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Journal articles on the topic 'Architecture China History 20th century'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Paek, Seunghan, and Dai Whan An. "Missionary Architecture and Hybrid Modernity in Colonial Korea: The Case of Yonsei University." Open House International 42, no. 4 (2017): 5–12. http://dx.doi.org/10.1108/ohi-04-2017-b0002.

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This article explores the hybrid modernity made through missionary architectural practices during colonial Korea, by examining how the master plan of Yonsei University, one of the earliest mission schools in Korea, has gone through a unique evolutionary process throughout the convoluted modern history of the twentieth century. In doing so, this article conducts a thorough visual and spatial analysis of the given case with two emphases: first, analyzing three campus master plans—produced in 1917, 1925, and 2016 respectively—in a comparative way; and second, analyzing the layout and façade compo

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2

Leonardo Pérez, Álvaro. "Overnight at the Crossroads: Abelardo Lafuente’s Architectural Legacy for ‘The Hong Kong and Shanghai Hotels Ltd.’ in Shanghai." Built Heritage 3, no. 3 (2019): 21–33. http://dx.doi.org/10.1186/bf03545741.

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Abstract The business success of the most important hotel company in Asia in the 20th century, and therefore of its owners, the Kadoorie Family, is intertwined with the life of the only Spanish architect in the city of Huangpu. A long-forgotten story, its discovery reveals the interests, tastes and cultural mix of the multinational community that inhabited the most open city of the continent. Abelardo Lafuente García-Rojo (Madrid 1871–Shanghai 1931) worked uninterruptedly for the ‘Hong Kong and Shanghai Hotels Ltd.’ (HSH) for ten years since 1916. In that decade, he carried out interior renova

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NISHIZAWA, Yasuhiko. "THE ARCHITECTURE BUREAU OF MANCHOUKUO AND ITS HISTORY : Studies on the Japanese architects in the northeastern province of China "Manchuria" in the first half of the 20th century Part 4." Journal of Architecture and Planning (Transactions of AIJ) 59, no. 462 (1994): 185–94. http://dx.doi.org/10.3130/aija.59.185_3.

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4

Chang, Qing. "Architectural Models and Their Contexts in China’s 20th-Century Architectural Heritage: An Overview." Built Heritage 3, no. 4 (2019): 1–13. http://dx.doi.org/10.1186/bf03545715.

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AbstractThe article explores the morphological evolution of China’s 20th-century architecture chronologically. Chinese Neoclassicism has played a major role in forming the 20th-century heritage buildings surviving today. The phenomenon of Neoclassicism emerged because of the late arrival of China’s modernisation and industrialisation process compared with the West. In turn, in accepting and contesting Western culture, the Chinese elite have consciously relied upon architecture as a vehicle to uphold visible symbols of national Chinese identity and traditional Chinese culture. Meanwhile, in the

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Karl, Rebecca E. "Culture, Revolution, and the Times of History: Mao and 20th-Century China." China Quarterly 187 (September 2006): 693–99. http://dx.doi.org/10.1017/s0305741006000324.

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The recent spate of English-language exposés of Mao Zedong, most prominently that written by Jung Chang and Jon Halliday, seems to announce a culmination of the tendency towards the temporal-spatial conflation of 20th-century Chinese and global history. This sense was only confirmed when the New York Times reported in late January that George W. Bush's most recent bedtime reading is Mao: The Unknown Story, or when, last month, according to a column in the British paper The Guardian, “the Council of Europe's parliamentary assembly voted to condemn the ‘crimes of totalitarian communist regimes,’

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zhang, guangxiang. "The study of Russian history in China in the 20th century." Rossiiskaia istoriia, no. 4 (2019): 165. http://dx.doi.org/10.31857/s086956870005923-6.

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7

Yu, Zeyang. "Tradition, Modernity and Authenticity of Architecture in China and Japan During the 20th Century." International Journal of Culture and History (EJournal) 4, no. 1 (2018): 9–12. http://dx.doi.org/10.18178/ijch.2018.4.1.114.

