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Books on the topic 'Architecture au cinéma'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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1

Sophie, Paviol, ed. Cinéma et architecture: La relève de l'art. Lyon: Aléas, 2009.

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2

Simond, Clotilde. Cinéma et architecture: La relève de l'art. Lyon: Aléas, 2009.

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3

Néret, Gilles. L' art des années 20: Peinture, sculpture, architecture, design, décor, graphisme, photographie, cinéma. Fribourg: Office du Livre, 1986.

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4

Gilles, Rof, and Allard Ariane, eds. Marseille culture[s]: Arts visuels, musique, danse, théâtre, architecture, cinéma, photographie, littérature et poésie. Paris: HC éditions, 2012.

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5

Odette, Virmaux, ed. Dictionnaire des mouvements artistiques et littéraires, 1870-1920: Groupes, courants, pôles, foyers : littérature, peinture, théâtre, cinéma, musique, architecture, photo, bande dessinée. Monaco: Le félin-Kiron, 2012.

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6

Cinemas in Britain: A history of cinema architecture. Farnham, UK: Lund Humphries, 2011.

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7

Gray, Richard. Cinemas in Britain: One hundred years of cinema architecture. London: Lund Humphries in collaboration with the Cinema Theatre Association, 1996.

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8

Cinema, architecture, dispositif. Pasian di Prato (UD) Italia [i.e. Udine, Italy]: Campanotto, 2011.

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9

Raine, Michael, and Johan Nordström, eds. The Culture of the Sound Image in Prewar Japan. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789089647733.

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This collection of essays explores the development of electronic sound recording in Japanese cinema, radio, and popular music to illuminate the interrelationship of aesthetics, technology, and cultural modernity in prewar Japan. Putting the cinema at the center of a ‘culture of the sound image’, it restores complexity to a media transition that is often described simply as slow and reluctant. In that vibrant sound culture, the talkie was introduced on the radio before it could be heard in the cinema, and pop music adaptations substituted for musicals even as cinema musicians and live narrators resisted the introduction of recorded sound. Taken together, the essays show that the development of sound technology shaped the economic structure of the film industry and its labour practices, the intermedial relation between cinema, radio, and popular music, as well as the architecture of cinemas and the visual style of individual Japanese films and filmmakers.

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10

Holmes, Amanda. Politics of Architecture in Contemporary Argentine Cinema. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55191-3.

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11

Lahiji, Nadir. Architecture, Philosophy, and the Pedagogy of Cinema. Abingdon, Oxon; New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003166252.

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12

Light shadow space: Architectural rendering with Cinema 4d. Vienne: Springer, 2008.

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13

Sondermann, Horst. Light shadow space: Architectural rendering with Cinema 4d. Vienne: Springer, 2008.

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14

Schleier, Merrill. Skyscraper cinema: Architecture and gender in American film. Minneapolis: University of Minnesota Press, 2009.

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15

Skyscraper cinema: Architecture and gender in American film. Minneapolis: University of Minnesota Press, 2009.

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16

Pallasmaa, Juhani. The architecture of image: Existential space in cinema. 2nd ed. Helsinki: Rakennustieto, 2007.

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17

Pallasmaa, Juhani. The Architecture of image: Existential space in cinema. Helsinki: Rakennustieto, 2001.

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18

Il cinema degli architetti. Monza]: Johan & Levi editore, 2014.

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19

Lambert, Léopold. The Funambulist Pamphlets 11: Cinema. Brooklyn, NY: punctum books, 2015.

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20

1938-, Di Carlo Carlo, Tinazzi Giorgio, and Cottino-Jones Marga, eds. The architecture of vision: Writings and interviews on cinema. New York: Marsilio Publishers, 1996.

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21

Michelangelo, Antonioni. The architecture of vision: Writings and interviews on cinema. New York: Marsilio Publishers, 1996.

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22

Cinema e architettura. Firenze: A. Pontecorboli, 2003.

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23

Luoghi e architetture del cinema in Italia: Cinema houses : places and architectures in Italy. Pisa: ETS, 2010.

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24

Agencies of the frame: Tectonic strategies in cinema and architecture. Newcastle: Cambridge Scholars Pub., 2010.

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25

Peter, Bruce. Scotland's cinemas. Isle of Man: Lily Publications, 2011.

