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Journal articles on the topic 'Architecture and the senses'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Słuchocka, Katarzyna. "SENSES IN ARCHITECTURE." space&FORM 2020, no. 44 (2020): 163–76. http://dx.doi.org/10.21005/pif.2020.44.b-10.

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Optimisation of architectural design and its perception involves a comprehensive sensory analysis of the human body response to the stimuli received by the brain. Owing to sensual haptic characteristics, expressed through relevant motor activity, we can reliably create trends among the future users. Proper assessment and sensuality of architecture shall underlie justified, reference parameters predetermining a selection of appropriate measures shaping our daily life context. Opportunities which haptic spatial perception offers facilitate a short-cut in our research to model design processes. I

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Zaredar, Arezou. "Considering the Five Senses in Architecture." Current World Environment 10, Special-Issue1 (2015): 138–43. http://dx.doi.org/10.12944/cwe.10.special-issue1.19.

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Despite fully attention of most current architects to the sense of eyesight, architecture stimulates all of our senses. This paper discusses the perception of senses in architecture, explaining how they work and influence on each other and the differences between them. Besides giving examples of programs to improve conscious perception in an architectural space. In author`s Thesis announced with “Five Senses Museum” it has been attempted to consider all senses in frame of architecture because consciously or spontaneous they affect perception of space and also make it a place to remind with fiv

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Gawlak, Agata, Magda Matuszewska, Agnieszka Ptak, and Magdalena Priefer. "Perception and functionality of space in view of potential and dysfunction of senses." Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych 16, no. 2 (2020): 7–16. http://dx.doi.org/10.35784/teka.2415.

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This article is of an illustrative nature. It is intended to juxtapose the possible options of architectural perception and the potential capabilities and dysfunctions of senses. It is, further, aimed at highlighting the co-dependence of the perception of architecture on mental and physical abilities of man (its observer and user). The way space is perceived is dictated by the perceptual capabilities of our senses. Understanding the physiology and the role of the senses can sensitise the designers to the fact that the users’ responses to his/her works might diverge from the perceptual pr

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de Freitas, Elizabeth, David Rousell, and Nils Jäger. "Relational architectures and wearable space: Smart schools and the politics of ubiquitous sensation." Research in Education 107, no. 1 (2019): 10–32. http://dx.doi.org/10.1177/0034523719883667.

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This paper undertakes an analysis of the “smart school” as a building that both senses and manages bodies through sensory data. The authors argue that smart schools produce a situation of ubiquitous sensation in which learning environments are continuously sensed, regulated, and controlled through complex sensory ecosystems and data infrastructures. This includes the consideration of ethical and political issues associated with the collection of biometric and environmental data in schools and the implications for the design and operation of learning environments which are increasingly regulate

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Kłopotowska, Agnieszka. "Architecture and sounds the interdisciplinary research on the use of audio signals in the cognition and design of architectural space." Budownictwo i Architektura 18, no. 2 (2019): 111–19. http://dx.doi.org/10.35784/bud-arch.566.

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In the contemporary world of image, the basic attribute of architecture is its visuality. Architectural spaces are designed primarily to be viewed by the public or the "eyes" of cameras. The design for the sense of sight only impoverishes the quality of human contact with architecture. The art of shaping space should involve all perception channels. One of the most important senses, allowing to feel the created space, to get to know it and live in it, is hearing. The sonic image of architectural space not only accompanies the visual image, but also significantly defines the quality of existent

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Maddaluno, Raffaella. "Francesco Venezia: Time, Memory, Senses as Elements of Architecture." ATHENS JOURNAL OF ARCHITECTURE 5, no. 2 (2019): 163–78. http://dx.doi.org/10.30958/aja.5-2-3.

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Alfirević, Đorđe, and Sanja Simonović-Alfirević. "Parameters of spatial comfort in architecture." Arhitektura i urbanizam, no. 51 (2020): 33–45. http://dx.doi.org/10.5937/a-u0-26940.

