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Academic literature on the topic 'Architecture – Berlin (Allemagne) – 20e siècle'
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Journal articles on the topic "Architecture – Berlin (Allemagne) – 20e siècle"
"Buchbesprechungen." Zeitschrift für Historische Forschung 46, no. 1 (January 1, 2019): 83–218. http://dx.doi.org/10.3790/zhf.46.1.83.
Full textDissertations / Theses on the topic "Architecture – Berlin (Allemagne) – 20e siècle"
Dauss, Markus. "Die architektonische Symbolisierung politischer, sozialer und kultureller Institutionen in Berlin und Paris (1871-1918) : Studien zur politischen Ikonologie öffentlicher Architekturen im deutschen Kaiserreich und der dritten Republik." Paris, EPHE, 2004. http://www.theses.fr/2004EPHE4029.
Full textOur study tries to examine the role of public buildings in the capitals of the German Empire (Berlin) and the third French Republic (Paris) from 1871 to 1918. The urban space is therefore being considered as a crystallization of the national community and its construction of identity. Political history has since some time focussed on the study of collective identity and its symbolization. The approach we have adopted for our study is a crossing of this current of political history and of a more classical kind of history of architecture. It could be called political iconology of architecture in Paris and Berlin. Our study which tries to close this gap hopes to find its readers in both countries. It treats the following building types: Basilique of the Holy Heart, parliamentary assemblies, government and post offices, town halls, museums, churches and Synagogues
Peters, Christian. "Hauptstadtsymbolik und Architektur : eine Untersuchung zu den Formen politischer Selbstdarstellung in der Berliner Republik und im Paris der Ära Mitterand." Paris, EPHE, 2008. http://www.theses.fr/2008EPHE4024.
Full textMuhidine, Eléonore. "Reconstruire la ville par les mots : trajectoires et engagements des critiques d’architecture berlinois des années 1950 à 1980." Thesis, Rennes 2, 2017. http://www.theses.fr/2017REN20055.
Full textBoth in East and West Berlin, as soon as the mid-fifties, architecture critics have come to the fore and shown that in spite of political pressures imposed on them, they shared a will to reflect upon the urban identity of the divided city. Indeed, the Reconstruction of German towns after WWII refers to a vast project of restoration of the material infrastructures but also the redefinition of a cultural and intellectual landscape bearing the heavy mark of Nazi ideology. Choosing a perspective of cultural and intellectual history, this thesis explores the careers, writings and networks of Ulrich Conrads, Günther Kühne, Julius Posener, Wolf Jobst Siedler, Klaus Duntze, Dieter Hoffmann-Axthelm and Nikolaus Kunhert in West-Berlin and of Kurt Liebknecht, Richard Paulick, Hermann Henselmann, Kurt Junghanns, Bruno Flierl and Wolfgang Kil in East-Berlin. Whether architects or history of art specialists, writers in the specialist press, journalists in the general press but also sometimes publishers and teachers in universities and art schools, those critics committed themselves to making the Berlin architectural culture [Baukultur] known in the XXth century. To a large extent they initiated a redefining of the stakes of architectural and urban criticism in post 1945 Germany
Stavrinaki, Maria. "Les idéologies de l'œuvre d'art totale : les problématiques de l'union de l'art et de la vie selon quelques architectes allemands et ceux de la Glaeserne Kette en particulier." Paris 1, 2000. http://www.theses.fr/2000PA010655.
Full textCagneau, Irène. "Discours sur la sexualité à Vienne et à Berlin (1900-1914) : une analyse comparative." Paris 3, 2008. http://www.theses.fr/2008PA030024.
Full textIf you want to study the discourses on sexuality in Vienna and Berlin between 1900 and 1914, it then implies to carry on researches in a double perspective. On the one hand, the question is to look at the diverse sources and accounts of this period in the socio-cultural, religious, scientific, legal, intellectual and artistic fields. On the other hand, the question is to compare two big cities of the German-speaking area, two sites of modernity : Vienna, the capital of a declining empire, an erotised city oscillating between tradition and modernity, dream and reality and Berlin, an expanding metropolis, a city of contrasts, both austere and fascinating, subjected to authority and strongly sexualized. In a first part, the institutional discourses made by the church, the science and the state about sexuality are analysed in this study along with the oppositions they raise, particularly in Karl Kraus’s writings and in the intellectual reviews of Berlin. Nothing is left at random : the sexual disparity is examined closely, classified and codified so that nothing remains out of control from the normative instances. In a second part, this work explores the literary and artistic universe of Vienna and Berlin and shows how the sexual disparity, yet carefully watched on, shows itself progressively or violently. If there are obvious contrasts in the way of showing sexuality in Vienna and Berlin, the artists have in common the expression of the human being’s anguish, unsteadiness and suffering in a threatened world
Dornadin, Sylvie. "Le changement de structures de l'espace public berlinois (1990-2005)." Lille 3, 2007. http://www.theses.fr/2007LIL30011.
