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Relevant bibliographies by topics / Architecture and Cinema / Dissertations / Theses

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Dissertations / Theses on the topic 'Architecture and Cinema'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Thomas, Nigel Richard. "Discursive intersection : cinema, text, architecture." Thesis, Georgia Institute of Technology, 1988. http://hdl.handle.net/1853/23463.

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2

Nakagawa, Iki. "Cinem-a-crobatic : trans-active cinema production in search of urban schizophrenia." Thesis, Massachusetts Institute of Technology, 1997. http://hdl.handle.net/1721.1/69371.

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Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1997.<br>Includes bibliographical references (p. 42-45).<br>On December 15, 1996, from 1:30 to 4:30, cinem-a-crobatic was formally presented at Columbus Park, New York City. The park is located at the intersection of China town and the Federal Court district. cinem-a-crobatic attempts to amplify the complex and shifting relationship between the urban landscape and the experience of its inhabitants, through the introduction of a new form of urban cinema production. Unlike most conventional cinematic productions, ci

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3

Pan, Pengkai 1972. "Mobile cinema." Thesis, Massachusetts Institute of Technology, 2004. http://hdl.handle.net/1721.1/28777.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2004.<br>Includes bibliographical references (p. [157]-161).<br>This thesis develops techniques and methods that extend the art and craft of storytelling, and in particular enable the creation of mobile cinema. Stories are always constrained by the medium in which they are told and the mode by which they are delivered to an audience. This dissertation addresses the design of content, systems, and tools that facilitate the emerging type of computational audio-visual n

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4

Majoros, Michael A. "Truth and lies in cinema verite." Thesis, Massachusetts Institute of Technology, 1985. http://hdl.handle.net/1721.1/75983.

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Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1985.<br>MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH<br>Includes bibliographical references (leaf 48).<br>1985 in partial fulfillment of the requirements for the degree of Master of Science in Visual Studies. This thesis consists of two sections: Truth and Lies, and the making of Everything Must Change. Truth and lies traces several developments made in the evolution of the documentary cinema (both technological and ideological) and explores their effect upon the manner in which the world before the camera has

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5

Lee, Weifeng Victoria. "Detour : Los Angeles River Speed Cinema." Thesis, Massachusetts Institute of Technology, 2010. http://hdl.handle.net/1721.1/57978.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2010.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (p. 158-163).<br>We live in the culture of speed; everything is on its way to become a faster version of itself tomorrow if it is not already there today. Automobile and cinema are two inventions at the turn of the 20th Century that brought upon entirely new sensations through their unprecedented speed in both physical and representational mobility. However, more than a century later in Los Angeles, a city where cars and movies h

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6

Eriksson, André. "Views : Cinema, redefined." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-229697.

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Transforming the first floor of a 1950s building at Sveavägen, Stockholm, this project aims to redefine the traditional cinema. This is not a perfect quiet black box, but a place for sharing, experiencing and discussing film. A cinema for independent films, short films, documentaries and film festivals, but perhaps also presentations and lectures. A flexible building that can open up, or close down, depending on the event. A cinema where one can sit down for a brief movement with a coffee, or spend an evening at the big screen.

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7

Mohammad, Javaheri Saharnaz. "Architecture and Film." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/64804.

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Film does not exist without architecture. In every movie that has ever been made throughout history, the cinematic image of architecture is embedded within the picture. Throughout my studies and research, I began to see that there is no director who can consciously or unconsciously deny the use of architectural elements in his or her movies. Architecture offers a strong profile to distinguish characters and story. In the early days, films were shot in streets surrounded by architecture, and then they were projected on the exterior walls of buildings where the audience could come and watch. He

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8

Beck, Gregory. "The city in the image of science fiction cinema." Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/71379.

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9

Schneider, Bernice K. (Bernice Karen). "Direct cinema : filmmaking style and its relationship to "truth"." Thesis, Massachusetts Institute of Technology, 1989. http://hdl.handle.net/1721.1/70174.

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Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1990.<br>Title of videocartridge: Harlem. Videocartridge is U-matic format.<br>Includes bibliographical references (leaves 28-31).<br>by Bernice K. Schneider.<br>M.S.V.S.

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10

Soroka, Ian Jacob. "Eroding the palimpsest : landscape, cinema and the site of history." Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/99303.

