Relevant bibliographies by topics / Architectural photography – United States

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Architectural photography – United States'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Architectural photography – United States"

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Cartwright, Derrick R. "Constructing Visibility: Esther Born’s Photography beyond the Archives." Život umjetnosti, no. 111 (July 2023): 96–105. http://dx.doi.org/10.31664/zu.2022.111.08.

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Esther Baum Born was an American photographer who worked in both the United States and Mexico. Beginning in the 1920s, she exhibited her work regularly in New York galleries and saw her photographs published in a broad spectrum of architectural journals. Born’s book, The New Architecture in Mexico (1937), stands as an undisputed monument to her creative insights and a respected source for cutting-edge ideas about modern building. Less well known to the scholarly community are the sensitive portraits that Born took of her own artistic milieu: Frida Kahlo, Diego Rivera, and Frank Lloyd Wright, t
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Akdağ, Fazil, Fatma Betül Künyeli, and Murat Çağlar Baydoğan. "BEYOND THE LENS: A BIBLIOMETRIC JOURNEY THROUGH ARCHITECTURAL PHOTOGRAPHY RESEARCH." Turkish Online Journal of Design Art and Communication 15, no. 3 (2025): 1046–70. https://doi.org/10.7456/tojdac.1674146.

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This study presents a bibliometric analysis to map academic trends, collaborations, and thematic developments in architectural photography using VOSviewer and Biblioshiny software. Based on 470 publications retrieved from the Web of Science (WoS) database, the analysis explores the intellectual structure of architectural photography research through keyword co-occurrence, citation networks, and bibliometric coupling. The findings reveal a significant increase in academic interest over the past two decades, highlighting the growing interdisciplinary connections of the field with cultural herita
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Harris, Dianne. "The Lens of Race: Whiteness and Architectural Photography at Case Study House #22." Journal of the Society of Architectural Historians 83, no. 3 (2024): 358–73. http://dx.doi.org/10.1525/jsah.2024.83.3.358.

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Abstract Julius Shulman’s 1960 photograph of Case Study House #22 is one of the most famous architectural images of the twentieth century, yet it has received little critical scrutiny. This article examines Shulman’s photograph to demonstrate the ways this iconic image of residential architecture is deeply intertwined in the production and reproduction of ideas about race in the United States. It scrutinizes how such an image may be complicit in the formation of white supremacy and urges architectural historians to recognize that structures that have permitted the harms and violence of racism
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Daniel, Díez Martínez. "Objetivo moderno. La fotografía de Julius Shulman y la construcción de la imagen de la arquitectura del sur de California = Objective Modernism. Julius Shulman's photography and the construction of the image of Southern California architecture." rita_ Revista Indexada de Textos Académicos, no. 2 (October 11, 2014): 62–67. https://doi.org/10.24192/2386-7027(2014)(v2)(01).

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A Julius Shulman le correspondió, casi en exclusiva, la labor de cronista gráfico de la arquitectura moderna en el sur de California. Consciente de la dificultad de hacer ver al público la belleza de estas construcciones, Shulman desarrolló un lenguaje propio con un marcado sentido escenográfico, un encuentro entre la fotografía arquitectónica clásica y la publicidad contemporánea inspirada en la cultura pop en la que la colocación de los muebles en intervalos estratégicos, la iluminación, la elección y
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Lazcano López, Jesús. "The filmic space of the Overlook Hotel in the Shining through the sets." Cuadernos de Proyectos Arquitectónicos, no. 11 (December 27, 2021): 102–5. http://dx.doi.org/10.20868/cpa.2021.11.4833.

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AbstractFor the construction of the Overlook Hotel (The Shining, 1980) Stanley Kubrick recreates, at Elstree Studios in London, 1:1 scale replicas of different fragments of hotels, motels, and vacation resorts scattered throughout the United States. Through a meticulous work of observing photographs and making models, sets of the different areas that make up the hotel are built. Kubrick composes an architecture that emerges from a fragmentary, constructed and assembled body which, through the narrative possibilities offered by the Steadicam and montage, is transformed into a seemingly unitary
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Carlos, Santamarina-Macho. "Territorios en perspectiva. La influencia de la distancia fotográfica en algunas interpretaciones americanas del paisaje = Territories in perspective view. The influence of the photographic distance on the American landscape interpretation." rita_ Revista Indexada de Textos Académicos, no. 6 (October 5, 2016): 86–93. https://doi.org/10.24192/2386-7027(2016)(v6)(04).

