Journal articles on the topic 'Architectural history Architectural design Image processing. Architecture Architecture'

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1

Kozyrenko, Ivan Sergeevich. "Contemporary styles and images in Harbin architecture." Урбанистика, no. 1 (January 2020): 82–103. http://dx.doi.org/10.7256/2310-8673.2020.1.32190.

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The object of this research is the contemporary architecture of Harbin, which is currently developing as a megalopolis of the Northeast of China. The subject of this research is the architectural peculiarities of cultural public objects, built in the first decade of the XXI century. At the present time, Harbin determines the old districts of the Russian period of development of the city; new building imitating historical architectural styles; and unique objects of cultural designation. The authors of exclusive projects and the Chinese architectural firms that recently improves their rating not
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Pilsitz, Martin. "Drawing and Drafting in Architecture Architectural History as a Part of Future Studies." Periodica Polytechnica Architecture 48, no. 1 (2017): 72–78. http://dx.doi.org/10.3311/ppar.11310.

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Architectural historians take an academic interest in past architectural styles and techniques. The actual value of the exploration of the past is to design, from the knowledge gained, a possible image of the future. Consequently, architectural history becomes a part of the futurology. In this context, the first questions are in regard to the fundamental skills of architects. How does work drafting in the architecture? What future presentation methods could be applied? The following article takes a critical look at factors that may influence solutions in the field of drafting in the future, su
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Fabiani, Erwan. "Experiencing a Problem-Based Learning Approach for Teaching Reconfigurable Architecture Design." International Journal of Reconfigurable Computing 2009 (2009): 1–11. http://dx.doi.org/10.1155/2009/923415.

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This paper presents the “reconfigurable computing” teaching part of a computer science master course (first year) on parallel architectures. The practical work sessions of this course rely on active pedagogy using problem-based learning, focused on designing a reconfigurable architecture for the implementation of an application class of image processing algorithms. We show how the successive steps of this project permit the student to experiment with several fundamental concepts of reconfigurable computing at different levels. Specific experiments include exploitation of architectural parallel
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Wu, Yong. "Evaluation of Pitched Roof Applied in Chinese Modern Architectural Design." Advanced Materials Research 518-523 (May 2012): 4431–34. http://dx.doi.org/10.4028/www.scientific.net/amr.518-523.4431.

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In Chinese history, pitched roof acted as cultural carrier and hierarchy symbols; it is still accepted as image of home today and widely used by architects. From three important aspects as connotation, function and aesthetics, this paper shows the value of pitched roof in modern architecture under Chinese background, and provides some recent experiments on inheriting of conventional pitched roof.
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Shults, R. "DEVELOPMENT AND IMPLEMENTATION OF INNOVATIVE EDUCATIONAL MODULES ON ARCHITECTURAL PHOTOGRAMMETRY FOR BACHELOR’S DEGREE CURRICULA IN ARCHITECTURE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-5/W3 (December 5, 2019): 115–20. http://dx.doi.org/10.5194/isprs-archives-xlii-5-w3-115-2019.

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Abstract. Modern specialists in the field of architecture work exclusively in three-dimensional space. At the same time, their training completely ignores the state-of-the-art technologies associated with obtaining three-dimensional models of engineering structures. In such circumstances, the connections between the three key participants in the design and construction of engineering structures, namely architects, builders, and surveyors are broken. The main technology that allows obtaining three-dimensional models is photogrammetry. The purpose of the presented article is to determine the sub
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GHOSH, INDRADEEP, and BANDANA MAJUMDAR. "VLSI IMPLEMENTATION OF AN EFFICIENT ASIC ARCHITECTURE FOR REAL-TIME ROTATION OF DIGITAL IMAGES." International Journal of Pattern Recognition and Artificial Intelligence 09, no. 02 (1995): 449–62. http://dx.doi.org/10.1142/s0218001495000213.

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This paper describes the design and the VLSI implementation of a novel architecture that performs image rotation in real time. In order to improve throughput, we divide an image-frame into a number of windows. The rotation of each window-center as well as the final displacement of individual pixels within a window is then calculated. A CORDIC-based scheme is used to compute the displacement of a pixel. Our architectural design is incorporated into a chip that has been laid out using VTI (VLSI Technology Inc.) tools obeying the 1.5 μm SCMOS design rules. The chip owes its high processing capabi
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Kavas, Kemal Reha. "Environmental representation: Bridging the drawings and historiography of Mediterranean vernacular architecture." Journal of Human Sciences 14, no. 4 (2017): 3472. http://dx.doi.org/10.14687/jhs.v14i4.4758.