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Thesis: S.M. in Art, Culture and Technology, Massachusetts Institute of Technology, Department of Architecture, 2015.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages 108-113).<br>The thesis will explore the migration of content between forms, specifically between cinema and text. By reflexively interrogating my film Dry Country, and drawing a thread through Yugoslav film history and Slovenian history (1941-present), I will map what happens when the record of what has been captured in the film's production confronts a language, be it text or montage. The p

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11

August, Ursula J. "Pass, passing : between frames of memory, cinema and the archive." Thesis, Massachusetts Institute of Technology, 2016. http://hdl.handle.net/1721.1/106412.

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Thesis: S.M. in Art, Culture and Technology, Massachusetts Institute of Technology, Department of Architecture, 2016.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages 68-73).<br>This thesis explores the artistic process of producing a film, All We Have is Now, that is about family and apartheid. The text traces various aspects of the film's production from the points of research, perspective, and representation. The thesis includes the multitudes of challenges and considerations when producing work about a terrible history and the barriers that have formed

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12

Ng, Kal. "Architectural cinema a theory of practice for digital architectural animation /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B4308574X.

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Haciomeroglu, T. Nihan. "Reconstruction Of Architectural Image In Science Fiction Cinema: A Case Study On New York." Master's thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/12609545/index.pdf.

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This thesis interrogates the interrelation between architecture and science fiction cinema to understand the fictional and representative power of architecture. Since cinema embraces both physical and representative aspects of architecture it is convenient to carry out the research through the mediation of cinema. To accomplish this goal science fiction genre is particularly chosen where architectural image can break its commonly acknowledged facet and can reconstruct to participate in the narrative. The architectural image is intended to be interpreted through the concept of city and architec

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Ng, Kal, and 吳家龍. "Architectural cinema: a theory of practice for digital architectural animation." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B4308574X.

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15

Ishii, Regiane Akemi 1986. "Tóquio no cinema contemporâneo : aproximações." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285307.

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Orientador: Gilberto Alexandre Sobrinho<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-27T22:55:13Z (GMT). No. of bitstreams: 1 Ishii_RegianeAkemi_M.pdf: 6759325 bytes, checksum: 58e1d65d408f67ebcc4a99ad2a50af31 (MD5) Previous issue date: 2015<br>Resumo: Este trabalho propõe a análise de investimentos espaciais e processos de significação em filmes realizados em Tóquio por diretores não japoneses, na década de 2000. Nosso interesse recai sobre a relação entre cinema e cidade, tomando como principal aporte teórico as id

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Seo, James Jung-Hoon 1972. "Interactive cinema : collaborative expression with digital video." Thesis, Massachusetts Institute of Technology, 2001. http://hdl.handle.net/1721.1/62358.

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Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2001.<br>Includes bibliographical references (p. 106-107).<br>Advances in technologies for digital video editing and streaming have lowered the barrier to entry for aspiring videomakers, and they provide an opportunity to expand the vocabulary for using and sharing video. Custom interfaces for editing and sharing video can suggest and support novel methods of collaborative production, cinematic narration, and casual dialogue with media. This thesis research presents In

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Hrechdakian, Karine. "An experiment in form : the merging of cinema-verite documentary and narrative filmmaking." Thesis, Massachusetts Institute of Technology, 1988. http://hdl.handle.net/1721.1/74969.

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18

McDonald, Ross. "Urban Projections : a cinema and film centre for the Cape Town east city." Master's thesis, University of Cape Town, 2010. http://hdl.handle.net/11427/19076.

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This thesis is concerned with the particular way in which people perceive urban space around them. It is my position that, further to the requirements of making buildings and urban spaces that are functional and comfortable, architects have the responsibility to engage the users of their designs on deeper levels. This deeper response to one's urban environment is a characteristic that good architecture always has. Architecture that is invested with a strong sense of meaning, through the specificities of its experiential and formal qualities and with other associations it may possess (historica

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Halliday, Mark David. "Digital cinema--an environment for multi-threaded stories." Thesis, Massachusetts Institute of Technology, 1993. http://hdl.handle.net/1721.1/29071.

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Fitch, Stephan J. (Stephan John). "Cinema Server = s/t (story over time) : an interface for interactive motion picture design." Thesis, Massachusetts Institute of Technology, 1993. http://hdl.handle.net/1721.1/66353.