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The perception of reality is experienced through the senses, where each sense contributes to the way we form our picture of the feeling of comfort. When it comes to the perception of space and spatiality, the most dominant are visual and tactile influences, providing the information that outbalance other senses. A widely accepted opinion in science is that there are several main categories of comfort - visual, thermic, auditory, olfactory and hygienic. In contrast to previously mentioned terms, spatial comfort has not been clearly defined, even though it is one of the key terms when discussing

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Lee, Sungkyun. "A Study on the Trends for Expression in Korean Contemporary Architectural Facade Design: Focusing on Large Buildings in the City Center." Buildings 11, no. 7 (2021): 274. http://dx.doi.org/10.3390/buildings11070274.

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Various facade designs in modern architecture have expanded the limits of materials and construction methods. In this study, I explored and analyzed structural, decorative, media, and adaptive as representative case studies of facade expression. This study identified the following modern architectural trends for new facade construction methods in South Korea. First, efforts to improve the function of spaces by integrating interior and exterior spaces. Second, attempts for creating decorative facade expressions that stimulate human senses, or expand perceptions and increase aesthetic sense. Thi

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Bishop, Linda Porter. "Popeye's Chicken, Design, and Another Five Senses." HERD: Health Environments Research & Design Journal 2, no. 1 (2008): 30–34. http://dx.doi.org/10.1177/193758670800200104.

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Many healthcare facilities strive to develop the perfect patient experience. In the process, authenticity and good design are often overlooked in favor of thematic architecture. The author presents five design considerations, or five senses, necessary to create an authentic and well-designed healthcare facility.

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Chen, Xing, and Hao Zhong Yang. "The Research of Chinese Living Space Based on Phenomenology." Advanced Materials Research 598 (November 2012): 22–26. http://dx.doi.org/10.4028/www.scientific.net/amr.598.22.

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Science manipulates things and gives up living in them. It is human but not science that lives in architectural space. But, this household is ignored in architectural designing process sometimes, especially in some modern architectural design. How to get architectural space and get the space around architecture out of the controlling of science is the main problem to research. Through analyzing Chinese living space based on phenomenology theories, we got something beneficial to the quality of the internal space and external space of buildings. These things have closed relationship with our bod

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García Nofuentes, Juan, and Roser Martínez Ramos e Iruela. "Essence-Temporality Paradigm." Estoa, no. 15 (2019): 79–93. http://dx.doi.org/10.18537/est.v008.n015.a07.

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The «tobacco curing houses» scattered across the landscape of the Vega of Granada, mean something more than the memory of a marginal, beautiful and forgotten architecture. These simple models of industrial architecture that pursue the «essence», turn into light and sensations sieves, that can be pierced by senses owing to a drilled and protagonist epidermis, with great expectations of giving shelter to the most unlike uses. From the inquiry into the infallibility of the architectural fact, coming from the observation of «permanent qualities», foreign to styles, uses, economy, social conditions

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Croci, Valentina. "Investigating Culture Through the Senses." Architectural Design 79, no. 1 (2009): 128–31. http://dx.doi.org/10.1002/ad.834.

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Bohn, Claus. "Launching Architecture Through the Image." Artifact 4, no. 1 (2017): 1. http://dx.doi.org/10.14434/artifact.v4i1.13126.

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Contemporary architecture seems seduced by the image and has in many ways taken on the casual vanity of fashion and make-up. Yet the image can be a powerful source of imagination and suggestion and holds potentials for adressing aspects of the world, which seems hard to approach through other medias. Through phenomenological education–based research a workshop with architect students in Copenhagen in 2013 investigates these potentials. How can the image – here as the model photograph – become an active and intergrated tool in the architectural process – and in this case as the very launch pad

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Griffiths, John, and Kathy Mack. "Senses of “shipscapes”: an artful navigation of ship architecture and aesthetics." Journal of Organizational Change Management 24, no. 6 (2011): 733–50. http://dx.doi.org/10.1108/09534811111175724.

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Pallasmaa, Juhani. "Embodied and Existential Wisdom in Architecture." Body & Society 23, no. 1 (2017): 96–111. http://dx.doi.org/10.1177/1357034x16681443.

