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Relevant bibliographies by topics / Architecture 17th century

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Academic literature on the topic 'Architecture 17th century'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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Journal articles on the topic "Architecture 17th century"

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Brown, David A. "Domestic Masonry Architecture in 17th-Century Virginia." Northeast Historical Archaeology 27, no. 1 (1998): 85–120. http://dx.doi.org/10.22191/neha/vol27/iss1/9.

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Godlewski, Włodzimierz. "Archaeological and architectural evidence of social change in 13th–17th century Dongola." Polish Archaeology in the Mediterranean 27, no. 1 (April 11, 2018): 617–43. http://dx.doi.org/10.5604/01.3001.0013.2445.

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The article reviews the body of archaeological and architectural evidence for social transformation taking place in Dongola during the period from the end of the 13th through the end of the 17th century, the uppermost stratum uncovered by Polish archaeologists excavating the ruins of the medieval seat of Makurian kings. Domestic architecture from the late 14th through 17th centuries and the artifactual finds from these dwellings, which were built on top of the ruins of the Makurian capital, demonstrate the character and extent of changes in the education, culture and religion of the inhabitants of the city from the Funj period

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Bevz, Mykola. "The wooden architectural complex of the city and royal residence of the John III Sobieski in Kukizów." Budownictwo i Architektura 18, no. 4 (March 20, 2020): 059–82. http://dx.doi.org/10.35784/bud-arch.710.

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The palace in Kukizów of King of Poland John III Sobieski is known only to a narrow group of architecture and art historians. The palace and park complex ceased to exist in the 19th century. The architecture of the palace is known especially from the descriptions in the inventory documents from the early 18th century. Although the authorship of the palace design belongs to the well-known artists of the era – Augustyn Wincenty Locci and Piotr Beber, its architecture has not yet been reconstructed. A specific feature of the royal residence in Kukizów was the construction of royal buildings and town buildings in a wooden material. The intention to create a city complex and an entirely wooden residence was a unique experiment in the field of European architecture and urban planning of the 17th century. In the paper we present the results of our research on the architecture of the palace and town for the end of the 17th century.

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Nurme, Sulev. "The use of woody plants in Estonian and Livonian manor ensembles during the second half of the 17th century." Forestry Studies 72, no. 1 (September 18, 2020): 75–90. http://dx.doi.org/10.2478/fsmu-2020-0007.

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AbstractNot much is known about the 17th-century Estonian and Livonian landscape architecture. Most of the information is based on the descriptions found in historical archival and literary sources and on some of the well-known engravings. According to these, a common idea of that era's landscape architecture is that it was humble in scale and design, and was similar to the practice of late-medieval times when there was no space or ambition to grow woody plants in small gardens of castles. But when diving into the Swedish manor plans dating back to the last decades of the 17th century, it can be noted that the layouts of manorial hearts are inherent to the spatial design of early baroque, which is characterized by a landscape that has strongly been redesigned and includes a decorative garden, kitchen garden and a park. This article focuses on the spatial composition of Estonian and Livonian manor parks of the second half of the 17th century and observes the role of trees and their use in these landscapes. This article is based on the results of a study about the planning of baroque manor hearts Understanding the Role of 18th Century Estonian Manor Ensembles in Contemporary Planning and Conservation (Eesti 18. sajandi mõisaansamblid 21. sajandi maastikuplaneerimises: avastamine, mõistmine, tõlgendamine) which was carried out by the author of this article. The map analysis results deal with the spatial structure of manor ensembles and the observations made during the analysis. The article examines the possible ways of using woody plants in 17th-century Estonian manors while looking at the manor ensemble as an architectonic of early baroque. Based on the research results it can be said that by the last decades of the 17th century the wealthiest manors had already built manor hearts with a modest but a clearly baroque style layout which is characterized by a regular and symmetrical ensemble core, a garden axially connected to the main building and avenues heading into the landscape. This type of approach enables to broaden the common conception of the era's garden and park architecture in the manor hearts of Estonia and Livonia. Based on what is highlighted in the article it can be said that the tradition and practice of garden art that has shaped the image of Estonian landscape had already been developed by the end of the 17th century.

