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Dissertations / Theses on the topic 'Architecture, British'

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1

London, Christopher W. "British architecture in Victorian Bombay." Thesis, University of Oxford, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385562.

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2

Scalzo, Julia. "Street architecture, nineteenth-century urban buildings and the British architectural profession." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0020/NQ53735.pdf.

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3

Walker, Christopher John. "British architectural polychromy, 1840-1870." Thesis, University College London (University of London), 2001. http://discovery.ucl.ac.uk/1317868/.

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In 1984, among the proposals for the redecoration of the British Museum was a plan to reinstate the decorative scheme for the Entrance Hall created in 1847 by Sydney Smirke. The controversy that ensued is the departure point for this thesis. Sydney Smirke's decorative scheme proved to be much more than simple embellishment of the space. It was a polychromatic scheme based on ancient Greek motifs and colours and their archaeological manner of use manifested the period's preoccupation with architectural historicism, and also final recognition that the Greeks had used bright colours on their buil
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Almog, Anat. "Focus on detail : the critical role of architectural elements in representational architecture : the case of British buildings in Jerusalem, 1849-1939." Thesis, University of York, 1996. http://etheses.whiterose.ac.uk/10898/.

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5

Rust, Thomas C. "Architecture, economics, and identity in Romano-British 'small towns'." Thesis, University of Leicester, 2006. http://hdl.handle.net/2381/30808.

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An area overlooked in recent research is the meaning of architecture in the ill-defined category of sites known as small towns. Using the social psychology approaches of identity theory, social identity theory, and operant conditioning, this study examines the impact of Roman imperialism and the socio-economic changes that occurred on the island as reflected in the choice of architecture. Focusing on small towns is problematic due to difficulties with definition and site categorization. However, as settlements that were more complex than simple villages but more organic than the larger cities,
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Rapaport, Raquel. "Conflictions visions : architecture in Palestine during the British Mandate." Thesis, Cardiff University, 2006. http://orca.cf.ac.uk/55429/.

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The thesis started as a study of the 'Golden Age' of Modern Architecture in Eretz-Israel, its time-span covering the years of the British Mandate in Palestine (1918-1948). During that period, architectural practice flourished in the country despite civic unrest and impending political changes. In the course of research, it rapidly became apparent that the current historiography covers ultra avant-garde architectural experiments of the time - which are fundamental to the Israeli identity - but tends to overlook, dismiss and marginalise all other trends that co-existed in parallel with them. Thi
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Rust, Thomas C. "Architecture, economics, and identity in Roman-British "small towns" /." Oxford : J. and E. Hedges Ltd, 2006. http://catalogue.bnf.fr/ark:/12148/cb40946657x.

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8

Maudlin, Daniel. "Highland planned villages : the architecture of the British Fisheries Society." Thesis, University of St Andrews, 2002. http://hdl.handle.net/10023/14485.

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The British Fisheries Society, founded in 1786, was a semi-charitable joint stock company, similar to other improvement trusts of the period established to fund the construction of roads, bridges, canals and hospitals. The Society was however unique in the breadth of its ambition to create a chain of complete settlements or villages the length of the northern Scottish coastline from Dornoch on the east to Oban on the west. These new settlements were intended to be fishing stations focussed on the perceived wealth to be gained from the herring fishery. Four settlements were established at Ullap
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9

Hobson, Daphne Louise. "The domestic architecture of the earliest British colonies in the American tropics:a study of the houses of the Caribbean Leeward Islands of St. Christopher, Nevis, Antigua and Montserrat. 1624-1726." Diss., Georgia Institute of Technology, 2007. http://hdl.handle.net/1853/26661.

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This study delineates the domestic architecture of the early colonial period in the American tropics in the first group of British colonies that survived. In 1624, the English made their first permanent settlement on St. Christopher in the Caribbean, then expanded to the neighboring islands of Nevis, Antigua and Montserrat. Of particular interest to this research was what the architecture would reveal regarding how the first settlers adapted to the new island environment, its geography, resources, climate, and people, in the first 100 years. The research involved the examination of manuscripts
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10

Tamaki, Marlene Gail. "Advocacy in architecture : a case study of the Urban Design Center, Vancouver, B.C. 1970-1976." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/30147.

