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Journal articles on the topic 'Architectural philosophy'
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1
Vesnić, Snežana. "The philosophical platform of the architect: Why philosophers make such good drawings?" SAJ - Serbian Architectural Journal 9, no. 3 (2017): 201–16. http://dx.doi.org/10.5937/saj1703201v.
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Theoretical interpretations and attempts at instrumentalisation of the ties and exchanges between philosophy and architecture have mostly been directed at questions of language or the institutionalisation of the discipline of architecture. In this text, I suggest a different approach to philosophical engagement in architecture: a simultaneous use in the methodology of the architectural project and constitution of a philosophy of architecture, not only as a question of interdisciplinary exchange, but as an integral part of comprehensive architectural processes, with philosophy still maintaining its original authenticity. My approach is twofold: explain the methodology and delineate its framework, but also raise the question what is an architect's philosophical platform. To that end, I will attempt to elaborate three models: 1) the first delves partially into the fields of fiction and illusion, and in it the architect adopts the role (position) of the philosopher, 2) the second model is the architectural engagement of philosophical notions, and 3) the third is the use of philosophical concepts in the creation of architectural ones. Corresponding to each, I will suggest the activity of "repetition of difference" as a possibility of creation of the authentic architectural concept.
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Budi Santosa, Revianto. "Recharting The Philosophy of Technology in Contemporary Architecture." SHS Web of Conferences 41 (2018): 04012. http://dx.doi.org/10.1051/shsconf/20184104012.
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Technology is an indispensable aspect of architecture. In fact, it is being an essential part of the human effort in making architecture. Since the early modern era, technology that rapidly change has been seen as the sign of progress, not only pertaining to the technology itself, but also architecture and even civilization. Modern architectural theoreticians, from Sant’Elia to Le Corbusier, enthusiastically embraced the progressive side of technology and engineering. Philosophically, however, modern technology is regarded pessimistically. Heidegger and Jaspers considered technology as the source of alienation to the human being themselves and to the reality they face. To overcome this gap, Alan Drengson, proposed the four philosophy of technology to rechart the variety of tendency towards technology in Western society, consisting of (1) technological anarchy, (2) technophilia, (3) technophobia, and (4) technological appropriateness. In this explanation, he coined the terms “creative philosophy” to include many aspects and ways of thinking which might be incorporated in the creative activities like architectural design. This paper attempts to evaluate the appropriatenes of Drengson’s philosophical scheme as a platform for architectural education in Indonesia in general, by relating his framework with the architectural theories and practices in Indonesia. The result of this effort is while the formulation of his scheme is the very inclusive and closely related with creative activity like architectural design, it contains bias of industrial technology appearing in the Asian scene brought by Western European colonials. Discussing philosophy underlying Gandhi’s movement in India to reject oppressive technology, we may arrive at the conclusion that the philosopy of non-violence, truth and justice based on the principle of self restrained are relevant to figure out the ideal of appropriate technology in Asia.
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Ćipranić, Miloš. "Avenues of Approach – Petar Bojanić and the Institution of Architecture." AM Journal of Art and Media Studies, no. 12 (April 15, 2017): 109. http://dx.doi.org/10.25038/am.v0i12.171.
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The philosopher Petar Bojanić advocates resistance of the architectural discipline to the philosophy of architecture. Using the technique of mise-en-scène, in “Thinking Architecture/Disciplining Architecture” (2015) Bojanić reaffirms that after architecture’s theoretical turn in the second half of the 20th century the architect is undoubtedly capable of theoretically thematizing his/her own work. I argue strongly that this implies, among other things, building a disciplinary language, which must reconcile, or at least balance between, the verbal and non-verbal form of expression. Also, I try to show that it is precisely theory that the architect has needed through history to establish the architectural discipline as liberal and autonomous.In “The Real and the Theoretical” (2013) the philosopher from Belgrade stresses the tensions between reality and theory present in the work of the architect. Theorizing in the field of architecture carries a danger of severe detachment from currently important and pressing social problems. Since there is no discipline without a group and since architecture is defined as the art of community, architectural practice can be understood, as it is in “The Architectural Philosophy” (2013), as a spatial way of transforming society. Article received: December 12, 2016; Article accepted: January 10, 2017; Published online: April 20, 2017Original scholarly paperHow to cite this article: Ćipranić, Miloš. "Avenues of Approach – Petar Bojanić and the Institution of Architecture." AM Journal of Art and Media Studies 12 (2017): 109-120.
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Šuvaković, Miško. "Architecture and philosophy: Relations, potentialities and critical points." SAJ - Serbian Architectural Journal 4, no. 2 (2012): 160–75. http://dx.doi.org/10.5937/saj1202160q.
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In the debate "Architecture and Philosophy / the relations, potentialities and critical points" the notions of "philosophy of architecture" and "aesthetics of architecture" will be discussed. The differences between traditional and contemporary philosophy and aesthetics of architecture will be introduced. In a separate sub-chapter the status of "theory" and "theorizing" during the times of late modernism and postmodern culture will be discussed. It has been pointed to the modalities of theory outside philosophy and aesthetics. The discourses from philosophy, humanities, free theorizing and architectural theories are brought closer together. In the final sub-chapter the status of contemporary philosophy and cotemporary architecture have been discussed. The notion of contemporaneity has been particularly elaborated. The central thesis of this paper is the relation of architecture and philosophy, i.e. the theory constituent for modern, postmodern and contemporary architecture. The derived thesis of the discussion is that critical theory of architecture and architectural yearning for "critical architecture" have acquired exceptional significance at the time of global conflicts and, presently at the time of global economic crisis. The theoretical, aesthetic and philosophical attention has essentially been shifted from the immanent questions about architecture (form, function, spectacularity) to the external i.e. transcendental questions about the culture and society, i.e. about the economy, power, governance, supervision, forms of life, flexibility of architectural production, exchange and consumption.
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Schwarte, Ludger. "Spaces of reflection: Where does philosophy take place?" SAJ - Serbian Architectural Journal 10, no. 3 (2018): 95–106. http://dx.doi.org/10.5937/saj1802095s.
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If reasoning implies a specific architecture (of concepts), the act of reasoning is not independent of very concrete architectural dispositions. In my essay, I will first give a sketch of places that have been designed as spaces of reflection, secondly, deconstruct the implicit assumptions of the relation with architecture and, lastly, try to show how the practice of philosophy depends on architectural settings.
