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Journal articles on the topic 'Architecture and Literary Theory'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Stevanović, Vladimir. "Implications of Vattimo's 'Verwindung' of modernism in architectural theory." SAJ - Serbian Architectural Journal 7, no. 2 (2015): 157–72. http://dx.doi.org/10.5937/saj1502157s.

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In the postmodern era, besides new approaches to architectural practice, substantial changes happen in architectural textual production owed to the inflow of the postmodern transdisciplinary theory in architectural discourse. Theorists, critics and historians of architecture gladly use the contribution from philosophy, political sciences, sociology, art theory and literary criticism to categorize and explain postmodern architectural styles or tendencies, no longer unifying them exclusively by means of formalistic aspects dating from the same period. Now, topics and paradigms from various postm

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2

Moulin, Fabrice. "Sigrid de Jong, Rediscovering Architecture: Paestum in Eighteenth-Century Architectural Experience and Theory." Recherches sur Diderot et sur l'Encyclopédie, no. 53 (December 1, 2018): 329–33. http://dx.doi.org/10.4000/rde.5989.

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3

Leadbetter, Gregory. "Gothic Romanticism: Architecture, Politics, and Literary Form. Tom Duggett." Wordsworth Circle 41, no. 4 (2010): 215–17. http://dx.doi.org/10.1086/twc24043650.

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4

Gallaher, John. "Division (Architecture 5), and: “Adopt” as in “a Program” (Architecture 11), and: The Second Idea of Absence (Architecture 12), and: Nest (Architecture 17), and: Nest III (Architecture 102)." Missouri Review 43, no. 4 (2020): 41–47. http://dx.doi.org/10.1353/mis.2020.0048.

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5

Nathaniel, Steve. "Virginia Woolf, Anechoic Architecture, and the Acoustic Hermeneutic." Novel 54, no. 1 (2021): 1–18. http://dx.doi.org/10.1215/00295132-8868743.

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Abstract This article describes Virginia Woolf's preoccupation with acoustics and its relationship both to her writing process and to the development of sensibility that she narrativizes in The Waves. It situates Woolf's theoretical and fictional models of listening with respect to the rising science of architectural acoustics and to the social imperative to control sound in urban spaces. It argues that Woolf responds to the psychological and social exigencies of modern sound by integrating textual and architectural listening modes in an acoustic hermeneutic: a listening practice common to the

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6

Dinh, Linh. "Traditional Vietnamese Architecture." Chicago Review 44, no. 2 (1998): 4. http://dx.doi.org/10.2307/25304267.

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7

Warren, Noah. "Nous, and: Architecture." Sewanee Review 127, no. 2 (2019): 379–86. http://dx.doi.org/10.1353/sew.2019.0034.

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8

RYBCZYNSKI, WITOLD. "IDEAS IN ARCHITECTURE." Yale Review 101, no. 4 (2013): 1–29. http://dx.doi.org/10.1353/tyr.2013.0022.

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9

Maher. "“Three-Dimensional” Modernism: The Language of Architecture and British Literary Periodicals." Journal of Modern Literature 43, no. 1 (2019): 71. http://dx.doi.org/10.2979/jmodelite.43.1.05.

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10

Entzminger, Robert L. "Spiritual Architecture and Paradise Regained: Milton's Literary Ecclesiology - By Ken Simpson." Milton Quarterly 44, no. 3 (2010): 200–202. http://dx.doi.org/10.1111/j.1094-348x.2010.00252.x.

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11

Humble, Nicola. "The Poetry of Architecture: Browning and Historical Revivalism." Victorian Literature and Culture 25, no. 2 (1997): 225–39. http://dx.doi.org/10.1017/s1060150300004757.

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In book five ofsordello(1840), Browning images the process of historical change in architectural terms. History is a building to be destroyed and rebuilt by successive generations:… at his arm's wrench,Charlemagne's scaffold fell; but pillars blenchMerely, start back again — perchance have beenTaken for buttresses: crash every screen,Hammer the tenons better, and engageA gang about your work, for the next ageOr two, of Knowledge, part by Strength and partBy Knowledge! (5: 221–28)The metaphor engages with the nineteenth century's great preoccupation with the historically-determined nature of ar

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12

Candida Höfer. "Architecture: A Personal Memory." World Literature Today 87, no. 2 (2013): 98. http://dx.doi.org/10.7588/worllitetoda.87.2.0098.

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13

Upton, Dell. "Architecture in Everyday Life." New Literary History 33, no. 4 (2002): 707–23. http://dx.doi.org/10.1353/nlh.2002.0046.

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14

Theis, Jeffrey S. "Milton's Principles of Architecture." English Literary Renaissance 35, no. 1 (2005): 102–22. http://dx.doi.org/10.1111/j.1475-6757.2005.00054.x.

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15

Leatherbarrow, David. "Architecture and Situation: A Study of the Architectural Writings of Robert Morris." Journal of the Society of Architectural Historians 44, no. 1 (1985): 48–59. http://dx.doi.org/10.2307/990060.

