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Journal articles on the topic 'Architecture Brutalism'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Alfirevic, Djordje, and Sanja Simonovic-Alfirevic. "Brutalism in Serbian architecture: Style or necessity?" Facta universitatis - series: Architecture and Civil Engineering 15, no. 3 (2017): 317–31. http://dx.doi.org/10.2298/fuace160805028a.

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Historiography expresses a firm point of view that the movement of Brutalism did not have a more significant influence on Serbian architecture. Several researches in their essays point out that there are, however, certain works by Serbian architects that could be denoted as Brutalist in style. Nevertheless, after scientific analysis of the representative examples materialized in raw concrete and brick and their comparison with authentic interpretations of Brutalist principles, it is evident that Serbia does have a significant number of architectural works representing Brutalism. The aim of the

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2

Wahid, Julaihi, A. Abdullah, Nashwan Al Ansi, Ema Yunita Titisari, and Afaq C. Hyder. "A Discourse on Brutalism Architecture: The Forgotten Architecture Style in Architecture Revolution." Review of Urbanism and Architectural Studies 21, no. 2 (2023): 120–29. http://dx.doi.org/10.21776/ub.ruas.2023.021.02.13.

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This paper explores the Brutalism architectural style. This style became popular in the 1950-1970s with the start of experimentation with building materials in line with the social movements of that time. This research uses an exploratory approach based on a longitudinal study of similar studies. The discussion focused on the architects' revolutionary thinking towards unique designs through form manipulation and material exploration. The results of his work show the determination of form seekers, material experimentation, and the enthusiasm of young architects for monumental architecture. Mass

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BALCI ÖZTÜRK, Özlem, and Oya ŞENYURT. "Localization of Brutalist Architecture in Post-War Turkey: Three Unique Examples from Istanbul." Architecture, Civil Engineering, Environment 17, no. 3 (2024): 1–23. https://doi.org/10.2478/acee-2024-0017.

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Abstract Brutalism, a revision of Modernism, originated in England in the 1950s and spread rapidly globally. This intercontinental expansion has led to distinctive local diversity in different geographies, from Europe to the America. Concurrent with global examples, brutalist buildings began to appear in Turkey in the early 1960s. Notably, in Istanbul, Brutalism has managed to localize and create unique examples. This study investigates the transition of Brutalism between geographies and its localization in Turkish Architecture. This study analyzes brutalist and brutalist-influenced structures

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Ikhsan, Nur, and Ashadi Ashadi. "Kajian Konsep Arsitektur Brutalisme Pada Bangunan Perkantoran Wisma Hayam Wuruk." PURWARUPA Jurnal Arsitektur 7, no. 1 (2023): 57. http://dx.doi.org/10.24853/purwarupa.7.1.57-62.

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ABSTRAK. Bangunan perkantoran yang merupakan sekumpulan ruang kantor memiliki tipologi bangunan yang menunjang fungsi, fasilitas dan pelayanan kantor. Perkembangan jaman telah merubah karakter perkantoran yang tadinya hanya sekadar tempat bekerja menjadi sebuah ‘pride’ kebanggaan dalam mecapai suatu hasil bagi perusahaan maupun karyawan yang bekerja. Bangunan perkantoran dapat mendeskripsikan citra yang ingin ditampilkan termasuk konsep brutalisme. Permasalahan dari penelitian ini adalah bagaimana penerapan prinsip-prinsip arsitektur brutalisme pada bangunan perkantoran. Tujuan kajian ini adal

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Соломонова, Ирина Сергеевна. ""Зеленая зона" в архитектуре английского брутализма 1950–1960-х годов". Actual Problems of Theory and History of Art 14 (11 жовтня 2024): 522–32. https://doi.org/10.18688/aa2414-7-41.

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In modernist, especially functionalist, theory, nature was given a rationally justified hygienic function, which obviated the need for artistic design of landscapes. However, after World War II the architectural community started to feel the inadequacy of the functionalist method and sought to humanize it. The CIAM discussion developed new principles, based on the idea of communication and community building, as well as blending of functions like in the traditional city. It was presented by a group of young architects who called themselves ‘Team X’. On this basis, the group’s leaders, British

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Imani, Elena, and Samira Imani. "Brutalism: as a preferred style for institutional buildings in modern architecture period." E3S Web of Conferences 231 (2021): 04001. http://dx.doi.org/10.1051/e3sconf/202123104001.