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Becheru, Raluca. "The philosophy of architecture in analytic tradition: An enquiry on the possibility of the field and its themes." SAJ - Serbian Architectural Journal 8, no. 2 (2016): 309–21. http://dx.doi.org/10.5937/saj1602309b.
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The paper focuses on the new field of philosophy of architecture in analytic tradition. The research presented in this paper is part of an ongoing doctoral research concerning the connection between ethics and aesthetics in architecture. The connection between architecture and philosophy is not a novelty. Architectural theory has always looked up to philosophy for inspiration but only recently philosophers have started to study architecture in detail. Architectural theory is still a field that is in search of a better conceptual frame after the failure of the theoretical premises of the Modern Movement and the rise of the "theory speak". Architecture's features as a public art ask for a certain amount of objectivity. The philosophy of architecture in analytic tradition can contribute to a more objective conceptual frame. The principal concerns are familiar to those acquainted with continental philosophy: What makes architecture special among the arts? What is the essence of an architectural work? How we can better define architecture's social mission? But the way of answering them is different. The ethical dimension of architecture is one of the most debated subjects among architects in recent years. There are several contributions on the connection between ethics and aesthetics in the philosophy of architecture in analytic tradition. They have the potential to have an impact on architectural theory and practice.
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Rabboh, Emad H., and Ali A. Elmansory. "The Correlation of Deconstruction Architecture to Arab Architectural Identity." Academic Research Community publication 2, no. 4 (January 1, 2019): 319. http://dx.doi.org/10.21625/archive.v2i4.369.
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The Arab architectural identity is characterized by the originality of the various Arab
cultures. Islamic culture is what makes Arab societies unique and it is what inspired
Arab architecture. Consequently, the Arab architecture encounters contemporary
challenges. If modern architectural trends influenced Arab civilization, it could then
obliterate its identity over the years. Moreover, positively interacting with modern
architectural trends must take place rather than negative interactions. The aforementioned reasons leave this phenomenon the subject of discussion and research
and thus the lack of update and development of the vocabulary of Arab architecture.
The proposed study discusses the problem of the correlation of deconstructive
architecture with the architectural and Arabic identity through the end of the 20th
century until 2017. In order to arrive at the definition of the philosophy of
deconstruction architecture and the appropriate relationship between it and the Arab
architectural identity, the study utilizes a qualitative descriptive methodology that tries
to give a generic image of philosophy and characteristics. Deconstruction architecture
attempts to link the positive aspects of architecture and Arab identity through the
analysis of the frameworks of this philosophy of particular architectural works of
various architects who adopt this philosophy of architecture. Responding to the above,
the current study shows that it is better to strip the modern trends and take what suits
the Arab culture.
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Zhang, Ning. "The Role of Ancient Chinese Philosophy in the Designs of Chinese Buildings." Open House International 41, no. 3 (September 1, 2016): 81–85. http://dx.doi.org/10.1108/ohi-03-2016-b0014.
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Buildings are the condensation of the national, ethnic, or cultural identity. They are also the specific materialized form of the national social systems, folk customs, and ideologies. Architectural design and philosophy constitute an isomorphic relationship with each other. This study focuses on the Chinese traditional philosophy. Using Kuanzhai Alley in Chengdu as an example, philosophical expressions, such as “holistic thinking,” “group form layout,” “heaven and man,” “yin–yang and the five elements,” “ancient architecture design,” “good” aesthetic concepts, and “conformal”rationalism, are discussed from the aspects of the selection of the environment, spatial layout, architectural symbol, planning, and design significance. The traditional architectural forms and types are analyzed and interpreted based on the Chinese traditional philosophy. The role of the ancient Chinese philosophy in the Designs of Chinese Buildings is summarized. Traditional ideas on Chinese architecture should be recognized from the aspect of philosophy to propose a new design direction for developing modern Chinese architectural designs.
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Ameen, Sura Kassim, Ibrahim Jawad Al-yusif, and Ali Musa Hussein. "Abstraction the architectural heritage of contemporary local architecture." Iraqi Journal of Architecture and Planning 19, no. 1 (January 28, 2020): 1–12. http://dx.doi.org/10.36041/iqjap.v16i1.490.
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Abstraction is used in architectural and interior design and is based on abstraction with formal values, taking into account the functional aspect of architecture. Architectural heritage represents the cultural value that directly affects successive generations, and embodies cultural values to reflect the social, economic and political aspect that contributes to the advancement of human civilization, and architectural heritage is the basis of architectural thought in societies that have unity. Cultural. He found that the concept of the philosophy of abstraction has multiple views, whether Western and local and dependent on the nature of cultural, social and environmental thought, and for this the aim of the research was to activate the role of the philosophy of abstraction in the formal formations of both the vocabulary of heritage architecture and contemporary architecture by architectural elements, Analysis of international, Arab and local architectural productions, to reach a conscious understanding of the philosophy and thought of abstraction in contemporary heritage architecture, and its spiritual values to reach the essence of things.
The practical study was the analysis of Western and Arab and local projects with heritage architectural values and a practical study compared to them to see which architectural outputs were able to generate heritage values stable from its past in abstract geometric forms reflecting different ideas
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Ameen, Sura Kassim, Ibrahim Jawad Al-yusif, and Ali Musa Hussein. "Abstraction the architectural heritage of contemporary local architecture." Iraqi Journal of Architecture and Planning 19, no. 1 (January 28, 2020): 1–12. http://dx.doi.org/10.36041/iqjap.v19i1.490.
Full textAbstract:
Abstraction is used in architectural and interior design and is based on abstraction with formal values, taking into account the functional aspect of architecture. Architectural heritage represents the cultural value that directly affects successive generations, and embodies cultural values to reflect the social, economic and political aspect that contributes to the advancement of human civilization, and architectural heritage is the basis of architectural thought in societies that have unity. Cultural. He found that the concept of the philosophy of abstraction has multiple views, whether Western and local and dependent on the nature of cultural, social and environmental thought, and for this the aim of the research was to activate the role of the philosophy of abstraction in the formal formations of both the vocabulary of heritage architecture and contemporary architecture by architectural elements, Analysis of international, Arab and local architectural productions, to reach a conscious understanding of the philosophy and thought of abstraction in contemporary heritage architecture, and its spiritual values to reach the essence of things.
