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Journal articles on the topic 'Architecture Early works to 1800'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Yuliya Ivanovna, Arutyunyan. "Interpretation of Medieval art in the scientific illustration of France in the 1820s – 1860s." Vestnik of Saint Petersburg State University of Culture, no. 2 (51) (2022): 154–61. http://dx.doi.org/10.30725/2619-0303-2022-2-154-161.

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In the XIX century, the importance of scientific illustration increases. Images of the Middle Ages appear in works on the history of art and material culture, reference books, periodicals, and guidebooks. The characteristic features of scientific illustration are the desire to observe the real proportions and composition of monuments of architecture and fine art, diligence, understanding the patterns of style and reflecting them in graphic reproductions. The publications combine detailed images of architectural monuments and schematically interpreted details of facades and interiors. In the wo

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2

Kreizer, I. "MAGINARY OR EXPRESSIVE: XXI CENTURY ARCHITECTURE IN THE WORKS OF EXCELLENT MASTERS." Municipal economy of cities 1, no. 168 (2022): 40–44. http://dx.doi.org/10.33042/2522-1809-2022-1-168-40-44.

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The article deals with the theme of the interaction of "expressiveness" and "pictoriality" in the work of the masters of architecture of the XXI century. Architects' methods of work with such concepts as "imagery" and "expressiveness" became the cornerstone in understanding the concept of "modern" in the late nineteenth and early twentieth centuries. The architecture of the twentieth century in the leading countries of Europe, the USA, then the USSR, trying to keep pace with scientific discoveries and technical capabilities, created a number of rationalist avant-garde trends, which later merge

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Gella, О., and K. Didenko. "RESIDENTIAL BUILDINGS BUILT BEHIND THE STATE INDUSTRY BUILDING (DERZHPROM) IN THE LATE 1920S AND EARLY 1930S: BLOCKS EAST OF NAUKY AVENUE." Municipal economy of cities 1, no. 182 (2024): 43–49. http://dx.doi.org/10.33042/2522-1809-2024-1-182-43-49.

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The article is devoted to residential buildings built in the late 1920s and early 1930s in the metropolitan Kharkiv, in the area behind the State Industry Building (Derzhprom) east of Nauky Avenue. The design andconstruction of these residential neighbourhoods, which took place between 1926 and the late 1930s and had their peculiarities and diversity, are not sufficiently covered in scientific works and require a dedicated study. The preservation, documentation, and restoration of modernist buildings and complexes in eastern Ukraine, especially in the Kharkiv region, require the creation of a

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Maslov, Konstantin. "In search of the lost tradition: towards a history of church painting of the 1830s — 1st half of the 1840s." St. Tikhons' University Review. Series V. Christian Art 48 (December 30, 2022): 74–94. http://dx.doi.org/10.15382/sturv202248.74-94.

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Fast moving Europeanisation of Russia, started by Peter the Great and continued by his successors, showed itself, among other things, in founding the Imperial Academy of Fine Arts and in the birth of Russian academic school, whose brilliant achievements were not in the least the legacy of Russian art tradition, especially that of icon-painting, for the latter was only allowed to exist as the arts of the commoners. This state of things was regarded as something to overcome during the reign of Nicholas I, when gradual re-establishment of the ties with tradition begins, seen in particular in the

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Egorova, L. V. "Svetlov, I., Lukicheva, K. and Arias-Vikhil, M., eds. (2023). Paris around the 1900s. Joséphin Péladan’s Society of ‘Rose + Croix.’ St. Petersburg: Aleteya. (In Russ.)." Voprosy literatury, no. 2 (March 15, 2024): 174–77. http://dx.doi.org/10.31425/0042-8795-2024-2-174-177.

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The review discusses a collection of articles produced by a team of scholars under the supervision of professor Igor Svetlov. The book focuses on alternative experiments in late 1800s — early 1900s French art, which, although they failed to grow into independent movements, succeeded in producing several interesting concepts. The study is especially concerned with the Paris-based salon of ‘Rose + Croix’ and its founder Josephin Peladan — a writer, philosopher, occultist, and an able organizer. The book considers his artistic interests and views on the connection between art and religion, the ro

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Islam, Sk Zohirul. "Six-Pointed Star Motif in Muslim Architecture of Bangladesh (Past Bengal) and Turkish Influence: An Historical Study." Bangladesh Journal of Multidisciplinary Scientific Research 2, no. 1 (2020): 40–47. http://dx.doi.org/10.46281/bjmsr.v2i1.565.

