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Journal articles on the topic 'Architectural photography – United States'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Cartwright, Derrick R. "Constructing Visibility: Esther Born’s Photography beyond the Archives." Život umjetnosti, no. 111 (July 2023): 96–105. http://dx.doi.org/10.31664/zu.2022.111.08.

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Esther Baum Born was an American photographer who worked in both the United States and Mexico. Beginning in the 1920s, she exhibited her work regularly in New York galleries and saw her photographs published in a broad spectrum of architectural journals. Born’s book, The New Architecture in Mexico (1937), stands as an undisputed monument to her creative insights and a respected source for cutting-edge ideas about modern building. Less well known to the scholarly community are the sensitive portraits that Born took of her own artistic milieu: Frida Kahlo, Diego Rivera, and Frank Lloyd Wright, t

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Akdağ, Fazil, Fatma Betül Künyeli, and Murat Çağlar Baydoğan. "BEYOND THE LENS: A BIBLIOMETRIC JOURNEY THROUGH ARCHITECTURAL PHOTOGRAPHY RESEARCH." Turkish Online Journal of Design Art and Communication 15, no. 3 (2025): 1046–70. https://doi.org/10.7456/tojdac.1674146.

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This study presents a bibliometric analysis to map academic trends, collaborations, and thematic developments in architectural photography using VOSviewer and Biblioshiny software. Based on 470 publications retrieved from the Web of Science (WoS) database, the analysis explores the intellectual structure of architectural photography research through keyword co-occurrence, citation networks, and bibliometric coupling. The findings reveal a significant increase in academic interest over the past two decades, highlighting the growing interdisciplinary connections of the field with cultural herita

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Harris, Dianne. "The Lens of Race: Whiteness and Architectural Photography at Case Study House #22." Journal of the Society of Architectural Historians 83, no. 3 (2024): 358–73. http://dx.doi.org/10.1525/jsah.2024.83.3.358.

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Abstract Julius Shulman’s 1960 photograph of Case Study House #22 is one of the most famous architectural images of the twentieth century, yet it has received little critical scrutiny. This article examines Shulman’s photograph to demonstrate the ways this iconic image of residential architecture is deeply intertwined in the production and reproduction of ideas about race in the United States. It scrutinizes how such an image may be complicit in the formation of white supremacy and urges architectural historians to recognize that structures that have permitted the harms and violence of racism

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Daniel, Díez Martínez. "Objetivo moderno. La fotografía de Julius Shulman y la construcción de la imagen de la arquitectura del sur de California = Objective Modernism. Julius Shulman's photography and the construction of the image of Southern California architecture." rita_ Revista Indexada de Textos Académicos, no. 2 (October 11, 2014): 62–67. https://doi.org/10.24192/2386-7027(2014)(v2)(01).

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A Julius Shulman le correspondió, casi en exclusiva, la labor de cronista gráfico de la arquitectura moderna en el sur de California. Consciente de la dificultad de hacer ver al público la belleza de estas construcciones, Shulman desarrolló un lenguaje propio con un marcado sentido escenográfico, un encuentro entre la fotografía arquitectónica clásica y la publicidad contemporánea inspirada en la cultura pop en la que la colocación de los muebles en intervalos estratégicos, la iluminación, la elección y

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Lazcano López, Jesús. "The filmic space of the Overlook Hotel in the Shining through the sets." Cuadernos de Proyectos Arquitectónicos, no. 11 (December 27, 2021): 102–5. http://dx.doi.org/10.20868/cpa.2021.11.4833.

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AbstractFor the construction of the Overlook Hotel (The Shining, 1980) Stanley Kubrick recreates, at Elstree Studios in London, 1:1 scale replicas of different fragments of hotels, motels, and vacation resorts scattered throughout the United States. Through a meticulous work of observing photographs and making models, sets of the different areas that make up the hotel are built. Kubrick composes an architecture that emerges from a fragmentary, constructed and assembled body which, through the narrative possibilities offered by the Steadicam and montage, is transformed into a seemingly unitary

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Carlos, Santamarina-Macho. "Territorios en perspectiva. La influencia de la distancia fotográfica en algunas interpretaciones americanas del paisaje = Territories in perspective view. The influence of the photographic distance on the American landscape interpretation." rita_ Revista Indexada de Textos Académicos, no. 6 (October 5, 2016): 86–93. https://doi.org/10.24192/2386-7027(2016)(v6)(04).