The practical study was the analysis of Western and Arab and local projects with heritage architectural values and a practical study compared to them to see which architectural outputs were able to generate heritage values stable from its past in abstract geometric forms reflecting different ideas
11
Shi, Jian He, and Xian Wei Wu. "On the Central Concept of Architectural Philosophy: Art." Applied Mechanics and Materials 174-177 (May 2012): 1892–94. http://dx.doi.org/10.4028/www.scientific.net/amm.174-177.1892.
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Aesthetic taste as the main value of life is the central task of building arts. Artistic characteristics of architecture reflect human glory and always exist in our thousands of years of architectural history. The art pursuit of architecture is still the focus for the public especially architects. Therefore, the central concept of the construction philosophy is the art of architecture.
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Pane, Imam Faisal, Hilma T Fachrudin, Hesti Fibriasari, and Aurora S Lubis. "Reading Sign as a response to an architectural work (Case study: Wisma Garuda)." Britain International of Linguistics Arts and Education (BIoLAE) Journal 2, no. 1 (March 20, 2020): 338–45. http://dx.doi.org/10.33258/biolae.v2i1.204.
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Between objects and observers in the world of architecture have a close relationship. In assessing and appreciating an architectural work it is necessary to synchronize architectural objects as a sign. The sign in question means an architectural work that functions as a sentence that can be read and has a meaning or meaning. The position of an architectural work depends on the observer in appreciating it. In general, this paper explains that an architectural object has an understanding that can be understood by the observer in accordance with the appreciation reached to the observer. The object under study was Wisma Garuda, a budget hotel. Where the hotel applies the concept of experience in architecture, but it reads as Buddhist philosophy by the curator of the Indonesian Pavilion 2018. Even though the architect of the building does not use Buddhist philosophy, based on an analysis of the interconnectedness of Husserl's and Buddha's philosophy it proves that the meaning received by the curator is something natural.
13
Zhao, Zhi Qing, and Li Tao. "Differences of Philosophy and Culture between Chinese and Western Reflected in Construction." Advanced Materials Research 953-954 (June 2014): 1533–36. http://dx.doi.org/10.4028/www.scientific.net/amr.953-954.1533.
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Globalization had the great influence on architectural culture. Rational and fighting spirit, the individual and subject consciousness, religion and willpower of Western culture were represented on buildings. And Confucianism and Taoism, with other various internal and foreign Buddhist, complement each other, became the main line of ancient China thought, were penetrated and cohered in all aspects of Chinese buildings. In the globalized world, the architect should explore the rational core and objective laws of architectural development, and consciously promote the continuous development of traditional regional architecture, activate special cultural value of regional architecture. Based on the absorption, blend and innovation of both ancient and modern, Chinese and foreign architectural excellence culture, the Chinese architectural culture will be full of vitality.
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Miao, Dongsheng. "On Qian Xuesen’s Architectural Philosophy." JOURNAL OF ENGINEERING STUDIES 2, no. 4 (January 19, 2011): 324–32. http://dx.doi.org/10.3724/sp.j.1224.2010.00324.
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Zhang, Rui, and Ben Zhao Yang. "Intelligence Evolvement and Overall Design of Architecture Originality." Advanced Materials Research 255-260 (May 2011): 1484–88. http://dx.doi.org/10.4028/www.scientific.net/amr.255-260.1484.
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According to the developing process of full lifecycle design service in architecture development and the dynamic and adaptive process of central design, the paper illustrates the idea that architecture originality takes quietness as its carrier and dynamics as its originality, and put forward that intelligent evolvement process of architectural design is a inexorable trend; through stating the architectural design ideas based on Chinese philosophy system, the originality of “Smart Architecture” based on Chinese speculative philosophy system is fixed, which can offer solid theoretical research basis for the development of architecture nationalization and globalization.
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Winters, Edward, and Marco Frascari. "Monsters of Architecture: Anthropomorphism in Architectural Theory." Philosophical Quarterly 43, no. 171 (April 1993): 251. http://dx.doi.org/10.2307/2220380.
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Vesnic, Snezana. "What is an architectural concept? The “concept” of Deleuze and “project” of Eisenman." Filozofija i drustvo 28, no. 4 (2017): 1122–35. http://dx.doi.org/10.2298/fid1704122v.
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Two great theories - one in philosophy, one in architecture - emerge nearly simultaneously in the twentieth century: Gilles Deleuze?s understanding of the ?concept,? that is, defining philosophy as an activity that produces concepts, and Peter Eisenman?s idea of the ?project? as a platform, ?position,? or ?theory? of an architect. My intention is to suggest and problematize the idea of the concept as ?capacity? or ?potentiality? implying the production of a multitude of ?concepts? or varying ?conceptions.? Deleuze?s great significance for architecture of this century allowed for the construction of the ?concept? as ?author?s potential,? the source of activity and creative architectural acts. An architectural concept, determined in the course of the text, and thanks to which architectural terminology is redefined, could potentially be quite useful in philosophy and theory of the subject.
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Jász, Borbála. "Architectural Theory and Analytic Philosophy in the Interwar Period." Acta Universitatis Sapientiae, European and Regional Studies 14, no. 1 (December 1, 2018): 41–53. http://dx.doi.org/10.2478/auseur-2018-0010.
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Abstract The basis of the connection between analytic philosophy and architecture theory was developed in the interwar period. The results of analytic philosophy – especially the neo-positivism of Vienna Circle – and modern, functionalist architecture theory were utilized in an interdisciplinary approach. The comparison was based on language puzzles, science-based building processes, the method of justification and verification, and designing an artificial language in order to express the theoretical (philosophical) and the practical (architectural) approach as well. The functionality was based on the modern way of architectural thinking that relied on the results of Carnapian neo-positivism. Interpreting modern architecture is possible by referring to the keywords of logical positivism: empiricism, logic, verification, unity of language, and science. In my paper, I first list the bases of the comparison between the philosophy of the Vienna Circle and the architecture theory of the interwar period – the Bauhaus and Le Corbusier. In the 2nd and 3rd sections, I show the dialectical succession between form and function. After that, I discuss the aesthetic verification of the turn of the century and the scientific justification of the interwar period. I focus on the interwar period with the positivist approach and the theory of the ‘new architecture’. I emphasize the importance of the language of science and the machine paradigm – in contrast to historicism.
