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Journal articles on the topic 'Architecture Deconstructivism (Architecture) Architecture'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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1

Sharapov, Ivan A. "THE ORNAMENT CONCEPT IN THE MANIFESTOS OF THE ARCHITECT B. TSCHUMI." Articult, no. 1 (2021): 32–42. http://dx.doi.org/10.28995/2227-6165-2021-1-32-42.

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The article elevates the problem of studying ornamental forms in architecture. Ornament in the context of deconstructivism seems to be a paradoxical phenomenon, but, nevertheless, its presence is marked by the conceptual texts of deconstructivist architects. The ornament is studied as a formal aspect, the structure of which is able to involve, link and produce a number of essential characteristics that determine architectural shaping. Ornament is interconnected with form, semantic, communicative, and formal aspects that are integrated and localized in the concepts, form, and space of architect

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2

Jha, Shruti. "Expression of Deconstructivism in Museum Architecture." International Journal for Research in Applied Science and Engineering Technology 9, no. 3 (2021): 178–84. http://dx.doi.org/10.22214/ijraset.2021.33195.

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3

Hu, Yin An, Yong Ping Wang, and Yun Xue. "Influence on Design Education by the Architectural Trend of Deconstructivism." Applied Mechanics and Materials 638-640 (September 2014): 2222–25. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2222.

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The ideology of deconstructivisim is a relatively new design style, and has a profound philosophical connotation. Deconstruction works usually pay attention to reflecting the diversity of buildings, and their design techniques are more exaggerated and weird to make people unable to understand their law. By the study of the deconstructive architects' design career, we can conclude as follow: the kind of trend has a great influence on architecture, also deeply affects modern design education; education philosophy of many famous architectural colleges in America and Europe with their students’ de

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4

Clement Gatwaza, Olivier, and Xin CAO. "Deconstructivism: Richness or Chaos to Postmodern Architecture." International Journal of Sciences 3, no. 08 (2017): 28–33. http://dx.doi.org/10.18483/ijsci.1364.

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5

Barsoum*, John. "Deconstructivism in Philosophy, Architecture, and Reusability Contribution." International Journal of Emerging Science and Engineering 6, no. 12 (2021): 1–5. http://dx.doi.org/10.35940/ijese.l24900.0261221.

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Interest in philosophy and the humanities increased after the Second World War, especially in the West, as the critical movement began to reconsider the Western intellectual and philosophical heritage, and emerged approaches known as” postmodernism“, as critical foundations of Western cultural thought, and a product of that cultural and cognitive movement known as” postmodernism"; the concept of postmodernism, which is central This term is associated with a very diverse group that is rarely associated with each other with common things. The idea of postmodernism appears in a critique of the li

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6

Tošić, Jovana. "Deconstruction in Architecture – Continuous Translation through an Open Project." AM Journal of Art and Media Studies, no. 12 (April 15, 2017): 99. http://dx.doi.org/10.25038/am.v0i12.170.

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Jacques Derrida developed deconstruction as a way of thinking which constantly examines the nature and possibilities of meaning. The paper analyses spatial-economic, cultural and social context in which deconstructive discourse was translated into architectural discourse. Translation between these two discourses happens vice versa. Deconstructivism emphasizes the formal properties of architecture, like postmodernism, which is the subject of exploration by architects such as Coop Himmelblau, Frank Gehry, Eric Owen Moss, etc. According to some interpretations, the only solution for deconstructio

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7

K., Kramarchuk, and Chelombitko O. "SIMILARITY OF GRAMMARS OF ARCHITECTURAL SPACE IN CANONICAL ICONS AND THE ARCHITECTURE OF DECONSTRUCTIVISM." Architectural Studies 5, no. 1 (2019): 18–26. http://dx.doi.org/10.23939/as2019.01.018.

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8

Guo, Yi Zhang. "Analysis on Building Sculpture Art from the Perspective of Deconstructivism." Applied Mechanics and Materials 357-360 (August 2013): 71–74. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.71.

