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Relevant bibliographies by topics / Architecture, Ancient

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Academic literature on the topic 'Architecture, Ancient'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "Architecture, Ancient"

1

Tian, Mengyao, and Xu Xiao. "The influence of Chinese and Western cultural traditions on ancient architecture." Pacific International Journal 5, no. 4 (December 31, 2022): 105–11. http://dx.doi.org/10.55014/pij.v5i4.231.

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Architecture is a frozen music, a visual art, and a visual object whose existence is witnessed by history. Some classic ancient architectures including the pyramids of ancient Egypt, the Parthenon of ancient Greece, the Pantheon of ancient Rome, the Forbidden City, the Great Wall, the Hanging Temple of China and other world-famous traditional Chinese and Western architectures reflect ancient philosophical thoughts of the times. Architecture has formed a unique culture with the passage of time, and in turn culture plays an influential role to the formation of architecture. Geographical differences cause diversity to architectural cultures all round the world. In terms of Chines and western ancient architecture, the two differ each other on appearance, connotation, space and structure, which indicate not only the culture characteristics but also the aesthetic changes behind the architectures between China and the West.The West's passion for stone architecture and the East's passion for wood architecture are determined by national culture and geographical environment. It is difficult to judge which one is superior, sine such designs are developed to adapt to the environment and living habits. Ancient people built their characteristic architecture to meet the needs of the local people and living conditions.

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Xie, Xiaoying, and Qitong Wang. "Parameterization of Chinese Ancient Architecture on the Basis of Modulo Relationships." SHS Web of Conferences 171 (2023): 03031. http://dx.doi.org/10.1051/shsconf/202317103031.

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Contemporary systems are trending toward 3D computer-aided design systems that integrate, network, and exhibit intelligence. The integration of parametric technology with ancient Chinese architecture can enhance the efficiency and quality of managing information on ancient buildings, thereby expanding the application scenarios of ancient architectural information models. By analyzing the construction characteristics of ancient Chinese carpentry work and modular systems, this research outlines the logic and methods for generating Chinese ancient architecture. The program’s parametric technology allows for adjusting variable parameters to produce carpentry work structures of varying scales and forms. Furthermore, this research establishes a library of parametric 3D components for ancient architecture, which can simplify the design process of contemporary antique architecture. Additionally, the parametrization of Chinese ancient architectures can function as an auxiliary tool for maintenance and repair techniques, serving as a storage mechanism for whole-life cycle information. This can enable the digital archiving of component information and model entities in an informative manner for managing existing ancient architectures.

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Liu, Yuxuan. "Tradition and Modernity: Inheritance and Innovation of Ancient Chinese Architecture." Communications in Humanities Research 6, no. 1 (September 14, 2023): 493–98. http://dx.doi.org/10.54254/2753-7064/6/20230393.

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With a history of five thousand years, China has made many outstanding achievements in architecture. Even in modern times with advanced technology, there are still many advantages that can be used for reference. This article expounds the modern development of ancient Chinese architecture through the unique structure of ancient Chinese architecture and the application and evolution of ancient Chinese architectural styles in modern times. In general, the two unique structures of ancient Chinese architecture, the mortise and tenon structure and the bucket arch structure, due to the development of science and technology, no longer need them to play a load-bearing role. Now they are more used as decorations to reflect Chinese culture in architecture. middle. The architectural style of ancient China is also combined with modern architectural style to simplify the cumbersome construction process while still retaining the unique charm of ancient Chinese architecture. The main purpose of this study is to study the application and development trend of ancient Chinese architecture in modern times.

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Xia, Bo Rui, and Xiao Wang. "Fairyland-Emphasizing Effect of the Ancient Taoist Architecture for Wudang Mountain in Hubei Province." Applied Mechanics and Materials 584-586 (July 2014): 630–35. http://dx.doi.org/10.4028/www.scientific.net/amm.584-586.630.

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The Fairyland-emphasizing effect of the ancient Taoist architecture in Wudang Mountain is analyzed in the present paper. To this purpose, the different location selection of the “human world”, the “spirit mountain” and the “kingdom of heaven” is employed. Specifically, the “spirit’s world” are always constructed on a geographical dangerous site in the mountains in the forms of huge-scale ancient architectures. These architectures are always featured by their unique architectural details and marvelous plan. The Nanyan and the Taihe Palace in Wudang Mountains are taken as two studying case at the end of the paper, to analyze the fairyland-emphasizing effect of the Taoist ancient architectures.