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The shift toward participatory, advocacy and social architecture and planning that occurred in the 1960's and 70's in North America was illustrated with the work of the Community Design Centers. These Community Design Centers provided architectural, planning and technical services to low income groups with an emphasis on user participation. The Community Desgin Center provided a model by which the professional, the student and the community could work together as a team on current issues within the community. This study examines the basic notions of the Community Design Centers in order to det
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11

Fang, Yuan. "Influences of British architecture in China : Shanghai and Tientsin 1843-1943." Thesis, University of Edinburgh, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498036.

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12

Smith, G. S. "Three ecologies : regeneration in postwar British art and architecture, 1945-1973." Thesis, University College London (University of London), 2016. http://discovery.ucl.ac.uk/1516198/.

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Focusing on the interdisciplinary context of the Independent Group (1952–55, IG from now), this thesis investigates the collision of visual arts, architecture and ecology in London across a period stretching roughly from the end of the Second World War (1939–45) to the mid-1970s. A traumatic, yet exhilarating time of rapid transformations, the postwar period was marked by an anxious insistence on bio-centric and eco-centric narratives of survival, integration, re-adaptation and above all, regeneration. In the mid-1940s, the shock and devastation of the war, coupled with a new attention to soci
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13

Epstein, Clarence. "Church architecture in Montreal during the British-colonial period, 1760-1860." Thesis, University of Edinburgh, 1999. http://hdl.handle.net/1842/22194.

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The French-colonial trading town of Montreal underwent a remarkable transformation from 1760 to 1860. Following the British conquest of New France, the powers vested to Catholic missionary orders were assumed by a Protestant administration. Given the diversity of settlers who were forced to live side by side in the more densely populated urban areas of the colony, ecclesiastical design became a vehicle for the expression of national and denominational identities. By examining church production in Montreal during the period, those cultural imperatives inscribed by French, English, Scottish, Iri
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Hobson, Daphne Louise. "The domestic architecture of the earliest British colonies in the American tropics a study of the houses of the Caribbean Leeward Islands of St. Christopher, Nevis, Antigua and Montserrat : 1624-1726 /." Atlanta, Ga. : Georgia Institute of Technology, 2007. http://hdl.handle.net/1853/26661.

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Thesis (Ph.D)--Architecture, Georgia Institute of Technology, 2008.<br>Committee Chair: Lewcock, Ronald; Committee Member: Bafna, Sonit; Committee Member: Dowling, Elizabeth; Committee Member: Edwards, Jay D.; Committee Member: Nelson, Louis. Part of the SMARTech Electronic Thesis and Dissertation Collection.
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15

Ahmad, A. Ghafar Bin. "Conservation of British colonial buildings built between 1800 and 1930 in Malaysia." Thesis, University of Sheffield, 1994. http://etheses.whiterose.ac.uk/14730/.

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conservation in the United Kingdom and to develop possibilities of transferring them to the context of British colonial buildings in Malaysia. It is axiomatic, based on visits to and observations of a large number of buildings in Malaysia and the United Kingdom, that there are many similarities between the British colonial buildings built between 1800 and 1930 in Malaysia and those built in the same period of time in the United Kingdom; in terms of style, building materials, detailing, function and construction. Like many other countries in which building conservation seems a fairly new practi
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Cottam, D. "Architectural principles in an age of functionalism : A study of the architect-engineer in British architecture of the inter-war period." Thesis, University of Liverpool, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.355712.

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17

Austin, Samuel. "Travels in lounge space : placing the contemporary British motorway service area." Thesis, Cardiff University, 2011. http://orca.cf.ac.uk/28977/.

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This thesis reads contemporary British motorway service areas as questions of place, and as instances of what I call ‘lounge space’, a space of transient consumption that conceals the power of the host. Motorways and service areas are sites where clear boundaries have been asserted, materially as well as theoretically, between local and national, traditional and modern, country and city, place and ‘non-place’. Through close readings of service area forms, details and materials in context, this thesis shows how such absolute distinctions cannot be maintained. Rather than instances of ‘non-place
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18

Carlsson, Moa Karolina. "Seeing systems and the beholding eye : computer-aided visions of the postwar British landscape." Thesis, Massachusetts Institute of Technology, 2019. https://hdl.handle.net/1721.1/121875.