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With the rise of Islamic states as the dominant powers of India and Indian Sub- Continent (India, Pakistan and Bangladesh) and South Asia Sultanate and Mughal period (1200-1800 A.D.), by Turkish heroic figure (horsemen), Indian art was subjected to Islamic influence, resulting in a hybrid aesthetics as well as Indo- Islamic art which flourished to varying extends across south and southeast Asia. Bangladesh is world third largest Muslim majority country and situated in South Asia. So the main and primary identity of the notion is mosque architecture and then languages via culture in Bangladesh

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Harris, Eileen. "Acquisition and use: British architectural books before 1800." Art Libraries Journal 17, no. 3 (1992): 7–11. http://dx.doi.org/10.1017/s0307472200007896.

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Architectural books in use in England – and specifically in the Royal Academy Library – in the second half of the 18th century included translations of the major Italian treatises; Sir William Chambers’ Treatise on civil architecture (the first work of its kind by an English author); volumes recording actual buildings by English architects; archaeological works documenting the remains of ancient buildings; and works by Fréart and Perrault on the classical orders. The latter were complemented by Henry Emlyn’s eccentric Proposition for a new order of architecture published in 1781. The contents

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Abdul Malik, Mohd Puaad, Faisal @. Ahmad Faisal Abdul Hamid, and Rahimin Affandi Abdul Rahim. "Analyse Malay Fiqh Works Writing 1600-1800." Al-Muqaddimah: Online journal of Islamic History and Civilization 6, no. 2 (2018): 71–89. http://dx.doi.org/10.22452/muqaddimah.vol6no2.6.

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In essence, this article will focus on the subject classical Malay fiqh works 1600-1800. Classical Malay fiqh works are Malay intellectual works produced by Malay Muslim scholars in various topics of Islamic law including worship (ibadah), commercial transaction law (muamalah), family law (munakahat) and others. This fiqh Malay work played an important role in Malay society at the beginning of Islamic development in the Malay world. It is a means of communication, scientific knowledge or developmental science. The premise of this article analyzes the writing of fiqh works that developed in the

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Špelda, Daniel. "Kepler in the Early Historiography of Astronomy (1615–1800)." Journal for the History of Astronomy 48, no. 4 (2017): 381–404. http://dx.doi.org/10.1177/0021828617740948.

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This article discusses the reception of Kepler’s work in the earliest interpretations of the history of astronomy, which appeared in the seventeenth and eighteenth centuries. The focus is not on the reception of Kepler’s work among astronomers themselves but instead on its significance for the history of science as seen by early historians of mathematics and astronomy. The first section discusses the evaluation of Kepler in the so-called “Prefatory Histories” of astronomy that appeared in various astronomical works during the seventeenth century. In these, Kepler was considered mainly to be th

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Bowers, Katherine. "Ghost Writers: Radcliffiana and the Russian Gothic Wave." Victorian Popular Fictions Journal 3, no. 2 (2021): 152–71. http://dx.doi.org/10.46911/tvct9530.

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Ann Radcliffe’s novels were extremely popular in early nineteenth-century Russia. Publication of her work in Russian translation propelled the so-called gothic wave of 1800-10. Yet, many of the works Radcliffe was known for in Russia were not written by her; rather, they were works by others that were attributed to Radcliffe. This article traces the publication and translation histories of Radcliffiana on the Russian book market of 1800-20. Building on JoEllen DeLucia’s concept of a “corporate Radcliffe” in the anglophone world, this article proposes a Russian corporate Radcliffe. Identifying,

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Ståhle Sjönell, Barbro. "Det tidiga 1800-talets svenska novellistik." Tidskrift för litteraturvetenskap 43, no. 2 (2013): 5–17. http://dx.doi.org/10.54797/tfl.v43i2.10840.

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Swedish Short Stories in the Early 19th Century. Publication and Subgenres The present study of Swedish short stories published between the years 1810 and 1829 illustrates that authors representing the Romantic Movement made special efforts to put the short story on the market. At V. F. Palmblad’s publishing house, German contemporary short stories were translated and distributed, later followed by Swedish contributions to the genre, which appeared primarily in literary magazines. Only a small number of short stories were published over the course of these 19 years, and the means of publ

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Vogler, Nikolai, Kartik Goyal, Kishore PV Reddy, et al. "Contrastive Attention Networks for Attribution of Early Modern Print." Proceedings of the AAAI Conference on Artificial Intelligence 37, no. 4 (2023): 5285–93. http://dx.doi.org/10.1609/aaai.v37i4.25659.