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Xiao, Ran. "Analysis of the Layout Axis of Jinci in Taiyuan, Shanxi Province." Advanced Materials Research 1065-1069 (December 2014): 2601–4. http://dx.doi.org/10.4028/www.scientific.net/amr.1065-1069.2601.

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The ancient building group of Jinci gathers different architectures in the dynasty of Song, Jin, Yuan, Ming, Qing , which is deserved to be recognized as the national treasure and living ancient architecture archives including more eras. Based on the location, layout, axis of the building arrangement, this essay expounds the layout features and analyses the ancients’ grasp of axis in Jinci.

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Wu, Yali. "Classification of Ancient Buddhist Architecture in Multi-Cultural Context Based on Local Feature Learning." Mobile Information Systems 2022 (May 23, 2022): 1–11. http://dx.doi.org/10.1155/2022/8952381.

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Ancient Buddhist architecture plays an important role in the development of Chinese architectural culture. Under the background of multiculturalism, the ancient Buddhist architectural style has also been influenced to varying degrees. In order to realize automatic classification of ancient Buddhist architecture under multi-cultural background, this paper proposes an automatic classification algorithm based on local feature learning. Firstly, the ancient Buddhist architecture images are gridded, so that the backbone network can obtain relatively flat ancient Buddhist architecture image blocks. At the same time, the backbone network can learn more local details. Then, the grid reconstruction module is designed to strengthen the connection between the features of each block and highlight the distinguishing detail features. The accuracy of ancient Buddhist architecture classification can be effectively improved through image meshing and mesh reconstruction. Experiment and analysis are carried out by using the dataset of ancient Buddhist architecture images on the Internet. Experimental results show that the proposed algorithm has better recognition accuracy and robustness than other comparison algorithms.

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Zhang, Yong. "Analysis of Ancient Chinese Architecture Aesthetics." Advanced Materials Research 919-921 (April 2014): 1515–18. http://dx.doi.org/10.4028/www.scientific.net/amr.919-921.1515.

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the ancient Chinese architecture after two thousand years of development, formed the unique architectural style and aesthetic implication of Chinese traditional culture, this kind of architectural style and aesthetic connotations mainly reflected in the structure of the structure, roof shape, layout and color, etc. Appreciate the ancient Chinese architecture, can give a person very special aesthetic pleasure.

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Wang, Jicong, Min Li, Jia Wang, and Xiaoqing Ma. "Inheritance and Development of Ancient Buildings Culture based on Digital Image Technology." E3S Web of Conferences 179 (2020): 01011. http://dx.doi.org/10.1051/e3sconf/202017901011.

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Given the glorious achievements China boasts in the construction of ancient buildings, developing digital image technology for exploring the existing ancient buildings is of great significance, which cannot only analyse ancient civilization thoroughly, but also provide a reference for the field of modern architecture. It is efficient and accurate to collect information of ancient buildings by using modern digital image technology. However, it also has the drawbacks of having enormous sources which cannot be directly applied to image transmission. How to simplify the miscellaneous information resources and combine them with the ancient architectural culture is the key and difficult points of this study. In order to overcome the problem caused by incomplete information and lack of cultural concepts in ancient architecture construction, this paper explores the cultural connotation of ancient architecture from two aspects—material culture and intangible culture. When high-quality ancient architectural culture is demonstrated through modern digital image technology, ancient architectural culture is further promoted with the help of a variety of media platforms, so as to provide a reference for the inheritance and development of Chinese ancient architectural culture.

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Xiong, Xue Yu, and Zhao Yang Su. "Review of Timber Structure Reinforcement Research for the Huizhou Ancient Architecture." Advanced Materials Research 838-841 (November 2013): 498–502. http://dx.doi.org/10.4028/www.scientific.net/amr.838-841.498.

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Chinese ancient architectures are valuable culture heritages for human beings, and most of these ancient architectures are timber structures.[ Since most of the survived ancient architectures were built long time ago and suffered all kinds of nature disasters, their structures were damaged severely, and needed to be effectively reinforced and repaired. As the key element of Huizhou culture, Hui-style architecture is the representative of Chinese ancient architectures. Based on Hui-style architectures current damage situations, this paper studies the strengthen methods and current study situations of the timber structure of the ancient architectures from beam, column, mortise and tenon joint, corbel bracket, retaining structure and other aspects. It also studies the shortage of the traditional reinforcement methods, and discusses the usage of the new reinforcement material CFRP in the timber structure of the ancient architecture. In the end, the writer believes that finding sufficient methods to ensure the reinforcement effect, overcoming the shortage of the traditional reinforcement method, as well as ensuring the original appearance of the components when carry out the reinforcement, is the direction of the reinforcement study of Hui-style architecture in the future.