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26

Luisa, Presicce, and Santuccio Salvatore, eds. L' attore di pietra: L'architettura moderna italiana nel cinema. [Torino]: Testo & immagine, 2001.

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27

Revoluções: Arquitectura e cinema nos anos 60/70. Porto: AMDJAC, 2013.

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28

Womb fantasies: Subjective architectures in postmodern literature, cinema, and art. Evanston, Ill: Northwestern University Press, 2013.

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29

Fernandes, José Manuel. Cinemas de Portugal. Lisboa: Edições Inaoa, 1995.

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30

Bergfelder, Tim. Film architecture and the transnational imagination: Set design in 1930s European cinema. Amsterdam: Amsterdam University Press,Netherlands, 2006.

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31

Rosella, Mangaroni, Zago Ester, and Zignani Federico, eds. A journey through American art deco: Architecture, design, and cinema in the twenties and thirties. Seattle: University of Washington Press, 1997.

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32

Salas de cinema Art Déco no Rio de Janeiro. Rio de Janeiro: Apicuri, 2011.

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33

Real cinema: Cines, arquitectura y sociedad en Guadalajara (1896-1965). Guadalajara, Jalisco, Mexico: Universidad de Guadalajara, Centro Universitario de Arte, Arquitectura y Diseño, División de Artes y Humanidades, Departamento de Teorías e Historia, 2002.

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34

Centre canadien d'architecture. Dieter Appelt: Forth Bridge-Cinema : metric space. Montréal: Canadian Centre for Architecture = Centre canadien d'architecture, 2005.

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35

Franci, Giovanna. In viaggio attraverso il decò americano: Architettura, design e cinema negli anni '20 e '30. Firenze: Alinea, 1997.

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36

The history of the Venice Biennale: 1895- 2005 : visual arts, architecture, cinema, dance, music, theatre. Venezia: Papiro Arte, 2005.

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37

Néret, Gilles. L' art des années 30: Peinture, sculpture, architecture, design, décor, graphisme, photographie, cinéma. [Paris]: Seuil, 1987.

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38

1889-1963, Cocteau Jean, and Rolot Christian, eds. Jean Cocteau: L'oeil architecte. Courbevoie, Paris: ACR Édition, 2000.

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39

1907-1973, Moretti Luigi, ed. Luigi Moretti: Piazza Imperiale e cinema teatro all'E42. Milano: UNICOPLI, 2001.

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40

Arquitetura do espetáculo: Teatros e cinemas na formação da Praça Tiradentes e da Cinelândia. Rio de Janeiro: Editora UFRJ, 2000.

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41

La città delle immagini: Cinema, video, architettura e arti visive. Soveria Mannelli: Rubbettino, 2011.

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42

Gordon, Graham. Philosophy of the arts: An introduction to aesthetics. 2nd ed. London: Routledge, 2000.

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43

Philosophy of the arts: An introduction to aesthetics. 3rd ed. London: Routledge, 2005.

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44

Gordon, Graham. Philosophy of the arts: An introduction to aesthetics. London: Routledge, 1997.

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45

O lugar dos ricos e dos pobres no cinema e na arquitectura em Portugal. Porto: Dafne Editora, 2014.

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46

International Architectural Exhibition (5th 1991 Venice, Italy). Concorso internazionale per il nuovo Palazzo del cinema al Lido di Venezia: Carlo Aymonino, Mario Botta, Sverre Fehn ... [Venezia]: Edizioni La Biennale di Venezia, 1991.

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47

Virmaux, Alain. Dictionnaire mondial des mouvements littéraires et artistiques contemporains: Groupes, courants, pôles, foyers : littérature, peinture, théâtre, cinéma, musique, architecture, photo, bande dessinée. Monaco: Editions du Rocher, 1992.

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48

Puaux, Françoise. Architecture, décor et cinéma. CinémAction, 1995.

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49

Communications, numéro 71 : Le parti pris du document : Littérature, Photographie, Cinéma et Architecture au XXe siècle. Communications (Revue), 2001.

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50

Ernesta, Caviola, Ardenne Paul, Ricciotti Rudy 1952-, and 5. +. 1. associati, eds. Il nuovo palazzo del cinema di Venezia =: Le nouveau palais du cinéma de Venise = The new cinema palace of Venice : 5+1AA, Rudy Ricciotti. Cinisello Balsamo (MI) [i.e. Milan]: Silvana, 2008.

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