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Ronnes, Hanneke. "The architecture of William of Orange and the culture of friendship." Archaeological Dialogues 11, no. 1 (June 2004): 57–72. http://dx.doi.org/10.1017/s1380203804001369.

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The grand houses and gardens of William of Orange (1650–1702) and his courtiers in Britain and the Netherlands are strongly influenced by the French style, itself associated with Louis XIV, who was actually William’s arch-rival. This paper explores that paradox by probing ideas of power and friendship in 17th-century court culture.

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Santos, T. A., N. Fonseca, and F. Castro. "Naval Architecture Applied to the Reconstruction of an Early 17th Century Portuguese Nau." Marine Technology and SNAME News 44, no. 04 (October 1, 2007): 254–67. http://dx.doi.org/10.5957/mt1.2007.44.4.254.

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The Portuguese sailed yearly on the India Route for more than two centuries, between the early 16th and the 17th centuries. Most ships employed in this route belonged to the Nau type and were among the largest and strongest ships of their time. Although extremely interesting, there is presently very little knowledge about the technical characteristics of these ships. The reason is that they were built in a preindustrial era when technical design and documentation procedures almost did not exist. The method that is presently being applied by the authors to investigate the technical characteristics of these ancient ships combines the analysis of archaeological remains, the interpretation of contemporary texts on shipbuilding, and modern naval architecture techniques. The paper starts by describing the shipwreck discovered recently at the mouth of the Tagus River, known as the Pepper Wreck, which was identified as the Portuguese ship Nossa Senhora dos Mártires, lost on its return voyage from Cochim, India, on September 14, 1606. This is the first significant shipwreck of a Portuguese Nau comprehensively excavated and analyzed by Nautical Archeologists, and in fact the resulting data made possible the study presented here. Based on the analysis of the archaeological remains and on contemporary texts, including Portuguese shipbuilding treatises, a reconstruction of the lines plan and rigging is proposed, as well as the lightweight and cargo distribution on board. The cargo spaces resulting from the reconstruction of the hull are evaluated using ancient tonnage measurement techniques and modern naval architecture techniques to evaluate the cargo capacity of the ship. The intact floatability and stability of the ship are also investigated and compared with modern stability criterion appropriate for large sailing vessels.

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Nossov, K. S., S. R. Muratova, and I. V. Balyunov. "Defensive Walls of Tobolsk Kremlin: a Historical and Architectural Sketch." Nauchnyi dialog, no. 8 (August 24, 2021): 414–37. http://dx.doi.org/10.24224/2227-1295-2021-8-414-437.

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The article was prepared in connection with the announcement of the year of Semyon Ulyanovich Remezov in the city of Tobolsk in 2021. Information has been collected on the history of the construction and rebuilding of the fortress walls and towers of the Tobolsk Kremlin, which rarely attracted the attention of researchers. A review of the history of the fence construction in the Sofia courtyard is carried out. Particular attention is paid to the stages of the construction of the Kremlin stone walls, the surviving elements of defensive architecture in them. The authors clarify some provisions from the classical works of V. I. Kochedamov, draw on new sources, including photographs from restoration work in the middle of the 20th century from the funds of the Tobolsk Historical and Architectural Museum-Reserve. The results of a comparative architectural analysis of the Kremlin walls of Tobolsk with synchronous and previous monuments of Russian military architecture are presented in the article. It has been established that the walls of the Tobolsk Kremlin were more of a symbolic-decorative than a military char-acter. It was determined that they represented a symbiosis of the Moscow Kremlin architecture of the late 15th century with the architecture of the Smolensk fortress wall, 17th century monastery fences and, possibly, the fence of the Bishops' court in Rostov.

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Колесникова, Л., Lyudmila Kolesnikova, С. Семенцов, and S. Semencov. "BELGOROD CITY MANSIONS OF THE XVIII CENTURY." Bulletin of Belgorod State Technological University named after. V. G. Shukhov 3, no. 3 (March 25, 2018): 65–68. http://dx.doi.org/10.12737/article_5abfc9bd493b67.14636641.

