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Dissertations / Theses on the topic 'Architecture and science – history'

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1

Lincicum, Shirley J. "The American Public Library Building : A Social History and Feminist Critique." Oberlin College Honors Theses / OhioLINK, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1379332068.

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Merwood, Joanna. "Towards the architecture of the future : César Daly and the science of expression." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23202.

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The writing of the French architectural theorist and critic Cesar Daly (1811-1894), editor of the influential Parisian journal, the Revue generale de l'architecture et des travaux publics, may be considered to be representative of the ambivalence of the supposed 19th century dialectic between scientism and metaphysical idealism. For Daly the physical and representational needs of society expressed in architecture were always and forever inextricably linked by the universal and permanent pattern of History. Although it was his fundamental thesis that the human sensibility was more important tha
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Theodore, David Michael. "Towards a New Hospital: Architecture, Medicine, and Computation, 1960-75." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11658.

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This dissertation provides an account of how computing left behind its origins in academic and military research to become part of the hospital's equipmental setting. I examine the efforts of reformers, including administrators, planners, architects, and computer consultants, to provide appropriate accommodation for modern biomedicine. I explore three stories in order to untangle the admixture of architecture, medicine, and computation as they intertwined through a mutual engagement with automation, operations research, cybernetics, and biomedical research in the postwar hospital. In Boston, p
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4

Carr-Trebelhorn, Julia A. "FROM GEOLOGY TO ART HISTORY: CERAMIST ALEXANDRE BRONGNIART’S OVERLOOKED CONTRIBUTION TO THE DEVELOPING SCIENCE OF ART HISTORY IN THE EARLY NINETEENTH CENTURY." UKnowledge, 2014. http://uknowledge.uky.edu/art_etds/4.

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Alexandre Brongniart was known for his work as an important geologist and as an administrator at the Sèvres Porcelain Manufactory, but his roles as art historian and museologist are overlooked. Brongniart created a holistic methodology taken directly from science and applied it to ceramic art of all cultures and eras. He had a uniquely modern perspective on time, world culture, and archeology. Brongniart wrote about the art of Asia and the Americas on an equal status with that of the Classical West at least fifty years before it became a mainstream idea. Brongniart integrated scientific princi
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5

Wexelblat, Alan Daniel. "Footprints : interaction history for digital objects." Thesis, Massachusetts Institute of Technology, 1999. http://hdl.handle.net/1721.1/29146.

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Thesis (Ph.D.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts & Sciences, 1999.<br>Includes bibliographical references (p. 139-143) and index.<br>Digital information has no history. When we interact with physical objects, we are able to read the traces left by past interactions with the object. These traces, sometimes called "wear," form a basis for the interaction history of the object. In the physical world, we make use of interaction history to help come up with solutions and guidance. This is not possible in the digital realm, because the
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6

Gillin, Edward John. "The science of Parliament : building the Palace of Westminster, 1834-1860." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:65863190-6063-4320-813e-e60dd1a11fb2.

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This thesis examines science's role in the construction of Britain's new Houses of Parliament between 1834 and 1860. Architecturally the Gothic Palace embodies Victorian notions of the medieval and romanticized perceptions of English history. Yet in the mid-nineteenth century, the building not only reflected, but was involved in, the very latest scientific knowledge. This included chemistry, optics, geology, horology, and architecture as a science itself. Science was chosen, performed, trusted, displayed, contested, and debated through the physical space of government. Parliament was a place w
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7

Marfella, Claudia. "Art, industrial design, science and popular culture : modernism and cross-disciplinarity in Italy and Great Britain, 1948-1963." Thesis, Kingston University, 2015. http://eprints.kingston.ac.uk/33746/.

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Conceived inside a chronological frame, which starts in 1948, the year the Institute of Contemporary Arts in London founded, and ends in 1963, when Gillo Dorfles wrote a crucial essay on industrial design, concluding more than a decade of discussions, the thesis aims to examine some artistic and cultural phenomena identified in Italy and Great Britain, and seen as the acknowledgement or as the reaction to modernity. Topics and fields taken in consideration within the thesis are technology, science (fact and fiction), vision of the future, the relationship between arts and the awareness of indu
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8

Schütte, Ansel Arjan 1970. "Patina : layering a history-of-use on digital objects." Thesis, Massachusetts Institute of Technology, 1998. http://hdl.handle.net/1721.1/62341.