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Thesis: Ph. D. in Architecture: Design and Computation, Massachusetts Institute of Technology, Department of Architecture, 2019<br>Cataloged from PDF version of thesis. "The pagination in this thesis reflects how it was delivered to the Institute Archives and Special Collections. Figure images not found in original thesis"--Disclaimer Notice page.<br>Includes bibliographical references (pages 257-287).<br>In the decades after World War II-a period that saw the accelerated transformation of Britain's countryside into a modem industrial landscape-the visual appearance of the country was placed a
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19

Huang, Hsin-Yin. "Going native : British diplomatic, judicial and consular architecture in China (1867-1949)." Thesis, University of Sheffield, 2010. http://etheses.whiterose.ac.uk/10374/.

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This research examines connections between British and Chinese architectural cultures in the history of Anglo-Chinese relationships. The research subject is British diplomatic, judicial and consular establishments built in China between 1867 and 1949. These consulates were established by the British government in a variety of Chinese environments, from freezing to humid climates, and from Muslim to Westernised Russian-Japanese dominated cultures. They become an ideal subject for an investigation into the interaction between Chinese and British cultures. Instead of repeating the dichotomy betwe
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Peter, Bruce. "Form follows fun : modernism and modernity in British pleasure architecture, 1925-1940." Thesis, Glasgow School of Art, 2005. http://radar.gsa.ac.uk/4064/.

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This thesis aims to establish how and why the architecture of pleasure matched the stylistic and ideological concerns of Modernism and to document the professional, entrepreneurial and institutional infrastructures affecting its development and appearance. It will argue that, in responding to flux of modernity, Modernism in the architecture of pleasure was appropriately ephemeral. Paradoxically, this fashionability undermined existing conceptions ofwhat constituted 'good' architecture and design. 'Theorising the architecture of pleasure' examines Modernism in relation to perceptions of high an
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Albo, Frank. "Freemasonry and the nineteenth-century British Gothic Revival." Thesis, University of Cambridge, 2013. https://www.repository.cam.ac.uk/handle/1810/283920.

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Shaw, Nancy (Nancy Alison) 1962. "West coast style : modern homes and lifestyles in Canada, 1945-1995." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23242.

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In Canada, West Coast Style has come to be associated with domestic architecture and a relaxed, modern lifestyle characteristic of the region's exceptional geography and climate. My thesis is a study of how this cultural formation has been figured and refigured since the Second World War through a historical and discursive analysis of West Coast Style. This cultural study focuses on how the term West Coast Style circulates and shifts meaning in relationship to a variety of domestic architectures such as the suburban single-family dwelling and more urban types like the coop, condominium and hig
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Asbury, Robert M. "The role of the new town in social change : the British new towns program." Thesis, Georgia Institute of Technology, 1985. http://hdl.handle.net/1853/23773.

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Kane, Josephine Frances. "'A Whirl of Wonders!' British Amusement Parks and Architecture of Pleasure, 1900-1939." Thesis, University College London (University of London), 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498609.

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25

Krit, A. "Lifestyle migration : architecture and kinship in the case of the British in Spain." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1383731/.

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This thesis explores the phenomenon of lifestyle migration: people mainly in their 50s who move to another country, typically with warmer climate and in some cases less stable economies, to reside there full-time. By using the built environment as a means of analysis, this project explores the different ways in which lifestyle migrants come to interact with the architecture of their houses, reflect through them, and construct a new place they are able to call home. By examining how the migrants come to inhabit their new dwellings, the thesis also reveals the underlying importance of their kins
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Alvarez, Laura B. "Morphological, social and perceptual dimensions of public places in British neighbourhoods." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/49750/.

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This study sits within the socio-political and legislative context of a transition time worldwide, when globalisation, a communication revolution, mass migration, climate change and economic rebalancing are changing the face of the world. This work aimed to resolve some of the challenges urban practice is facing to adopt complex, systemic and multidisciplinary appraisal processes that could help deliver more sustainable neighbourhoods, looking at public life in the public realm in British neighbourhoods. The study adopted the concept of neighbourhood coined by Barton (2000): the physical envir
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Basarrate, Iñigo. "An English architect in Spain : five projects by Edwin Lutyens." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25690.