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The article deals with the historical aspects of the appearance of a new urban development policy in Russia at the turn of the 17th and 18th centuries during the reign of Peter the Great, due to the fact that this era was the turning point in the history of Russian town-planning. In the interests of the state the urban policy was carried out, which was intended to provide the necessary fire-prevention and sanitary measures. The article describes the construction in Belgorod according to a new regular plan in 1768, designed by the architect A.V. Kvasov. It analyzes the architecture of the extant stone-built city manor buildings through the example of the House of merchant Selivanov – a remarkable architectural monument of urban homesteads, having no counterparts in the city, and the House of the noblewoman Rebinina. The compositional aspects of "exemplary" designs for houses in the end of the 18th century are considered.

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Valeriani, Simona. "Lovers, Gentlemen and Farmers." Nuncius 31, no. 3 (2016): 584–609. http://dx.doi.org/10.1163/18253911-03103003.

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This article takes as a starting point amateur architects in 17th-century England. It considers architectural writings including Henry Wotton’s Elements of Architecture (1624), Sir Balthasar Gerbier’s Councel and Advice to All Builders (1663) as well as Sir Roger Pratt’s and Sir Roger North’s notes on architecture and several building manuals. It enquires into the different kinds of knowledge and professional figures associated with architecture in the period. The paper scrutinizes how being a lover of architecture influenced the actors’ approach to other branches of knowledge such as garden design and agriculture. Did being an amateur shape the way in which one went about apparently more trivial aspects of life such as managing one’s estate? Comparing Roger Pratt’s unpublished notes with other contemporary sources on agriculture and estate management, it provides an insight into distinctive ways in which “amateurs” approached the subject.

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Gerasimov, A. P., and M. I. Korzh. "The influence of classicism on urban planning in West Siberia." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 23, no. 3 (June 28, 2021): 81–97. http://dx.doi.org/10.31675/1607-1859-2021-23-3-81-97.

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The of direction and style terms are of great importance in architecture and art history. The same names may have sometimes a completely different meaning. Classicism as one of the main trends in world architecture and art is now quite freely interpreted by different authors, which results in inaccurate definitions of architectural style of an object and the time of its construction. All this creates certain difficulties in studying not only historical buildings, but also their restoration or reconstruction.The article raises several questions related to the direction style. The first is the origins of the style that spread throughout Europe and Russia since the mid of the 17th century and continues today. Both classicism and its architectural styles require clarification and understanding. The second issue concerns the architecture and development of Siberian cities. The third question describes the influence of classicism on urban planning in West Siberia.

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Dissertations / Theses on the topic "Architecture 17th century"

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MacKechnie, Aonghus. "Scots court architecture of the early 17th century : the absentee-court architecture of Sir James Murray of Kilbaberton, William Wallace and their circle, in the early 17th century." Thesis, University of Edinburgh, 1994. http://hdl.handle.net/1842/19955.

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Laanela, Erika Elizabeth. "His Majesty's Ship Saphire and the Royal Navy in 17th-Century Newfoundland." W&M ScholarWorks, 2019. https://scholarworks.wm.edu/etd/1563899019.

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The English fifth-rate frigate Saphire was set on fire by its commander in Newfoundland during an attack by a French squadron in September 1696. Prior to its untimely sinking, this small warship had served the Royal Navy for over two decades, primarily in the Mediterranean, acting as convoy and escort to English shipping. This study combines multiple lines of evidence, including archaeology and material culture recovered from the wreck and contemporary documents, art, and illustrations, to explore the significance of the Saphire through a series of multi-scalar and diachronic interpretive lenses. The approach is inspired by an analytical framework for the study of wrecks first proposed by Muckelroy in 1978, while employing a multi-disciplinary methodology informed by social theory to orient the ship in its social and historical context. The first lens considers the Saphire at the broadest level, as an entangled tool of the Royal Navy built and operated at great cost to advance the imperial ambitions of England’s Stuart rulers in the late 17th century. Contemporary records allow the formulation of a biography of this small warship from its launching in 1675 to its loss in 1696, situated against the backdrop of the major political, military and social events of 17th century England. Although the ship was not fully excavated, available archaeological information, naval correspondence and contemporary images illuminate the material processes of constructing, outfitting, operating and maintaining the Saphire as a complex technological artifact. The second lens focuses on the significance of the Saphire at the regional level by examining the social and economic relationships between naval personnel and the settlers and fishers of Newfoundland in the late 17th century. At that time, naval commanders played a role not only in defense, but also in government and judicial affairs of the island. A comparison of material culture recovered from the Saphire with the archaeological record of settlements such as Ferryland illustrates how seaborne trade led to an increasingly globalized material culture that represents a growing consumerism. The third lens examines social relationships and daily life on a small warship in the late 17th century through the material culture from the wreck and contemporary documents. It looks at how naval hierarchy was established, expressed and contested. The concept of assemblages of practice is used to better understand how the artifacts recovered from the wreck reflect the habitus of the daily lives of 17th-century seamen.