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There is, perhaps, no better 18th-century literary source for understanding the intention behind the design and construction of early-18th-century English landscape garden buildings than the theory of Robert Morris. In this article Morris's writings on "situation" are examined as they relate to and clarify the design and siting of buildings in country settings and landscape gardens. Although writers such as Wittkower and Lovejoy found neoclassical buildings and informal gardens to be formal opposites, Morris conceived them to be interrelated and reciprocal manifestations of what writers before

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16

Spurr, David. "Architecture in Frost and Stevens." Journal of Modern Literature 28, no. 3 (2005): 72–86. http://dx.doi.org/10.2979/jml.2005.28.3.72.

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17

Letkemann. "A Spectacle of Speculative Architecture." Science Fiction Studies 47, no. 1 (2020): 125. http://dx.doi.org/10.5621/sciefictstud.47.1.0125.

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18

Dick, B. F., and Bettina L. Knapp. "Archetype, Architecture, and the Writer." World Literature Today 61, no. 1 (1987): 169. http://dx.doi.org/10.2307/40142718.

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19

Spurr, David. "Architecture in Frost and Stevens." Journal of Modern Literature 28, no. 3 (2005): 72–86. http://dx.doi.org/10.1353/jml.2005.0045.

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20

Sauer, E. "KEN SIMPSON. Spiritual Architecture and 'Paradise Regained': Milton's Literary Ecclesiology." Review of English Studies 60, no. 243 (2008): 150–52. http://dx.doi.org/10.1093/res/hgn131.

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21

Tucci, Pier Luigi. "ROMAN ARCHITECTURE." Classical Review 54, no. 2 (2004): 537–39. http://dx.doi.org/10.1093/cr/54.2.537.

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22

Barsoum*, John. "Deconstructivism in Philosophy, Architecture, and Reusability Contribution." International Journal of Emerging Science and Engineering 6, no. 12 (2021): 1–5. http://dx.doi.org/10.35940/ijese.l24900.0261221.

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Interest in philosophy and the humanities increased after the Second World War, especially in the West, as the critical movement began to reconsider the Western intellectual and philosophical heritage, and emerged approaches known as” postmodernism“, as critical foundations of Western cultural thought, and a product of that cultural and cognitive movement known as” postmodernism"; the concept of postmodernism, which is central This term is associated with a very diverse group that is rarely associated with each other with common things. The idea of postmodernism appears in a critique of the li

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23

Laffont, Pierre-Yves. "Architecture rurale en Bretagne." Annales de Bretagne et des pays de l'Ouest, no. 123-2 (July 28, 2016): 189–92. http://dx.doi.org/10.4000/abpo.3341.

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24

Sandberg, Mark. "The Architecture of Forgetting." Ibsen Studies 7, no. 1 (2007): 4–21. http://dx.doi.org/10.1080/15021860701472300.

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25

Kassab-Charfi, Samia. "Architecture et histoire chez Colette Fellous." Revue de littérature comparée 327, no. 3 (2008): 397. http://dx.doi.org/10.3917/rlc.327.0397.

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26

Naegele, Daniel, and Mark Wigley. "The Architecture of Deconstruction: Derrida's Haunt." SubStance 24, no. 3 (1995): 153. http://dx.doi.org/10.2307/3685021.

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27

Bower, Gary, and James Steele. "Los Angeles Architecture: The Contemporary Condition." Antioch Review 53, no. 1 (1995): 112. http://dx.doi.org/10.2307/4613093.

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28

Lyle, Joseph. "Architecture and Idolatry in "Paradise Lost"." Studies in English Literature, 1500-1900 40, no. 1 (2000): 139. http://dx.doi.org/10.2307/1556158.

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29

Delbreil, Daniel. "L'Hérésiarque et Cie : Une architecture lyrique." Cahiers de l'Association internationale des études francaises 47, no. 1 (1995): 421–38. http://dx.doi.org/10.3406/caief.1995.1886.

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30

NEUMAN, ERAN. "Types of Architectural Emergence." Theatre Research International 34, no. 2 (2009): 200–205. http://dx.doi.org/10.1017/s0307883309004568.

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This paper presents two methods of architectural conception and articulation based on the idea of type. One method conceives of architecture as a predetermined entity, claiming that architecture has a plan, a programme that determines its emergence based on a specific type prior to its coming into being. The other method, based on digital design processes and genetic algorithms, focuses on the procedures of architectural becoming. The essay claims that while the latter method attempts to release the emergence of the architectural entity from predetermined formal or functional typological defin

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31

Chiesa (book author), Laura, and Giulio Iacoli (review author). "Space as Storyteller. Spatial Jumps in Architecture, Critical Theory, and Literature." Quaderni d'italianistica 37, no. 2 (2018): 265–67. http://dx.doi.org/10.33137/q.i..v37i2.29253.

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32

Ganim, J. M. "Recent Studies on Literature, Architecture, and Urbanism: Architecturv and the Ext: The (S)crypts of Joyce and Piranesi." Modern Language Quarterly 56, no. 3 (1995): 363–79. http://dx.doi.org/10.1215/00267929-56-3-363.