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Architectural drawings, which are projections of spaces on a paper surface, can be categorized according to the projections’ directional and temporal relation with the represented space. A projection becomes a documentation when it departs from an existing spatial organization for recording it on paper. The projection serves the design process when it departs from the present to foresee a spatial proposal in the future. While the former records the present within limited interpretive range, the latter is more constructive. While these two types of projections are known widely, there is another
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Snow, Cason. "Bloomsbury Architecture Library." Charleston Advisor 22, no. 3 (2021): 14–17. http://dx.doi.org/10.5260/chara.22.3.14.

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The Bloomsbury Architecture Library website provides an overview of architectural and interior design written primarily for secondary and undergraduate students. The content is divided into sections based on Place, Period, Subjects and Styles, Peoples, Cultures and Religions, Materials, and Architects, allowing users to explore the subject in a guided manner. The individual resources on the site are built around the newly revised Sir Banister Fletcher’s Global History of Architecture. This is supplemented by a collection of e-books providing deeper coverage on specific topics. An image collect
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Kelleher, Michael. "Bulgaria's Communist-Era Landscape." Public Historian 31, no. 3 (2009): 39–72. http://dx.doi.org/10.1525/tph.2009.31.3.39.

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Abstract This essay discusses the various architectural and design elements that helped define the communist-era landscape of Bulgaria. The conclusions presented here are based on observations made by the author while living in Bulgaria and research into the literature on communist architecture and design in the East Bloc. Bulgaria was the member of the East Bloc that most closely followed the architectural and design model established by the Soviet Union and exported to its satellite states following the Second World War. This didactic model was intended to present a certain image of communis
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Makhmudova, Malika, and Muhayyo Makhmudova. "INTERIOR DESIGN OF TASHKENT METRO, FEATURES OF ITS ARCHITECTURE AND CONSTRUCTION." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (May 21, 2019): 440. http://dx.doi.org/10.17770/sie2019vol4.3887.

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The article considers the establishment of the Tashkent metro, its creation, the history of development and design of metro stations, original design solutions of the metro construction technology. The design and artistic solution of the metro stations and its themes are presented mainly on the examples of Tashkent metro stations; information about architects, artists, creators of the architectural and artistic image of the Uzbekistan metro is also presented in the article. The study will allow to get acquainted with the experience of designing and construction of the metro in Uzbekistan and i
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RENTETZI, MARIA. "Designing (for) a new scientific discipline: the location and architecture of the Institut für Radiumforschung in early twentieth-century Vienna." British Journal for the History of Science 38, no. 3 (2005): 275–306. http://dx.doi.org/10.1017/s0007087405006989.

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This essay explores how Viennese physicists who specialized in radioactivity research embodied visions of their new discipline in material terms, through the architectural design and the urban location of their institute. These visions concerned not only the experimental culture of radioactivity, or the interdisciplinarity of the field, but also the gendered experiences of those working in the institute's laboratories, many of who were women. In designing the Institute for Radium Research at the end of the 1910s – the first such specialized institute in Europe – physicists and architects were
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Stojcev, Mile, Teufik Tokic, and Ivan Milentijevic. "The limits of semiconductor technology and oncoming challenges in computer micro architectures and architectures." Facta universitatis - series: Electronics and Energetics 17, no. 3 (2004): 285–312. http://dx.doi.org/10.2298/fuee0403285s.

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In the last three decades the world of computers and especially that of microprocessors has been advanced at exponential rates in both productivity and performance. The integrated circuit industry has followed a steady path of constantly shrinking devices geometries and increased functionality that larger chips provide. The technology that enabled this exponential growth is a combination of advancements in process technology, micro architecture architecture and design and development tools. Together, these performances and functionality improvements have resulted in a history of new technology
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Zheng, Wen Hui. "Research on Planning for Streetscape along National Highway." Advanced Materials Research 280 (July 2011): 97–100. http://dx.doi.org/10.4028/www.scientific.net/amr.280.97.