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La imagen fotográfica constituye hoy en día una herramienta esencial para el conocimiento, análisis y planificación del territorio, reforzada por su creciente disponibilidad. Sin embargo la fotografía, bajo su apariencia documental, no ofrece información pura de la realidad espacial, sino un relato parcial, seleccionado y codificado de la misma. El uso de imágenes, o de un tipo de imagen, constituye no solo un acto de filtrado de la información, sino también de elección de un modo determinado de interpretarla. Este art&iacut

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Siefert, Rebecca. "The Women of Chicago Public Housing. Architects of their Own ‘Homeplace’." ZARCH, no. 18 (September 2, 2022): 198–209. http://dx.doi.org/10.26754/ojs_zarch/zarch.2022185884.

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The story of public housing in Chicago, and the rest of the United States for that matter, tends to fixate on negative images of housing projects built between c. 1940-1960, like Cabrini-Green or Wentworth Gardens. Now that so many of the buildings have been demolished (or “redeveloped”) and scholars, institutions, and the general public have begun to untangle the complexity of the history of public housing in the U.S., it is time to move beyond the damaging narratives and negative imagery to better understand how women persevered and adapted to ensure they and their families not only had basi

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Schultz, Joshua A., and Viktoria Henriksson. "Structural assessment of St. Charles hyperbolic paraboloid roof." Curved and Layered Structures 8, no. 1 (2021): 157–66. http://dx.doi.org/10.1515/cls-2021-0015.

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Abstract At the time of completion in 1961, the roof of St. Charles Church became the largest unbalanced hyperbolic paraboloid structure in the United States and the only shell structure in Spokane, WA. Situated on an 8-acre site on the north side of the city, St. Charles is a modernist structure designed through partnership of Funk, Molander & Johnson engineers, architect William C. James and in consultation with Professor T.Y. Lin of the Structural Engineering Laboratory at the University of California, Berkeley. This asymmetric structure spans over 33.5 m (110 ft) and utilizes folded ed

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Iiames, John S., Russell Congalton, Andrew Pilant, and Timothy Lewis. "Validation of an Integrated Estimation of Loblolly Pine (Pinus taeda L.) Leaf Area Index (LAI) Using Two Indirect Optical Methods in the Southeastern United States." Southern Journal of Applied Forestry 32, no. 3 (2008): 101–10. http://dx.doi.org/10.1093/sjaf/32.3.101.

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Abstract Quality assessment of satellite-derived leaf area index (LAI) products requires appropriate ground measurements for validation. Since the National Aeronautics and Space Administration launch of Terra (1999) and Aqua (2001), 1-km, 8-day composited retrievals of LAI have been produced for six biome classes worldwide. The evergreen needle leaf biome has been examined at numerous validation sites, but the dominant commercial species in the southeastern United States, loblolly pine (Pinus taeda), has not been investigated. The objective of this research was to evaluate an in situ optical L

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Saleh Al-Haj, Mohamed, and Lily Filson. "Ibb’s Grand Mosque: Heritage at Risk in Yemen’s Hinterland." International Journal of Islamic Architecture 11, no. 2 (2022): 411–28. http://dx.doi.org/10.1386/ijia_00085_1.

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The Grand Mosque of Ibb, Yemen, also called the ʻUmar Caliph Mosque, is a critically endangered structure that has been a seat of the Shafiʽi school of Islamic jurisprudence since the twelfth century. From the sixteenth century through the present, this identity became marginalized due to the changing political conditions of Lower Yemen. The present state of the mosque testifies to multiple phases of neglect, and the destruction of a complex that served as both a house of worship and a university; collapses and modern interventions have obscured much of its earlier grandeur. This study analyse

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Facchinetti, Luca T. S., and Federico Viti. "INTEGRATING TERRESTRIAL LASER SCANNING INTO HISTORIC BUILDING DOCUMENTATION: A FRAMEWORK FOR APPLICATION IN HERITAGE SURVEYS." International Journal of Research in Engineering 3, no. 12 (2023): 6–12. https://doi.org/10.55640/ijre-03-12-02.