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La imagen fotográfica constituye hoy en día una herramienta esencial para el conocimiento, análisis y planificación del territorio, reforzada por su creciente disponibilidad. Sin embargo la fotografía, bajo su apariencia documental, no ofrece información pura de la realidad espacial, sino un relato parcial, seleccionado y codificado de la misma. El uso de imágenes, o de un tipo de imagen, constituye no solo un acto de filtrado de la información, sino también de elección de un modo determinado de interpretarla. Este art&iacut
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Siefert, Rebecca. "The Women of Chicago Public Housing. Architects of their Own ‘Homeplace’." ZARCH, no. 18 (September 2, 2022): 198–209. http://dx.doi.org/10.26754/ojs_zarch/zarch.2022185884.

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The story of public housing in Chicago, and the rest of the United States for that matter, tends to fixate on negative images of housing projects built between c. 1940-1960, like Cabrini-Green or Wentworth Gardens. Now that so many of the buildings have been demolished (or “redeveloped”) and scholars, institutions, and the general public have begun to untangle the complexity of the history of public housing in the U.S., it is time to move beyond the damaging narratives and negative imagery to better understand how women persevered and adapted to ensure they and their families not only had basi
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Schultz, Joshua A., and Viktoria Henriksson. "Structural assessment of St. Charles hyperbolic paraboloid roof." Curved and Layered Structures 8, no. 1 (2021): 157–66. http://dx.doi.org/10.1515/cls-2021-0015.

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Abstract At the time of completion in 1961, the roof of St. Charles Church became the largest unbalanced hyperbolic paraboloid structure in the United States and the only shell structure in Spokane, WA. Situated on an 8-acre site on the north side of the city, St. Charles is a modernist structure designed through partnership of Funk, Molander & Johnson engineers, architect William C. James and in consultation with Professor T.Y. Lin of the Structural Engineering Laboratory at the University of California, Berkeley. This asymmetric structure spans over 33.5 m (110 ft) and utilizes folded ed
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Iiames, John S., Russell Congalton, Andrew Pilant, and Timothy Lewis. "Validation of an Integrated Estimation of Loblolly Pine (Pinus taeda L.) Leaf Area Index (LAI) Using Two Indirect Optical Methods in the Southeastern United States." Southern Journal of Applied Forestry 32, no. 3 (2008): 101–10. http://dx.doi.org/10.1093/sjaf/32.3.101.

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Abstract Quality assessment of satellite-derived leaf area index (LAI) products requires appropriate ground measurements for validation. Since the National Aeronautics and Space Administration launch of Terra (1999) and Aqua (2001), 1-km, 8-day composited retrievals of LAI have been produced for six biome classes worldwide. The evergreen needle leaf biome has been examined at numerous validation sites, but the dominant commercial species in the southeastern United States, loblolly pine (Pinus taeda), has not been investigated. The objective of this research was to evaluate an in situ optical L
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Saleh Al-Haj, Mohamed, and Lily Filson. "Ibb’s Grand Mosque: Heritage at Risk in Yemen’s Hinterland." International Journal of Islamic Architecture 11, no. 2 (2022): 411–28. http://dx.doi.org/10.1386/ijia_00085_1.

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The Grand Mosque of Ibb, Yemen, also called the ʻUmar Caliph Mosque, is a critically endangered structure that has been a seat of the Shafiʽi school of Islamic jurisprudence since the twelfth century. From the sixteenth century through the present, this identity became marginalized due to the changing political conditions of Lower Yemen. The present state of the mosque testifies to multiple phases of neglect, and the destruction of a complex that served as both a house of worship and a university; collapses and modern interventions have obscured much of its earlier grandeur. This study analyse
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Dissertations / Theses on the topic "Architectural photography – United States"

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Chance, Helena M. F. "'The Factory in a Garden' : corporate recreational landscapes in England and the United States, 1880-1939." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:98e6efda-ea51-4bbd-834d-a606fcd5eec7.