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21

Morgenroth, Lee Hayes. "Movies, talkies, thinkies : an experimental form of interactive cinema." Thesis, Massachusetts Institute of Technology, 1995. http://hdl.handle.net/1721.1/62092.

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22

Manor, Justin 1978. "Cinema Fabriqué : a gestural environment for realtime video performance." Thesis, Massachusetts Institute of Technology, 2003. http://hdl.handle.net/1721.1/61862.

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Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2003.<br>Includes bibliographical references (p. [107]-[108]).<br>This thesis presents an environment that enables a single person to improvise video and audio programming in real time through gesture control. The goal of this system is to provide the means to compose and edit video stories for a live audience with an interface that is exposed and engaging to watch. Many of the software packages used today for realtime audio-visual performance were not built with this

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23

Bourdareau, Pierre. "Archicinéma et fictions d'architecture : Sympathies pour le diable." Thesis, Paris Est, 2016. http://www.theses.fr/2016PESC1172.

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Notre recherche s’est donnée pour objectif de comprendre, dans le champ de l’architecture contemporaine, les raisons d’une attraction sensible pour ce que Jean Epstein aurait pu nommer le Diable du cinéma. Afin qu’une réponse puisse être formulée, nous avons d’abord cherché à repérer les frayages anthropologiques, philosophiques, artistiques, scientifiques et techniques à partir desquels les relations entre les deux disciplines sont devenues si prégnantes. Nous avons également renversé la perspective en essayant de montrer en quoi le milieu technique, l’époque du numérique dans lesquels l’arch

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Pilard, Nicolas. "Architecture, dessin, discours." Thesis, Aix-Marseille, 2014. http://www.theses.fr/2014AIXM3071.

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L'art contemporain, de dé-définition en dé-définition, a évolué dans certains de ses développements, principalement sous la forme conceptuelle, vers une utilisation toujours plus prononcée du langage verbal, reléguant les préoccupations plastiques au second plan. L'architecture, art qui semble s'incarner fondamentalement dans la matérialité, connaît des évolutions analogues. Des architectes se positionnent sur le terrain du concept, faisant du discours l'outil principal de leur recherche. Partant de l'idée que pensée plastique et pensée verbale fonctionnent selon des modalités distinctes, nous

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Akcay, Aysegul. "The Architectural City Images In Cinema: The Representation Of City In Renaissance As A Case Study." Master's thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/12609699/index.pdf.

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The aim of this study is to understand the limits of spatial transformations of architectural images in cinema. In this exposition the architectural city images are analyzed with referenced to case study by reading the representation of space and city in model film Renaissance which in the city becomes notion. The interaction between architecture and cinema is discussed by using concepts such as space, time, perception, framing, editing and continuity in addition to their relations with future cities and spatial designs in these worlds.

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Fontenelle, Romullo Baratto. "O indizível no cinema de Heinz Emigholz." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/16/16132/tde-13062017-111942/.

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Este trabalho tem como objetivo situar a obra cinematográfica de Heinz Emigholz dentro do campo de sobreposições entre o cinema e a arquitetura, tomando como objeto de análise o filme Loos Ornamental (2008). Para isso, traça-se um panorama dos pontos de contato entre as disciplinas, com início na análise do historiador Auguste Choisy sobre o movimento do observador na Acrópole de Atenas para chegar aos conceitos de montagem, de Sergei Eisenstein, e de promenade architecturale, de Le Corbusier. A partir da ideia de movimento proporcionada tanto pelo cinema como pela arquitetura, o trabalho abor

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de, Almeida Fernanda Pinto. "Making sense of the bioscope: The experience of cinemas in Twentieth century Cape Town." University of Western Cape, 2020. http://hdl.handle.net/11394/7549.

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Philosophiae Doctor - PhD<br>In my thesis I focus on Cape Town’s imaginary of cinemas – popularly called bioscopes – within a larger historical approach to temporary film halls, picture palaces, atmospherics and drive-ins. My inquiry includes both conceptual and institutional lenses to show how cinema houses enabled particular affects, eschewed bureaucratic restrictions and questioned political authority over public spaces. I ask specifically: how did cinema help to forge audiences and political sentiment by mobilizing the senses? How was the public threat posed by so-called ‘flea-pit’ film ha

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Lulle, Thierry. "La traversee des villes de cristal. Le role du cinema dans la production des espaces batis et urbains." Paris 8, 1989. http://www.theses.fr/1989PA080415.