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Streetscape planning and design has important significance for improving urban landscape and increasing urban quality. Cixi segment of national highway NO.329 is the landscape and window to the outside of Cixi. According to the related upper planning, function of the street mostly is commerce. The paper analyzes design method about streetscape planning along the national highway by using the case of Cixi segment of national highway NO.329. The planning attempts to construct Cixi segment of national highway NO.329 to be Yingbin avenue of the city, which could reflect the image of Cixi with smoo
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Lee, Ju Hyun, and Michael J. Ostwald. "Fractal Dimension Calculation and Visual Attention Simulation: Assessing the Visual Character of an Architectural Façade." Buildings 11, no. 4 (2021): 163. http://dx.doi.org/10.3390/buildings11040163.

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The design of a building façade has a significant impact on the way people respond to it physiologically and behaviourally. Few methods are available to assist an architect to understand such impacts during the design process. Thus, this paper examines the viability of using two computational methods to examine potential visual stimulus-sensation relationships in facade design. The first method, fractal analysis, is used to holistically measure the visual stimuli of a design. This paper describes both the box counting (density) and differential box counting (intensity) approaches to determinin
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Olianina, Svitlana. "The Iconostasis as an Image of the Garden of Eden." Culturology Ideas, no. 16 (2'2019) (2019): 36–45. http://dx.doi.org/10.37627/2311-9489-16-2019-2.36-45.

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This paper aims to substantiate the hypothesis that the design of the architectural and decorative organization of iconostases of the second half of the seventeenth — first half of the eighteenth centuries is based on the symbolic concept of the iconostasis as an image of a paradise garden. Methodology. The author uses semiotico-hermeneutical and iconological approaches as a methodological basis of this study. The iconological methodology allows to study the architectural and decorative organization of the iconostasis from new meaningful positions. The semiotico-hermeneutical approach was appl
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Milani, Raffaele. "Beauty and building stereotype: Aesthetics of the architecture." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 363–68. http://dx.doi.org/10.5937/saj1903363m.

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In this paper we examined the stereotype as a resilient model of types of created objects, a repeated and repeatable image of a manufacturing process, and a standardised model of virtuality; in other words, stereotyping gives form to things within a system of objects reproduced serially. The centuries-old synthesis of artisanship and material has been transformed in our times into design. To reconstruct an object means to retrace the techniques that produced it, including traditional ones. In terms of the relationship among technologies, there is a heated debate between those who want to defen
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Bortoluci, José H. "Brutalism and the People: Architectural Articulations of National Developmentalism in Mid-Twentieth-Century São Paulo." Comparative Studies in Society and History 62, no. 2 (2020): 296–326. http://dx.doi.org/10.1017/s0010417520000067.

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AbstractThis article examines the question of how architects in São Paulo during the 1950s and 1960s addressed the political nature of their work, and more specifically the connections between their practice and the lives and politics of the urban poor in the context of a rapidly expanding metropolis of the Global South. More specifically, it assesses how they elaborated strategies to articulate the semiotic and material practices of Brutalism and the political repertoire of national developmentalism, initially in its democratic and later in its authoritarian form. The article argues that thes
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Scott, Felicity D. "An Army of Soldiers or a Meadow." Journal of the Society of Architectural Historians 70, no. 3 (2011): 330–53. http://dx.doi.org/10.1525/jsah.2011.70.3.330.

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An Army of Soldiers or a Meadow: The Seagram Building and the "Art of Modern Architecture" focuses on the New York headquarters of Joseph E. Seagram & Sons (1954–58), designed by Ludwig Mies van der Rohe in association with Philip Johnson. Drawing upon archival documents and the history of the building's design and reception, Felicity D. Scott demonstrates the participation of the tower and its plaza in an important transformation of modern architecture—usually identified as the rise of Postmodernism. She closely analyzes the shifting assessment of a key interpreter of the building, Arthur
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Ivanova-Ilyicheva, A., and N. Orekhov. "ROSTOV PUPPET THEATER: "OLD" AND "NEW" IN THE ARCHITECTURE OF SOVIET MODERNISM." Bulletin of Belgorod State Technological University named after. V. G. Shukhov 6, no. 1 (2021): 58–65. http://dx.doi.org/10.34031/2071-7318-2021-6-1-58-65.