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8

Weigelin-Schwiedrzik, Susanne. "In Search of a Master Narrative for 20th-Century Chinese History." China Quarterly 188 (December 2006): 1070–91. http://dx.doi.org/10.1017/s0305741006000555.

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Since the Yan'an Rectification Campaign the Communist Party of China has dominated the interpretation of modern Chinese history. With its 1981 resolution it renewed its claim, but a close look at official and unofficial publications on 20th-century Chinese history reveals its loss of control. There is no longer a CCP-designed master narrative of modern Chinese history. This article uses the case of the Cultural Revolution to show how much post-1949 history is contested in mainland China today. It argues that the CCP is unable to impose its interpretation of the “ten years of chaos” on society.

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Eryong, Li. "Russian emigration in China and its reflection in the song." OOO "Zhurnal "Voprosy Istorii" 2020, no. 12-2 (2020): 185–89. http://dx.doi.org/10.31166/voprosyistorii202012statyi39.

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The article is devoted to the activities of Russian emigration in China in the last decades of the 20th century. Special attention is paid to its reflection in song culture. The problem is analyzed on the basis of new approaches in historical researches.

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Varga, Tibor, and Pavol Pauliny. "Timber - Traditional Material History or Vision in Architectural Design." Advanced Materials Research 899 (February 2014): 460–65. http://dx.doi.org/10.4028/www.scientific.net/amr.899.460.

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Wood belongs among one of the oldest building materials in Slovakia. Historically, it has been used mainly in traditional folk architecture, however in many forms; as a structural and expressive material, it is an inherent part of representative historical architecture. Considerable decline in the use of wood as structural material started in the 2nd half of the 20th century, when building construction industry turned to more progressive materials such as concrete, steel, aluminium, plastics and glass.

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11

Liu, Miaowen, and Natalia Z. Koltsova. "Perception of works of V. Shklovsky in China." RUDN Journal of Studies in Literature and Journalism 24, no. 3 (2019): 462–76. http://dx.doi.org/10.22363/2312-9220-2019-24-3-462-476.

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The article is devoted to studying the long-term dissemination and perception of Viktor Shklovsky's works and ideas in China from the 1930s to 2010s, while providing a brief overview of the scientific articles of Chinese Russianists, who played a key role in studying the heritage of Shklovsky conceptual apparatus in Chinese literary criticism. Particular attention is paid to the category of estrangement, firmly included in Chinese literary studies and widely used in the analysis of works of Chinese literature and cinema, have been considered such concepts of Russian formalism as literary chara

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Bazilevich, Mikhail E., and Anton A. Kim. "THE ARCHITECTURE OF BANKING INSTITUTIONS IN KHARBIN IN THE FIRST THIRD OF THE 20th CENTURY." Architecton: Proceedings of Higher Education, no. 3(71) (September 29, 2020): 9. http://dx.doi.org/10.47055/1990-4126-2020-3(71)-9.

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The article is devoted to the architecture of Harbin's banking institutions built from 1898 to the mid-1930s. We briefly review the city’s urban planning landscape and the emergence of the banking system in northeast China, which largely determined the architecture of objects of this type and their localization in the urban structure of Harbin. The spatial layout and stylistic features of the bank buildings built in the New Town and Pier districts and in Harbin’s satellite town of Fujadian are examined. The importance of these objects for the development of the city's main streets is emphasize

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SMOLIANINOVA, Tatyana A. "ARCHITECTURE OF THE HISTORICAL BUILDINGS OF THE CONSULATES IN SHENYANG, CHINA." Urban construction and architecture 10, no. 3 (2020): 86–92. http://dx.doi.org/10.17673/vestnik.2020.03.12.