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9

Touloumi, Olga. "Architectures of Global Communication: Psychoacoustics, Acoustic Space, and the Total Environment, 1941-1970." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11690.

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This dissertation examines architectural engagements with communication technologies, within the framework of mid-twentieth-century efforts to institute a global community and engineer media democracies. I interrogate the sound modernities that architects constructed in collaboration with engineers, officials, and acousticians, and I demonstrate the architectural strategies that informed them: the theater, the concert hall, the cinema. These interiors, I argue, reconfigured the international community as a networked audience, and the institutions of world organization as the main stages of int
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10

Tsai, Binghuan. "A museum of nature and science: the shaping of forms." Thesis, Virginia Polytechnic Institute and State University, 1992. http://hdl.handle.net/10919/52126.

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Structures of perfect symmetry, order, and beauty exist in both discoveries of science and objects found in natures. With careful observation and analysis, creative applications of these interesting forms can be and have been applied in many architectural structures with great success. In this project the utilization of these forms can not only bring out the purpose of this Museum of Nature and Science, but because these forms are derived from natural studies, they can also give viewers a sense of familiarity and peacefulness.<br>Master of Architecture
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11

Idelson, Simon Fader. "Cosmopolitan Continuities: The Re-Framing of Historic Architecture and Urban Space in Contemporary Morocco (1990-present)." Oberlin College Honors Theses / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1589747804128512.

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12

Kessler, Henry A. "The Palazzo della Civilta Italiana: From Fascism to Fendi." Ohio University Honors Tutorial College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429640180.

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13

Chesney, Sarah Jane. "The Fruits of their Labors: Exploring William Hamilton's Greenhouse Complex and the Rise of American Botany in Early Federal Philadelphia." W&M ScholarWorks, 2014. https://scholarworks.wm.edu/etd/1539624009.

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This dissertation explores the world of early American botany and the transatlantic community of botanical enthusiasts from the perspective of William Hamilton, gentleman botanical collector in late eighteenth and early nineteenth century Philadelphia. Drawing on both existing documentary sources and three seasons of archaeological excavation at The Woodlands, Hamilton's country estate on the west bank of the Schuylkill River, I analyze both the physical requirements of botanical collecting as well as the more nuanced social, cultural, and economic elements of this trade and its early modern p
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Vrooman, Linda Novak. "The Application of the Automated National Cataloging System for Archaeological Cataloging." W&M ScholarWorks, 1994. https://scholarworks.wm.edu/etd/1539625866.

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15

Schmidheiny, Martin John. "Seeing red| Characterizing historic bricks at Sylvester Manor, Shelter Island, New York 1652-1735." Thesis, University of Massachusetts Boston, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1572465.

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<p> The goal of this project is to develop a basic material characterization of the bricks excavated at the site of Sylvester Manor on Shelter Island, New York. In the early Manor period of 1650-1690, this early Northern provisioning plantation supplied Barbadian sugar operations and pursued mercantile interests independent of state control. Accounting for the range of production defects and material characteristics of the bricks suggests on-site or local manufacture as a regional ceramic industry developed. Qualitative visual analysis and petrographic thin-sections were used to characterize
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Acar, Sibel. "Intersections:architecture And Photography In Victorian Britain." Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/3/12611169/index.pdf.

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Architecture and photography have always been closely interacted since the invention of photography in the late 1830s.While architecture has been captured as one of the main subjects of photography, photography has served architecture as a valuable tool of representation. Focusing on the frame defined by Victorian Britain, this study tries to capture intersecting histories between photography and architecture. Accordingly three intersections were defined: the first intersection corresponds to the simultaneous development of photography and architectural photography<br>the second to theinterac
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Gayet, Gwenn. "Le manoir de Kerazan et ses propriétaires : Architecture, décor inérieur et collections." Thesis, Clermont-Ferrand 2, 2014. http://www.theses.fr/2014CLF20004.

