demonstrates how religious cultures and understanding about life can further develop architecture forms. Local materials and conditions are key factors which greatly influence architectural designs. Moreover, this paper compares the latest technology and development of construction materials to illustrate how technology reshapes religious designs in our age. It links local cultures with contemporary architectures to help local architectures continue to develop with their unique characters instead of being eliminated by globalization.
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Sasportas, Raphaël, and Feriel Mustapha. "Modular architecture shape design recursive algorithm." E3S Web of Conferences 170 (2020): 06006. http://dx.doi.org/10.1051/e3sconf/202017006006.
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The architecture and architectural shape of a building plays an important role in the interior housing design, many concepts have been developed to optimize this and to have a housing that reflects both visual and architectural comfort or even thermal one. The evolution of these houses however is not controlled, modular architecture has appeared because among its basic principles is being built from modules that can be assembled, then separately modified or even disassembled, the advantage of this typology of architecture is that it is fast in execution, light in installation and above all has very little impact on the environment in which it is part. These buildings are characterized by more dynamic geometries, which results in a very rich architectural language and an interesting sky line, however, to be able to project all the possibilities is a challenge in itself. In this article the discrete geometry is treated through the development of an algorithm that illustrates the process that allows to expose all possible cell combinations, the latter represents the basic module of modular architecture, the most attracting choices will be arranged to illustrate the formal and architectural optimization of a house. In this study the emphasis will be placed on the mathematical part in order to highlight the relationship between geometry and its influence on the final architectural rendering.
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Zhang, Lin, Hu Peng, Liao Liao Xi, and Lin Cheng. "A Case Study of Sustainable Architecture Design." Applied Mechanics and Materials 174-177 (May 2012): 3115–19. http://dx.doi.org/10.4028/www.scientific.net/amm.174-177.3115.
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Nowadays, with the deteriorating environment, people are increasingly concerned about the ecological environment and sustainable development. More and more architects are committed to sustainable building design and research. In China, designers, professors and students in the architecture realm are encouraged to get involved into sustainable architecture design practically/theoretically. With this background this paper presents a case study of a sustainable architectural design called “Painter’s House”, which concentrates on the openness and ecology of architecture. It contains concepts and ideas of functional diversity, integrated sustainable architectural design, as well as “eco-box”, hoping to induce more profound discussion in the sustainable architectural design area.
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Vergunova, N., S. Vergunov, and O. Levadniy. "INTERDISCIPLINARY INTERACTION OF DESIGN AND ARCHITECTURE." Municipal economy of cities 1, no. 161 (2021): 53–57. http://dx.doi.org/10.33042/2522-1809-2021-1-161-53-57.
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The synthesis of scientific knowledge obtained within individual disciplines became one of the leading trends in science in the latter half of the 20th century. Together with the existing disciplinary organization and the structuring of science according to the respective specializations, interdisciplinary methodology is being actively developed, problem and project approaches to research are increasingly being applied, the paradigm of integrity is being established. Such processes have also affected design, both theoretical and practical aspects of work. Considering the interdisciplinary interaction of design with other art forms, architecture appears to be most appropriate, given the commonality of design and architectural design dating back to the mid-20th century. Many architects design objects and placing them in their architectural constructions; and designers work with architectural projects, creating a «shell» for their design objects. There is a semantic organization in these processes, the study of which is relevant in view of the emerging paradigm of integrity in science. The aim of research reveals the interdisciplinary interaction between design and architecture, and represents the relevant projects of designers and architects. The results can be used to broaden the understanding of interdisciplinary methodology regarding to its emergence and formation in design and architecture, as well as their current project results. The scientific paper describes some of the professional patterns inherent in design and architecture that unite these arts in filling the object-spatial environment. Common meaning organization of design and architectural subject culture in comparison with samples of «pure» art is also noted, the direct inclusion of these objects in the life canvas of each individual is emphasized. The interdisciplinary interaction of design and architecture contributes to their mutual filling. For design work, the main priority of interdisciplinarity is in studying the architectural heritage that far exceeds the design culture over time. For architectural activity it is possible to expand its professional boundaries by mastering the specifics of design methodology, as well as to optimize the project process in creating a coherent and harmonious structure of building. Interdisciplinary interaction is evident in project activities of modern designers and architects. The projects of American designer Karim Rashid, who works on both: the industrial design projects and objects for the architectural environment, are of particular interest. Architectural bureau «Zaha Hadid Architects», once headed by the Iraqi-British architect and designer of Arab origin Zaha Hadid, also conducts interdisciplinary project activity, touching both design and architecture. The projects of Gerrit Ritveld, designed more than a hundred years ago, confirm the extent of interdisciplinary links in design, architecture and art, reflecting the objectivity of these processes.