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The Historic American Buildings Survey (HABS) has long served as a cornerstone for documenting significant architectural heritage in the United States, relying traditionally on measured drawings, historical reports, and photographs [1, 4, 5, 8]. While these methods provide invaluable historical records, they can be time-consuming and may not fully capture the complex geometries and conditions of historic structures. Terrestrial Laser Scanning (TLS) is a rapidly evolving technology capable of capturing dense, accurate three-dimensional point clouds of existing conditions [9, 10]. This article p

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Afanasieva, N. "SPECIES POSTCARD AS A NEW TYPE OF POSTAL ITEM AND ITS IMPACT ON GLOBAL AND REGIONAL CULTURAL PROGRESS." Bulletin of Mariupol State University Series Philosophy culture studies sociology 13, no. 26 (2023): 5–11. http://dx.doi.org/10.34079/2226-2830-2023-13-26-5-11.

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The article outlines the importance of the species postcard as a photodocumentary source of research of urban culture and urbanism. It is noted that the postcard today is both a potential museum object, as well as a tool for the museumification of urban architectural heritage, a source of research on the culture and history of Ukrainian cities. The peculiarities of scientific research devoted to philokarty are emphasized - mainly it is coverage of the problems of the development of a postcard as a printing product, a design object, a printed product. At the same time, the history of the emerge

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Conley, Tara L. "Encoded Subjectivities: Interpreting Blackness and Representations of Black Women on inDmix.com." Social Media + Society 8, no. 2 (2022): 205630512211076. http://dx.doi.org/10.1177/20563051221107635.

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The study of Black digital and Internet cultures is a burgeoning site of inquiry. While prior research on identity and the Internet does well to address racialized experiences online, further exploration into so-called niche or under-the-radar Black digital spaces is necessary for a more comprehensive documentation of early Internet applications, practices, and digitally mediated sociality during the early 20th century. This article centers Black southern Internet culture by examining the website, InDmix.com, a photo-based asynchronous web media platform, and one of the first Internet visual c

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Jelisavac, Sanja. "International regulation of intellectual property rights." Medjunarodni problemi 56, no. 2-3 (2004): 279–303. http://dx.doi.org/10.2298/medjp0403279j.

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Intellectual property refers to creations of the mind: inventions, literary and works of art, as well as symbols, names, images, and designs that are used in commerce. Intellectual property is divided into two categories industrial property, which includes inventions (patents), trademarks industrial designs, and geographic indications of source; and copyright which includes literary and works of art such as novels, poems and plays films, musical works, works of art such as drawings, paintings, photographs and sculptures, and architectural designs. Rights related to copyright include those of p

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Allen, Robert C. "Reimagining the History of the Experience of Cinema in a Post-Movie-Going Age." Media International Australia 139, no. 1 (2011): 80–87. http://dx.doi.org/10.1177/1329878x1113900111.

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As theatrical movie-going is supplanted by other modes of engaging with cinema, it becomes more apparent that one of the most striking features of the experience of cinema for a century was its sociality. Prior to the 1980s, the experience of cinema around the world involved groups of people converging upon particular places to experience together something understood to be cinema. As it emerged as a cultural industry, cinema depended upon the regular repetition of this social practice under the sign of cinema. This article explores the application of digital technologies in representing the h

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Lazcano López, Jesús. "El espacio fílmico del Hotel Overlook en The Shining a través de sus decorados." Cuadernos de Proyectos Arquitectónicos, no. 11 (December 27, 2021): 56–67. http://dx.doi.org/10.20868/cpa.2021.11.4827.

