Relevant bibliographies by topics / Architectural history Architectural design Image processing. Architecture Architecture

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Architectural history Architectural design Image processing. Architecture Architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Architectural history Architectural design Image processing. Architecture Architecture"

1

Kozyrenko, Ivan Sergeevich. "Contemporary styles and images in Harbin architecture." Урбанистика, no. 1 (January 2020): 82–103. http://dx.doi.org/10.7256/2310-8673.2020.1.32190.

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The object of this research is the contemporary architecture of Harbin, which is currently developing as a megalopolis of the Northeast of China. The subject of this research is the architectural peculiarities of cultural public objects, built in the first decade of the XXI century. At the present time, Harbin determines the old districts of the Russian period of development of the city; new building imitating historical architectural styles; and unique objects of cultural designation. The authors of exclusive projects and the Chinese architectural firms that recently improves their rating not only in China, but also abroad. The scientific novelty is defined by the rapid construction rates in Harbin and formation of its new architectural image. The article is first to explore contemporary architecture of the unique objects for the purpose of determination of stylistic and imagery characteristics. This would allow forecasting future development of architectural environment of the “Russian Atlantis”. The main conclusion consists in the fact that Harbin actively develops cultural functions that increase its status as an international tourism center. Chinese and foreign architectural firms are attracted to design of the objects. Their works indicate the search of memorable and remarkable objects with attached profound semantic meaning. Contemporary architectural objects reflect history, culture and traditions of China, as well as innovative approaches to the formation of urban environment.
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Pilsitz, Martin. "Drawing and Drafting in Architecture Architectural History as a Part of Future Studies." Periodica Polytechnica Architecture 48, no. 1 (2017): 72–78. http://dx.doi.org/10.3311/ppar.11310.

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Architectural historians take an academic interest in past architectural styles and techniques. The actual value of the exploration of the past is to design, from the knowledge gained, a possible image of the future. Consequently, architectural history becomes a part of the futurology. In this context, the first questions are in regard to the fundamental skills of architects. How does work drafting in the architecture? What future presentation methods could be applied? The following article takes a critical look at factors that may influence solutions in the field of drafting in the future, such as the inclusion of the public in the dialogue of the drafting process. This could lead to a discussion about the current didactic for the teaching of drafting and architectural history at universities. Architectural history currently creates a rigid corset for the concepts of styles and for different time frameworks. Is this approach still up-to-date at all? Because of the current teaching method, the vocabulary predominantly originates from the history of art. Accordingly, large numbers of lexical facts are taught and requested, but are there other options available? Against the background of current developments, the question arises: whether architects and architectural historians should not become emancipated and develop, for subject-related issues, their own linguistic forms of expression? If this approach were to be taken into consideration, the knowledge gained and the practical benefits from these studies would be a multiple for the everyday work of prospective architects. As a result, the future of architecture would obtain its own past.
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Fabiani, Erwan. "Experiencing a Problem-Based Learning Approach for Teaching Reconfigurable Architecture Design." International Journal of Reconfigurable Computing 2009 (2009): 1–11. http://dx.doi.org/10.1155/2009/923415.

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This paper presents the “reconfigurable computing” teaching part of a computer science master course (first year) on parallel architectures. The practical work sessions of this course rely on active pedagogy using problem-based learning, focused on designing a reconfigurable architecture for the implementation of an application class of image processing algorithms. We show how the successive steps of this project permit the student to experiment with several fundamental concepts of reconfigurable computing at different levels. Specific experiments include exploitation of architectural parallelism, dataflow and communicating component-based design, and configurability-specificity tradeoffs.
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Wu, Yong. "Evaluation of Pitched Roof Applied in Chinese Modern Architectural Design." Advanced Materials Research 518-523 (May 2012): 4431–34. http://dx.doi.org/10.4028/www.scientific.net/amr.518-523.4431.

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In Chinese history, pitched roof acted as cultural carrier and hierarchy symbols; it is still accepted as image of home today and widely used by architects. From three important aspects as connotation, function and aesthetics, this paper shows the value of pitched roof in modern architecture under Chinese background, and provides some recent experiments on inheriting of conventional pitched roof.
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Shults, R. "DEVELOPMENT AND IMPLEMENTATION OF INNOVATIVE EDUCATIONAL MODULES ON ARCHITECTURAL PHOTOGRAMMETRY FOR BACHELOR’S DEGREE CURRICULA IN ARCHITECTURE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-5/W3 (December 5, 2019): 115–20. http://dx.doi.org/10.5194/isprs-archives-xlii-5-w3-115-2019.