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From the 1950s onward, Brutalist style spread all over the world and dedicate many breathtaking architectural movements to buildings. Architect’s opinion about this prominent approach to building design varies greatly. Brutalist style has known primarily for its aesthetics and property for institutional buildings with the use of functional reinforced concrete, steel, modular, and repetitive elements. Besides all advantages of brutalism, this style is sharply criticized for being cold, crude, cruel, and not appropriate for many climates. Brutalism also became popular with governmental and insti

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Ivaschenko, Nikita A. "BRUTALIST ARCHITECTURE IN RUSSIAN AND FOREIGN ART HISTORY AFTER REYNER BANHAM." Articult, no. 4 (2022): 6–16. http://dx.doi.org/10.28995/2227-6165-2022-4-6-16.

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Brutalist architecture is of great interest to contemporary art historians, architecture lovers, designers and musicians. The first large work on brutalist architecture was Reyner Banham’s “The New Brutalism: Ethic or Aesthetic?”, initially published in the beginning of the 1970-s. This text, though not free of contradictions, became the start of a whole tradition of speaking about brutalism in special literature. Still being relevant, Banham’s book serves as a guiding star for the succeeding authors on the one hand and needs to be revised on the other. The article is centered on the texts tha

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8

Niebrzydowski, Wojciech. "The Impact of Avant-Garde Art on Brutalist Architecture." Buildings 11, no. 7 (2021): 290. http://dx.doi.org/10.3390/buildings11070290.

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Brutalism was an architectural trend that emerged after World War II, and in the 1960s and 1970s, it spread throughout the world. The development of brutalist architecture was greatly influenced by post-war avant-garde art. The greatest impact on brutalism was exerted by such avant-garde trends as art autre, art brut, and musique concrète. Architects were most inspired by the works of such artists as Jackson Pollock, Jean Dubuffet, Pierre Schaeffer, Eduardo Paolozzi, and Nigel Henderson. The main aim of the research was to identify and characterize the most important ideas and principles commo

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9

Letzter, Jonathan. "The Brutalist Figure—Grid: Exploring New York Brutalism." Architecture 4, no. 2 (2024): 316–41. http://dx.doi.org/10.3390/architecture4020019.

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The grid plays a prominent role in architecture, aiding in space organization and influencing all aspects of planning, ranging from urban design to intricate building details. This paper posits that the grid receives heightened emphasis in Brutalism, particularly in constructivist Brutalism, where materials and construction are intentionally exposed. A question arises regarding the grid’s characteristics—despite its subtle appearance, the grid can sometimes be deceptive, ambiguous, and manipulative. The paper analyzes the merits and drawbacks of employing the grid in architecture, shedding lig

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Altun, Didem. "Brutalism Now: Rethinking Brutalism in Contemporary World Architecture." Arts 5, no. 2 (2016): 3. http://dx.doi.org/10.3390/arts5020003.

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11

Smith, Jonny. "‘Something like the truth’: Confronting the Honesty of Brutalism and Post-War Planning in The Offence." Journal of British Cinema and Television 20, no. 1 (2023): 46–73. http://dx.doi.org/10.3366/jbctv.2023.0656.

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This article explores the 1973 thriller The Offence in relation to its representation and utilisation of post-war urban planning and modernist architecture, with particular reference to brutalism and new towns. It considers the film to be at a seminal intersection between British cinema and post-war modernism, building on and ultimately eclipsing Get Carter and A Clockwork Orange which have received much of the critical attention in this specialised discourse. While the film is ostensibly a character study of a troubled policeman, Detective Sergeant Johnson, I argue that The Offence’s engageme

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Gnatiuk, Liliia. "The brutalism in of sacred space formation." Current problems of architecture and urban planning, no. 66 (April 14, 2023): 32–43. http://dx.doi.org/10.32347/2077-3455.2023.66.32-43.