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The article is devoted to the architecture of the preserved historical buildings of the consular offi ces of Shenyang City in Liaoning Province during the fi rst half of the 20th century. During the period under review, consulates of countries such as Britain, France, Japan, Germany, Italy, America and Russia were opened. In the process of research, four surviving objects were identifi ed, in which Japan, Germany and France were located. Their compositional and stylistic analysis with a brief historical description is carried out. In particular, it was determined that mainly buildings selected

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14

Xu, Yin, and Xiaoqun Xu. "BECOMING PROFESSIONAL: CHINESE ACCOUNTANTS IN EARLY 20TH CENTURY SHANGHAI." Accounting Historians Journal 30, no. 1 (2003): 129–53. http://dx.doi.org/10.2308/0148-4184.30.1.129.

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This paper examines the experience of Chinese accountants transforming themselves into a profession during the early 20th century. It delineates how the experience was shaped by an intersection of economic development, the political culture and the nationalist movement in semi-colonial Shanghai. Chinese accountants responded to the daily manifestations of these larger historical forces by combining their professional self-interests with a nationalist agenda and by adapting to the changing political environment. The history and legacy of this experience provides a point of reference for observi

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Pye, Lucian W., and Suzanne Pepper. "Radicalism and Education Reform in 20th-Century China: The Search for an Ideal Development Model." Journal of Interdisciplinary History 28, no. 2 (1997): 337. http://dx.doi.org/10.2307/206466.

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Montague, John. "Review: Interior Design in 20th-Century America: A History by C. Ray Smith." Journal of the Society of Architectural Historians 48, no. 1 (1989): 101–2. http://dx.doi.org/10.2307/990424.

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17

Rocha, Ivan Esperança. "Rome models: between history and representations." Heródoto: Revista do Grupo de Estudos e Pesquisas sobre a Antiguidade Clássica e suas Conexões Afro-asiáticas 3, no. 1 (2018): 276–87. http://dx.doi.org/10.31669/herodoto.v3i1.350.

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Considered a millenarian art, the construction of models has gained in the last decades a special impulse using electronic supports in the area of archeology as well of architecture and engineering. In this text, will be presented and discussed the original and current role of the models in the historical-architectural reconstruction of the city of Rome, especially those created in the first decades of the 20th century by Giuseppe Marcelliani, Paul Bigot and Italo Gismondi.

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18

Baker, Frederick. "The Berlin Wall: production, preservation and consumption of a 20th-century monument." Antiquity 67, no. 257 (1993): 709–33. http://dx.doi.org/10.1017/s0003598x00063742.

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A new wall has joined the classics of history, the Great Wall of China and Hadrian's Wall. This story of the central monument of 20th-century European history is a remarkable case-study in the meaning of a single item of material culture, showing the richness of confused meaning that must also envelop the older walls of arcaheological concern.

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Hidayat, Muhammad, Budi Prayitno, and Dwita Hadi Rahmi. "Mix Methods for Ethnic Acculturation Study on History of Architectural Elements: Vernacular Houses during Pontianak Sultanate." ARSITEKTURA 18, no. 1 (2020): 94. http://dx.doi.org/10.20961/arst.v18i1.40488.

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<p class="Abstract"><em>This study aims to find the embodiment of ethnic acculturation in the vernacular architectural elements of Pontianak's old houses showing multicultural culture in the past. The Pontianak community has been a multi-ethnic community from the start, with four dominant ethnic groups forming the Pontianak city, namely the Arab, Bugis, Banjar and Riau ethnic groups. The research used a qualitative-rationalistic method with the deeply observed in field case based on the mixed approach between the historical study of the role of each ethnic group and the typology st

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20

Barinov, Yu, and O. Sokolskaya. "An analysis of the Chinese techniques and methods in the objects of landscape heritage in the city of Saratov, Russia." MATEC Web of Conferences 212 (2018): 04018. http://dx.doi.org/10.1051/matecconf/201821204018.

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In many regions of Russian Federatio, the objects of landscape heritage are in poor condition. They were created between the second half of the 18th century and the beginning of the 20th century. It was the period when landscape park constructions became widespread in Europe and Russia after establishing active trade and industry relations with East Asian countries, such as China. The research includes analysis of Chinese techniques and methods, which emerged in Russian objects of landscaping art, particularly in estate gardens and parks of the Volga region. The main criteria and flora used in

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Sugár, Viktória, Péter Leczovics, and András Horkai. "Bionics in architecture." YBL Journal of Built Environment 5, no. 1 (2017): 31–42. http://dx.doi.org/10.1515/jbe-2017-0003.

