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Journal articles on the topic 'Architectural polychromy'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

KATOH, Michio. "ON LE CORBUSIER'S ARCHITECTURAL POLYCHROMY." Journal of Architecture and Planning (Transactions of AIJ) 65, no. 536 (2000): 275–79. http://dx.doi.org/10.3130/aija.65.275_3.

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2

Dubov, Igor A., Polina A. Karaulova, Nikolay M. Rashevsky, and Ekaterina S. Belova. "AUTOMATED ASSESSMENT OF ARCHITECTURAL POLYCHROMY." Architecton: Proceedings of Higher Education, no. 1 (2021): 21. http://dx.doi.org/10.47055/1990-4126-2021-1(73)-21.

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3

SHIN, Taeyang. "ON CONSTRUCTIONAL POLYCHROMY OF WILLIAM BUTTERFIELD : A study on architectural polychromy revivalism n." Journal of Architecture, Planning and Environmental Engineering (Transactions of AIJ) 427 (1991): 139–48. http://dx.doi.org/10.3130/aijax.427.0_139.

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4

Katz, Melissa R. "Architectural Polychromy and the Painters' Trade in Medieval Spain." Gesta 41, no. 1 (2002): 3–13. http://dx.doi.org/10.2307/767201.

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SHIN, Taeyang. "THE RELATIONSHIP BETWEEN FORM AND COLOR IN THE THEORY OF ARCHITECTURAL POLYCHROMY IN THE NINETEENTH CENTURY : A study on architectural polychromy revivalism I." Journal of Architecture, Planning and Environmental Engineering (Transactions of AIJ) 423 (1991): 101–10. http://dx.doi.org/10.3130/aijax.423.0_101.

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6

Selerowicz, Anna, and Piotr Zambrzycki. "Conservation work in Marina el-Alamein in 2018 (Polish–Egyptian Conservation Mission)." Fieldwork and Research, no. 28.2 (December 2019): 101–12. http://dx.doi.org/10.31338/uw.2083-537x.pam28.2.06.

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The article presents the program and results of continuous monitoring and preservation of historic architectural structures after the winter period at the site of Marina el-Alamein in Egypt, carried out by the Polish-Egyptian Conservation Mission. The program embraced studies of ancient plaster, polychromy and execution techniques employed for producing elements of sculptural and architectural decoration, as well as conservation of archaeological artifacts.

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7

Justus, Anastasia М. "COLORISTICS COMPARATIVE ANALYSIS OF THE HISTORICAL CENTERS' ARCHITECTURE OF THE CITIES IN THE SOUTH OF THE TYUMEN REGION." Architecture, Construction, Transport, no. 2(96) (2021): 6–16. http://dx.doi.org/10.31660/2782-232x-2021-2-6-16.

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The article presents the results of research and analysis of the general state of the architectural structures’ coloristics in historical areas of a number of cities in the south of the Tyumen region. It contains the examples of photofixation and formalized color schemes of the selected building facades, and provides a summary table of typical colors in the historical centers of cities under study. The differences in the polychromy of the studied cities and possible options for the development of the concept of coloristics of the architectural environment of these cities are determined.

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8

Weingarden, Lauren S. "The Colors of Nature: Louis Sullivan's Architectural Polychromy and Nineteenth-Century Color Theory." Winterthur Portfolio 20, no. 4 (1985): 243–60. http://dx.doi.org/10.1086/496239.

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9

Curteis, Tobit. "The Entrance Hall of the Fitzwilliam Museum, Cambridge: A Conservation Approach to Nineteenth-Century Architectural Polychromy." Journal of Architectural Conservation 8, no. 2 (2002): 7–22. http://dx.doi.org/10.1080/13556207.2002.10785316.

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10

Mulvin, Lynda S. "An Unknown Collection of Preliminary Drawings and Extra Illustrations Prepared for The Arabian Antiquities of Spain by James Cavanah Murphy in the Gennadius Library, Athens." Muqarnas Online 35, no. 1 (2018): 301–48. http://dx.doi.org/10.1163/22118993_03501p014.