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Le domaine de Kerazan, ensemble encore méconnu, fut légué à l’Institut de France par Joseph-Georges Astor en 1929. Situé en plein cœur du Pays Bigouden, sur la route de Pont-l'Abbé à Loctudy, le manoir de Kerazan est aujourd'hui l’un des fleurons de l’art de vivre au XIXe siècle, en sud Finistère. S’étalant du XVIe siècle à 1934, toute une collection d’arts décoratifs imprègne le manoir : toiles de maîtres régionaux, meubles bretons ou encore faïence de Quimper font vivre ce bâtiment comme ils font vivre le passé. Cet ensemble éclectique fut composé par une famille de trois collectionneurs : J
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18

Bouju, Périg. "Architecture et lieux de pouvoir en Bretagne : xVIIIe-XXe siècle." Phd thesis, Université Rennes 2, 2011. http://tel.archives-ouvertes.fr/tel-00652518.

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L'idéologie républicaine s'est largement emparée de la signification hautement symbolique de l'architecture municipale. Comme pour l'école, elle a contribué à lui donner l'image de l'État, c'est-à-dire démocratique et égalitaire. Pourtant, un rapide constat montre qu'à l'échelle du territoire national, l'emprise républicaine sur l'architecture régionale s'est faiteavec plus ou moins de succès, selon que l'on se situe près des grands centres de rayonnement culturels et des foyers politiques actifs. En Bretagne, l'ancrage de la République dans les mentalités recouvre des luttes sous-jacentes qui
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Dietzler, Karl Matthew 1970. "Pattern on National Forest Lands: Cultural Landscape History as Evidenced Through the Development of Campgrounds in the Pacific Northwest." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11985.

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xxii, 272 p. : ill. (some col.), maps (some col.)<br>Historic campgrounds on National Forest Service lands are a key location where the public experiences the intersection of natural and cultural resources. In the Pacific Northwest Region, the majority of historic Forest Service campgrounds date from the Civilian Conservation Corps/New Deal era of the 1930s; however, some existed previous to this period. Overall, these campgrounds were envisioned, designed, and evolved in an era of rapid technological change, when increasing industrialization, urbanization, and rural accessibility facilitated
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20

Ireland, Ryan P. "From Traditional Memory to Digital Memory Systems: A Rhetorical History of the Library as Memory Space." Miami University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=miami1461085550.

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Mattes, Sarah. "Canary Red: Preserving Cochineal and Contrasting Colonial Histories on Lanzarote." W&M ScholarWorks, 2015. https://scholarworks.wm.edu/etd/1539626784.

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Bergmann, Christine L. "Elemental Analyses of Archaeological Bone Using PXRF, ICP-MS, and a Newly Developed Calibration to Assess Andean Paleodiets." Scholar Commons, 2018. https://scholarcommons.usf.edu/etd/7264.

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As a result of the quick rise of pXRF technology in archaeology, there are concerns regarding the reliability and validity of data output acquired from pXRF. In this study, I test the hypothesis that portable X-ray fluorescence (pXRF) spectrometry can provide reliable and valid results, using newly developed calibration curves, for the analysis of archaeological animal and human skeletal materials in prehistoric Peru to address hypotheses about ancient diet and trade. While pXRF systems may come with calibration software, the few if any standards and reference materials provided with the instr
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23

Harrison, Tracy Elizabeth. "Visualizing Complexity : A Spatial Analysis of Decorative Geometric Pattern in the Islamic World, 900-1400 AD." PDXScholar, 2005. https://pdxscholar.library.pdx.edu/open_access_etds/2434.

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This study explores how the use of complex decorative geometric patterns in Islamic architecture spatially relates to advances in the fields of science and philosophy in the Islamic world between the ninth and fourteenth centuries. This project examines hypotheses developed by vario~s scholars on the forces that shaped the use of these patterns (known as the geometric mode) in Islamic architecture. The prevailing assumption that advances in mathematics contributed to the use of the geometric mode is used as a starting point for subsequent analysis. For this study, two spatial databases were cr
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Danielo, Julien. "Les ports d'Auray et de Vannes aux XVIIe et XVIIIe siècles‎ : ville, architecture et identité portuaire sous l'Ancient Régime." Phd thesis, Université Rennes 2, 2008. http://tel.archives-ouvertes.fr/tel-00354721.