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Chen, Jinju, and Shiyan Ou. "Research on the construction of the semantic model for Chinese ancient architectures based on architectural narratives." Electronic Library 38, no. 4 (September 3, 2020): 769–84. http://dx.doi.org/10.1108/el-02-2020-0039.

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Purpose This paper aims to reorganize the relevant information of Chinese ancient architectures with the use of Semantic Web technologies and thus facilitate its deep discovery and usage. Design/methodology/approach This paper proposes an ontology model for Chinese ancient architectures based on architectural narratives theory. To verify the availability of the ancient architecture ontology, we designed and implemented three experiments, including semantic retrieval based on SPARQL query, semantic reasoning with the use of Jena reasoner and visual analysis based on the Chinese Online Digital Humanities Resources Platform. Findings The proposed ontology provided a solution for the semantic annotation of the unstructured information of Chinese ancient architectures. On this basis, deep knowledge services such as semantic retrieval, semantic reasoning and visual analysis can be provided. Practical implications The proposed semantic model of ancient architectures can effectively improve the organization and access quality of the semantic content of Chinese ancient architectures. Originality/value This paper focuses on the semantic modelling for the unstructured information of Chinese ancient architectures to semantically describe the related entities (e.g. persons, events, places and times) and uncover their relationships, and thus it made contribution to the deep semantic annotations on ancient architectures.

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Dissertations / Theses on the topic "Architecture, Ancient"

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Spence, Katherine Emma. "Orientation in ancient Egyptian royal architecture." Thesis, University of Cambridge, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.299468.

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Rossi, Corinna. "Mathematics and design in ancient Egyptian religious and funerary architecture." Thesis, University of Cambridge, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.621688.

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Packer, John Aidan. "Influences of Ancient Egypt on architecture and ornament in Scotland." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7708.

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This work seeks to identify the forms and origins of Ancient Egyptian architecture and the complex historical progress which brought these to Scotland, identifying the affinities shared by both countries and their evolving role from their first arrival to the present day. The thesis follows Egypt’s first appearance in Scottish legend and its later influence, at the close of the 16th century, in the practices of organised Freemasonry, to be followed, from the second quarter of the 17th century, by numerous obelisk sundials and with the construction of the first pyramid towards its close. In the 18th century, single obelisk monuments with Masonic implications appeared, and the outstanding significance of the Scottish Enlightenment and its fascination with Antiquity are noted. That this coincided with the Grand Tour encouraged Scottish aristocrats, architects, and artists to observe, to study and to be inspired by Egyptian forms, principally in Rome, which then appeared in Scottish country house and garden. The first recorded visit of a Scot to Egypt, in 1768, led to the delayed publication of an account in 1793 and the century closed with the outbreak of the British military campaign in Egypt against Napoleon’s invading forces. The participation of Scots troops led to a new familiarity with the land and, albeit from France, there were produced the first accurate details of the country’s monuments and an ensuing enthusiasm for an ‘Egyptian Revival’. This thesis goes on to record the 19th century absorption with mourning, when the use of Egyptian symbols, aided by industrial methods of production, grew to a peak, allied to new archaeological discoveries by visiting Scots and the growth of accurate publications. These two latter, increased by the growing number of Scots who visited the country, influenced the use of Egyptian themes in a wide range of buildings, religious, domestic and industrial. The 20th century rejection of both religion and commemoration, except in acknowledgement of the sacrifice of those who gave their lives in the First and Second World Wars, led to the decline of Egyptian mourning themes and new building techniques left little place for Egyptian references which were mainly reduced to mere surface ornament. This thesis concludes with an important 21st century military example which contains within it, a unique range of Egyptian symbols of commemoration.

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Lamouille, Stéphane. "Recherches sur les charpentes dans l'architecture monumentale grecque du VIe au IVe siècle av. J.-C." Thesis, Toulouse 2, 2019. http://www.theses.fr/2019TOU20081.