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Abstract. Modern specialists in the field of architecture work exclusively in three-dimensional space. At the same time, their training completely ignores the state-of-the-art technologies associated with obtaining three-dimensional models of engineering structures. In such circumstances, the connections between the three key participants in the design and construction of engineering structures, namely architects, builders, and surveyors are broken. The main technology that allows obtaining three-dimensional models is photogrammetry. The purpose of the presented article is to determine the subject matter of close-range photogrammetry in solving architectural design problems. Based on certain architectural tasks, educational modules for the discipline of architectural photogrammetry of the bachelor educational level were developed. The peculiarity of the proposed program is that it is designed in such a way that it allows using the whole complex of the modern achievements in the field of automated image processing and the specifics of setting and solving architectural problems. At the same time, this program covers such modern technologies and concepts as UAV photogrammetry, digital photogrammetry, photogrammetric scanning, BIM, GIS, etc. Such an approach allows students without problems to learn several special knowledge, which is owned by surveyors and photogrammetrists. The approximate content of the course of architectural photogrammetry for bachelor students is presented.
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GHOSH, INDRADEEP, and BANDANA MAJUMDAR. "VLSI IMPLEMENTATION OF AN EFFICIENT ASIC ARCHITECTURE FOR REAL-TIME ROTATION OF DIGITAL IMAGES." International Journal of Pattern Recognition and Artificial Intelligence 09, no. 02 (1995): 449–62. http://dx.doi.org/10.1142/s0218001495000213.

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This paper describes the design and the VLSI implementation of a novel architecture that performs image rotation in real time. In order to improve throughput, we divide an image-frame into a number of windows. The rotation of each window-center as well as the final displacement of individual pixels within a window is then calculated. A CORDIC-based scheme is used to compute the displacement of a pixel. Our architectural design is incorporated into a chip that has been laid out using VTI (VLSI Technology Inc.) tools obeying the 1.5 μm SCMOS design rules. The chip owes its high processing capability to a combination of pipelining and parallel-processing techniques. For a clock frequency greater than 10.6 MHz, we can perform the rotation of a 512×512 gray-level digital image at the rate of 30 frames per second. The chip utilizes around 35,000 transistors and has an estimated silicon area of 211 mils×276 mils.
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Kavas, Kemal Reha. "Environmental representation: Bridging the drawings and historiography of Mediterranean vernacular architecture." Journal of Human Sciences 14, no. 4 (2017): 3472. http://dx.doi.org/10.14687/jhs.v14i4.4758.

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Architectural drawings, which are projections of spaces on a paper surface, can be categorized according to the projections’ directional and temporal relation with the represented space. A projection becomes a documentation when it departs from an existing spatial organization for recording it on paper. The projection serves the design process when it departs from the present to foresee a spatial proposal in the future. While the former records the present within limited interpretive range, the latter is more constructive. While these two types of projections are known widely, there is another highly interpretive type of projection, the potentials of which, are generally underestimated. As the architectural historian’s tool, this third projection type represents bygone architecture. The task of this drawing, which is one of the least questioned issues of architectural history, is to restore an incomplete image by referring to material and textual sources. This drawing type contributes to the methodology of architectural historiography while conceiving, explaining and representing space.For illustrating this situation, this study analyzes the vernacular settlements and their environmental integration because this selected context reveals the interpretive nature of the third type of projection in a successful way. In this framework, the cut-away axonometric is considered as an appropriate drawing method for uncovering the integrity between architecture and its site or culture and nature. The outcome of this theoretical insight into the prolific relations between drawing and architectural history is coined as “environmental representation.”In history architectural products have been integral components of the environment. Then, the architectural representation of historical buildings through drawings becomes critical since the majority of architectural drawings tend to isolate buildings from their environment. This conventional representation of historical architecture has been the dominant tool of typological analysis. Typology, which is intertwined with plan drawings, categorizes historical buildings according to their spatial, structural and material organizations and disengages the buildings from their socio-cultural and environmental context. If this methodological problem of typology is regarded as a problem of drawing, a new mode of “environmental representation” can be proposed.This study proposes “environmental representation” of architecture through cut-away axonometric. This graphic proposal is based upon the theoretical references of “environmental aesthetics”, which is an interdisciplinary field analyzing the participatory human engagement in environment. “Aesthetics,” as a term, defines this bodily engagement into environment through the use of all human senses. In this theoretical framework this study challenges the assumptions of scientific theory for architectural representation of the “abstracted object” and proposes an alternative method of “environmental representation” on the basis of “aesthetics”. Within this scope, the proposed cut-away axonometric drawings produced by the author is analyzed in order to represent exemplary historical contexts of architecture selected through the vernacular settlements of the Anatolian Mediterranean.
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Snow, Cason. "Bloomsbury Architecture Library." Charleston Advisor 22, no. 3 (2021): 14–17. http://dx.doi.org/10.5260/chara.22.3.14.