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Abstract In the Gennadius Library of the American School of Classical Studies at Athens, Greece, is a heretofore unknown large-format volume that contains many extra illustrations, original drawings, and proofs of plates for The Arabian Antiquities of Spain by James Cavanah Murphy (1760–1814). Based on research conducted between 1802 and 1809, The Arabian Antiquities of Spain features engravings of major monuments of Hispano-Islamic architecture, including the Alhambra, the Great Mosque at Cordoba, and the Generalife at Granada; the work was published posthumously in 1816. Since the Gennadius

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11

Kucheruk, Oleksandr. "THE HOUSE OF THE CENTRAL COUNCIL IN KYIV: TRANSFORMATIONS OF THE IMAGE." City History, Culture, Society, no. 3 (October 30, 2017): 73–79. http://dx.doi.org/10.15407/mics2019.03.073.

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The article deals with the history of the construction and functioning of one of the most famous Kyiv buildings, which was used as the premises of the Ukrainian Central Council during the Ukrainian Revolution. The construction and the concept of this building are analyzed, and a description of the interior and exterior finishes. The process of transition of the building to the status of the house of meetings of the Central Rada was revealed in detail, its further fate was revealed, the functional transformation that took place with it in different periods of existence was investigated. Thus, t

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12

Le Guernic, Paul, Jean-Pierre Talpin, and Jean-Christophe Le Lann. "POLYCHRONY for System Design." Journal of Circuits, Systems and Computers 12, no. 03 (2003): 261–303. http://dx.doi.org/10.1142/s0218126603000763.

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Rising complexities and performances of integrated circuits and systems, shortening time-to-market demands for electronic equipments, growing installed bases of intellectual property (IP), requirements for adapting existing IP blocks with new services, all stress high-level design as a prominent research topic and call for the development of appropriate methodological solutions. In this aim, system design based on the so-called "synchronous hypothesis" consists of abstracting the nonfunctional implementation details of a system and lets one benefit from a focused reasoning on the logics behind

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13

Freimane, Santa. "Visual Identity of Riga 21st Century Multi-Apartment Developments." Architecture and Urban Planning 17, no. 1 (2021): 46–54. http://dx.doi.org/10.2478/aup-2021-0004.

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Abstract It is claimed that rapid changes, including globalization and urbanization, may lead to uniform urban environment. Therefore, it is crucial to address issues in terms of local architecture. This research particularly focuses on the visual identity of Riga 21st century residential developments. Theoretical studies and empirical research methods were used. According to the research results, the most typical characteristics are linear building blocks, symmetric arraignment of façade elements, polychrome façade colour approach and usage of white/grey/ black colour palette. However, consid

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14

Jackson, Neil. "Clarity or Camouflage? The Development of Constructional Polychromy in the 1850s and Early 1860s." Architectural History 47 (2004): 201–26. http://dx.doi.org/10.1017/s0066622x00001751.

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My earlier article inArchitectural History43, ‘Christ Church, Streatham, and the Rise of Constructional Polychromy’, showed that James Wild’s church of 1840–42 was, in its use of coloured masonry, far ahead of its time (Fig. 1). It preceded, by about a decade, the High Victorian fashion for constructional polychromy usually associated with John Ruskin’s pronouncements on colour, contained inThe Stones of Venice(1851 and 1853) and William Butterfield’s contemporaneous church of All Saints, Margaret Street (1849–59). The article argued that the interest in polychromy had, in fact, started much e

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15

Nyanchen, Zhen. "THE USE AND ARTISTIC FEATURES OF XUANZI POLYCHROME PAINTING IN THE MING AND QING DYNASTIES." Scientific and analytical journal Burganov House. The space of culture 16, no. 3 (2020): 134–44. http://dx.doi.org/10.36340//2071-6818-2020-16-3-134-144.