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Il ne subsiste aucun vestige direct des charpentes grecques et, bien souvent, l’état de conservation des blocs constitutifs des parties hautes des édifices est lacunaire. Ce constat conduit souvent à la reproduction du cadre interprétatif des charpentes antiques établi à la fin du XIXe siècle, opposant charpente grecque à empilement d’une part, et charpente romaine à ferme d’autre part. L’enjeu de cette thèse consiste à reconsidérer cette opposition binaire entre deux types de charpente. Afin de pallier le manque de vestiges archéologiques, d’autres pistes sont explorées. Les techniques utilisées dans la réalisation des charpentes ne sont pas toutes spécifiques à cet artisanat. Aussi, élargir le champ d’investigation à des activités connexes relevant de l’artisanat du bois comme, par exemple, la construction navale, permet de définir les contours d’un environnement technique dans lequel s’inscrit la charpente. Plusieurs traits caractéristiques de cet environnement technique ont été dégagés, parmi lesquels la maîtrise d’assemblages permettant la reprise d’efforts de traction, le recours à la triangulation des structures et un grand savoir-faire dans la taille des pièces de bois. À la suite de ce réexamen des connaissances pratiques et techniques des charpentiers grecs, une série d’études de cas est proposée, incluant l’arsenal du Pirée, les temples doriques de Sicile, le Parthénon, ainsi que le temple en calcaire et le temple d’Apollon du IVe siècle à Delphes. Les comptes de construction de ce dernier édifice, très riche concernant le matériau bois, font par ailleurs l’objet d’une analyse systématique. Enfin, sur le plan méthodologique, cette thèse aborde la question de la restitution des parties hautes. Le recours à la modélisation 3d et au calcul de structure permet de formuler des hypothèses neuves et d’en évaluer la pertinence dans un mouvement de va-et-vient entre les vestiges, les techniques et le comportement mécanique des charpentes. Les principaux résultats de cette thèse concernent la caractérisation de l’environnement technique dans lequel évoluent les charpentiers grecs des VIe et Ve siècle et conduisent à considérer comme pertinente l’hypothèse de l’existence de charpentes triangulées
There are no direct remains of Greek roof structures and, in many cases, the state of conservation of the constituent blocks of the upper parts is incomplete. This observation often leads to the reproduction of the interpretative framework of antique roof frameworks established at the end of the 19th century, opposing Greek prop-and-lintel on the one hand, and Roman truss on the other. The challenge of this thesis is to reconsider this binary opposition between two types of framework. In order to compensate for the lack of archaeological remains, other avenues are being explored. The techniques used in the construction of the roof structures are not all specific to this craft. Also, extending the scope of investigation to related activities in the field of woodworking such as, for example, shipbuilding, makes it possible to define the contours of a technical environment in which the framework is embedded. Several characteristics of this technical environment were identified, including the use of assemblages that allow the recovery of tensile forces, the use of triangulation of structures and a great deal of know-how in the preparation of wooden beams. Following this review of the practical and technical knowledge of Greek carpenters, a series of case studies are proposed, including the Piraeus Arsenal, the Doric temples of Sicily, the Parthenon, as well as the so-called “limestone temple” and the fourth century BC Apollo templein Delphi. The construction accounts of this last building, which is very rich in wood materials, are also systematically analysed. Finally, from a methodological point of view, this thesis addresses the question of the restitution of the upper parts. The use of 3d modelling and structural calculation makes it possible to formulate new hypotheses and evaluate their relevance in a back and forth movement between the remains, techniques and the mechanical behaviour of the structures. The main results of this PhD dissertation concern the characterization of the technical environment in which Greek carpenters of the sixth and fifth centuries BC evolve and lead to consider as relevant the hypothesis of the existence of triangulated roof structures

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Gleason, Kathryn Louise. "Towards an archaeology of landscape architecture in the ancient Roman world." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359735.

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Clark, Julian David. "Architecture and processes in modern and ancient deep-marine channel complexes." Thesis, University of Leicester, 1994. http://hdl.handle.net/2381/35001.