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Negulyaeva, T. V., and S. F. Dyadchenko. "Architecture and philosophy of antiquity: The formation of classical architecture." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 23, no. 1 (February 26, 2021): 73–84. http://dx.doi.org/10.31675/1607-1859-2021-23-1-73-84.
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The classical architecture is being constantly developed in time, and, consequently, is relevant nowadays. The paper deals with the development of classical architectural in antiquity up to the present time. This is necessary for further study of modern architecture. The aim of this work is to identify the most stable formation of the classical antique architecture. Scientific novelty lies in the systematic approach to the studying the evolution of ancient architectural theory, taking into account a variety of external factors and based on ancient philosophy. The main level of scientific knowledge is a theoretical (historical) method, which involves a study of graphic and textual information covering the era as well as a systematic analysis of the material for the identification of basic principles of the antique architecture. It is shown that the main principles of the antique architecture are being developed in a close connection with philosophy, and determine the further development of the classical direction in architecture.
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Suharjanto, Gatot. "Konsep Arsitektur Tradisional Sunda Masa Lalu dan Masa Kini." ComTech: Computer, Mathematics and Engineering Applications 5, no. 1 (June 30, 2014): 505. http://dx.doi.org/10.21512/comtech.v5i1.2644.
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It is known that traditional architectures are a product of human conception full of culture and philosophy, while modern architectural concepts prioritize functionality and simplicity that tends to be simple or quick. Now the architectural concept slowly changes according to the conditions of time, then so is the existence of works of architecture that also changes. This condition can be found in almost major cities in Indonesia, where many houses or buildings built still in traditional architecture theme but combined and matched with modern architecture concept. One of many diverse cultures of Indonesia archipelago architecture that has evolved is West Java. There are a lot of people trying to apply the concept of Sundanese traditional house in their residence. Shifting sacred values in traditional concept seems indeed to be lost along with the differences in modern human civilization.
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Cukic, Iva, Ksenija Pantovic, and Jasna Kavran. "Methodology and philosophy of architecture and urban planning: Analysis of three methodological models in the field of architectural discourse." Facta universitatis - series: Architecture and Civil Engineering 13, no. 2 (2015): 87–96. http://dx.doi.org/10.2298/fuace1502087c.
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Architecture reflects on itself since Vitruvius, but it is difficult to define its epistemological base, so interpretations are sometimes developed in other disciplines. Thinking about architecture is about reflection on and extension of architectural concepts, cultural practices, and interrelated areas of art, philosophy, politics, etc. Incompleteness of understanding is obvious, and it points us toward a paradigm of complex thinking. Contemporary theoretical field of architecture is largely a product of postmodern architectural thought. This paper examines the position from which to build a modern architectural phenomenological opinion through three methodological models - creative, emotional and rational. This research should contribute to the way of understanding contemporary architectural phenomenon, with the intention of providing a general level of credibility and understanding in order to open the possibility of methodological application for a specific job or field.
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Blagojević, Ljiljana. "Architecture utopia realism: Thematic framework." SAJ - Serbian Architectural Journal 6, no. 3 (2014): 138–45. http://dx.doi.org/10.5937/saj1402138b.
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The term or concept of realism seems to be recurring in recent theoretical inquiries, from debates in philosophy and aesthetics to those in theory and practice of architecture. Since 2000, the architectural discourse has been concerned with a wide range of related issues coming from its own post-critical debates on utopianism and realism and the possibility of an 'utopian realism', as suggested by Reinhold Martin (2005). The debates on realism resonate in the architectural theory anew as a reflection on the Manifesto of New Realism by the philosopher Maurizio Ferraris from 2011. The questions of realism vs. postmodernism, "new realism" on the ashes of post-modernism, critical and operative notions of realism and the like, have been asked both through practices of contemporary architecture and through reconsideration of the socialist realism in history and theory of architecture. The thematic issue of SAJ: Architecture Utopia Realism aims to further the ongoing discussion on the relations of architecture with realism and utopia
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Li, Xu, Su Liu, and Zhi Mong Peng. "A Study on the Architectural Aharacteristic of Nanyue Temple under the Influence of Different Cultures." Advanced Materials Research 671-674 (March 2013): 2170–73. http://dx.doi.org/10.4028/www.scientific.net/amr.671-674.2170.
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The study explores the architectural characteristics of the Nanyue Tmeple in three aspects: The influence of religions culture, culture of sacrifice and folklore, and Chinese traditional philosophy of nature. The results show that the architectural characteristics of the temple can be summarized as the followings- Samgharama principle used in the site planning; open space inside and close outside; architectural details and materials adopted from vernacular architecture.
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Goel, Amit. "The Philosophy of Software Architecture." International Journal of Web Portals 2, no. 4 (October 2010): 28–39. http://dx.doi.org/10.4018/jwp.2010100103.
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Computer Software Intensive systems have become ingrained in our daily life. Apart from obvious scientific and business applications, various embedded devices are empowered with computer software. Such a diverse application of Computer Software has led to inherent complexity in building such systems. As civilizations moved forward, the concept of architectural thinking and practice was introduced to grapple with the complexity and other challenges of creating buildings, skyscrapers, townships, and cities. The Practice of Software Architecture is an attempt to understand and handle similar challenges in Software Intensive Systems. This paper introduces software architecture and the underlying philosophy thereof. This paper provokes a discussion around the present and future of Software Architecture. The authors discuss skills and roles of Software Architect.
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Dragisic, Maja, and Andjelka Bnin-Bninski. "The application models of the topological principle of continuous deformation in the architectural design process." Facta universitatis - series: Architecture and Civil Engineering 15, no. 3 (2017): 453–64. http://dx.doi.org/10.2298/fuace161115035d.