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In the field of the pictorial decoration of Chinese architecture, the decor of the period of the Ming and Qing dynasties is considered the most outstanding since, at that time, the technique was perfect, and the methods of decoration were rich in their diversity, which was not possible in previous eras. The polychrome painting of official buildings during the Ming and Qing dynasties’ reign is quite different from the Song dynasty’s polychrome painting. The transition from the Song dynasty’s polychrome painting to the Ming and Qing dynasties’ polychrome painting was completed during the Yuan dy

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16

Whelan, Aidan. "George Gilbert Scott: A Pioneer of Constructional Polychromy?" Architectural History 57 (2014): 217–38. http://dx.doi.org/10.1017/s0066622x00001428.

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The dominant historical account of constructional polychromy in Britain describes its emergence in the fifteenth century as a by-product of the introduction of brick-making under Flemish influence. Blue bricks, over-fired or possibly deliberately vitrified, were put to use creating patterns and colour contrasts in load-bearing walls. This constructional polychromy passed from fashion in the late Renaissance period before returning to popularity in the mid-nineteenth century, prompted, it is said, by John Ruskin’s The Seven Lamps of Architecture (1849) and The Stones of Venice (1851–53), and la

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17

Severo, Donato. "Architecture at the service of care: France-USA Memorial Hospital of Saint-Lô." Cure and Care, no. 62 (2020): 60–67. http://dx.doi.org/10.52200/62.a.r3o24kol.

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The France-USA Memorial Hospital in Saint-Lô, Normandy (1948-1965), is known as one of the most relevant French Reconstruction projects. It is the first important work crafted by the French-American architect, Paul Nelson (1895-1979). His humanist approach inspired a series of unprecedented, meaningful and technical architectural innovations. The organization of the new hospital, based on functionality and modernity; polychromic and artistic inclusion; extended high-quality work, notably the "claustra" façade; ovoid surgical rooms and technical equipment are testimonies to the major quality an

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18

Yu, Huafeng, Yue Ma, Thierry Gautier, et al. "Exploring system architectures in AADL via Polychrony and SynDEx." Frontiers of Computer Science 7, no. 5 (2013): 627–49. http://dx.doi.org/10.1007/s11704-013-2307-z.

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19

Blaszczyk, R. L. "The Architectonic Colour: Polychromy in the Purist Architecture of Le Corbusier." Journal of Design History 24, no. 4 (2011): 405–7. http://dx.doi.org/10.1093/jdh/epr039.

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20

Sullivan, Megan. "Alejandro Otero's Polychrome: Color between Nature and Abstraction." October 152 (May 2015): 60–81. http://dx.doi.org/10.1162/octo_a_00217.

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Alejandro Otero's monumental polychrome for the facade of the School of Architecture at the Universidad Central de Venezuela, in which the lighter of the gridded structure's two blues was intended to correspond with the hue of the Caracas sky, stands as a crucial work for understanding the particularities of Venezuelan modernism and modernity in the 1950s. In embracing color's industrialization while refusing to sever its natural referents, I argue that Otero's polychrome speaks to larger questions of the relation of raw materials and finished products, as well as nature and history, in a mode

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21

Damjanović, Dragan. "Polychrome Roof Tiles and National Style in Nineteenth-century Croatia." Journal of the Society of Architectural Historians 70, no. 4 (2011): 466–91. http://dx.doi.org/10.1525/jsah.2011.70.4.466.

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Gothic architecture, revived and decorated with motifs borrowed from folk art, provided the foundation for the creation of a Croatian national style in the last quarter of the nineteenth century. Dragan Damjanović explains how the Viennese architect Friedrich Schmidt and his student and collaborator Herman Bollé created the signature architecture of this movement, the brilliantly colored and boldly patterned tile roofs of St. Mark's church (restored 1875–82), Zagreb cathedral (restored 1878–1902), and the church of the Blessed Virgin Mary in Marija Bistrica (restored 1878–85). In Polychrome Ro

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22

Sandu, Ion, Cosmin Tudor Iurcovschi, Ioan Gabriel Sandu, et al. "Multianalytical Study for Establishing the Historical Contexts of the Church of the Holy Archangels from Cicau, Alba County, Romania, for its Promotion as a World Heritage Good I. Assessing the preservation-restoration works from the 18th century." Revista de Chimie 70, no. 7 (2019): 2538–44. http://dx.doi.org/10.37358/rc.19.7.7376.