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The architectural styles of the second half of the 20th century are analyzed, in particular, brutalism, which was the result of a negative assessment of the situation in the culture of the late 19th century. Opinions of leading theorists of culture are presented. Features characteristic of the culture of the end of the century are presented. The architecture of sacred structures built according to the principle of engineering science is considered. It is determined that created objects. It was found that many attitudes and formulas can be associated with the concept of brutalism in sacre

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Mould, Oli. "Brutalism Redux: Relational Monumentality and the Urban Politics of Brutalist Architecture." Antipode 49, no. 3 (2016): 701–20. http://dx.doi.org/10.1111/anti.12306.

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Buinov, Alexei. "Wooden brutalism." проект байкал, no. 77 (October 29, 2023): 158–61. http://dx.doi.org/10.51461/issn.2309-3072/77.2209.

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The brutalism (neo brutalism) style is based on the aesthetics and ethics of honesty and a direct, unvarnished demonstration of the properties of the building material. Initially, concrete was such a material, but later brick, glass and metal entered the brutalist palette. Recently, due to the rise in the cost of all construction materials and works, interest in wood has been growing rapidly. Wood as a building material has a number of unique qualities that give housing particularly comfortable and healthy properties (salutogenicity). To do this, wood must have direct contact with the atmosphe

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Li, Jiajing. "The Brutalist Architecture of Dune: Rule-breaking Designs for the Future." Highlights in Science, Engineering and Technology 28 (December 31, 2022): 45–52. http://dx.doi.org/10.54097/hset.v28i.4058.

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The grandeur and rawness in architecture can be traced to the brutalism style raised up in soviet kingdom before ward war II. It seems that the post-war coldness in such design’s associates with the setting of the Dune, leading to the pivotal climax: the Battle of Arrakeen. But why does Denis Villeneuve and Patrice Vermette, the director of production designer of Dune, choose to embrace brutalist architecture in the film? This paper will examine the legacy of brutalist architecture and its relationship to modern film aesthetics. This is because this paper wants to put off implication introduce

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Chen, Zekai. "Rethinking Aesthetics: The Philosophy and Equality in Duchamp and Brutalism." Lecture Notes in Education Psychology and Public Media 92, no. 1 (2025): 23–29. https://doi.org/10.54254/2753-7048/2025.22781.

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Being one of the most controversial artists, Marcel Duchamp with his conceptual art transcended the art from mere, sensuous pleasure into philosophized works. His conceptual approach, along with Brillo Box by Andy Warhol, enlightened art theorist Arthur Danto to identify the post-historical era in his theory as the end of art. The art in the post-historical era complies with the idea of pluralism, having no criteria to the definition of art either their forms. This research aims to justify that, throughout the architectural history, Brtualism acts as a similar character as Duchamp, being the e

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Steiner, Hadas A. "Brutalism Exposed." Journal of Architectural Education 59, no. 3 (2006): 15–27. http://dx.doi.org/10.1111/j.1531-314x.2006.00030.x.

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Lidin, Konstantin. "Architecture as a process. Metamorphoses of style in the time and space." проект байкал, no. 79 (April 6, 2024): 16–19. http://dx.doi.org/10.51461/issn.2309-3072/77.2277.

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The development of architecture of modernism and postmodernism is considered on the example of brutalism style as an oscillating process between the aspiration to severe truthfulness and the predominance of decorativeness. Metamorphoses of Brutalism style depending on the place and time of realisation are considered. It is shown that in all variations the Brutalism style retains its reliance on the archetype of the Hero, which opposes the archetype of the Trickster, a reference for postmodernism. The requirement of severe truthfulness enters as one of the basic attributes of the Hero archetype

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Paupério, João, and Maria Rebelo. "PiR#05 - IS THIS BRUTALISM ?" Practices In Research, no. 5 (December 20, 2024): 133–44. https://doi.org/10.5281/zenodo.14536864.

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Şlapac, Mariana. "Chisinau architecture of the post-soviet period." Akademos, no. 4(67) (March 2023): 142–49. http://dx.doi.org/10.52673/18570461.22.4-67.19.