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Roy, Francine 1948. ""...Templum nova forma constructum..." : early 17th-century late Gothic churches in Wolfenbüttel and Bückeburg." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=31137.

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In the years around 1600, a change was noted in architecture towards a return to Gothic elements in Europe. The Gothic, in contrast to the Classical or Ancient, became a "new manner", a modern style. The residence churches at Wolfenbuttel and Buckeburg, which were erected around 1600 by Lower Saxon territorial princes, are Late Renaissance constructions that were made to look partly Gothic. This was neither a lingering on of Late Gothic design nor a misunderstanding of Renaissance architecture: it was rather a conscious evocation of the past and its merger with contemporary architecture. The forms of the churches recreated thus the sociopolitical reality of both Roman antiquity and the Middle Ages. This architecture was also emblematic in that it used the concrete objects of the churches as a means to convey an abstract content. Indeed, the aim was to provide a powerful political message, the confirmation of princely rule. In the rising absolutism of the beginnings of the 17th century, the builders of the Wolfenbuttel Marienkirche and the Buckeburg Stadtkirche used court architecture to construct their princely image and house mythology.

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Fisher, Karen B. "Community in Gloucestertown, Virginia: The Context and Archaeology of Town Development in 17th and 18th Century Virginia." W&M ScholarWorks, 1986. https://scholarworks.wm.edu/etd/1539625335.

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Vogt, Christy Cathleen. "A Toast to the Tavern: an Archaeological Study of a 17th and 18th Century Tavern in Charlestown, Massachusetts." W&M ScholarWorks, 1994. https://scholarworks.wm.edu/etd/1539625863.

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Carrell, Toni L. "From forest to fairway : hull analysis of 'La belle', a late seventeenth-century French ship." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/2798.

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This thesis is a comprehensive analysis of the hull remains of La Belle, a ship wrecked off the coast of Texas in 1684 during the failed attempt by Robert Cavelier Sieur de La Salle to establish a colony at the mouth of the Mississippi River. The analysis of La Belle's hull focused on five research goals. The first was to reconstruct the conception and design of the hull. Because La Belle was built on France's Atlantic coast, it was expected that the ship would fit into Atlantic traditions of shipbuilding. Instead, it exhibits an ancient Mediterranean method known only from Renaissance manuscripts. Until La Belle's discovery no archaeological example associated with this method had been identified. Reconstruction of the lines also revealed the unexpected use of surmarks that reflect a transition from a largely empirical approach to the architecturally-based ship plan. The second goal was the documentation of a previously unstudied ship type, the barque longue, through an analysis and description of the hull's assembly and its comparison to contemporary shipbuilding practices. The third goal was an analysis of newly discovered registries, letters, and documents specific to La Belle that raised fundamental questions regarding the ship's genesis and typological identification. The fourth goal was species identification of the timbers to provide a more detailed picture of forest exploitation and to identify whether Old or New World timbers were used in the repairs noted in the hull. The fifth goal was to obtain information on the origin of the wood through dendrochronological analysis. That analysis raised unexpected questions regarding dating and the possibility of re-use of whole frame sets. Because there are no other investigated late 17th-century shipwreck sites from the Rochefort region with species and dendrochronology data, La Belle has provided a benchmark for these two analyses. These five research foci provide a unique picture of late 17th-century shipbuilding in French Atlantic shipyards and contribute to the study of hull design, ship typology, construction and assembly, wood species use and origin, dendrochronological dating, and timber reuse.

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Hodges, Charles Thomas. "Forts of the Chieftains: A Study of Vernacular, Classical, and Renaissance Influence on Defensible Town and Villa Plans in 17th-Century Virginia." W&M ScholarWorks, 2003. https://scholarworks.wm.edu/etd/1539626396.