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In this paper, we develop machine learning techniques to identify unknown printers in early modern (c.~1500--1800) English printed books. Specifically, we focus on matching uniquely damaged character type-imprints in anonymously printed books to works with known printers in order to provide evidence of their origins. Until now, this work has been limited to manual investigations by analytical bibliographers. We present a Contrastive Attention-based Metric Learning approach to identify similar damage across character image pairs, which is sensitive to very subtle differences in glyph shapes, ye

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SAMPSON, MARGARET. "‘THE WOE THAT WAS IN MARRIAGE’: SOME RECENT WORKS ON THE HISTORY OF WOMEN, MARRIAGE AND THE FAMILY IN EARLY MODERN ENGLAND AND EUROPE." Historical Journal 40, no. 3 (1997): 811–23. http://dx.doi.org/10.1017/s0018246x97007437.

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Marriage and the English Reformation. By Eric Josef Carlson. Oxford: Blackwell, 1994. Pp. ix+276. ISBN 0-631-16864-8. £45.00Gender, sex and subordination in England, 1550–1800. By Anthony Fletcher. New Haven and London: Yale University Press, 1995. Pp. xxii+442. ISBN 0-300-06531-0. £19.95.Domestic dangers: women, words, and sex in early modern London. By Laura Gowing. Oxford: Clarendon Press, 1996. Pp. 301. ISBN 0-19-820517-1. £35.00.The prospect before her: a history of women in western Europe, Volume one, 1500–1800. By Olwen Hufton. London: HarperCollins, 1995. Pp. xiv+654. ISBN 0-00255120-9

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King, Martina. "Gesteinsschichten, Tasthaare, Damenmoden: Epistemologie des Vergleichens zwischen Natur und Kultur – um und nach 1800." Internationales Archiv für Sozialgeschichte der deutschen Literatur 45, no. 2 (2020): 246–66. http://dx.doi.org/10.1515/iasl-2020-0014.

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AbstractThis paper investigates comparison as a fundamental practice within the early life sciences. Four episodes are selected that show how comparing species works in the early 19th century and how it builds bridges between scientific and literary culture: comparing living organisms in pre-Darwinian natural history (Lacépède, Treviranus), comparing species distribution in actualistic geology (Lyell), comparing organs in comparative anatomy (Müller), and – last but not least – comparing social classes in new literary genres such as sketch, ‘Paris physiology’, or travel feuilleton.

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IIMORI, Maki, and Yuji AGEMATSU. "THE DEVELOPMENT OF FRANK 0. GEHRY'S ARCHITECTURE : Through his early works." Journal of Architecture and Planning (Transactions of AIJ) 68, no. 567 (2003): 159–64. http://dx.doi.org/10.3130/aija.68.159_2.

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Yaldiz, Esra. "The Evaluation of 20th Century Architecture in Konya in the Context of Modern Architecture Heritage." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (2017): 171–84. http://dx.doi.org/10.18844/prosoc.v4i11.2872.

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Understanding about conservation is limited to ‘monument’ or ‘old work of art’ in the past compared with today’s new concepts like ‘historical and cultural heritage’, ‘heritage of modern architecture’ and ‘heritage of industry’. Turkey’s 20th century modern architecture was started with the early modernism buildings constructed all over Turkey, especially in Ankara and İstanbul in the first years of the Republic. This period includes all the works of architecture that were produced until the late 1980s, carrying the traces of modern movement, rationalist, purist, transparent, reinterpreting th

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Oostindie, Gert, and Jessica Vance Roitman. "Repositioning the Dutch in the Atlantic, 1680–1800." Itinerario 36, no. 2 (2012): 129–60. http://dx.doi.org/10.1017/s0165115312000605.

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After some decades of historical debate about the early modern Atlantic, it has become a truism that the Atlantic may better be understood as a world of connections rather than as a collection of isolated national sub-empires. Likewise, it is commonly accepted that the study of this interconnected Atlantic world should be interdisciplinary, going beyond traditional economic and political history to include the study of the circulation of people and cultures. This view was espoused and expanded upon in the issue of Itinerario on the nature of Atlantic history published thirteen years ago—the sa

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Liljas, Juvas Marianne. "”Från pappas lydige Henric”: Pedagogiska perspektiv på det tidiga 1800-talets bildningsresande." Nordic Journal of Educational History 6, no. 2 (2019): 73–99. http://dx.doi.org/10.36368/njedh.v6i2.151.