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Traganou, J. "Architectural and Spatial Design Studies: Inscribing Architecture in Design Studies." Journal of Design History 22, no. 2 (2009): 173–81. http://dx.doi.org/10.1093/jdh/epp009.
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Andjelkovic, Katarina. "Kinesthetic Imagination in Architecture: Design and Representation of Space." Život umjetnosti, no. 106 (November 30, 2020): 22–35. http://dx.doi.org/10.31664/zu.2020.106.02.
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Histories of architecture have long-recognized the vital role of concepts, strategies and principles exchanged between architecture and film, which reconfigured their systems of knowledge and made this relationship rich. Nonetheless, film has been used mainly as an instrument of narration and representation in architecture, only rarely engaged in questioning how it affects the way we understand, think and design space. Some of the most recent architectural design practices have recognized that film, using its specific screen environment, can provide a source of new architectural imagination while contextualizing our kinesthetic experience of space. In this article, I will examine how kinesthetic imagination has informed architectural practice in relation to the established practices of architectural representation.
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Clelland, Doug. "On the establishment of new communities: Allerton Bywater and Osbaldwick Fields." Architectural Research Quarterly 4, no. 3 (2000): 219–36. http://dx.doi.org/10.1017/s1359135500000257.
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Two competition designs have provided frameworks for ideas for the establishment of new communities. The projects provided the opportunity for the design team to consider core architecture (urban and architectural space) and its relationship with extended architectures (detailed design and construction). The building designs have been required to meet performance standards considerably in excess of recent UK norms. This paper describes the design approach and demonstrates how research (university and practice based) has contributed to the two submissions.
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Alakavuk, Ebru. "Threshold Approaches to Architectural Design Studio." SHS Web of Conferences 48 (2018): 01046. http://dx.doi.org/10.1051/shsconf/20184801046.
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Threshold is a popular design theory in architecture that can be defined in many ways. One definition is “a barrier space that is located for separating the volumes”. This is “dictionary definition” of the threshold, but in fact this term can has various meanings according to the different perspectives. The threshold can be physical, psychological, emotional, social, economic, etc. definitions. There are many ways of expressing threshold in to architectural design considering the terms mentioned above. In this paper different ways of expressing “threshold” term in to the architectural design is discussed. For this purpose third year architecture design studio is taken as a case study. The student projects by the ways of defining and expressing the threshold term in to design is taken in consideration. The aim of this paper to put forward the integration of various meanings of threshold in to the architectural design by the case studies that are obtained from the architectural design studio.
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Megahed, Yasser. "On research by design." Architectural Research Quarterly 21, no. 4 (2017): 338–43. http://dx.doi.org/10.1017/s1359135518000179.
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Early issues of arq in the mid-1990s were preoccupied with the possibilities for researching architecture through design: how design research might be constituted and communicated, and – practically for architecture schools at that time – how design might be counted as research in the newly-introduced metrics used to judge research quality in UK Universities.Debates around design research in arq in the 1990s reflected uncertainties about its position in both practice and academic culture at that time. Since then, design research has gained traction, becoming increasingly accepted and acquiring greater capital in architectural academe. Key texts in architectural design research are increasingly leaving behind the question ‘is design considered research or not?’ to search instead for how to secure the status of design as a rigorous mode of academic inquiry. There is increasing confidence in the architectural field about the potential and power of design as a research method. Yet the notion of design research in architecture remains broad, with a diversity of approaches echoed in a diversity of distinct but overlapping terminologies. Taking its cue from arq's early focus on design research, this paper sketches-out its contemporary methodological landscape in architecture, surveying key sources in design research scholarship.
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ŞENYİĞİT, Özlem. "A DESIGN APPROACH IN ARCHITECTURAL EDUCATION: PARASITIC ARCHITECTURE." Social Sciences Studies Journal 7, no. 82 (2021): 2172–80. http://dx.doi.org/10.26449/sssj.3184.
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Özdemir, Elvan Elif, and Fulya Pelin Cengizoglu. "The Metaphoric Perceptions of Architectural Design Students On The Concept Of Jury System In Architectural Design Education." Global Journal of Arts Education 7, no. 2 (2017): 35–39. http://dx.doi.org/10.18844/gjae.v7i2.957.