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Ballon, Hilary Meg. "Architecture and urbanism in Henri IV's Paris : the Place Royale, Place Dauphine, and Hôpital St. Louis." Thesis, Massachusetts Institute of Technology, 1985. http://hdl.handle.net/1721.1/71371.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, 1985.
MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.
Includes bibliographical references (v. 2, leaves 348-379).
This dissertation concerns the extensive building program which Henri IV undertook in Paris from 1600 to 1610. Focusing on the place Royale (now called the place des Vosges) , the place Dauphine, rue Dauphine, and Pont Neuf, and the hôpital St. Louis, this study holds that Henri IV's urbanism was guided by an emerging view of the city as a unified entity. Drawing from newly uncovered notarial documents, the dissertation examines the form and the function of the monuments and argues that each building was embedded in its physical context, engaged in the life of the city, and informed by an underlying urban vision . First, the buildings were not autonomous geometric forms dropped into open spaces; they were conceived as parts of a larger urban composition, structured by axes which linked the monuments to major roads without however diminishing the quality of spatial enclosure which the designs also promoted. Second, the squares and the hospital were each charged with a program anchored in the commercial, social, and sanitary life of the city. The place Royale and place Dauphine were planned as residential and commercial squares to stimulate trade and manufacturing while the hôpital St. Louis was intended to minimize the convulsive effect of the plague on the city. Finally, the dissertation argues that the royal building program was not merely a sequence of unrelated improvements and isolated adornments, but rather a series of coordinated efforts to impose a unifying order on the city. The monuments were assigned functions which addressed the city as a whole . They were physically linked to more distant parts of the city, and they were composed to create grand urban vistas. The urban fabric was no long e r conceived as an accumulation of fragments contained within the walls; it was understood as a cohesive network with its own internal order.
by Hilary Meg Ballon.
Ph.D.

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Fradier, Sophie. "Les frères Souffron (vers 1554-1649) : deux architectes ingénieurs entre Guyenne et languedoc, au temps de l'annexion de la Navarre." Thesis, Toulouse 2, 2016. http://www.theses.fr/2016TOU20125.

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Pierre I (doc. 1599-† 1621/1622) et Pierre II Souffron (1554-† 1649) sont deux frères architectes homonymes, originaires du Périgord, qui furent actifs dans les provinces de Guyenne et Languedoc entre la fin du XVIe siècle et le début du XVIIe siècle. Pierre I, probablement l’aîné de la fratrie, fut architecte et ingénieur des bâtiments de la Maison de Navarre. Installé dans la région de l’entre-deux-mers, il conduisit notamment l’important chantier du château de Cadillac, propriété du duc d’Épernon. Outre le domaine de l’architecture civile, il s’illustra pour des travaux d’ingénierie militaire et hydraulique. Son frère Pierre II fut lui aussi un artiste polyvalent. Son statut de maître architecte de la fabrique de la cathédrale Sainte-Marie d’Auch lui permit d’accéder à des chantiers de grande envergure tel que le Pont-Neuf de Toulouse. Le choix de réaliser une double monographie autour de ces deux personnalités artistiques n’a rien d’anodin, cette thèse permet de révéler qu’au-delà d’une pratique architecturale et d’une culture constructive commune, les frères Souffron bénéficièrent des mêmes réseaux de relations qu’ils mutualisèrent parfois. S’appuyant sur la découverte de sources inédites, la relecture de documents connus et l’examen approfondi de leur œuvre, cette étude se propose de décrire leurs trajectoires professionnelles. Elle montre aussi qu’ils doivent être considérés comme des figures de passeurs entre le milieu royal et la province. Architectes créatifs et talentueux, ils surent emprunter tant aux traditions constructives méridionales qu’aux grands chantiers contemporains et aux modèles à la mode diffusés par les traités de Serlio, Palladio, Vignole, De l’Orme et Bullant. Complétée par un catalogue raisonné, cette thèse est donc un travail inédit portant sur deux architectes provinciaux méconnus qui furent pourtant de grands héritiers de la Renaissance
Pierre I (doc. 1599-† 1621/1622) and Pierre II Souffron (1554- † 1649) are two namesake architect brothers, who were active in the provinces of Guyenne and Languedoc at the end of the sixteenth century and at the beginning of the seventeenth century. Pierre I, believed to be the eldest of the brothers, was an architect and engineer for the buildings of the royal House of Navarre. Located in the region of l’entre-deux-mers, he overseed several building sites including the château of Cadillac, property of the duc of Epernon. In addition to civil architecture, he was also known for his skills as a military and hydraulic engineer. His brother, Pierre II was also a multitasking artist. His status as Master Architect of the guild of the Saint-Marie cathedral of Auch enabled him to gain access to greater projects such as the Pont-Neuf of Toulouse. The decision to carry out a double monograph of these two artistic identities is far from innocuous, as this thesis reveals that beyond of their common practice of architecture and knowledge of their craft, the Souffron brothers benefited and often shared the same social networks. Based on the discovery of unpublished primary sources, the reinterpretation of other well-known documents and an extensive study of their works, this thesis follows their different career paths by taking into consideration that they both acted as purveyors of ideas between the royal milieu and the provinces. Creative and talented architects, they not only cleverly borrowed southern constructive traditions but were also inspired by contemporary building sites and fashionable architectural treatises such as those by Serlio, Palladio, Vignola, De l’Orne and Bullant. Completed by the catalogue raisonné, this novel thesis therefore sheds light on how these two unknown provincial architects were in fact the heirs of the Renaissance