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Rostov Puppet Theater is an interesting example of the early stage of Soviet modernism in the region. It has an unusual building history and originality. The building with laconic and simplified forms outwardly corresponds to the image of the mass development of the 1960–1970s. Special features distinguish the building from among similar buildings. These are scale and harmony with the environment, compliance with the residential complex House of State Security Officers, and mosaic panels. On the basis of field studies of the Puppet Theater, the study of archival materials and design drawings,
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Seetha RajivKumar. "Analyzing the Values in the Built Heritage of Chettinadu Region, Tamil Nadu, India." Creative Space 7, no. 1 (2019): 45–56. http://dx.doi.org/10.15415/cs.2019.71005.

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Chettinadu, a region in southern India, is situated in Tamil Nadu State 32 km from the west coast of the Bay of Bengal with a total area of 1,550 square kilometers in the heart of Tamil Nadu. The built heritage of Chettinadu is an irreplaceable cultural resource giving it a unique identity and character. In the tentative list of UNESCO 2014, the Chettinadu region has been classified into three clusters based on their Outstanding Universal Values and this provides a framework for our research.The region has experienced a tremendous amount of change from its original design and the old buildings
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Fair, Alistair. "‘A new image of the living theatre’: the Genesis and Design of the Belgrade Theatre, Coventry, 1948–58." Architectural History 54 (2011): 347–82. http://dx.doi.org/10.1017/s0066622x00004093.

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When it opened in March 1958, the Belgrade Theatre, Coventry, was the first new professional theatre to be constructed in Britain for nearly two decades and the country’s first all-new civic theatre (Figs 1 and 2). Financially supported by Coventry City Council and designed in the City Architect’s office, it included a 910-seat auditorium with associated backstage facilities. Two features of the building were especially innovative, namely its extensive public foyers and the provision of a number of small flats for actors. The theatre, whose name commemorated a major gift of timber to the city
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Silva, Luís Augusto, Héctor Sanchez San Blas, David Peral García, André Sales Mendes, and Gabriel Villarubia González. "An Architectural Multi-Agent System for a Pavement Monitoring System with Pothole Recognition in UAV Images." Sensors 20, no. 21 (2020): 6205. http://dx.doi.org/10.3390/s20216205.

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In recent years, maintenance work on public transport routes has drastically decreased in many countries due to difficult economic situations. The various studies that have been conducted by groups of drivers and groups related to road safety concluded that accidents are increasing due to the poor conditions of road surfaces, even affecting the condition of vehicles through costly breakdowns. Currently, the processes of detecting any type of damage to a road are carried out manually or are based on the use of a road vehicle, which incurs a high labor cost. To solve this problem, many research
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Marzouk, Mohamed, and Mahmoud Hassouna. "Quality analysis using three-dimensional modelling and image processing techniques." Construction Innovation 19, no. 4 (2019): 614–28. http://dx.doi.org/10.1108/ci-10-2018-0086.

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Purpose This paper aims to propose a system for defect detection in constructed elements that is able to indicate deformity positions. It also evaluates the defects in finishing materials of constructed building elements to support the subjective visual quality investigation of the aesthetics of an architectural work. Design/methodology/approach This strategy depends on defect features analysis that evaluates the defect value in digital images using digital image processing methods. The research uses the three-dimensional (3D) modeling techniques and image processing algorithms to generate a s
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Kryder-Reid, Elizabeth. ""Perennially New": Santa Barbara and the Origins of the California Mission Garden." Journal of the Society of Architectural Historians 69, no. 3 (2010): 378–405. http://dx.doi.org/10.1525/jsah.2010.69.3.378.

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Elizabeth Kryder-Reid examines the origins of California's mission gardens and explores their reception and their contribution to cultural memory. The evidence presented in "Perennially New": Santa Barbara and the Origins of the California Mission Garden shows that the iconic image of the mission garden was created a century after the founding of the missions in the late eighteenth century, and two decades before the start of the Mission Revival architectural style. The locus of their origin was Mission Santa Barbara, where in 1872 a Franciscan named Father Romo, newly arrived from a posting i
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Kivett, Hanan A. "Fusion of Creativity in Rail Transit Stations: A Retrospective and Critique." Transportation Research Record: Journal of the Transportation Research Board 1549, no. 1 (1996): 75–78. http://dx.doi.org/10.1177/0361198196154900110.

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The past, present, and future provide a framework for this discussion of the fusion of creativity among artists, architects, and engineers represented in the design of urban rail transit stations. The fusion of talent has a highly recognized past. Washington's Union Station, built early in this century, was restored to its original grandeur and is a major tourist attraction in the nation's capital. The power of the state is exploited in the Moscow subway, where stations take on a decorative quality found in the great monuments of Europe during the Gothic and High Renaissance era of architectur
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Gaber, Tammy. "Incredible Ottoman Projects." American Journal of Islam and Society 31, no. 4 (2014): 144–46. http://dx.doi.org/10.35632/ajis.v31i4.1080.