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Architecture and geometry share a mutual history, and their relationship precedes the introduction of digital and computer technologies in architectural theory and design. Geometry has always been directly related to the modalities of thinking in architecture through the problems of conceptualisation, representation, building, technology. Through the historical overview of these two disciplines, it is possible to perceive direct influences of geometry on the architectural creative concepts, formal characteristics of architectural works, structural aspects, and building methods in architecture. However, the focus of this paper is not on the representation of historical intertwining of these two disciplines, which is indisputable, it is on the attempt to represent one specific bond between topology and architecture, firstly through the explanation of the principle of continuous deformability, and secondly through the representation of the models through which the principle occurs in the architectural design process, as well. The first part of this work will introduce and analyse the transition of concepts of continuity and deformability, from mathematical topology through philosophy to architecture, while the second part of the work will explain two models in detail, formal and systematic, through which the principle of continuous deformation is applied in certain architectural design practices. Overall, this work deals with the interpretation of the principle of continuous deformation in architecture and it shows in which way the architectural discourse changes the meaning of a mathematical-philosophical notion and turns it into a design methodology of its own. The subtlety of the question Bernard Tschumi asks about space illustrates the need to thoroughly investigate interdisciplinary relation between architecture, philosophy, and mathematics: ?Is topology a mental construction toward a theory of space?? (Tschumi, 2004, p.49)
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Hahn, Robert. "Architectural Technologies and the Origins of Greek Philosophy." Revista Archai, no. 29 (March 31, 2020): e02903. http://dx.doi.org/10.14195/1984-249x_29_3.
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In this essay on ancient architectural technologies, I propose to challenge the largely conventional idea of the transcendent origins of philosophy, that philosophy dawned only when the mind turned inside, away from the world grasped by the body and senses. By focusing on one premier episode in the history of western thinking – the emergence of Greek philosophical thought in the cosmic architecture of Anaximander of Miletus – I am arguing that the abstract, speculative, rationalising thinking characteristic of philosophy, is indeed rooted in practical activities, and emerges by means of them rather than in repudiation of them. The spirit of rational inquiry emerged from several factors but the contributing role of monumental architecture and building technologies has been vastly under-appreciated. In the process of figuring out how to build on an enormous scale that the eastern Greeks had never before tried, the architects discovered and revealed nature’s order in their thaumata, the very experience with which Aristotle claims that philosophy begins. Ancient architecture and building technologies were on display for decades with monumental temple building. In front of Anaximander and his community, a new vision of nature spawned that, surprisingly, humans could grasp and command. The building of these thaumata, these objects of wonder, offered proof of the human capacity to control nature, and opened a new vision of our human rational capacity to understand the world and our place in it.
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YASUOKA, Yoshifumi. "ON THE RELATIONSHIP BETWEEN THE ARCHITECTURAL PHILOSOPHY IN VITRUVIUS' “DE ARCHITECTURA” AND THE SURROUNDING ARCHITECTURAL CULTURES." Journal of Architecture and Planning (Transactions of AIJ) 82, no. 736 (2017): 1581–89. http://dx.doi.org/10.3130/aija.82.1581.
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Ahmad, Anisah Bahyah Hj, and Wan Kamal Mujani. "AN EVALUATION OF THE EARLIEST THOUGHT AND PHILOSOPHY ON MOSQUES IN MALACCA." Humanities & Social Sciences Reviews 7, no. 4 (September 24, 2019): 538–41. http://dx.doi.org/10.18510/hssr.2019.7472.
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Purpose of the study: This study discusses architectural thought and philosophy that focus on traditional mosques in Melaka in the 18th century. Amongst the oldest and most famous mosques in Melaka are the Peringgit Mosque (1720 AD), Kampung Hulu Mosque (1728 AD), Tengkera Mosque (1728 AD) and Kampung Keling Mosque (1748 AD).
Methodology: In this study, the qualitative methodology focusing on research was used where the analysis of documents and observations were conducted.
Main Findings: The finding of this study revealed that the architectural philosophy shows human relationships with nature are based on the divine concept. The architectural features also illustrate the philosophy of human life and the beauty of the architecture illustrates the height or level of values in individuals. The beauty of the mosque is highlighted through the motifs in the mosque’s decorations which have no contradiction to Islamic values.
Applications of this study: This study involved two historical mosques in Melaka, which are the Tengkera Mosque (1728 AD) and Kampung Hulu Mosque (1728 AD).
Novelty/Originality of this study: These mosques have been directly influenced by the characteristics of Islamic, Chinese and Indian architecture; in the context of building structures, designs and decorations. This study showed that although the Islamic community was influenced by external elements, they were an open-minded community and willing to accept and adapt to such influence.
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ORLOV, Dmitry N., and Natalia A. ORLOVA. "«THEORY OF ARCHITECTURE» OF A. I. NEKRASOV IN THE CONTEXT OF THE PHILOSOPHY OF SPACE." Urban construction and architecture 7, no. 4 (December 15, 2017): 115–21. http://dx.doi.org/10.17673/vestnik.2017.04.20.
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The article gives a brief overview of the main philosophical and cultural approaches to the problem of space in architecture. There are three main approaches - utopian (or hypothetical), normative, and refl ective. The importance of professional architectural discourse on the subject as one of the most complete is emphasized. The famous work of A. Nekrasov “Theory of architecture” which presents a holistic, detailed, allowing extrapolation of new historical material, the concept of evolution of architectural form and space is discussed. Analysis of the work of Nekrasov is given in the context of his philosophical concepts. The assumption about cultural interdisciplinary importance of the work of Nekrasov is put forward with the aim of involving architecture into the general cultural discourse of culturologists and philosophers.
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Stevanović, Vladimir, and Andrea Raičević. "Aesthetics of unspoken: Architectural form and visible boundary of language." SAJ - Serbian Architectural Journal 9, no. 2 (2017): 121–32. http://dx.doi.org/10.5937/saj1702121s.
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Stonborough House is a house in the heart of the city of Vienna that was, apart from architect Paul Engelmann - a disciple of Adolf Loos, designed and constructed by philosopher Ludwig Wittgenstein, at the suggestion of his sister Margaret Stonborough-Wittgenstein. In an attempt to connect Wittgenstein's philosophy with his work as an architect, the Stonborough House has often been named 'a visible form of his teaching'. Therefore, this paper intends to point out that translation into a substitute language of architecture became a meaningful way of addressing philosophical issues, and that the credo of Wittgenstein's philosophical ethics, which was restraint from the redundant, found articulation of its aesthetic value through architectural rhetoric.
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Karpov, S. V. "Philosophy of architecture as an ethical and aesthetic foundation of architectural practice." Gumanitarnye vedomosti TGPU im. L.N. Tolstogo, no. 2 (2021): 77–83. http://dx.doi.org/10.22405/2304-4772-2021-1-2-77-83.