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Richter, Konstantin Alexander. "The historic religious buildings of Ribeira Grande: implementation of christian models in the early colonies, 15th till 17th century, on the example of Cape Verde Islands." Doctoral thesis, Universidade da Madeira, 2008. http://hdl.handle.net/10400.13/256.

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Books on the topic "Architecture 17th century"

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Seventeenth-century art and architecture. Upper Saddle River, N.J: Prentice Hall, 2005.

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Harris, Ann Sutherland. Seventeenth-century art & architecture: Ann Sutherland Harris. London: Laurence King Publishing Ltd., 2005.

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1941-, Watkin David, ed. Neoclassical and 19th century architecture. New York: Electa/Rizzoli, 1987.

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Middleton, Robin. Neoclassical and 19th century architecture. London: Faber, 1987.

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Middleton, Robin. Neoclassical and 19th century architecture. London: Faber, 1987.

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Beuningen, Museum Boymans-Van. Perspectives: Saenredam and the architectural painters of the 17th century. Rotterdam: Museum Boymans-Van Beuningen, 1991.

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Manfredi, Tommaso. La costruzione dell'architetto: Maderno, Borromini, i Fontana e la formazione degli architetti ticinesi a Roma. Roma: Argos, 2008.

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La costruzione dell'architetto: Maderno, Borromini, i Fontana e la formazione degli architetti ticinesi a Roma. Roma: Argos, 2008.

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DeBessonet, Richard. Le feu en joue: Pòemes 1967-1972. Montréal, Qc: L. Courteau, 1987.

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Le Feu en joue: Poèmes (1967-1972). Montréal: Louise Courteau, 1987.

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Book chapters on the topic "Architecture 17th century"

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Altavista, Clara. "Peter Paul Rubens's Palazzi di Genova: built Architecture and drawn Reality." In The Reception of P.P. Rubens's 'Palazzi di Genova' during the 17th Century in Europe: Questions and Problems, 37–50. Turnhout: Brepols Publishers, 2002. http://dx.doi.org/10.1484/m.archmod-eb.4.00234.

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Ottenheym, Konrad. "Peter Paul Rubens's Palazzi di Genova and its Influence on the Architecture in the Netherlands." In The Reception of P.P. Rubens's 'Palazzi di Genova' during the 17th Century in Europe: Questions and Problems, 81–98. Turnhout: Brepols Publishers, 2002. http://dx.doi.org/10.1484/m.archmod-eb.4.00236.

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Lombaerde, Piet. "The Significance of the two Volumes of Rubens's Palazzi di Genova for Architectural Theory." In The Reception of P.P. Rubens's 'Palazzi di Genova' during the 17th Century in Europe: Questions and Problems, 51–80. Turnhout: Brepols Publishers, 2002. http://dx.doi.org/10.1484/m.archmod-eb.4.00235.