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The present paper is the first instalment of a series focused on establishing some archaeometric characteristics of the modern finishings (mortars, fresco and layers of whitewash) of the Church of the Holy Archangels from Cic�u, Alba County, Romania, in order to assess the shape, with the structural-functional integrity and architectural and artistic aspect of the monument for the last historical context, between 1710 and 1790. This period is the most extensive and less known of the church�s stages of transformation: 11th�12th century (unknown), 15th century (known) and 18th century (partially

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23

Williams, Kim. "Paloma Pajares-Ayuela—Cosmatesque Ornament: Flat Polychrome Geometric Patterns in Architecture." Nexus Network Journal 5, no. 2 (2003): 144–45. http://dx.doi.org/10.1007/s00004-003-0022-z.

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24

Van Zanten, David. "Semper, Hittorff, Labrouste, Jones et la polychromie en architecture." Revue germanique internationale, no. 26 (December 27, 2017): 103–22. http://dx.doi.org/10.4000/rgi.1684.

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25

Jackson, Neil. "Christ Church, Streatham, and the Rise of Constructional Polychromy." Architectural History 43 (2000): 219. http://dx.doi.org/10.2307/1568695.

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26

Roascio, Stefano, Alessandro Zucchiatti, Paolo Prati, and Aurora Cagnana. "Study of the pigments in medieval polychrome architectural elements of “Veneto-Byzantine” style." Journal of Cultural Heritage 3, no. 4 (2002): 289–97. http://dx.doi.org/10.1016/s1296-2074(02)01239-6.

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27

Vasiljevic-Tomic, Dragana, and Igor Maric. "Colour in the city: Principles of nature-climate characteristics." Facta universitatis - series: Architecture and Civil Engineering 9, no. 2 (2011): 315–23. http://dx.doi.org/10.2298/fuace1102315v.

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The phenomenon of colour is examined through the evolution of colour and development of culture of colour, principles of nature-climate characteristics which significantly affects the colouristic priorities of people and the colour of the city itself. The terms functional colour and climate of colour are also considered, as some of the most important characteristics of architectural and urban design practice. The role of the urban public space in functioning of the city is defined through the essential characteristics of urban public space, which are cultural identity, nature, climate characte

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28

Kazantseva, Tetiana. "EVOLUTION OF THE POLYCHROMY IN LVIV ARCHITECTURE OF THE SECOND HALF OF THE 19TH CENTURY." space&FORM 2016, no. 27 (2016): 227–44. http://dx.doi.org/10.21005/pif.2016.27.e-02.

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29

Jourd'heuil, Irène, and Emmanuelle Boissard-Stankov. "Polychromie architecturale et vitraux « en trompe-l’oeil » de la cathédrale de Chartres." Bulletin Monumental 173, no. 3 (2015): 223–48. http://dx.doi.org/10.3406/bulmo.2015.12125.

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30

윤희진 and 이성호. "L'Etude sur la polychromie architecturale en France depuis Le Corbusier et De Stijl." ASSOCIATION CULTURELLE FRANC0-COREENNE ll, no. 22 (2011): 345–73. http://dx.doi.org/10.18022/acfco.2011..22.012.

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31

Bordignon, F., P. Postorino, P. Dore, and G. Trojsi. "Raman identification of green and blue pigments in Etruscan polychromes on architectural terracotta panels." Journal of Raman Spectroscopy 38, no. 3 (2007): 255–59. http://dx.doi.org/10.1002/jrs.1630.