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When the term Ottoman architecture is used, the immediate image that comesto mind is that of the multitudes of mosque and religious buildings in Turkeyand the Ottoman Empire. One with a more in-depth knowledge of this fieldmay think of the prolific architect Sinan (d. 1588) and his hundreds of purpose-built works. However, this is not another book on Ottoman mosquesand pious foundations, but rather a focused collection of the empire’s oftenoverlookedcivic works, some of which demonstrate engineering innovationsin design. The empire’s geographical proximity to Europe gradually causedit to look
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Irfan, Syahid Al, and Nuryono Satya Widodo. "Application of Deep Learning Convolution Neural Network Method on KRSBI Humanoid R-SCUAD Robot." Buletin Ilmiah Sarjana Teknik Elektro 2, no. 1 (2020): 40. http://dx.doi.org/10.12928/biste.v2i1.985.

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In a soccer game the ability of humanoid robots that one needs to have is to see the ball object in real time. Development of the ability of humanoid robots to see the ball has been developed but the level of accuracy of object recognition and adaptation during matches still needs to be improved. The architecture designed in this study is Convolutional Neural Network or CNN which is designed to have 6 hidden layers with implementation of the robot program using the Tensorflow library. The pictures taken are used in the training process to have 9 types of images based on where the pictures were
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Perperi, A. A., N. M. Yavorskaya, and P. V. Yavorskyy. "RESEARCH OF GEOMETRY IN THE ARCHITECTURE OF ANTONIO GAUDI." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 312–21. http://dx.doi.org/10.31650/2519-4208-2020-20-312-321.

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Exploring the work of Antonio Gaudi and his knowledge in descriptive geometry, which develops a spatial imagination, we notice the use of lines, shapes, volumetric geometric images in architectural creativity. In his early work, Antonio Gaudi designs buildings under the influence of the Moorish style, using geometric shapes and lines that emphasize Arabic motifs in the patterns. So in the house of Vissenty, made in the style of modernism, he applied the idea of a self-repeating element of a simple form toa more complex one. In a fragment of the gallery of the city park Guell, which is an examp
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Widisono, Adrian, Yusfan Adeputera Yusran, and Antariksa Antariksa. "KARAKTERISTIK VISUAL GAPURA WRINGIN LAWANG PADA GAPURA DI PERBATASAN KOTA MALANG." LANGKAU BETANG: JURNAL ARSITEKTUR 5, no. 2 (2018): 109. http://dx.doi.org/10.26418/lantang.v5i2.30134.

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Zaman Kerajaan Majapahit merupakan cikal bakal munculnya Gapura. Pada zaman tersebut gapura memiliki fungsi sebagai pintu masuk menuju kerajaan. Pergeseran masa menunjukkan pergeseran fungsi terhadap gapura yang saat ini menjadi penanda menuju masuknya suatu kota termasuk Kota Malang. Gapura perbatasan pintu masuk di Kota Malang teridentifikasi memiliki karakter yang mirip dengan salah satu candi peninggalan Majapahit yaitu Gapura Wringin Lawang yang terletak di Mojokerto, Jawa Timur. Studi ini bertujuan untuk memvisualisasikan kesesuaian karakter visual gapura perbatasan di Kota Malang dengan
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Campays, Philippe, and Vioula Said. "Re-Imagine." M/C Journal 20, no. 4 (2017). http://dx.doi.org/10.5204/mcj.1250.

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To Remember‘The central problem of today’s global interactions is the tension between cultural homogenisation and cultural heterogenisation.’ (Appadurai 49)While this statement has been made more than twenty years, it remains more relevant than ever. The current age is one of widespread global migrations and dis-placement. The phenomenon of globalisation is the first and major factor for this newly created shift of ground, of transmigration as defined by its etymological meaning. However, a growing number of migrations also result from social or political oppression and war as we witness the c
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De Bleeckere, Sylvain. "Style and Architecture in a Democratic Perspective." Enquiry A Journal for Architectural Research 4, no. 1 (2007). http://dx.doi.org/10.17831/enq:arcc.v4i1.51.

