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1
Wu, Xiaowen, and Claudio Gambadella. "Religions Culture Sharps the Space." Resourceedings 2, no. 3 (2019): 184. http://dx.doi.org/10.21625/resourceedings.v2i3.658.
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Religious culture shapes the characters of space and it reflects people’s attitudes towards the relationships between people and gods. Every religious architecture, such as a temple or a church, demonstrates its physical connections with life. This paper focuses on comparing different countries’ religious architectures to better understand the dominant cultural elements which influence design concepts of these architectures. In Western cultures, the religious architecture format is the church. However, Tadao Ando designs the Church of the Light with oriental features. It changes western religious cultures to adapt to local conditions. Ando’s work is just one of many examples in which the local culture can transform religious architecture form with their own characters, and nake it become an iconic mark to represent their country. This paper, analyzing project thinking and development invovling a local citizen, user, artist, and architect, tries to find out how design concepts, decisions on site location, and construction method will be determined. In these case studies on architectural formats from all over the world, this paper uses valuable data to show what elements will be the most critical ones to influence people’s thinking about religious cultures and religious architectural transformation. Furthermore, in this research, it compares religious cultural characters between western and oriental regions. This research also answers questions about how cultures change local people’s behaviors. This is the most valuable point of religious architectures, because they can comfort people and mitigate their sorrow. The research demonstrates how religious cultures and understanding about life can further develop architecture forms. Local materials and conditions are key factors which greatly influence architectural designs. Moreover, this paper compares the latest technology and development of construction materials to illustrate how technology reshapes religious designs in our age. It links local cultures with contemporary architectures to help local architectures continue to develop with their unique characters instead of being eliminated by globalization.
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Andjelkovic, Katarina. "Kinesthetic Imagination in Architecture: Design and Representation of Space." Život umjetnosti, no. 106 (November 30, 2020): 22–35. http://dx.doi.org/10.31664/zu.2020.106.02.
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Histories of architecture have long-recognized the vital role of concepts, strategies and principles exchanged between architecture and film, which reconfigured their systems of knowledge and made this relationship rich. Nonetheless, film has been used mainly as an instrument of narration and representation in architecture, only rarely engaged in questioning how it affects the way we understand, think and design space. Some of the most recent architectural design practices have recognized that film, using its specific screen environment, can provide a source of new architectural imagination while contextualizing our kinesthetic experience of space. In this article, I will examine how kinesthetic imagination has informed architectural practice in relation to the established practices of architectural representation.
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Musoll, Enric, and Mario Nemirovsky. "Design Space Exploration of High-Performance Parallel Architectures." Journal of Integrated Circuits and Systems 3, no. 1 (2008): 32–38. http://dx.doi.org/10.29292/jics.v3i1.279.
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High-performance single-threaded processors achieve their performance goal partly by relying, among other architectural techniques, on speculation and large on-chip caches. The hardware to support these techniques is usually a large portion of the overall processor real state area, and therefore it consumes a significant amount of power that sometimes is not optimally used toward doing useful work. In this work, we study the intuitive fact that architectures with hardware support for threads are more power efficient than a more traditional single-threaded superscalar architecture. Toward this goal, we have created a model of the power, performance and area of several parallel architectures. This model shows that a parallel architecture can be designed so that (a) it requires less area and power (to reach the same performance), or (b) it achieves better power efficiency and less area (for the same power budget), or (c) it has higher performance and better power efficiency (for the same area constraint), when compared to a single-threaded superscalar architecture.
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Tong, Lihong, and Xueliang Zhu. "Analysis on Application of Traditional Architectural Elements in Modern Architectural Design." World Construction 4, no. 3 (2015): 24. http://dx.doi.org/10.18686/wcj.v4i3.7.
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<p>In modern architectural design, the scientific use and development of Chinese traditional architectural elements is an issue studied in-depth by every building designer. Exploration is made from the application of humanity concept in traditional Chinese architectural culture. The traditional architectural space design applications, the use of traditional architecture symbols, traditional architectural elements applications and other aspects, have important significance to implant traditional Chinese architectural elements into the development of modern architecture.</p>
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Tong, Lihong, and Xueliang Zhu. "Analysis on Application of Traditional Architectural Elements in Modern Architectural Design." World Construction 4, no. 3 (2015): 24. http://dx.doi.org/10.18686/wc.v4i3.7.
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<p>In modern architectural design, the scientific use and development of Chinese traditional architectural elements is an issue studied in-depth by every building designer. Exploration is made from the application of humanity concept in traditional Chinese architectural culture. The traditional architectural space design applications, the use of traditional architecture symbols, traditional architectural elements applications and other aspects, have important significance to implant traditional Chinese architectural elements into the development of modern architecture.</p>
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Yin, Bowen, and Ting Zhang. "Interpretation of Manchu Traditional Space Decoration in Inn Environment Design—Space Design of Sun Inn." Learning & Education 9, no. 3 (2020): 78. http://dx.doi.org/10.18282/l-e.v9i3.1582.
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In the space design of solar inn, we should grasp the aesthetic fatigue of modern touriststo the common commercial hotel and build a hotel with the theme of national culture. Through on-the-spot investigation of the architectural culture characteristics of the Manchu nationality in Northeast China, the characteristics of the architectural culture of the Manchu nationality in Northeast China are analyzed.The study of folk architecture inherits and develops under the background of the development of the new era, so that the national cultural architecture can be better innovated, especially in the area similar to the Manchu folk culture in northeast China.
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RADULOVA, Ya I., and N. A. LEKAREVA. "«INSIDE OUTSIDE». THE PRINCIPLES OF INTERACTION INSIDE AND OUTSIDE SPACE IN THE DESIGN ENVIRONMENT." Urban construction and architecture 2, no. 1 (2012): 29–34. http://dx.doi.org/10.17673/vestnik.2012.01.6.
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The interaction of inside and outside space in contemporary architecture is presented. The features of the boundaries between inside and outside spaces and their possible applications in the architectural objects are considered. Interaction of inside and outside space in architecture can be traced in the works of F.L. Wright, R. Pietilya - representatives of organic architecture. In contemporary architecture the problems of symbiosis of the inside and outside space are successfully solve by such world-renowned architectural companies as Guz Architects and T. R. Hamzah Yeang International representatives of green architecture.