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Une des images les plus marquantes de la Bretagne est celle de ses ports et de leur vocation maritime. Sous l'Ancien Régime, la société portuaire, telle qu'elle peut se concevoir à Nantes, St Malo ou Lorient, s'est caractérisée par des professions relatives au commerce maritime et à la construction navale. Elle s'est aussi spécifiée par un goût prononcé pour le voyage, la mer et l'exotisme, et enfin par une ouverture à l'esprit du siècle des Lumières. Du point de vue de l'aménagement urbain, les ports se sont attelés à maîtriser l'espace en gagnant du terrain sur la mer et en la domestiquant p
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Haws, Catherine Bourg. "Remembering Vietnam War Veterans: Interpreting History Through New Orleans Monuments and Memorials." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2081.

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ABSTRACT This thesis is concerned with the question of how America’s citizen soldiers are remembered and how their services can be interpreted through monuments and memorials. The paper discusses the concept of memory and the functions of memorialization. It explores whether and how monuments and memorials portray the difficulties, hardships, horror, costs, and consequences of armed combat. The political motivations behind the design, formation and establishment of the edifices are also probed. The paper considers the Vietnam War monuments and memorials erected by Americans and Vietnam expatri
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Saperstein, Stefanie. "The Vision of Reality as a Paradox: Salvador Dali's Creative Process from 1927 to 1939." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/111.

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From 1927 through 1939, Salvador Dalí went through an arduous artistic pursuit to visualize his perspective on reality. Dalí’s inter-connected visual and verbal process lasted for over a decade, during which he went from confronting reality to accepting that the world is an irrational paradox. This study asserts that his investigation took him from the fragmented images of cinema to the metamorphic shapes of the ‘soft and hard’ and ultimately to a series of multiple images, which envisioned his paranoid-critical method. In his 1930 article “The Rotting Donkey,” Dalí wrote, “I believe that the
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Moret, Pierre. "Architecture, urbanisme et organisation du territoire dans l'Ibérie de l'âge du Fer et de l'époque républicaine (VIIe - Ier siècle avant J.-C.)." Habilitation à diriger des recherches, Université Toulouse le Mirail - Toulouse II, 2008. http://tel.archives-ouvertes.fr/tel-00365271.

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Cette étude offre sur la longue durée une synthèse de l'évolution des formes d'habitat dans l'Ibérie de l'âge du Fer et du début de l'époque romaine.<br />La première partie jette quelques éclairages sur la longue période qui va du VIIe au IVe siècle, en mettant l'accent sur les mutations de l'Ibérique Ancien (autour du VIe siècle), tant du point de vue des fortifications que de l'architecture domestique. La deuxième partie aborde la transition des IIIe et IIe siècles, d'abord sous le rapport des modèles architecturaux hellénistiques et de leurs voies de diffusion, avant et après la conquête r
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Bush, Lawrence Ray. "More than Words: Rhetorical Devices in American Political Cartoons." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/3924.

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This thesis argues that literary theory applied to political cartoons shows that cartoons are reasoned arguments. The rhetorical devices used in the cartoons mimic verbal devices used by essayists. These devices, in turn, make cartoons influential in that they have the power to persuade readers while making them laugh or smile. It also gives examples of literary theorists whose works can be applied to political cartooning, including Frederick Saussure, Mikhail Bakhtin, and Wolfgang Iser. Not only do those theorists' arguments apply to text, they also apply to pictorial representations. This th
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Bigonville, Delphine. "Association des idées et intuition: la réponse des architectes anglais à la Querelle des Anciens et des Modernes." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209775.

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Ce travail s’intéresse au problème de la relativisation de l’expression architecturale liée à la remise en question, durant le XVIIe siècle, de l’origine divine et de la valeur des canons proportionnels qui sous-tendent la tradition classique. Emblématique de la Querelle qui opposa Claude Perrault et François Blondel au sein de l’Académie royale de Paris, ce problème recevra une formulation privilégiée dans la tradition théorique anglaise qui se caractérise par la volonté de préserver une forme d’objectivité à l’expression formelle tout en cherchant à y intégrer la valeur subjective de l’usage
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Hedqvist, Eric. "Varats och utvecklingens kedja : en naturhistorisk museiutställning i Göteborg 1923-1968." Doctoral thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-18922.