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The paper deals with research on structural relations between architectural education andcultural and human sciences. The paper addresses two major premises. Firstly the cultural role that architecture can play in the shaping of the ongoing process of democratisation of the global society. Derived here of is thesecond one: “What are the implications for our currentarchitectural education?” The argument develops over three stages.The first one concerns a subject in the field of cultural history, stating that, historically, architecture was commonly an expression of the ruling powers. The first
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Montenegro, Manuel. "Teaching through Design. Image as Operative History at the Porto School." Joelho Revista de Cultura Arquitectonica, no. 4 (October 10, 2013). http://dx.doi.org/10.14195/1647-8681_4_44.

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The Faculdade de Arquitectura da Universidade do Porto, as an institution, starts in 1979. To its works and the design of the new building for the School (1983-1996) presided the idea of maintaining and building upon two centuries of accumulated pedagogical experience in Architectural teaching, a purpose that will decisively condition the programmatic brief given to Álvaro Siza, and his response to it.From all the requirements, together with the careful selection of the architect and the client, we find a purpose to manage the explosive growth of the school guarding careful consideration of it
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Christenson, Mike. "Critical Dimensions in Architectural Photography: Contributions to Architectural Knowledge." Architecture_MPS, February 1, 2017. http://dx.doi.org/10.14324/111.444.amps.2017v11i2.001.

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This paper illustrates and explores three critical dimensions of photography in architecture, each of which informs the production of images, texts, and other artifacts which establish what might be called a building’s media footprint . The paper’s broad goal is to question the extent to which these critical dimensions are relevant to architectural decision-making processes. Acknowledging that such dimensions as the ones examined here rarely predict an architect’s specific design decisions in a transparent manner, the paper discusses not only the decisions made by architects during the process
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Sabatino, Michelangelo. "From Blueprint to Digital Model: The Information Age, Archives and the Future of Architectural History*." Enquiry A Journal for Architectural Research 5, no. 2 (2008). http://dx.doi.org/10.17831/enq:arcc.v5i2.14.

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The digital revolution has not only transformed the process of thinking and making architecture,but has also led to shifts for researchers in the field and the institutions that safeguard and interpretevidence of the architect’s design process. As the rise of PowerPoint made it less cumbersometo view multiple images simultaneously, pioneering art historian Heinrich Wöfflin’s morelimited binary lantern slide presentation was effectively rendered obsolete. However, digital imagingand projection in the field brought risks as great as the new freedoms it afforded. The shiftfrom a work environment
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Caluya, Gilbert. "The Architectural Nervous System." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2689.

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 If the home is traditionally considered to be a space of safety associated with the warm and cosy feeling of the familial hearth, it is also continuously portrayed as a space under threat from the outside from which we must secure ourselves and our families. Securing the home entails a series of material, discursive and performative strategies, a host of precautionary measures aimed at regulating and ultimately producing security. When I was eleven my family returned home from the local fruit markets to find our house had been ransacked. Clothes were strewn across the floo
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Sun, Cong, Charlie Q. L. Xue, and Lujia Zhang. "Shennan Road and the Modernization of Shenzhen Architecture." KnE Social Sciences, November 19, 2019. http://dx.doi.org/10.18502/kss.v3i27.5528.

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Shenzhensetsanexampleforrapiddevelopmentofurbanplanningandconstruction.It was the starting point of the most massive city-construction movement in contemporary China. In less than 40 years, many representative urban space and buildings on the mainmast-west highway—-ShennanRoad,have witnessed the for mation of the banded multi-center structural layout and the miraculous expansion of the city. Many of those iconic buildings are designed by Hong Kong or foreign architects. With the continuous development of the length and width of Shennan road, its broad and prosperous image is not only a symbol
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Maybury, Terry. "Home, Capital of the Region." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.72.

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There is, in our sense of place, little cognisance of what lies underground. Yet our sense of place, instinctive, unconscious, primeval, has its own underground: the secret spaces which mirror our insides; the world beneath the skin. Our roots lie beneath the ground, with the minerals and the dead. (Hughes 83) The-Home-and-Away-Game Imagine the earth-grounded, “diagrammatological” trajectory of a footballer who as one member of a team is psyching himself up before the start of a game. The siren blasts its trumpet call. The footballer bursts out of the pavilion (where this psyching up has taken
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Lyutskanov, Yordan. "The Verbal-Visual Architecture and Symbols of Sacred History in Russian Émigré Newspapers of Bulgaria." Quaestio Rossica 9, no. 2 (2021). http://dx.doi.org/10.15826/qr.2021.2.595.