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The buildings constructed in Chisinau after year 1991 propose a diversified architecture. The stylistic range is quite various: neoclassicism, modernism, postmodernism, high-tech, deconstructivism, neominimalism, brutalism, etc. The influence of neoclassical architecture is felt upon the multistory building of S.A. “ASCOM Group”, and modernism is illustrated by the building of the “Kentford” Business Center, the building of the “Infotag” Information Agency, etc. Among the most illustrative examples of postmodernist architecture is the „Coliseum Palace” residential complex, the “Moldincombank”

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Han, Nia Namirah, and Kemas Ridwan Kurniawan. "Brutalism: The Socio-Political and Technological Effect on Postcolonial Modern Architecture in Indonesia." E3S Web of Conferences 65 (2018): 01004. http://dx.doi.org/10.1051/e3sconf/20186501004.

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Brutalism, as a style in modern architecture, escaped from the architectural critic’s attention in Indonesia. This is due to the lack of building architecture influenced by this style, as well as the difficulty of distinguishing this style from monumentalism in architecture in Indonesia. Its existence cannot be separated from the development of the Architectural industry in Indonesia. The cement factory - which is the main raw material of concrete - has an impact on infrastructure growth in Indonesia. The establishment of the first cement factory in the Netherlands Indies (Indonesia) as well a

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Żuławska-Sobczyk, Elżbieta. "Abraham Zabludovsky as a representative of brutalism in Mexican architecture." Estudios Latinoamericanos 38 (September 23, 2019): 125–40. http://dx.doi.org/10.36447/estudios2018.v38.art7.

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Brutalism was a trend that appeared in architecture in response to the International Style, with preference forthe aesthetics of machines and clean geometric forms striving for lightness and stylistic purity. Le Corbusieris considered to be the precursor of this style, but its concept was best presented both in theory and practiceby Alison and Peter Smithson. Th e idea of expressing form, the sincerity of material, and deriving fromwhat could be found in the area of construction has spread throughout the world. In Mexico, an architect ofPolish descent, Abraham Zabludovsky, became an advocate o

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Walker, Paul, and Antony Moulis. "Finding Brutalism in the Architecture of John Andrews." Fabrications 25, no. 2 (2015): 214–33. http://dx.doi.org/10.1080/10331867.2015.1032480.

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Gatley, Julia. "Space, Hope, and Brutalism: English Architecture, 1945–1975." Fabrications 27, no. 1 (2017): 120–21. http://dx.doi.org/10.1080/10331867.2017.1259537.

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Thorne, Robert. "Space Hope and Brutalism: English Architecture 1945–1975." International Journal for the History of Engineering & Technology 87, no. 1 (2017): 142–43. http://dx.doi.org/10.1080/17581206.2017.1324083.

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Misra, Manjusha. "Space, hope and brutalism: English architecture 1945–1975." International Journal of Environmental Studies 74, no. 3 (2017): 500–501. http://dx.doi.org/10.1080/00207233.2017.1288058.

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Ortolano, Guy. "Space, hope, and brutalism: English architecture, 1945–1975." Planning Perspectives 32, no. 2 (2017): 295–96. http://dx.doi.org/10.1080/02665433.2016.1275349.

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Kei, Juliana. "New Brutalism, Again." Architecture and Culture 7, no. 2 (2019): 271–90. http://dx.doi.org/10.1080/20507828.2019.1614768.

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Kulić, Vladimir. "Yugoslavia: Brutalism and sophistication." Architectural Research Quarterly 23, no. 4 (2019): 381–83. http://dx.doi.org/10.1017/s1359135519000289.

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Roosandriantini, Josephine, and Jessica Aprilia Poernama. "Identifikasi Langgam Arsitektur Brutalisme Pada Bangunan Geisel Library." Selasar 20, no. 2 (2023): 42–55. http://dx.doi.org/10.30996/selasar.v20i2.8971.

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The development of architectural styles continues to change from time to time. Modern architecture is one of the phenomenal architectural styles because it is the turning point of major changes in classical architecture that has existed for thousands of years. There are several factors that triggered the emergence of modern architecture, namely the result of the industrial revolution in Europe and also the emergence of boredom and dissatisfaction of architectural artists at that time against classical architecture. Just like classical architecture, modern architecture is also divided based on

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Franklin, Geraint. "Sweet Geometry: Edward Reynolds at the Architectural Association, 1956–58." Architectural History 62 (2019): 171–203. http://dx.doi.org/10.1017/arh.2019.7.

