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Relevant bibliographies by topics / Architecture, Buddhist

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Academic literature on the topic 'Architecture, Buddhist'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 March 2023

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Journal articles on the topic "Architecture, Buddhist"

1

Salim, Singgih, Rahadhian Prajudi Herwindo, and Yuswadi Saliya. "The application of sacredness in temple architecture – Buddhist museum." ARTEKS : Jurnal Teknik Arsitektur 7, no. 1 (2022): 11–22. http://dx.doi.org/10.30822/arteks.v7i1.1087.

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Buddhism is one of the oldest religions in the world, and the development has led to a great change in the typology of Buddhist architecture, and caused a complex scope of the concept. This complexity is due to the absence of architectural literature that regulates the addition of supporting functions, such as profane and sacred value, in improving Buddhists' education. However, the addition of a profane function reduces sacred value and act of worship, opposes architectural design, and defiles ritual activities. Furthermore, one of the functions that provide education as well as a personal approach to Buddhism is the museum. This research aims to examine the contextual relationship between main and supporting functions, namely the sacred (worship building) and the profane (museum), respectively. And also, to display the sacred value through architectural characteristics. The analytical method used the theory of sacredness and contextuality. This was further elaborated in various architectural scopes to produce a relationship between temples and museums, that apply sacred values according to Buddhist philosophy. The research leads to differences in principles application, such as orientation, hierarchy, boundary scope, geometric shapes, symmetry, repetition, material appearance, shape synergy, zoning, processions, atmospheric ambiguity, symbolic objects, boundary guards, and gathering areas.

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Zuo, Yun. "Study on the Composition of Inner Mongolia Wudangzhao Monastery Building Complex." Applied Mechanics and Materials 357-360 (August 2013): 141–44. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.141.

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Tibetan Buddhist monasteries embody almost all achievements of the Tibetan community in religious, scientific, cultural and artistic. The erection of Tibetan Buddhist monasteries are closely related to the history of Tibetan Buddhism in Inner Mongolia. As the Tibetan Buddhism had been spread to Inner Mongolia in different periods, Tibetan Buddhist monasteries presented different features in its architectural style. Wudangzhao Lamasery is the grandest integral monastery complex still remaining in Inner Mongolia.Its buildings have high value of art and characteristically Tibetan Buddhist Architectural style on monasterys arrangement and style. Different types of the building gathered together form a Tibetan monastery, buildings complex reflected the intact standard of Tibetan Architecture. They express the Tibetan traditional mountain worship idea, and Buddhist the Mandala Cosmology and Three Realms idea.

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Shen, Hong. "On the evolution of the architectural style of Tao Fong Shan." International Journal of Arts and Humanities 1, no. 1 (2020): 28–35. http://dx.doi.org/10.25082/ijah.2020.01.006.

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The characteristic architectural style of Tao Fong Shan in Hong Kong is unique in the sense that this Christian institution looks exactly like a traditional Chinese Buddhist monastery. What kind of secret exists behind this seemingly uncoordinated appearance? The two names of Karl Ludvig Reichelt and Johannes Prip-Møller are closely connected with Tao Fong Shan buildings, but few people know how exactly the Norwegian founder of The Christian Church for China’s Buddhists met and cooperated with the Danish architect in designing these buildings. The present paper is an effort to retrace the initial vision of architectural style for Tao Fong Shan shared by Reichelt and Prip-Møller, as well as the evolution of the later designs at different stages. Reichelt found many common features between Chinese Buddhism and the Gospel of John in New Testament. In order to promote the missionary work among China’s Buddhists, he tried to create an environment in which the inquiring Buddhists would find it comfortable and at ease. Reichelt’s another contribution is in raising money for the construction of Tao Fung Shan buildings. His method of crowd funding proved to be practical and effective. Prip-Møller had ten years’ experiences of working in China and was a top-notch expert in China’s Buddhist architecture. His professional expertise has ensured that Reichelt’s idea of combining the traditional Chinese Buddhist architectural style and the Christian nature of Tao Fong Shan buildings could be eventually realized.