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Abstract The adaptation of the forms and phenomena of nature is not a recent concept. Observation of natural mechanisms has been a primary source of innovation since prehistoric ages, which can be perceived through the history of architecture. Currently, this idea is coming to the front again through sustainable architecture and adaptive design. Investigating natural innovations and the clear-outness of evolution during the 20th century led to the creation of a separate scientific discipline, Bionics. Architecture and Bionics are strongly related to each other, since the act of building is as

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22

Perminova, Vera A. "War Remembrance in China and Its Influence on Sino-Japanese Relations in the 1950s – Early 1980s." Oriental Studies 20, no. 4 (2021): 80–90. http://dx.doi.org/10.25205/1818-7919-2021-20-4-80-90.

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Problems of the past remain one of the most important factors that have plagued Sino-Japanese relations for the last few decades. Questions that are related to events of WWII and in particular events of the Second Sino-Japanese war are still relevant and remain a sensitive issue in contemporary China. Complicated postwar Sino-Japanese relations are not only caused by political and economic factors, but to a great extent are related to specific perceptions of events of the shared past in the first half of the 20th century by these two nations. Collective remembrance of Sino-Japanese wars and on

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23

Garnova, N. "ARCHITECTURE OF RESIDENTIAL BUILDING INDUSTRIAL MANOR OF THE SECOND HALF OF THE XIX CENTURY-EARLY XX CENTURY IN IVANOVO-VOSNESENSK." Technical Aesthetics and Design Research 2, no. 3 (2021): 50–61. http://dx.doi.org/10.34031/2687-0878-2020-2-3-50-61.

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The pre-revolutionary industrial estates of the Ivanovo (until 1871 referred to as the village of Ivanovo, and since 1871 – the city of Ivanovo-Voznesensk) are the least studied and most susceptible to loss of architectural monuments of the city. This is greatly facilitated by the lack of a comprehensive architectural study, including an architectural analysis of all buildings that were part of industrial estates and their relationship at different stages of development of the complexes. The object of the study is all residential buildings of industrial estates that were part of the complexes

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24

Steinhardt, Nancy Shatzman. "Chinese Architectural History in the Twenty-First Century." Journal of the Society of Architectural Historians 73, no. 1 (2014): 38–60. http://dx.doi.org/10.1525/jsah.2014.73.1.38.

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The impact of foreign building traditions on Chinese architecture had been limited until the beginning of the nineteenth century. In the twentieth century, dramatic changes in construction occurred as the result of the introduction of Western architectural practice and methods of architectural history, as China transformed from an imperial society to a republic to a communist state. In Chinese Architectural History in the Twenty-First Century, Nancy Shatzman Steinhardt examines the state of architectural history in China at the end of the twentieth century and the impact that recent social and

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KARAKOVA, T. V., and E. V. RYZhIKOVA. "INFLUENCE OF THE SOVIET VANGUARD OF THE DEVELOPMENT OF MODERN ARCHITECTURE." Urban construction and architecture 2, no. 4 (2012): 22–24. http://dx.doi.org/10.17673/vestnik.2012.04.4.

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Vanguard are typical for all the transition stages in the history of art culture, certain types of art. In the 20th century. notion of the avant-garde has become the term to refer to a powerful phenomenon of artistic culture that has enveloped her significant events, which have much in common. Vanguard is the reaction of the artistic and aesthetic consciousness on a global, not yet encountered in the history of mankind change in cultural and civilizational process caused by scientific and technological progress (STP) of the last century. The nature and importance to humanity of this process in

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Pešić, Mladen. "Exhibitionary complex: Architecture as an exhibit." SAJ - Serbian Architectural Journal 5, no. 3 (2013): 282–305. http://dx.doi.org/10.5937/saj1303282p.