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In our culture, intelligence, emotions and embodied intuitions continue to be seen as separate categories. The body is regarded as a medium of identity as well as social and sexual appeal, but neglected as the ground of embodied existence and silent knowledge, or the full understanding of the human condition. Prevailing educational and pedagogic practices also still separate the mental and intellectual capacities from emotions and the senses, and the multifarious dimensions of human embodiment.

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Parque, Lawrence. "Sligo Air." Architectural Research Quarterly 6, no. 3 (2002): 286–88. http://dx.doi.org/10.1017/s1359135503001799.

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The performance piece Flux in the Sligo Air is a suite for movement artists and electro-acoustic music. It was composed in response to the unique atmosphere of Sligo, a town of 16,000 inhabitants in the northwest of Ireland, and its place within the surrounding landscape. I was inspired by Sligo's architecture and the sky, landscape and sea into which the town is so naturally and uniquely integrated. My study of space perception in architectural terms and its correlation with musical processes led to a contemplation of the relationship of the town's buildings to each other and the spaces (stre

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Pasquero, Claudia, and Marco Poletto. "Bio-digital aesthetics as value system of post-Anthropocene architecture." International Journal of Architectural Computing 18, no. 2 (2020): 120–40. http://dx.doi.org/10.1177/1478077120922941.

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It is timely within the Anthropocene era, more than ever before, to search for a non-anthropocentric mode of reasoning, and consequently designing. The PhotoSynthetica Consortium, established in 2018 and including London-based ecoLogicStudio, the Urban Morphogenesis Lab (Bartlett School of Architecture, University College London) and the Synthetic Landscape Lab (University of Innsbruck, Austria), has therefore been pursuing architecture as a research-based practice, exploring the interdependence of digital and biological intelligence in design by working directly with non-human living organism

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MAGNINI, BERNARDO, CARLO STRAPPARAVA, GIOVANNI PEZZULO, and ALFIO GLIOZZO. "The role of domain information in Word Sense Disambiguation." Natural Language Engineering 8, no. 4 (2002): 359–73. http://dx.doi.org/10.1017/s1351324902003029.

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This paper explores the role of domain information in word sense disambiguation. The underlying hypothesis is that domain labels, such as MEDICINE, ARCHITECTURE and SPORT, provide a useful way to establish semantic relations among word senses, which can be profitably used during the disambiguation process. Results obtained at the SENSEVAL-2 initiative confirm that for a significant subset of words domain information can be used to disambiguate with a very high level of precision.

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Kirk, Trevor. "Materiality, Personhood and Monumentality in Early Neolithic Britain." Cambridge Archaeological Journal 16, no. 3 (2006): 333–47. http://dx.doi.org/10.1017/s0959774306000205.

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Archaeological studies of the material and historical conditions of life have in recent years stimulated discussion of the relationality of people and material culture. Engagement with the material world is one context in which senses of personhood and identity emerge and are transformed. People and materiality are interanimated in the more or less transient events and actions of daily life. Personhood and the material world are loaded with sense and made meaningful through citation and reanimation of cultural values and tradition. This contribution discusses the contingent and possibly transi

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Erzen, Jale. "Buildings speak to us." SAJ - Serbian Architectural Journal 11, no. 2 (2019): 227–34. http://dx.doi.org/10.5937/saj1902227e.

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Starting with a critical view of the general architectural and urban structures of today my paper will present buildings comparable to the body, thus their expression and the meanings they invoke will be presented as a language of form that affect the behavior and psychology of urban residents. Referring to the architectural criticisms of George Bataille, it is argued that the physicality of buildings are valuable insofar as they transcend materiality and lead to symbols and spirituality. Buildings are viewed as presenting different characteristics and attitudes depending on their form. Archit

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Mohamed, Essam Metwally. "The Relationship Between Interior Architecture and Music." Modern Applied Science 12, no. 10 (2018): 86. http://dx.doi.org/10.5539/mas.v12n10p86.