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The core of the architectural curriculum is based on the design studio which focuses on learning by doing. The learning process in the design studio is takes place in critic sessions. These sessions are kind of communication of ideas and transmitting of knowledge from instructor to student. In contrast to other disciplines, in the architectural design education the evaluation and the assessment are the important part of the learning and teaching process. The Jury system is a traditional architectural learning assessment tool. In this system the student present his/her work in the front of the jury and get feedback or criticism. According to Webster (2006), Jury is the most performative stage of education where the student and agency (the discipline of architecture-as represented by the critics) actually interact. (Webster, 2006). The aim of this study was to reveal the perceptions of architectural design students’ about the ‘Jury system’ as an grading system in architectural design studios. The participants for this study included second, third and fourth grade architectural design students enrolled in the Department of Architecture at the Faculty of Architecture of Mersin University during the 2014-2015 school year. To collect data, each participant was asked to complete the prompt “A jury is like . . . …because . . . …..” . Phenomenological design was used in the study. The content analysis technique was used to analyze and interpret the study data. The detailed discussion will be presented in full paper.
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Asak, Ilayda. "A study on graduate level education in architecture: Case of Turkey." Global Journal of Arts Education 6, no. 3 (2017): 89–100. http://dx.doi.org/10.18844/gjae.v6i3.1702.
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Today, there are 41 universities offering graduate education programs in architecture. Those programs cover a number of different topics including architectural conservation and restoration, architectural restoration, architectural design, informatics in architectural design, architectural planning and design, architecture history, architectural history and theory, architecture and built environment, digital design in architecture and production. The council of higher education presents that 2978 master theses submitted and approved by Council of higher education. In this study, the master theses submitted to the graduate programs have been investigated. Matrix has been developed regarding o the sex, language, topics, universities. The types of graduate school are natural science and social science. The results of the study show that the number of female students is higher than the male students. The number of theses in Turkish is increasing. The increasing number of theses investigating build technology builds physics and building and construction and computational design is of importance. It is possible to determine that the current and popular topics of Turkish graduate programs in Architecture are in parallel with the prevailing agenda of World architecture.
 Key Words: theses in architecture, graduate level education, architectural education.
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Tepavčević, Bojan. "Design thinking models for architectural education." Journal of Public Space 2, no. 3 (2017): 67. http://dx.doi.org/10.5204/jps.v2i3.115.
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<p>Technology advancements have profound impact on design thinking in architecture, professional practice and architectural education. New models of representation, along with computational design thinking and innovative approaches in digital fabrication bring new demands for the rethinking of educational pedagogy for the new generation of architects in the digital age. While learning by making has been deeply rooted in the process of architectural education, digital modes of design, representation and manufacturing reconcile the dual nature of design process that has traditionally oscillated between drawing and making, visual and material. In this paper, the relationship between making process in design-led research and other aspects that challenge architectural education are analyzed and described. Along with emerging trends in this topic, current design-led research position and strategies at some Australasia schools of architecture are presented.</p>
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Chang, Wei. "Application of Tessellation in Architectural Geometry Design." E3S Web of Conferences 38 (2018): 03015. http://dx.doi.org/10.1051/e3sconf/20183803015.
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Tessellation plays a significant role in architectural geometry design, which is widely used both through history of architecture and in modern architectural design with the help of computer technology. Tessellation has been found since the birth of civilization. In terms of dimensions, there are two- dimensional tessellations and three-dimensional tessellations; in terms of symmetry, there are periodic tessellations and aperiodic tessellations. Besides, some special types of tessellations such as Voronoi Tessellation and Delaunay Triangles are also included. Both Geometry and Crystallography, the latter of which is the basic theory of three-dimensional tessellations, need to be studied. In history, tessellation was applied into skins or decorations in architecture. The development of Computer technology enables tessellation to be more powerful, as seen in surface control, surface display and structure design, etc. Therefore, research on the application of tessellation in architectural geometry design is of great necessity in architecture studies.
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Pretty, Annabel C., and Peter McPherson. "Design dialogues. Ambiguity of “Design” within Architectural Studio." Journal of Public Space 2, no. 3 (2017): 53. http://dx.doi.org/10.5204/jps.v2i3.113.
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<p>The ambiguous nature of the word “design” offers up a complex dialectic dialogue for the architectural studio lecturers to impart to their students. Discussing the “design”, more commonly referred to as the programme or scheme, is quite a different beast to the process or design methodologies the students use to create an architectural proposition or “design”. Clarity around this notion of design as both the process, in being design-led, and also as the end result, becomes a necessary task for studio lecturers to inculcate into the student body.<br />This paper aims to navigate through the mire/path of the design methodologies as adopted within architecture studio teaching at second year level within the Bachelor of Architectural Studies, Unitec Department of Architecture – by way of using the tried and tested notions of First Insight / Empathy, Preparation, Incubation, Illumination, Verification, with the anticipation that these are the essential tools with which to interface teaching and practice, within the context of a “live build project”.<br />Three years’ worth of case studies of large scale Interdisciplinary and collaborative “live build projects” in Christchurch in conjunction with the Festival of Transitional Architecture (FESTA) are used to demonstrate and investigate the heuristic design processes that are an integral part of a prospective architect’s arsenal of skills. These case studies offered a complex window of tasks, not least that the students were designing in Auckland 1000 km away from the Christchurch sites, and each year posed a different set of problems and clients-related issues. Luxcity 2012 / Canterbury Tales 2013 / CityUps 2014 were the students’ responses to FESTA’s call to rejuvenate the city centre after the earthquakes of 2010 and 2011, and all of which were assembled only for a 24-hour period over Labour Day Weekend.</p>
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Kuan, Yong, and Yahaya Ahmad. "Architectural Design Criteria for Multi-Storey Housing Buildings." Open House International 41, no. 1 (2016): 67–73. http://dx.doi.org/10.1108/ohi-01-2016-b0009.