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Anatoliev, Mitko. "Some Public Buildings of Vasilyov-Tsolov Architectural Bureau." Sledva : Journal for University Culture, no. 41 (August 20, 2020): 104–10. http://dx.doi.org/10.33919/sledva.20.41.15.
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After a short survey of influences of German architecture on the formation of Bulgarian architectural scene after the Liberation (1878), the paper focuses on the interwar period known for its architectural practices, consisting of two leading architects. The influence of the modernist movements from this period on the classical architecture of the state and public buildings in Bulgaria is traced through the history of Vasilyov-Tsolov Architectural Bureau, its formation and philosophy. The article presents four examples of their significant projects, which are the pinnacle of their careers and largely shape the urban look of Sofia city center, having become its symbols, namely: St. Nedelya Church, Sofia University Library, the National Library, and Bulgarian National Bank.
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Jadrešin-Milić, Renata, and Catherine Mitchell. "The death of aesthetics in architectural education? Possibilities for contemporary pedagogy." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 553–70. http://dx.doi.org/10.5937/saj1903553j.
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The importance of aesthetics within architecture has a long history. Although evidence suggests that the term was not brought into architectural writing until 17351 , the place of aesthetics can be identified across architectural theory and philosophy since the time of Vitruvius. Developing an aesthetic sensibility was seen as crucial for an architect and the study of architecture was understood through the three Vitruvian lenses (utlitas, firmitas, venustas) one of which, venustas, is directly associated with aesthetics. This paper responds to the current and ongoing discussions between architects, architectural educators and architectural students on the role of aesthetics in architectural education and professional practice today. It was initially inspired by questions raised at the 2017 and 2018 annual conferences of the Society of Architectural Historians (SAH 2017 and 2018) about the role of architectural history in architectural design and practice today, and in line with this, questions about place of aesthetics in architectural education. This paper considers the place of aesthetics in architectural education and provides a detailed overview of the key pedagogical interventions undertaken in one architectural studies programme which might serve as a guide for educators interested in maintaining the place of aesthetics in contemporary architectural education. It suggests that aesthetics can continue to play a key role in the architectural curriculum whilst a focus on design problem-solving and achieving the contemporary educational requirements of accreditation is maintained.
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Jobst, Marko. "Gilles Deleuze and the Missing Architecture." Deleuze Studies 8, no. 2 (May 2014): 157–72. http://dx.doi.org/10.3366/dls.2014.0141.
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This essay combines experiential writing, quotes from Virginia Woolf's novel The Waves and Gilles Deleuze's philosophy in order to indicate that architecture remains a largely overlooked instance of the world. This is particularly problematic in the context of the question of immanence, which can be understood to lie at the core of Deleuze's philosophy. Architecture's relation to thought is discussed here via Deleuze's writing in Difference and Repetition and pursued in conjunction with Simone Brott's notion of architectural ‘effects’. Rather than seeing encounters with architecture as the site of recognition of the habitual and routine, our experience of architecture-as-world should be understood to ceaselessly contribute to the emergence of thought. Brian Massumi's writing offers one potential direction to pursue, via the notion of the diagram tied to experience before it is fed into the loop of architectural design and its accompanying representational techniques.
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Šuvaković, Miško. "Revisionist philosophy of architecture: Fundamental dispositives." SAJ - Serbian Architectural Journal 6, no. 1 (2014): 119–35. http://dx.doi.org/10.5937/saj1401119q.
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The discussion points to the issue of defining and re-defining the notion of the "critical theory". The notion of critical theory has been considered since the introduction of the notion at the Institute for Social Research in Frankfurt until the modern, postmodern and contemporary theories of critical and decentering of the critical. The notion of critical theory is associated with the problem of politicization of architecture and urbanism. It is pointed to the case of critical theory of the Frankfurt circle. Particular attention is paid to the art/architecture theory of Theodor Adorno and to the theory of architecture and urbanism of Walter Benjamin. Adorno's critique of architectural functionalism has been considered. It is discussed about methodological approach to Benjamin's analysis and the debate on Paris as metropolis. The aim of the discussion is to indicate to transformations and modalities of critical theory in modernism, post-structuralism, postmodernism and contemporary global neoliberalism.
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Igibayeva, M. S., and R. U. Chekayeva. "Determination of virtual reality as an architectural tool." BULLETIN of L.N. Gumilyov Eurasian National University. Technical Science and Technology Series 134, no. 1 (2021): 50–57. http://dx.doi.org/10.32523/2616-7263-2021-134-1-50-57.
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The subject of study is the phenomenon of "virtual reality" in architectural industry. The article provides an overview of VR (virtual reality) ideas in the connection with science, philosophy and architecture. The flow of metaphorical content at various levels of the humanitarian approach is examined in detail. The article focuses on the theoretical issues of the emergence of the term, the characteristic features of VR and interaction with architectural foundations, as a new trend, both philosophical and fundamental theories. Also, there is considered a new concept of digital and technical thinking as a modern innovative method of researching shaping within the boundaries of virtual reality. The article presents difference between "3D" architecture, virtual architecture, and augmented reality.
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Stevanović, Vladimir. "Implications of Vattimo's 'Verwindung' of modernism in architectural theory." SAJ - Serbian Architectural Journal 7, no. 2 (2015): 157–72. http://dx.doi.org/10.5937/saj1502157s.
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In the postmodern era, besides new approaches to architectural practice, substantial changes happen in architectural textual production owed to the inflow of the postmodern transdisciplinary theory in architectural discourse. Theorists, critics and historians of architecture gladly use the contribution from philosophy, political sciences, sociology, art theory and literary criticism to categorize and explain postmodern architectural styles or tendencies, no longer unifying them exclusively by means of formalistic aspects dating from the same period. Now, topics and paradigms from various postmodern theories are being implemented and thus created the phenomenon of the translation of a theory into an instrument of architectural purpose. In most cases, theoretical outlooks serve as a cover which the theorists of architecture use to formulate the poetics of architects, proclaim desirable models of reception, and develop the stance on the disciplinary and socio-historical contexts. However, it becomes interesting when the same architectural works of a single or several architects are differently interpreted by different theorists of architecture. The paper examines these premises on a specific example, which is: 1) demonstrated in practice by Catalan architecture of the 1980s; 2) the point of convergence between de Solà-Morales, Rossi and Frampton; 3) underlain by Vattimo's philosophical concept of Verwindung of modernism.