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Quantitative analysis of modern submarine channels has permitted a more rigorous classification than has hitherto existed. Channel sinuosity varies with slope gradient, reaching a maximum sinuosity at an optimum gradient. Modern submarine channels may be classified by maximum sinuosity and slope gradient giving high-sinuosity, low-gradient, to low-sinuosity, high-gradient channels. This study highlights similarities between the geometry of submarine meanders and those of large terrestrial rivers. An architectural element analysis scheme is presented in this thesis to enable qualitative comparisons between modern and ancient channels. For submarine channels, using this architectural element scheme, two end-member models are proposed for modern and ancient systems. This thesis examines the classic channel-complex deposits of the Eocene Hecho Group, south-central Pyrenees, Spain, to emphasise the range of channel architectural styles found in a foreland basin. Seven distinct channel types are recognised in this basin, generally representing different levels of erosional and depositional architecture and facies. A variety of modern and ancient submarine channel elements have been studied to show that channel architecture is strongly controlled by the type of channelised flow process. Synthesising data from modern and ancient channels provides some predictions about preferential sites of sand accumulation within channel-levee complexes, e.g., at channel bends associated with flow stripping; channel confluences; point bar deposits; channel benches and terraces; channel thalwegs; and other hitrachannel hydraulic jump sites, such as cross channel growth faults.

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McEwen, Indra Kagis. "Socrates' ancestor : architecture and emerging order in archaic Greece." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60468.

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Socrates claimed Daedalus, the mythical first architect, as his ancestor. Taking this as a point of departure, the thesis explores the relationship between architecture and speculative thought, and shows how the latter is grounded in the former. A detailed examination of the Anaximander fragment, the earliest surviving record in Western philosophy, is considered in relation to Anaximander's built work. This three-part cosmic model which included a celestial sphere, the first map of the world, and a sun clock (the gnomon), reveals the fragment to be a theory of the work in that the cosmic order Anaximander was the first to articulate was discovered through the building of the model. The model is seen as comparable to a daidalon, a creation of Daedalus, whose legend reflects the importance of craft in the self-consciousness of archaic Greece where the kosmos (order) of civilization were seen as having emerged with the kosmos allowed to appear through the making of the artifact. Archaic self-consciousness is further examined through the emergence of the Greek city-state (the polis) and in the building of the first peripteral temples, both of which are revealed as necessary antecedents to birth of theory, understood as the wondering admiration of the well-made thing.

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Steinberg, Marc J. (Marc Jonathan) 1969. "6,000 years of copper smelting : Center for the Study of Copper Smelting in Ancient Societies." Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/70324.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2000.
Includes bibliographical references (p. 95).
In 1959 professor of archeology Beno Rothenberg began investigating the production of copper in the Sinai desert and Aravah region of southern Israel. He discovered over 650 previously unknown ancient copper mining and smelting sites. The Timna Valley is one of the most significant sites discovered and is believed to be the first site of copper production, beginning six-thousand years ago. Within this rich historical context, I propose to build an international center for desert studies and copper production in ancient societies. Faculty, students, and researchers will examine desert climate, vegetation, and wildlife. Equally important, they will study the process of mining and smelting copper. The center will also be open to individual tourists and larger groups. Following an introductory lecture, tourists will produce their own small samples of copper. The architecture of the building is driven from the nature of the smelting process. In this process, copper is chemically separated from impurities in a smelting furnace. Heavy metallic copper sinks to the bottom of the furnace. Slag forms above the copper and gas evaporates. The layers of the building mimic this process and are made from copper, slag, and glass. The overall design theme of the building also seeks to demonstrate a clear interaction between building, landscape, and environment.
by Mark J. Steinberg.
M.Arch.

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Reichert, Steffen H. (Steffen Heinz). "Reverse engineering nature : design principles for flexible protection inspired by ancient fish armor of Polypteridae." Thesis, Massachusetts Institute of Technology, 2010. http://hdl.handle.net/1721.1/64564.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2010.
Cataloged from PDF version of thesis.
Includes bibliographical references (p. 98-101).
This thesis is about designing structures that combine the dual functions of mechanical protection and flexibility of motion. The structures are inspired by principles observed in the ganoid squamation (scale assembly) of an ancient fish species called Polypteridae, which first appeared 96 million years ago. Prior work on Polypteridae has focused on understanding the role of the inherent material properties (e.g., stiffness, strength, etc.) of the individual bony scales to provide penetration resistance. Here, geometric design is explored at increasingly larger length scales including 1) morphometric features within individual scales, 2) morphometry of the individual scales as a whole, 3) scale-to-scale interconnections and anisotropic ranges of motion, and, lastly, 4) the entire assembled scale squamation and anisotropic ranges of motion of the entire fish body. Experimental, computational, and mathematical methods employed were micro-computed tomography, microscopy, morphometric analysis, and three-dimensional printing of prototypes. The geometrical design principles discovered were related to biomechanical mobility and protection and then implemented into a generalized, functional design system which possesses similar anisotropic distinctive degrees of freedom and ranges of motion as Polypteridae. The design system offers potential for applications in fields of transportation, military, and architecture.
by Steffen H. Reichert.
S.M.