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Architecture influences people and the environment from the past, present and the future. Nevertheless architecture and design quality is viewed as subjective, and benchmarks to achieve consensus are necessary for design or evaluation of buildings. This paper establishes architectural design criteria for design quality of multi-storey housing buildings. A set of the criteria was established with literature review, an operational definition and survey on qualified persons or architects in the professional practice of architecture. The literature reviews identified seven concepts for architecture and design quality, and the operational definition translated this architectural design quality to measurable and observable cases and variables. The survey collected these variable data from a purposive sample of 95 respondents, and these data were examined by statistical analysis. The results of the descriptive statistics, inferential t-tests (p ≤ 0.05) and positive hypothesis testing verified that respondents in general agreed to these seven design concepts as architectural design criteria for design quality. These results established the first ever set of seven architectural design criteria which were ranked in descending order of significance as function, socio-culture, site context, cost, aesthetic of art, sustainability, and Feng Shui. These architectural design criteria can be applied to the design or evaluation of multi-storey housing buildings for the good of people and the environment.
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Paramita, Kristanti Dewi, and Yandi Andri Yatmo. "CONTEXT LEARNING TRANSFORMATION IN ARCHITECTURAL DESIGN STUDIO." MODUL 20, no. 2 (2020): 157–66. http://dx.doi.org/10.14710/mdl.20.2.2020.157-166.
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This paper reflects the shifting understanding of context in a data-based architectural studio. With the school closure in the beginning of the COVID pandemic, the overall learning process is largely conducted online. Big Data becomes an important discourse that provides some benefits and opportunities which transform the design and learning process in an architectural studio, particularly on how students may explore and understand their context. Exploring the works of third-year architectural students in Department of Architecture, Faculty of Engineering Universitas Indonesia, this paper highlights the ways students capture and organise urban information and construct their intervention contexts. The study points out that time, flow and narrative are key in transforming understanding of context. Based on such three aspects, the data reveals the unseen urban patterns, emerging in the imbalance relationship between user and the environment, the disconnection of urban services, and the hidden variety of urban experience. The study reflects how these urban patterns informs the ways students define and situate themselves in the context, shifting existing ideas of context and its corresponding methodologies in the architectural education.
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Xu, Yongrui, and Peng Liang. "A Cooperative Coevolution Approach to Automate Pattern-based Software Architectural Synthesis." International Journal of Software Engineering and Knowledge Engineering 24, no. 10 (2014): 1387–411. http://dx.doi.org/10.1142/s0218194014400130.
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To reuse successful experience in software architecture design, architects use architectural patterns as reusable architectural knowledge for architectural synthesis. However, it has been observed that the resulting architecture does not always conform to the initial architectural patterns employed. Architectural synthesis using architectural patterns is also recognized as a challenging task, especially for novice architects due to lack of experience. In this paper, we propose a cooperative coevolution approach to automate architectural synthesis using architectural patterns. We first analyze several common architectural patterns and the constraints when using them. We then extend existing architectural synthesis activity with patterns based on the results of this analysis. Finally, we map the extended architectural synthesis to a cooperative coevolution model, which can optimize the resulting architectural solutions and avoid the violations to the pattern constraints automatically. We evaluate the proposed approach through a case study: architecture design of a cinema booking system. The results show that the proposed approach can generate architectural solutions which are closer to the expert design.
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Tombazis, Alexandros N. "Architectural design." Renewable Energy 5, no. 5-8 (1994): 893–99. http://dx.doi.org/10.1016/0960-1481(94)90109-0.
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Olweny, Mark RO. "Students’ views of the architectural design review: The design crit in East Africa." Arts and Humanities in Higher Education 19, no. 4 (2019): 377–96. http://dx.doi.org/10.1177/1474022219833595.