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From the 1880s, a new type of designed green space appeared in the industrial landscape in England and the USA - the factory pleasure garden or park. At the same time, industrialists began to enhance their office and factory buildings with landscaping and planting, and some opened allotment gardens for the children of factory workers. The making of gardens and parks around or near office and factory buildings, designed by professionals, was driven by belief in the value of gardens and parks to recruitment and retention of staff, to industrial welfare, and to advertising, corporate identity and
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Lippincott, Richard Hysler. "Rookwood architectural faience tile." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/865963.

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The Rookwood Pottery Company was one of the most outstanding American pottery producers in the early 20th century. Rookwood produced a line of significant architectural facing tiles, unlike anything else produced in the Arts and Crafts tile industry. This thesis is an assimilation of all the primary product. Rookwood's catalogues, commissions, and artisans are discussed to illustrate the design and production significance Rookwood's product. The analysis will be valuable for the documentation and identification of tile installations produced by the Rookwood Pottery Company from 1903-1931.<br>D
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Woodward, Amanda S. "Sustainability and architectural education transforming the culture of architectural education in the United States /." online access from Digital Dissertation Consortium access full-text, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3267896.

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Lyons, George. "China dolls : a study of architectural terra cotta in America." Virtual Press, 1997. http://liblink.bsu.edu/uhtbin/catkey/1041895.

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There is a general lack of documentation which has been done on terra cotta production. Trends over the last several decades have shown that this industry is declining to the point where it could disappear completely. This project documents, through written descriptions and graphic illustrations, the process of terra cotta production in order to leave a record of what has been and what could be. Should the industry have a substantial resurgence to the extent that it is no longer in danger of extinction, or should general interest in the material develop further, this project will serve the pur
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Beeston, Alix Mallory. "Composite Visions: Writing and Photography in American Modernism." Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/13431.

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This dissertation builds on scholarship that apprehends the ways in which modernist writing instantiates the episteme of doubt and contingency that emerges, paradoxically, from the development of photographic technologies. It accounts for an unexplored aspect of the photography effect in modernist writing that is variously composite in form and narrative. Early twentieth century texts by Gertrude Stein, Jean Toomer, John Dos Passos, and F. Scott Fitzgerald function analogously to photography—and are culturally imbricated with it—inasmuch as they privilege representational ambiguity through the
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Villaran-Rokovich, D'juro. "The machine of architecture : a way of thinking, designing and representing." Thesis, Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/23920.

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Astrove, Grace. "The United States Holocaust Memorial Museum’s Multivalent Tower of Faces." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3296.

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Holocaust survivor Dr. Yaffa Eliach collected over 6,000 photographs depicting residents of Eishyshok, a small Jewish settlement in Eastern Europe, taken between 1890 and 1941. Eliach survived the Nazi-led massacre in 1941 that killed nearly the entire Jewish population of Eishyshok. As a way to commemorate the destroyed town of her youth she began to collect photographs from other survivors and residents who fled Europe prior to the Holocaust. She subsequently selected 1,032 photographs from the Yaffa Eliach Shtetl Collection for display in The Tower of Faces, a permanent exhibition in The Un
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Luxemburger, Elaine. "The transition from the beaux arts tradition to the bauhaus influence in American architectural education." Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/23063.

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Chewning, John Andrew. "William Robert Ware and the beginnings of architectural education in the United States, 1861-1881." Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/14983.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, 1986.<br>MICROFICHE COPY AVAILABLE IN ARCHIVES AND ENGINEERING.<br>Bibliography: leaves 482-490.<br>William Robert Ware (1832- 1915) planned and directed the first collegiate program in architectural education i n the United States. He was educated in the liberal arts and civil engineering at Harvard University and received further training in architects' offices before entering into practice with Henry Van Brunt (1832-1903). In 1865 Ware was appointed to the newly established Massachusetts Institute of Technology.
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Leech, Maureen E. "Home lights : the development of residential lighting in the United States." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1074545.

