Relevant bibliographies by topics / Architecture Architecture Symbolisme en architecture

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Architecture Architecture Symbolisme en architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Architecture Architecture Symbolisme en architecture.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Architecture Architecture Symbolisme en architecture"

1

Oržikauskas, Gytis. "ST. PETER AND ST. PAUL’S CHURCH IN VILNIUS: A STUDY IN META-CODAL SYMBOLISM OF CHRISTIAN ARCHITECTURE." JOURNAL OF ARCHITECTURE AND URBANISM 38, no. 4 (December 23, 2014): 234–46. http://dx.doi.org/10.3846/20297955.2014.994809.

Full text
Abstract:
The paper examines Christian architecture from the perspective of “meta-codal function”, i.e. through examination of architectural symbolism expressed solely by architectural means. Emphasizing symbolic and semantic content of architecture, the paper offers a broader research field of architectural artistry by using a wider iconographic comparison. As a representative of baroque architecture and the most prominent example of architectural symbolism, St. Peter and St. Paul’s Church in Vilnius (1668–1702) has been selected for the research. The iconographic programme of this church is compared to most distinct iconographic themes identified through the analysis of some examples of historic Christian architecture. By this method, the research detaches from the usual stylistic analysis and poses the most basic question in architectural artistry: is architecture capable of expressing the independent artistic content which can translate more than architecture’s general appearance.
APA, Harvard, Vancouver, ISO, and other styles
2

Salura, Purnama, Stephanie Clarissa, and Reginaldo Christophori Lake. "Reflecting the Spirit of Modern-Indonesia Through Architecture: The Icono-Symbolical Meanings of Jengki Architectural Style Case Studies: Bandung Polytechnic of Health Building and Bumi Sangkuriang Meeting Hall in Bandung, West Java, Indonesia." Journal of Design and Built Environment 20, no. 2 (August 31, 2020): 13–26. http://dx.doi.org/10.22452/jdbe.vol20no2.2.

Full text
Abstract:
The architectural discourse in Indonesia generally focuses on traditional architecture that represents specific regional icons, the synthesis of traditional architecture with European-style architecture, and modern architecture inspired by International Style. This research focuses on the architectural style in Indonesia which flourished in the 1950s, known as the Jengki architectural style. This architectural style is essential in the history of Indonesian architecture, considering that the style reflects the spirit of nationalism and post-colonial Indonesian. This research aims to explore the icons of Jengki architecture, by elucidating the architectural concepts that underlie the two oldest Jengki buildings in Bandung, West Java. The analysis showed that the characteristics of this architectural style shown by the configuration of architectural elements resembling the form of a pentagon, mostly asymmetrical in spatial layout, playful articulation of ornaments, and the use of local materials. The pentagon becomes an icon of Pancasila, which is a foundational principle of the new Indonesian state and symbolize the meaning of nationalism. Thus, the icon which also represents symbolic meaning becomes an essential aspect in the design of Jengki-style buildings in the future. This icon can be an alternative to be applied to modern buildings that are intended to display national icons, rather than particular regional icons. Besides enriching the architectural knowledge of Indonesian architecture, the results of this study are beneficial to architectural practitioners, stakeholders, and architectural conservationists as well
APA, Harvard, Vancouver, ISO, and other styles
3

Buivydas, Rimantas, and Jūratė Jurevičienė. "TOWARDS CLASSIFICATION OF SACRAL ARCHITECTURE." JOURNAL OF ARCHITECTURE AND URBANISM 30, no. 3 (September 30, 2006): 105–10. http://dx.doi.org/10.3846/13921630.2006.10697071.

Full text
Abstract:
The paper presents the method of scientific investigation of sacral architecture in the frontier region of Lithuania with Byelorussia and Poland. It also reveals the achieved results and highlights guidelines for future research. The investigation was supported by Lithuanian Science and Studies Foundation and completed in 2005. The paper describes the established criteria of architectural evaluation and prepared digital database of the main sacral structures. The present work covers the analysed features: the interaction of confessional building traditions, the influence of professional architecture on local architecture, the peculiarities of territorial dispersion of sacral buildings. Architectural and material composition, interaction of buildings with their environment and other sacral structures, symbolism and authenticity of 106 objects were investigated. The results of the investigation could be applied in recording of cultural properties and preparing of cultural heritage preservation projects.
APA, Harvard, Vancouver, ISO, and other styles
4

Kowal, Katarzyna. "The Borobudur temple: the Buddhist architecture in Indonesia." Budownictwo i Architektura 18, no. 2 (November 18, 2019): 005–19. http://dx.doi.org/10.35784/bud-arch.550.