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32

YOSHIDA, Kasumi. "TYPOLOGY OF THE POLYCHROMY : Study on polychromism in the late medieval religious architecture in Tuscany Vol. II." Journal of Architecture and Planning (Transactions of AIJ) 66, no. 541 (2001): 235–42. http://dx.doi.org/10.3130/aija.66.235_1.

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33

Besnard, Loïc, Adnan Bouakaz, Thierry Gautier, et al. "Timed behavioural modelling and affine scheduling of embedded software architectures in the AADL using Polychrony." Science of Computer Programming 106 (August 2015): 54–77. http://dx.doi.org/10.1016/j.scico.2014.05.014.

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34

Douglas, John E., and César A. Quijada. "Di Peso’s Concept of the Northern Sierra: Evidence from the Upper Bavispe Valley, Sonora, Mexico." Latin American Antiquity 16, no. 3 (2005): 275–91. http://dx.doi.org/10.2307/30042494.

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AbstractOften the late prehistoric period of northeast Sonora is portrayed as the product of a migration from, or closely associated with, the peoples of Casas Grandes Valley in northwest Chihuahua. That migration is believed to have occurred around A.D. 1300–1500, either at the zenith or during the decline of the Casas Grandes culture. However, recent excavations along the Río Bavispe in northeast Sonora show that developments in polychrome pottery, domestic architecture, and possibly community architecture parallel the pattern found in northwest Chihuahua during the A.D. 1000–1200 period, be

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35

Becker, Marshall Joseph. "A CLASSIC-PERIODBARRIOPRODUCING FINE POLYCHROME CERAMICS AT TIKAL, GUATEMALA: Notes on ancient Maya firing technology." Ancient Mesoamerica 14, no. 1 (2003): 95–112. http://dx.doi.org/10.1017/s0956536103141053.

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Significant indirect evidence suggests that one of the Classic-period residential groups at Tikal was the residence of a family of potters who produced high-quality painted wares. Delineation of the borders of residential Group 4H-1 at Tikal led me to postulate that thebajowas a major resource zone for ceramic manufacturing rather than a spatially limiting feature. This family of upscale ceramic producers used the adjacentbajoas a source of clay and fuel for firing pottery. The configuration of other groups near Group 4H-1 suggests not only that the people occupying the several groups on this

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36

Grbanovic, Ana Marija. "The Ilkhanid Revetment Aesthetic in the Buqʿa Pir-i Bakran: Chaotic Exuberance or a Cunningly Planned Architectural Revetment Repertoire?" Muqarnas Online 34, № 1 (2017): 43–83. http://dx.doi.org/10.1163/22118993_03401p004.

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The Pir-i Bakran mausoleum (completed by 1312–13; Linjan, Isfahan) is considered to be a typical example of exuberant Ilkhanid architectural decoration. In the 1970s, the International Association of Mediterranean and Oriental Studies (IsMEO) undertook significant research and restoration work on the mausoleum. After their efforts were interrupted by the onset of the Iranian Revolution, restoration activities were continued by the Iranian Cultural Heritage Organization. Almost four decades later, questions concerning the mausoleum’s history, function, decorative program, patronage, and craftsm

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37

LeCount, Lisa J. "Polychrome Pottery and Political Strategies in Late and Terminal Classic Lowland Maya Society." Latin American Antiquity 10, no. 3 (1999): 239–58. http://dx.doi.org/10.2307/972029.

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The analysis of decorated pottery across house mounds at the lowland Maya site of Xunantunich in Belize investigates the complex relationships between wealth, social status, and political strategies in state-level societies. Rather than using the distribution of decorated pottery as an indicator of social status, this study treats it as an independent variable and illustrates how prestige goods circulated as political currency to further political ambitions. Two social strata and the two ranks within each stratum are defined by architectural complexity and intersite location of house mounds at

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38

Nazel, Tarek. "The Sharaf Al-Din Mosque in Cairo: A Case Study." Restoration of Buildings and Monuments 22, no. 1 (2016): 27–36. http://dx.doi.org/10.1515/rbm-2015-1003.