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“From daddy’s obedient Henric”: Pedagogical perspectives on educational travel of the early 1800s. This article analyses educational travel in the early 1800s from the perspective of its educational heritage and praxis. The aim is to develop an understanding of the pedagogical significance of educational travel. The article makes clear how upbringing and education are represented in the framework of travel narratives in pre-industrial landscapes. The argument is based on the influence of the mercantile class on educational travel and the informal effect of these trips on changes in pedagogical

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Ostaric, Lara. "Absolute Freedom and Creative Agency in Early Schelling." Philosophisches Jahrbuch 119, no. 1 (2012): 69–93. http://dx.doi.org/10.5771/0031-8183-2012-1-69.

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bstract. By arguing that the connection between Schelling’s reception of Plato and Kant’s conception of genius is relevant for Schelling’s early development, this essay demonstrates the following: (1) that Schelling’s early Idealism brings to the general problem that plagues German Idealists, i.e., the search for an unconditioned principle that unites theoretical and practical reason, the solution that is genuinely his own, this original solution consisting in Schelling’s conception of “creative reason [schöpfersiche Vernunft]”; (2) that the theme of an absolutely free creative subjectivity is

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Fokin, Alexander Anatolyevich. "Philosophical Principles of Heinrich Klee’s Theology (1800–1840)." Philosophy of Religion: Analytic Researches 6, no. 1 (2022): 24–36. http://dx.doi.org/10.21146/2587-683x-2022-6-1-24-36.

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The article focuses on the study of the dogmatic works of Heinrich Klee (1800–1840) in relation to his criticism and reception of contemporary philosophical systems. The dogmatic theology of Heinrich Klee is a little-studied page in the history of Catholic religious thought in the first half of the 19th century, yet for his contemporaries Klee was a significant thinker, and his theology was the subject of active discussion. The works of Klee are known to have been criticized more than once in connection with the possible borrowing of philosophical ideas in his dogmatic theology. This criticism

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Li, Jing Wei, and Yong Yi Zhang. "Study on the Dynamic Construction in Zaha Hadid’s Early Works." Applied Mechanics and Materials 357-360 (August 2013): 63–66. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.63.

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Zaha Hadid is the world’ s renowned master of architecture, and she was the first and, to date, the only woman who wins the prestigious Pritzker Architectural Prize. This paper analyzes the Dynamic Construction of Zaha Hasid’s early works from three aspects: the influence of Suprematism, the construction elements and method of the Dynamic Construction.

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Maudlin, Daniel. "Architecture and Identity on the Edge of Empire: The Early Domestic Architecture of Scottish Settlers in Nova Scotia, Canada, 1800–1850." Architectural History 50 (2007): 95–123. http://dx.doi.org/10.1017/s0066622x00002896.

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In the early nineteenth century thousands of Scots emigrated to Nova Scotia, Canada, settling there principally in Pictou and Antigonish Counties. This article considers the transformation of the domestic architecture of emigrants from the Scottish Highlands, from earth and random-rubble-walled ‘black houses’ to Classically ornamented and proportioned timber-framed houses. It demonstrates that, in contrast to the transferable traditions of Lowland Scottish settlers, virtually no element of the Scottish Highland vernacular building tradition was established in Nova Scotia, and that Scottish Hig

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Emel'yаnov, E. Y., and E. V. Sitnikova. "MODERNISM IN TOMSK WOODEN ARCHITECTURE IN THE EARLY 20th CENTURY." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 1 (February 27, 2019): 114–25. http://dx.doi.org/10.31675/1607-1859-2019-21-1-114-125.

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The paper considers the development of modernism in the wooden architecture in the city of Tomsk in the context of national trends. The paper studies design features and specificity of wooden decoration of buildings made in the modern style or with the use of architectural elements performed in accordance with the variation of the neo-Russian style and “northern mo dernity”. The originality of the author's interpretations of style trends and those of the professional architects is described.The relevance of the study is stipulated by preserving wooden buildings in the cities of Russia and Sibe

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Shumakov, Andrey. "Gabriel's Failed Revolution of 1800: Causes and Prerequisites." Izvestia of Smolensk State University, no. 1(61) (December 15, 2023): 186–203. http://dx.doi.org/10.35785/2072-9464-2023-61-1-186-203.