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Although the work of Edwin Lutyens has received much careful scholarly study since the 1980s his important projects in Spain remain very little known. Presently, only a brief article by Gavin Stamp and Margaret Richardson is devoted solely to Lutyens' work, and they are merely touched on in his published biographies, especially that by Christopher Hussey. Unfortunately, Lutyens was unable to complete his Spanish commissions, mostly because of the deterioration of Spain’s economy and social order in the 1930s, and this has played a major role in keeping these projects in the dark. Furthermore,
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Wheaton, Pat. "High style and society : class, taste and modernity in British interwar decorating." Thesis, Kingston University, 2011. http://eprints.kingston.ac.uk/24563/.

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This thesis explores the way in which interior decorating developed as a practice during the interwar period in Britain and seeks to address broader contexts of gender, class, taste and styles. While traditional design histories have tracked the development of the interior design model through a direct sequence of movements and ideologies through the nineteenth and twentieth centuries, this thesis addresses issues which have been problematic within the context of art and design history. It acknowledges the more linear dimension of the original strand and seeks to offer a complementary appraisa
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Farrell, Rebecca-Ellen. "Volcanic facies architecture of the Chilcotin Group basalts at Chasm Provincial Park, British Columbia." Thesis, University of British Columbia, 2010. http://hdl.handle.net/2429/28018.

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The Chilcotin Group basalt (CGB) of south-central British Columbia, Canada defines a medium-sized igneous province (ca. 17, 000 km²), characterized by basaltic lavas, volcaniclastic deposits, and paleosols with minor ash deposits. The CGB has previously been mapped only at reconnasissance scale (1:250 000), and most studies concentrated on geochemical and petrological studies; no stratigraphic relationships or volcanological models were attempted. Chasm canyon exposes one of the thickest successions of the CGB. Here, I explicate the volcanic facies architecture at Chasm to reconstruct the empl
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Ruso, Simona. "Stratigraphic Architecture and Characterization of a Neoproterozoic Continental Slope System, Windermere Supergroup, East-Central British Columbia, Canada." Thesis, Université d'Ottawa / University of Ottawa, 2021. http://hdl.handle.net/10393/42660.

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At the Castle Creek study area, exceptionally well exposed strata of the Isaac Formation (Neoproterozoic Windermere Supergroup) crop out over a strike length of 4 km. This ~ 1 km-thick succession of continental slope deposits consist of six channel complexes (ICC1-ICC6) composed of three main architectural elements: mass transport deposits (MTDs), channel, and overbank deposits. Together, these elements stack in a repeating and systematic pattern that illustrates periodic forcing on the system related to the combined effect of long- and short-term changes in relative sea level that controlled
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Kelly, Jessica. ""To fan the ardour of the layman" : J.M. Richards, The Architectural Review, and discourses of modernism in British architecture, 1933-1972." Thesis, Middlesex University, 2013. http://eprints.mdx.ac.uk/13042/.

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This thesis examines the history of discourses of modern architecture in Britain through the career of J.M. Richards as a journalist and editor of The Architectural Review (AR) from 1933 to 1972. The three central themes of the thesis are; firstly, the importance of Richards and the magazine to the culture of modern architecture in Britain. Building on existing scholarship that has broadened the boundaries of architectural history to include the architectural media, this thesis considers the changing role of the media within the architectural profession and what this reveals about the shifting
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Rawles, Susan Jensen. "Facing independence: American Revolutionary portraits within the context of British identity." W&M ScholarWorks, 2005. https://scholarworks.wm.edu/etd/1539623469.

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This paper examines the content of eighteenth-century American and British portraits within the ideologically-expanding context of eighteenth-century British identity. It explores the ways in which Britons and Americans negotiated who they were and, consequently, their claims on society, in the era preceding and including the American Revolution. It does so for three reasons: to advance a more interdisciplinary approach to the study of American portraiture; to motivate further dialogue on the relationship between American and British portraits; and to invoke the potential for American portrait
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Ada, Obiageli Nsugbe Emma. "Structure, curvature and movement : the application of organicism to architecture using mathematics and computer programming to generate form." Thesis, University of Bath, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340978.

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Bristol, Kerry A. C. "James 'Athenian' Stuart (1713-1788) and the genesis of the Greek Revival in British architecture." Thesis, Courtauld Institute of Art (University of London), 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.299166.