Full text
Abstract:
The article presents the current state of knowledge about the Borobudur temple, a valuable representative of Buddhist architecture, located in Java, Indonesia. The author presents the genesis of the temple, the facts concerning its rediscovery after centuries of oblivion, and Buddhist cosmology embodied in the form of a three-dimensional mandala on which the architectural form of Borobudur is based. The author studies Buddhist symbolism of the architectural form, reliefs and sculptures created on the basis of regional patterns and local Javanese culture of everyday life. This temple is one of the most perfect examples of translation of Buddhist cosmology and symbolism into an architectural form. At the same time, it constitutes an intercultural and timeless masterpiece of architecture and sculpture which requires particular protection, also due to the influence it exerts on the life of local Buddhist religious minorities.
APA, Harvard, Vancouver, ISO, and other styles
5

Castilla, Manuel V. "Influencia del Humanismo en la arquitectura de los Jesuitas: Iglesia de San Luis de los Franceses de Sevilla." Liño 23, no. 23 (June 30, 2017): 21. http://dx.doi.org/10.17811/li.23.2017.21-29.

Full text
Abstract:
RESUMEN:El análisis de la relación directa de los términos “estilo jesuítico” y “noster modus” con las teorías arquitectónicas del Humanismo como aglutinante de la llamada arquitectura de los jesuitas es una parte fundamental del trabajo. A partir de esta hipótesis, hemos utilizado la tipología de San Luis de los Franceses, (Sevilla), como ejemplo característico de la funcionalidad, ornato y lenguaje decorativo de la arquitectura jesuítica. Considerada como de las arquitecturas más notables de la Compañía de Jesús, es destacable su planta centrada en forma de cruz griega inscrita en un rectángulo, poco conocida en Sevilla. El diseño de la arquitectura basado en sus propias reglas constructivas ha sido un hito de la historia de arquitectura occidental. Esta forma de proceder respetaba el pensamiento humanista en el que la casa de Dios debía simbolizar la perfección, armonía, belleza e integridad del Creador.PALABRAS CLAVE:Humanismo; Arquitectura jesuítica; Barroco; Perspectiva Lineal; Noster modus.ABSTRACTThe analysis of the direct relationship of the terms “jesuit style” and “noster modus” (our way of proceeding), with the architectural theories of Humanism as a binder of what it is called Jesuit Architecture, it is also a fundamental part of this work. From this hypothesis, we used the typology of St. Louis of the French in Seville, as an example of ornamental and decorative language of Jesuit architecture. This church is considered one of the most remarkable architectures of the Society of Jesus. It is noteworthy its centered floor plan in the shape of a Greek cross inscribed in a rectangle. This is plan is little known in Sevillian Architecture. The design of the architecture based on Jesuitical construction rules has been a milestone in Western architectural history. This way of proceeding respected humanist thinking, in which the household of God was supposed to symbolize perfection, harmony, beauty and integrity of Creator.KEYWORDS:Humanism; Jesuit Architecture; Baroque; Linear Perspective; Noster modus.
APA, Harvard, Vancouver, ISO, and other styles
6

El Husseiny, Aly Mohamed, and Ahmed Aly El Husseiny. "Humanizing Architecture in a Materialistic World Using Symbols and Morals." Asian Journal of Behavioural Studies 3, no. 9 (January 5, 2018): 111. http://dx.doi.org/10.21834/ajbes.v3i9.66.

Full text
Abstract:
Architectural schools of design overwhelmingly adapt to cultural backgrounds of societies they target. This paper distinguishes between ideologies that generated Western, contemporary architecture, and on the other hand, the values of traditional Arab communities. The paper aims at parrying architectural plastic formations that are irrelevant to the local Arab discourse. The paper rediscovers a value oriented architecture that is capable of moving spiritual feelings towards the built environment, even if its formalistic and visual attractiveness is controversial. The paper demonstrates examples of what can be called “sincere” architecture rather than stunning and sight-startling products that apparently or superficially hold value.Keywords: Human architecture; spiritual architecture; symbolism; social building; experiencing architectureeISSN 2398-4295 © 2018. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.
APA, Harvard, Vancouver, ISO, and other styles
7

Mačiulis, Algimantas M. "IRACIONALUMO APRAIŠKOS XX A. UŽSIENIO IR LIETUVOS ARCHITEKTŪROJE." JOURNAL OF ARCHITECTURE AND URBANISM 34, no. 3 (September 30, 2010): 151–60. http://dx.doi.org/10.3846/tpa.2010.15.

Full text
Abstract:
The paper analyses irrationality as an expression of modern architecture, overviews the concept of irrational architecture. Various art and philosophical trends, that influenced the development of architecture in the 20th century, are analysed. Influences of global and Lithuanian analogues of irrational architecture on the development of architectural styles are presented. Since the concept of irrational architecture hasn’t been widely analysed, the paper suggests several approaches of analysis of irrational forms in architecture. The author arrives at the following conclusions: – Irrationality is an opposite expression of rationality, pragmatism, posityvism, technicist morphology. It’s based on deconstruction, indetermination, roughness, dramatic expression, etc. – The effect of irrationality can be obtained by two ways: using decorations, ornaments, polichromy, and using deformations of forms and constructions. – Irrational trends in architecture are caused by several factors. Philosophical trends such as reliatyvism, irrationalism, intuityvism, psychoanalysis, deconstructyvism, and art trends such as cubism, symbolism, expressionism, art deco, surrealism, etc. – Irrational trends in global and Lithuanian architecture of the 20th century can be noticed in art nouveau, art deco, organic, late modern, postmodern, deconstructyvist architectural styles. Santrauka Straipsnyje analizuojamas iracionalumas kaip šiuolaikinės architektūros meninės išraiškos forma, aptariama iracionalumo sąvoka architektūros mene. Taip pat charakterizuojamos sociokultūrinės prielaidos, filosofinės, meno srovės, dariusios įtaką iracionalumo požymiams architektūroje. Nagrinėjami pasauliniai ir Lietuvos iracionaliosios architektūros analogai, apžvelgiamos iracionalumo apraiškos stilistinėje architektūros raidoje.
APA, Harvard, Vancouver, ISO, and other styles
8