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There is no doubt that there is a calculated relationship between architecture and music. If music is the translation of emotion, this emotion has been reflected in the architectural character and the arts of building and shaping its style. And the music of primitive tribes and barbaric peoples represented by the drums of homogeneous repetitions reflected on their buildings and primitive character or their huts identical and compact without compatibility or homogeneity. The rural music of each country, which is characterized by simple melodies and monotonous tones belonging to the living natur

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Malik, Sana, and Farah Jamil. "The Dynamics of the Psychological Approach in Designing Spaces: A Study of Architecture Students." Journal of Art Architecture and Built Environment 2, no. 1 (2019): 47–68. http://dx.doi.org/10.32350/jaabe.21.04.

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The psyche of human mind is best expressed through architecture and the interior design of buildings. No doubt, architecture and psychology are interconnected domains of human experience; while building design is the physical illustration of the creative perception of human psyche. Human interaction with the built environment prompts the senses to perceive and react to it in different logical manners, exemplified through unique spatial expression of every single designer. It has been observed that students as future architects, while tackling with the design projects, put forth their own spati

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Smittenaar, C. R., M. MacSweeney, M. I. Sereno, and D. S. Schwarzkopf. "Does Congenital Deafness Affect the Structural and Functional Architecture of Primary Visual Cortex?" Open Neuroimaging Journal 10, no. 1 (2016): 1–19. http://dx.doi.org/10.2174/1874440001610010001.

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Deafness results in greater reliance on the remaining senses. It is unknown whether the cortical architecture of the intact senses is optimized to compensate for lost input. Here we performed widefield population receptive field (pRF) mapping of primary visual cortex (V1) with functional magnetic resonance imaging (fMRI) in hearing and congenitally deaf participants, all of whom had learnt sign language after the age of 10 years. We found larger pRFs encoding the peripheral visual field of deaf compared to hearing participants. This was likely driven by larger facilitatory center zones of the

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Junjun, ZHANG, HU Xinyi, and ZHANG Hong. "Application and Analysis of Axial Symmetry in Sacred Architecture." Resourceedings 2, no. 3 (2019): 130. http://dx.doi.org/10.21625/resourceedings.v2i3.637.

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The sense of sacredness has an irreplaceable unique meaning for the development of social civilization and personal growth, and the sacred architecture with axisymmetric characteristics is often the catalyst for this experience. Through analysis of architectural cases, from the perspectives of architecture, philosophy, psychology and geometry, using the deductive and contrsasting modes of thinking, this paper analyzes the unique sensed characteristics of the axial symmetry in architecture. The reasons for the sacredness of the buildings and its influencing factors, the in-depth study of the ax

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Heylighen, Ann, Caroline Van Doren, and Peter-Willem Vermeersch. "Enriching Our Understanding of Architecture Through Disability Experience." Open House International 38, no. 1 (2013): 7–19. http://dx.doi.org/10.1108/ohi-01-2013-b0002.

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The relationship between the built environment and the human body is rarely considered explicitly in contemporary architecture. In case architects do take the body into account, they tend to derive mathematical proportions or functional dimensions from it, without explicit attention for the bodily experience of a building. In this article, we analyse the built environment in a way less common in architecture, by attending to how a particular person experiences it. Instead of relating the human body to architecture in a mathematical way, we establish a new relationship between architecture and

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Sánchez-García, Juan Andrés. "LA FENOMENOLOGÍA COMO VISIÓN PARA COMPRENDER EL ESPACIO ARQUITECTÓNICO; UN VÍNCULO A TRAVÉS DE LA PERCEPCIÓN Y LA OBRA DE STEVEN HOLL." DISEÑO ARTE Y ARQUITECTURA, no. 10 (June 10, 2021): 143–66. http://dx.doi.org/10.33324/daya.v1i10.382.