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35

Pearce, Michael. "Vesica : using Neolithic British ritual art and architecture as a model for making contemporary art." Thesis, University of Plymouth, 2007. http://hdl.handle.net/10026.1/2574.

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Can the creative practices of British Neolithic art and architecture be used in the making of contemporary art? This dissertation describes my practice making works of art based on the Neolithic model, presented in a gallery setting and occasionally in the landscape. The creative process is grounded on research into prehistoric British art and ritual architecture and records my process of understanding the work of ancient Britons as a framework for the concurrent process of making new objects for display. Without extensive research and direct experience of the Neolithic art and architecture I
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Hemingway, James Peter. "The work of the surveyors of the Navy during the period of the establishments : a comparative study of naval architecture between 1672 and 1755." Thesis, University of Bristol, 2002. http://hdl.handle.net/1983/91640282-b0c6-47c7-b806-6a14f03009ac.

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Rodrigues, Lucélia Taranto. "An investigation into the use of thermal mass to improve comfort in British housing." Thesis, University of Nottingham, 2010. http://eprints.nottingham.ac.uk/11872/.

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The UK Government has set ambitious targets for reducing energy use in buildings, including the target for all new homes to be zero-carbon by 2016. In addition, the government is committed to promote Modern Methods of Construction (MMC) as a solution for the shortage in housing that the country has been experiencing for a number of years. MMC have the potential to meet the new stricter building regulations and produce better quality homes that may use less energy for space heating but may also create homes that are more susceptible to overheating. Hence the paradox lies on the fact that a risi
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Fenner, James Lyon. "'British Small Craft' : the cultural geographies of mid-twentieth century technology and display." Thesis, University of Nottingham, 2014. http://eprints.nottingham.ac.uk/14494/.

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The British Small Craft display, installed in 1963 as part of the Science Museum’s new Sailing Ships Gallery, comprised of a sequence of twenty showcases containing models of British boats—including fishing boats such as luggers, coracles, and cobles—arranged primarily by geographical region. The brainchild of the Keeper William Thomas O’Dea, the nautical themed gallery was complete with an ocean liner deck and bridge mezzanine central display area. It contained marine engines and navigational equipment in addition to the numerous varieties of international historical ship and boat models. Man
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Wong, Shirley Sien Wah. "The Hong Kong and Shanghai Bank Headquarter Buildings (1886, 1935, 1986) : a historical analysis of colonialism and architecture." Thesis, University College London (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286763.

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Mayer, Laura Catherine. "Arbiters of taste landscaping, architecture and design : the society of Dilettanti and British patronage (1740-1790)." Thesis, University of Bristol, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529884.

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Deb, Lal Nilina. "Building Calcutta : construction trends in the making of the capital of British India, 1880-1911." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/29640.

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Calcutta of the late nineteenth and early twentieth century enjoyed global stature and connections as a consequence of its position within the British Empire as the capital of India. This study of Calcutta’s buildings aims to comprehend the architectural legacy of the period in terms of its construction history. The proposed thesis underlying the research is that Calcutta’s built environment bore witness to the intense traffic of ideas, people and goods characteristic of the era. The significance of the research is two-fold. It enjoys the distinction of being the first attempt to undertake a w
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Shasore, Neal Ethan. "Architecture and the public in interwar Britain." Thesis, University of Oxford, 2016. http://ora.ox.ac.uk/objects/uuid:37b6f51a-8b0e-4e29-96d5-ba478251913b.

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This thesis explores how the practice and profession of architecture was increasingly understood and discussed in terms of the public in the first half of the twentieth century through six case studies. In the age of universal suffrage, architects began to recognise that, in order for the profession to flourish, the built environment would have to respond to the demands of public opinion and publicity, and that design would need to appeal to the 'man in the street' if the profession was to establish its position in the new culture of democracy. 'Architecture and the Public in Interwar Britain'
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Johnson, Andrea M. "Incongruous Conceptions| Owen Jones's "Plans, Elevations, Sections and Details of the Alhambra" and British Views of Spain." Thesis, University of South Florida, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10076071.