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Cette etude s'inscrit dans un questionnement relatif au role des images visuelles dans la pensee et la production architecturales et urbanistiques. L'image cinematographique est principalement consideree en ce qu'elle a ete la premiere a etre dotee du mouvement, qu'elle a ete un mass-medium d'une vaste ampleur et d'une forte pregnance, et qu'elle a accorde a l'architecture et a la ville une place importante et sans cesse renouvelee. C'est apres que soient pesentes, d'une part les effets sur l'architecture, l'art urbain, l'urbanisme, qu'ont depuis la renaissance des modes d'expression (visuelle

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Lezo, Denise. "Arquitetura, cidade e cinema: vanguardas e imaginário." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/18/18142/tde-14092010-101531/.

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Nas primeiras décadas do século XX, em um contexto cultural caracterizado por experimentações, redefinições e rupturas, no qual se desenvolveram as chamadas vanguardas artísticas européias, arquitetura, cidade e cinema estabeleceram entre si diferentes formas de interlocução, inclusive a criação de arquiteturas e cidades destinadas exclusivamente para os filmes. Estreitamente vinculadas às problemáticas de seu tempo, estas arquiteturas e cidades ficcionais dialogaram diretamente com as experimentações realizadas no âmbito artístico e arquitetônico das vanguardas, além de configurarem um veícul

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Schupp, Janina. "Audiovisual battlefields : the remediation of cinema and media imagery and technologies in military urban conflict simulations." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/275654.

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Since the end of the Cold War, the combined influence of audiovisual media, modern urban conflicts and asymmetric enemies has generated a new kind of military live training simulation to prepare soldiers for future combats. These novel hybrid exercise battlefields are situated in artificially constructed urban spaces and integrate real physical training with techniques and imagery inspired by the fields of cinema and media. This thesis critically examines this convergence of entertainment practices and images in military training and the resulting, potentially negative, impacts on the executio

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Hall, Kenneth Estes. "Entries (5) for Directory of World Cinema: China 2." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/453.

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Book Summary: Commended for their social relevance and artistic value, Chinese films remain at the forefront of international cinema, bolstered in recent years by a new generation of talented young filmmakers. Directory of World Cinema: China presents an accessible overview of the definitive films of Hong Kong and mainland China, with particular attention to the achievements of prolific industry figures, the burgeoning independent sector, and the embrace of avant-garde practices of art cinema. Spanning a variety of characteristic genres, including horror, heroic bloodshed, romantic comedy, and

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Bubb, Cynthia Lynne. "Sequence as Structure: Ordering the Body, Space and Architecture." Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1155843083.

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Thesis (Master of Architecture)--University of Cincinnati, 2006.<br>Title from electronic thesis title page (viewed Oct.10, 2006). Includes abstract. Keywords: sequence; cinema; tschumi; manhattan transcripts; promenade architecturale; situationists; ferry terminal; boston Includes bibliographical references.

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Andrade, Otto A. "fragmentation project : framing + linking + bracketing Space.City (Seattle) in 81 scenes." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1275659684.

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Serrano, Inês Domingues. "Arquitectura e cinema - metamorfoses-ritmos da cidade e tempo fílmico." Master's thesis, Instituições portuguesas -- UTL-Universidade Técnica de Lisboa -- -Faculdade de Arquitectura, 2001. http://dited.bn.pt:80/29501.

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Liu, Quanquan [Verfasser], Klaus [Gutachter] Zillich, Philipp [Gutachter] Misselwitz, and Manfred [Gutachter] Sundermann. "Space and image : a cross-disciplinary study of architecture and cinema / Quanquan Liu ; Gutachter: Klaus Zillich, Philipp Misselwitz, Manfred Sundermann." Berlin : Technische Universität Berlin, 2021. http://d-nb.info/1239177283/34.

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Mayer, Luara Soares. "Imagens em movimento e arquitetura : transformações de uma tipologia arquitetônica e edifícios de cinema de Santa Maria - RS." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/130706.