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33

martin, reinhold. "Architecture at war." Angelaki 9, no. 2 (2004): 217–25. http://dx.doi.org/10.1080/0969725042000272843.

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34

Kaup, Monika. "The Architecture of Ethnicity in Chicano Literature." American Literature 69, no. 2 (1997): 361. http://dx.doi.org/10.2307/2928275.

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35

Métayer, Guillaume. "Voltaire en ses temples. Architecture et « philosophie »." Revue d'histoire littéraire de la France 113, no. 2 (2013): 289. http://dx.doi.org/10.3917/rhlf.132.0289.

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36

Wilson, S. "Melville and the Architecture of Antebellum Masculinity." American Literature 76, no. 1 (2004): 59–87. http://dx.doi.org/10.1215/00029831-76-1-59.

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37

STERN, ROBERT A. M. "THE PROMISE AND THREAT OF GLOBAL ARCHITECTURE." Yale Review 99, no. 4 (2011): 16–22. http://dx.doi.org/10.1353/tyr.2011.0017.

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38

Горожанкин, В., Valentin Gorozhankin, С. Семенцов, and Sergey Semencov. "AXIOLOGICAL MANAGEMENT OF ARCHITECTURAL SEARCH." Bulletin of Belgorod State Technological University named after. V. G. Shukhov 4, no. 7 (2019): 89–94. http://dx.doi.org/10.34031/article_5d35d0b7327ae1.05497138.

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The article compares the double coding scheme developed in the theory of postmodernism with the scheme of spectacular communication, borrowed from the field of theater studies. The idea of “critical architecture” has become a prerequisite for the analysis of communicative schemes. The authors interpret it as an interactive movement organized by axiological programs that combine the positions of consciousness, thinking and reflexive control in the genre self-determination, the prescription of theme and style of the architectural work for the purpose of value management of the project search. Th

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39

Fahrar, V. K. Tarikhu, and J. C. Moughtin. "Hausa Architecture." African Arts 19, no. 2 (1986): 86. http://dx.doi.org/10.2307/3336336.

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40

Ladha, Hassanaly. "Hegel's Werkmeister: Architecture, Architectonics, and the Theory of History." October 139 (January 2012): 15–38. http://dx.doi.org/10.1162/octo_a_00078.

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41

Stein, Richard L. "Milk, Mud, and Mountain Cottages: Ruskin's Poetry of Architecture." PMLA/Publications of the Modern Language Association of America 100, no. 3 (1985): 328–41. http://dx.doi.org/10.2307/462086.

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The Poetry of Architecture, Ruskin's first collection of essays, is even more “deformed by assumption” than his autobiography admits. Architecture is defined as poetic for genteel tourists, who forget that the buildings whose beauty they admire required human labor and embody distinctions of class. Indeed, architectural poetry expresses a myth of class harmony: buildings blending into the landscape, landowners welcomed by loving tenants. Yet this vision, though apparently sanctified by nature, is threatened—by industrial landscapes, cities, and less appealing aspects of nature itself. Without

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42

Maleuvre, Didier, Philippe Hamon, Katia Sainson-Frank, and Lisa Maguire. "Expositions: Literature and Architecture in Nineteenth-Century France." SubStance 23, no. 1 (1994): 128. http://dx.doi.org/10.2307/3684801.

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43

Hampsey, John C. "Houses of the Mind: The Architecture of Childhood." Antioch Review 51, no. 2 (1993): 251. http://dx.doi.org/10.2307/4612729.

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44

Schönberg, Ulf. "Architecture and Environment in Evelyn Waugh's Brideshead Revisited." Orbis Litterarum 45, no. 1 (1990): 84–95. http://dx.doi.org/10.1111/j.1600-0730.1990.tb01955.x.

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45

Brennan, Bernadette. "Kim Cheng Boey'sBetween Stations: ‘The Architecture of Memory’." Life Writing 11, no. 1 (2013): 39–54. http://dx.doi.org/10.1080/14484528.2013.838731.

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46

Bizup, Joseph. "Architecture, srailroads, and Ruskin's rhetoric of bodily form." Prose Studies 21, no. 1 (1998): 74–94. http://dx.doi.org/10.1080/01440359808586631.

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47

Klimasmith, Betsy. "Review: Sites Unseen: Architecture, Race, and American Literature." Nineteenth-Century Literature 67, no. 3 (2012): 418–20. http://dx.doi.org/10.1525/ncl.2012.67.3.418.

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48

Prussin, Labelle, and Suzanne Preston Blier. "The Anatomy of Architecture: Ontology and Metaphor in Batammaliba Architectural Expression." African Arts 22, no. 1 (1988): 16. http://dx.doi.org/10.2307/3336684.

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49

Holm, Lorens. "What Lacan said re: architecture." Critical Quarterly 42, no. 2 (2000): 29–64. http://dx.doi.org/10.1111/1467-8705.00286.

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50

Trilling, J. "The Architecture of Happiness." Common Knowledge 15, no. 3 (2009): 516. http://dx.doi.org/10.1215/0961754x-2009-046.

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