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ResumenPara la construcción del Hotel Overlook (The Shining ,1980), Stanley Kubrick recurre a la reproducción de réplicas a escala 1:1 en los estudios Elstree de Londres de diferentes fragmentos de hoteles, moteles y resorts de vacaciones esparcidos por Estados Unidos. Mediante un trabajo minucioso de observación de fotografías y elaboración de maquetas se construyen unos decorados de los diferentes ámbitos que conforman el hotel. Kubrick compone una arquitectura que surge de un cuerpo fragmentario, construido y ensamblado que, mediante las posibilidades narrativas que ofrecen la steadicam y e

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Anderson, Fay. "Chasing the Pictures: Press and Magazine Photography." Media International Australia 150, no. 1 (2014): 47–55. http://dx.doi.org/10.1177/1329878x1415000112.

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For over a century, press and magazine photography has influenced how Australians have viewed society, and played a critical role in Australia's evolving national identity. Despite its importance and longevity, the historiography of Australian news photography is surprising limited. This article examines the history of press and magazine photography and considers its genesis, the transformative technological innovations, debates about images of violence, the industrial attitudes towards photographers and their treatment, the use of photographs and the seismic recent changes. The article argues

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Tsvetkova, Polina Olegovna. "Palladian Manifestations in the Architectural Ensembles of 18th Century American." Design. Art. Industry, no. 10 (October 27, 2023): 46–55. http://dx.doi.org/10.56900/2312-6116_2023_10_46.

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The article discusses the stage of formation and development of classical architectural traditions in the United States of America in relation to the ensembles of country estates and plantations of the southern states of the XVIII century. The main direction in which both foreign architects and national American masters worked was Palladianism. On the basis of local specific features and colonial traditions, this direction received a new reading. In this study, based on a phased comparative chronological analysis of outstanding examples of suburban architecture in the United States with protot

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Sheng, Jeff T. "Ethnographic Uncovering: Hidden Communities." Contexts 19, no. 2 (2020): 46–53. http://dx.doi.org/10.1177/1536504220920196.

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Martínez, Plácido González. "Ludwig Hilberseimer at the Illinois Institute of Technology: Architectural Education, Organic Democracy and Colonization." For an Architect’s Training, no. 49 (2013): 34–39. http://dx.doi.org/10.52200/49.a.cb7pfb95.

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Ludwig Hilberseimer’s role at defining trends in architectural education in the United States is a relevant one, and deserves special attention due to its rigorous method. This article aims to cast light at his teaching experience at IIT, where he promoted an integration of urban theory and political ideals. Understood as an act of cultural colonization, architectural education appears as a powerful tool to reshape the territory in the United States and the world, as part of an ongoing process of Modern postwar globalization.

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Abu Raed, Abeer, Wido Quist, and Uta Pottgiesser. "Preserving Modern Heritage in the Emirate of Dubai: A Digital Documentation and Semantic HBIM Approach." Heritage 8, no. 7 (2025): 263. https://doi.org/10.3390/heritage8070263.

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The rapid urbanization and technological advancements in the United Arab Emirates (UAE) have placed its modern architectural heritage from the 1970s and 1980s at increasing risk of being unrecognized and lost, particularly in Dubai following the discovery of oil. This research addresses the critical need for the documentation and heritage representation of Dubai’s modern heritage, a city undergoing rapid transformation within a globalized urban landscape. Focusing on the Nasser Rashid Lootah Building (Toyota Building), an iconic early 1970s residential high-rise representing the modern archite

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Sailor, Rachel. "Pictorialism in the American West." UW National Parks Service Research Station Annual Reports 36 (January 1, 2013): 150–52. http://dx.doi.org/10.13001/uwnpsrc.2013.4009.

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Early twentieth century (1900-1945) photography of northwestern Wyoming (including the Teton and Yellowstone areas) fits into a paradigm of regional photographic production that either conforms to the documentary or pictorial aesthetics most common in the era. Pictorial photography, especially, links the region to larger trends in the nation and can be analyzed to uncover previously unexamined assumptions about the value of photographic aesthetics and regional production within the milieu of fine art photography in the United States prior to WWII.