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Yu, Shuishan. "The Translation of Buddhism in the Funeral Architecture of Medieval China." Religions 12, no. 9 (2021): 690. http://dx.doi.org/10.3390/rel12090690.

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This article explores the Buddhist ritual and architectural conventions that were incorporated into the Chinese funeral architecture during the medieval period from the 3rd to the 13th centuries. A careful observation of some key types of sacred architectural forms from ancient East Asia, for instance, pagoda, lingtai, and hunping, reviews fundamental similarities in their form and structure. Applying translation theory rather than the influence and Sinicization model to analyze the impact of Buddhism on Chinese funeral architecture, this article offers a comparative study of the historical contexts from which certain architectural types and imageries were produced. It argues that there was an intertwined mutual translation of formal and ritual conventions between Buddhist and Chinese funeral architecture, which had played a significant role in the formations of both architectural traditions in Medieval China.

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Liu, Jie, Yincheng Jiang, and Chen Cao. "The Remaining Buddhist Architecture in Fu’an, the Core Hinterland of the Changxi River Basin." Religions 12, no. 12 (2021): 1054. http://dx.doi.org/10.3390/rel12121054.

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The Changxi River Basin is a small root-like watershed, surrounded by mountains on three sides and facing the sea to the southeast. It is located on the border between Fujian and Zhejiang on the southeast coast of China. The area gave rise to the Changxi Culture that began in the Sui and Tang Dynasties and flourished in the Song Dynasty. Buddhism in the Changxi Basin was introduced no later than the 9th century. As the core hinterland of the Changxi Basin, Fu’an has always been an important center for Buddhism in Eastern Fujian. It reached its peak in the 10th to 13th centuries during the Song Dynasty. This article conducts a comprehensive investigation and study of the existing Buddhist temple sites and relics in Fu’an. It highlights these structures’ single-bay pattern of construction, based on rectangular plans in which the longitudinal axis extends along the plan’s direction of depth. This is a pattern rarely seen in the history of Chinese Buddhist architecture. The paper also summarizes a common element in these temples, their petal-shaped corrugated stone pillars which are divided into eight segments. Lastly, it illustrates the evolution of the temples in the Changxi River Basin from single-bay layouts to those with widths of multiple bays and indicates the unique status and associated values of single-bay Buddhist temples in the history of southern Buddhist architecture. The study examines new local findings and ideas for the study of Chinese Buddhist architectural history, providing academic support for the protection and research of Buddhist architectural heritage in Southeast China.

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Wu, Yali. "Classification of Ancient Buddhist Architecture in Multi-Cultural Context Based on Local Feature Learning." Mobile Information Systems 2022 (May 23, 2022): 1–11. http://dx.doi.org/10.1155/2022/8952381.

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Ancient Buddhist architecture plays an important role in the development of Chinese architectural culture. Under the background of multiculturalism, the ancient Buddhist architectural style has also been influenced to varying degrees. In order to realize automatic classification of ancient Buddhist architecture under multi-cultural background, this paper proposes an automatic classification algorithm based on local feature learning. Firstly, the ancient Buddhist architecture images are gridded, so that the backbone network can obtain relatively flat ancient Buddhist architecture image blocks. At the same time, the backbone network can learn more local details. Then, the grid reconstruction module is designed to strengthen the connection between the features of each block and highlight the distinguishing detail features. The accuracy of ancient Buddhist architecture classification can be effectively improved through image meshing and mesh reconstruction. Experiment and analysis are carried out by using the dataset of ancient Buddhist architecture images on the Internet. Experimental results show that the proposed algorithm has better recognition accuracy and robustness than other comparison algorithms.