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The design studio and the associated design review can be regarded as the signature pedagogy of architectural education, where students garner the essence of what it means to be an architect. Here, novices are transformed into architects through the acquisition of architectural cultural capital. This paper investigates the design review in East African schools of architecture from a student’s perspective, garnered from focus group discussions carried out in five schools of architecture, and corroborated through observations. Findings indicate challenges in the design review, vis-à-vis the broader goals and objectives of architectural education. However, it did uncover attempts at change, via a ‘back seat instructor approach’, for example, breaking down the stereotype of the design review as a hostile environment for students. The paper concludes with a few recommendations to help recast this signature pedagogical approach as a truly discursive environment.
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Ma, Li. "Study on the Architecture Materials Design of Art and Clothing Materials Design." Advanced Materials Research 743 (August 2013): 82–85. http://dx.doi.org/10.4028/www.scientific.net/amr.743.82.
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The building is enclosed the spatial structure of the human lifestyle, and clothing is the "packaging" of the people, with modesty naked. The building on the space recorded the development and progress of human society, and the clothing reflects the development of human civilization. In this paper, the use of color, body composition and materials of the three aspects of clothing and architecture are discussed similarities and similarities in terms of design, In addition, from the official architectural culture and clothing culture, literati building materials culture and clothing culture and folk building materials culture and clothing materials culture demonstrates the culture intrinsic link between architectural culture clothing culture of mutual learning and mutual influence. To further illustrate the architecture and clothing appears to be two different professional, but in terms of design and culture, between each other is a profound inner link, Both organically combined, will be able to better develop the architectural design and fashion design.
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Parsaee, Mojtaba, Parinaz Motealleh, and Mohammad Parva. "Interactive architectural approach (interactive architecture): An effective and adaptive process for architectural design." HBRC Journal 12, no. 3 (2016): 327–36. http://dx.doi.org/10.1016/j.hbrcj.2015.01.001.
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Parry, Eric. "Design thinking: the studio as a laboratory of architectural design research." Architectural Research Quarterly 1, no. 2 (1995): 16–21. http://dx.doi.org/10.1017/s1359135500002712.
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This paper looks at the case for studio design work taught in a unit system at Diploma/RIBA Part II level to be considered as a fundamental tool of research with a direct contribution to contemporary architectural practice. A case study of unit proposals for one year at the Architectural Association School of Architecture in London and its subsequent adoption by practitioners is used to illustrate the discussion.
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Zhang, Rui, and Ben Zhao Yang. "Intelligence Evolvement and Overall Design of Architecture Originality." Advanced Materials Research 255-260 (May 2011): 1484–88. http://dx.doi.org/10.4028/www.scientific.net/amr.255-260.1484.
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According to the developing process of full lifecycle design service in architecture development and the dynamic and adaptive process of central design, the paper illustrates the idea that architecture originality takes quietness as its carrier and dynamics as its originality, and put forward that intelligent evolvement process of architectural design is a inexorable trend; through stating the architectural design ideas based on Chinese philosophy system, the originality of “Smart Architecture” based on Chinese speculative philosophy system is fixed, which can offer solid theoretical research basis for the development of architecture nationalization and globalization.
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Astrini, Wulan, E. B. Kurniawan, and M. Abdillah. "The Characteristics of Mosque Architecture Based on Public Preferences in Malang City." TATALOKA 22, no. 1 (2020): 137–45. http://dx.doi.org/10.14710/tataloka.22.1.137-145.
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Mosque is an architectural work and public facility that serves as a worship place for Muslims. Mosque architectural elements include domes (roofs), mihrab, minaret, arch, and ornaments. Mosque architecture comprises of various elements, which adapt to the local culture where the mosque is located. As such, its presence also bears some impacts on the appearance of urban architecture. Malang city as one of the major cities in East Java has numerous rapidly developing mosque architectures, including Jami’ Great Mosque of Malang, Sabilillah Mosque, Nurul Muttaqin Mosque, Ahmad Yani Mosque, and Manarul Huda Mosque. The meaning of architectural work is also closely related to the perception of humans who observe it. The public preference for the architectural characteristics of mosques in Malang city is a manifestation of architectural work. Conjoined analysis is employed as method operative to analyze public preference. This study aims to find out the architectural characteristics of mosques in Malang city according to public preferences. The findings can serve as a recommendation for the development of mosque architectural designs in Malang city, especially those possessing locality values. The architectural characteristics of mosques in Malang city which are driven by the public preferences ranging from the highest to the lowest, which is why mosques generally have calligraphy ornaments, circular arch, pentagon-shaped minaret, Indo-Persian dome, and two-minaret design.
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Liu, Xiao Ping. "The Urban Design Logic and its Application in Architectural Design." Applied Mechanics and Materials 638-640 (September 2014): 2278–85. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2278.