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Schütte, Ulrich. "«Architectura alla moderna» und die «Teutsche manier». Rubens’ Palazzi di Genova und die Neuorientierung der deutschen Architektur bei Joseph Furttenbach d. Ä. (1591-1667)." In The Reception of P.P. Rubens's 'Palazzi di Genova' during the 17th Century in Europe: Questions and Problems, 143–60. Turnhout: Brepols Publishers, 2002. http://dx.doi.org/10.1484/m.archmod-eb.4.00241.

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GIBBERD, FREDERICK. "17TH CENTURY • 1600–60." In The Architecture of England, 22–23. Elsevier, 2014. http://dx.doi.org/10.1016/b978-1-4831-6687-2.50014-9.

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GIBBERD, FREDERICK. "17TH CENTURY • 1660–1700." In The Architecture of England, 26–27. Elsevier, 2014. http://dx.doi.org/10.1016/b978-1-4831-6687-2.50016-2.

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Shokoohy, Mehrdad, and Natalie H. Shokoohy. "Domestic Architecture." In Bayana, 415–60. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474460729.003.0008.

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Bayana is exceptional in the rare survival of 15th century dwellings, abandoned but still standing in the Fort after the 1505 earthquake. They provide insights into structure and methods of construction as well as a typology, from single-room dwellings to courtyard plan houses and those with an open-fronted hall (īwān) and flanking chambers, featuring standardized, apparently mass-produced, stone elements which could include Qur’anic inscriptions. The division of space from public to private is discussed, and the role of private gardens providing seclusion. The survey enables identification of secular and religious structures, and shows the similarity between the plot layout of the ruined domestic dwellings in Tughluqābād, as well as of the later surviving mansions of Chanderi, and their antecedents in the planning of palaces and houses in Central Iran. The continuation of the house form in Sufi khānaqāhs, distinguishing them from orthodox religious structures is highlighted, and comparisons made with the 17th century merchants’ houses in the Armenian quarter of Isfahan.

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Rossi, Gabriele, and Valentina Castagnolo. "Ephemeral Architecture and Painted Architecture." In Conservation, Restoration, and Analysis of Architectural and Archaeological Heritage, 151–77. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-7555-9.ch007.

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The object of this study is a group of architectural perspectives painted on the domes and walls of noble palaces in Apulia, in particular that the baronial palace in Botrugno, the Broquier palace in Trani, and the Manes palace in Bisceglie. The perspectives belong to the “Quadratura” genre that developed in Italy and Europe in the Baroque period, but the architectural solutions represented are specific of the Apulian regional context, of Neapolitan derivation, rather than linked to the noble models of the Emilian and Roman master experiences. These architectural perspectives can be considered belonging to that “immaterial cultural heritage,” as defined by the UNESCO Convention for the Protection of the Intangible Cultural Heritage of 2003, if we consider the cultural significance of these painting representations—as previously mentioned—for their relationship with the 16th-17th century painting season of “Quadratura,” for the massive production of treatises on perspective, as well as for the Baroque experiences and for the tradition in the use of “Festa” ephemeral architectures.

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Abusaada, Hisham. "The Atmospheres of Urban Environments." In Advances in Civil and Industrial Engineering, 1–22. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-3856-2.ch001.

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This chapter investigates the ambiguity of the word “atmospheres” in the fields of urban studies. It examines the justifications (plausibility) beyond its uses, with the terms that are focusing on the perceptual qualities. The author investigated the uses of the word “atmospheres” from the beginning of the 17th century to the year 2020, a period which he divided into four stages. The investigation covered the work of 27 thinkers in the fields of natural sciences and humanities, including 10 in architecture disciplines, in addition to 28 manuscripts that addressed the relationship between atmospheres in the areas of architecture, particularly urban planning and design and urban landscape architecture between 1998 and 2020. The outcomes were developed through a comprehensive literature review by gaps analysis and a deductive online survey with 58 specialized participants, using SurveyMonkey. This chapter contributes to the rationale that an urban designer can use to study people's changing feelings, emotions, and moods according to the understanding of the terms related to atmospheres.