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In this article, the author tests a novel analytical approach, confining himself to the necessary historical contextualisation of this approach and its objects. By applying it to the celebratory aesthetic activity of a non-clerical community in late modernity, it is possible to discern a sincere and sophisticated commitment to the sacred and a cultivation of mysticism that vivifies deeply traditional forms of the sacred. Referring to Hans Belting’s theory of cult image, Dimitŭr Georgiev’s methods of analysis of the “architecture of the newspaper”, Otto Demus’ theory of Byzantine mosaic decorat
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Buhagiar, Konrad, Guillaume Dreyfuss, and Ephraim Joris Joris. "Ex Uno Lapide: The making present of absence." Interstices: Journal of Architecture and Related Arts, December 20, 2019. http://dx.doi.org/10.24135/ijara.v0i0.553.

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This paper comments on a drawing protocol entitled the “Monolith Drawing”, with which an architectural figure is extracted out of a single volume, synchronising analogue thinking with computational development, to enter history through our capacity to long for the experience of something that is absent. The Lacanian interpretation assumes there cannot be absence in an objective world, for absence can only exist through symbolic or representative means. It is through the representational means of the Monolith Drawing that we enable ourselves, as architects, to design presence where there is non
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Ramu, Nirmaladevi, and Seshasayanan Ramachandran. "Hybrid parallel adder for 3X multiple generation in radix-8 booth encoding using fast carry tree structure." Circuit World ahead-of-print, ahead-of-print (2020). http://dx.doi.org/10.1108/cw-04-2019-0042.

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Purpose In most commercial processors, enhancing the speed of multiplication using radix-8 booth encoding is the preferred option. In radix-8 architecture, the 3X(= 2X + X) multiple generation is a major bottleneck. This paper aims to propose a parallel implementation scheme recognizing the symmetry in the carry recurrence equations of 3X multiples. The proposed architecture evaluates the odd (H) and even (K) carry signals separately. As prefix tree structure offers fast carry propagation, the parallel implementation is based on a hybrid style of two popular prefix architectures. Design/method
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Harley, Ross. "Light-Air-Portals: Visual Notes on Differential Mobility." M/C Journal 12, no. 1 (2009). http://dx.doi.org/10.5204/mcj.132.

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0. IntroductionIf we follow the line of much literature surrounding airports and urban mobility, the emphasis often falls on the fact that these spaces are designed to handle the mega-scale and super-human pace of mass transit. Airports have rightly been associated with velocity, as zones of rapid movement managed by enormous processing systems that guide bodies and things in transit (Pascoe; Pearman; Koolhaas; Gordon; Fuller & Harley). Yet this emphasis tends to ignore the spectrum of tempos and flows that are at play in airport terminals — from stillness to the much exalted hyper-rapidit
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"Automated Feature Extraction from UML Images to Measure SOA Size." Regular 9, no. 2 (2020): 1132–37. http://dx.doi.org/10.35940/ijrte.b4131.079220.

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Enormous development has been experiences in the field of text and image extraction and classification. This is due to large amount of image data that is generated as a result of document sharing for collaborative software development and electronic storage of design documents. One of the recent technique for analyzing large dataset and discover underlying patterns is Deep learning technique. Deep learning is a branch of Machine learning inspired by human brain functionality for the purpose of analyzing unstructured data including images, sound and text. Unified Model Language (UML) is an arch
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West, Patrick Leslie, and Cher Coad. "The CCTV Headquarters—Horizontal Skyscraper or Vertical Courtyard? Anomalies of Beijing Architecture, Urbanism, and Globalisation." M/C Journal 23, no. 5 (2020). http://dx.doi.org/10.5204/mcj.1680.

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I have decided to launch a campaign against the skyscraper, that hideous, mediocre form of architecture…. Today we only have an empty version of it, only competing in height.— Rem Koolhaas, “Kool Enough for Beijing?”Figure 1: The CCTV Headquarters—A Courtyard in the Air. Cher Coad, 2020.Introduction: An Anomaly within an Anomaly Construction of Beijing’s China Central Television Headquarters (henceforth CCTV Headquarters) began in 2004 and the building was officially completed in 2012. It is a project by the Office for Metropolitan Architecture (OMA) headed by Rem Koolhaas (1944-), who has bee
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Sully, Nicole. "Modern Architecture and Complaints about the Weather, or, ‘Dear Monsieur Le Corbusier, It is still raining in our garage….’." M/C Journal 12, no. 4 (2009). http://dx.doi.org/10.5204/mcj.172.