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This paper expounds the urban design logic in architectural design, introduced the related analytic methods of urban design. In the end the author's introduced the practice cases which the analytic methods were applied in architecture creation. These cases show how the analytic methods are used to deal with architectural design problems, so that the building design and urban environment is harmonious and creative. These methods also make urban building generation and evaluation more rational, more scientific.
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Indrosaptono, Djoko, Tri Susetyo Andadari, and Alfanadi Agung Setiyawan. "The Studies of Architectural Design Method." Journal of Architectural Design and Urbanism 3, no. 2 (2021): 84–96. http://dx.doi.org/10.14710/jadu.v3i2.10711.
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The design processes and strategies applied to each architect in carrying out their design tasks are different. The stages in producing architectural work can be based on the theory of certain design methods, intuition or design experience from each architect. As an architect, it is mandatory to know the design process in accordance with existing methods. There are several variables in the design method according to Jones and Schmitt. And this study aims to find the variables most widely used by 8 architects in designing. Including the average of the variables it uses. The method used in this research is quantitative method with one way ANOVA (analysis of variant) as its statistical analysis, by examining the mean difference between the research objects. The literature study was used to obtain an analysis of the design process and the methods used by 4 well-known architects as their secondary empirical data source, while field observations in the form of direct interviews were carried out to obtain the reality of the design process for 4 local architects with various backgrounds and characteristics as well as different architectural works. The end result shows that the average level of architects in the use of research variables is not much different and the design process variables that are most often used by architects in carrying out architectural designs, are the clarity of the need for the design function, the use of the drawing system and the design results that are meaningful and logical.
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Liu, Jingjing. "Anatomy of Gaudi's Curve Architectural Language." Journal of Arts and Humanities 6, no. 7 (2017): 33. http://dx.doi.org/10.18533/journal.v6i7.1204.
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<p>Gaudi was a unique architectural designer at the aspect of architectural design in Art Nouveau. His architectural design has a unique line design, including the external shape curve of Casa Mila being representative. The external shape design of Casa Mila had subverted the external design of traditional architectures. The wave shape of its vertical wall had broken the contemporary traditional aesthetic consciousness of architectures. Thus, the reasons and effects for the curved shape in the external shape design of Casa Mila showing incisively and vividly how subversive and disruptive Casa Mila being are the source of studying its external curve design. During the same period, many architectural designs were also applied to curves in the external shape of the buildings. Therefore, the external shape of curves on Casa Mila is how its architectural design curves standing out are contrasted by curve design applied to other contemporaneous architectures in the period of Art Nouveau. The view of this paper expounds the reason that the curvilinear design of Casa Mila is different from that of other architectures, and the influence of the curvilinear design of Casa Mila in the period of Art Nouveau. This paper starts with the analysis of the architectural curve of Casa Mila. By comparative analysis of curve profile and its curvature in external modeling of "House of the People" and Tassel Hotel, this paper reveals that Gaudi's architectural features have an unique external modeling and conveys that the architectural curve of external shape more abounds in using natural elements of imitation.</p>
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Wang, Hongliang. "Discussion on Key Point of Architectural Landscape Design." World Construction 4, no. 3 (2015): 27. http://dx.doi.org/10.18686/wcj.v4i3.8.
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<p>With the improvement of people’s quality of life and living environment of the building requirements, architectural landscape design should continue to improve the building use group's satisfaction and increase the intensity of ecological architecture landscape construction, in order to ensure efficiency and utility of architecture landscape planning. This is so that the living personnel can fully experience the beautiful architectural landscape, thereby improving people's satisfaction of the building. Currently, since there is an increasing trend of people’s move towards green ecological direction, and the ecological architecture landscape planning design is becoming important, hence creating the green eco-building environment is the inevitable development direction of architecture landscape in future. Based on work experience, starting from the ecological architecture landscape design principles, this paper will present the key point of current ecological architecture landscape design, in order to provide some ideas for building landscape design development.</p>
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Wang, Hongliang. "Discussion on Key Point of Architectural Landscape Design." World Construction 4, no. 3 (2015): 27. http://dx.doi.org/10.18686/wc.v4i3.8.
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<p>With the improvement of people’s quality of life and living environment of the building requirements, architectural landscape design should continue to improve the building use group's satisfaction and increase the intensity of ecological architecture landscape construction, in order to ensure efficiency and utility of architecture landscape planning. This is so that the living personnel can fully experience the beautiful architectural landscape, thereby improving people's satisfaction of the building. Currently, since there is an increasing trend of people’s move towards green ecological direction, and the ecological architecture landscape planning design is becoming important, hence creating the green eco-building environment is the inevitable development direction of architecture landscape in future. Based on work experience, starting from the ecological architecture landscape design principles, this paper will present the key point of current ecological architecture landscape design, in order to provide some ideas for building landscape design development.</p>
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GOIKOETXEA, AMBROSE. "A MATHEMATICAL FRAMEWORK FOR ENTERPRISE ARCHITECTURE REPRESENTATION AND DESIGN." International Journal of Information Technology & Decision Making 03, no. 01 (2004): 5–32. http://dx.doi.org/10.1142/s0219622004000623.
