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Relevant bibliographies by topics / Architecture Biennale Venice

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Journal articles

Academic literature on the topic 'Architecture Biennale Venice'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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Journal articles on the topic "Architecture Biennale Venice"

1

Bravo, Luisa. "Academic Learning about Public Space. Knowledge Sharing toward Implementation of the New Urban Agenda." Journal of Public Space, Vol. 4 n. 4 (December 31, 2019): 109–14. http://dx.doi.org/10.32891/jps.v4i4.1244.

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In September 2018 City Space Architecture organized a three day event in Venice titled ‘Knowledge sharing toward implementation of the New Urban Agenda’, included in the ‘Past Present and Future of Public Space’ international conference series started in 2014 with an inaugural three day event in Bologna. City Space Architecture signed a cooperation agreement with La Biennale di Venezia within the 16th International Architecture Exhibition (Venice Architecture Biennale) - titled FREESPACE, curated by Yvonne Farrell and Shelley McNamara[1] - in order to be included in the ‘Biennale Sessions’, a

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2

Tipton, Gemma. "Venice Biennale 10th International Architecture Exhibition, Gemma Tipton, Venice, September - November 2006." Circa, no. 118 (2006): 88. http://dx.doi.org/10.2307/25564506.

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3

Park, YoungTae. "The Metonymic Realism of the 2014 Venice Biennale of Architecture." Korean Institute of Interior Design Journal 25, no. 1 (2016): 13–23. http://dx.doi.org/10.14774/jkiid.2016.25.1.013.

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4

Dudley, Jennifer. "ISLAND at the Venice Biennale: new categories of conceptual architecture and architectural sculpture." Journal of Visual Art Practice 18, no. 1 (2019): 109–11. http://dx.doi.org/10.1080/14702029.2018.1549192.

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5

Akcan, Esra. "Is a Global History of Architecture Displayable? A Historiographical Perspective on the 14th Venice Architecture Biennale and Louvre Abu Dhabi." ARTMargins 4, no. 1 (2015): 79–101. http://dx.doi.org/10.1162/artm_r_00105.

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This article comparatively discusses the 14th International Architecture Biennale of Venice, directed by Rem Koolhaas, and the pilot exhibit and architectural design of Louvre Abu Dhabi undertaken by Jean Nouvel, in the context of recent big art events and world museums. Curatorial, historiographical, and installation strategies in these venues are differentiated in order to think through the question of displaying a global history of architecture. I make a distinction between the curatorial practices carried out in the Fundamentals and Absorbing Modernity sections of Venice's Central and Nati

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6

Somma, Paola. "The 16th Venice Architecture Biennale celebrates the triumph of the ancient régime, but la lutte continue." Art & the Public Sphere 8, no. 1 (2019): 29–37. http://dx.doi.org/10.1386/aps_00004_1.

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Abstract In 1968 many intellectuals took to Piazza San Marco to express solidarity with the students of the Venice Academy of Fine Arts who were demonstrating against the Biennale and had been attacked for four hours by the police. In 2018 the same square was patrolled by armed troops deployed to 'protect the tourists' who occupied the city and there was no sign of protests against the Biennale. On the day of inauguration, the only voice of dissent was that of some citizens claiming their right 'to live here'. No trace of intellectuals. Many of the old protesters have made a comfortable career

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7

Yücel, Şebnem. "Free(?)Space at the 2018 Venice Biennale." International Journal of Islamic Architecture 8, no. 1 (2019): 235–56. http://dx.doi.org/10.1386/ijia.8.1.235_1.

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8

Apostolou-Hölscher, Stefan. "Between and Modernity: Kuwait's Political Interventions at The Venice Biennale of Architecture." Maska 29, no. 163 (2014): 6–14. http://dx.doi.org/10.1386/maska.29.163-164.6_1.

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9

Yang, Jing, Jonathan Hale, and Toby Blackman. "How do buildings talk? Embodied experience in the Rolex Learning Centre." Architectural Research Quarterly 25, no. 1 (2021): 83–92. http://dx.doi.org/10.1017/s1359135521000129.

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The Venice Architecture Biennale in 2010, curated by Japanese architect Kazuyo Sejima, co-founder of Tokyo-based practice SANAA, included a remarkable twenty-four-minute 3D film by the German director Wim Wenders depicting the practice’s Rolex Learning Centre in Switzerland. Entitled If Buildings Could Talk, the film ran in a continuous loop, without a tangible beginning or end, much like the building itself. Invited by SANAA to develop the film, Wenders found himself confronted with a new type of space that he had no prior experience of, and no vocabulary to describe: ‘The Rolex Learning Cent

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10

Christiansen, Elias Melvin. "Studying Cultural Heritage at San Marco Square for the 58th Art Biennale." Res Mobilis 9, no. 11 (2020): 154–63. http://dx.doi.org/10.17811/rm.9.11.2020.154-163.

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The study of cultural heritage was central to the CRAFT international workshop held at the Art Biennale in Venice in 2019 for students of architecture, engineering, art history and philosophy. For some of the students, the focus was on the cultural heritage at San Marco Square. This essay is a short reflection about the outcome of this workshop in regard to using cultural heritage in the teaching of contemporary students.

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