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This work is devoted to a very little-studied topic of the Virginia Slave Conspiracy led by Gabriel and is the first study of this issue in Russian historiography. The present article analyzes in detail the causes and prerequisites of the failed uprising of 1800. At the same time, the author relies on the published materials of the trial and the works of leading Western researchers.  The first part is devoted directly to the history of studying this issue. Using historical-genetic and retrospective methods, the author traces the influence of foreign policy, domestic political, social, ec

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Trivellato, Francesca. "What Differences Make a Difference? Global History and Microanalysis Revisited." Journal of Early Modern History 27, no. 1-2 (2023): 7–31. http://dx.doi.org/10.1163/15700658-bja10057.

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Abstract This article discusses a number of scholarly trends that fall under the rubric of global history, with particular regard for those that address the early modern period (c.1400–1800). It stresses the rubric’s lack of coherence from both a methodological and ideological perspective. Most importantly, it revisits longstanding debates about the intersection of microanalysis and global history by assessing landmark works by Italian microhistorians, scholars of the so-called great divergence, and historians of climate and the environment. In so doing, it also asks how recent contributions b

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Rashid, Nafiul, Berken Utku Demirel, Mohanad Odema, and Mohammad Abdullah Al Faruque. "Template Matching Based Early Exit CNN for Energy-efficient Myocardial Infarction Detection on Low-power Wearable Devices." Proceedings of the ACM on Interactive, Mobile, Wearable and Ubiquitous Technologies 6, no. 2 (2022): 1–22. http://dx.doi.org/10.1145/3534580.

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Myocardial Infarction (MI), also known as heart attack, is a life-threatening form of heart disease that is a leading cause of death worldwide. Its recurrent and silent nature emphasizes the need for continuous monitoring through wearable devices. The wearable device solutions should provide adequate performance while being resource-constrained in terms of power and memory. This paper proposes an MI detection methodology using a Convolutional Neural Network (CNN) that outperforms the state-of-the-art works on wearable devices for two datasets - PTB and PTB-XL, while being energy and memory-eff

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Gommans, Jos. "Trade and Civilization around the Bay of Bengal, c. 1650–1800." Itinerario 19, no. 3 (1995): 82–108. http://dx.doi.org/10.1017/s0165115300021331.

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About seven years ago the journalItinerarioissued a special volume on theAncien Régimein India and Indonesia that carried the papers presented at the third Cambridge-Leiden-Delhi-Yogyakarta conference. The aim of the conference was a comparative one in which state-formation, trading net-works and socio-political aspects of Islam were the major topics. Thumbing through the pages of this issue (while preparing this essay) I had the impression that the results of the conference went beyond its initial comparative goals. Directly or indirectly, several papers stressed that during the early-modern

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Панченко, Ирина Александровна. "Moscow in photographs of the 1860s – erly 1900s from the collection of the Russian Museum." Искусство Евразии, no. 2(17) (June 27, 2020): 220–35. http://dx.doi.org/10.25712/astu.2518-7767.2020.02.014.

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В собрании Русского музея хранится уникальный изобразительный ряд, разносторонне демонстрирующий фотографический образ Москвы периода 1860-х – начала 1900-х гг. Его творцами стали многие знаменитые фотоателье и фотографы. Их интерес к запечатлению облика древней столицы был чрезвычайно широк: видовые фотографии и фиксация фрагментов зданий и интерьеров, статичная архитектурная съемка и динамичные сцены повседневной городской жизни, большеформатные «августейшие подношения» и демократичные открытые письма. Сфотографированные нередко с разных видовых точек, в разные годы, эти исторические кадры п

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Ferreiro, Larrie David. "The Aristotelian Heritage in Early Naval Architecture. From the Venice Arsenal to the French Navy, 1500-1700." THEORIA 25, no. 2 (2010): 227–41. http://dx.doi.org/10.1387/theoria.617.

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This paper examines the Aristotelian roots of the mechanics of naval architecture, beginning with Mechanical Problems, through its various interpretations by Renaissance mathematicians including Vettor Fausto and Galileo at the Venice Arsenal, and culminating in the first synthetic works of naval architecture by the French navy professor Paul Hoste at the end of the seventeenth century.

