Academic literature on the topic 'Architecture and the war'

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Journal articles on the topic "Architecture and the war"

1

martin, reinhold. "Architecture at war." Angelaki 9, no. 2 (2004): 217–25. http://dx.doi.org/10.1080/0969725042000272843.

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Stenslie, Stahl, and Magne Wiggen. "Preemptive Architecture: Explosive Art and Future Architectures in Cursed Urban Zones." AM Journal of Art and Media Studies, no. 12 (April 15, 2017): 29. http://dx.doi.org/10.25038/am.v0i12.165.

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This article describes the art and architectural research project Preemptive Architecture that uses artistic strategies and approaches to create bomb-ready architectural structures that act as instruments for the undoing of violence in war. Increasing environmental usability through destruction represents an inverse strategy that reverses common thinking patterns about warfare, art and architecture. Building structures predestined for a construc­tive destruction becomes a creative act. One of the main motivations behind this paper is to challenge and expand the material thinking as well as the
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3

Colomina, Beatriz. "War on Architecture: E.1027." Assemblage, no. 20 (April 1993): 28. http://dx.doi.org/10.2307/3181684.

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Lozanovska, Mirjana, Vladimir Kulić, Alicja Gzowska, et al. "Forum: Cold War Architecture Historiography." Fabrications 31, no. 2 (2021): 279–94. http://dx.doi.org/10.1080/10331867.2021.1938816.

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5

Anderson, Richard. "USA/USSR: Architecture and War." Grey Room 34 (January 2009): 80–103. http://dx.doi.org/10.1162/grey.2009.1.34.80.

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Cho, Hyunjung, and Chunghoon Shin. "Metabolism and Cold War architecture." Journal of Architecture 19, no. 5 (2014): 623–44. http://dx.doi.org/10.1080/13602365.2014.965186.

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7

Niroumand, Hamed, M. F. M. Zain, and Maslina Jamil. "Modern Architecture in the 21st Century." Advanced Materials Research 457-458 (January 2012): 403–6. http://dx.doi.org/10.4028/www.scientific.net/amr.457-458.403.

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This paper presents the modern architecture in the current century. Modern architecture is a new architectural style that emerged in many countries in the decade after World War I. It was based on the “rational” use of modern materials, the principles of functionalist planning, and the rejection of historical precedent and ornament. Modern architecture was adopted by many influential architects and an architectural educator, gained popularity after the Second World War, and continues as a dominant architectural style for institutional and corporate buildings in the 21st century. According to t
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Slepukhin, Victor V. "Soviet Architecture of the 1930-1950s." Scientific and analytical journal Burganov House. The space of culture 18, no. 1 (2022): 37–52. http://dx.doi.org/10.36340/2071-6818-2022-18-1-37-52.

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The article is devoted to the Stalinist Empire style, a unique phenomenon in the architecture of the Soviet period. The author defines its place among such architectural styles and movements as Art Nouveau, Rationalism and Constructivism, as well as among foreign architectural movements of the middle of the 20th century. In aesthetic essence, the Stalinist Empire style was closely associated with Imperial Classicism. It was called upon to perform the functions of glorifying the power of the new young state. Stylistically, it inherited the Baroque, Napoleonic Empire style, late Classicism, Art
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Holland, Jessica, and Iain Jackson. "A Monument to Humanism: Pilkington Brothers’ Headquarters (1955–65) by Fry, Drew and Partners." Architectural History 56 (2013): 343–86. http://dx.doi.org/10.1017/s0066622x00002537.

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The architect Maxwell Fry (1899–1987) is widely recognized as one of the key protagonists in the development of Modernist architecture in Britain. Discussion of this role perhaps inevitably tends to focus on Fry's early involvement in the Modern Architectural Research (MARS) Group and his inter-war work, particularly his prestigious partnership with the Bauhaus-founder Walter Gropius. Post-war, emphasis shifts to Fry's advancement of ‘Tropical Architecture’ in former British colonies with his wife and partner, the architect Jane Drew (1911–96). Despite a string of important commissions on home
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Linda, Svitlana. "Lviv school of architecture representatives in the inter-war period and their significance for architectural education at the silesian university of technology after 1945." BUILDER 304, no. 11 (2022): 26–34. http://dx.doi.org/10.5604/01.3001.0016.0573.

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The article is devoted to the specifics of the functioning of the Lviv School of Architecture in the interwar period, as well as the activities of professors-architects of the Lviv Polytechnic who continued their work at the Faculty of Architecture of the Silesian University of Technology after the Second World War. Their creative works up to 1945 are shown, as well as their significance for the development of architectural education and the post-war reconstruction of Poland.
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