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The Bloomsbury Architecture Library website provides an overview of architectural and interior design written primarily for secondary and undergraduate students. The content is divided into sections based on Place, Period, Subjects and Styles, Peoples, Cultures and Religions, Materials, and Architects, allowing users to explore the subject in a guided manner. The individual resources on the site are built around the newly revised Sir Banister Fletcher’s Global History of Architecture. This is supplemented by a collection of e-books providing deeper coverage on specific topics. An image collection of specific buildings, both plans and images, incorporates the important visual aspect of the topic. Within a specific topic, facets are provided to aid in further discovery. The sharp focus of this site provides an excellent starting point for research on architecture. The plans for additional resources will broaden coverage at a rate that should not overwhelm users and will keep the site relevant in the future.
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Kelleher, Michael. "Bulgaria's Communist-Era Landscape." Public Historian 31, no. 3 (2009): 39–72. http://dx.doi.org/10.1525/tph.2009.31.3.39.

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Abstract This essay discusses the various architectural and design elements that helped define the communist-era landscape of Bulgaria. The conclusions presented here are based on observations made by the author while living in Bulgaria and research into the literature on communist architecture and design in the East Bloc. Bulgaria was the member of the East Bloc that most closely followed the architectural and design model established by the Soviet Union and exported to its satellite states following the Second World War. This didactic model was intended to present a certain image of communism and its achievements. Despite physical changes that came with the end of communism in Bulgaria, the country has retained a significant communist-era landscape. Bulgaria, therefore, presents an opportunity to examine many of the architectural and design elements typical of the East Bloc, both how the communists intended them to be interpreted and how these buildings and monuments made the transition to the postcommunist era.
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Makhmudova, Malika, and Muhayyo Makhmudova. "INTERIOR DESIGN OF TASHKENT METRO, FEATURES OF ITS ARCHITECTURE AND CONSTRUCTION." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (May 21, 2019): 440. http://dx.doi.org/10.17770/sie2019vol4.3887.

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The article considers the establishment of the Tashkent metro, its creation, the history of development and design of metro stations, original design solutions of the metro construction technology. The design and artistic solution of the metro stations and its themes are presented mainly on the examples of Tashkent metro stations; information about architects, artists, creators of the architectural and artistic image of the Uzbekistan metro is also presented in the article. The study will allow to get acquainted with the experience of designing and construction of the metro in Uzbekistan and in other countries, and to use it rationally in the construction of the new metro stations.
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Dissertations / Theses on the topic "Architectural history Architectural design Image processing. Architecture Architecture"

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Melhuish, Elizabeth Clare. "Inhabiting the Image : architecture and social identity in the post-industrial city." Thesis, Bucks New University, 2007. http://bucks.collections.crest.ac.uk/10112/.

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The research presented in this thesis is intended to reveal the layers of social and cultural meaning invested in a building conventionally regarded as a work of abstract aesthetic modernism, and one which has been evaluated, within the framework of a national heritage preservation policy, as an architectural landmark of the post-war era of urban reconstruction. By combining the research methods of architectural history (archival) and of anthropology (ethnographic) I have located and interpreted the architecture of the Brunswick within a larger social story that demonstrates how the lived experience of a particular environment exists in parallel with the more objective official discourse that invests a work of architecture or art with cultural significance. The thesis traces the architectural inception and complex evolution of the building, its critical reception, and the proposals for redevelopment that culminated in a major refurbishment and transformation of the shopping precinct in 2006. It goes on to present an ethnographic account of the Brunswick as a social, as much as an architectural space, and an anthropological interpretation of the relationship between identity and place in terms of the specific qualities of the built environment. It shows that the material environment becomes real and vivid to people as an embodiment of the social dimensions of their lives, and that the boundaries between ‘inside’ and ‘outside’ – the private space of the home, and the layered sequence of public spaces extending through the building to the city beyond - are not objectively fixed, but subjectively perceived and negotiated in different ways. Although the Brunswick exerts considerable power as a unique architectural image, its boundaries do not define an integrated social space, nor a unified experience of the place as a living environment. Nevertheless, repeated interaction and sensory experience make it a tangible architectural framework for everyday and domestic life which evidently shapes the view from the inside looking out. The research aims to make a significant contribution to knowledge at a meeting-point between anthropology and architecture, which might help to inform future understanding of the interaction between people and the built habitat in modern urban societies.
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Stenvert, Ronald. "Constructing the past computer-assisted architectural-historical research = Geconstrueerd verleden : computerondersteund architectuurhistorisch onderzoek /." 1991. http://books.google.com/books?id=6Q9QAAAAMAAJ.