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Mako, Vladimir. "An Islamic numerical interpretation of Hagia Sophia at Constantinople." SAJ - Serbian Architectural Journal 11, no. 2 (2019): 247–62. http://dx.doi.org/10.5937/saj1902247m.
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Ideas regarding aesthetical thinking on architecture developed through history a number of interpretations addressing its cultural and social importance. These interpretations appear as formations of possible worlds of meanings, structured through human power of imagination and reaching impressive levels of creative comprehension what architectural structure can reflect by its meaningful essence. The paper explores one of such possible world of meanings, given in a form of numerical interpretation of the architectural structure of Hagia Sophia in Constantinople. Beside its complex and hermeneutic nature, the analyzed document reveals a highly sophisticated level of interactions of various cultural elements. They are composed into a whole which idealistic and poetic nature seems to be based on cosmopolitan approach to philosophy, religion, and human capability to comprehend the divine essence of creativity. It reminds us on the very nature of the intercultural nature of philosophic interpretation of architecture as a living condition of aesthetic thinking. Moreover, the document discussed in this paper, shows that such a fascination with architecture is not exclusive to the contemporary aesthetic thought, but represents one of the historical fundaments of that what social and cultural communication in architecture is.
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Caldarola, Elisa. "Architecture and Sites." Croatian journal of philosophy 21, no. 61 (May 21, 2021): 5–23. http://dx.doi.org/10.52685/cjp.21.1.1.
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Several contemporary architects have designed architectural objects that are closely linked to their particular sites. An in-depth study of the relevant relationship holding between those objects and their sites is, however, missing. This paper addresses the issue, arguing that those architectural objects are akin to works of site-specific art. In section (1), I introduce the topic of the paper. In section (2), I critically analyse the debate on the categorisation of artworks as site-specific. In section (3), I apply to architecture the lesson learned from the analysis of the art debate.
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López-Chao, Vicente, and Antonio Amado Lorenzo. "Architectural Graphics Research: Topics and Trends through Cluster and Map Network Analyses." Symmetry 12, no. 12 (November 24, 2020): 1936. http://dx.doi.org/10.3390/sym12121936.
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Graphic representation is a fundamental language in architecture and engineering because it facilitates the communication of any type of information. Therefore, professionals and students need continuous and updated training, with scientific references being the best source of knowledge. However, accessing the latest findings is a complex process for people in the professional world or without an extensive research background since there are no specific filters in the databases, such as architectural graphics. This manuscript aims to define the research topics and trends in architectural graphics as a point of reference for novel professors and new researchers in graphics or drawing. A database on the Scopus-indexed scientific production of the professors of architectural graphics from public architecture schools in Spain has been developed. Furthermore, cluster and map network analyses have been performed using VOSviewer with different levels of co-occurrence to define what this group of academics investigates and how the issues are related. The results evidenced a structure in four categories: the philosophy and theory of architectural graphics, the theory of geometry in architectural heritage, the application of digital graphics in architecture education and urban design management. Research gaps are mentioned and a base framework for the future of research in architectural graphics is proposed.
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O'Hear, Anthony. "Historicism and Architectural Knowledge." Philosophy 68, no. 264 (April 1993): 127–44. http://dx.doi.org/10.1017/s0031819100040201.
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Even today, apologists for modernist and post-modernist architecture frequently appeal to what, following Sir Karl Popper, I will call historicist arguments. Such arguments have a particular poignancy when they are used to justify the replacement of some familiar part of an ancient city with some intentionally untraditional structure; as, for example, when a familiar nineteenth century block of offices in a prime city site is swept away to make room for something supposedly more fitting to the ‘new millennium’, a ‘twentieth century contribution to monumental architecture’, a building ‘of substantial importance to the present age’. Similarly, those architects or consumers of architecture who fail to conform to whatever stylistic demands the age is held to demand are marginalized in many supposedly serious discussions of architecture, and made to feel out of place and out of time.
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Albasyoni, Marwa Elsayed Mohamed. "Islamic architectural ecological philosophy in contemporary Egyptian residence." Academic Research Community publication 4, no. 1 (February 24, 2020): 101. http://dx.doi.org/10.21625/archive.v4i1.736.
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The research discusses the relation between the modern ecological design trends and the preservation of the identity taking advantage of the ecological Islamic design in contemporary Egyptian residence, where the research aims to avoid interior designs that help to drain energy and resources, polluting the environment and adverse impact on human health, also it aims to philosophy preservation of Islamic content in interior design re-using Islamic vocabulary environmental substances in the contemporary Egyptian residence. Finding the formulation of the contemporary Egyptian residence design by Islamic heritage vocabulary with its environmental content.
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Bianco, Lino. "From Poetics to Metapoetics: Architecture Towards Architecture." Balkan Journal of Philosophy 10, no. 2 (2018): 103–14. http://dx.doi.org/10.5840/bjp201810212.
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An undiscovered chapter in the history of architecture comes from the ex-Soviet Republic of Georgia. Poetics of Architecture is the name given to the studioworkshop at the Georgian Technical University set up by the Georgian architect Shota Bostanashvili (1948–2013). From 1990 until his death he delivered insightful, playful and rather provocative lectures on architecture at this university. He preferred to call his architectural philosophy, critical discourse on architecture. Themes ranged from poetics to metapoetics of architecture. His philosophy of architecture is illustrated by some of his designs and executed projects which demonstrate a drift from existentialism to the philosophy of play. This study includes reference to his last building, a project whose demolition Bostanashvili witnessed before passing away. Based on the concept of the return of the sacred, this edifice was a sort of counter movement to technogenic architecture.
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Bakir, Solaiman, Melania L. Pandiangan, Genie Anggita, and Rangga Alexander. "INTERPRETASI TEORI DELEUZE DAN GUATTARI DALAM ARSITEKTUR." ATRIUM Jurnal Arsitektur 1, no. 2 (June 6, 2020): 123–33. http://dx.doi.org/10.21460/atrium.v1i2.44.