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Zhang, Dong Xu, Da Ping Liu, Xin Ru Wei, and Meng Xiao. "Research of Chinese Buddhist Temples Space Design." Advanced Materials Research 311-313 (August 2011): 1569–72. http://dx.doi.org/10.4028/www.scientific.net/amr.311-313.1569.

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The number of the religious architecture makes up 70 percent of the total of existing traditional buildings in China, in which the largest proportion is the Chinese Buddhist architecture, this paper has been studied in this kind of building. Firstly, the religious background and development history of the Chinese Buddhist architecture is introduced, and this paper puts forward that this architectural form was affected by the ancient folk houses. Compared to Buddhist architecture in other countries, they are majestic in shape and beautiful elaborate in decoration, the whole form and nature landscape melt into one another. Secondly, religious spaces are analyzed, including the location of Buddhist temple, the overall layout and the single building. Most temples were built on the hill, and the Buddhist hall is the center of architectural complex. Single building is very similar, and its position is attached to its status in spatial sequence. Thirdly, the design concept of Buddhist architecture was discovered. It was pointed out that Chinese traditional philosophy, i.e. the view of the nature, determines the space composition inside and outside of Chinese Buddhist architecture. At last, the paper summed up the design of Buddhist architecture and gave a prospect about the way of its future development.

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Clarissa ; Rahadhian P. Herwindo, Clarissa. "APPLICATION OF MAHAYANA AND VAJRAYANA CONCEPT, AND MANASARA BOOK ON MATARAM SAILENDRA BUDDHIST TEMPLE IN TERMS OF FIGURE, ORNAMENT, MASS AND SPATIAL ORDER." Riset Arsitektur (RISA) 5, no. 01 (2020): 1–17. http://dx.doi.org/10.26593/risa.v5i01.4414.1-17.

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Abstract- Classical Indian architectural principles and traditions has been collected and preserved in a vast body of literature collectively known as the Vāstuśāstra. This branch of classical Indian knowledge is a realization of Hindu ideals in terms of architectural ediﬁce, which signiﬁcantly inﬂuence the religious architecture of the Indian cultural sphere which extends to the medieval Island of Java. Indian influence can be seen in Hindu temples of Java during the Śailendra’s dynasty even though some of it’s architectural elements can’t be found in vāstuśāstra. However, in contrast of Hindu’s vāstuśāstra, Buddhism has no architecture guideline and free standing structure as of sources that are used as it’s guide are questioned, especially Buddhist Temples in Central Java during ancient Mataram’s Dynasty of Śailendra. Although Buddha’s teachings and some parts of vāstuśāstra are known to play a role in the construction of Buddhist Temples in Indonesia, how far they are applied is difficult to observe, giving the absence of special studies and free standing temple references to build Buddhist Temple, and it’s interviewees are gone. By finding information about architecture’s theory of Buddha’s teachings that entered Indonesia and identify as well as compare the relevant parts of vāstuśāstra, then the architectural elements that are part of the concept of Buddha’s teachings and vāstuśāstra can be seen.In this research, descriptive method and qualitative approach are used by the author. The author focused in terms of figure and ornament as well as mass and spatial order. This research collects and compares parts of vāstuśāstra that are relevant as well as Buddha’s teachings concept to compare them with datas from the twelve samples of Buddhist Temples in Central Java during ancient Mataram’s Dynasty of Śailendra. Comparison by the author shows a number of results. Firstly, the concept of mahāyāna, vajrayāna, and mānasāra book applied in terms of figure, ornament, mass, and spatial order are seen in Central Java’s Buddhist Temples. However, various architectural details of these elements have marked differences from what is instructed in the Vāstuśāstra. The distinctive Javanese Kala-Makara for example, does not conform the mānasāra book. Secondly, the application of mānasāra book concepts in Central Java’s Buddhist Temples prove the influence of Hinduism which was affected by the harmonious relationship between Buddhism and Hinduism during that time. Lastly, the first free-standing Buddhist Temples is 5th Batujaya Temple/Blandongan Temple (2-3 CE and 7-10 CE) because the Mahabodhi Temple in India was built as we see today during the 6th restoration phase (8 CE).