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ResumenEste artículo tiene como objetivo mostrar la evolución del concepto de espacio arquitectónico y su importancia para leer la arquitectura, así como dotar al lector de una manera de entender al propio espacio a través de la fenomenología como un procedimiento que aboga por las emociones y percepciones, ya que permite al habitante experimentar el significado de la arquitectura. La comprensión de la fenomenología en arquitectura es ayudado por la obra de Steven Holl, arquitecto norteamericano que presenta, a través de principios Filosóficos, la manera de entrelazar los fenómenos en la arqui

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Schmitt, Gerhard, Florian Wenz, David Kurmann, and Eric van der Mark. "Toward Virtual Reality in Architecture:Concepts and Scenarios from the Architectural Space Laboratory." Presence: Teleoperators and Virtual Environments 4, no. 3 (1995): 267–85. http://dx.doi.org/10.1162/pres.1995.4.3.267.

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Virtual reality is the logical step that started way back in time with the appearance of the very first architectural drawing. This has been a long history of development: architectural drawings in Europe, which date back to the tenth century, were the first kind of abstraction that appeared “virtually real” to potential clients and builders—real enough to base decisions on. With the discovery of perspective techniques, drawings became more refined and developed into a form of art with numerous branches, ranging from technical drawings to presentation drawings. Wooden models appeared even befo

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Thapa, Rena. "Rhythm in Architecture: an Aesthetic Appeal." Journal of the Institute of Engineering 13, no. 1 (2018): 206–14. http://dx.doi.org/10.3126/jie.v13i1.20368.

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It is a discourse that exhibits the presence of rhythm in visual art, especially the architecture that holds strong aesthetic appeal. In this paper, the introduction part focuses on how rhythm generally reinforces aesthetic experiences in human sensory. Rhythm in architecture means recurrence of elements such as lines, shapes, forms or colors resulting on organized movement in space and time. I have taken the best analogy and examples of rhythm present in nature which has been formulated by scientist as Fibonacci number. I have tried to show architectures incorporating rhythm in different epoc

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Half, Daphna E. "A new materiality in praise of the ordinary, in Palestine-Israel c. 1940–66." Architectural Research Quarterly 23, no. 1 (2019): 47–62. http://dx.doi.org/10.1017/s1359135518000702.

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This article examines the emergence of a new materiality in Israeli architecture in the 1950s. I refer here to two distinct but interrelated senses of the word materiality. The first is predicated on the socioeconomic and geopolitical conditions in which architecture, like all fields of artistic production, takes shape; the second reflects the use, handling, and finishing of materials in construction. I show how several key figures in architectural circles in the recently founded State of Israel expressed this new materiality by developing a new style, characterised by restrained formal gestur

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Praptidita Suratman, Pia, and Denny. "Value-Based Architectural Conservation Practice as an Alternative Solution to Sustainability Problems." Applied Mechanics and Materials 747 (March 2015): 80–83. http://dx.doi.org/10.4028/www.scientific.net/amm.747.80.

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Sustainability has become a fundamental requirement in every aspect of architecture nowadays and heavily considered to be one of the criteria to determine whether a building is “good” or not. In essence, sustainable architecture aims to minimize the negative impact of buildings on the environment by emphasizing on efficiency and moderation in energy use. Sustainability is often associated with high end technology and inventions, from simple technology until various complex mechanisms and systems, but there are still many alternative ways to achieve sustainability in many senses. This paper tak

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Chen, Hongjun. "Research of Virtools Virtual Reality Technology to Landscape Designing." Open Construction and Building Technology Journal 9, no. 1 (2015): 164–69. http://dx.doi.org/10.2174/1874836801509010164.

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The technology of virtual reality is an advanced computer user interface technology, which provides users with a variety of intuitive and natural real-time senses and interactive means in the aspects of vision, touch, taste,etc, thus realizing the most convenient user-computer interaction without any complicated keyboard operation and improving the efficiency of the whole system. virtual reality is basically characterized by immersion,interaction and imagination. The designer and the user can get the comprehensive result of survey and design when the virtual reality technology is applied. The

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ÖZKAN ÜSTÜN, Gizem, and Pınar DİNÇ KALAYCI. "‘TRANS-’ APPROACH TO ARCHITECTURE AND MUSIC INTERACTION: THE RELATIONSHIP BETWEEN MARCOS NOVAK’S LIQUID ARCHITECTURE AND MUSIC." INTERNATIONAL REFEREED JOURNAL OF DESIGN AND ARCHITECTURE, no. 21 (2020): 0. http://dx.doi.org/10.17365/tmd.2020.21.3.

