Relevant bibliographies by topics / Architecture, Chola

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Architecture, Chola'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Architecture, Chola"

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Suresh Kumar, P. "Architecture of Kalyana Pasupatheswarar Temple, Karur." Shanlax International Journal of Arts, Science and Humanities 8, no. 1 (July 2, 2020): 180–86. http://dx.doi.org/10.34293/sijash.v8i1.3205.

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Karur Kalyanapasupatheswarar temple is one of the most remarkable temples of the Chola period. The temple stands majestically on the western bank of the river Caveri, the gigantic structure drawing the attention of the visitors. The Kalyanapasupatheswarar temple, Karur, has been attempted in the succeeding pages. There is nothing special in such legends, which are associated with many religious centers of the country. But in the present context, what is noteworthy is the fact that such legends seem to have gained currency in a much early period, say that of the Cholas, for some sculptures depicting these stories are found carved on the gopuras, walls, and pillars which had come into existence by then. The sculptors were making use of such stories for the depiction of sculptural art. But later, these stories were collected, and with additions and distortions, they came to be associated with the place.
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Raja, A. "கலை, பண்பாட்டுத் தளத்தில் சோமேசுவரர் திருக்கோயில்." Shanlax International Journal of Tamil Research 5, no. 1 (July 1, 2020): 22–27. http://dx.doi.org/10.34293/tamil.v5i1.3400.

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The temples have existed since the Sangam period, although they were built of perishable soil and wood and did not last long. But instead the Pallavas were the first to build cave temples and stone temples. It was later followed by the Pandya and Chola dynasties. This article describes the history, architecture and sculpture of the Someswarar Temple in Anthakudi, in the Keezhvellore taluk, Nagapattinam District, based on the evidence obtained through a field study. Along with these, the information known through the medieval Chola inscriptions here, the ancient Tamil people Architecture technique, structure of the temple and Chola sculptures have been studied historically. Therefore, it would not be an exaggeration to say that the ancient temples are not only places of worship but also treasures of art, history and culture.
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Muthukutty, A. "பிற்கால சோழர்கள் காலத்தில் பெண்களும் கலை வளர்ச்சியும்." Shanlax International Journal of Tamil Research 5, no. 1 (July 1, 2020): 123–33. http://dx.doi.org/10.34293/tamil.v5i1.3406.

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Man lived as a savage in ancient times. At that time, man wandered like an animal, not knowing how to make a home and what to wear and what to eat. Then he gradually became civilized and met his needs and got civilized life from animal life. What helped him to become civilized were the various professions in which he learned little by little.It can be said that the arts are all professions that contribute to the well-being of man. It is these arts that give beauty and pleasure to the human mind. The arts that are considered to be special can be divided into five, namely, architecture, sculpture, painting, music, and epic, and afterwards koothu and dramas are combined into seven. The arts flourished wherever civilized people lived.We can find evidence in the various temples and palaces that the Chola monks also gave prominence to these arts. During the Chola period women lived freely without any restrictions. During the Sangam era, Viraliyar and Panar continued to develop music and koothu and rejuvenated the society. There is ample evidence that the Cholas followed the arts in worship as well.
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M, Kayalvizhy. "Versatile of Chekkizhar." Indian Journal of Tamil 1, no. 2 (May 30, 2020): 1–9. http://dx.doi.org/10.34256/ijot2021.

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Chekkizhar was a great poet in the medieval period of Tamil Nadu. He wrote his master piece work Periya Puranam which has considered as a greatest work in Tamil language. In this work the various skills of Chekkizhar has been exposed. He shows his mastery in the field of literature, fine art, medicine, law and history. As a chief minister of Chola empire he had various skills in the field politics, literature, art and architecture. He shows many of his skills in his work and for that his work is considered as a classical ever green master piece. Even though he wrote only one book it is enough to reveal his skills in the field of art. For that only he was compared with great scholars like Thiruvalluvar, Elangovadigal, and Kambar.
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Runnels, Daniel. "Cholo aesthetics and mestizaje: architecture in El Alto, Bolivia." Latin American and Caribbean Ethnic Studies 14, no. 2 (May 4, 2019): 138–50. http://dx.doi.org/10.1080/17442222.2019.1630059.