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Abstract The polychrome mosque of Sharaf Al-Din in the historic center of Cairo dates back to (717–738ah) (1317–1337ad). It consists of different layers of red brick and yellow limestone, characteristic of Mamluk architecture; the building is currently below the street level. The study concentrated on the mineralogical and physicochemical composition of these two construction materials, as well as identifying the Mokattam quarry as the source for the limestone. Furthermore, the presence of efflorescence in specific locations of the building was noted, and their composition was analyzed to iden

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39

Danzl, Thomas. "Policromia e scienze della conservazione: il caso Bauhaus a Dessau." TERRITORIO, no. 62 (September 2012): 108–15. http://dx.doi.org/10.3280/tr2012-062020.

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The first part of the essay reviews considerations made since the end of the Second World War in Germany on the conservation of modern architecture and it identifies the complex issue of the value of the memories that architecture carries in it, even in restoration projects which do not exclude modifications, the introduction of new parts and rebuilding. The objective is to identify the characteristics of critical and conservative restoration which leaves the traces of time and the losses on view, so that a 20th Century monument becomes a document of itself. The procedures followed for the con

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40

Ivashko, Yulia, Tetiana Kuzmenko, Li Shuan, and Chang Peng. "The influence of the natural environment on the transformation of architectural style." Landscape architecture and art 15 (March 23, 2020): 98–105. http://dx.doi.org/10.22616/j.landarchart.2019.15.11.

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The article explores the phenomenon of the architecture style transformation with a radical change in the natural environment. By the example of two pairs of objects of the same style – objects of Northern National Romanticism in Finland and China and objects of the “Moscow pattern work” in Russia and France, the non-identity of the their architecture perception is argued with the general preservation of the defining signs of style – severe stone forms of northern national romanticism in dense Helsinki's urban development is perceived differently than similar forms of northern national romanti

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41

KAGAMI, Sotaro. "A STUDY ON THE ENAMEL LAVA OF MORTELÈQUE AND HACHETTE AND ITS SIGNIFICANCE IN THE CONTEMPORARY POLYCHROME ARCHITECTURE." Journal of Architecture and Planning (Transactions of AIJ) 73, no. 631 (2008): 1983–87. http://dx.doi.org/10.3130/aija.73.1983.

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42

Hoggarth, Julie A., J. Britt Davis, Jaime J. Awe, and Christophe Helmke. "RECONSTRUCTING THE FORMATION OF PERI-ABANDONMENT DEPOSITS AT BAKING POT, BELIZE." Ancient Mesoamerica 31, no. 1 (2020): 139–49. http://dx.doi.org/10.1017/s0956536119000312.

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AbstractArchaeological research in the Maya lowlands has identified special deposits that offer essential information about the abandonment of Classic Maya centers. We argue that some of the “problematical deposits” associated with terminal architecture may be more accurately described as peri-abandonment deposits since they temporally and behaviorally relate to the activities associated with the final use of ceremonial space. Here, we describe several peri-abandonment deposits that were identified in Group B at the site of Baking Pot, located in western Belize. Using detailed stratigraphic an

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43

Kristan-Graham, Cynthia. "The Business of Narrative at Tula: An Analysis of the Vestibule Frieze, Trade, and Ritual." Latin American Antiquity 4, no. 1 (1993): 3–21. http://dx.doi.org/10.2307/972134.

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The so-called frieze of the Caciques at Tula, Hidalgo, Mexico, is an 8-m-long bench with most of its original polychromed face intact. It formed part of a larger composition that once ran around the perimeter of the Vestibule, a colonnaded hall that served as a foyer for Pyramid B. The composition of profile males is adapted to look as if they are actually marching around the room toward the pyramid. Although Hugo Moedano Koer (1947) identified the figures as caciques or local chiefs, an analysis of architectural setting, subject matter, and ethnohistory suggests instead that the figures repre

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44

Walker, David. "Plasticity at Ronchamp: the interrelationship of form and light and its plastic manifestation." Architectural Research Quarterly 16, no. 4 (2012): 349–61. http://dx.doi.org/10.1017/s1359135513000237.