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Aim: The aim of this research is to identify the Novak’s relationship of ‘liquid architecture and music’ as an approach that diverges from the architecture music relationships that have been built throughout the historical process. Method: In describing the approach, initially, the intellectual and critical foundations and features of liquid architecture were emphasized, and subsequently, its relationship with music was discussed through case studies in comparison to the current relationship between architecture and music. Results: When the current relationships of the architecture and music a

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Al-Khafaji, Ahmed S., Nadia A. Al-Salam, and Tuqa R. Alrobaee. "The Cognition Role to Understanding Planning and Architectural Production." Civil Engineering Journal 7, no. 7 (2021): 1125–35. http://dx.doi.org/10.28991/cej-2021-03091715.

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This paper focuses on the concept of cognition and its clarification in the light of Islamic epistemology. Knowledge passes through two essential parts: conception and assent. Conception explains simple knowledge, while assent explains knowledge involving a judgment. The paper proceeded with the identification of the problem of relationship blurring between cognition and knowledge. The external and inner senses have explained the relationship between the stages of knowledge and cognition. The external senses receive stimuli and form primary conceptions. These conceptions transfer to the first

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Kavas, Kemal Reha. "Environmental representation: Bridging the drawings and historiography of Mediterranean vernacular architecture." Journal of Human Sciences 14, no. 4 (2017): 3472. http://dx.doi.org/10.14687/jhs.v14i4.4758.

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Architectural drawings, which are projections of spaces on a paper surface, can be categorized according to the projections’ directional and temporal relation with the represented space. A projection becomes a documentation when it departs from an existing spatial organization for recording it on paper. The projection serves the design process when it departs from the present to foresee a spatial proposal in the future. While the former records the present within limited interpretive range, the latter is more constructive. While these two types of projections are known widely, there is another

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Spence, Charles, Marianna Obrist, Carlos Velasco, and Nimesha Ranasinghe. "Digitizing the chemical senses: Possibilities & pitfalls." International Journal of Human-Computer Studies 107 (November 2017): 62–74. http://dx.doi.org/10.1016/j.ijhcs.2017.06.003.

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Hafertepe, Kenneth. "An Inquiry into Thomas Jefferson's Ideas of Beauty." Journal of the Society of Architectural Historians 59, no. 2 (2000): 216–31. http://dx.doi.org/10.2307/991591.

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A careful reading of eighteenth-century aesthetics provides a view of Thomas Jefferson's thinking about art and architecture quite different from the existing scholarly paradigm. Jefferson owned, read, and quoted Enlightenment philosophy and criticism, most notably that of Henry Home, known as Lord Kames. Far from privileging reason over emotion, these philosophers held that all people are created with innate senses of beauty and morality, as well as a rational faculty. Because of the sense of beauty, certain qualities in objects can inspire the idea of beauty in the mind; other ideas of beaut

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Abbas, Mohamed Abdelhamid. "An Early Robot Architecture for Cancer Healing." International Journal of Computational Models and Algorithms in Medicine 2, no. 4 (2011): 57–71. http://dx.doi.org/10.4018/jcmam.2011100103.

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Treating cancer tumors is a main goal of cancer research. The author of this paper identify a new manner to treat cancer tumors more effectively using a recommended architecture of a nanorobot called CANBOT. It contains a number of nano-components: an actuator, temperature sensor, chemical sensor, and microcontroller. CANBOT starts its role by moving toward the tumor cells using the actuator. It senses the tumor cell by capturing its image and sensing its chemicals by the chemical sensor. When CANBOT distinguishes the tumor, it verifies the survival of the tumor cells by its temperature sensor

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Susanto, Dalhar, Tria Amalia Ningsih, and Diniputi Angelia. "Discovering the Potential of Organic Material in Architecture." E3S Web of Conferences 67 (2018): 04022. http://dx.doi.org/10.1051/e3sconf/20186704022.