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Within this research, the exhibitions are considered primarily as institutions, and as a place of interaction among different identities through choice of exhibits, their presentation, spatial layout and the selection and use of the accompanying texts. The context of the research thus put into place will attempt to answer the question of how it is possible to construct a history of the exhibitions-which are forgotten, often without sufficient documentation or records about them. In addition, it will be reconsidered in which manner the exhibitions helped to create and promote the idea of archit

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27

Ma, Debin. "Growth, institutions and knowledge: a review and reflection on the historiography of 18th-20th century China." Australian Economic History Review 44, no. 3 (2004): 259–77. http://dx.doi.org/10.1111/j.1467-8446.2004.00121.x.

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28

Popov, Lev Vladimirovich. "History of formation of model of the higher school of China (first half of the 20th century)." Moscow University Pedagogical Education Bulletin, no. 3 (September 30, 2016): 29–44. http://dx.doi.org/10.51314/2073-2635-2016-3-29-44.

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Article is devoted to studying of history of formation and development at the end of the XIX and in the first half of the XX century of system of the higher education of China. Experiments on approbation of a number of foreign academic models, and also features of their realization taking into account national and cultural educational traditions are considered. Prerequisites of present progress of the higher school of China are revealed, the assumption of prospects of development of leading universities of the country is made.

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CANUTI, Silvia. "Christian Faith in Bing Xin’s Early Life: Tradition and Western Values in the Early 20th Century China." Asian Studies, no. 2 (September 25, 2012): 47–64. http://dx.doi.org/10.4312/as.2012.-16.2.47-64.

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Among Chinese writers of the 20th century, Xie Wanying 谢婉莹 (1900–1999), known with her pen name Bing Xin 冰心, has been considered by literary critics as “the writer of love” and “the philosopher of love”. Nevertheless, this label seems to have ignored an element that could let us identify important conflicts within her works, that can be attributed to her contacts and relations with people and institutions linked to the Christian faith. Therefore, in the first period of Bing Xin’s literary production (1920–1930), this peculiar aspect of Western culture, the Christian belief, seems to be for her

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Guo, Yixiao. "Beijing Subway and the Political and Economic Development of China." Public Administration Research 8, no. 1 (2019): 23. http://dx.doi.org/10.5539/par.v8n1p23.

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This research paper analyses the main purposes the Beijing subway system, which served from 1969 to now as a tool of political defense as well as a transportation system. The notion to construct the system arose in 1953, but the first section of today&rsquo;s Line 1 did not open until September 1969. &nbsp;Today, the Beijing subway system is the world&rsquo;s busiest in terms of annual ridership and the world&rsquo;s second longest subway system, ranking only behind Shanghai&rsquo;s. (Xinhua News Agency, 2017, http://www.xinhuanet.com/politics/2017-12/30/c_1122188643.htm.)

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Kaplan, Uri. "Protestant Confucianism: Kang Youwei’s Influence in Korea." Numen 67, no. 4 (2020): 347–72. http://dx.doi.org/10.1163/15685276-12341587.

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Abstract The impact of Kang Youwei’s Confucius-church movement has not been limited to China proper. Korean intellectuals in the early 20th century had been in contact with Kang and his students, set up affiliated institutions in their homeland, and authored creative manifestos on the reformation of Confucianism. This article surveys the reform proposals of four representative Korean Confucians and analyzes their support of, and negotiations with, Kang’s Confucius religion. It illustrates how some Korean reformers chose to adopt only Kang’s “state-protecting Confucianism” or join the movement

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Ming, Li, and Anna Boiko. "Recipes of the Russian opera tradition in the Chinese opera art of the 20th century." OOO "Zhurnal "Voprosy Istorii" 2020, no. 11-1 (2020): 170–78. http://dx.doi.org/10.31166/voprosyistorii202011statyi07.

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The publication is devoted to the consideration of the peculiarities of the reception of Russian opera tradition in the Chinese opera of 20th century. The significant role of the historical and the cultural events that affected the spread Russian opera in China is analyzed. Particular attention is paid to the study of the activities of representatives the Russian emigration in the field of opera art. It was emphasized that the influence of Russian and foreign opera contributed to the formation of the genre the Chinese opera of the European type.