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Historians of Modern Architecture have cultivated the image of the architect as a temperamental genius, unconcerned by issues of politeness or pragmatics—a reading reinforced in cultural representations of Modern Architects, such as Howard Roark, the protagonist in Ayn Rand’s 1943 novel The Fountainhead (a character widely believed to be based on the architect Frank Lloyd Wright). The perception of the Modern Architect as an artistic hero or genius has also influenced the reception of their work. Despite their indisputable place within the architectural canon, many important works of Modern Ar
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Macken, Marian. "And Then We Moved In." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2687.

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 Working drawings are produced, when a house is designed, to envisage an imagined building. They are a tangible representation of an object that has no tangible existence. These working drawings act as a manual for constructing the house; they represent that which is to be built. The house comes into being, therefore, via this set of drawings. This is known as documentation. However, these drawings record the house at an ideal moment in time; they capture the house in stasis. They do not represent the future life of the house, the changes and traces the inhabitants make upo
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Brockington, Roy, and Nela Cicmil. "Brutalist Architecture: An Autoethnographic Examination of Structure and Corporeality." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1060.

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Introduction: Brutal?The word “brutal” has associations with cruelty, inhumanity, and aggression. Within the field of architecture, however, the term “Brutalism” refers to a post-World War II Modernist style, deriving from the French phrase betón brut, which means raw concrete (Clement 18). Core traits of Brutalism include functionalist design, daring geometry, overbearing scale, and the blatant exposure of structural materials, chiefly concrete and steel (Meades 1).The emergence of Brutalism coincided with chronic housing shortages in European countries ravaged by World War II (Power 5) and g
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Flynn, Bernadette. "Towards an Aesthetics of Navigation." M/C Journal 3, no. 5 (2000). http://dx.doi.org/10.5204/mcj.1875.

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Introduction Explorations of the multimedia game format within cultural studies have been broadly approached from two perspectives: one -- the impact of technologies on user interaction particularly with regard to social implications, and the other -- human computer interactions within the framework of cybercultures. Another approach to understanding or speaking about games within cultural studies is to focus on the game experience as cultural practice -- as an activity or an event. In this article I wish to initiate an exploration of the aesthetics of player space as a distinctive element of
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Synenko, Joshua. "Topography and Frontier: Gibellina's City of Art." M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1095.

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Cities have long been important sites of collective memory. In this paper, I highlight the ritual and memorial functions of cities by focusing on Gibellina, a Sicilian town destroyed by earthquake, and the subsequent struggle among its community to articulate a sense of spatial belonging with its remains. By examining the productive relationships between art, landscape and collective memory, I consider how memorial objects in Gibellina have become integral to the reimagining of place, and, in some cases, to forgetting. To address the relationship between memorial objects and the articulation o
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Jethani, Suneel. "New Media Maps as ‘Contact Zones’: Subjective Cartography and the Latent Aesthetics of the City-Text." M/C Journal 14, no. 5 (2011). http://dx.doi.org/10.5204/mcj.421.

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Any understanding of social and cultural change is impossible without a knowledge of the way media work as environments. —Marshall McLuhan. What is visible and tangible in things represents our possible action upon them. —Henri Bergson. Introduction: Subjective Maps as ‘Contact Zones’ Maps feature heavily in a variety of media; they appear in textbooks, on television, in print, and on the screens of our handheld devices. The production of cartographic texts is a process that is imbued with power relations and bound up with the production and reproduction of social life (Pinder 405). Mapping in
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Radywyl, Natalia. "“A little bit more mysterious…”: Ambience and Art in the Dark." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.225.

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A Site for the Study of Ambience Deep in Melbourne’s subterranean belly lies a long, dark space dedicated to screen-based art. Built along disused train platforms, it’s even possible to hear the ghostly rumblings and clatter of trains passing alongside the length of the gallery on quiet days. Upon descending the single staircase leading into this dimly-lit space, visitors encounter a distinctive sensory immersion. A flicker of screens dapple the windowless vastness ahead, perhaps briefly highlighting entrances into smaller rooms or the faintly-outlined profiles of visitors. This space often ho
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