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In order to make sculpture art into the architecture, based on the development of sculpture and architecture, the inner relations of sculpture and architecture was analyzed and compared. Combining with the practical construction scheme design, sculpture art was entered in the process of the interior space and elevation design, so that the architecture absorbed aesthetic elements of sculpture representation, and building forms breakthrough constraints of various kinds of building ontology factors. The results show that the sculpture language is used in architecture, building is more expressive

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9

Galkina, Marina V. "Unrealized Architectural Projects of the 1920s: The Value of Constructivism Ideas." Observatory of Culture 16, no. 1 (2019): 50–61. http://dx.doi.org/10.25281/2072-3156-2019-16-1-50-61.

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The article is devoted to one of the most interesting topics: the ideological heritage of constructivism and evaluation of its value. The novelty of the research is determined by the choice of its subject: unrealized projects of Soviet architects of the 1920s (I.I. Leonidov, K.S. Melnikov, V.A. Vesnin, A.A. Vesnin, L.A. Vesnin and N.A. Ladovsky) as a source of promising ideas for the architecture and design of the late 20th—early 21st century. The paper aims to assess the creative and artistic value of the unrealized projects of Soviet constructivists for the modern architectural design. The

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10

Chetail, Vincent. "The Architecture of International Migration Law: A Deconstructivist Design of Complexity and Contradiction." AJIL Unbound 111 (2017): 18–23. http://dx.doi.org/10.1017/aju.2017.11.

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International migration law (hereinafter IML) can be described and conceptualized as a deconstructivist architecture both literally and metaphorically. It is an architecture of fragmentation based on dissonance and asymmetry that questions the traditions of harmony, unity, and stability. Initiated by the French philosopher Jacques Derrida, the deconstructivist architectural movement distorts the conventional oppositions between form and function, center and margin, outside and inside.

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11

Oržikauskas, Gytis. "SPATIAL NARRATIVE AND PERCEPTION OF SPACE IN HISTORICAL AND CONTEMPORARY ARCHITECTURAL COMPOSITIONS / ERDVINIS NARATYVAS IR FORMOS PERCEPCIJA ISTORINĖS IR ŠIUOLAIKINĖS ARCHITEKTŪROS KOMPOZICIJOSE." Mokslas - Lietuvos ateitis 5, no. 3 (2013): 289–95. http://dx.doi.org/10.3846/mla.2013.47.

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highlighted in terms of architecture of Modernism. According to the theory of modern architecture and Geschtalt Psychology, elementary geometrical forms and main spatial features were underlined and accepted as anthropomorphic principle of architecture. Even today main spatial characteristics are accepted as a key principle of architectural composition. However, architects and critics of contemporary – post-modern and deconstructive – architecture emphasize the value of architectural narrative achieved not only through perception of space, but also by its relationship to social and cultural me

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12

Sulbarán Sandoval, Joely Ariagny. "El fractal como paradigma arquitectónico: deconstrucción vs lenguaje de patrones vivientes." Procesos Urbanos 3 (December 1, 2016): 79–88. http://dx.doi.org/10.21892/2422085x.268.

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Resumen: El presente estudio tiene como objetivo principal el estudio de la teoría fractal como nuevo paradigma en la Arquitectura, con el interés de fijar una posición reflexiva de la habitabilidad corporal-espacial de los seres humanos, cuyo comportamiento es de tipo fractal debido a la diversidad y a la incertidumbre que representa cada individuo. La metodología del estudio es de tipo documental no experimental, basada en la revisión de literatura concerniente al estudio de sus principales teorías, como son la teoría fractal, el deconstructivismo y el lenguaje de patrones vivientes, así com

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13

McLeod, Mary. "Architecture and Politics in the Reagan Era: From Postmodernism to Deconstructivism." Assemblage, no. 8 (February 1989): 22. http://dx.doi.org/10.2307/3171013.

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14

Charalambides, Jason E. "Rediscovering the essence in a classical order through analysis and deconstruction." Archnet-IJAR: International Journal of Architectural Research 13, no. 1 (2019): 218–36. http://dx.doi.org/10.1108/arch-12-2018-0031.