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Kowal, Katarzyna. "The Borobudur temple: the Buddhist architecture in Indonesia." Budownictwo i Architektura 18, no. 2 (2019): 005–19. http://dx.doi.org/10.35784/bud-arch.550.

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The article presents the current state of knowledge about the Borobudur temple, a valuable representative of Buddhist architecture, located in Java, Indonesia. The author presents the genesis of the temple, the facts concerning its rediscovery after centuries of oblivion, and Buddhist cosmology embodied in the form of a three-dimensional mandala on which the architectural form of Borobudur is based. The author studies Buddhist symbolism of the architectural form, reliefs and sculptures created on the basis of regional patterns and local Javanese culture of everyday life. This temple is one of the most perfect examples of translation of Buddhist cosmology and symbolism into an architectural form. At the same time, it constitutes an intercultural and timeless masterpiece of architecture and sculpture which requires particular protection, also due to the influence it exerts on the life of local Buddhist religious minorities.

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Kim, Young-Jae. "Reconstructing Pure Land Buddhist Architecture in Ancient East Asia." Religions 12, no. 9 (2021): 764. http://dx.doi.org/10.3390/rel12090764.

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Pure land comes from the Indian term “sukha,” which means welfare and happiness. However, in East Asia, Buddhism has been associated with the theological concepts of the immortal realm in the bond of death and afterlife. This study reviews detailed conception of Pure Land architecture in Sanskrit literature, as well as Buddhist sutras. The thesis notes that the conceptual explanation of Pure Land architecture, which describes the real world, becomes more concrete over time. Such detailed expression is revealed through the depiction of the transformation tableau. Hence, through Pure Land architecture situated on Earth, this research shows that Buddhist monks and laypeople hope for their own happy and wealthy settlement in the Pure Land. The building’s expression of transformation tableaux influences the layout and shape of Buddhist temples built in the mundane real world at that time. Moreover, this study notes that Bulguksa Monastery is a cumulative product of U-shaped central-axis arrangements with courtyards, terraced platforms, high-rise pavilions, and lotus ponds, plus an integrated synthesis of religious behaviors by votaries as a system of rituals. Further, it merges pre-Buddhist practices and other Buddhist subdivisions’ notions with Hwaeom thought, in comparison with Hojoji and Byodoin Temples that follow the Pure Land tradition.

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Dissertations / Theses on the topic "Architecture, Buddhist"

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Wong, Yuk-yeung. "Buddhist retreat at Tei Tong Tsai." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25946419.

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Repo, Joona. "The Buddhist architecture of the Tibetan diaspora in India." Thesis, SOAS, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.551092.

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Lee, Chi-kit. "Exploration of Buddhism path Lantau Island /." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38209767.

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Mak, Kiu-yan Wayne. "Towards nirvanna : a Buddhist hospice /." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25955585.

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Khanjanusthiti, Pinraj. "Buddhist architecture : meaning and conservation in the context of Thailand." Thesis, University of York, 1996. http://etheses.whiterose.ac.uk/9785/.

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Hollenweger, Richard R. Hollenweger Richard R. "The Buddhist architecture of the Three Kingdoms period in Korea /." Lausanne : EPFL, 1999. http://library.epfl.ch/theses/?nr=1941.

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Lee, Hyunseok. "Representing Korean Buddhist art and architecture : a 3D animated documentary installation." Thesis, Loughborough University, 2011. https://dspace.lboro.ac.uk/2134/9420.