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This dissertation is a museological study of the coming into being of a natural history museum, its building and its adherent zoological exhibition during the years around the First World War. The main problem of the dissertation is the opposition between the curator´s program 1903 for the exhibit and its realization twenty years later. The theoretical perspective is that in its synchronic aspect science, in accordance with the views of swedish sociologist, Thomas Brante, is divided into three levels interdependent upon one another in varying degrees – theoretical, sociological and psychologic
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Dyndal, Gjert Lage. "Land based air power or aircraft carriers? : the British debate about maritime air power in the 1960s." Thesis, University of Glasgow, 2009. http://theses.gla.ac.uk/1058/.

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Numerous studies, books, and articles have been written on Britains retreat from its former empire in the 1960s. Journalists wrote about it at the time, many people who were involved wrote about it in the immediate years that followed, and historians have tried to put it all together. The issues of foreign policy at the strategic level and the military operations that took place in this period have been especially well covered. However, the question of military strategic alternatives in this important era of British foreign policy has been less studied. This dissertation discusses such high-pr
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Bower, Matthew S. "Catastrophe in Permanence: Benjamin's Natural History of Environmental Crisis." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984263/.

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Walter Benjamin warned in 1940 of a certain inconspicuous threat to political thinking, not least of all to materialism, that takes progress as an historical norm. Implicit in this conception is what he describes as an empty continuum of time along which the prevailing tradition chronicles its own mythic development and drains everyday life of genuine historical experience. The myth of progressive history advances insidiously today in consumeristic and technocratic attempts at reconciling cultural imagery with organic nature. In this dissertation, I pursue the contradictions of such images as
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Rentetzi, Maria. "Gender, Politics, and Radioactivity Research in Vienna, 1910-1938." Diss., Virginia Tech, 2003. http://hdl.handle.net/10919/27084.

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What could it mean to be a physicist specialized in radioactivity in the early 20th century Vienna? More specifically, what could it mean to be a woman experimenter in radioactivity during that time? This dissertation focuses on the lived experiences of the women experimenters of the <i>Institut für Radiumforschung</i> in Vienna between 1910 and 1938. As one of three leading European Institutes specializing in radioactivity, the Institute had a very strong staff. At a time when there were few women in physics, one third of the Institute's researchers were women. Furthermore, they were not just
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Araujo, Ana Bela de. "Le Centre d'études nucléaires à Saclay : l'architecture-système d'Auguste Perret à l'épreuve de la science, 1948-1951." Paris 1, 2013. http://www.theses.fr/2013PA010527.

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En 1948, l'architecte Auguste Perret est nommé conseiller pour les questions d'architecture auprès du Commissariat à l'énergie atomique français (CEA). Ce nouvel organisme d'État met immédiatement le savoir-faire du Maître de l'architecture du béton armé à contribution pour un projet d'envergure et de priorité nationale: la construction d'un grand centre d'études nucléaires à Saclay. Ce « palais de l'atome » est la dernière grande œuvre d'urbanisme et d'architecture d'Auguste Perret. La composition monumentale mise en œuvre par l'architecte a traduit la volonté des fondateurs du CEA de faire d
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Tan, Adrian Hadipriono. "While Stands the Colosseum: A Ground-Up Exploration of Ancient Roman Construction Techniques using Virtual Reality." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429228335.

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Christensen, Kelly Marie. "Wilderness Values, the Environmental Movement and Mission 66." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/12188.

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x, 111 p. ; ill. (some col.), maps<br>Mission 66 was a ten-year program that began in 1956 and concluded in 1966, the 50th anniversary of the founding of the National Park Service. The stated goal of Mission 66 was to increase public access and enjoyment of the national parks through a program of development and reconstruction. However, wilderness conservationists and environmentalists criticized the program heavily during its time. This reaction has left Mission 66 with a controversial legacy that reflects negatively on the historical developments of the program. The goal of this thesis is to
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Mathieu, Clémence. "L'habitat de la petite noblesse dans la partie nord de l'ancien comté de Hainaut, 15e-18e siècles: architecture, modes de vie et manières d'être." Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209656.