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Landuyt, Frederique. "Greek and indigenous in the architecture of South-Western Asia Minor." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.484297.

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Books on the topic "Architecture, Ancient"

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Lloyd, Seton. Ancient architecture. London: Faber, 1986.

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Lloyd, Seton. Ancient architecture. New York: Electa/Rizzoli, 1991.

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Lloyd, Seton. Ancient architecture. New York: Electa/Rizzoli, 1986.

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Lou, Qingxi. Ancient Chinese architecture. Beijing: Foreign Languages Press, 2002.

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Буйских, Алла Валерьевна. Античная архитектура: Ancient architecture. Киев: Мистецтво, 2009.

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Wright, Anne Margaret. Art and architecture. Armonk, N.Y: M.E. Sharpe, 2008.

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Stierlin, Henri. Ancient Mexico. [Köln]: Benedikt Taschen, 1990.

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Stierlin, Henri. Ancient Mexico. (Cologne): Benedikt Taschen, 1996.

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Mughal, Mohammad Rafique. Ancient Cholistan: Archaeology and architecture. Rawalpindi: Ferozsons, 1997.

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Clarke, Somers. Ancient Egyptian construction and architecture. New York: Dover Publications, 1990.

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Book chapters on the topic "Architecture, Ancient"

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Roth, Leland M., and Amanda C. Roth Clark. "Ancient Architecture in the Americas." In Understanding Architecture, 354–63. 4th ed. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003143956-21.

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Orefici, Giuseppe. "Cahuachi Architecture." In The Ancient Nasca World, 343–62. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-47052-8_15.

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Dunham, Sally. "Ancient Near Eastern Architecture." In A Companion to the Ancient Near East, 266–80. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470997086.ch20.

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Roth, Leland M., and Amanda C. Roth Clark. "The Architecture of Mesopotamia and Ancient Egypt." In Understanding Architecture, 162–87. 4th ed. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003143956-13.

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Saliou, Catherine. "Architecture and Society." In A Companion to Ancient Aesthetics, 128–39. Hoboken, NJ: John Wiley & Sons, Inc, 2015. http://dx.doi.org/10.1002/9781119009795.ch8.

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Evans, Jean M. "Religious Architecture." In A Companion to Ancient Near Eastern Art, 433–56. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118336779.ch18.

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Fauerbach, Ulrike, Willike Wendrich, Salma Khamis, Martin Sählhof, Bethany Simpson, and Angela Susak. "AEgArOn – Ancient Egyptian Architecture Online." In Digital Heritage, 463–72. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-16873-4_37.

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Fu, Xinian. "The Architecture in Ancient China." In History of Science and Technology in China, 281–325. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-7853-3_9.

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Hamilton, Andrew James. "The Textile Foundations of Ancient Andean Architecture." In Textile in Architecture, 156–71. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003281276-13.

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Farid, Hany. "Reconstructing Ancient Egyptian Tombs." In Virtual and Augmented Architecture (VAA’01), 23–34. London: Springer London, 2001. http://dx.doi.org/10.1007/978-1-4471-0337-0_3.

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Conference papers on the topic "Architecture, Ancient"

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Lin, Jieru, and Eakachat Joneurairatana. "Application of Virtual Technology in the Renovation of Ancient architectures Based on Kano Model: The Example of Yongtai Ningyuanzhuang." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004971.