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Clelland, Doug. "On the establishment of new communities: Allerton Bywater and Osbaldwick Fields." Architectural Research Quarterly 4, no. 3 (2000): 219–36. http://dx.doi.org/10.1017/s1359135500000257.
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Two competition designs have provided frameworks for ideas for the establishment of new communities. The projects provided the opportunity for the design team to consider core architecture (urban and architectural space) and its relationship with extended architectures (detailed design and construction). The building designs have been required to meet performance standards considerably in excess of recent UK norms. This paper describes the design approach and demonstrates how research (university and practice based) has contributed to the two submissions.
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Astuti Indriyati, Sri, and . "Designing in Architecture: Behavioral Approach Methodology." International Journal of Engineering & Technology 7, no. 3.27 (2018): 142. http://dx.doi.org/10.14419/ijet.v7i3.27.17746.
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A fundamental premise on environmental and behavioral fields involves assumptions about the systematic interrelationships between architecture and patterns of human behavior. The case study conducted was to confirm the needs of specific design methodology in relations to the area of Perception and Human Behavior. The research focused to the extent to which Office Space Performance gives impact on Employee Productivity and Satisfaction. Following that, It was also seen how those affect the behavior of coping. The findings show that there is a significant impact of Spaces’ Performances on Space Satisfaction. Further, there is a significant impact of Space Satisfaction on Coping Behavior and also a significant impact of Spaces’ Performances against Coping behavior. Humanist architecture with architectural behavior approach is required as a Concept of Planning and Architectural Design in the Future. A New Guidelines for Planning and Architectural Design Method for Architectural Design with Behavior concerns is proposed.
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Hasegawa, Shiho. "A study of the biological concept in architectural thought: A comparison between 'Der raum als membran' (1926) and 'Metabolism' (1960)." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 427–40. http://dx.doi.org/10.5937/saj1903427h.
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This study analyzes the biological influence on the architecture in the 20th century by focusing on two particular biological architectural thought; "Der Raum als Membran (Space as Membrane)" by Siegfried Ebeling in 1926 and "Metabolism" by a group of Japanese architects in 1960. First, I discuss "Der Raum als Membran". Ebeling saw architecture or space as a biological membrane, like skin or a cell, and he proposed a theory of biological architecture. He not only introduced into planning an environment this biological metaphor with its flexibility of a membrane but also incorporated a biological concept like Umwelt. Second, I investigate a manifesto by the name of "Metabolism", which was produced in 1960 by a group of Japanese architects. They thought buildings and urban designs had an existence and underwent metabolism, which is a basic function of living things, and proposed variable and proliferate architectures having dynamic time spans. By comparing these biological architectural concepts, I point out three main similarities: 1) the expansion of the biological concept into architecture; 2) the cell as a metaphor; and 3) dynamic buildings or urban design. Although the authors had different backgrounds, all of them introduced new architectural ideas in their own times.
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Zhang, Dong Xu, Da Ping Liu, Xin Ru Wei, and Meng Xiao. "Research of Chinese Buddhist Temples Space Design." Advanced Materials Research 311-313 (August 2011): 1569–72. http://dx.doi.org/10.4028/www.scientific.net/amr.311-313.1569.
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The number of the religious architecture makes up 70 percent of the total of existing traditional buildings in China, in which the largest proportion is the Chinese Buddhist architecture, this paper has been studied in this kind of building. Firstly, the religious background and development history of the Chinese Buddhist architecture is introduced, and this paper puts forward that this architectural form was affected by the ancient folk houses. Compared to Buddhist architecture in other countries, they are majestic in shape and beautiful elaborate in decoration, the whole form and nature landscape melt into one another. Secondly, religious spaces are analyzed, including the location of Buddhist temple, the overall layout and the single building. Most temples were built on the hill, and the Buddhist hall is the center of architectural complex. Single building is very similar, and its position is attached to its status in spatial sequence. Thirdly, the design concept of Buddhist architecture was discovered. It was pointed out that Chinese traditional philosophy, i.e. the view of the nature, determines the space composition inside and outside of Chinese Buddhist architecture. At last, the paper summed up the design of Buddhist architecture and gave a prospect about the way of its future development.
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Salam, Madiha. "EFFECTS OF WORK PLACE DESIGN ON BEHAVIORS." Journal of Research in Architecture and Planning 25, no. 2 (2018): 41–51. http://dx.doi.org/10.53700/jrap2522018_5.
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Nowadays people spend most of their time inside an enveloped building, their thoughts molded by the walls. In the eagerness of running with time the capitalist minds have forced humans to live like a machine which has resulted in much distress and mental tension as a part and parcel. So today, an average office worker has less productivity at the workplace and he/she comes home carrying the burden of work, which can hypothetically be improved by designing better spaces. Good architecture can heal a person and develop positive attributes in him/her. To be an architect with moral values, one must have deep appreciation of a human lifestyle and its capacity to adapt from its surroundings. This paper focuses on workplace environment and spaces in Karachi, considering the question how different spaces influence cognition? And is there an ideal architectural space for various kinds of thinking? The paper considers antiquity of the architectural determinism as a theory, and works upon the attributes which can diverge and positively enhance architectural perseverance through the review of archival data, articles, books and historical reference with support of questionnaires. The conclusion points towards the need of architecture to be developed into not just an envelope, but as a space which shapes the behavior, attribute and positivity of its users. Keywords: Architecture and behaviours, Cognitive architecture, work place environment.
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Alakavuk, Ebru. "Threshold Approaches to Architectural Design Studio." SHS Web of Conferences 48 (2018): 01046. http://dx.doi.org/10.1051/shsconf/20184801046.
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Threshold is a popular design theory in architecture that can be defined in many ways. One definition is “a barrier space that is located for separating the volumes”. This is “dictionary definition” of the threshold, but in fact this term can has various meanings according to the different perspectives. The threshold can be physical, psychological, emotional, social, economic, etc. definitions. There are many ways of expressing threshold in to architectural design considering the terms mentioned above. In this paper different ways of expressing “threshold” term in to the architectural design is discussed. For this purpose third year architecture design studio is taken as a case study. The student projects by the ways of defining and expressing the threshold term in to design is taken in consideration. The aim of this paper to put forward the integration of various meanings of threshold in to the architectural design by the case studies that are obtained from the architectural design studio.