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Van Brummelen, Glen. "4. Identities, and more identities." In Trigonometry: A Very Short Introduction, 63–83. Oxford University Press, 2020. http://dx.doi.org/10.1093/actrade/9780198814313.003.0004.

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The world of trigonometry is full of identities: some of them extremely useful, others beautiful, and a few that are simply bizarre. ‘Identities, and more identities’ takes a tour of the menagerie of identities, viewing a little from each of these categories. The first two examples are known as triangle identities, because they refer to angles and lengths in a given triangle. The Law of Sines and the Law of Cosines are discussed, along with Mollweide’s formulas, the Law of Tangents, Morrie’s Law, and the introduction of logarithms, which became the preferred computing tool in mathematical astronomy, and then in practical disciplines like surveying and architecture in the early 17th century.

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Conference papers on the topic "Architecture 17th century"

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Radzevich, Irena. "The Development of Catholic Altar Architecture on the Territory of Belarus During the 17th Century – the First Half of the 19th Century." In Proceedings of the 2019 International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/ahti-19.2019.14.

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Martincek, Peter Jan. "RECONSTRUCTION PROBLEMS OF 17TH-CENTURY MUSICAL COMPOSITIONS WRITTEN IN NEW GERMAN ORGAN TABLATURE NOTATION WITH SPECIFIC EXAMPLES FROM LEVOCSKA ZBIERKA HUDOBNIN THE LEVOCA MUSIC COLLECTION." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s12.005.

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Merzlyutina, Natalia. "The Investigation of Churches “Under the Bells” and the Churches-belfries in the Russian Architecture of the Late 17th — Early 18th Century: Traditions and Innovations (Preliminary Ideas)." In Proceedings of the 2019 International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/ahti-19.2019.22.

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Mehmeri, Victor Dantas, Juan Jose Vegas Olmos, and Idelfonso Tafur Monroy. "Software architecture for hybrid electrical/optical data center network." In 2016 17th International Telecommunications Network Strategy and Planning Symposium (Networks). IEEE, 2016. http://dx.doi.org/10.1109/netwks.2016.7751165.

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Samadi, Payman, Junjie Xu, Ke Wen, Hang Guan, Zhuo Li, and Keren Bergman. "Experimental demonstration of converged inter/intra data center network architecture." In 2015 17th International Conference on Transparent Optical Networks (ICTON). IEEE, 2015. http://dx.doi.org/10.1109/icton.2015.7193566.

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Farrington, Nathan, Erik Rubow, and Amin Vahdat. "Data Center Switch Architecture in the Age of Merchant Silicon." In 2009 17th Annual IEEE Symposium on High-Performance Interconnects (HOTI). IEEE, 2009. http://dx.doi.org/10.1109/hoti.2009.11.

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Li, Deshun, and Yanming Shen. "ComCell: Exploring flexible and symmetrical architecture for data center networks." In 2016 IEEE 17th International Conference on High Performance Switching and Routing (HPSR). IEEE, 2016. http://dx.doi.org/10.1109/hpsr.2016.7525632.

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Baidu, Chuansheng Cheng, Hua Chen Baidu, Biquan Liang Baidu, Ning Liu Baidu, Chao Liu Baidu, Jun Zhang Intel, Nishi Ahuja Intel, Jialiang Xu Intel, and Xiang Zhou Intel. "A Novel Networking Box System Architecture and Design for Data Center Energy Efficiency." In 2018 17th IEEE Intersociety Conference on Thermal and Thermomechanical Phenomena in Electronic Systems (ITherm). IEEE, 2018. http://dx.doi.org/10.1109/itherm.2018.8419480.

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Centelles, R. Pueyo, S. Di Lucente, H. J. S. Dorren, and N. Calabretta. "Performance assessment of the optical packet switch architecture with highly distributed control under data center traffic." In 2012 17th European Conference on Networks and Optical Communications - (NOC 2012). IEEE, 2012. http://dx.doi.org/10.1109/noc.2012.6249937.

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Calabretta, Nicola, Wang Miao, and Harm Dorren. "High performance SDN enabled flat data center network architecture based on scalable and flow-controlled optical switching system." In 2015 17th International Conference on Transparent Optical Networks (ICTON). IEEE, 2015. http://dx.doi.org/10.1109/icton.2015.7193448.

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