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Khattab, Wael. "Islamic Art and Architecture: The Path from Al-Andalus to America." المجلة العربية للعلوم الإنسانية 43, no. 171 (2025): 237–79. https://doi.org/10.34120/ajh.v43i171.3143.

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The transmission of Islamic architectural and artistic influences to the United States intertwines with the histories of Spain, Europe, and the Americas. This study examines the intricate web of connections that facilitated this migration, tracing its roots from early Spanish presence in the Americas to its enduring impact on American art and architecture. Spanish expeditions to the Americas in the 15th and 16th centuries initiated the infusion of Islamic influences into the region's architecture. Influenced by their Islamic heritage from Spain, the explorers played crucial roles in disseminat

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YAMADA, Takashi, and Yasuyuki YANAGISAWA. "ARCHITECTURAL EDUCATION BY WORK PLACE EXPERIENCE AT ARCHITECTURAL OFFICES IN UNITED STATES OF AMERICA." AIJ Journal of Technology and Design 22, no. 51 (2016): 817–20. http://dx.doi.org/10.3130/aijt.22.817.

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Gómez, Esteban M. "MEMORY IN ANALOG: ANALYZING THE IMPACTS OF RAPID URBAN GROWTH ON YOUTH." Human Organization 82, no. 4 (2023): 369–81. http://dx.doi.org/10.17730/1938-3525-82.4.369.

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Denver, Colorado, has experienced rapid gentrification, impacting people of all ages. Photography was included as one part of a larger ethnographic exploration of how high school students in southwest Denver perceived and navigated the impacts of rapid urban growth. A collaborative research methodology that featured map making and photography were used to better understand loss of place, urban segregation, and transportation inequities experienced by students displaced as a result of the United States Financial Crisis of 2007-2009 and the subsequent gentrification of United States neighborhood

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Greenstreet, Robert, and Russell Klingaman. "Architectural copyright: recent developments." Architectural Research Quarterly 4, no. 2 (2000): 177–84. http://dx.doi.org/10.1017/s135913550000261x.

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This article traces the development of American copyright law as it applies to architectural works from its earliest foundations in the United States Constitution until the enactment of the Architectural Works Copyright Protection Act in 1990. By focusing on the outcomes of the latest legislation through recent case law affecting residential design, the authors evaluate the effectiveness of the protection and illustrate some unintended consequences. In addition, they discuss architectural originality and its relationship to legal protection in the context of individual design freedom.

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Hart, Richard H., and William A. Laycock. "Repeat Photography on Range and Forest Lands in the Western United States." Journal of Range Management 49, no. 1 (1996): 60. http://dx.doi.org/10.2307/4002726.

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Goode, Terrance. "Typological Theory in the United States: The Consumption of Architectural "Authenticity"." Journal of Architectural Education (1984-) 46, no. 1 (1992): 2. http://dx.doi.org/10.2307/1425235.

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Goode, Terrance. "Typological Theory in the United States: The Consumption of Architectural “Authenticity”." Journal of Architectural Education 46, no. 1 (1992): 2–13. http://dx.doi.org/10.1080/10464883.1992.10734528.

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Vitkauskaitė, Viktorija. "The Legacy of Lithuanian Architect Stasys Kudokas in the United States of America: Sacred Architecture Based on Hope and Expectations." Art History & Criticism 20, no. 1 (2024): 112–26. http://dx.doi.org/10.2478/mik-2024-0007.

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Abstract Many Lithuanian intellectuals fled from the occupied Lithuania during the Second World War and after it, including the most famous architects who created the architectural language of interwar Kaunas Modernism. After escaping from the war-torn country to the United States of America, they resumed their professional pursuits while living in exile. Stasys Kudokas – one of the most prominent and productive architects in the interwar Lithuania – also pursued his carreer while living in exile. Yet his architectural heritage in the United States of America is still an under-researched topic

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Sarnitz, August E. "Proportion and Beauty-The Lovell Beach House by Rudolph Michael Schindler, Newport Beach, 1922-1926." Journal of the Society of Architectural Historians 45, no. 4 (1986): 374–88. http://dx.doi.org/10.2307/990208.