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This study presents a look at the development of residential lighting in America and the technological and social factors which inspired the development. Availability of fuels, quality of light provided, daily care needed by a light source, and safety were all direct influences on the development of artificial lighting. Technological advances in response to the social needs began with the closed font and continued through the removable burner, accommodating a variety of fuels including tallow, lard, whale oil, burning fluids, kerosene, gas and ultimately electricity. Along with the increasing
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Books on the topic "Architectural photography – United States"

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John. Between Spaces: Smith-Miller + Hawkinson Architecture, Judith Turner Photography. Princeton Architectural Press, 2000.

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Young, Jeanne. Managing cartographic and architectural records. National Archives and Records Administration, Office of Records Administration, 1989.

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United States. National Archives and Records Administration. Office of Records Administration., ed. Managing cartographic and architectural records. National Archives and Records Administration, Office of Records Administration, 1989.

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author, Serraino Pierluigi 1965, ed. Modernism rediscovered: Die wiederentdeckte Moderne / La redécouverte d'un modernisme. TASCHEN, 2017.

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Korab, Balthazar. Archabet: An architectural alphabet. Wiley, 1996.

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Julius, Shulman, ed. LA, lost & found: An architectural history of Los Angeles. Crown, 1987.

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Street-Porter, Tim. Los Angeles. Rizzoli International Publications, 2008.

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Szarkowski, John. Mr. Bristol's barn: With excerpts from Mr. Blinn's diary. Abrams, 1997.

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1964-, Smith Joel, Barberie Peter 1970-, Baum Kelly, McCauley Elizabeth Anne, Moore Kevin D. 1964-, and Princeton University Art Museum, eds. More than one: Photographs in sequence. Princeton University Art Museum, 2008.

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1964-, Smith Joel, Barberie Peter 1970-, Baum Kelly, McCauley Elizabeth Anne, Moore Kevin D. 1964-, and Princeton University Art Museum, eds. More than one: Photographs in sequence. Princeton University Art Museum, 2008.

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Book chapters on the topic "Architectural photography – United States"

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Umbach, Maiken, and Scott Sulzener. "Photography, Identity, and Longing in the United States." In Photography, Migration and Identity. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-00784-3_5.

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Funahashi, Kunio. "Transactional Perspective, Design, and “Architectural Planning Research” in Japan." In Handbook of Japan-United States Environment-Behavior Research. Springer US, 1997. http://dx.doi.org/10.1007/978-1-4899-0286-3_24.

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Crownshaw, Richard. "Photography and Memory in the United States Holocaust Memorial Museum." In The Afterlife of Holocaust Memory in Contemporary Literature and Culture. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230294585_7.

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Chaichian, Mohammad Ali. "Punishment or Transformative Rehabilitation? Architectural Design and Management of Maximum-Security Prisons in the United States and Norway." In Cities, Heritage and Transformation. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-59607-0_5.

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DonovanBlondell, Amy. "Trekking, Navigating, and Travelogueing in the Youth Trek Project: The Documentary Photography and Photo Essays of a Young Research Collaborator Traveling in the United States." In Identities and Subjectivities. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-287-023-0_27.

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Donovan Blondell, Amy. "Trekking, Navigating, and Travelogueing in the Youth Trek Project: The Documentary Photography and Photo Essays of a Young Research Collaborator Traveling in the United States." In Identities and Subjectivities. Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-4585-91-0_27-1.

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Hron, Cynthia L. "Nature as Partner: How School Communities Benefit from Ecological Connections." In Schools as Community Hubs. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-9972-7_6.

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AbstractHow have schools partnered with nature—as an architectural influence and pedagogical framework—to improve the campus experience for their communities? Influenced by John Dewey’s web of life concepts as a position to consider the interrelations between schooling and life, this chapter explores the benefits to schools and their communities of partnering with nature to support academic, physical, and mental well-being. Dewey believed that public education had a fundamental responsibility to support young people to understand the world around them. Public-school examples in the United Stat
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Buscatto, Marie, Sari Karttunen, and Mathilde Provansal. "1. Introduction." In Gender-Based Violence in Arts and Culture. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0436.01.