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De Boni, Federico. "Baku and architecture: from Soviet building to archistars." Geopolitical, Social Security and Freedom Journal 1, no. 2 (2018): 76–83. http://dx.doi.org/10.2478/gssfj-2018-0015.

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Abstract The present paper intends to analyse the current urban situation of the city of Baku. Starting from its history and the vicissitudes that have seen the alternating city periods of splendour with gloomy moments, some of the great urban projects realised since the end of the 20th century and which are transforming the appearance of Baku are taken into consideration. Accomplice a new moment of splendour, favoured by the huge proceeds of the oil industry, the city of Baku is, in fact, revolutionising its appearance and its structure to become a new city of global importance, as it happene

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Gerasimov, A. P., and T. V. Biryukova. "INTERIOR OF ART NOUVEAU ARCHITECTURE IN SIBERIA." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 2 (April 29, 2019): 102–12. http://dx.doi.org/10.31675/1607-1859-2019-21-2-102-112.

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The article discusses the development of the interior in private and public buildings in Russia late in the 19th and early 20th centuries. Romantic trends that emerged in architecture Western Europe in the 19th century turned into the new style expressed in modernity, which fundamentally differs from the historical repetition in architecture of the early period. This article is an interdisciplinary work and describes such arts as architecture, painting, and decorative and applied arts. The main feature of modernity is the internal space, subordinating the interior to the exterior, its graphic

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Gultyaeva, Galina S. "Realistic Painting of the 20th Century China in the Context of Cultural Visualization." Observatory of Culture 18, no. 1 (2021): 32–43. http://dx.doi.org/10.25281/2072-3156-2021-18-1-32-43.

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This article examines the phenomenon of Chinese realism, as well as the prerequisites and factors that influenced the processes of reception in modern Chinese art. At the beginning of the 20th century, under the influence of Western academic realism and the artistic system of social realism, a new direction and artistic method was formed — realism, which became mainstream in the art of China of the mid-20th century. According to its aesthetic and ideological motifs, Chinese realism is an object of social realism reception, which was determined by cultural and historical factors, and the develo

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Kiktenko, V. "The Review of the History of Analytical Philosophy in China (20th – the Beginning of the 21st Century)." World of the Orient 2018, no. 2 (2018): 17–29. http://dx.doi.org/10.15407/orientw2018.02.017.

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Petrulis, Vaidas. "STYLISTIC PRECONDITIONS FOR EVALUATING SOVIET ARCHITECTURE." JOURNAL OF ARCHITECTURE AND URBANISM 30, no. 3 (2006): 134–42. http://dx.doi.org/10.3846/13921630.2006.10697074.

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The paper analyses the Lithuanian architecture of the soviet period through the prism of stylistic development and history of architectural ideas. The main task of the work is to determine the heritage values of the soviet period from the point of view of architectural history. Before going into deeper analysis of separate stylistic aspects some key problems of the soviet time heritage evaluation are discussed. Particular attention is given to the need of separation of the soviet time architectural history from the political history as well as to the problem of integration of the soviet herita

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Valevičius, Martynas. "APŠVIETIMAS KAIP ARCHITEKTŪROS MODERNUMO SIMBOLIS." JOURNAL OF ARCHITECTURE AND URBANISM 33, no. 3 (2009): 183–94. http://dx.doi.org/10.3846/13921630.2009.33.183-194.

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The paper is designed to reveal the aesthetics of artificial lighting and its influence on the architecture of the 20th century. The main topics discussed are electric lighting, which appeard in our history at the end of the 19th century, and the technical development of lighting till the middle of the 20th century. Connections of artificial lighting with visual arts, its influence on advertisement, building architecture and the whole city are analysed. An idea is proposed that although lighting by nature was purely functional, very soon it acquired symbolic ambitions to represent architecture

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Shambaugh, David. "Keeping Pace with a Changing China: The China Quarterly at 35." China Quarterly 143 (September 1995): 669–76. http://dx.doi.org/10.1017/s0305741000014958.