Yussupova, Akmaral Ardasher, Liu Songfu, Ardasher Namazbay, Farzad Pour Rahimian, and Ahad Nejad Ebrahim. "ORNAMENTAL ART AND SYMBOLISM: ACTIVATORS OF HISTORICAL REGENERATION FOR KAZAKHSTAN’S LANDSCAPE ARCHITECTURE." International Journal of Architectural Research: ArchNet-IJAR 11, no. 3 (November 22, 2017): 193. http://dx.doi.org/10.26687/archnet-ijar.v11i3.1358.

Full text
Abstract:
The use of symbolism in contemporary architecture is increasingly gaining momentum, especially so in the Eastern countries currently undergoing rapid economic development. Sociologically, this phenomenon can be related to a desire to manifest a vast wealth of national art and respond to the globalisation and unification of world culture. Taking this tendency as a prompt, this study explores different ways of implementing symbolic ornaments in landscape architecture. Traditionally architecture has been defined through and judged against culturally acceptable criteria that set the norm for appropriate form and expression. Yet, technical advances have altered this process and contributed to a certain level of oblivion of traditional architectural form. Thus, the meaning of many Kazakh ornaments has been lost through time. On one hand, this paper collects historical information on the semiotics of Kazakh ornaments and on the other hand, it conducts field studies focusing on the cultural tradition of the native people in Eurasia. The study introduces the use of symbolism in landscape architecture as an aspiration for luck and prosperity which then dictates the quality of the landscape compositions. The findings show that the use of symbolic ornamentation in architecture is not bound to specific geographic areas but rather motivated by broader underlying principles. Through analytical exploration of different cultures and their use of symbols in architecture, this study identifies four main categories of architectural symbolism relating to floral, zoomorphic, geometric and cosmogonic patterns. Each nation then recognises its own identity in the semiotics of those patterns and incorporates them in the urban realm as part of its cultural legacy.
APA, Harvard, Vancouver, ISO, and other styles
9

Permilovskaya, Anna B. "Mythology of the russian orthodoxy and wooden church architecture." Yaroslavl Pedagogical Bulletin 2, no. 119 (2021): 151–58. http://dx.doi.org/10.20323/1813-145x-2021-2-119-151-158.

Full text
Abstract:
This research topic is the initial stage of new work. The influence of the mythopoetic worldview of Russians and Orthodoxy on the architectural structure and symbolism in the concept of wooden temple building in the northern and arctic territories is considered an integrative scientific field in the article. This is founding a confirmation in the organization of the cultural and sacred landscape, in historical traditions and legends about the choosing of a place for the building of a temple (chapel). As well as the special status of «sacred» and «roadside» groves of trees, the selection of these trees for construction in a sacred meaning and using of individual parts of these temples as a community center and place for ancient rituals. The lexis, connected with the folk architecture, indicates the anthropomorphic nature of the architectural space of the temple. The construction, as it were, is assembled from «large», qualitatively significant components of the human body: head, neck, face, eyes, kokoshnik, forehead, rib, human bust, etc. This tradition is preserved and strengthened by the circumstance that since ancient times, the proportions of the human body acted as a tectonic (building) model of the entire architectural structure. The research substantiates an algorithm for the interactionof the mythopoetic worldview and the Orthodoxy on the architectural structure, and the significance of church architecture. The temple occupied a central place in the sacred space of the northern peasant world. The conducted research made it possible to convincingly prove that wooden churches are a symbolic heritage of the Russian North and the Arctic. The pinnacle of the development of wooden architecture, embodied in the northern temple architecture, was a natural result of ancient Russian architectural – constructional traditions and a reflection of the talent of the Russian people, which allows us to translate the concept of «Russian carpenter» into the category of «Russian architect».
APA, Harvard, Vancouver, ISO, and other styles
10

Irwin, John, and Ananda Kentish Coomaraswamy. "Symbolism of Indian Architecture." Journal of the American Oriental Society 105, no. 1 (January 1985): 177. http://dx.doi.org/10.2307/601572.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Architecture Architecture Symbolisme en architecture"

1

Caillou, Jean-Sylvain. "Les tombeaux royaux de Judée : historiographie, symbolisme et architecture." Paris 4, 2004. http://www.theses.fr/2004PA040008.