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This is a contextual investigation of the theory and design of Rudolph M. Schindler (1887-1953), one of the most outstanding and interesting architects of the Modern Movement in the United States. Born in 1887 in Vienna, he was trained under Otto Wagner at the Academy of Fine Arts, under Adolf Loos in the Bauschule, and under Frank Lloyd Wright working in his studio in Oak Park and Taliesin. The architectural design of Schindler not only reflects the influence of his teachers but it also has had a lasting influence on modern architecture in the United States. Although Schindler did not teach e

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KUBIE, OENONE. "Reading Lewis Hine's Photography of Child Street Labour, 1906–1918." Journal of American Studies 50, no. 4 (2016): 873–97. http://dx.doi.org/10.1017/s002187581600058x.

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Lewis Hine's child-labour photographs are among the best-known social-documentary photographs ever taken, yet historians have neglected his photography of children working on the streets of America's cities. This paper explores the disputed symbolism of Hine's street-labour photographs. Far from simply depicting another appalling form of child labour, Hine's child street labourers, and the newsboys he photographed in particular, represented a range of ideas from masculinity and entrepreneurial spirit to the dangers of the new urban life and the apparent ignorance of immigrant parents. The symb

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Nadolny, Robyn M., Marcée Toliver, Holly D. Gaff, John G. Snodgrass, and Richard G. Robbins. "Focus Stacking Images of Morphological Character States for Differentiating the Adults of Ixodes affinis and Ixodes scapularis (Acari: Ixodidae) in Areas of Sympatry." Journal of Medical Entomology 58, no. 4 (2021): 1941–47. http://dx.doi.org/10.1093/jme/tjab058.

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Abstract Adult females and males of Ixodes affinis and Ixodes scapularis are illustrated by focus stacking image photography, and morphological character states are described that reliably differentiate the two species. In conjunction with other environmental cues, such as the questing phenology of adults, these characteristics will enable the rapid identification of adults of either sex along the southern Coastal Plain of the United States, where these species are sympatric.

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Hawkes, Dean. "The shaping of architectural research Transatlantic transactions." Architectural Research Quarterly 5, no. 3 (2001): 205–9. http://dx.doi.org/10.1017/s1359135501001269.

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The growth of formalized research has been one of the most important developments in architectural education in the last half-century. It is now axiomatic that most, if not all, faculty members in schools of architecture will undertake some measure of research. In this the academic architect stands alongside, and is indistinguishable from, colleagues in the other disciplines. But in the middle decades of the last century the case for the development of a research culture in architecture was not so clear cut. Two of the central figures in the debate about the establishment of research were Serg

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Ben-Choreen, Tal-Or K. "Emergence of Fine Art Photography in Israel in the 1970s to the 1990s Through Pedagogical and Social Links with the United States." Contemporary Review of the Middle East 6, no. 3-4 (2019): 252–65. http://dx.doi.org/10.1177/2347798919872588.

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The flourishing of photography as a tool for expressive reportage and artistic practice transformed photographic education during the mid-twentieth century. American-based academic institutions quickly established reputations in the emerging fine art field as leaders in photographic education drawing international students from diverse locations, including Israel. Many Israelis who studied photography in American institutions returned to Israel bringing with them the knowledge they had gained while abroad. This article considers the impact of American pedagogical models and social networks on

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Weissman, Terri. "Whose Streets? Police Violence and the Recorded Image." Arts 8, no. 4 (2019): 155. http://dx.doi.org/10.3390/arts8040155.

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This essay reframes street photography in terms of the images and videos taken by bystanders who find themselves witness to egregious acts of state-sanctioned police violence against black and brown bodies in the United States. Along the way, it challenges the belief that bystanders are “innocent” observers and investigates the meaning of “evidence” and the role of representation in order to argue for a model of seeing that can simultaneously reveal moments of ongoing racial debilitation and work to create new political subjects capable of transformative collective action. The goal is twofold:

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Shanken, Andrew. "Architectural Competitions and Bureaucracy, 1934–1945." Architectural Research Quarterly 3, no. 1 (1999): 43–56. http://dx.doi.org/10.1017/s1359135500001743.