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Purpose The purpose of this paper is to expose a classical Vitruvian archetype and subject it to the logic of deconstruction. The process engages two opposing camps and mindsets, and, through analysis, reaches a point that allows the reader to make assessments on how the archetype fulfills the perceived objectives of its time and how it can be assessed through a more contemporary methodology. Design/methodology/approach This study employs two methodologies in the analysis of an architectural model that became a reference point in the evolution of Western Architecture. A traditional approach si

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15

Fujita, Haruhiko. "A history and geography of contemporary architecture." SAJ - Serbian Architectural Journal 11, no. 2 (2019): 307–20. http://dx.doi.org/10.5937/saj1902307f.

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History is the study of the past described in written documents. Prehistory is the history of human culture prior to written documents and post-history is the period in which the end of human development is reached. Contemporary history, a subset of modern history, describes the historical period from approximately 1945 to the present. Although the term 'contemporary history' has been in use since at least the early nineteenth century, its usage changed in the twentieth century. The continuous subduction process causes frequent earthquakes in Japan. The Japanese islands are also affected by ty

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16

IRIE, Toru. "EXHIBITION "DECONSTRUCTIVIST ARCHITECTURE" AND ITS BACKGROUND." Journal of Architecture and Planning (Transactions of AIJ) 67, no. 551 (2002): 329–34. http://dx.doi.org/10.3130/aija.67.329_1.

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17

Costanzo, Michele. "Twenty Years After (Deconstructivism): An Interview with Bernard Tschumi." Architectural Design 79, no. 1 (2009): 24–29. http://dx.doi.org/10.1002/ad.804.

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18

DERIABINA, О. O. "“THE POETRY OF BREAKING”: THE ARCHITECTURE OF THE MUSEUM IN THE PROJECTS OF DANIEL LIBESKIND." Ukrainian Journal of Civil Engineering and Architecture, no. 1 (June 24, 2021): 52–57. http://dx.doi.org/10.30838/j.bpsacea.2312.230221.52.717.

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Raising of problem. The study of the creativity of masters of architecture of the late XX − early XXI centuries, as a rule, occurs in line with the consideration of the characteristic features inherent in one or another author. Most of the scientific works state that the structure belongs to a certain trend, direction, style. But the choice of artistic means by the architect remains unclear, which is reflected in the discrepancy between the figurative solution and the purpose of the building in the perception of the consumer. Therefore, it is relevant to consider the creativity of architects,

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19

Aljubori, Luai, and Chaham Alalouch. "FINDING HARMONY IN CHAOS: THE ROLE OF THE GOLDEN RECTANGLE IN DECONSTRUCTIVE ARCHITECTURE." International Journal of Architectural Research: ArchNet-IJAR 12, no. 3 (2018): 183. http://dx.doi.org/10.26687/archnet-ijar.v12i3.1696.

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It is generally accepted that compositions in deconstructive architecture are irrational, fragmented, and do not follow proportional systems or principles of architecture, such as harmony, continuity, and unity. These compositions are understood as the result of compilations of random geometries that are often non-rectilinear, distorted, and displaced. In spite of this, deconstructive architecture is widely accepted and practiced in the last couple of decades. On the other hand, geometrical proportions have long been considered as a self-guided method of aesthetically proven designs. This pape

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20

Tsiftsi, Xanthi. "Libeskind and the Holocaust Metanarrative; from Discourse to Architecture." Open Cultural Studies 1, no. 1 (2017): 291–303. http://dx.doi.org/10.1515/culture-2017-0026.

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Abstract The Holocaust today resides between memory and postmemory. Initially, children of survivors and their contemporaries inherited a mediated past and bore full responsibility for disseminating their ancestors’ experiences. However, with the prevalence of the Holocaust metanarrative and its absolutist historicism, it was realised that when memory needs to cross generational boundaries, it needs to cross medial as well. The discourse was not enough; there was a need for broadening the narrative beyond the verbal using a powerful medium with the capacity to affect cognition and provoke emot

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21

Proudfoot, Peter R. "Deconstructivism and Architectural Science." Architectural Science Review 34, no. 2 (1991): 55–63. http://dx.doi.org/10.1080/00038628.1991.9696700.