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Moyer, Jessica Dvorak. "The Textual Architecture of Empire in Two Early Qing Anthologies." Journal of Chinese Literature and Culture 8, no. 2 (2021): 371–98. http://dx.doi.org/10.1215/23290048-9299684.

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Abstract During the first half century of the Qing dynasty, Manchu emperors commissioned massive publication projects on the Chinese classics. In early Qing interpretations of classics on the family, negotiations between Manchu and Han family and gender norms furthered the empire-building project. This article compares the spatial form of the Yuding Nei ze yanyi 御定内則衍義 (1656), an expansion of the “Inner Standards” chapter of the Classic of Rites commissioned by the Shunzhi emperor, to that of the Yuding Xiao jing yanyi 御定孝經衍義 (1682), an expansion of the Classic of Filial Piety commissioned by

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Bullen, J. B. "The Romanesque Revival in Britain, 1800–1840: William Gunn, William Whewell, and Edmund Sharpe." Architectural History 47 (2004): 139–58. http://dx.doi.org/10.1017/s0066622x00001738.

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The Romanesque revival, like the Gothic revival, was an international movement. It passed easily across national boundaries and its effects were felt throughout Europe and across America. In Britain it was overshadowed by the Gothic revival out of whose historiography it grew, and is easily confused with the Norman revival that enjoyed considerable popularity in the 1830s and 1840s. Both the Norman revival and the study of the Romanesque were the fruit of British antiquarianism, because in the eighteenth and early nineteenth centuries there was in this country a well developed scholarly intere

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Sierra, Nicole. "Landscapes of Postmodernity: Donald Barthelme's Architecture." Pacific Coast Philology 47, no. 1 (2012): 75–92. http://dx.doi.org/10.2307/41851035.

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ABSTRACT Exploring Donald Barthelme's literary representations of architecture, this essay traces how the author manipulates architectural history as a means of critiquing modernism and contemporary culture. Despite frequent references to Barthelme's familial relationship to architecture, little has been studied about how this intimacy is encoded in his imaginative writings. Focusing on the short story collections Sixty Stories and Forty Stories, this essay considers the usefulness of architecture as an interart analogy for Barthelme's texts. Seizing on the theories of Fredric Jameson, I argue

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Shcherbakova, Anna E. "TO CHILDREN ABOUT ART: DOMESTIC ILLUSTRATED EDITIONS OF THE 1800–1820S." Arts education and science 1, no. 38 (2024): 140–52. http://dx.doi.org/10.36871/hon.202401140.

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This article is devoted to the visual language of children’s books and magazines of the first third of the XIXth century on the theme of art. The cultural and historical context of the development of illustrated literature on this topic is considered. The most popular plots and the artistic features of the published images are identified. A comparison is made of illustrations in Russian-language versions of books and foreign originals. The relationship between the publication format and graphic content is determined, as well as the options for interaction between text and picture. The most str

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Cvejić, Žarko. "From "Bach" to "Bach's son": The work of aesthetic ideology in the historical reception of Carl Philipp Emanuel Bach." New Sound, no. 54-2 (2019): 90–108. http://dx.doi.org/10.5937/newso1954090c.

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The paper explores the historical correlation between the marginalization of C. P. E. Bach in his posthumous critical reception in the early and mid 19th century and the paradigm shift that occurred in the philosophical, aesthetic, and ideological conception of music in Europe around 1800, whereby music was reconceived as a radically abstract and disembodied art of expression, as opposed to the Enlightenment idea of music as an irreducibly sensuous, sonic art of representation. More precisely, the paper argues that the cause of C. P. E. Bach's marginalization in his posthumous critical recepti

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Zavyalova, Anna E. "Early Works of Mstislav Dobuzhinsky and Jugendstil Graphic Art." Observatory of Culture 19, no. 3 (2022): 293–300. http://dx.doi.org/10.25281/2072-3156-2022-19-3-293-300.