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The 1930s in the United States marked a turning point in the relationship of the architectural profession to both the government and corporations. The federal government and large corporations, began to hold design competitions to stimulate the building industry during the Depression. This caught the American Institute of Architects unprepared and led to the transformation of the profession from one grounded in the ideal of the architect-artist to one whose survival depends, in part, upon business acumen, technical competence, and public relations skill.

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Jones, David. "Representational Possibilities in Landscape Photography: William Earle Williams and Dawoud Bey." tba: Journal of Art, Media, and Visual Culture 3, no. 1 (2021): 38–51. http://dx.doi.org/10.5206/tba.v3i1.13882.

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Over the course of this essay, the lens-based practices of William Earle Williams and Dawoud Bey become a site of a genre analysis. Both photographers foreground histories of chattel slavery in the United States through the employment of absence in landscape photography. The essay entails a close study of how Williams and Bey position their subjectivity to expand beyond previous conventions in landscape photography and reorient how viewers engage with such work. Through a range of interdisciplinary scholarship, the means of tracing Williams and Bey’s respective expressions highlights the poten

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McBrien, Jody Lynn, and Rebecca Day. "FROM THERE TO HERE: USING PHOTOGRAPHY TO EXPLORE PERSPECTIVES OF RESETTLED REFUGEE YOUTH." International Journal of Child, Youth and Family Studies 3, no. 4.1 (2012): 546. http://dx.doi.org/10.18357/ijcyfs34.1201211560.

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Because refugee numbers are much smaller than those of other immigrant populations in the United States, researchers frequently group refugees with other immigrants in their studies. However, due to the traumatic circumstances that most refugees face prior to their arrival, they require separate consideration. We chose the medium of photography to help newcomer refugee students express themselves beyond their current capacities in English, and we used the students’ photographs as catalysts to interview them about their resettled lives in the United States. Through this process, we discovered t

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Song, Ke, and Jianfei Zhu. "The Architectural Influence of the United States in Mao’s China (1949–1976)." Fabrications 26, no. 3 (2016): 337–56. http://dx.doi.org/10.1080/10331867.2016.1245126.

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Longstreth, Richard. "Architectural History and the Practice of Historic Preservation in the United States." Journal of the Society of Architectural Historians 58, no. 3 (1999): 326–33. http://dx.doi.org/10.2307/991525.

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Tsvetkova, Polina. "The оrigin of the palladian tradition in the early church architecture of North America of the 17–18th centuries". St. Tikhons' University Review. Series V. Christian Art 49 (31 березня 2023): 42–49. http://dx.doi.org/10.15382/sturv202349.42-49.

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The article discusses the stage of formation and development of classical architectural traditions in the United States of America in the 17th-18th centuries on the example of the church architecture of Swedish settlers. The main direction in which both foreign architects and later national American masters worked was classicism, often manifested in the forms of Palladianism. The article describes the degree of influence of A. Palladio's architectural treatise on colonial building practice. Church buildings were built in the settlements the very first and best preserved, for this reason, it is

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Brunet, François. "“Picture Maker of the Old West”: W. H. Jackson and the Birth of Photographic Archives in the United States." Prospects 19 (October 1994): 161–87. http://dx.doi.org/10.1017/s0361233300005093.

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Inventor of the hand-held stereoscope and “autocrat of the breakfast table,” the editor of the Atlantic Monthly proved himself, in an important series of articles on photography, a master of rhetoric. Behind the Epicurean touches with which he colored the “mirror with a memory” – the most “audacious, remote, improbable” discovery of human ingenuity – and through the irony of his thundering philosophical conclusions – “form is henceforth divorced from matter,” which “as a visible object is of no great use any longer” – the modern reader perceives O. W. Holmes's keen awareness of the documentary

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Stamps, Arthur E. "Evaluating Architectural Design Review." Perceptual and Motor Skills 90, no. 1 (2000): 265–71. http://dx.doi.org/10.2466/pms.2000.90.1.265.