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22

Fuentes Farías, Francisco. "On the condition of urban and architectural design." Estoa, no. 15 (2019): 33–42. http://dx.doi.org/10.18537/est.v008.n015.a03.

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Postmodern architecture, across the 1960 and 1970 decades, was concerned to semiotic and meaning theories, including the existential and phenomenological philosophy. Build space’s perceptual experiences took relevance under new space-thinking view, shared by another same matter researching disciplines in a phenomenological frame, but constructivist, poststructuralist, and deconstructivist too, which drives the stream of architectonic and urban design forward to today. The importance of a revision and critique of key concepts such as identity or urban imaginaries, which refer to the point of vi

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23

박하나. "Rethinking Deconstructivist Architecture with Gilles Deleuze’s Fold Theory: Focused on Frank O. Gehry, Rem Koolhaas, and Peter Eisenman." Journal of History of Modern Art ll, no. 25 (2009): 7–29. http://dx.doi.org/10.17057/kahoma.2009..25.001.

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24

Jung eun hee and Yoon Jae Eun. "A Study on the Expressive Characteristics of Différance shown in Zaha Hadid’s Work viewed based on the Relative Space-time Concept of Deconstructivist Architecture." Journal of Korea Intitute of Spatial Design 12, no. 2 (2017): 31–46. http://dx.doi.org/10.35216/kisd.2017.12.2.31.

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25

Dwyre, Cathryn, Chris Perry, and Bernard Tschumi. "Architecture Beyond Architecture." PAJ: A Journal of Performance and Art 37, no. 1 (2015): 8–15. http://dx.doi.org/10.1162/pajj_a_00231.

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26

Tyree, J., and A. Akerman. "Architecture Decisions: Demystifying Architecture." IEEE Software 22, no. 2 (2005): 19–27. http://dx.doi.org/10.1109/ms.2005.27.

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27

Ballantyne, Andrew. "Archigram: Architecture without Architecture." Journal of Architectural Education 59, no. 3 (2006): 88–89. http://dx.doi.org/10.1111/j.1531-314x.2006.00038.x.

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28

BARNSTONE, DEBORAH ASHER. "ARCHIGRAM: ARCHITECTURE WITHOUT ARCHITECTURE." Art Book 13, no. 2 (2006): 56–57. http://dx.doi.org/10.1111/j.1467-8357.2006.00679_2.x.

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29

Austin, Mike. "Aussie Architecture/Kiwi Architecture." Architectural Theory Review 11, no. 1 (2006): 5–6. http://dx.doi.org/10.1080/13264820609478550.

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30

Taylor, Mark C. "Nuclear Architecture or Fabulous Architecture or Tragic Architecture or Dionysian Architecture or." Assemblage, no. 11 (April 1990): 6. http://dx.doi.org/10.2307/3171132.

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31

CELA-CONDE, CAMILO J., and GISÈLE MARTY. "Mind Architecture and Brain Architecture." Biology & Philosophy 12, no. 3 (1997): 327–40. http://dx.doi.org/10.1023/a:1006572424048.

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32

Booch, Grady. "Enterprise Architecture and Technical Architecture." IEEE Software 27, no. 2 (2010): 96. http://dx.doi.org/10.1109/ms.2010.42.

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33

Teague, Edward H., and Alexandra de Luise. "ARCHITECTURE SIG: Architecture School Publications." Art Documentation: Journal of the Art Libraries Society of North America 6, no. 1 (1987): 24–26. http://dx.doi.org/10.1086/adx.6.1.27947709.

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34

Blevins, Terence. "The Architecture of Enterprise Architecture." INCOSE International Symposium 16, no. 1 (2006): 1647–65. http://dx.doi.org/10.1002/j.2334-5837.2006.tb02840.x.

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35

Pickering, Andrew. "Archigram: Architecture without Architecture (review)." Technology and Culture 47, no. 3 (2006): 661–63. http://dx.doi.org/10.1353/tech.2006.0196.