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The aim of this study is to chart the manifestation of the Chapel at Ronchamp as a plastic organism and to identify its complex intrinsic visual qualities. To use Gordon Cullen's words, the work involves ‘charting the structure of the subjective world’. Although it has graphic and figurative aspects, the Chapel at Ronchamp achieves existential meaning primarily through plasticity, in other words the visual medium of form, space, polychromy (colour as a relative phenomenon) and texture, revealed in light. As in the case of all spatially rich unicellular works of architecture, the charting of th

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45

B., Cherkes, and Radomska V. "CURRENT STATE OF PRESERVATION AND PROBLEMATICS OF RESTORING POLYCHROME PAINTINGS BY MODEST SOSENKO IN THE STRUCTURE OF SACRED ARCHITECTURE." Architectural Studies 5, no. 1 (2019): 1–8. http://dx.doi.org/10.23939/as2019.01.001.

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46

Buiskykh, Alla, Nataliia Harkusha, and Maryna Chepkasova. "Architectural Terracotta From Olbia According to Excavations of the 1920-ies." Archaeology, no. 1 (March 16, 2021): 96–107. http://dx.doi.org/10.15407/archaeologyua2021.01.096.

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The article is devoted to the introduction into scientific circulation of a collection of terracotta architectural details from the excavations of the Upper City of Olbia in the second half of the 1920-ies. Archaeological research was conducted by the Scientific Council of the All-Ukrainian Academy of Sciences according to the plan proposed by B. V. Farmakovskyi after the resumption of excavations in Olbia in 1924. Two of the details, fragments of polychrome simas of the Late Archaic period, most likely were related to the cult monumental structures of the Western Temenos and were found in the

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47

Aibabin, Aleksandr I., and Elzara A. Khairedinova. "Quarter Churches of the Mediaeval Town atop Eski-Kermen Plateau." Античная древность и средние века 48 (2020): 310–26. http://dx.doi.org/10.15826/adsv.2020.48.020.

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In the late sixth century AD, the Byzantines established a fort atop the plateau of Eski-Kermen. From the tenth to twelfth century, this structure developed into a small mediaeval town. Almost all the territory of the southern half of the plateau was occupied by a few rectangular quarters each comprising several houses. The excavations of the quarters in question unearthed four small aisleless churches of two types: I – with a rectangular hall and an apse, II – with a narthex attached to the naos with an apse. According to stratigraphic observations, the quarter churches in question were built

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Prieto Vicioso, Esteban, Virginia Flores Sasso, Letzai Ruiz Valero, and José M. García de Miguel. "The colour of architecture. Physical-chemical analysis of polychromy on stone in a 16th century gothic Portal at the Cathedral of Santo Domingo." IOP Conference Series: Materials Science and Engineering 949 (November 11, 2020): 012092. http://dx.doi.org/10.1088/1757-899x/949/1/012092.

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Guimier-Sorbets, Anne-Marie. "La peinture sur les sols de mortier et les mosaïques d’époque hellénistique : modes d’emploi d’une polychromie architecturale largement méconnue." Technè, no. 48 (December 31, 2019): 27–33. http://dx.doi.org/10.4000/techne.1956.

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Gusella, Francesco. "A Gramscian Perspective on Colonial Baroque." Eikon / Imago 10 (February 8, 2021): 331–47. http://dx.doi.org/10.5209/eiko.74156.

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The present study provides a comparative analysis of whitewashed stucco moldings and polychrome gilded altarpieces, major elements of the distinct decorative style that originated in colonial Goa during the period under investigation. The study’s comparative approach focuses on the combination of these materials and the entangled evolution of their decorative motifs. The article employs Antonio Gramsci’s theory of cultural hegemony to analyze the artistic patronage of a selected group of religious buildings that are particularly important from the perspective of their decorative program. The t

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