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Zhao, Jie. "Art of Light and Shadow Reflected in Architecture." Applied Mechanics and Materials 357-360 (August 2013): 100–103. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.100.
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Architecture is a kind of art and the substance of architecture lies in space. Based on the change of light and shadow the plane and elevation scheme of the school history Museum was designed in detail. When the space of building is no longer drawn conclusion with the traditional entity enclosing, light gives architectural space new vitality, and creates a variety of architectural space artistic conception. The different architectural mood which is brought about by the change of light and shadow is analyzed and compared. The result shows the art of light and shadow should be embodied constantly during the design. These can provide valuable references for initial architectural scheme design.
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Ali, Karim M. A., Rabie Ben Atitallah, Abdessamad Ait El Cadi, Nizar Fakhfakh, and Jean-Luc Dekeyser. "ViPar: High-Level Design Space Exploration for Parallel Video Processing Architectures." International Journal of Reconfigurable Computing 2019 (November 14, 2019): 1–19. http://dx.doi.org/10.1155/2019/4298013.
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Embedded video applications are now involved in sophisticated transportation systems like autonomous vehicles and driver assistance systems. As silicon capacity increases, the design productivity gap grows up for the current available design tools. Hence, high-level synthesis (HLS) tools emerged in order to reduce that gap by shifting the design efforts to higher abstraction levels. In this paper, we present ViPar as a tool for exploring different video processing architectures at higher design level. First, we proposed a parametrizable parallel architectural model dedicated for video applications. Second, targeting this architectural model, we developed ViPar tool with two main features: (1) An empirical model was introduced to estimate the power consumption based on hardware utilization and operating frequency. In addition to that, we derived the equations for estimating the hardware utilization and execution time for each design point during the space exploration process. (2) By defining the main characteristics of the parallel video architecture like parallelism level, the number of input/output ports, the pixel distribution pattern, and so on, ViPar tool can automatically generate the dedicated architecture for hardware implementation. In the experimental validation, we used ViPar tool to generate automatically an efficient hardware implementation for a Multiwindow Sum of Absolute Difference stereo matching algorithm on Xilinx Zynq ZC706 board. We succeeded to increase the design productivity by converging rapidly to the appropriate designs that fit with our system constraints in terms of power consumption, hardware utilization, and frame execution time.
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Fowler, Michael. "Sounds in space or space in sounds? Architecture as an auditory construct." Architectural Research Quarterly 19, no. 1 (2015): 61–72. http://dx.doi.org/10.1017/s1359135515000226.
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The absolute consideration of the acoustic environment within architectural design praxis has traditionally been reserved only for those specialised listening facilities such as concert halls or recording studios. This is in spite of numerous recent calls from architects and theorists such as Juhani Pallasmaa, Ted Sheriden, Karen Van Lengen, and Björn Hellström that architectural praxis must seek to move beyond what Jeremy Till describes as the vanity of form, and what Rafael Pizarro acknowledges as the seductive immediacy of pure visual articulations of space. That architectural design has traditionally been in a more than willing position to seek out myriad influences, theories, and extra-architectural knowledge has even led Jean-Claude Guédon and Botond Bognar to argue that architecture has ceased to occupy a finite domain – its boundaries have dissipated as the definition of what architecture is continues to evolve and expand.
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Ma, Li. "Study on the Architecture Materials Design of Art and Clothing Materials Design." Advanced Materials Research 743 (August 2013): 82–85. http://dx.doi.org/10.4028/www.scientific.net/amr.743.82.
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The building is enclosed the spatial structure of the human lifestyle, and clothing is the "packaging" of the people, with modesty naked. The building on the space recorded the development and progress of human society, and the clothing reflects the development of human civilization. In this paper, the use of color, body composition and materials of the three aspects of clothing and architecture are discussed similarities and similarities in terms of design, In addition, from the official architectural culture and clothing culture, literati building materials culture and clothing culture and folk building materials culture and clothing materials culture demonstrates the culture intrinsic link between architectural culture clothing culture of mutual learning and mutual influence. To further illustrate the architecture and clothing appears to be two different professional, but in terms of design and culture, between each other is a profound inner link, Both organically combined, will be able to better develop the architectural design and fashion design.
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GOIKOETXEA, AMBROSE. "A MATHEMATICAL FRAMEWORK FOR ENTERPRISE ARCHITECTURE REPRESENTATION AND DESIGN." International Journal of Information Technology & Decision Making 03, no. 01 (2004): 5–32. http://dx.doi.org/10.1142/s0219622004000623.
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This paper presents a new mathematical framework for the representation and design of enterprise information architectures (EIA), also known as simply enterprise architectures (EA). Set theory is used to represent an EA as an 8-tuple consisting of a set of requirements, a set of business processes, a set of business systems, a set of data elements, a set of applications, a set of technologies, a set of constraints and business rules, and a set of architectural metrics and their values. These sets are then used to represent their respective architectural views, i.e. the Business Process Architectural View, the Business Systems Architectural View, etc. Next, it is shown that these multiple architectural views are all subsets of the same design point in the resource space. Design considerations leading to a Pareto efficient design point are discussed. Finally, the concept of Pareto design optimality is illustrated with one example in aircraft design and one example in database design.
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Hu, Tian, and Ya Rui Wu. "Initial Analysis on the Chinese Traditional Symbol and the Contemporary Regional Architecture." Advanced Materials Research 368-373 (October 2011): 3459–64. http://dx.doi.org/10.4028/www.scientific.net/amr.368-373.3459.
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The Chinese traditional architectural symbols are on behalf of Chinese outstanding traditional culture and inheritance of value.Chinese traditional architectural symbol's refine and expression should be combined with some metropolitan aspects, such as landscape, environmental design, space shape design and architectural single body design.On the analysis of Chinese traditional architectural symbols and the comparison between the modern creating techniques and the characteristics of modern building material,five principles were creatived through the harmonious symbiosis view between modern architecture and Chinese traditional architecture. Meanwhile,taking the design of office area of Xi'an city administrative center as example, it was discussed how to embodying Chinese traditional cultural and regional culture connotation in a deep level in the design methods of architectural components.
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Vallerand, Olivier. "Messing up the Domestic: Queer Bodies Expanding Architectures." Somatechnics 10, no. 3 (2020): 397–415. http://dx.doi.org/10.3366/soma.2020.0329.