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AbstractThis article considers the position of the Anglo-Portuguese architect Edward Reynolds (1926–59) in the British avant-garde of the 1950s. InModern Architecture: A Critical History(1980), Kenneth Frampton suggested that Reynolds's student projects at the Architectural Association in London ‘exerted a decisive influence on the development of Brutalism’. This article scrutinises that claim through the lens of Reynolds's interactions with his peers, including the so-called French House group, an informal network that included his tutors John Killick, James Gowan and Peter Smithson. Notable

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Dias, Tiago Lopes. "Ética e Arquitetura: a responsabilidade de uma novíssima crítica em Portugal." Latin American Journal of Development 3, no. 5 (2021): 2997–3013. http://dx.doi.org/10.46814/lajdv3n5-025.

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O argumento do presente texto defende que o “Novo Brutalismo”, sendo indiscutivelmente um debate arquitetónico de origem britânica, era movido por um princípio universal: a adesão intelectual aos problemas do seu tempo. A luta contra o academicismo e o historicismo, a aceitação da realidade e das diferentes formas de cada cultura construir o seu habitat, e a crescente importância atribuída aos utilizadores da arquitetura, constituem pontos essenciais para a revisão dos modelos arquitetónicos levada a cabo no pós-guerra. Estes princípios despertam o interesse de uma nova geração de arquitetos p

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Allweil, Yael, and Noa Zemer. "Brutalism and Community in Middle Class Mass Housing: Be’eri Estate, Tel Aviv, 1965–Present." Urban Planning 7, no. 1 (2022): 349–68. http://dx.doi.org/10.17645/up.v7i1.4811.

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Fostering functioning, place-based communities has been a major concern in architecture and planning circles since the mid-1950s revolving the issue of habitat. Using the ethics of European New Brutalism, in Israel the architectural discourse locally developed a Team 10 critique of CIAM, addressing community as the main challenge of modern housing. The failure of modern mass housing to foster viable communities is associated with, and arguably triggered by, the global shift from state-sponsored to market housing that began in the 1970s. Increasing neoliberal policies, which address housing as

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Çakıroğlu, Birgül, and Reyhan Akat. "James Stırlıng (1926-1992) and Works." International Journal of Sciences Volume 6, no. 2017-08 (2017): 148–64. https://doi.org/10.5281/zenodo.3350074.

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One of the most successful architects of Brutalism in architecture, one of the most influential architects in the 20th century architecture of the United Kingdom with its own postmodernist understanding. In this study; James Stirling and his works are given based on the literature. The humanist, the reformist, and the social Utopian have shown an attitude. Stirling believed and strived to build a humanistic architecture, using mainly the elements and references that the people would understand and accept. When we look at the whole of architectural life, we can say that Stirling is not worried

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McCarthy, Christine. "Campus Concrete." Architectural History Aotearoa 13 (August 17, 2022): 46–56. http://dx.doi.org/10.26686/aha.v13i.7785.

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This paper will look at the celebrations of concrete apparent in the Brutalist architecture of the 1970s. It will particularly examine Toomath's Wellington Teachers' Training College (Stage I design 1962-65, built 1966-69; Stage II design 1966-69; built 1972-75), Chris Brooke-White's Central Institute of Technology campus in Heretaunga, Upper Hutt (Stage 1, 1969-72; Stage II, 1972-77), and Ted McCoy's additions to Otago University (namely the Archway Theatres (1972-73) and the Hocken Building (1979-80)). Concrete is understood on these sites as textures as well as spatial articulators. Helmut

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Abusaada, Hisham. "Ethics of Architecture or Ethical Architecture?" International Journal of Responsible Leadership and Ethical Decision-Making 1, no. 2 (2019): 1–15. http://dx.doi.org/10.4018/ijrledm.2019070101.