Full text
Abstract:
Cette thèse cherche à expliquer les difficultés spécifiques que pose la localisation des tombeaux royaux de Judée. Elle se consacre tout d'abord à David, Salomon et aux rois de Juda, en passant en revue les nombreux emplacements qui ont été propsés depuis la destruction complète des tombeaux de l'époque romaine. La tradition se fixa notamment à Bethléem à la période byzantine, puis sur le mont de Sion à la période médiévale, au tombeau des rois à la période moderne et enfin sur l'Ophel depuis la fin du XIXe siècle. Ce grand nombre de changements s'explique par l'ambiguité des textes bibliques qui servaient de référence, c'est pourquoi un nouvel examen critique des sources antiques est entrepris pour établir la véritable signification que les auteurs anciens accordaient à la mort et aux tombeaux des premiers rois de Judée. Puis une seconde partie est consacrée aux tombeaux des rois asmonéens et hérodiens. Elle débute par l'analyse de la grande architecture funéraire gréco-romaine pour remplacer celle des derniers rois de Judée dans le contexte général de l'époque. Ensuite elle s'attache à étudier la mort et les tombeaux des Asmonéens en commençant par le monument des maccabées à Modin. Enfin elle aborde la mort d'Hérode et son enterrement à l'Hérodion ainsi que le monument qu'il fit construire à Jérusalem. Au terme il apparaît que les tombeaux royaux de Judée ont toujours revêtu un sens allégorique trés fort qui leur confère une signification bien différente de ce que l'on croit généralement
This thesis deal with the tombs of David, Salomon, the kings of Juda, the Asmonean and the Herodian kings. It's starting with the history of the several localisations of the supposed tombs of the judean kings of the first temple period, and then with a new analysis and commentary of biblical indications. In a second part, the judean kings of the second temple period are studied in the context of the tombs of the kings in the classical Antiquity, before focus on the Asmonean's and Herodian's tombs, especially the Maccabean monument, the Herodion and the monument of Herod in Jerusalem. Finally, the study show that the tombs of the kings always had a strong symbolism in literature and architecture, and this symbolism can explain a lot more that it usually believed
APA, Harvard, Vancouver, ISO, and other styles
2

Kauhsen, Bruno. "Omphalos : zum Mittelpunktsgedanken in Architektur und Städtebau, dargestellt an ausgewählten Beispielen /." München : Scaneg, 1990. http://catalogue.bnf.fr/ark:/12148/cb355457466.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Raynaud, Dominique. "L'imagination architecturale." Grenoble 2, 1990. http://www.theses.fr/1990GRE29027.

Full text
Abstract:
Cette thèse a pour contexte scientifique : l'architecturologie (P. Boudon, sur l'espace architectural, 1971) et l'anthropologie (G. Durand, les structures anthropologiques de l'imaginaire, 1960). Méthodologiquement, elle suppose une analyse comparée intraculturelle et interculturelle. La seconde, inspire des travaux de G. P. Murdock, a été conduite sur un échantillonnage de 300 items divergents, tant sur le plan géographique qu'historique. L'application de cette méthode a permis de mettre en évidence une série d'isomorphismes (i. E. Réseaux sémantiques) centres sur des schèmes. Une définition extensive du schème (non-substantif et dynamique) a été envisagée du point de vue transdisciplinaire. Les difficultés de construction de l'éthogramme (répertoire comportemental spécifique) ont conduit à une analyse parasynonymique du lexique des actions. Selon cette méthode, l'éthogramme se compose d'une soixantaine de schèmes. Quatre variables descriptives ont été mises à jour : nombre d'actants, distance interactantielle, dimension, symétrie. L'examen détaille des relations entre champs schématique et imaginaire permet de définir l'image comme produit d'une valorisation et d'une actualisation du schème
This thesis is set in the twofold context of architecturology (P. Boudon, sur l'espace architectural, 1971) and anthropology (G. Durand, les structures anthropologiques de l'imaginaire, 1960). From a methodological point of view, it supposes both intracultural and crosscultural analyses. The second one, in the line of G. P. Murdock 's works, was carried out on a sample of 300 items, divergent as much on geographical as on historical levels. This method applying points out a group of isomorphisms (i. E. Semantic networks) centered on schemes. An extensive definition of the scheme (unsubstantive, dynamic) was considered according to a transdisciplinary point of view. The difficulties about an athogram construction have led to a parasynonymic analysis of action verbs. By this way, the ethogram could be defined by some sixty schemes. Then, four descriptive variable were pointed out : the number of actants, interactantial distance, demension, symmetry. The precise survey of the relations between schematic and inagination fiels allows for a definition of the image as the product of valorization and actualization of a scheme
APA, Harvard, Vancouver, ISO, and other styles
4

Tong, Wei. "Le symbolisme dans l'architecture présente en chine, et son futur." Paris 8, 2013. http://www.theses.fr/2013PA083836.