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The article examines a number of M.V. Dobuzhinsky’s graphic works published in “Jester”, “The World of Art” and “Apollo” magazines, in comparison with the works of artists in the Munich magazines “Jugend” and “Simplicissimus”. There are revealed the motifs that influenced Dobuzhinsky’s works: the image of pavement and brickwork, the image of a black cat. The author has found that Dobuzhinsky repeated the drawing of the devil by T.T. Heine in a vignette for the magazine “Golden Fleece”. The scientific novelty of the work lies in the fact that, for the first time, it analyzes M.V. Dobuzhinsky’s

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Sdrolia, Stavroula. "Habitation in the region of Mount Ossa during the Early Byzantine period." Archaeological Reports 62 (November 2016): 125–32. http://dx.doi.org/10.1017/s0570608416000119.

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Archaeological works undertaken in the last decade – excavation, survey and conservation – prompted by major public works, combined with synthetic studies, have enhanced our knowledge of Thessaly in the Byzantine period. Key areas where our understanding has increased significantly include urban and rural fortifications, the Late Antique phases of occupation in Larisa and the harbour at Phthiotic Thebes (modern Nea Anchialos), religious and secular architecture, rural villas, industrial installations and the monastic community on Mount Ossa (‘Mountain of the Cells’).This paper focuses on the r

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Polyakov, E. N., and T. V. Donchuk. "FORMATION OF FRENCH ART NOUVEAU STYLE IN EARLY WORKS OF HECTOR GUIMARD." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 21, no. 5 (2019): 9–35. http://dx.doi.org/10.31675/1607-1859-2019-21-5-9-35.

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The article is devoted to the early activity of the famous architect Hector Guimard (1867–1942), the creator of French Art Nouveau. During this period (1891–1900) he successfully combined project work with teaching at the École Nationale Supérieure des Beaux-Arts. He searched for own directions in the architecture. Testing a variety of eclectic styles, in 1894 year Guimard acquainted himself with the work of Belgian architect Victor Horta (1861–1947) and adopted the main elements of the Art Nouveau. The article considers the earliest design works of E. Guimard, which reflected the main directi

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Rybalkin, Е. V. "Rural architecture of e left bank of Saratov Volga region (interchange of different cultures) (Saratov)." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 25, no. 6 (2023): 68–77. http://dx.doi.org/10.31675/1607-1859-2023-25-6-68-77.

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The article examines the historical rural architecture on the territory of the modern Saratov region using the example of a peasant estate. Two neighboring groups of settlers are identified, who made up the main population of the left bank in the e 18th and early 20th centuries. Similarities and differences are indicated for the structure of peasant house. The principles of formation and places of distribution of various decorative finishing techniques are identified.Purpose: The aim of this work is to identify ways and means of forming traditional architecture on the left bank of the Saratov

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Girard, Philip. "Themes and Variations in Early Canadian Legal Culture: Beamish Murdoch and hisEpitome of the Laws of Nova-Scotia." Law and History Review 11, no. 1 (1993): 101–44. http://dx.doi.org/10.2307/743601.

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Beamish Murdoch (1800–76) was a young man when the first of the four volumes of hisEpitome of the Laws of Nova-Scotiarolled off Joseph Howe's press at Halifax in the spring of 1832. He was an old man when the first installment of his three-volumeHistory of Nova-Scotia, or Acadieappeared under James Barnes's imprint in the spring of 1865. These two works have received surprisingly disparate attention in the century since Murdoch's death. Today it is Murdoch the historian who is well known: No treatment of nineteenth-century Canadian historiography would omit reference to hisHistory. Murdoch's c

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Kozyrenko, Nataliya Efremovna. "Russian Harbin: architecture of the mansion of G. I. Kroll." Урбанистика, no. 3 (March 2020): 26–36. http://dx.doi.org/10.7256/2310-8673.2020.3.33397.

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The subject of this research is the architectural and style peculiarities of the mansion of G. I. Kroll. The object is the Harbin architectural landmarks built in the early XX century in the New City area. Presently the are in a critical condition. Their physical state testifies to the upcoming demolition of the unique objects of Russian Harbin. The author examines the historical aspect of construction and functionality of the objects, architectural specificities, and current physical state of the architectural landmarks. Special attention is paid to the architectural-planning peculiarities of

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MacKay, James S. "The Second Repeat in Beethoven's Sonata-Form Movements: Tonal, Formal and Motivic Strategies." Music Theory and Analysis (MTA) 8, no. 1 (2021): 1–41. http://dx.doi.org/10.11116/mta.8.1.1.