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To, J. "Chora IV: Intervals in the Philosophy of Architecture (review)." University of Toronto Quarterly 75, no. 1 (2006): 205–6. http://dx.doi.org/10.1353/utq.2006.0186.

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Bertolasi, Valerio, Valeria Ferretti, Loretta Pretto, Giancarlo Fantin, Marco Fogagnolo, and Olga Bortolini. "Hydrogen-bonded aggregations of oxo-cholic acids." Acta Crystallographica Section B Structural Science 61, no. 3 (May 13, 2005): 346–56. http://dx.doi.org/10.1107/s0108768105011304.

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The crystal structures of six new crystals of oxo-cholic acids (oxo-CA) are reported: (I) 3α,12α-dihydroxy-7-oxo-5β-cholan-24-oic acid; (II) 3α,7α-dihydroxy-12-oxo-5β-cholan-24-oic acid; (III) 7α-hydroxy-3,12-dioxo-5β-cholan-24-oic acid; (IV-α) and (IV-β) 12α-hydroxy-3,7-dioxo-5β-cholan-24-oic acid; (V) 3,7,12-trihydroxy-5β-cholan-24-oic acid. (IV-β) is a pseudopolymorphic solvated form of (IV-α) and contains small channels which can trap disordered water molecules. In all the structures the four saturated cycles, forming the common alicyclic skeleton, have the same conformation, while the carboxylic side chain adopts flexible conformations in order to produce the most efficient crystal aggregations. The structures display a variety of supramolecular architectures dominated by networks of cooperative O—H...O hydrogen bonds forming different packing motifs often supported by weaker C—H...O interactions.
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Gazda, L., and M. Bevz. "BUILD MATERIALS AND TECHNOLOGICAL FEATURES OF THE BUILDINGS OF THE KING DANYLO ROMANOVYCH’S CASTLE IN THE CITY OF CHOLM." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 96–115. http://dx.doi.org/10.31650/2519-4208-2020-20-96-115.

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The castle of King Daniel (Danylo -in Ukrainian) in the Cholm (today the city of Chełm in Poland) has survived to this day only in the form of archaeological remains of foundations and walls. A significant archaeological layer is formed here as a result of the decline and gradual degradation of the complex. He retained a large amount of construction substance, architectural details, artifacts of the real-life of medieval times. Of particular importance to us are archaeological materials that reveal the construction and architectural features of King Daniel's residences. These materials are unique because, unfortunately, we do not have any other monuments that would show the King's construction activity. The complexes of the High and Low castles in the cityof Lviv were wholly dismantled in the 19th century. In other towns laid down by King Daniel -in Kremenets, Danyliv, Dorohychyn, Kamianets, Bakota, Kalmius, studies from objective reasons are difficult or impossible. Archeological studies have been carried out in the Cholm by specialists of the Institute of Archeology and Ethnology of the Polish Academy of Sciences since 2010. The castle site is centrally located on the so-called High Hill -Wysoka Górka. The results of archaeological research give a unique opportunity to navigate the nature of the architecture and material culture of the court of Danylo Romanovych in the mid and second half of the 13th century. The obtained archaeological results are significant for modeling the architecture of the residence. Also, results allow identifying the buildings from the materials and construction technologies used. Materials obtained during archaeological excavations on Wysoka Górka in Cholm in the area of Daniel Romanovych’s 13th century residential-sacral complex have been subject to examination. They come in the forms of bricks and glazed tiles, as well as sizeable shapeless and purposeless accumulations indicating post-manufacturing remains. The materials are white, green and multi-coloured. They refer to Halytsian alabasters and green glauconite from Cholm which were originally used there (before the fire of 1256) –the fact mentioned in the Halych–Volhynia Chronicle. The white materials examination was performed. They were diagnosed by means of a SEM microscope and x-ray diffraction. Furthermore, a micro area chemical analysis was conducted by means of SEM microscope with EDS module. The conducted examination indicated that the materials in question were manufactured using other than ceramic technologies, but similar to the ones used to produce silicate materials nowadays. As raw materials chalk and biogenic silica obtained from horsetail were used. The petrification procedure was conducted in hydrothermal conditions. As a result of this alchemical experiment, a material structurally similar to marble or massive limestone was obtained. The successful production of the materials translated into the possibility of the implementation of the ideological assumptions of the structures constructed under the explicit influence of the style of the 12-14century Tuscan School.This publication prepared in the framework of theproject "Northern part of the princely residential complex in the Сhelm" ("Północna część książęcego zespołu rezydencjonalnego w Chełmie") under the number 2014/13 / B / HS3 / 04930, funded by the National Science and Research Center and realized by the Institute of Archelogy and Ethnology of the Polish Academy of Sciences in Warsaw under the promotion of prof. A.Buko.
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Grigorev, Andrei. "Forts as a type of defensive structures on the example of fortifications of the remote chora of Chersonesus." Genesis: исторические исследования, no. 9 (September 2020): 1–20. http://dx.doi.org/10.25136/2409-868x.2020.9.33793.

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This article reviews the monuments of ancient fortification, which historically belonged to the remote chora of Chersonesus since the late IV century BC. Among them, the author highlights the urban and rural settlements that featured various defensive structures. This factor is associated with a wide territorial expansion of Chersonesus in the territory North-Western Crimea. The interpretation of some monuments remains controversial due to the absence of meticulous analysis of the functions of certain constructs and planning structures of the fortified settlements. The role of the fortified settlements of the remote chora of Chersonesus in the process of development of vast territories of the North-Western Crimea is also contentious. The key goal of this article consists in the analysis of ancient fortifications from the perspective of the existing archaeological classification and records from the written sources. For correlating the Chersonesus fortifications with the existing sections in archaeological classification, namely with the concept of “fort”, the author applies the analysis of defensive functions, which in turn, are reflected in architectural-planning solutions and provisioned by the ancient architects military tactical techniques, which can be observed in the architectural remnants. Based on the acquired results, the author offers a multifaceted comprehensive approach towards analyzing the architectural constructs, which allows conducting new historical reconstructions of defense system of the chora.
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OZ, ALI KAZIM. "ARCHITECTURAL DOCUMENTATION OF DEFENSE BUILDINGSIN THE SOUTHERN CHORA OF ANCIENT SMYRNA." Türkiye Bilimler Akademisi Kültür Envanteri Dergisi 20, no. 1 (December 30, 2019): 96–109. http://dx.doi.org/10.22520/tubaked.2019.20.007.

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Dissertations / Theses on the topic "Architecture, Chola"

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Marquis, Jean-François. "La délégation du récit et la violence symbolique en architecture : en marge de Jacques Derrida et de Chora L Works : une contribution (mineure) à un balisage historique pour la déconstruction architecturale." Thesis, Université Laval, 2011. http://www.theses.ulaval.ca/2011/28163/28163.pdf.

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Bodart, Céline. "Architecture et déconstruction, remises en jeu d'une rencontre : raconter, traduire, hériter." Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080112.

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Cette thèse s'adresse à un domaine de recherche nommé "architecture et philosophie". La spécificité de ce domaine s'inscrit dans la question d'une coordination possible entre ces deux disciplines. Afin de mieux comprendre ce à quoi tient ce "et", nous proposons de revenir sur un épisode singulier de son histoire: la rencontre entre la déconstruction derridienne et la culture architecturale anglo-américaine de la seconde moitié du 20e siècle. Trois parties composent la restitution de cette recherche. Premièrement, il s'agit d'étudier comment se raconte cette rencontre depuis différentes situations d'énonciation (anglo-américaine et francophone), afin de mettre en avant comment des réceptions et appropriations culturelles variées conditionnent des poursuites théoriques spécifiques. D'un milieu à l'autre, entre les versions d'une même histoire, il y a de l'écart. L'objet principal de la thèse est alors d'investir l'écart entre ces versions par la mise en traduction de certaines traces de son histoire (Wigley 1993; Kipnis 1997). La seconde partie propose d'expérimenter comment traduire aujourd'hui en français ce qu'ont produit les Derridean years de l'architecture. Enfin, il s'agit de reconsidérer l'héritage de cette rencontre comme un problème à construire, en vue de remettre en jeu l'histoire longue et oscillante de l'hospitalité des discours de l'architecture. Cette thèse est une focale construite sur un épisode de l'histoire récente. En proposant d'en expérimenter de nouveaux modes d'énonciation, nous soutenons l'hypothèse que ces modes spécifiques permettent de transformer et ré-engager notre attention sur les conditions de rencontre entre architecture et philosophie
This thesis addresses a field of research named "architecture and philosophy". The specificity of this field is related to the question of a possible coordination between these two disciplines. In order to better understand what this "and" holds, we propose to return to a singular episode in its history: the encounter between the Derridean deconstruction and the Anglo-American architectural culture of the second half of the 20th century. The restitution of this research is composed of three parts. First, we study how this encounter is recounted trough different institutional and intellectual contexts (Anglo-American and French speaking contexts), in order to highlight how various cultural receptions and appropriations condition specific theoretical pursuits. From one context to another, between versions of a same story, there is a gap. The main purpose of the thesis is to invest such a gap between these versions by putting in translation some traces of its history (Wigley 1993, Kipnis 1997). The second part proposes to experiment how to translate today into French what the Derridean years of architecture produced. Finally, it is a question of reconsidering the inheritance of this encounter as a problem to build, in order to put into play the long and oscillating history of the hospitality of architectural discourses. This thesis is a focal point built on an episode of recent history. By proposing to experiment with new modes of recounting, we support the hypothesis that these specific modes make it possible to transform
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Carydis, Christina. "Polis and Chora: Recalibrating Natural and Urban Harmony in Porto Rafti." Thesis, 2009. http://hdl.handle.net/10012/4401.

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The landscape of Attica in Greece suffers rapidly progressing urban sprawl in a culture of over privatization. In the absence of proper legislation, corruption and poor implementation of existing laws, the consequences of allowing unplanned settlements to emerge unhindered in Athens and its periphery are now palpable and irreversible. This thesis illustrates that the continuous fragmentation of the ground plane into easily consumable land for private development does not bring about social progress, as is advocated by its proponents. The unregulated contemporary consumptive way of life essentially leads directly to the collapse of civil society through the silencing of the public voice in the propagation of settlements devoid of both natural and urban public space. Consumption of natural resources at an unsustainable rate pollutes and destroys the delicate ecological balance, generating a situation of crisis which simply feeds the cycle of urbanization. This thesis presents a critical examination of the unique conditions affecting the development of Athens and its periphery, and the resulting ecological and social pressures in order to establish a case for a socially and environmentally sustainable urban intensification and the creation of vital public spaces. A paradigmatic vision is presented for the rapidly developing ecologically sensitive coastal town of Porto Rafti, based on restoring a harmonious coexistence of natural and urban realms.
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MacKenzie, Rebecca. "The Metabolic Morphology of Chora: A Building Is An Organism On A Threshold." 2011. http://hdl.handle.net/10222/14611.

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Expanding on the fields of bio-mimicry, morpho-ecologies, and dynamics and fluidity in architecture, this thesis proposes architecture as organism. It suggests that as organism, architecture is inherently responsive to the thresholds it exists on and within, thresholds which are composed not just of the physical but of the ephemeral; of time and of space. The existence, metabolism and morphology of an architectural organism becomes a function of the dynamic world into which it is born, inextricable from the ecology of the space it will inhabit. This thesis explores the architectural organism in the context of a visibly and significantly changing threshold, how connections are made between it and the world around it, and how it might engage those who are its inhabitants. The thesis is located in Nova Scotia’s Bay of Fundy, at the mouth of the Gaspereau River.
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Kim, Taehyung. "ENFRAMED." Thesis, 2013. http://hdl.handle.net/10012/8070.

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Contemporary architectural discourse commonly invokes the term framing. ??Derivative phrases contrived in education and practise are seemingly inexhaustible: framing the view, framing space, framing an idea, frame of reference, framework, window frame, body frame, space frame. ??The polymorphic nature of the term is perplexing, and despite its frequent and casual mention, the rich potential of framing in the architectural design process is often overlooked.?? ?? Framing is a primal phenomenon. It shapes an essential spatial experience with the power to divide, connect, fuse, reveal and conceal entities literally or notionally.??In the simple but profound act of recognizing, entering and exiting the boundary between, for example, an interior and an exterior, framing emerges in all its architectural and emotional significance. The experience of the frame is both intimate and metaphysical, hinting at shared but intangible dimensions of architecture. Through essays, drawings, installations, lists, poems, collages, and other architectural media, this thesis presents a body of twelve investigations that seek to elicit the broader notion behind the complex and transformative nature of framing in today???s parlance of architecture. To clarify, organize and interconnect the experiences of framing, the thesis constructs a theoretical framework on which to base further reflection, study, design and construction.
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Books on the topic "Architecture, Chola"

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Mohan, V. K. Art and architecture of the Telugu Cōl̤a temples. New Delhi: Kaveri Books, 1996.

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2

Indira Gandhi National Centre for the Arts. and École franc̨ise dʼExtrême-Orient (Pondicherry, India), eds. Tanjavur Br̥hadīśvara: An architectural study. New Delhi: Indira Gandhi National Centre for Arts, École franc̨ise dʼExtrême-Orient, Pondicherry, 1995.

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Gurumurthi, A. Temples of Cuddapah District. Madras: New Era Publications, 1990.

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Rao, G. Satyanarayana. The Telugu Chōḍas of Kandūru: History, art, and architecture. Madras: New Era Publications, 1987.

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Rājarājeśvaram, the pinnacle of Chola art. Madras, India: Mudgala Trust, 1985.

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Sivaramamurti, C. The great Chola temples: Thanjavur, Gangaikondacholapuram, Darasuram. New Delhi: Archaeological Survey of India, 2007.

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1920-, Srinivasan P. R., and Dumarçay Jacques, eds. Darasuram: Epigraphical study : étude architecturale : étude iconographique. Paris: Ecole française d'Extrême-Orient, 1987.

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Sivaramamurti, C. The Choḷa temples: Thañjāvūr, Gaṅgaikoṇḍachoḷapuram & Dārāsuram. 6th ed. New Delhi: Director General, Archaeological Survey of India, 2004.

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Art of the imperial Cholas. New York: Columbia University Press, 1990.

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Legrand, Blandine. Kīl̲aiyūr-Mēlappal̲uvūr: Épanouissement d'une dynastie princière en Inde, à l'époque Cōl̲a. Paris: Editions Recherche sur les civilisations, 1987.

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Book chapters on the topic "Architecture, Chola"

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Ousterhout, Robert G. "Palaiologan Constantinople and a New Architectural Idiom." In Eastern Medieval Architecture, 595–619. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190272739.003.0025.

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Following the reconquest of Constantinople in 1261, the city experienced a brief cultural revival, marked by significant works of restoration and new construction to reconnect the city to its past glory. Older monastic establishments were expanded, often with large chapels for the privileged burials of the aristocracy. The new architectural style of the period is best represented by the Church of Christ in the Chora Monastery, the best preserved project of the period, characterized by small-scale relationships in its design, picturesque asymmetries, and the lack of a clear relationship between the exterior forms and the interior spaces.
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Pažout, Adam. "Regional Fortifications in the Chora of Hippos (Sussita)." In The Art of Siege Warfare and Military Architecture from the Classical World to the Middle Ages, 111–18. Oxbow Books, 2021. http://dx.doi.org/10.2307/j.ctv13nb9q8.18.

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Conference papers on the topic "Architecture, Chola"

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Atas, Z. "The art and architecture of Chora Monastery in comparison with its East European and Italian contemporaries." In The Sustainable City 2012. Southampton, UK: WIT Press, 2012. http://dx.doi.org/10.2495/sc121011.

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