Full text
Abstract:
Donner le symbolisme dans l'architecture semble être un moyen nécessaire lorsque les êtres humains construisent leurs villes. Les Chinois ne font pas exception, au fil des siècles nous voyons une grande variété des symboles architecturaux existant dans les villes chinoises d'aujourd'hui. Quel rôle continueront-ils à jouer à l'avenir alors qu’au 21ème siècle nous sommes dans un contexte d'urbanisation important: les nouvelles constructions ont proliféré comme des champignons après la pluie dans toutes les villes chinoises? Ces nouveaux symboles architecturaux ont été déterminés et sont en construction aujourd'hui mais quel genre d’influence vont-ils produire sur la vie en Chine future ? Cela est notre sujet de recherches. A travers un large éventail d'activités de construction, Pékin continue de renforcer l'influence de la centralisation en Chine, Shanghai se bat pour garder son statut de pionnier de la mode dans le pays. Ce sont les deux exemples que nous déployons. Mais les architectes Paul ANDREU, Etienne TRICAUD, HE Jingtang, CHIU Che Bing, WANG Shu, LIU Jiakun et ZHU Pei proposent une réponse de leur point de vue respectif
To give symbolism in architecture seems to be necessary means when human beings construct their cities. Chinese don’t make an exception to the rule, all along centuries we can see a great variety of architectural symbols just existing in present Chinese cities. Which role will they continue to press in the future while for the 21th Century we are in in an important urban context? New constructions have grown up as mushrooms after the rain in all Chinese cities. These new architectural symbols have been determined and are today in construction but what type of influence will they product on the durable environment and on Life in Chinese future generations? This is our subject of investigations. All among a range of activities in construction, Pekin contributes to renforce the influence of Centralisation in China and Shanghai continues to fight in order to keep his status of pioneer of fashion in the country. These are two examples we are opening out. However the architects Paul ANDREU, Etienne TRICAUD, HE Jingtang, CHIU Che Bing, WANG Shu LIU Jiakun and ZHU Pei suggest an answer on their own point of view
APA, Harvard, Vancouver, ISO, and other styles
5

Reu, Caroline Marie. "Corporate, cirque, commute : an adaptation of situationist theory to contemporary america." Thesis, Georgia Institute of Technology, 1992. http://hdl.handle.net/1853/23450.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Seth, Harpeet. "Iconographic architecture as signs and symbols in Dubai." Thesis, University of Wolverhampton, 2013. http://hdl.handle.net/2436/303485.

Full text
Abstract:
This study seeks to investigate the impact of architectural icons on the cities that they are built in, especially those in Dubai to understand the perceptions and associations of ordinary people with these icons, thus analysing their impact on the quality of life in the city. This is an important study with the advent of ‘iconism’ in architecture that has a growing acceptance and demand, wherein the status of a piece of architecture is predetermined as an icon by the media and not necessarily by the people. There is no denying that the fastest means of appearing on the world map is through icons, which Dubai evidently achieved, and there are many supporters of this phenomenon as a means of progress and development, the bonus being instant fame and status. But the symbolism employed in these icons, specifically for this part of the world, many argue may not be relevant to the people or the region, thus leading to a loss of identity and sense of belonging that is a vital component in the overall sense of pride. This study thus evaluates architecture as a service industry that is not only to satisfy the personal egos of the architects or the clients. It has an important role to leave a mark on the end users and not only on the glossy architectural journals. The study presents views on what really leaves a mark on the people’s memory, addressing the scale, the grandness, the location, the size, the technology and the materials that may or may not contribute to the iconic status of an architectural project from the people’s perspective. Further the study investigates if an icon is one that could be a forced landmark or it is one that people associate with, relate to and one that gives them the sense of belonging and pride, binding them together. The expressive iconic forms with the metaphors emerging, may or may not add to the quality of a place, create places of spaces or it may result in more of form accommodating functions.Thus it is imperative to understand that though today Dubai with its multiple icons that are jewels in the crown of Dubai, reflecting awe and splendor, what does this architecture do for the people and thus in leaving an imprint on the peoples mind collectively. The study analyzes the dimensions that make certain kind of architecture stand out. Some of these dimensions are physical and others are difficult to measure, thus it addresses the tangible and intangible factors that result in the icon and the associated symbolism with it. The relevance and meaning of these symbols will have to stand the test of time to leave an ever-lasting impression on generations to come. The literature review was the first part of the study and the theoretical studies were divided into three pivot areas in this thesis: evolution of architecture as signs and symbols, international iconic architecture and its impact, architecture as identity through symbolism. The study also focusses on Dubai as an emerging iconic city concentrating on the needs of people and impact of these icons on people specifically, further highlighting the issues of legibility, context and identity in Dubai. The empirical study examines this argument about iconic architecture through questionnaires and interviews. A comparison is drawn between different segments of people in the community, one set of samples being those who are closely associated with these icons through the process of decision making or building, the others who have very minimal knowledge and association with these icons. The findings thus indicate both the well-established criteria for awarding an iconic status and also the intangible often ignored aspects in iconic image building. Thus, the study suggests a paradigm that could provide more human based elements in the iconic architecture and the selected symbols in representing these icons. Certain recommendations supporting the perception of people towards icons, their needs and local considerations are further made to make cities more liveable and joyful for the people they are intended for.
APA, Harvard, Vancouver, ISO, and other styles
7

Huysseune, Hélène. "Architecture et symbolisme au Néolithique précéramique : les bâtiments « exceptionnels » du Proche-Orient." Thesis, Sorbonne université, 2020. http://www.theses.fr/2020SORUL003.