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In October 2017, dozens of women made accusations of sexual violence against the cinema producer Harvey Weinstein. Shortly after, upon the invitation of Alyssa Milano, thousands of women shared their experiences of gender-based violence on social media under the hashtag #MeToo, using the name of the movement against sexual violence experienced by women of colour founded by the African American activist Tarana Burke. In many locations all over the world, the past eight years have been marked by numerous denunciations of cases of sexual harassment, sexual assault and rape, mainly committed by me
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"How Frances Benjamin Johnston’s Contribution Shaped Architectural and Photographic Preservation in the United States." In The Photographic Legacy of Frances Benjamin Johnston. University of Alabama Press, 2022. https://doi.org/10.2307/jj.30347155.10.

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Durden, Mark. "Connections and Conflicts: Margaret Bourke-White’s Corporate, Commercial, and Documentary Photography." In Corporate Patronage of Art & Architecture in the United States, Late 19th Century to the Present. Bloomsbury Visual Arts, 2019. http://dx.doi.org/10.5040/9781501343759.0010.

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Conference papers on the topic "Architectural photography – United States"

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Darling, David. "Architectural and Industrial Maintenance (AIM) Regulatory Update and Forecast." In SSPC 2011. SSPC, 2011. https://doi.org/10.5006/s2011-00016.

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Abstract Keeping track of the constantly evolving Architectural and Industrial Maintenance (AIM) regulations in the United States is a daunting task. Forecasting what these regulations might like in the future is even more difficult. However both are important given concerns over compliance and green product formulations. The following is a historical perspective of why the VOC content of AIM products is regulated, overview of current regulations and a 5 year forecast of AIM regulations in the US.
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Del Cueto, Beatriz. "From Natural to Artificial: Vernacular housing in the Spanish Caribbean." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14218.

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The Spanish American War of 1898 and the colonization of the Spanish Caribbean (Cuba, Puerto Rico, and the Dominican Republic) by the Government of the United States (U.S.), brought about changes to local vernacular housing. The Spanish colonizers substituted indigenous traditional means and methods of construction and replaced them with continental techniques and new materials. The U.S. occupation produced yet another transformation through the extensive use of portland cement which became the protagonist for their new domestic architecture. Even though cement had been introduced into the reg
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Lopez Barrera, Silvina. "The Architectural Typologies of Latinx Housing Precarity." In 111th ACSA Annual Meeting Proceedings. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.am.111.62.

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Housing precarity in the Latinx community has been a persistent problem for decades in the United States. Trailer homes, mobile parks, barrack-like housing on farms, and substandard homes have influenced the experiences of generations of Latinx immigrants in the U.S. While these architectural forms may have been conceived as transient architecture, these housing typologies have become persistent through time and ignored from public debate. This paper explores the history of these precarious housing typologies and their role shaping Latinx spatial practices and lived spaces in rural America. Th
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Kalay, Yehuda E. "The Impact of CAD On Architectural Design Education in the United States." In eCAADe 1986: Teaching and Research with CAAD. eCAADe, 1986. http://dx.doi.org/10.52842/conf.ecaade.1986.348.

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Kalay, Yehuda E. "The Impact of CAD On Architectural Design Education in the United States." In eCAADe 1986: Teaching and Research with CAAD. eCAADe, 1986. http://dx.doi.org/10.52842/conf.ecaade.1986.348.

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Medina, Mario A., and Michael K. Frempong. "Evaluation of Ceiling Heat Fluxes in Residential Buildings with Attic Radiant Barriers in Prevalent Climates across the United States." In Architectural Engineering Conference (AEI) 2003. American Society of Civil Engineers, 2003. http://dx.doi.org/10.1061/40699(2003)22.

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Leach, James, and Kristin Nelson. "In Our Own Words: Climate Change Education in Architectural Curricula in the United States." In 2023 ACSA/EAAE Teachers Conference. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.teach.2023.4.