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Indonesia is abundant with natural resources in the form of organic materials from the earth and floral ecosystem. Based on natural resources, Indonesia’s buildings are built using the organic materials from their surrounding area, such as woods, palm trees, bamboos and rattans that can be used as architectural elements. The organic material reflects the architectural development in Indonesia, starting with a single raw material via the joining of different building parts up to the finished building. It also visualizes the identity which will be presented with local wisdom from the knowledge a

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Werner, Maike, Nicholas A. Kurniawan, and Carlijn V. C. Bouten. "Cellular Geometry Sensing at Different Length Scales and its Implications for Scaffold Design." Materials 13, no. 4 (2020): 963. http://dx.doi.org/10.3390/ma13040963.

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Geometrical cues provided by the intrinsic architecture of tissues and implanted biomaterials have a high relevance in controlling cellular behavior. Knowledge of how cells sense and subsequently respond to complex geometrical cues of various sizes and origins is needed to understand the role of the architecture of the extracellular environment as a cell-instructive parameter. This is of particular interest in the field of tissue engineering, where the success of scaffold-guided tissue regeneration largely depends on the formation of new tissue in a native-like organization in order to ensure

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Zerari, Naima, Samir Abdelhamid, Hassen Bouzgou, and Christian Raymond. "Bidirectional deep architecture for Arabic speech recognition." Open Computer Science 9, no. 1 (2019): 92–102. http://dx.doi.org/10.1515/comp-2019-0004.

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AbstractNowadays, the real life constraints necessitates controlling modern machines using human intervention by means of sensorial organs. The voice is one of the human senses that can control/monitor modern interfaces. In this context, Automatic Speech Recognition is principally used to convert natural voice into computer text as well as to perform an action based on the instructions given by the human. In this paper, we propose a general framework for Arabic speech recognition that uses Long Short-Term Memory (LSTM) and Neural Network (Multi-Layer Perceptron: MLP) classifier to cope with th

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Tamari, Tomoko. "The Phenomenology of Architecture." Body & Society 23, no. 1 (2016): 91–95. http://dx.doi.org/10.1177/1357034x16676540.

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This piece focuses on the work of Juhani Pallasmaa who introduces phenomenological aspects of kinesthetic and multisensory perception of the human body into architecture theory. He argues that hand-drawing is a vital spatial and haptic exercise in facilitating architectural design. Through this process, architecture can emerge as the very ‘material’ existence of human embodied ‘immaterial’ emotion, feelings and wisdom. Hence, for Pallasmaa, architecture can be seen as an artistic practice, which entails multisensory and embodied thought in order to establish the sense of being in the world.

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Liapi, Marianthi, Despoina Linaraki, and Georgia Voradaki. "Sensponsive architecture as a tool to stimulate the senses and alleviate the psychological disorders of an individual." Cognitive Processing 13, S1 (2012): 233–37. http://dx.doi.org/10.1007/s10339-012-0454-z.

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Machado e Moura, Carlos. "Luiz Cunha, “international but brief” [and pop!]." Joelho Revista de Cultura Arquitectonica, no. 10 (December 22, 2019): 41–63. http://dx.doi.org/10.14195/1647-8681_10_3.

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Luiz Cunha (1933-2019) is recognised for his singular and eclectic architecture, which stands out in the Portuguese context, as well as for his production as a highly skilled draughtsman and a passionate painter. His extensive body of work has received a certain attention and research and his production is read as part of a movement for the renovation of religious architecture, as an individual creative expression, or as part of a fantasist trend towards postmodern Portuguese architecture. Lesser attention, however, was devoted to his writings, drawings, unbuilt projects and unbuildable paper

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Hahn, Robert. "Architectural Technologies and the Origins of Greek Philosophy." Revista Archai, no. 29 (March 31, 2020): e02903. http://dx.doi.org/10.14195/1984-249x_29_3.