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A arquitetura desempenha papel fundamental na história do cinema, participando ativamente no percurso que torna essa inovação tecnológica no entretenimento mais consumido do século XX no mundo ocidental. Diante disso, este trabalho propõe-se a compor um estudo sobre as transformações da tipologia arquitetônica das edificações destinadas à exibição cinematográfica do Rio Grande do Sul e de Santa Maria, analisando-as dentro do contexto histórico e disciplinar mundial, de modo a vincular e identificar a filiação da história e realidade locais com a história e o movimento globais da cultura e da a

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BEDEL, BANU. "REVEALING GORDION: A CASE OF VIRTUAL HERITAGE INTERPRETATION." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1155841375.

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Hosseinabadi, Shahram. "Une histoire architecturale de cinémas : genèse et métamorphoses de l'architecture cinématographique à Paris." Thesis, Strasbourg, 2012. http://www.theses.fr/2012STRAG021/document.

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Cette thèse étudie la naissance et l’évolution de cinéma comme type architectural en examinant deux-cent projets soumis, entre 1907 et 1939, à l’administration parisienne pour le permis de construire. Ceux-ci sont analysés selon quatre critères : l’implantation, les protagonistes, la conception architecturale et la réception des œuvres. Le parc cinématographique parisien, à la veille de la Seconde Guerre, est le résultat de trois vagues de constructions à la suite des événements marquants : la naissance du cinéma narratif (1907-1913), l’Armistice (1919-1920), l’avènement du parlant (1931-1938)

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Vas, Laura Terezia. "Competing Cityscapes: Architecture in the Cinematic Images of Postwar Berlin." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1184609075.

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Mardegan, Monica Silvia Gosso. "A apropriação crítica da arquitetura e urbanismo modernos através da linguagem cinematográfica: Playtime, 1967, de Jacques Tati." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-24032010-105200/.

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A relação do cinema com outras linguagens e outras artes tem despertado grande interesse em novos trabalhos de pesquisa no âmbito da pós-graduação, e se insere no interior de uma pluralidade de posturas de investigação adotadas a partir dos anos 1980 acerca do espaço fílmico. Partindo da relação entre arquitetura/urbanismo e cinema, este trabalho se constitui numa interação de linguagens dinâmicas, tomando por princípio a polissemia dos interesses estéticos e das formas artísticas atuais. A escolha de nosso objeto de pesquisa, Playtime (Tempo de diversão, 1967) do cineasta Jacques Tati (1907-1

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Gonçalves, Ricardo Felipe. "Utopias, ficções e realidades na metrópole pós-industrial." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/16/16138/tde-15102014-162051/.

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Ao contrário dos valores explícitos e das motivações pragmáticas da produção arquitetônica, as propostas utópicas envolvem um universo mais introspectivo e imaginário que subverte a realidade na qual são fabricadas, em resposta a sentimentos relevantes que temos diante das cidades que habitamos, muitas vezes conectadas a características espaciais de uma maneira bastante precisa. Estas conexões, embora imaginárias, contribuem para a evolução das ideias que podem iluminar os caminhos da prática arquitetônica. Essas utopias se reverberam ao longo do tempo e sua herança pode ser identificada e ass

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Egues, Magdalena. "Memory [Architecture] Film: Four Cinematic Events in the City." Thesis, Virginia Tech, 2007. http://hdl.handle.net/10919/31491.

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Cities involve several systems that work together as a network of urban relationships. These systems are in balance, and they work as a whole that articulates urban life. <p> But what makes a city memorable and special are its events: those magical situations where the uniformity of the experience stops and something unique arise. <p> Those are the moments where our memory is deeply engraved by a particular situation that will come back in our dreams and imaginative processes as an agent image. <p> Four urban events â a space for film edition and writing, an urban stage, a footage archive a

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Nguyen, Thao Thanh. "Elevating Communication." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1722.

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The products of vehicular transportation have led the modern traveler into a crisis of place. The modern journey that is held within ceaseless flux, confine movement to edges facilitating prompt passage yet negating active participation. These edges govern movement, highlighting points of destination while simultaneously obscuring our journey in between travels. The limited participation and extended observation of one's place within the concurring boundaries renders the senses dormant, causing passivity and reluctance to participate or communicate with the city. These lines of movement, deman

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Kirova-Natcheva, Kalina. "La politique de l’habitat en Bulgarie de 1944 à 1989 et son image cinématographique." Thesis, Paris 10, 2019. http://www.theses.fr/2019PA100138.