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This paper examines the nature of the relationship between ethics and architecture. This complicated state of affairs—in professional practice and architectural design—is evaluated based on a bibliographical review of the visions of some Arab and Western thinkers. This review passes through the analysis of three intellectual movements: modernism, postmodernism, and the new brutalism. A series of questions arises: How is it determined whether any of these principles are moral or immoral? Does a specific principle override other beliefs? Who decides that any building is ethical or unethical? Thi

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Muthesius, Stefan. "Review: Space, Hope and Brutalism: English Architecture, 1945–1975, by Elain Harwood." Journal of the Society of Architectural Historians 75, no. 3 (2016): 374–75. http://dx.doi.org/10.1525/jsah.2016.75.3.374.

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Fair, Alistair. "‘Brutalism Among the Ladies’: Modern Architecture at Somerville College, Oxford, 1947-67." Architectural History 57 (2014): 357–92. http://dx.doi.org/10.1017/s0066622x00001465.

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In 1945, Janet Vaughan, a distinguished haematologist, became Principal of Somerville College, Oxford, her Principalship lasting until her retirement in 1967. Described in her obituary as ‘a woman of extraordinary vitality and not a little impatience’, Vaughan — awarded the DBE in 1957 — played a key role in steering the college through a period of major change in British Higher Education. Not least amongst the changes was a significant growth in the number of students at university across the country, which resulted in numerous, often high-profile, construction projects. Somerville, which had

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Lidin, Konstantin. "Genius Loci and/or Zeitgeist?" проект байкал, no. 77 (October 29, 2023): 52–55. http://dx.doi.org/10.51461/issn.2309-3072/77.2187.

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The article considers the concepts of Genius Loci and Zeitgeist and shows the contradictions between these two aspects and their influence on the development of architecture. It is concluded that the predominance of the Genius of Place forms a gravitation towards sedentarisation and diversity of local architectural forms. The predominance of the Spirit of the Time stimulates the development of uniform international architectural styles that ignore the peculiarities of landscape and scenery. During the twentieth century, the development of architecture was mainly shaped by the Spirit of Time, w

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Šenk, Peter. "Aesthetics of sustainability: Capsule architecture in the city and in nature." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 463–72. http://dx.doi.org/10.5937/saj1903463q.

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Architecture of minimum dwellings has been a hot topic recently. When minimum dwellings are compact, well-equipped, connected to the network, structurally, functionally and visually recognized as one thing, temporary and mobile or transportable, they may be designated as capsule architecture. Temporary by nature, these small dwellings, shelters, redesigned container units, special technological structures, parasites and other manifestations of the capsules concept encompass the logic of technological facilities with a distinct architectural expression. At the same time, it is a manifestation o

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Lægring, Kasper. "Exemplification as explanation: The negative reception of modern architecture revisited." SAJ - Serbian Architectural Journal 10, no. 1 (2018): 25–36. http://dx.doi.org/10.5937/saj1801025l.

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What are the reasons for the negative reception of modern architecture in the 1960s and 1970s? If we consult the critics themselves, the counter-reaction is a result of the overflow of new semantic insights from disciplines such as psychology and sociology in architecture. But if we turn to philosophy of architecture, Nelson Goodman's notion of exemplification might provide some answers; not only to the critiques of modern architecture but also to the epistemic turn affecting architecture. This article argues that it was the extensive use of a formalist aesthetics of exemplification which led

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Holland, Jessica, and Iain Jackson. "A Monument to Humanism: Pilkington Brothers’ Headquarters (1955–65) by Fry, Drew and Partners." Architectural History 56 (2013): 343–86. http://dx.doi.org/10.1017/s0066622x00002537.

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The architect Maxwell Fry (1899–1987) is widely recognized as one of the key protagonists in the development of Modernist architecture in Britain. Discussion of this role perhaps inevitably tends to focus on Fry's early involvement in the Modern Architectural Research (MARS) Group and his inter-war work, particularly his prestigious partnership with the Bauhaus-founder Walter Gropius. Post-war, emphasis shifts to Fry's advancement of ‘Tropical Architecture’ in former British colonies with his wife and partner, the architect Jane Drew (1911–96). Despite a string of important commissions on home

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MacArthur, John. "The Nomenclature of Style: Brutalism, Minimalism, Art History and Visual Style in Architecture Journals." Architectural Theory Review 10, no. 2 (2005): 100–108. http://dx.doi.org/10.1080/13264820509478544.