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36

Horswill, Ian. "Visual architecture and cognitive architecture." Journal of Experimental & Theoretical Artificial Intelligence 9, no. 2-3 (1997): 277–92. http://dx.doi.org/10.1080/095281397147121.

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37

Purwanto, L. M. F., and Reginaldo Chistophori Lake. "Architecture and culture, architecture grows." ARTEKS : Jurnal Teknik Arsitektur 6, no. 2 (2021): 155–56. http://dx.doi.org/10.30822/arteks.v6i2.1269.

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Architecture is one part of culture, which reflects the development of human life from time to time and displays various types of life (Sharr 2012). The embodiment of architectural studies can appear in various perspectives, such as the study of technology, symbols, open space, landscape, interior and also architectural education, as in the articles of ARTEKS in this edition volume 6 issue 2, August 2021.

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38

HORIE, Tatsumi. "Architecture." JOURNAL OF THE JAPAN WELDING SOCIETY 79, no. 5 (2010): 469–71. http://dx.doi.org/10.2207/jjws.79.469.

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39

HORIE, Tatsumi. "Architecture." JOURNAL OF THE JAPAN WELDING SOCIETY 81, no. 5 (2012): 411–12. http://dx.doi.org/10.2207/jjws.81.411.

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40

YAKUSHIJI, Kei. "Architecture." JOURNAL OF THE JAPAN WELDING SOCIETY 77, no. 5 (2008): 468–70. http://dx.doi.org/10.2207/jjws.77.468.

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41

Brown, Jeanne M. "Architecture." Reference Librarian 27, no. 57 (1997): 147–51. http://dx.doi.org/10.1300/j120v27n57_17.

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42

Sydney Lea. "Architecture." Fourth Genre: Explorations in Nonfiction 2, no. 1 (2000): 104–6. http://dx.doi.org/10.1353/fge.2013.0314.

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43

Messina, Paul, David Culler, Wayne Pfeiffer, William Martin, J. Tinsley Oden, and Gary Smith. "Architecture." Communications of the ACM 41, no. 11 (1998): 36–44. http://dx.doi.org/10.1145/287831.287838.

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44

Kupfer, Joseph. "Architecture." Social Theory and Practice 11, no. 3 (1985): 265–83. http://dx.doi.org/10.5840/soctheorpract198511317.

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45

Senne, Jessica, and Steve V. Coxon. "Architecture." Gifted Child Today 39, no. 1 (2015): 31–39. http://dx.doi.org/10.1177/1076217515613385.

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46

Kimmel, Seth. "Architecture." Journal of Medieval Iberian Studies 5, no. 2 (2013): 134–38. http://dx.doi.org/10.1080/17546559.2013.820426.

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47

Grabar, Oleg. "Architecture." Iranian Studies 31, no. 3-4 (1998): 371–75. http://dx.doi.org/10.1080/00210869808701917.

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48

Levergeois, Bertrand. "Architecture." Humanisme N° 277, no. 2 (2007): 1. http://dx.doi.org/10.3917/huma.277.0001.

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49

Araguas, Philippe. "Architecture de brique et architecture mudéjar." Mélanges de la Casa de Velázquez 23, no. 1 (1987): 173–200. http://dx.doi.org/10.3406/casa.1987.2489.

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50

Abusaada, Hisham. "Ethics of Architecture or Ethical Architecture?" International Journal of Responsible Leadership and Ethical Decision-Making 1, no. 2 (2019): 1–15. http://dx.doi.org/10.4018/ijrledm.2019070101.

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This paper examines the nature of the relationship between ethics and architecture. This complicated state of affairs—in professional practice and architectural design—is evaluated based on a bibliographical review of the visions of some Arab and Western thinkers. This review passes through the analysis of three intellectual movements: modernism, postmodernism, and the new brutalism. A series of questions arises: How is it determined whether any of these principles are moral or immoral? Does a specific principle override other beliefs? Who decides that any building is ethical or unethical? Thi

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