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Architectural design review is a method of environmental management which is widely used bv governmental agencies in both the United States and in Great Britain. Because design review is a governmental function, there is a major need to assess how well it works Research covering over 29,000 respondents and 5,600 environmental scenes suggests that scientific protocols can be adapted to provide an accurate and efficient design review protocol. The protocol uses preference experiments to find the standardized mean difference ([Formula: see text]) between a proposed project and a random sample of

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Briggs, Peter S. "Leigh Merrill: The Manner of Desires." Afterimage 46, no. 1 (2019): 25–34. http://dx.doi.org/10.1525/aft.2019.461004.

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Contemporary photographer Leigh Merrill translates the methods and objectives of the New Topographics and the Picture Generation into digitally manipulated landscapes that feature the southwestern United States. This survey of Merrill’s creative efforts from the last fifteen years focuses on the artist’s distinctive contributions to demonstrate the intrinsic distortions of photography as a medium and photography’s service in advancing skewed desires of place and places.

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Loehle, Craig. "Historical forest changes in the western United States." Forestry Chronicle 96, no. 01 (2020): 36–49. http://dx.doi.org/10.5558/tfc2020-006.

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Changes in factors such as temperature, precipitation, fire regimes, ozone, atmospheric CO2, and nitrogen deposition may have altered forest growth over the past century. Determining changes in forest growth over long intervals is complicated by constantly changing growing conditions due to tree maturation, stand self-thinning, disturbance, and other factors. Because a comprehensive review is lacking, results from publications examining forest growth trends in the western United States over the past 100 years were evaluated. Across the region, upper elevational forest ecotones have been expand

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Tiner, Ralph W. "Use of high-altitude aerial photography for inventorying forested wetlands in the United States." Forest Ecology and Management 33-34 (June 1990): 593–604. http://dx.doi.org/10.1016/0378-1127(90)90221-v.

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Pickard, John. "Assessing vegetation change over a century using repeat photography." Australian Journal of Botany 50, no. 4 (2002): 409. http://dx.doi.org/10.1071/bt01053.

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Repeat photography is a technique of detecting changes in the landscape by comparing old and more recent photographs taken at the same place. Information gained is used to detect landscape change as one component of historical ecology. Understanding the causes of any change detected requires additional information. The technique was pioneered in vegetation ecology in Arizona and has since been applied in many other parts of the United States. After a description of the technique, the American experience is reviewed and the problems of detecting change and assigning cause are discussed. The rel

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Shehab, Lynn, Malak Al Hattab, Salam Khalife, Ghali El Samad, Yara Abbas, and Farook Hamzeh. "Last Planner System Framework to Assess Planning Reliability in Architectural Design." Buildings 13, no. 11 (2023): 2684. http://dx.doi.org/10.3390/buildings13112684.

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The Last Planner System (LPS) aims to enhance planning reliability by reducing variability in construction processes. While LPS applications have been explored in construction and detailed design, its application in architectural design remains underrepresented due to its abstract nature. This study addresses this gap by proposing an LPS framework tailored for architectural design, utilizing LPS metrics to assess planning reliability. Key issues hindering formal planning methods’ implementation are identified, and relevant LPS principles are aligned with these challenges, culminating in a conc

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Hebdige, Dick. "HOLE: Swimming ... Floating ... Sinking ... Drowning." Film Studies 15, no. 1 (2016): 97–128. http://dx.doi.org/10.7227/fs.0003.

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The body in the swimming pool as metonym for trouble in paradise is a recurrent motif bordering on cliché in Hollywood/West Coast sunshine noir. Through an intermedial survey of film, TV and literary fiction, photography, design and architectural history, crime and environmental, reportage, public health and safety documents this article examines the domestic swimming pools ambiguous status as a symbol of realised utopia within the Californian mythos from the boom years of the backyard oasis in the wake of the Second World War to the era of mass foreclosures, restricted water usage and ambient

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