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Dans ce travail nous étudions le développement des politiques de l’habitat et des pratiques des habitants en Bulgarie à travers l’exemple de la ville de Sofia.Nous analysons le cadre législatif, les différents types de logements que les politiques de l’habitat ont créés, le rôle des différents acteurs dans le processus de la construction du logement, ainsi que les mécanismes spécifiques de création du logement dans les grands ensembles en panneaux préfabriqués et les étapes dans le développement de la conception architecturale et urbaine des grands ensembles de logements de Sofia.Nous étudions

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Lima, Celiene Santana. "O Deserto Azul de Eder Santos – paisagens futurísticas." Pós-Graduação Interdisciplinar em Cinema, 2018. http://ri.ufs.br/jspui/handle/riufs/10284.

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This proposal aims to permeate the contemporary discussion of artistic practice in academic areas related to architecture, visual arts and cinema, intrinsic themes that intercross in the narrative of Deserto Azul, by artist and director Eder Santos. This is a scientific fiction movie that discusses the distresses that chase a man and his relationship with the environment, the meeting with his soul mate and his search for answers in future life about transcendence. In addition to this doubt about the meaning of life, the movie also presents aesthetical references of art and architecture and it

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Santos, Daniele Queiroz dos. "Entre montagens e constelações: um estudo sobre a mobilidade das imagens." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/16/16132/tde-12122017-154113/.

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Este trabalho apresenta um estudo sobre as representações e o imaginário da arquitetura e do espaço construído pelo viés da mobilidade das imagens, a partir da análise e interpretação de três obras cinematográficas que se constituem como os objetos de estudo: Alice nas Cidades (1974), Dogville (2003) e Solaris (1972). Os filmes são abordados quanto à característica de apresentação do espaço de cada obra: tem-se então a cidade real (Alice nas Cidades), a cidade sugerida (Dogville) e a cidade imaginada (Solaris). Ao longo do texto são percorridos caminhos teóricos que partem das conexões entre c

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Koul, Priyanka. "Indian Diasporic Identity Explored Through Reel and Real Space." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1282049647.

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Horuz, Semra. "The Book, The Body And Architectural History In Peter Greenaway&#039." Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/12612644/index.pdf.

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This thesis is an attempt to explore the &ldquo<br>axis of innumerable relationships&rdquo<br>of the book which Jorge Luis Borges touches upon. In doing this, it deals with the questions of &ldquo<br>whats&rdquo<br>, &ldquo<br>whos&rdquo<br>, &ldquo<br>whens&rdquo<br>and &ldquo<br>wheres&rdquo<br>of the reading activity. While scrutinizing these aspects of reading, the main concern is to reach the &ldquo<br>whys&rdquo<br>and &ldquo<br>hows&rdquo<br>of it. Referring to Roger Chartier&rsquo<br>s definition of reading, there are three main components of this activity, as the content of the book,

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Leharová, Alexandra. "Bydlení seniorů - Křenovice." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2017. http://www.nusl.cz/ntk/nusl-316287.

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The main purpose was to find an ideal solution for the area in the village Křenovice u Slavkova and to design housing for seniors. The surrounding of the parcel offers us a fairly good functional amenitie and good accessibility. Within walking distance are restaurants, a patisserie, a post office, a municipal office and a general practitioner, as well as sports facilities. The proximity of these features is a great asset especially for people with reduced mobility. Another attractive aspect is the easy accessibility of the surrounding countryside. Urban design is mainly based on the idea of na

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Barbe, Diane. "Berlin(s) à l'écran de 1961 à 1989. Essai de topographie cinématographie cinématographique : la représentation de Berlin divisé dans les cinémas est- et ouest-allemands." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA162.

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Berlin, de 1961 à 1989, est une ville divisée, partagée par un mur de béton séparant l'Est, capitale de la République démocratique allemande, de l'Ouest, îlot isolé de la République fédérale d'Allemagne. Front de la Guerre froide, les caméras s'en sont emparées. Filmer Berlin, ce n’était pas seulement montrer un territoire urbain précis et délimité, c'était porter à l’écran un espace régi par un contexte historique, social et politique extrêmement prégnant traduisant de fortes spécificités. Deux systèmes de représentation de l’espace urbain ont coexisté dès 1945 nourris d’éléments propres à ch

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