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This practice-led research One Mind - seeks to represent Korean Buddhist architectural aesthetics and Buddhist spiritual ideas using the animated documentary genre as a form of creative representation. It is intended that the piece be shown either as an installation in a gallery, or within a museum or cultural exhibition context. The key goal is to offer this digital artwork to European audiences, in a spirit of engendering the same feeling state as when present in the real monastery, encouraging an understanding of the sacred, and experiencing a form of transcendence. My art work in some ways functions as a digital restoration of sacred architecture outside its real environment and context, and seeks to document cultural heritage and knowledge. One Mind is different from a classic form of documentary, though, because it does not echo the idea of documentary based on live-action footage as a mode of non-fiction record and expression. I have particularly stressed the suggestiveness of the architectural aesthetics and the philosophic principles embedded in the environment. I have sought to bring my own subjective artistic interpretation to Korean Buddhism accordingly, resisting typical character animation and classical narrative, seeking instead, to encourage the viewer to be part of the environment. I focus on the meaning in Buddhist buildings and the landscape they are part of, and dramatise the environment, using the poetic tone of the voice over performance, the sound track of Buddhist chanting, and the visual effects and perspectives of computer generated imagery. This digital visualisation of the Buddhist s spiritual world is informed by a Buddhist s traditional way of life, but, most importantly, by my own past experience, feelings and memory of the Buddhist monastery compound, as a practising artist. My thesis is categorised into eight chapters. Chapter One offers an overview of the aims and objectives of my project. Chapter Two identifies my research questions and my intended methodology. Chapter Three focuses on important background knowledge about Korea s natural and cultural aspects and conditions. Chapter Four offers an analysis of the issue of the Korean cultural identity, suggesting that a more authentic image of Korea and Korean-ness is available in the philosophy and spiritual agenda of Buddhism. Chapter Five addresses the practical ways in which digital restoration of architecture has taken place, identifying three previous cases which both resemble and differ from my own project. Chapter Six looks at the specific characteristics of Korean Seon Buddhism and architecture, and engages with three theoretical approaches about the spatial composition of the monastery, and the ways it may help in constructing the monastery in a digital environment. Chapter Seven offers an evaluation and validation of my artwork, having adopted the approach of creating an animated spiritual documentary to reveal Buddhist philosophy and experience as a model of Korean cultural identity. Chapter Eight offers some conclusions about my intention, process and outcomes.

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Efurd, David. "Early Buddhist caves of western India ca. second century BCE through the third century CE core elements, functions, and Buddhist practices /." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1210983943.

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Weerataweemat, Songyot. "Royal Buddhist architecture of the early Bangkok period : investigations in symbolic planning." Thesis, University of York, 1999. http://etheses.whiterose.ac.uk/10861/.

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Efurd, David S. "Early Buddhist Caves of Western India CA. Second Century BCE through the Third Century CE: Core Elements, Functions, and Buddhist Practices." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1210983943.

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Books on the topic "Architecture, Buddhist"

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Bhirasri, Silpa. Thai Buddhist art (architecture). 6th ed. Fine Arts Dept., 1988.

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Buddhist art and architecture. Thames and Hudson, 1993.

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1971-, Xiao Yue, ed. Zhongguo fo jiao bai ke cong shu. Fo guang wen hua shi ye you xian gong si, 1999.

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The Buddhist architecture of Gandhāra. Brill, 2004.

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Das, D. Jithendra. The Buddhist architecture in Andhra. Books & Books, 1993.

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International Seminar on Contribution of Andhra Desa to Buddhism (1997 Birla Archaeological & Cultural Institute). Buddhism: Art, architecture, literature & philosophy. Edited by Kamalakar G, Veerender M, and Birla Archaeological & Cultural Research Institute. Sharada Pub. House, 2005.

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Sedāṇī, Hasutābena Śasīkānta. Saurāshṭramāṃ Bauddhadharma, sthāpatya, ane śikshaṇa. Hasutābena Esa. Sedāṇī, 1994.

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8

Daigorō, Chihara. Hindu-Buddhist architecture in Southeast Asia. E.J. Brill, 1996.

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Art and architecture of Nālandā. Sundeep Prakashan, 2002.