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Murray, Andrew. "Brutal beginnings: the New Brutalism and Western Australia in the 1950s." Journal of Architecture 26, no. 8 (2021): 1219–40. http://dx.doi.org/10.1080/13602365.2021.1983004.

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Novotná, Mária. "Alpine huts: Architectural innovations and development in the High Tatras in the second half of the 20^th century." Architecture Papers of the Faculty of Architecture and Design STU 28, no. 1 (2023): 47–55. http://dx.doi.org/10.2478/alfa-2023-0005.

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Abstract The innovative 20th century brought many problems, but it brought many solutions too. The problems architecture was trying to handle at the time were no longer solvable with traditional methods. The world learned about new architectural movements like post-war modernism, brutalism, high-tech architecture, and postmodernism. However, there were places where innovative tendencies were implemented at a slower rate, with some delay, or not at all. The paper analyses buildings built in the alpine territories of the High Tatras in former Czechoslovakia and examines three typologies of huts:

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Andres, Tellez Tavera. "Patricio Guzmán Campos, fotógrafo: el cuerpo a cuerpo con la arquitectura. Fotografías de la obra de Suárez, Bermejo y Borchers = Patricio Guzmán Campos, photographer: close to close with architecture. Photographs of the work of Suárez, Bermejo and Borchers." rita_ Revista Indexada de Textos Académicos, no. 19 (May 31, 2023): 128–53. https://doi.org/10.24192/2386-7027(2023)(v19)(08).

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En el contexto de una publicación de la revista española Hogar y Arquitectura sobre arquitectura en Chile, el fotógrafo Patricio Guzmán Campos fue contratado para producir las imágenes de las obras de Borchers, Bermejo y Suárez. El trabajo de Guzmán es abordado como un cuerpo a cuerpo con los edificios, en una tarea de intermediación corpórea, sugerida por uno de los textos de Borchers. Se aborda el contexto general de la publicación; se establecen puntos de encuentro entre el aspecto sísmico de Chile, la fotograf&iac

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Ben Shoshan, Liat Savin. "Architecture, cinema, and images of childhood in 1950s Britain." Architectural Research Quarterly 22, no. 2 (2018): 115–26. http://dx.doi.org/10.1017/s135913551800043x.

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In 1956, Independent Group member Eduardo Paolozzi, close friend and collaborator of Alison and Peter Smithson, starred in the film Together, directed by Lorenza Mazzetti, who had met him while a student at the Slade School of Fine Art. Strikingly, the imagery and setting of the film shares much in common with the images used by the Smithsons in their work, particularly those by Nigel Henderson, of children playing in the East End. Together is a 52-minute film screened in 1956, as part of Free Cinema programme. East London, with its narrow streets, riversides, docks, and multiple bomb sites, a

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Čivrná, Tereza. "The Evolution of Cinemas in Prague from the Second Half of the Twentieth Century: A Contemporary Perspective." Stavební obzor - Civil Engineering Journal 33, no. 1 (2024): 1–19. http://dx.doi.org/10.14311/cej.2024.01.0001.

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The article approaches the situation of Prague cinemas in the second half of the 20th century from the end of the Second World War to the Velvet Revolution within the socio-historical background from the point of view of an architect and a cinephile. The entire text is arranged chronologically in four paragraphs reflecting the contemporary political and social situation. It approximates the post-war period full of ideological ideals, when the construction of a dense network of cinemas became a key element of national renewal, not only in large cities but also in the regions. The following deca

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Stalder, Laurent. "‘New Brutalism’, ‘Topology’ and ‘Image’: some remarks on the architectural debates in England around 1950." Journal of Architecture 13, no. 3 (2008): 263–81. http://dx.doi.org/10.1080/13602360802215213.

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Stalder, Laurent. "‘New Brutalism’, ‘Topology’ and ‘Image’: some remarks on the architectural debates in England around 1950." Journal of Architecture 22, no. 5 (2017): 949–67. http://dx.doi.org/10.1080/13602365.2017.1351781.

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