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Queer space discourse in architecture has often been about reclaiming sexualized spaces or spaces used by LGBT people as being part of architectural history. However, critical practitioners have sought to expand from an understanding based on an essentialist understanding of queer bodies to link instead the experience of built environments to the repression of non-normative/non-compliant bodies. This article discusses projects by J. Mayer H., Andrés Jaque/Office for Political Innovation (OFFPOLINN), and MYCKET that build on a queer understanding of architecture and design to explore relationships between bodies, the materiality of domestic spaces, and communal identities, challenging binary understandings of architectural design spaces and linking them to the configuration of citizenship. J. Mayer H.’s work on data-protection patterns and thermo-sensitive materials uses bodies as material in developing a discourse on privacy stemming in part from queer people's experience of oppressing policies. OFFPOLINN's projects on IKEA and on gay cruising digital environments question the role of architects by underlining the close integration of advertisement, online social networks, and urban and architectural policies in relation to the experience of citizenship and migration. Finally, MYCKET's queer feminist performative architectures attempts to reframe the neutrality of the architectural modernist tradition to celebrate the messiness that comes with thinking of space as designed for a diversity of people. The three practices expand architectural discussions of domesticity beyond an understanding of the house as a container for family life and towards seeing it as a nexus of social and political relations that converge around the body.
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Dragisic, Maja, and Andjelka Bnin-Bninski. "The application models of the topological principle of continuous deformation in the architectural design process." Facta universitatis - series: Architecture and Civil Engineering 15, no. 3 (2017): 453–64. http://dx.doi.org/10.2298/fuace161115035d.
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Architecture and geometry share a mutual history, and their relationship precedes the introduction of digital and computer technologies in architectural theory and design. Geometry has always been directly related to the modalities of thinking in architecture through the problems of conceptualisation, representation, building, technology. Through the historical overview of these two disciplines, it is possible to perceive direct influences of geometry on the architectural creative concepts, formal characteristics of architectural works, structural aspects, and building methods in architecture. However, the focus of this paper is not on the representation of historical intertwining of these two disciplines, which is indisputable, it is on the attempt to represent one specific bond between topology and architecture, firstly through the explanation of the principle of continuous deformability, and secondly through the representation of the models through which the principle occurs in the architectural design process, as well. The first part of this work will introduce and analyse the transition of concepts of continuity and deformability, from mathematical topology through philosophy to architecture, while the second part of the work will explain two models in detail, formal and systematic, through which the principle of continuous deformation is applied in certain architectural design practices. Overall, this work deals with the interpretation of the principle of continuous deformation in architecture and it shows in which way the architectural discourse changes the meaning of a mathematical-philosophical notion and turns it into a design methodology of its own. The subtlety of the question Bernard Tschumi asks about space illustrates the need to thoroughly investigate interdisciplinary relation between architecture, philosophy, and mathematics: ?Is topology a mental construction toward a theory of space?? (Tschumi, 2004, p.49)
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Yu, Qing, Xiang Hui Li, and Jing Ming Du. "Research on the Modern Architecture Design Using Aesthetic Culture." Applied Mechanics and Materials 584-586 (July 2014): 128–31. http://dx.doi.org/10.4028/www.scientific.net/amm.584-586.128.
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This paper introduces the dynamic and space-time of architecture aesthetics, and gives the application of aesthetics in the modern architectural design, puts forward the design the building belongs to the times and nation, with the national culture and the whole human emotions. The concept of modern architectural design is to do the whole processing in the building color, proportion, texture. The building is through the transformation and the shape of the environment, the stunning beauty and education presented in front of us, embodies the unification of utility function and mental function of architectural beauty, this is also the significance of existence of architectural design.
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Liang, Bin, and Hong Yuan Mei. "Tentatively Research on Responsive Design of Architectural Spaces in Cold Region of Northeastern China." Advanced Materials Research 671-674 (March 2013): 2332–36. http://dx.doi.org/10.4028/www.scientific.net/amr.671-674.2332.
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This paper takes the cold region as a background and stands on the point of architectural space, to analysis the problem of architecture space design with the use of responsive theory, aiming to explore an architectural space design method and theory to respond the specific climatic conditions.
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Liu, Ruo Lin, and Hong Jin. "A Brief Analysis on Technological Expression of Contemporary Architecture." Applied Mechanics and Materials 226-228 (November 2012): 2430–33. http://dx.doi.org/10.4028/www.scientific.net/amm.226-228.2430.
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The technological expression of contemporary architecture is developed basing on modernistic architecture. As one of the most influential architectural design methods, it is being paid more and more attention to by contemporary architects. Technological expression has made lots of changes in the design of architectural forms, space and environment. With the rapid development of science, more and more fantastic technology is being applied, which makes it beyond just a method and forms an architectural design theory itself. This paper makes some analysis on the relationship between technological expression and regional culture, ecological concept and natural environment. Since digital information technology is penetrating into architectural designing field, I hope this paper can give some inspiration to architects on their architectural study and practice.
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Nash, Joshua. "Architectural Pilgrimage." Transfers 5, no. 2 (2015): 121–28. http://dx.doi.org/10.3167/trans.2015.050208.
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Architectural pilgrimage is implicitly appreciated in architecture and design circles, especially by students who are encouraged to “travel to architecture,” with the focus on the Grand Tour as a means of architectural exploration. However, the expression has not been made explicit in the fields of architectural history, pilgrimage studies, tourism research, and mobility studies. I explore how pilgrimage to locations of modern architectural interest affects and informs pilgrims' and architects' conceptions of buildings and the pilgrimage journey itself. Drawing initially on a European architectural pilgrimage, the personal narrative highlights the importance of self-reflection and introspection when observing the built environment and the role of language in mediating processes of movement through and creation of architectural place-space.
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Zobel, Richard W. "The Representation of Experience in Architectural Design." Presence: Teleoperators and Virtual Environments 4, no. 3 (1995): 254–66. http://dx.doi.org/10.1162/pres.1995.4.3.254.