Full text
Abstract:
La néolithisation proche-orientale est une longue période qui s’amorce vers 12 000 cal. BC et s’achève vers 7 000 cal. BC. Caractérisée par de profondes mutations, elle marque une étape déterminante dans l’évolution du mode de vie des populations. L’apparition puis le développement des expériences agricoles et de la domestication ainsi que l’avènement des villages et de l’architecture pérenne en sont les principales manifestations. Les transformations du mode de vie ne vont pas sans une réorganisation et une redéfinition des liens sociaux à l’échelle des communautés et à l’échelle interrégionale. Le rapport de l’être humain à son environnement naturel et à son environnement construit se modifie durablement. Plus difficilement perceptible dans la culture matérielle, une mutation des mentalités accompagne la néolithisation. Les populations élaborent alors des systèmes de symboles qui manifestent ces nouvelles formes de spiritualité. Dans ce contexte de bouleversements matériels et immatériels, d’ordre à la fois socio-économique et spirituel, les bâtiments « exceptionnels » mis au jour sur plusieurs sites proche-orientaux du PPNA/PPNB posent de nombreuses questions relatives à leur interprétation. Leur rôle en matière de spiritualité et d’organisation sociale est déterminant dans la vie de ces communautés. La compréhension de ces édifices et des enjeux qu’ils représentent est abordée à travers un examen de la documentation archéologique disponible et de l’ensemble de la bibliographie sur le sujet. Cette étude amène à explorer plusieurs voies d’interprétation sur la base d’une approche transdisciplinaire explorant les différentes facettes des mutations en cours au PPNA/PPNB
The near-eastern neolithization is a long period that begins around 12,000 cal. BC and ends around 7,000 cal. BC. It was characterized by significant changes, and marked a decisive stage in the evolution of the way of life of populations. Its main manifestations were the appearance and development of agricultural experiments and domestication, and the advent of villages and durable architecture. Transformations of the way of life were coupled with the reorganization and redefinition of social links at community and regional levels. The relationship of humans to both their natural environment and to their built environment changed enduringly. Though more difficult to discern in material artefacts, neolithization is also synonymous with a change in mentalities. People then developed systems of symbols that manifested these new forms of spirituality. In this context of material and intangible upheavals, both socioeconomic and spiritual, the exceptional buildings excavated on several near-eastern PPNA/PPNB sites have triggered many questions about their interpretation. Their role in terms of spirituality and social organization was crucial in the life of these communities. The understanding of these buildings and the issues they represent is addressed through a review of the archaeological literature available and the entire literature on the subject. This study leads to the exploration of several interpretive pathways based on a multi-disciplinary approach that explores the different facets of the changes that took hold during the PPNA/PPNB
APA, Harvard, Vancouver, ISO, and other styles
8

VENOY, MELISSA DAWN. "REVALUING GENDER-BASED SYMBOLISM IN ARCHITECTURE." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1053382240.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Hodgdon, Karen Elizabeth. "The architecture of event." Thesis, Georgia Institute of Technology, 1995. http://hdl.handle.net/1853/23738.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Libaud, Geneviève. "Symbolique de l'espace et habitat chez les Beni-Aïssa du Sud tunisien /." Paris : Éd. du Centre national de la recherche scientifique, 1986. http://catalogue.bnf.fr/ark:/12148/cb36624076v.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Architecture Architecture Symbolisme en architecture"

1

Monsters of architecture: Anthropomorphism in architectural theory. Savage, Md: Rowman & Littlefield, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Aussibal, Robert. L' Abbaye de Sylvanès: Architecture et symbolisme. [Camarès, France]: Association des amis de l'Abbaye de Sylvanès, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Piers, Vitebsky, ed. Sacred architecture. Boston: Little, Brown, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

La forme initiale: Symbolisme de l'architecture traditionnelle. Paris: Dervy-Livres, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Willem, Ellenbroek, ed. Amsterdam in letters: Typografie en architectuur = typography and architecture. Amsterdam: Valiz, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Lethaby, W. R. Architecture, mysticism and myth. [Dorset]: Solos Press, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Architecture from without: Theoretical framings for a critical practice. Cambridge, Mass: MIT Press, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Agrest, Diana. Architecture from without: Theoretical framings for a critical practice. Cambridge,MA: M. I. T. P., 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Building by signs =: Costruire per segni : disegno, memoria, progetto. Roma: Librerie Dedalo, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Egenter, Nold. Semantic and symbolic architecture: An architectural-ethnological survey into hundred villages of central Japan. Lausanne: Structura Mundi, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Architecture Architecture Symbolisme en architecture"