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As an ancient civilization with a long history, China has a rich variety of unique ancient architectures. Ancient architectures as an important form of expression to carry history and art, showing a long history and cultural achievements. With the continuous development of science and technology,the traditional process of protecting ancient architecture no longer meets the needs for the successful application of digital technology to usher in the digital era, and virtual technology, in which to showcase unique advantages, Taking Ningyuan zhuang in Yongtai, Fujian Province as the research object, we analyze the user demands through Kano model and discuss in depth the advantages of applying virtual technology in the protection of ancient architectures.Virtual technology, especially 3D modeling and simulation technology, plays a key role in the protection and transformation of ancient architectures. The significant advantages of virtual technology in ancient architecture protection highlight its potential value in efficient information processing, exhaustive monitoring and preventive protection. The application of virtual technology realizes the informatization management of cultural relics and architectures and provides a scientific basis for the comprehensive protection of ancient architectures.Ningyuan zhuang, as a typical architecture of Yongtai Zhuangzhai in Fujian during the Qing Dynasties, carries rich historical memories, cultural elements and the characteristics of the southern rural defense structure, making it the focus of the study due to its profound cultural connotation and historical value. The Kano model is based on user needs and implemented through a questionnaire, identifies key areas for improvement in Ningyuan zhuang, including maintenance, signage and cultural content, along with corresponding improvement suggestions.Following the improvement direction proposed by the conclusion of the Kano model, specific measures for the application of virtual technology in the repair and improvement of ancient architectures, including 3D modeling, virtual signage and interactive exhibits. In addition, for effective publicity and cultural promotion, the study provides specific suggestions for displaying virtual images and interactive experiences to enhance the overall level of protection and visitor experience at Ningyuan zhuang.In summary, this paper takes Ningyuan zhuang as a case study, and with the help of the Kano model, proposes suggestions for the application of virtual technology in the conservation of ancient architecture through a user-centered improvement strategy, providing an experimental approach to the conservation and cultural dissemination of ancient architecture. This interdisciplinary research model holds far-reaching significance for the modernization and intelligent development in the field of ancient architecture conservation, ensuring a sustainable future for the heritage of ancient architecture.

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Hu, Jun, and Chen Li. "Lightning protection of Chinese ancient architecture." In 2011 7th Asia-Pacific International Conference on Lightning (APL). IEEE, 2011. http://dx.doi.org/10.1109/apl.2011.6110245.

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Jingyi, Zhu, Wu Di, Fan Wensilu, Chen Tianding, and Chen Yingdan. "Three-Dimensional Reconstruction of Ancient Chinese Architecture." In 2014 Sixth International Conference on Measuring Technology and Mechatronics Automation (ICMTMA). IEEE, 2014. http://dx.doi.org/10.1109/icmtma.2014.194.

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Raju, K., and S. Ravindhar. "Application of lime mortar in ancient architecture." In 11TH ANNUAL INTERNATIONAL CONFERENCE (AIC) 2021: On Sciences and Engineering. AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0110687.

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Xu, Zhihua. "Jingdezhen Ancient Site Landscape Architecture Form Elements." In 3rd International Symposium on Social Science (ISSS 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/isss-17.2017.94.

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Feng, Li. "Column Carving Art in Ancient Huizhou Architecture." In 2018 8th International Conference on Social science and Education Research (SSER 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/sser-18.2018.20.

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Bellia, Angela. "Aural Experiences in Ancient Performative Space." In 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). IEEE, 2021. http://dx.doi.org/10.1109/i3da48870.2021.9610866.

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Russo, Michele, Fabio Lanfranchi, and Laura Carnevali. "The ancient Roman gate along Appian way: San Sebastiano Gate." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11337.

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The application of integrated survey techniques and 3D modelling methodologies for Cultural Heritage analysis is now considered a consolidated process, while preserving and suggesting continuous research lines related from one side to the evolution of acquisition and restitution instruments, from the other to the problems linked to the specific case study and the goal of the research. This article describes the analysis of one of the largest and best-preserved gates of Rome, located within the Aurelian walls: Porta San Sebastiano. The original name of this gate was Porta Appia, transformed in the Middle Ages into San Sebastiano from the name of the Christian martyr buried in the Basilica on the Via Appia, located just outside the walls. The current gate aspect is the result of many architectural changes over the centuries, as well as a transformation happened in the twentieth century which has led it to a residential use, a unique example of its kind. Through the integration of different survey techniques, a geometric analysis of the complex building is completed, highlighting the construction complexity and the spatial articulation. A parametric model of a portion of the building is then suggested, aimed at understanding the logic underlying the definition of a HBIM model related to an existing complex artefact. Through an integrated analysis, the aim of the article is to provide an advancement in the knowledge of the specific Cultural Heritage through the integration of complementary methods of analysis and representation.

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Strothotte, Masuch, and Isenberg. "Visualizing knowledge about virtual reconstructions of ancient architecture." In Proceedings Computer Graphics International CGI-99. IEEE, 1999. http://dx.doi.org/10.1109/cgi.1999.777901.

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Wu, Guo, Zhang Yunyi, Han Dongfeng, and Li Wenhui. "A hybrid modeling method of Chinese ancient architecture." In The 7th ACM SIGGRAPH International Conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1477862.1477895.

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