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1995 is the 35th year of publication of The China Quarterly. London has been the home of the journal throughout its existence and, as the world's leading scholarly journal on modern China, The China Quarterly has long been a distinguishing feature of British sinology. Since its inception The China Quarterly has been recognized world-wide as the journal of record on 20th-century Chinese affairs, publishing timely, reflective, informed and new research on a wide range of subjects. The journal's Quarterly Chronicle and Documentation (so ably compiled by Robert F. Ash since 1982) is a venerable hi

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Ковальова, М. М., та Цю Чжуанюй. "ІМПРЕСІОНІСТИЧНІ ТЕНДЕНЦІЇ В КИТАЙСЬКОМУ ОЛІЙНОМУ ЖИВОПИСУ ПЕРШОЇ ПОЛОВИНИ XX СТОЛІТТЯ". Art and Design, № 3 (13 листопада 2020): 55–65. http://dx.doi.org/10.30857/2617-0272.2020.3.4.

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The purpose of the article is to reveal the impressionistic trends in the fine arts of China, determining the originality of the Chinese oil painting development of the 20th century. Methodology. Historical and cultural, comparative, iconographic and iconological methods are used in the study. Results. The study examines the underinvestigated aspects of Chinese painting development in the first half of the 20th century. The retrospective analysis of the pictural art enables tracing the traditions and innovations in the formation of oil painting in China, which prevails at this historical stage

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Veg, Sebastian, and Edmund W. Cheng. "Alternative Publications, Spaces and Publics: Revisiting the Public Sphere in 20th- and 21st-century China." China Quarterly 246 (June 2021): 317–30. http://dx.doi.org/10.1017/s0305741021000254.

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AbstractReviewing the extant literature on China's public sphere from the perspective of 20th-century history and social science, this introductory essay argues for the continued relevance of studying the publications and public practices associated with knowledge communities. By steering away from normative definitions and by envisaging publicness as a process, a connection can be explored between social discourses and political practices in China. Discursive communities, based on shared identity or sociability, may appear marginal, but at key moments they can play a unique role in modifying

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Arciszewska, Barbara, and Makary Górzyński. "Urban Narratives in the Age of Revolutions: Early 20th century Ideas to Modernize Warsaw." Artium Quaestiones, no. 26 (September 19, 2018): 101–47. http://dx.doi.org/10.14746/aq.2015.26.6.

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In January 1906, in the turbulent period of 1905–1907, the poet, artist, and socialactivist Antoni Lange published in the Warsaw weekly Świat an essay called“Marzenia warszawskie” (“The Warsaw Dreams”). A several page text, illustratedwith woodcuts by the painter Andrzej Zarzycki, included a spectacular vision of metropolitanWarsaw of the future: a capital city with many public buildings and moderninfrastructure, a genuine center of Polish national and cultural life. The present essayanalyzes unexamined ideas of Lange in terms of the history of architecture, andin a double political and social

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Sernelj, Téa. "Modernization of Beauty in China." Asian Studies 9, no. 2 (2021): 165–79. http://dx.doi.org/10.4312/as.2021.9.2.165-179.

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The article explores the socio-political and historical development of the great debate on aesthetics and the aesthetic fever in China during the 20th century. It introduces the main figures of the aesthetic movement and their aesthetic theories. It introduces the period of appropriation of the aesthetic debates to Marxist ideology that prevailed in China after 1949 and lasted until the end of 1970s. The 1980s and 1990s represent a shift in the Chinese aesthetic debate which focused on the adoption of Western aesthetic concepts and paradigms in a more scientific way. The article tackles the pr

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Heydarian, Richard Javad. "Revenge of Geopolitics: Rise of China and the Confines of Asian Econophoria." International Studies Review 17, no. 1 (2016): 155–75. http://dx.doi.org/10.1163/2667078x-01701009.