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Cette étude s’attache à comprendre ce qu’est un habitat seigneurial secondaire en Hainaut à la fin du Moyen Age et aux Temps Modernes. La disparition de la plupart des résidences de la haute noblesse en Hainaut, nous a amenée à nous pencher sur l’étude des habitats de la petite noblesse, dont le manque de reconnaissance, entrainant la démolition ou les transformations irréversibles de ces habitats, rend ces édifices sujets à l’oubli. Ajoutons à cela que, victimes d’une tradition castrale héritée du 19e siècle, archéologues et historiens de l’art ont bien souvent eu leur attention d’abord attir
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Slavova, Petya. "Les métamorphoses de la profession d'architecte en Bulgarie: réglementation, exercice et oroganisations professionnelles." Doctoral thesis, Universite Libre de Bruxelles, 2006. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210761.

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Heymans, Vincent. "Architecture et habitants: les intérieurs privés de la bourgeoisie à la fin du XIXe siècle :Bruxelles, quartier Léopold-extension nord-est." Doctoral thesis, Universite Libre de Bruxelles, 1994. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212653.

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Beitmen, Logan R. "Neuroscience and Hindu Aesthetics: A Critical Analysis of V.S. Ramachandran’s “Science of Art”." FIU Digital Commons, 2014. http://digitalcommons.fiu.edu/etd/1198.

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Neuroaesthetics is the study of the brain’s response to artistic stimuli. The neuroscientist V.S. Ramachandran contends that art is primarily “caricature” or “exaggeration.” Exaggerated forms hyperactivate neurons in viewers’ brains, which in turn produce specific, “universal” responses. Ramachandran identifies a precursor for his theory in the concept of rasa (literally “juice”) from classical Hindu aesthetics, which he associates with “exaggeration.” The canonical Sanskrit texts of Bharata Muni’s Natya Shastra and Abhinavagupta’s Abhinavabharati, however, do not support Ramachandran’s conclu
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Puleo, Catherine. "Place Attachment in the Revitalization of Post-Industrial Downtown Canton: An Analysis of Social, Political, and Architectural Theory." Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1523794003883859.

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Emery, Astrid. "Concevoir et bâtir dans la Mésopotamie protohistorique : l'utilisation de schémas architecturaux au IVe millénaire av. J.-C." Phd thesis, Université Panthéon-Sorbonne - Paris I, 2007. http://tel.archives-ouvertes.fr/tel-00350431.

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Cette étude couvre l'ensemble de l'architecture mésopotamienne du IVe millénaire av. J.-C., tant les grands ensembles monumentaux comme celui d'Uruk que le bâti domestique. En s'attachant à la planification technique et métrologique de la conception et l'implantation des plans, elle a livré une série de résultats concluants sur l'emploi d'un petit nombre d'unités de mesure récurrentes organisées en système et sur l'utilisation de schémas aux proportions simples dans la construction des bâtiments. L'examen de quelques sites exceptionnels a montré qu'y avait été mis en œuvre un projet architectu
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Fèvres, Jessica. "Infographie, images de synthèse et patrimoine monumental : espace de représentation, espace de médiation." Phd thesis, Université Michel de Montaigne - Bordeaux III, 2012. http://tel.archives-ouvertes.fr/tel-00751452.

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La présente thèse pose la question de l'usage des techniques infographiques et images de synthèse pour représenter les vestiges du passé et plus exactement le patrimoine archéologique et architectural. Cette réflexion est bâtie autour d'une approche multiple. Les dispositifs infographiques appartenant, en effet, à l'ensemble des inventions médiatiques et culturelles nées dans la société d'après-guerre, notre étude se veut profondément transdisciplinaire, empruntant des théories à l'Histoire de l'art, l'Archéologie et les Sciences de l'Information et de la Communication. Le parcours suivi consi
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Frankignoulle, Pierre J. L. M. A. "L'Université de Liège dans sa ville, 1817-1989: une étude d'histoire urbaine." Doctoral thesis, Universite Libre de Bruxelles, 2005. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211014.