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This paper presents a new mathematical framework for the representation and design of enterprise information architectures (EIA), also known as simply enterprise architectures (EA). Set theory is used to represent an EA as an 8-tuple consisting of a set of requirements, a set of business processes, a set of business systems, a set of data elements, a set of applications, a set of technologies, a set of constraints and business rules, and a set of architectural metrics and their values. These sets are then used to represent their respective architectural views, i.e. the Business Process Architectural View, the Business Systems Architectural View, etc. Next, it is shown that these multiple architectural views are all subsets of the same design point in the resource space. Design considerations leading to a Pareto efficient design point are discussed. Finally, the concept of Pareto design optimality is illustrated with one example in aircraft design and one example in database design.
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Musoll, Enric, and Mario Nemirovsky. "Design Space Exploration of High-Performance Parallel Architectures." Journal of Integrated Circuits and Systems 3, no. 1 (2008): 32–38. http://dx.doi.org/10.29292/jics.v3i1.279.
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High-performance single-threaded processors achieve their performance goal partly by relying, among other architectural techniques, on speculation and large on-chip caches. The hardware to support these techniques is usually a large portion of the overall processor real state area, and therefore it consumes a significant amount of power that sometimes is not optimally used toward doing useful work. In this work, we study the intuitive fact that architectures with hardware support for threads are more power efficient than a more traditional single-threaded superscalar architecture. Toward this goal, we have created a model of the power, performance and area of several parallel architectures. This model shows that a parallel architecture can be designed so that (a) it requires less area and power (to reach the same performance), or (b) it achieves better power efficiency and less area (for the same power budget), or (c) it has higher performance and better power efficiency (for the same area constraint), when compared to a single-threaded superscalar architecture.
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Hsu, Chia-Hsin, Chien-Kuo Chen, and Ming-Jing Hwang. "The architectural design of networks of protein domain architectures." Biology Letters 9, no. 4 (2013): 20130268. http://dx.doi.org/10.1098/rsbl.2013.0268.
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Protein domain architectures (PDAs), in which single domains are linked to form multiple-domain proteins, are a major molecular form used by evolution for the diversification of protein functions. However, the design principles of PDAs remain largely uninvestigated. In this study, we constructed networks to connect domain architectures that had grown out from the same single domain for every single domain in the Pfam-A database and found that there are three main distinctive types of these networks, which suggests that evolution can exploit PDAs in three different ways. Further analysis showed that these three different types of PDA networks are each adopted by different types of protein domains, although many networks exhibit the characteristics of more than one of the three types. Our results shed light on nature's blueprint for protein architecture and provide a framework for understanding architectural design from a network perspective.
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Akıner, İlknur, İbrahim Yitmen, Muhammed Ernur Akıner, and Nurdan Akıner. "The Memetic Evolution of Latin American Architectural Design Culture." Buildings 11, no. 7 (2021): 288. http://dx.doi.org/10.3390/buildings11070288.
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Architecture is an evolutionary field. Through time, it changes and adapts itself according to two things: the environment and the user, which are the touchstones of the concept of culture. Culture changes in long time intervals because of its cumulative structure, so its effects can be observed on a large scale. A nation displays itself with its culture and uses architecture as a tool to convey its cultural identity. This dual relationship between architecture and culture can be observed at various times and in various lands, most notably in Latin American designers. The geographical positions of Latin American nations and their political situations in the twentieth century leads to the occurrence of a recognizable cultural identity, and it influenced the architectural design language of that region. The nonlinear forms in architecture were once experienced commonly around Latin America, and this design expression shows itself in the designers’ other works through time and around the world. The cultural background of Latin American architecture investigated within this study, in terms of their design approach based upon the form and effect of Latin American culture on this architectural design language, is examined with the explanation of the concept of culture by two leading scholars: Geert Hofstede and Richard Dawkins. This paper nevertheless puts together architecture and semiology by considering key twentieth century philosophers and cultural theorist methodologies. Cultural theorist and analyst Roland Barthes was the first person to ask architects to examine the possibility of bringing semiology and architectural theory together. Following an overview of existing semiological conditions, this paper analyzed Roland Barthes and Umberto Eco’s hypothesis of the semiological language of architectural designs of Latin American designers by examining their cultural origin. The work’s findings express the historical conditions that enabled the contemporary architecture and culture study of Latin America between 1945 and 1975 to address the “Latin American model” of architectural modernism.