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The paper examines the evolution of the Asian regional security architecture in the past three decades, evaluating relations between China and its neighbors, and considering various approaches in International Relations theory. First, the paper examines the assumptions of liberal institutionalism in the context of “econophoria,” assessing its merits in East Asia. Second, the paper addresses China and its relations with the East Asian neighborhood in the latter decades of the 20th century. Third, the paper examines growing territorial tensions between China and its neighbors in the past decade

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Kurz, Johannes L. "Gauging the South China Sea: Route Books (genglubu) since 1974." China Quarterly 240 (April 4, 2019): 1135–43. http://dx.doi.org/10.1017/s0305741019000353.

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AbstractThis research report traces the history of route books (genglubu) from their chance discovery in 1974. It assesses the credibility of these practical nautical guide books as historical sources employed by official agencies in mainland China to claim permanent Chinese occupation of islands in the South China Sea. The route books of Hainan fishermen have a rather short history, having been laid down in writing only in the early 20th century. As contemporary practical nautical guides, they complement the established order of pre-modern Chinese texts used in official publications to descri

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Menga, Guo. "Educational Memory of Chinese Female Intellectuals in Early Twentieth Century." Social and Education History 9, no. 2 (2020): 224. http://dx.doi.org/10.17583/hse.2020.5267.

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Educational Memory of Chinese Female Intellectuals in Early Twentieth Century describes the campus life, teacher-student interaction, academic career, and ideological change of the first generation of female intellectuals trained in higher education in China as the Chinese society changed in the early 20th century. Using the research methods of life history, oral history, and history of mentalities, the author reveals the special experiences and ideological journeys of Chinese female intellectuals by the literature works of three first-generation Chinese female intellectuals and other people's

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Panova, Natalya G. "Continuity in 20th-Century Architecture: Post-Painting Abstraction and Form Creation in the Work of Ricardo Legorreta." Actual Problems of Theory and History of Art 10 (2020): 545–57. http://dx.doi.org/10.18688/aa200-3-48.

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Tuoheti, Alimu. "The Retrospect of Modern China on Islamic Studies—Centered on People, Institutions and Their Academic Activities." International Journal of Social Science Studies 9, no. 5 (2021): 166. http://dx.doi.org/10.11114/ijsss.v9i5.5338.

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The academic history of Islam in China. It not only refers to the academic history of Chinese scholars' research on Chinese Islam, but also includes the carding of various researches and achievements of Chinese scholars on foreign Islam and Muslims. This includes the study of Islamic classics such as Koran and Hadith, History, Pedagogy, Philosophy, Politics, Society and Culture. Islam and Muslims in different regions of foreign countries also have different characteristics, and the research methods also respect this aspect of attention. On the origin of academic history: according to the autho

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Ritoók, Pál, and Ágnes Anna Sebestyén. "Communicating “space and form?”: The history and impact of the journal Tér és Forma as the Hungarian pipeline of Modernism." An Eastern Europe Vision, no. 59 (2018): 18–25. http://dx.doi.org/10.52200/59.a.yxtyk1q6.

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In the interwar era, architectural journals were at the forefront of professional attention and had the power to disseminate the Modern Movement in architecture globally. The Hungarian journal Tér és Forma (1928-1948) took the lead to introduce international modern architecture to the Hungarian public, while continually reporting on the newest building projects in interwar Hungary. Virgil Bierbauer, the periodical’s long-time editor (1928-1942), presented the broad panorama of contemporary architecture and his followers from 1943 intended to continue his legacy even in wartime. The impact of t

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Adeyemi, Akande. "Introduction of Glass as Fenestration in 19th Century Lagos, Nigeria: A Brief History." African Journal of Social Sciences and Humanities Research 4, no. 3 (2021): 33–43. http://dx.doi.org/10.52589/ajsshr-p8hrbcij.

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While glass as a material has been known to the people of western Nigerian for hundreds of years, it was only in the late 19th century that it became integrated into building and construction practice in Lagos. For the most part, early local architecture made little effort, if any at all, at covering window spaces with any material of permanence as the primary purpose of these orifices was more to let air in rather than light. Early European missionaries and colonial agents saw the situation differently. Their horrid fear for tropical bugs and matters of security and privacy necessitated a res

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