1

Loncar, Jelena. "F is for … fluctuating symbolism." In The Routledge Companion to Italian Fascist Architecture, 92–110. Abingdon, Oxon ; New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429328435-8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Hadžimuhamedović, Amra. "Three Receptions of Bosnian Identity as Reflected in Religious Architecture." In Politicization of Religion, the Power of Symbolism, 105–58. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137477897_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Till, Jeremy. "Architecture After Architecture." In Architects After Architecture, 29–37. New York, NY: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9781003007753-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Furrer, Frank J. "Architecture." In Future-Proof Software-Systems, 91–111. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-19938-8_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Casey, Timothy. "Architecture." In Contributions to Phenomenology, 25–29. Dordrecht: Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-017-5344-9_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Briot, Jean-Pierre, Gaëtan Hadjeres, and François-David Pachet. "Architecture." In Deep Learning Techniques for Music Generation, 51–114. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-70163-9_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Wang, Honggang, Md Shaad Mahmud, Hua Fang, and Chonggang Wang. "Architecture." In Wireless Health, 27–37. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-47946-0_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Krause, Jörg, Christian Langhirt, Alexander Sterff, Bernd Pehlke, and Martin Döring. "Architecture." In SharePoint 2010 as a Development Platform, 51–115. Berkeley, CA: Apress, 2010. http://dx.doi.org/10.1007/978-1-4302-2707-6_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

van der Linden, Frank, Klaus Schmid, and Eelco Rommes. "Architecture." In Software Product Lines in Action, 37–45. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71437-8_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Oemig, Frank, and Robert Snelick. "Architecture." In Healthcare Interoperability Standards Compliance Handbook, 31–73. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-44839-8_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Architecture Architecture Symbolisme en architecture"

1

Azmin, Aida Kesuma, Fadzidah Abdullah, Aliyah Nur Zafirah Sanusi, Zeenat Begam Yusof, and Nayeem Asif. "SUSTAINABILITY OF MALAY WOOD CRAFTSMANSHIP SYMBOLISM IN DECIPHERING MALAYSIA’S ARCHITECTURAL IDENTITY." In DARCH 2021- 1st International Conference on Architecture & Design. International Organization Center of Academic Research, 2021. http://dx.doi.org/10.46529/darch.202105.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Azmin, Aida Kesuma, Fadzidah Abdullah, Aliyah Nur Zafirah Sanusi, Zeenat Begam Yusof, and Nayeem Asif. "SUSTAINABILITY OF MALAY WOOD CRAFTSMANSHIP SYMBOLISM IN DECIPHERING MALAYSIA’S ARCHITECTURAL IDENTITY." In DARCH 2021- 1st International Conference on Architecture & Design. International Organization Center of Academic Research, 2021. http://dx.doi.org/10.46529/darch.202124.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Guido, Luca. "Bruno Zevi on Le Corbusier: another way to an “organic architecture”." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.760.

Full text
Abstract:
Abstract: Bruno Zevi was an enthusiastic promoter of Frank Lloyd Wright’s architecture and theories. However, the critical enquiry and propaganda of the Italian architect and historian about so-called “organic architecture” reveals a major cultural debt to Le Corbusier. In 1945, Zevi published “Verso un’architettura organica” [Towards an organic architecture], the first version of his history of architecture. The title is clearly a polemical reference to Le Corbusier’s book “Vers une architecture” (1923). In 1977, together with other architects, Zevi promoted the Machu Picchu Charter, a document to “update” the Athens Charter (1933). The places held significance: Athens was the birthplace of western civilization and architectural rationalism. Machu Picchu symbolised the contribution of an alternative way of viewing the world. Are those merely examples of Zevi’s provocations? The relationship between Zevi and Le Corbusier is problematic and ambivalent. Zevi adopts the educational and communicative methods of Le Corbusier and his critical writing style, but his interpretation of the French-Swiss architect also demonstrates an attempt to delineate a new concept of “organic architecture”, related to his researches on a historiographic redefinition of the Modern Movement. Resumen: Bruno Zevi fue un entusiasta promotor de la arquitectura y las teorías de Frank Lloyd Wright. Sin embargo, la investigación crítica y la propaganda del arquitecto italiano e historiador sobre la llamada "arquitectura orgánica" revela una importante deuda cultural para Le Corbusier. En 1945, Zevi publicó "Verso un'architettura organica" [Hacia una arquitectura orgánica], la primera versión de su historia de la arquitectura. El título es claramente una referencia polémica al libro de Le Corbusier "Vers une architecture" (1923). En 1977, junto a otros arquitectos, Zevi promovió la Carta Machu Picchu, un documento para "actualizar" la Carta de Atenas (1933). Los lugares celebradas importancia: Atenas fue la cuna de la civilización occidental y el racionalismo arquitectónico. Machu Picchu simbolizaba la contribución de una forma alternativa de ver el mundo. Son esos meros ejemplos de las provocaciones de Zevi? La relación entre Zevi y Le Corbusier es problemática y bivalente. Zevi adopta los métodos educativos y comunicativos de Le Corbusier y su estilo crítico escrito, pero su interpretación del arquitecto franco-suizo también demuestra un intento de delinear un nuevo concepto de "arquitectura orgánica", en relación con sus investigaciones en una redefinición historiográfico de la Movimiento Moderno. Keywords: Bruno Zevi; Le Corbusier’s legacy; modern language invariants; five points; organic architecture. Palabras clave: Bruno Zevi; El legado de Le Corbusier; invariantes de lenguas modernas; cinco puntos; arquitectura orgánica. DOI: http://dx.doi.org/10.4995/LC2015.2015.760
APA, Harvard, Vancouver, ISO, and other styles
4

Piotrowski, Andrzej. "The Conquest of Representation in the Architecture of Guatemala." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.11.