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Title: Interpretation of Deleuze and Guattari Theories in Architecture
Philosophy influenced all architects through theories of philosophy which is it acted as a set of the idea to practice in design. It is can be looked at the contemporary architectural trend which trying to demonstrated the deconstruction philosophy through architecture style, or it is can be observed in architecture literature which trying to adopt the philosophy of phenomenology and so forth. These examples revealed that there are relationship between philosophy and architecture. So, In this case, the philosophy become very important and then to be an alternative in term of exploration and searching the new concepts of creation of architecture. Both of Gilles Deleuze and Felix Guatari are thinkers or philosophers that revolutionary. Their thought influenced architecture although not so much whom that directly apply their work. In this paper, we try to interprete their toughts which covered Desire-Machine Concept, Territorialization- Deterritorializatiion-Reterritorialization Concept, and Rhizome-Tree Concept as well as its application in the field of architecture. It can be an image or an idea of design.
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Ma, Ting, Nong Wu, Zhi Xiong Yang, and Yue Xi Ai. "A Study on the Colors of the New Tang Dynasty Architectural Style." Applied Mechanics and Materials 438-439 (October 2013): 1786–90. http://dx.doi.org/10.4028/www.scientific.net/amm.438-439.1786.
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As the outerwear of a building, its color is one of the most significant features of a city. During thousands years of development the colors not only served for protection and decoration, but have been endowed with many intensions in the field of philosophy, politics, religion, culture and so on. Hence there has been formed a unique and integrated culture of colors. As many other cities, Xian is faced with the problem of maintaining its feature in the course of its development. On the basis of protecting the original style and features of the old town, delivering the profound cultural deposits, exploring the connection between traditional culture and modern architectural creation has become a common starting point for the architects in Xian. Based on the culture of Tang dynasty, the new Tang dynasty architecture is a bold attempt to shape a modern city and is also a direct reflection of the architects feeling about Chinese traditional architecture. In this paper, the writer studied the relationship between the colors of the new Tang dynasty architectural style and the creation of the modern Xian architecture from the point of architectural history and architectural design. Also, the paper explored its impact and inspiration on the modern architectural creation of Xian from the perspective of time feature. Moreover, it disclosed the value of the new Tang dynasty architectural style in a modern way and provided references, enlightenments and new ideas for the modern architectural creation in a historic city.
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Nekrošius, Liutauras. "PARALLELS OF EUROPEAN STRUCTURALISM IDEAS IN LITHUANIAN ARCHITECTURE." JOURNAL OF ARCHITECTURE AND URBANISM 30, no. 3 (June 30, 2006): 111–24. http://dx.doi.org/10.3846/13921630.2006.10697072.
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One of the most controversial periods of architectural history, which has been identified with avant-garde of philosophy, art, music and science, in Lithuania is laconically described as soviet modernism. One of contemporary architectural phenomena, which is characterized as a part of soviet modernism, is structuralism. In Lithuania it developed as a reaction to creative results of a modernistic style. The text concentrates on one segment of a wider research of structuralism ideas in contemporary Lithuanian architecture. The paper discusses the basic concepts of structuralistic architecture and their genesis, reviews the manifestation of these ideas in Lithuania and other European countries. Attention is paid to ideas which determined changes in townscape. Supposedly, such a review will help to define peculiarities in the genesis and development of structuralistic tendencies in Lithuania and understand their influence on architectural development in the country.
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Stępnik, Małgorzata. "The House that Lars Built. The Architecture of Transgression." Arts 9, no. 4 (December 8, 2020): 127. http://dx.doi.org/10.3390/arts9040127.
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This article discusses the motif of the “architecture of transgression”, which is present most implicitly, in Lars von Trier’s The House that Jack Built. The analysis concerns both the construction of cinematic narrative itself and the subtle allusions, inserted in the script, to two architectural metaphors: the Nietzschean (and Jungian) labyrinth and the Heideggerian die Hütte. Von Trier’s film may be read as an oeuvre immersed in literary tradition—from Dante’s Divine Comedy to the modern Bildungsroman—as well as inspired by modern philosophy, particularly George Bataille’s philosophy of transgression, (as expound in his Erotism and his short 1929 essay on Architecture).
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Yurieva, A. V. "The Problem of Temporality in the Architectural Heritage." Discourse 6, no. 5 (November 30, 2020): 16–28. http://dx.doi.org/10.32603/2412-8562-2020-6-5-16-28.
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Introduction. As a spatial art, architecture is related to the past, the present and, thanks to its monumentality, is fixed in the foreseeable future. As the history of the study of the categories of space and time in the history of philosophy and science shows us, it is possible to obtain significant results only in the process of their synthetic study. In contemporary studies on the philosophy of architecture we most often encounter close attention to the category of space, which is quite natural. However, the category of temporality is no less important for understanding the architectural heritage.Methodology and sources. The methodological basis of the work is historical, cultural, and semiotic analysis. The main approach is interdisciplinary. The sources used were philosophical texts related to the problem of time (P. P. Gaidenko, V. I. Ukolova, A. Ya. Gurevich, A. N. Loy, K. N. Pavlyuts, V. N. Finogentov), theoretical works on architecture (A. V. Nekrasov, K. Nornberg-Schultz, N. A. Ladovsky, Z. Gidion, A. Rappoport), as well as materials in which architects reveal the essence and specifics of their professional activities (R. Bofill, D. Libeskind).Results and discussion. In philosophy, temporality is understood as a collective concept that includes several components. The results of the study are the following conclusions: for the perception of architectural space, the temporal characteristics of both the object and the subject are important; the concept of historical memory contained in the heritage of architecture must be approached as carefully as possible; in temple architecture, through the stability of spatial solutions, the temporal characteristics of the object are preserved; at transitional moments of time, there is often a change in style and its temporal characteristics.Conclusion. Along with the category of space, the category of time in architecture is essential, and should not be of secondary importance in the analysis, development, renovation or preservation of any buildings. The history of architecture shows us the depth and complexity of the category of temporality at different levels. It turns out to be promising to study this problem in an interdisciplinary approach, since it is no longer enough to research it only from the point of view of objectively real forms of existence of matter. There is a need to consider it from the point of view of philosophical and socio-cultural interpretation.
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Bonicco-Donato, Céline. "Déconstruction philosophique et déconstructivisme architectural." Archives de Philosophie 83, no. 2 (2020): 125. http://dx.doi.org/10.3917/aphi.832.0125.
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Winters, Edward. "TECHNOLOGICAL PROGRESS AND ARCHITECTURAL RESPONSE." British Journal of Aesthetics 31, no. 3 (1991): 251–58. http://dx.doi.org/10.1093/bjaesthetics/31.3.251.
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