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Nu'Man, Sabir Bin Nabeeh. "A UNIFIED ARCHITECTURAL THEORY FOR ISLAMIC ARCHITECTURE." International Journal of Architectural Research: ArchNet-IJAR 10, no. 3 (2016): 100. http://dx.doi.org/10.26687/archnet-ijar.v10i3.973.
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This research aims to identify criteria for sustainable design solutions to meet the needs of Muslims today. Under the theoretical framework of Nikos Salingaros’ Unified Architectural Theory, design needs and strategies derived from Islamic knowledge and values are identified and used to inform principles for building typologies, location, and movement between buildings. Green building technologies in line with Islamic values and examples of sustainability promoting policies are analyzed and used to further develop design strategies. The findings include a theoretical model that proposes the essential design criteria for appropriate architecture for the Muslim world. This research is relevant for architects designing for Muslims, who have a duty to create housing appropriate for their particular needs and cultural context.
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LÓPEZ-SANZ, MARCOS, JUAN MANUEL VARA, ESPERANZA MARCOS, and CARLOS E. CUESTA. "A MODEL-DRIVEN APPROACH TO WEAVE ARCHITECTURAL STYLES INTO SERVICE-ORIENTED ARCHITECTURES." International Journal of Cooperative Information Systems 20, no. 02 (2011): 201–20. http://dx.doi.org/10.1142/s0218843011002201.
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Model-driven development is recognized as one of the most promising approaches in software engineering. Recent research in the area highlights the importance of using an explicit architectural model in this context. Since service-oriented architectures have also demonstrated to be adequate to overcome current software needs, the idea of using the model-driven approach to generate service-oriented architectural models has successfully flourished in the last years. However, the emphasis on the Service-Oriented Computing (SOC) paradigm has led to the design of architectures lacking some desirable features. Knowing the benefits provided by architectural styles, we have found that their use can help us to overcome those needs. Our goal is to obtain a service-oriented model which satisfies the requirements of the concrete architecture and complies with the constraints and vocabulary defined for a specific architectural style. To achieve this, here, we propose to use a weaving model which merges the concrete architectural model with a model of the architectural style of choice.
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Peng, Hu, Yu Liu, Ying Le Zhang, Meng Qi Tan, and Chao Gan. "A Case Study of Integrated and Human-Oriented Sustainable Architectural Design." Advanced Materials Research 368-373 (October 2011): 3706–10. http://dx.doi.org/10.4028/www.scientific.net/amr.368-373.3706.
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In recent years, sustainable building has been attracting increasingly more interests and attention in the world; as the same time, it is experiencing a high-speed progress and many landmark buildings have been built as green, ecological or sustainable buildings. In China, designers, professors and students in the architecture realm are encouraged to get involved in sustainable architecture design practically/theoretically. With this background this paper presents a case study of a sustainable architectural design, which contains concepts and ideas of integrated sustainable architectural design and a human-oriented “User’s Manual” based on a sustainable architectural information system, hoping to induce more profound discussions in the sustainable architectural design area.
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Ediz, Özgür, and Gülen Çağdaş. "A Computational Architectural Design Model Based on Fractals." Open House International 32, no. 2 (2007): 36–45. http://dx.doi.org/10.1108/ohi-02-2007-b0005.
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Digital design technologies play a significant role in assisting the designer through conceptual architectural design. Computer supported design systems can generate various images at the early design phase and can contribute to seeking alternative architectural forms. Currently, different design approaches are being employed in the formation of architectural products. Examples of architecture that produce unusual forms are often encountered within unique conceptual approaches. The development of new design examples is supported by the digital production of forms, and three-dimensional models through varying geometric approaches. In this study, a design approach that uses computer aided architectural design to produce architectural forms will be suggested. This approach utilizes principles existing in the unique fractal dimension of elements based on a vocabulary relevant to a specific architectural language. By relying on the fractal dimension and features of an existing architectural pattern, this generative design approach supports creativity in the production of new forms. The proposed approach is evaluated as a creative tool in architectural design. The subject of architecture; buildings, spaces, surroundings, symbols of that particular society are also the elements of a meta-language which creates a fractal geometry based relation. It is possible to analyse this relation through a fractal geometry-based principle. In short, a fractal geometrical generative method is suggested. Also, recently-surfaced discussions about "Chaos Theory" and its effects on the design process via "Chaos and Self - Similarity" are studied. The significance of these different phenomena and disciplines upon architectural design are also studied for developing a possible creative tool.