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Etude urbanistique et historique des différentes implantations de l'Université de Liège depuis 1817 (Salle académique) jusque (et y compris) le Sart Tilman<br>Doctorat en philosophie et lettres, Orientation histoire<br>info:eu-repo/semantics/nonPublished
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Frapier, Christel. "Les ingénieurs-conseils dans l'architecture en France, 1945-1975 : réseaux et internationalisation du savoir technique." Phd thesis, Université Panthéon-Sorbonne - Paris I, 2009. http://tel.archives-ouvertes.fr/tel-00654374.

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Cette étude se penche sur une catégorie particulière des ingénieurs-conseils exerçant dans le milieu de l'architecture en France entre 1945 et 1975. Ingénieurs d'origine étrangère non diplômés en France ; autodidactes ; ingénieurs diplômés en tant qu'architectes ou issus de grandes écoles françaises mais ayant décidé de quitter les secteurs publics ou privés pour s'installer en tant que libéraux, ces cas particuliers ne sont pourtant pas des cas isolés, dix ans après la loi qui réglemente en France le titre d'ingénieur. Exerçant en marge des circuits classiques, nous avons cherché à comprendre
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Nowara, Malgorzata T. "La sécession dans l'architecture à Cracovie, 1897-1914: un costume national, moderne et européen." Doctoral thesis, Universite Libre de Bruxelles, 2007. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210725.

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La Sécession dans l’architecture à Cracovie (1897-1914) Un costume national, moderne et européen<p><p>A la fin du XIXe et au début du XXe siècle, l’Art nouveau envahit la majeure partie de l’Europe. Dans chaque pays, ce mouvement artistique prit des appellations et des physionomies différentes. Mélangé souvent aux traditions locales, ce style international développa un langage original jusqu’à devenir parfois synonyme de style national, revêtant selon le cas un costume national, moderne et européen. <p>Dans ce contexte international et de promotion de l’identité nationale, le cas très particul
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Boustingorry, Julie. "Des pionniers autoconstructeurs aux coopérateurs : histoire des Castors en Aquitaine." Phd thesis, Université de Pau et des Pays de l'Adour, 2008. http://tel.archives-ouvertes.fr/tel-00707514.

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En Aquitaine, les initiatives du castorat, mouvement coopératif polymorphe, se posent comme autant d'alternatives aux carences des politiques publiques, quand la société civile se charge de résoudre par elle-même le problème du logement. L'apparition d'un tel mouvement n'est pas étrangère à l'acuité du problème du logement, dans une région où l'industrialisation douce n'a pas autorisé de prise de conscience de la question sociale par les élites urbaines. La " nonchalance " aquitaine, dose à la fois de dissidence et d'autonomie, œuvre dans le sens d'une modération, facteur majeur de l'absence d
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Kanai, Akihiko. "Les gares françaises et japonaises : halle et bâtiment principal : une recherche comparative." Phd thesis, Marne-la-vallée, ENPC, 2005. https://pastel.archives-ouvertes.fr/tel-00086638.

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L'Heritier, Maxime. "L'utilisation du fer dans l'architecture gothique : les cas de Troyes et de Rouen." Phd thesis, Université Panthéon-Sorbonne - Paris I, 2007. http://tel.archives-ouvertes.fr/tel-00295179.

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Le fer fait partie intégrante de la conception initiale des églises gothiques rouennaises et troyennes. Dès le XIIIe siècle, il y est employé en dizaines de tonnes dans les armatures de vitraux. On le retrouve également dans la maçonnerie et dans la charpente sous forme de tirants, de chaînages structurels et de petites pièces, agrafes et goujons, servant à attacher les nombreux éléments de décor. Ses nombreux usages ainsi que les questions du rôle, des quantités, de l'origine et du coût de ces fers sont abordés par une étude interdisciplinaire alliant prospections dans le bâti, recherches dan
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Sato, Toshinori. "History Directed Processor Architecture." Kyoto University, 1999. http://hdl.handle.net/2433/182380.

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