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In this essay on ancient architectural technologies, I propose to challenge the largely conventional idea of the transcendent origins of philosophy, that philosophy dawned only when the mind turned inside, away from the world grasped by the body and senses. By focusing on one premier episode in the history of western thinking – the emergence of Greek philosophical thought in the cosmic architecture of Anaximander of Miletus – I am arguing that the abstract, speculative, rationalising thinking characteristic of philosophy, is indeed rooted in practical activities, and emerges by means of them r

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Delitz, Heike. "Architectural Modes of Collective Existence: Architectural Sociology as a Comparative Social Theory." Cultural Sociology 12, no. 1 (2017): 37–57. http://dx.doi.org/10.1177/1749975517718435.

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This article proposes a cross-cultural, comparative architectural sociology as a means of sociological analysis. It also emphasizes the social positivity of architecture. After a short overview of architectural sociology and its history, the article outlines a sociological theory which sees architecture and related practices as a constitutive ‘mode of collective existence’. The article argues that architecture (in a broad sense) is not a mere ‘reflection’ or ‘mirror’ of society, but rather a constitutive and transformative medium of the imaginary institution of society (Castoriadis), its assem

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Kemp, Joanna, and Joanna Kemp. "Movement, the Senses and Representations of the Roman World: Experiencing the Sebasteion in Aphrodisias." Exchanges: The Interdisciplinary Research Journal 3, no. 2 (2016): 157–84. http://dx.doi.org/10.31273/eirj.v3i2.132.

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This article examines the Sebasteion – a complex for emperor-worship built in the first century AD - in Aphrodisias, modern Turkey, and studies its political and ideological messages when the sensory experiences of the spectators are considered. The monument contained geographical representations of the peoples of the Roman world placed above a portico. Previous studies of this monument focus upon close and repeated visual study to gain an idea of a powerful empire, but this is not how the contemporary audience would have experienced it. During a religious procession the spectators were moving

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Kannan, Aaditiya Venkat. "Hardware and Software Architecture of Wireless Sensor Networks." Journal of Advances in Computer Networks 2, no. 3 (2014): 207–10. http://dx.doi.org/10.7763/jacn.2014.v2.113.

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Bird-David, Nurit. "Indigenous Architecture and Relational Senses of Personhood: A Cultural Reading of Changing Dwelling Styles among Forest-Dwelling Foragers." Design Principles and Practices: An International Journal—Annual Review 3, no. 5 (2009): 203–10. http://dx.doi.org/10.18848/1833-1874/cgp/v03i05/37750.

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Balvočienė, Vaiva, and Kęstutis Zaleckis. "Cultural Urban Catalysts as Meaning of the City." Architecture and Urban Planning 17, no. 1 (2021): 16–28. http://dx.doi.org/10.2478/aup-2021-0002.

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Abstract City is a network with clear organization and architecture. It also has permanent connections. Human senses, perception and cognition are the base points while understanding these connections. Hypothesis of this article proposes that concentration of creativity potential in strategically placed junctions (cultural nodes) would catalyse people flow between them naturally. Three main features of the cultural node are distinguished, and possible identification methodology is being proposed. This strategy leads to more extensive methodology research and appliance analysing city structure.

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Pasolini, Gianni, Anna Guerra, Francesco Guidi, Nicolò Decarli, and Davide Dardari. "Crowd-Based Cognitive Perception of the Physical World: Towards the Internet of Senses." Sensors 20, no. 9 (2020): 2437. http://dx.doi.org/10.3390/s20092437.

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This paper introduces a possible architecture and discusses the research directions for the realization of the Cognitive Perceptual Internet (CPI), which is enabled by the convergence of wired and wireless communications, traditional sensor networks, mobile crowd-sensing, and machine learning techniques. The CPI concept stems from the fact that mobile devices, such as smartphones and wearables, are becoming an outstanding mean for zero-effort world-sensing and digitalization thanks to their pervasive diffusion and the increasing number of embedded sensors. Data collected by such devices provid

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