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Sahai, Surendra. Indian architecture: Hindu, Buddhist, and Jain. Prakash Books, 2006.

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Book chapters on the topic "Architecture, Buddhist"

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Gordon, Robert Edward. "Buddhism and Architecture." In Buddhist Architecture in America. Routledge, 2022. http://dx.doi.org/10.4324/9781003311645-2.

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Gordon, Robert Edward. "Buddhist Architecture and Its Nineteenth-Century American Beginnings." In Buddhist Architecture in America. Routledge, 2022. http://dx.doi.org/10.4324/9781003311645-3.

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Gordon, Robert Edward. "The Proliferation of Buddhist Architecture in America." In Buddhist Architecture in America. Routledge, 2022. http://dx.doi.org/10.4324/9781003311645-5.

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Gordon, Robert Edward. "The Mandala Form and Buddhist Space in America." In Buddhist Architecture in America. Routledge, 2022. http://dx.doi.org/10.4324/9781003311645-6.

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Gordon, Robert Edward. "Conclusions and Considerations." In Buddhist Architecture in America. Routledge, 2022. http://dx.doi.org/10.4324/9781003311645-7.

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Gordon, Robert Edward. "The Twentieth-Century Expansion of Architectonic Buddhism." In Buddhist Architecture in America. Routledge, 2022. http://dx.doi.org/10.4324/9781003311645-4.

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Gordon, Robert Edward. "Introduction." In Buddhist Architecture in America. Routledge, 2022. http://dx.doi.org/10.4324/9781003311645-1.

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de Silva, Padmasiri. "The Buddhist Architecture of the Mind." In Mindfulness-based Emotion Focused Counselling. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-64388-1_4.

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Wang, Michelle C. "Buddhist Art and Architecture in East Asia." In The Wiley Blackwell Companion to East and Inner Asian Buddhism. John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118610398.ch21.

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Lefferts, Leedom. "Textiles and Social Action in Theravada Buddhist Thailand." In A Companion to Asian Art and Architecture. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444396355.ch3.

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Conference papers on the topic "Architecture, Buddhist"

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Zhang, Qiuying. "The Analysis of Aesthetic Perception of Theravada Buddhist Architecture in Xishuangbanna." In Proceedings of the 2018 5th International Conference on Education, Management, Arts, Economics and Social Science (ICEMAESS 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icemaess-18.2018.121.

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Pertiwi, Ayu Ratna, Hardiyati, and Yosafat Winarto. "Evolution of Hindu–Buddhist Architectural Ornaments Into Javanese Traditional Architecture: Case Study of Sewu Temple." In 4th International Conference on Arts Language and Culture (ICALC 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200323.017.

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Turco, Maria Grazia. "THE BUDDHIST SITE OF TOKAR-DARA 1 (SWAT, PAKISTAN). BUILDING TECHNIQUES IN THE ANCIENT GANDHARA." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s15.122.

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Shishin, Mikhail. "THE SUBSTANTIATION OF THE ICONOLOGICAL METHOD IN SEMANTIC ANALYSIS OF BUDDHIST ARCHITECTURE (ON THE EXAMPLE OF MONGOLIA)." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/6.2/s22.007.

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Li, Huizi, and Zihui Cheng. "The Artistic Expression of Huizhou Style in Buddhist Architecture: Taking the Jiuhua Mountain Dayuan Cultural Park as Example." In 3rd Eurasian Conference on Educational Innovation 2020 (ECEI 2020). WORLD SCIENTIFIC, 2020. http://dx.doi.org/10.1142/9789811228001_0180.

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Krishnaswamy, Dilip, Asif Qamar, Ram Krishnan, et al. "Bringing Knowledge to the Edge with Jnana Edge and Buddhi Edge: Architecture, Implementation, and Future Directions." In 2014 IEEE Sixth International Conference on Technology for Education (T4E). IEEE, 2014. http://dx.doi.org/10.1109/t4e.2014.35.

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