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Thesis (doctoral)--Rijksuniversiteit te Utrecht, 1991.<br>"The application of image-processing using the computer and Computer-Aided Design for the study of the urban environment, illustrated by the use of treatises in seventeenth-century architecture." Includes bibliographical references. Also issued in print.
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Books on the topic "Architectural history Architectural design Image processing. Architecture Architecture"

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1916-1996, Sacripanti Maurizio, and Savioli Leonardo, eds. Architettura, disegno, modello: Verso un archivio digitale dell'opera di maestri del XX secolo : Giovanni Michelucci, Maurizio Sacripanti, Leonardo Savioli. Gangemi, 2011.

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Indian temple architecture: Analysis of plans, elevations, and roof forms. Shubhi Publications, 2011.

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Bob, Lang, ed. The weight of the image: 4th International NAI Summer Master class, 15-28 August 1999, Netherlands Architecture Institute, Rotterdam. NAI, 2001.

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Stenvert, Ronald. Constructing the past: Computer-assisted architectural-historical research : the application of image-processing using the computer and computer-aided design for the study of the urban environment, illustrated by the use of treaties in seventeenth-century architecture = Geconstrueerd verleden. R. Stenvert, 1991.

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nthner, Willibald A. Gu, and Andre Borrmann. Digitale Baustelle - innovativer Planen, effizienter Ausfu hren: Werkzeuge und Methoden fu r das Bauen im 21. Jahrhundert. Springer, 2011.

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Ethier, Stephen J. Autodesk VIZ 2008 fundamentals. Pearson/Prentice Hall, 2008.

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A, Ethier Christine, ed. Autodesk VIZ 2008 fundamentals. Pearson/Prentice Hall, 2008.

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Ali, Rahim, ed. Contemporary techniques in architecture. Wiley-Academy, 2002.

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Natural Born CAADesigners: Young American Architects (The Information Technology Revolution in Architecture). Birkhäuser Basel, 2000.

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Manfred, Koob, and Technische Hochschule Darmstadt. Fachgebiet "CAD in der Architektur.", eds. Bauhaus, avant-garde of the twenties: Visionary architecture. Editions Braus, 1994.

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Book chapters on the topic "Architectural history Architectural design Image processing. Architecture Architecture"

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Das, Prashanta Kumar, and Ganesh Chandra Deka. "History and Evolution of GPU Architecture." In Advances in Systems Analysis, Software Engineering, and High Performance Computing. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-4666-8853-7.ch006.

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The Graphics Processing Unit (GPU) is a specialized and highly parallel microprocessor designed to offload 2D/3D image from the Central Processing Unit (CPU) to expedite image processing. The modern GPU is not only a powerful graphics engine, but also a parallel programmable processor with high precision and powerful features. It is forcasted that by 2020, 48 Core GPU will be available while by 2030 GPU with 3000 core is likely to be available.This chapter describes the chronology of evolution of GPU hardware architecture and the future ahead.
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Conference papers on the topic "Architectural history Architectural design Image processing. Architecture Architecture"

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Doyle, Shelby, and Leslie Forehand. "Hydrophobic Paper Architecture: Studies in the Sustainability of Impermanent Structures." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.62.

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“The problem with a tent is that when you use it you throw it away, so it’s money that melts.”—Alejandro Aravena The social project of architecture has long been fascinated with emergency and refugee housing as a primary unit of architectural and urban development. For decades, architects have proposed alternatives to the United Nations’ blue tent cities that are the principal image associated with humanitarian aid and its resulting urbanism. During the 2016 Venice Biennale Reporting from the Front, curator Alejandro Aravena challenges architects to reconsider the discipline’s relationship to society’s most urgent challenges. The ongoing European refugee crisis is one such ‘Front’and this research examines the viability of an alternative to the polyvinylchloride (PVC) tarp as the default condition of emergency and refugee housing. The authors propose that waterproof paper surfaces and members, treated with a proprietary nano-coating can perform as well as traditional materials, but with reduced environmental impact and improved user comfort. A collaboration between researchers in Material Science and Architecture combines ongoing scientific research with digital design tools and methods. Following is a brief history of building with paper, an introduction to hydrophobic nano-coatings, and several fabricated prototypes. This project expands upon initial applications from the Tokyo Institute of Technology (2012) where researchers successfully prepared paper surfaces with a nano-particle coating, repelling water and maintaining structural integrity.
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