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This paper attempts to understand how National Architectural Accrediting Board (NAAB) accredited schools of architecture and their faculties have referenced climate change action in required published statements, including school mission statements and faculty biographies. This paper will limit its scope to the first phase of the study, focused on schools in NAAB Region 4, the East Central Region. The paper will present figures and statistics noting the frequency of key terms, while ranking the term value based on internationally recognized documents on climate change action. These findings se
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Lopez, César A. "Dismantling Hidden Curriculums: A Case Study on México-United States Border Pedagogy and Subjects." In 2023 ACSA/EAAE Teachers Conference. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.teach.2023.38.

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While in recent years, many architectural education programs in the United States and worldwide have recognized aggressive patterns and unproductive optics in the studio environment, there is still a question about “what sort of architect” we should be producing. Every accredited program has an obligation to students to make them competitive in the professional field. This paper argues that the need to prepare industry-ready graduates does not have to result in docility and obedience. By borrowing the descriptions of a series of educational models observed by education researcher Jean Anyon th
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Krug, Lindsey. "Corpus Comunis: precedent, privacy, and the United States Supreme Court, in seven architectural case studies." In 111th ACSA Annual Meeting Proceedings. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.am.111.57.

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Following World War II, as America grappled with the cultural revolution of the 1950s and 60s and defining its identity domestically and on the world stage, a core tenet of American life bubbled to the surface of political, social, and aesthetic discourse: privacy. Once the revelry of the Allies’ win in the World War cooled into the precarity of the Cold War, American democracy and the culture it afforded its citizens were positioned and advertised, first and foremost, in opposition to the totalitarian government and culture of the Soviet Union. In her book Pursuing Privacy in Cold War America
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Abediniangerabi, Bahram, Navid Ahmadi, and Mohsen Shahandashti. "Is Architectural Billing Index Helpful to Explain Fluctuations in Non-Residential Construction Spending in the United States?" In Construction Research Congress 2018. American Society of Civil Engineers, 2018. http://dx.doi.org/10.1061/9780784481295.003.

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Reports on the topic "Architectural photography – United States"

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Taverna, Kristin. Vegetation classification and mapping of land additions at Richmond National Battlefield Park, Virginia: Addendum to technical report NPS/NER/NRTR 2008/128. National Park Service, 2022. http://dx.doi.org/10.36967/2294278.

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In 2008 and 2015, the Virginia Department of Conservation and Recreation, Division of Natural Heritage produced vegetation maps for Richmond National Battlefield Park, following the protocols of the United States Geological Survey (USGS) – National Park Service (NPS) Vegetation Mapping Program. The original 2008 report was part of a regional project to map and classify the vegetation in seven national parks in Virginia. The 2015 report was an addendum to the original report and mapped the vegetation in newly acquired parcels. Since 2015, the park has acquired an additional 820 acres of land wi
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Muldavin, Esteban, Yvonne Chauvin, Teri Neville, et al. A vegetation classi?cation and map: Guadalupe Mountains National Park. National Park Service, 2024. http://dx.doi.org/10.36967/2302855.

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A vegetation classi?cation and map for Guadalupe Mountains National Park (NP) is presented as part of the National Park Service Inventory &amp; Monitoring - Vegetation Inventory Program to classify, describe, and map vegetation communities in more than 280 national park units across the United States. Guadalupe Mountains NP lies in far west Texas and contains the highest point in the state, Guadalupe Peak (8,751 ft; 2,667 m). The mountain escarpments descend some 5,000 ft (1,500 m) to the desert basins below forming a complex geologic landscape that supports vegetation communities ranging from
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3

Paradox and Coexistence: Latin American Artists, 1980 - 2000. Inter-American Development Bank, 2002. http://dx.doi.org/10.18235/0005931.

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Abstract:
The show represents a number of artistic trends developed by Latin American artists during the last two decades of the 20th Century. An assortment of works in different media¿oil on canvas, acrylics, rusted steel, photography, video, photography collage, ceramic, cedar wood and ropes, and paper sculpture¿provides a general view of the latest art trends in Latin America. The exhibit complements the book ¿Art of Latin America, 1981-2000¿ by Colombian Professor Germán Rubiano Caballero, which was launched in English and Spanish. Galleries and artists from Latin America and the United States colla
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