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Architecture, which is by its very nature a three-dimensional art, has in the last 500 years evolved to a stage where nearly all of the design exploration and visualization occur in any of a number of two-dimensional media. These media do not effectively portray the experiential quality of approaching, entering, and moving through an architectural space, an aspect which is primary to any design. In discussing this, James J. Gibson's concept of affordance will be used as a basis for the examination of a variety of media that are commonly used to describe the experiential quality of architecture, and how each of these media speaks to this frequently neglected characteristic. Particular attention will be given to the new technology of computer-generated immersive environments, which as a design medium promises to bring the issue of experiential quality in architecture to the forefront of design. Examples of each of the most common media, physical models, perspectives, noninteractive screen-based architectural walk throughs, interactive screen-based architectural walk throughs, and computer-generated immersive environments, will be examined as to their utility in experiential description. A discussion of the specific characteristics of each of the electronic media and the applications benefits and drawbacks will be included.
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Park, Eun Joo, and Mi Jeong Kim. "Visual Communication for Students’ Creative Thinking in the Design Studio: Translating Filmic Spaces into Spatial Design." Buildings 11, no. 3 (2021): 91. http://dx.doi.org/10.3390/buildings11030091.
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Representing visual experiences is an essential part of architectural design education for creativity. The representation of creative ideas relates to the ability to communicate spatial design concepts. This study examined whether filmic spaces could function as visual communication to enhance students’ creative thinking in architecture. It explored how creativity can be supported throughout an architectural design studio with a conceptual tool that translates filmic spaces into spatial design. To investigate the ways to translate filmic space into spatial design tools for creative thinking, we conducted a design studio with first-year university students. Focusing on using various elements of film, including movement, frame, montage, light, and color, and scene changes to represent architectural languages, a curriculum was developed and implemented in a Visual Communication Design Studio for one semester, stimulating students to engage in expressing their ideas in three-dimensional spaces. The overall results suggested that the design education method that used the filmic space as a stimulating tool for creative thinking, emphasizing the role of visual communication, could enhance students’ creative thinking, leading to improved creative design processes.
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Jerković-Babović, Bojana. "Fluid state of architecture." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 501–10. http://dx.doi.org/10.5937/saj1903501j.
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This paper focuses on the changes in architectural aesthetic criteria, from static to dynamic values of both figurative and non-figurative aspects in contemporary architecture and its cultural context. Fluid state of architecture refers to the notions of constant variability occurring in relations between architecture and contemporary cultural context of globalisation. Contemporary context dynamises everyday perceptual experiences, living conditions and terms of spatial appropriations. Accordingly, new networking phenomena appearing on informational, communicational and spatial levels transform the city and architecture into constant process of flows, dematerialising its elements into the new fluid, variable character. Architectural aesthetic qualities simultaneously shift trough events and effects affirmation over static formal whole in transformation from objective to (inter)subjective aesthetic spatial experience. This paper is based on hypothesis that contemporary architecture is characterised by the loss of object singularity in terms of contextual conditions and assimilation of particular characters into the dynamic character of the whole. Therefore, architectural design principles shift through dispersion of disciplinary boundaries and boundaries of inner and outer architectural space, hybridity and typological definition loss. This paper presents how dematerialisation of architectural values transforms contemporary architectural space into the complex dynamic system of infrastructure, flows, events and effects.
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Kłopotowska, Agnieszka. "Architecture and sounds the interdisciplinary research on the use of audio signals in the cognition and design of architectural space." Budownictwo i Architektura 18, no. 2 (2019): 111–19. http://dx.doi.org/10.35784/bud-arch.566.
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In the contemporary world of image, the basic attribute of architecture is its visuality. Architectural spaces are designed primarily to be viewed by the public or the "eyes" of cameras. The design for the sense of sight only impoverishes the quality of human contact with architecture. The art of shaping space should involve all perception channels. One of the most important senses, allowing to feel the created space, to get to know it and live in it, is hearing. The sonic image of architectural space not only accompanies the visual image, but also significantly defines the quality of existential and aesthetic experiences. The architect's task should be to skilfully use acoustic signals as an integral part of the design process. This belief has inspired a multidisciplinary project entitled: "Sounds of architecture", devoted to the study of the phenomenon of sound and its significance in the perception and use of the architectural environment by people. This project was carried out under the guidance of the author in 2014-2015 with the involvement of representatives of various disciplines of science and art. The result of interdisciplinary research was the monograph "Sounds of Architecture", published in 2016.
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Xu, Yi. "Theory Landscape Architecture Skit the Flower Window Design Culture." Applied Mechanics and Materials 226-228 (November 2012): 2418–21. http://dx.doi.org/10.4028/www.scientific.net/amm.226-228.2418.
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Through the rose window in landscape architecture sketches the form of analysis, are listed in the rose window of the landscape architecture of the space environment to create forms and decorative effect, and discusses the aesthetic culture of landscape architecture, space design flower window. Window flower garden architectural pieces can not be ignored as an important decorative pieces, it tends to reflect the landscape created by emotional factors, a reflection of the cultural origins of the China the tracery Art profound.
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Bettum, Johan. "Forms of saturation: Discrete and continuous events in architectural design." SAJ - Serbian Architectural Journal 5, no. 2 (2013): 170–93. http://dx.doi.org/10.5937/saj1302170b.
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This essay addresses the opportunities and limits of architectural design at the juncture of technology and disciplinary specific developments in architecture. The theoretical model that it develops encapsulates the essences of what it means to work with respectively digital and analogue modeling systems. It poses a release from the continuous crisis of architectural education in coping with the onslaught of the digital. Moreover, it addresses the uncritical obsession that architectural academia has with this technology without relapsing into the various forms of reactionary practices that are currently emerging in the profession as well as the schools. The discussion focuses on systems and regimes of representation within architectural design and production and problematizes the role of digital and computational design procedures with respect to analogue systems of representation, architecture's infinite construction of our physical environment and the inherent limitations of digital systems given their 'rational' character. The essay attempts to address the influence and status of the digital by focusing on an inclusive notion of space. This is both architectural space but also the productive design space in which architects work. In unfolding the argument, three artworks have been discussed and the initial premise for the argument is based on art theory.
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Vardouli, Theodora, and Leah Buechley. "Open Source Architecture: An Exploration of Source Code and Access in Architectural Design." Leonardo 47, no. 1 (2014): 51–55. http://dx.doi.org/10.1162/leon_a_00470.