Full text"The structural change of the public sphere in Berlin" describes how the model of public relations became widespread in the communication of the city of Berlin and the enterprises located in the town after the German reunification. The author shows how PR-Departments has been created even in the smallest organisations and how new forms of public communication progressively appeared. Not only the practices changes but also the knowledge on which the communication is established : organisations use more and more expert techniques in order to produce their messages - the author shows how they spread from one organisation to another - and embrace new ways to treat and analyse information. By replacing these empirical observations into Jürgen Habermas's theory of the public sphere, the author shows that the changes occurred in the organisations located in Berlin has led to the emergence of new type of the public sphere
Lee, Young-Ran. "Analyse des problématiques identitaires liées aux mutations sociales dans les peuples divisés : l'étude des conflits d'appartenance nationale chez les étudiants berlinois après la réunification dans la perspective de la réunification coréenne." Paris 7, 2003. http://www.theses.fr/2003PA070001.
Full textThis work deals with national identity problems regarding the social transformation that German people have been faced with through the radical political changes before and after the German Reunification. The author analyses on one hand conflicts of national identity for East and West German people within the process of the reunification and their consequences till today, on the other hand she gives a perspective of resolution to these conflicts and in the frame of the construction of a common national identity. The author relies on a on a self-carried out qualitative research with young Berliner students who embody the generation after the "Berliner Wall", and considers the theory of socialization as an essential indicator who lends two regimes with opposite ideological organizations to shape very dissimilar identifications. A perspective to the Korean re-unification in the light of the German reunification is proposed at the end of this work
Hodaifa, Nagham. "L'oeuvre de Marwan de 1964 à nos jours : le visage en question et l'oeuvre sur papier." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010514.
Full textWhat is a head ? This is the question that Marwan (born in Damascus in 1934, residing in Berlin since 1957) has confronted in his artistic approach, starting from the human figure and passing through to the face. If the latter, treated horizontally, is recognizable in its features, the head, vertical effigy, fades. The two patterns play between being hidden and masked, at times blending into landscapes and merging together.This research, built from biographical and cross-cultural study, questions the subject of the face in his work since 1964. The accessibility to his complex pictorial was made possible from primary sources: preparatory drawings, writings and interviews with the artist. These sources have led to the study of anthropological themes and plastics, which have further enriched the research of his artistic approach.The fusion of the Eastern and Western cultures have driven Marwan's questioning of the human face and its metamorphosis in relation to absence, to the inanimate, to veiling-unveiling, to the same and the other, to the singular and the universal
García, Jiménez María Belén. "L’œuvre de Florence Henri et les échanges culturels franco-allemands au cours du XXe siècle." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040023.
Full textFlorence Henri’s cultural identity is complex and worthy of interest. Her carrer as Europe was marked by the two World Wars. From unpublished documents, we have analysed Florence Henri’s path between Berlin (1910-1924) and Paris (1924-1962). She was born in 1893 in New York, she spent her youth on travelling in Europe. She followed most of her music training years in Berlin with Ferrucio Busoni. She had been Carl Einstein’s companion, the writer and art critic who was one of the most important promoters of the French culture in Berlin. The First World War pushed her to give up music to painting.When she arrived in Paris, F H registered for André Lhote académie and for Modern académie of Fernand Léger where she initiated herself into purism. During the summer 1927, she had a trip to Bauhaus which would turn her all career in future onto photography with an immediate, international success. Her self-portraits and the use of mirrors in her photographs are some references to the New Vision. A new change of course happened at the beginning of the Second World War with the return to painting.The relationships between French and German artists in Paris did not the political conflicts into account and the epistolary exchanges have showed solidary within artists community. She belonged to a network of exiled artists who took refuge in Paris. Until now, she has been described as a French, Swiss or American artist but our study shows the importance of the German sensitivity in her work despite her forty years spent in Paris
Argelès, Daniel. "Ecriture de l'histoire et construction de soi : les textes de fiction de l'écrivain allemand Klaus Schesinger (1937 - 2001)." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030030.
Full textThis thesis analyses the fictional texts of Berlin author Klaus Schlesinger under the aspect of history-writing. Born in 1937 in East-Berlin, this important yet still under-estimated writer lived under five different regimes – national-socialist Germany, occupied Germany, the GDR (from 1949 to 1980), the FRG (from 1980 to 1989), unified Germany – and as many major changes that find reflection in his work: the revelation of the scope of Nazi crimes, the reorientations in the post-war era and under the socialist regime, the building of the Berlin Wall, political “dissidence” and exile in the West in the wake of the Biermann affair, then the fall of the Wall, the disappearance of the GDR and German unification. While the analysis falls into four chronological periods, thus allowing for an overview of his intellectual and political itinerary, the thesis primarily focuses on the way Schlesinger represented this half-century of German history, its impact on individuals and the questions that arose from it (the heritage of the past, the individual’s position in “real”-socialism, in capitalist societies or the Cold war, utopia, identity). It looks at the narrative and formal choices made in each text and underlines the historiographical, moral, political and personal-identity questions inextricably linked to them. Drawing from several theoretical sources (Ricœur, Foucault, de Certeau, Turner, Geertz), it underlines the specific nature of the often heterotopical or liminal spaces in which Schlesinger places his characters and interprets fictional writing as a privileged space of self-apprehension and self-construction in history. While focused on the fictional writings, the analyses also uses the author’s essays and autobiographical texts as well as the Klaus Schlesinger archives of the Akademie der Künste in Berlin (correspondence, first drafts, text fragments, Stasi surveillance files, reviews, interviews)