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<p> This thesis analyzes <i>Plans, Elevations, Sections, and Details of the Alhambra</i> (1836-1842) by British Architect Owen Jones in relation to British conceptions of Spain in the nineteenth century. Although modern scholars often view Jones&rsquo;s work as an accurate visual account of the Alhambra, I argue that his work is not only interested in accuracy, but it is also a re-presentation of the fourteen-century monument based on Jones&rsquo;s ideologies and creative faculties. Instead of viewing the Alhambra through a culturally sensitive, historical lens, Jones treated it as an Imaginar
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Kostro, Mark. "On The Margins of Empire: An Archaeological and Historical Study of Guana Island, British Virgin Islands." W&M ScholarWorks, 2018. https://scholarworks.wm.edu/etd/1530192807.

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The present study of Guana Island in the British Virgin Islands draws upon archaeological, archival, and architectural evidence to examine the material and spatial aspects of everyday life on the social, geographic, and economic margins of the British Empire between 1717 and 1845. Guana’s settlers were yeoman farmers, formerly indentured laborers, and fishermen displaced from other parts of the Caribbean who came to the Virgin Islands for the opportunity to seek their own fortunes in the small island territories initially forsaken by sugar planters as ill-suited for large scale sugar cultivati
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Mendonça, Sandro. "The evolution of new combinations : drivers of British maritime engineering competitiveness during the nineteenth century." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/39708/.

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This work is an attempt to explore early British steamship innovation during the 19th century from the point of view of innovation studies. The proposed analytical framework draws on neo-Schumpeterian and evolutionary economics for understanding the patterns and factors behind the phenomenon of technical change in the capital good under analysis. The thesis aims at filling a gap in the maritime economic and technological history literature, namely the issues connected to the process through which modern (mechanically-propelled, iron-hulled, screw-driven) ocean transportation emerged. Two inter
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Frizell, Hazel Elizabeth. "Representations of specific concerns of the women's liberation movement in British feminist art 1970-1978." Thesis, Kingston University, 2009. http://eprints.kingston.ac.uk/20225/.

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Taking the Women's Weekend Conference held at Ruskin College, Oxford as my starting point, this thesis identifies and critically investigates the representation of specific concerns of the Women's Liberation Movement in British feminist artistic practice between 1970 and 1978. These concerns relate in particular to the personal experience of childraising and domesticity, namely, loss of identity and issues surrounding marriage, domestic labour, childcare, motherhood and female isolation. Approached as a reclamation project based upon the examination of feminist publications, feminist archives,
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Li, Baozhang. "Design patterns for an urban waterfront--a case study : designing the sea-walk of West Vancouver." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/29197.

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The paper consists of five steps. The first step is to study and explore theories of order, time image, and meaning of place. A hypothetical equation is proposed which defines a place as having three basic components: time, order and meaning. Special attention is paid to the time image of a place through the thesis. The second step is to organize the theories as a set of systematic design ideas. Twelve design categories are further introduced, which include Rhythm, Season, Celebration, Layer, Future, Sequence, Derelict, Night, Center, Boundary, and Sacred Places. The third step is to generate
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Oner, Asli. "Integration of local cultural values in global hotel design." Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1273162.

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In the earlier stages of globalization, global chain hotel design did not have specific concerns about local culture and host country. In the last two decades, these hotels became more respectful towards the local culture by integrating local cultural elements and construction techniques in their design. The reasons for this shift is directly linked with globalization, increased competition between cities, fierce competition between urban hotels, and changing demands of the global travelers.Among the hotels integrating local cultural values, there is a specific niche that has established the
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Ékes, Csaba. "Radar facies and architecture of alluvial fans and related sediments in high-energy alpine environments, British Columbia." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ51855.pdf.

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Rosenthal, Ashley A. "The British Arts and Crafts movement manifested in an American case study of Gustav Stickley's Craftsman architecture." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1338880.

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Abstract:
This thesis describes how components of the British Arts and Crafts Movement crossed the Atlantic and inspired the American Gustav Stickley's Craftsman residential architecture. As part of the Movement's reaction against the Industrial Revolution, Stickley's Craftsman residences emphasized honest and simple design and the use of natural materials. My thesis identifies the expressions of Stickley's ideals in the case study of a surviving Craftsman home located in the suburb of Irvington in Indianapolis, Indiana. The case study examines the house's configuration, construction methods, original m
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