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The term open source is increasingly applied to architecture, yet there is little consensus about what it means in this context. This paper explores how different literal and metaphoric interpretations of the “access to source code” principle, set by the founders of the Free and Open Source Software movements, are being applied to architecture. The authors explore several challenges that have arisen in the translation of open source rhetoric from cyberspace to architectural space and discuss paths for new conceptual and programmatic agendas promoting user empowerment and democratization in architectural design.
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Lahdhiri, Habiba, Jordane Lorandel, Salvatore Monteleone, Emmanuelle Bourdel, and Maurizio Palesi. "Framework for Design Exploration and Performance Analysis of RF-NoC Manycore Architecture." Journal of Low Power Electronics and Applications 10, no. 4 (2020): 37. http://dx.doi.org/10.3390/jlpea10040037.
Full textAbstract:
The Network-on-chip (NoC) paradigm has been proposed as a promising solution to enable the handling of a high degree of integration in multi-/many-core architectures. Despite their advantages, wired NoC infrastructures are facing several performance issues regarding multi-hop long-distance communications. RF-NoC is an attractive solution offering high performance and multicast/broadcast capabilities. However, managing RF links is a critical aspect that relies on both application-dependent and architectural parameters. This paper proposes a design space exploration framework for OFDMA-based RF-NoC architecture, which takes advantage of both real application benchmarks simulated using Sniper and RF-NoC architecture modeled using Noxim. We adopted the proposed framework to finely configure a routing algorithm, working with real traffic, achieving up to 45% of delay reduction, compared to a wired NoC setup in similar conditions.
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Andjelkovic, Katarina. "The spatial context of the cinematic aspect of architecture." Facta universitatis - series: Architecture and Civil Engineering 13, no. 2 (2015): 123–35. http://dx.doi.org/10.2298/fuace1502123a.
Full textAbstract:
This paper presents the findings, conclusions and results of my PhD research entitled, "The spatial context of the cinematic aspect of architecture". The purpose of this paper is to present the possibilities of adopting the cinematic qualities of architecture as an approach to tracing current modifications in contemporary architectural discourse in relation to the paradigmatic change of perception of urban space towards a movement perspective. The design process tradition, which comprises a standard series of procedural exercises aided by new technology, is in contrast to the experimental architectural research of the last decade that has clearly demonstrated the tendency to enrich the limited traditional approach in order to extend human vision beyond what is perceivable. Accordingly, I propose that we can test the cinematic aspect of architecture, first having harmonized the relationship between architecture and film through their common methodological and didactic approaches. To verify the cinematic aspect of architecture in theory, practice and education, and to maintain the level of creativity present in design practice, I initiated a reassessment of current design practice and proposed alternative architectural design strategies.
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Lin, Zhou. "Perspective of Digital Architecture World." Applied Mechanics and Materials 392 (September 2013): 909–12. http://dx.doi.org/10.4028/www.scientific.net/amm.392.909.
Full textAbstract:
Digital technology has played a crucial role in architectural development since being introduced in. Different application of digital design software has taken the place of traditional drawing. The innovated architecture design process has promoted a trend of space complexity. Advanced digital technology also produced a new design method; the computer can generate a unique building plan through the special program directly rather than the imagination of the human brain. Besides, digital technology has a wide range of applications in exploring the future architecture development, as well as virtual reality in the scheme deliberation and demonstration. The digital architecture has broken through the two-dimensional architectural design pattern and the aesthetic consciousness of the industrial era, and pushes the building industry development greatly.
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Deng, Xiuqin, Rongrong Ye, Xuming Liu, and Guangming Han. "Architectural Planning and Design Based on the Protection, Development of Rural Folk Custom Ecotourism." Open House International 43, no. 1 (2018): 88–92. http://dx.doi.org/10.1108/ohi-01-2018-b0018.
Full textAbstract:
Rural folk custom ecotourism is one of the most unique tourism projects today, which relies on the unique landscape of the country for architectural planning and tourism. In the article, the architectural planning and design based on the protective development of rural folk custom ecotourism was studied. Based on this, firstly, the characteristics and development background of rural tourism were expatiated, and the theoretical research background of current landscape planning and design was analyzed; then the principles and methods of planning and designing of rural folk custom ecotourism landscape architecture were analyzed, and the functions of architecture and space use were described in detail, so as to meet the need for protective and sustainable development; in addition, through the analysis and planning of specific projects, the concrete methods of architectural planning and design were discussed and the localization of architectural planning and design was achieved.
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Xiao-li, Fu, and Dai Zhi-yong. "Study on the Connotation of Holistic Design Associated with De Stiji Architecture and Furniture." E3S Web of Conferences 136 (2019): 01032. http://dx.doi.org/10.1051/e3sconf/201913601032.
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The modern furniture has been closely linked to architecture since its inception. There is an intrinsic correlation between furniture and architecture in Schröder House, which is designed by Gerrit Rietveld who is one of the masters of De Stiji architecture. The architectural space is constructed based on the design vocabulary of ‘architectural furniture’. On the contrary, the furniture design presents the characteristics of "furniture building”. The article tries to assay the history between Schröder House and De Stiji, the characteristics of the epoch, and combined with Gerrit Rietveld’s design thought and related works, it analyzes the integration between furniture and architecture from the angles of structural system based on scaffolding, spatial ratio based on golden segmentation, colour system based on t primary colours in Schröder House.
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Zhang, Jun, and Bo Yi. "Study of Architectural Space Efficacy Based on the Modern Theory of Validity." Applied Mechanics and Materials 507 (January 2014): 40–46. http://dx.doi.org/10.4028/www.scientific.net/amm.507.40.
Full textAbstract:
At present, more emphasis has been laid on the efficacy study of architectural space. As people conduct various activities in the architectural spaces, they would have varied perception and experiences, which is also of great importance in a teaching session. When teachers guide the students to carry out design process, attention should also be paid to this indispensable aspect. Under the guidance of the modern theory of validity, teachers should adopt all types of experiences in the architectural space as the factors for analysis, allowing students to carry out efficacy evaluation of architectural space from multiple perspectives, and seek method for evaluating the special efficacy to get the best evaluation methods and architectural space design criteria, so as to promote students' awareness and understanding of architectural space to design architectures suited to the need of the people.
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Reynolds, Jessica. "What is ‘minimal’ anyway? John Pawson: Plain Space at the Design Museum and About a Minute at the Gopher Hole." Architectural Research Quarterly 15, no. 2 (2011): 100–103. http://dx.doi.org/10.1017/s1359135511000522.
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Architecture shows and biennales have proliferated in the last decade, accompanied by new courses and publications on architectural curation. The curation of an exhibition can be as complex and political as the realisation of a work of architecture. It can be presented as an effective vehicle for critical discourse, challenging the traditional definition of architectural practice as the design, procurement and construction of a building. In response, existing architecture exhibition spaces are adapting and new galleries are opening, reconceptualising modes of display. This review considers two contrasting architecture exhibitions on show in London at the turn of 2011, each with different agendas, ambitions and audiences.
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Ediz, Özgür, and Gülen Çağdaş. "A Computational Architectural Design Model Based on Fractals." Open House International 32, no. 2 (2007): 36–45. http://dx.doi.org/10.1108/ohi-02-2007-b0005.
Full textAbstract:
Digital design technologies play a significant role in assisting the designer through conceptual architectural design. Computer supported design systems can generate various images at the early design phase and can contribute to seeking alternative architectural forms. Currently, different design approaches are being employed in the formation of architectural products. Examples of architecture that produce unusual forms are often encountered within unique conceptual approaches. The development of new design examples is supported by the digital production of forms, and three-dimensional models through varying geometric approaches. In this study, a design approach that uses computer aided architectural design to produce architectural forms will be suggested. This approach utilizes principles existing in the unique fractal dimension of elements based on a vocabulary relevant to a specific architectural language. By relying on the fractal dimension and features of an existing architectural pattern, this generative design approach supports creativity in the production of new forms. The proposed approach is evaluated as a creative tool in architectural design. The subject of architecture; buildings, spaces, surroundings, symbols of that particular society are also the elements of a meta-language which creates a fractal geometry based relation. It is possible to analyse this relation through a fractal geometry-based principle. In short, a fractal geometrical generative method is suggested. Also, recently-surfaced discussions about "Chaos Theory" and its effects on the design process via "Chaos and Self - Similarity" are studied. The significance of these different phenomena and disciplines upon architectural design are also studied for developing a possible creative tool.
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Wang, Yuqian, and Yi Yang. "A Study on Meteorological Architecture." E3S Web of Conferences 237 (2021): 03027. http://dx.doi.org/10.1051/e3sconf/202123703027.
Full textAbstract:
Under the background of global warming and energy crisis, exploring the new relationship between architecture and climate has always been a hot spot in the construction industry. Thus, a new design pattern “meteorological architecture” guided by a localized meteorological condition is developed. The paper starts with the distinction of the concepts of “meteorology” and “climate” to explains the connotation of “meteorological architecture”. Through the analysis of current theories and practices related to meteorological architecture, a new principle of architectural space division and architectural form generation logic have been summarized. Finally, the enlightening effect of meteorological architecture on other fields is proposed.
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Wen, Yueming, Jiawei Leng, Fei Yu, and Chuck Wah Yu. "Integrated design for underground space environment control of subway stations with atriums using piston ventilation." Indoor and Built Environment 29, no. 9 (2020): 1300–1315. http://dx.doi.org/10.1177/1420326x20941349.
Full textAbstract:
In subway stations, the piston effect plays an important role in enhancing ventilation to improve subway environment and reduce energy consumption. However, it may induce negative impacts on environmental health and thermal comfort, i.e. air pollution and strong wind. Traditionally, the architecture and ventilation systems are designed separately, and normal ventilation design follows architectural layout. Actually, the architecture design can have a significant influence on the ventilation performance, e.g. airflow pattern. Therefore, this study aims to integrate the design pattern of the architecture with an appropriate ventilation system. A typical subway station of Nanjing (in China) was considered. A dynamic-mesh based computational fluid dynamics (CFD) method was adopted to simulate ventilation performance in the presence of piston effect. Field measurements were conducted to validate the numerical method. New measures were proposed from the perspectives of architectural design to improve the ventilation effect, including enlarging atrium space, adding atrium vents and funnel-shaped exits, etc. The numerical results show that the optimal architectural design could provide a significant improvement towards the airflow environment and ventilation efficiency while avoiding serious air pollution. The proposed integrated-design pattern could further facilitate the creation of an ‘energy-saving’ and ‘healthy’ underground space environment.
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Hu, Xiao Dong, Jian Ming Su, and Xi Zeng. "Research on the Design Methods in Fade of Architecture." Applied Mechanics and Materials 409-410 (September 2013): 463–67. http://dx.doi.org/10.4028/www.scientific.net/amm.409-410.463.
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Based on reconsidering modern architecture in the twentieth century in its characteristics of massiness, constant and isolation, the author put forward the opinions that architecture should exist in a light and fadable way. it should bear sufficient correspondence to the environment in which it is located. Through analysis of related works and research on fade theories, such as "Defeated Architecture" of Kengo Kuma, "skin Architecture" of Herzog & de Meuron and "Architecture of Wind " of Toyo Ito etc., this paper summarizes four ways to achieve architectural fading, i.e. fade of form, fade of skin , fade of space and fade in region.
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Schmidt, Anne Marie Due, and Poul Henning Kirkegaard. "From Architectural Acoustics to Acoustical Architecture Using Computer Simulation." Building Acoustics 12, no. 2 (2005): 85–98. http://dx.doi.org/10.1260/1351010054037965.
Full textAbstract:
Architectural acoustics design has in the past been based on simple design rules. However, with a growing complexity in architectural acoustics and the emergence of room acoustic simulation programmes with considerable potential, it is now possible to subjectively analyse and evaluate acoustic properties prior to the actual construction of a building. With the right tools applied, acoustic design can become an integral part of the architectural design process. The aim of this paper is to investigate the field of application that an acoustic simulation programme can have during an architectural acoustic design process and to set up a strategy to develop future programmes. The emphasis is put on the first three out of four phases in the working process of the architect and a case study is carried out in which each phase is represented by typical results – as exemplified with reference to the design of Bagsvaerd Church by Jørn Utzon. The paper discusses the advantages and disadvantages of the programme in each phase compared to the works of architects not using acoustic simulation programmes. The conclusion of the paper points towards the need to apply the acoustic simulation programmes to the first phases in the architectural process and set out a reverse strategy for simulation programmes to do so – from developing acoustics from given spaces to developing spaces from given acoustics.
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Perin, Gavin John, and Linda Matthews. "Organizing Architectural Atmospheres." International Journal of Creative Interfaces and Computer Graphics 10, no. 1 (2019): 16–29. http://dx.doi.org/10.4018/ijcicg.2019010102.
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The article outlines an alternative type of digital drawing technique for architecture called chromatic mapping. This new procedural drawing technique redefines the theoretical frameworks of digital design practice by manipulating the formal and spatial capacities of data captured in the image. The ensuing discursive and practical changes to architectural design practice deliberately leverage the ability of image-based software to gather, collate and modify real-world data. The pixel is central to chromatic mapping because it is the medium that translates form and space into color. This alterative definition of form as visual data contests the orthodoxy that only the line can delineate form and reactivates the issues surrounding the role of the image in architectural production. While maintaining digital architecture's ambition to reduce the procedural and formal consequences of postmodern semiotics, this new drawing technique recalibrates the part images play in architectural production by activating image data to foreground drawings that simulate architecture's atmospheric qualities.
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Markovic, Sladjana, Igor Svetel, and Zoran Lazovic. "Redefinition of the process of design and realization in emerging architecture on the principle of "digital chain"." Facta universitatis - series: Architecture and Civil Engineering 15, no. 3 (2017): 295–306. http://dx.doi.org/10.2298/fuace160526026m.
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The setting of design and architectural realization today cannot be considered separately from the emerging architecture, which is based on digital technology. Digital technology has primarily affected the architectural presentation, and eventually began to represent a design tool directly connected with the realization, which was across various digital techniques establishing continuity of a ?digital gap? as a global problem of discontinuity of design and realization in architecture and fulfilling complex design requirements of the architecture today. With the characteristics of continuous connection, this relation design - realization is increasingly manifested as a C?AD/CAM technology and the most commonly researched as a ?digital chain? principle. Primarily, the term ?digital chain? is defined and investigated (theoretically, experimentally and practically) at the CAAD department at ETH Zurich (germ. ETH Zuerich) within the research projects of this institute. Today the tool has become an indispensable, inevitable and active, and the architect seemingly passive and in an unclear position in the whole process and the offered solutions of space and architecture. Accordingly, the paper explains the principle of "digital chain", and overlapping with elements of a conventional (standard) architectural approach, based on the settings of the positioning architects in new conditions, redefines the process of design and realization in the emerging architecture in architectonic sense.
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Gil-Mastalerczyk, Joanna. "Conscious approach to urban and extra-urban space restructuring as seen in the designs of Architecture students." MATEC Web of Conferences 174 (2018): 04016. http://dx.doi.org/10.1051/matecconf/201817404016.
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In education of architects and urban planners, it is important to rely on interdisciplinary approach to many factors involved in the process. Especially in the built environment context, the awareness of the interaction of different components is of key importance. In their future work, architecture students need to have responsible and socially-oriented standpoint. It will be demonstrated in the creation of architectural objects in the natural landscape surroundings, and in the attitude to different type of architectural and urban spaces. Safety, the use of natural resources, the relations between architecture and the surrounds, the evaluation of the environmental components and their impact on the creative process are extremely important. The paper discusses examples of space solutions in the urban areas and those located outside cities. Those solutions involve daring architectural and urban forms that make use of the natural environment assets, and also quality architectural work and design. The presence of such objects is a response to the demand from the society, consequently it seems reasonable to explore the issues related to architectural education.
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Liu, Ping. "Research on Ecological and Development of Architectural Design." World Construction 4, no. 4 (2015): 37. http://dx.doi.org/10.18686/wcj.v4i4.7.
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<p>Reasonable ecological architectural design can promote the realization of energy saving and environmental protection strategic planning. Architecture is an artificial environment to meet people’s daily life and living, architects may achieve energy saving and low consumption requirements through this kind of environment. Optimization should be made on the aspects of overall layout, functional configuration and space combination during design, in order to create more value under limited economic conditions.</p>
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Liu, Ping. "Research on Ecological and Development of Architectural Design." World Construction 4, no. 4 (2015): 37. http://dx.doi.org/10.18686/wc.v4i4.17.
Full textAbstract:
<p>Reasonable ecological architectural design can promote the realization of energy saving and environmental protection strategic planning. Architecture is an artificial environment to meet people’s daily life and living, architects may achieve energy saving and low consumption requirements through this kind of environment. Optimization should be made on the aspects of overall layout, functional configuration and space combination during design, in order to create more value under limited economic conditions.</p>
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Hassanein, Hala. "Utilization of “Multiple Kinetic Technology KT” in Interior Architecture Design as Concept of Futuristic Innovation." Academic Research Community publication 2, no. 4 (2019): 331. http://dx.doi.org/10.21625/archive.v2i4.370.
Full textAbstract:
New trends of interior architectural design aim to maximize available spatial space
 for flexible and futuristic interiors. Therefore, the design of a facility structure with
 its fixed and moveable interior components can have a significant impact on
 human performance leading to efficient interaction with surrounding spatial
 spaces. Interactive design is constantly proves creating memorable connection and
 empowering connection with beneficiaries’ participants that can come to life in
 many forms, one of these many facility structures is implementing the interior
 architectural design approach of "Kinetic Technology".
 Interior architecture is the design of a space inside any building that can be fixing.
 In addition, it can be the initial design and plan for use then later redesign to
 accommodate a changed purpose, or a significantly revised design for adaptive
 reuse of the building shell. Generally referred to as the spatial art of environmental
 design, form and practice, interior architecture is the process through which the
 interiors of buildings are designed concerned with all aspects of the human uses of
 structural spatial spaces. Therefore putting simply, Interior Architecture is the
 design of an interior in architectural terms.
 The paper presents variety approaches of innovation trends, that utilizing multiple
 kinetic applications for the scope, benefit of interior design elements. It will give
 valid benefits to interior planners and designers for efficient enhancement into
 their practical expertise. That experience will be achieved when implementing this
 technology of kinetic approach to achieve effective utilization of interior spatial
 spaces as dynamic quality of the spatial space’s changeable size, continuity and to
 create a feeling of connectivity through the spatial space, which seems to virtual
 enlarge the small floor area.