Full text
Abstract:
This paper will argue that the connections that exist between architecture and political powers are located in representational functions of architecture. Representation is defined here as a culture-specific process of establishing the relationships between reality and the signs created to symbolize that reality. Architecture of Guatemala provides a unique material to study how representational constitution of symbolic places reflects an ideological struggle of two different cultures. To substantiate this point, I will expand on Tzvetan Todorov’s observations made in “The Conquest of America” and show how they could enhance our understanding of the symbolic function of architecture. The discussion of representational attributes and workings of architecture will be informed by a comparative reading of three cities in Guatemala: Mayan ruins in Tlkal, colonial city of Antigua, and indigenous Chichicastenango. My objective is to test the workings of this critical inquiry against the geography of power that these three cities represent.
APA, Harvard, Vancouver, ISO, and other styles
5

Husni, Muhammad Fahd Diyar, Jennifer Baylon Verances, Astari Wulandari, and Eko Nursanty. "Cultural symbolism vs structural efficiency: Study on “Soko Tunggal” (single column) heritage mosque architecture in Indonesia." In 1ST VAN LANG INTERNATIONAL CONFERENCE ON HERITAGE AND TECHNOLOGY CONFERENCE PROCEEDING, 2021: VanLang-HeriTech, 2021. AIP Publishing, 2021. http://dx.doi.org/10.1063/5.0066502.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Tavoletta, Concetta. "Luigi Cosenza, Bernard Rudofsky and Gio Ponti and the Secret of the Mediterranean Sea." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021186n6.

Full text
Abstract:
Landscape, cavity, courtyard, skin, pergola are some of the elements of the Mediterranean abacus that architecture tries to transfigure into a single substance but also as a derivation of a great mother, the Mediterranean Sea. However, we can suppose that all these elements come from an idea that acts as a trait d'union, an intuition that made the domestic space of the Mare Nostrum the place of the myth of living: the innovative idea of horizon summarized as the ability of the gaze to observe outward. Gio Ponti, Bernard Rudofsky and Luigi Cosenza are the architects of the materialization of this idea where the horizon is not only found in the relationship with the landscape but is present within the domestic space. In this space full of symbolism and origin, three houses are a body to be vivisected and rediscovered. Casa per Positano... and other shores, Hotel San Michele in Capri, Casa a Procida become autoptic and utopian spaces from which to steal the secret of the Mediterranean Sea.
APA, Harvard, Vancouver, ISO, and other styles
7

Kazman, Rick, Len Bass, James Ivers, and Gabriel A. Moreno. "Architecture evaluation without an architecture." In Proceeding of the 33rd international conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/1985793.1985886.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Morneau, Keith A., and Sue Talley. "Architecture." In Procedding of the 8th ACM SIG-information conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1324302.1324305.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

"Architecture." In 2016 International Conference on Field-Programmable Technology (FPT). IEEE, 2016. http://dx.doi.org/10.1109/fpt.2016.7929184.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

De Lauretis, Lorenzo. "From Monolithic Architecture to Microservices Architecture." In 2019 IEEE International Symposium on Software Reliability Engineering Workshops (ISSREW). IEEE, 2019. http://dx.doi.org/10.1109/issrew.2019.00050.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Architecture Architecture Symbolisme en architecture"

1

Taft, Jeffrey D., and Angela S. Becker-Dippmann. Grid Architecture. Office of Scientific and Technical Information (OSTI), March 2015. http://dx.doi.org/10.2172/1176825.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Wood, William G., Mario Barbacci, Paul Clements, Steve Palmquist, and Huei-Wan Ang. DoD Architecture Framework and Software Architecture Workshop Report. Fort Belvoir, VA: Defense Technical Information Center, March 2003. http://dx.doi.org/10.21236/ada416453.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Craft, Richard Layne, II. Telemedicine system interoperability architecture: concept description and architecture overview. Office of Scientific and Technical Information (OSTI), May 2004. http://dx.doi.org/10.2172/974884.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Seitz, CHarles L., Alain J. Martin, and Jan L. van de Snepscheut. Submicron Systems Architecture. Fort Belvoir, VA: Defense Technical Information Center, March 1991. http://dx.doi.org/10.21236/ada444287.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Khare, Rohit. Decentralized Software Architecture. Fort Belvoir, VA: Defense Technical Information Center, December 2002. http://dx.doi.org/10.21236/ada441133.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Taft, Jeffrey D. Grid Architecture 2. Office of Scientific and Technical Information (OSTI), January 2016. http://dx.doi.org/10.2172/1244801.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Harris, S. ChemTrack system architecture. Office of Scientific and Technical Information (OSTI), June 1997. http://dx.doi.org/10.2172/641116.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Crocker, D. Internet Mail Architecture. RFC Editor, July 2009. http://dx.doi.org/10.17487/rfc5598.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Mayrhofer, A., and B. Hoeneisen. ENUM Validation Architecture. RFC Editor, November 2006. http://dx.doi.org/10.17487/rfc4725.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Gellens, R., ed. Lemonade Notifications Architecture. RFC Editor, August 2009. http://dx.doi.org/10.17487/rfc5551.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Architecture Architecture Symbolisme en architecture' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography