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Journal articles on the topic 'Architecture Deconstructivism (Architecture) Architecture, Modern'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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1

Hu, Yin An, Yong Ping Wang, and Yun Xue. "Influence on Design Education by the Architectural Trend of Deconstructivism." Applied Mechanics and Materials 638-640 (September 2014): 2222–25. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2222.

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The ideology of deconstructivisim is a relatively new design style, and has a profound philosophical connotation. Deconstruction works usually pay attention to reflecting the diversity of buildings, and their design techniques are more exaggerated and weird to make people unable to understand their law. By the study of the deconstructive architects' design career, we can conclude as follow: the kind of trend has a great influence on architecture, also deeply affects modern design education; education philosophy of many famous architectural colleges in America and Europe with their students’ de

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2

Galkina, Marina V. "Unrealized Architectural Projects of the 1920s: The Value of Constructivism Ideas." Observatory of Culture 16, no. 1 (2019): 50–61. http://dx.doi.org/10.25281/2072-3156-2019-16-1-50-61.

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The article is devoted to one of the most interesting topics: the ideological heritage of constructivism and evaluation of its value. The novelty of the research is determined by the choice of its subject: unrealized projects of Soviet architects of the 1920s (I.I. Leonidov, K.S. Melnikov, V.A. Vesnin, A.A. Vesnin, L.A. Vesnin and N.A. Ladovsky) as a source of promising ideas for the architecture and design of the late 20th—early 21st century. The paper aims to assess the creative and artistic value of the unrealized projects of Soviet constructivists for the modern architectural design. The

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3

Oržikauskas, Gytis. "SPATIAL NARRATIVE AND PERCEPTION OF SPACE IN HISTORICAL AND CONTEMPORARY ARCHITECTURAL COMPOSITIONS / ERDVINIS NARATYVAS IR FORMOS PERCEPCIJA ISTORINĖS IR ŠIUOLAIKINĖS ARCHITEKTŪROS KOMPOZICIJOSE." Mokslas - Lietuvos ateitis 5, no. 3 (2013): 289–95. http://dx.doi.org/10.3846/mla.2013.47.

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highlighted in terms of architecture of Modernism. According to the theory of modern architecture and Geschtalt Psychology, elementary geometrical forms and main spatial features were underlined and accepted as anthropomorphic principle of architecture. Even today main spatial characteristics are accepted as a key principle of architectural composition. However, architects and critics of contemporary – post-modern and deconstructive – architecture emphasize the value of architectural narrative achieved not only through perception of space, but also by its relationship to social and cultural me

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4

Fujita, Haruhiko. "A history and geography of contemporary architecture." SAJ - Serbian Architectural Journal 11, no. 2 (2019): 307–20. http://dx.doi.org/10.5937/saj1902307f.

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History is the study of the past described in written documents. Prehistory is the history of human culture prior to written documents and post-history is the period in which the end of human development is reached. Contemporary history, a subset of modern history, describes the historical period from approximately 1945 to the present. Although the term 'contemporary history' has been in use since at least the early nineteenth century, its usage changed in the twentieth century. The continuous subduction process causes frequent earthquakes in Japan. The Japanese islands are also affected by ty

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5

Jha, Shruti. "Expression of Deconstructivism in Museum Architecture." International Journal for Research in Applied Science and Engineering Technology 9, no. 3 (2021): 178–84. http://dx.doi.org/10.22214/ijraset.2021.33195.

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6

Clement Gatwaza, Olivier, and Xin CAO. "Deconstructivism: Richness or Chaos to Postmodern Architecture." International Journal of Sciences 3, no. 08 (2017): 28–33. http://dx.doi.org/10.18483/ijsci.1364.

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7

Barsoum*, John. "Deconstructivism in Philosophy, Architecture, and Reusability Contribution." International Journal of Emerging Science and Engineering 6, no. 12 (2021): 1–5. http://dx.doi.org/10.35940/ijese.l24900.0261221.

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Interest in philosophy and the humanities increased after the Second World War, especially in the West, as the critical movement began to reconsider the Western intellectual and philosophical heritage, and emerged approaches known as” postmodernism“, as critical foundations of Western cultural thought, and a product of that cultural and cognitive movement known as” postmodernism"; the concept of postmodernism, which is central This term is associated with a very diverse group that is rarely associated with each other with common things. The idea of postmodernism appears in a critique of the li

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8

Sarnitz, August, Otto Wagner, and Harry Francis Mallgrave. "Modern Architecture." Journal of Architectural Education (1984-) 44, no. 2 (1991): 119. http://dx.doi.org/10.2307/1425103.

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9

Loan, Pham Thuy, and Truong Ngoc Lan. "Modern Architecture in Vietnam or Vietnamese Modern Architecture?" Modern Southeast Asia, no. 57 (2017): 74–81. http://dx.doi.org/10.52200/57.a.2alyxs4z.

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Architecture is one of the keys to the values of a society, a reflection of a people’s aspiration, and a society’s ideas and technological experiments over periods in its history. This paper will address “modern architecture in Vietnam” focusing on the general course of its development: its practice, discourse and the built environment throughout history. The guiding questions for the main content of this paper are very fundamental: How can we define modern architecture in Vietnam? How was it formed and developed through the modern history of the country? Can we call modern architecture in Vie

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10

Guo, Yi Zhang. "Analysis on Building Sculpture Art from the Perspective of Deconstructivism." Applied Mechanics and Materials 357-360 (August 2013): 71–74. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.71.

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In order to make sculpture art into the architecture, based on the development of sculpture and architecture, the inner relations of sculpture and architecture was analyzed and compared. Combining with the practical construction scheme design, sculpture art was entered in the process of the interior space and elevation design, so that the architecture absorbed aesthetic elements of sculpture representation, and building forms breakthrough constraints of various kinds of building ontology factors. The results show that the sculpture language is used in architecture, building is more expressive

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11

Hutton, Louisa. "Modern Color/Modern Architecture." Architectural Research Quarterly 7, no. 1 (2003): 92–93. http://dx.doi.org/10.1017/s1359135503232012.

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William Braham writes that this book has been conceived as a genealogy of modern architectural colour, explaining that he uses the term ‘genealogy’ in the (Deleuzean) sense of it automatically bringing one to an understanding of the distance travelled since the particular origins under research. Such an analysis is useful to Braham who wants to bring to the practising architect an informed view of the use of colour in architecture by investigating the discussions that have surrounded it since the 1830s.

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12

Gifford, Robert, Donald W. Hine, Werner Muller-Clemm, D’Arcy J. Reynolds, and Kelly T. Shaw. "Decoding Modern Architecture." Environment and Behavior 32, no. 2 (2000): 163–87. http://dx.doi.org/10.1177/00139160021972487.

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13

McLeod, Mary. "Architecture and Politics in the Reagan Era: From Postmodernism to Deconstructivism." Assemblage, no. 8 (February 1989): 22. http://dx.doi.org/10.2307/3171013.

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14

Mácêl, Otakar. "Modern Architecture and Modern Furniture." Designing Modern Life, no. 46 (2012): 14–19. http://dx.doi.org/10.52200/46.a.9rk52tg1.

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Modern architecture and Modern furniture originated almost during the same period of time. Modern architects needed furniture compatible with their architecture and because it was not available on the market, architects had to design it themselves. This does not only apply for the period between 1920 and 1940, as other ambitious architectures had tried before to present their buildings as a unit both on the inside and on the outside. For example one can think of projects by Berlage, Gaudí, Mackintosh or Horta or the architectures of Czech Cubism and the Amsterdam School. This phenomenon origin

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15

Kostina, E. K., M. Yu Dudchenko, and O. V. Myronenko. "Modern trends in architecture. Green architecture as a form of efficient architecture energy." IOP Conference Series: Materials Science and Engineering 698 (December 18, 2019): 033048. http://dx.doi.org/10.1088/1757-899x/698/3/033048.

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16

Park, Yu-Jeong. "Architecture as Hometown of Mind: Heidegger and Modern Architecture." Journal of The Society of philosophical studies 126 (September 30, 2019): 65–83. http://dx.doi.org/10.23908/jsps.2019.9.126.65.

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17

Coleman, Nathaniel. "Utopia and modern architecture?" Architectural Research Quarterly 16, no. 4 (2012): 339–48. http://dx.doi.org/10.1017/s1359135513000225.

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It is a commonplace to describe twentieth-century Modernist architecture as utopian, but doing so arguably has less to do with putative social agendas than with explaining the failure of such work to deliver on extravagant promises. By interrogating utopian declarations for twentieth-century architecture and visionary urban representations, the aim of this article is to sharpen the loose pairing of Modernist architecture and Utopia. Consideration is also given to how undue emphasis on representation supports post-rationalisations of failure as the inevitable teleology of Utopia, which serves o

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18

Yaneva, Albena. "Modern Architecture as Inextensible." Joelho Revista de Cultura Arquitectonica, no. 9 (December 27, 2018): 82–89. http://dx.doi.org/10.14195/1647-8681_9_4.

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I will begin with this provocative, and quite unusual image, of an iconic building that we all know – the Eiffel Tower. Some of you might have heard about the media debates surrounding the “new design for the restructuring of the public spaces of the Eiffel Tower” announced by the French architect David Serero in March 2008. He suggested doubling the size of the tower’s highest observational platform. The architect claimed that “his firm’s proposal was accepted after an open call, and that the structure is expected to be assembled for the 120th anniversary of the tower construction.” But short

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19

Paden, Roger. "Otto Wagner's modern architecture." Ethics, Place & Environment 13, no. 2 (2010): 229–46. http://dx.doi.org/10.1080/13668791003778883.

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20

Gross, U., and P. Hagemann. "Modern TEM systems architecture." Proceedings, annual meeting, Electron Microscopy Society of America 44 (August 1986): 602–5. http://dx.doi.org/10.1017/s0424820100144486.

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By addition of analytical equipment, scanning transmission accessories and data processing equipment the basic transmission electron microscope (TEM) has evolved into a comprehensive information gathering system. This extension has led to increased complexity of the instrument as compared with the straightforward imaging microscope, since in general new information capacity has required the addition of new control hardware. The increased operational complexity is reflected in a proliferation of knobs and buttons.In the conventional electron microscope design the operating panel of the instrume

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21

Sun, Lesley L. "Architecture of modern China." URBAN DESIGN International 17, no. 1 (2012): 76–77. http://dx.doi.org/10.1057/udi.2010.22.

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22

Walker, Paul. "Migration and Modern Architecture." Fabrications 18, no. 1 (2008): 40–55. http://dx.doi.org/10.1080/10331867.2008.10539621.

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23

Lassus, Pongkwan. "Modern Architecture in Thailand." Modern Southeast Asia, no. 57 (2017): 64–73. http://dx.doi.org/10.52200/57.a.mc2poifj.

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The influence of modern architecture became more visible in Thailand after the country shifted from an absolute monarchy to a constitutional monarchy in 1932 and also as a result of economic circumstances and world trends. The first generation of Thai Modernist architects (or the pioneers of modern architecture in Thailand) had their education in Europe because of the necessity to modernize Thailand. The second generation were Thai architects who received their architectural education in Thailand as well as some continuing their studies in the USA. Their works reflect the International Style w

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24

Jablonski, Mary, and William W. Braham. "Modern Color/Modern Architecture: Amedee Ozenfant and the Genealogy of Color in Modern Architecture." APT Bulletin 34, no. 2/3 (2003): 77. http://dx.doi.org/10.2307/1504828.

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25

Tošić, Jovana. "Deconstruction in Architecture – Continuous Translation through an Open Project." AM Journal of Art and Media Studies, no. 12 (April 15, 2017): 99. http://dx.doi.org/10.25038/am.v0i12.170.

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Jacques Derrida developed deconstruction as a way of thinking which constantly examines the nature and possibilities of meaning. The paper analyses spatial-economic, cultural and social context in which deconstructive discourse was translated into architectural discourse. Translation between these two discourses happens vice versa. Deconstructivism emphasizes the formal properties of architecture, like postmodernism, which is the subject of exploration by architects such as Coop Himmelblau, Frank Gehry, Eric Owen Moss, etc. According to some interpretations, the only solution for deconstructio

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26

Jevremovic, Ljiljana, Branko Turnsek, Ana Stanojevic, Marina Jordanovic, and Milanka Vasic. "Use of color in architecture - industrial architecture perspective." Facta universitatis - series: Architecture and Civil Engineering 18, no. 1 (2020): 49–63. http://dx.doi.org/10.2298/fuace191016004j.

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This paper deals with the color theory and the application of this theory in architectural design. Since the modernist architects and modern era in architecture, the colors of the buildings were not in the focus of their authors. On the contrary, the modern movement has taught us that color, and especially artificial one, is almost a crime to use and in a way, it expresses a lack of a style. Through examining universal color harmony principles in this paper the problem and phenomenon of using colors in contemporary architecture was discussed, which had its roots in the modern movement and evol

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27

Samadi, Javad. "Utilizing the Central Courtyard of Traditional Architecture in Modern Architecture." Research Journal of Environmental and Earth Sciences 6, no. 3 (2014): 161–67. http://dx.doi.org/10.19026/rjees.6.5755.

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28

Clarke, Michael, Jon G. Hall, and Lucia Rapanotti. "Enterprise Architecture." International Journal of IT/Business Alignment and Governance 4, no. 1 (2013): 1–10. http://dx.doi.org/10.4018/jitbag.2013010101.

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Enterprise Architecture (EA) has been portrayed as one of the cornerstones of modern IT Governance, with increasing numbers of organisations formally recognising an EA function and adopting EA frameworks such as TOGAF (http://www.opengroup.org/togaf/) (The Open Group Architectural Framework). Many claims have been made of the benefits of EA, yet little is known as to what organisations actually do or evidence of the benefits they accrue through EA. In this paper we report on the results of a small scale survey painting a snapshot of current EA practice in large UK organisations across the priv

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29

Gorgi, Karim Raef. "Revisionist Architecture." Journal of Urban Society's Arts 6, no. 2 (2019): 81–86. http://dx.doi.org/10.24821/jousa.v6i2.3159.

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This paper introduces the reconciliation as well as an analysis on the divide between contemporary and classical aesthetics in architecture. The analysis outlines the segmentation as one of standards rather than of aesthetic appeal, concluding with a proposal for the reconciliation by means of integrating modern and contemporary art into today’s architecture. This reconciliation would not only serve as an artistic take on architecture, but also raise awareness on the subjectivity of beauty in architecture. In the conclusion of this paper, there are highlighted illustrations demonstrating the p

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30

Cohen, Jean-Louis. "Modern Architecture, Promise or Menace?" La lettre du Collège de France, no. 9 (September 25, 2015): 60–61. http://dx.doi.org/10.4000/lettre-cdf.2186.

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31

Bonta, János. "Awakening of the modern architecture." Építés - Építészettudomány 39, no. 3-4 (2011): 281–92. http://dx.doi.org/10.1556/eptud.39.2011.3-4.11.

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32

Whiteley, Nigel. "Modern Architecture, Heritage and Englishness." Architectural History 38 (1995): 220. http://dx.doi.org/10.2307/1568629.

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33

Fedorov, Oleg, and Victoria Lazina. "MODERN TRANSLUCENT ENCLOSURES IN ARCHITECTURE." Architecture and Engineering 4, no. 4 (2019): 12–21. http://dx.doi.org/10.23968/2500-0055-2019-4-4-12-21.

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34

Molnár, Tamás. "Has Parzival met modern architecture?" Pollack Periodica 8, no. 1 (2013): 133–40. http://dx.doi.org/10.1556/pollack.8.2013.1.12.

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35

Scott, Felicity. "'Primitive wisdom' and modern architecture." Journal of Architecture 3, no. 3 (1998): 241–61. http://dx.doi.org/10.1080/136023698374198.

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36

Jones, Kay Bea. "The Architecture of Modern Italy." Journal of Architectural Education 59, no. 3 (2006): 94–95. http://dx.doi.org/10.1111/j.1531-314x.2006.00043.x.

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37

Sekularac, Nenad, Jelena Ivanovic-Sekularac, and Jasna Cikic-Tovarovic. "Folded structures in modern architecture." Facta universitatis - series: Architecture and Civil Engineering 10, no. 1 (2012): 1–16. http://dx.doi.org/10.2298/fuace1201001s.

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Folded structures are three-dimensional structures - spatial structures and they belong to the structural systems. The term folded structure defines a folded form of construction, including structures derived from elements which form a folded structure by their mutual relationship in space. For very long time this type of construction has been realized in practice only in of reinforced concrete and made on site, which conditioned the use of a very complicated shell. Development of prefabricated building led to improvements of this type of construction so that the folded structures could be der

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38

Vatin, Nikolay, and Olga Gamayunova. "Modern Architecture of World's Libraries." Advanced Materials Research 1065-1069 (December 2014): 2622–25. http://dx.doi.org/10.4028/www.scientific.net/amr.1065-1069.2622.

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Despite the availability of internet in every home and tens of millions of e-books sold worldwide each year, there are still people who prefer the traditional library. For these people constructed a new library buildings some of which are true masterpieces of architecture. The article presents the unusual buildings of already built libraries, as well as the most interesting architectural projects of libraries of the future.

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39

Sutemi, Horiguchi, and Robin Thompson. "“Japanese Taste” in Modern Architecture." Art in Translation 4, no. 4 (2012): 407–34. http://dx.doi.org/10.2752/175613112x13445019280817.

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40

Dong, Tie Xin. "Metal Coat of Modern Architecture." Applied Mechanics and Materials 357-360 (August 2013): 1379–82. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.1379.

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There has been a long history of applying metal to architecture. At the beginning, they just appeared in the structure of bridges, factories and storages, and then gradually turned up as a form of building structural materials in civil architecture such as markets, schools and office buildings. So all the time, metal like steel structure or hardware impresses people as a kind of industrialized building materials. With the development of architectural technology and the researching of characteristics of building materials, metal material has been brought in building skin design with brand-new a

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41

De Clercq, Rafael. "The Legitimacy of Modern Architecture." Philosophical Forum 35, no. 2 (2004): 135–46. http://dx.doi.org/10.1111/j.0031-806x.2004.00166.x.

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42

Little, Bob, and Ladislava Knihova. "Modern trends in learning architecture." Industrial and Commercial Training 46, no. 1 (2014): 34–38. http://dx.doi.org/10.1108/ict-07-2013-0046.

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Purpose – The purpose of this paper is to examine current practice in blended learning – notably the view of blended learning as a synthesis of different approaches to the delivery of learning in order to create high impact learning. Design/methodology/approach – An exploration of the development of blended learning over the years, especially how it is being affected by developments in learning delivery technology and learning design. Findings – Learning architecture and design ought to be enhanced by the thoughtful use of various new tools, strategies and delivery platforms working in harmony

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43

Benjamin, Andrew. "The Appearance of Modern Architecture." Architectural Theory Review 9, no. 1 (2004): 36–44. http://dx.doi.org/10.1080/13264820409478505.

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44

Ciarkowski, B. "Non-Modern Modernity? Neomodern Architecture." Art inquiry, N 18 (27) (2016): 87–97.

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45

Arana, Andrew. "The architecture of modern mathematics." Mathematical Intelligencer 30, no. 4 (2008): 57–61. http://dx.doi.org/10.1007/bf03038097.

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46

Campaner, Miguel. "Cinema and architecture: Modern perception." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 511–18. http://dx.doi.org/10.5937/saj1903511c.

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Walter Benjamin's essay on cinema expounds his prognostic values. By the time he wrote this article his critique of the capitalistic mode of production showed the direction in which capitalism was progressing: towards an increasing intensity in exploitation of the proletariat, but also its own decline. We are interested in these prognoses that affirm the transformation of art and its function, and which call our attention to the loss of transcendence and the decline of the aura of the work of art. At the same time, they show possibilities that affirm the continuity of art with a different role

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47

Maciuika, John. "Review of: Architecture and Nihilism: On the Philosophy of Modern Architecture." Modernism/modernity 3, no. 2 (1996): 115–17. http://dx.doi.org/10.1353/mod.1996.0027.

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48

Nia, Hourakhsh Ahmad, and Rokhsaneh Rahbarianyazd. "Aesthetics of Modern Architecture: A Semiological Survey on the Aesthetic Contribution of Modern Architecture." Civil Engineering and Architecture 8, no. 2 (2020): 66–76. http://dx.doi.org/10.13189/cea.2020.080204.

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Mitrovic, Jelena. "The architecture of subject." Facta universitatis - series: Architecture and Civil Engineering 14, no. 1 (2016): 123–39. http://dx.doi.org/10.2298/fuace1601123m.

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This essay defines material and symbolic implications of linear perspective in modern architecture. First is seen as aesthetical method, which appears in architectural drawings since beginning of European Renaissance. It represents graphic system of creating illusion of spatial depth on flat surface. Second refers to perspective in figurative sense. It symbolizes perception of a subject: the capacity to view things in their true relations or relative importance. In terms of vision, it characterizes a visible scene, a mental view or prospect. Modern culture is, accordingly, the culture of persp

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50

K., Kramarchuk, and Chelombitko O. "SIMILARITY OF GRAMMARS OF ARCHITECTURAL SPACE IN CANONICAL ICONS AND THE ARCHITECTURE OF DECONSTRUCTIVISM." Architectural Studies 5, no. 1 (2019): 18–26. http://dx.doi.org/10.23939/as2019.01.018.

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