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Around the middle of the Classical period, there was a paradigm shift concerning sectional repeats in sonata-form movements. Whereas previously the repeat of both halves (exposition and development/recapitulation) was virtually pro forma, by the late 1700s composers typically only indicated the first repeat. When composers began to indicate the second repeat infrequently, this decision took on greater musical significance.<br/> Whereas Haydn and Mozart indicated the second repeat frequently, even in their late works, Beethoven indicated this repeat rarely (nineteen times in works with op

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UYSAL BİLGE, Fulay. "IDEOLOGY – ARCHITECTURE RELATIONSHIP: NAZI ARCHITECTURE." INTERNATIONAL REFEREED JOURNAL OF DESIGN AND ARCHITECTURE, no. 25 (2022): 0. http://dx.doi.org/10.17365/tmd.2022.turkey.25.05.

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Hitler’s Germany witnessed the most influential political power activities in world history before and during the Second World War. Germany’s collapse both politically and economically in the early 1930s enabled Hitler to take action. This structure, which relied on the new political stance behind it, has ensured its legitimacy and ideology with propaganda works. Nazis used the social power of architecture as a tool to support the new order that they were establishing. Aim: This study aims to investigate the effects on the forming and shaping of the city and the designed buildings, planned acc

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Белоножкин, А. Е. "Church Architecture in the Creative Heritage of Marian Peretyatkovich." Scientific Papers of St Petersburg Academy of Fine Arts, no. 68 (March 25, 2024): 115–33. http://dx.doi.org/10.62625/2782-1889.2024.68.68.009.

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В статье впервые как самостоятельное явление рассматриваются работы Мариана Мариановича Перетятковича (1872−1916) в сфере церковного зодчества. Делается вывод о значимости произведений мастера как для его собственного творчества, так и для церковной архитектуры России конца XIX – начала XX в. The article for the first time, as an independent phenomenon, examines the work of Marian Peretyatkovich (1872−1916) in the field of church architecture. The conclusion is made about the significance of the master’s works both for his own creativity and for the church architecture of Russia of the late 19

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de Vos, Machteld. "In Between Description and Prescription: Analysing Metalanguage in Normative Works on Dutch 1550–1650." Languages 7, no. 2 (2022): 89. http://dx.doi.org/10.3390/languages7020089.

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This paper is the first to perform a systematic quantitative analysis of the arguments used to motivate selections in grammatical entries from normative works on Standard Dutch written between ca. 1550 and 1650. Thus, it aims to obtain insight into what language ideologies were characteristic of this early modern period, what these reveal about how Standard Dutch took shape in its initiating phase, and what the differences are between the codification of Dutch in the early modern period (16th/17th century) and the (post)modern period (20th/21st century; analysed in earlier studies). Although c

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Bertash, Alexander. "Alexander Nevsky cathedral in Tallinn as a monument of Russian style in Estonia." St. Tikhons' University Review. Series V. Christian Art 48 (December 30, 2022): 95–113. http://dx.doi.org/10.15382/sturv202248.95-113.

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The article is devoted to the most significant church building in the Baltics at the end of the 19th century - Cathedral of St. Blessed Prince Alexander Nevsky in Revel (Tallinn). The semantics of the dedication of the temple and its architectural and construction history are considered in the context of church architecture of the Russian Empire in the late 19th — early 20th century and the political course of Emperor Alexander III, known as Russification. The initiator of the construction of a declaratively Russian imperial structure in the center of Revel Vyshgorod (Toompea) with its predomi

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Polyakov, E. N., and O. P. Polyakova. "Life in Switzerland of Charles-Édouard Jeanneret known as Le Corbusier." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 23, no. 3 (2021): 9–20. http://dx.doi.org/10.31675/1607-1859-2021-23-3-9-20.

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The article is devoted to the early design and social activities of the extraordinary French architect Charles-Édouard Jeanneret known as Le Corbusier (1887–1965), who is considered to be one of the founders of European Functionalism. His first design and pictorial works are considered together with his trips to Western Europe and the Middle East. This experience helped the architect to create his first conceptual versions and models of the modern architecture, which will be described in our further works.

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Kasatkin, Konstantin. "In Search of One’s Self: Russian Travelers in the Balkans in 1800–1830s." Russian History 48, no. 1 (2022): 61–88. http://dx.doi.org/10.30965/18763316-12340023.

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Abstract In this paper, we are going to demonstrate that the writings of Russian travelers of the early 19th century laid the foundation of a discourse of Slavism. The travelers stopped perceiving the Balkans as part of the Near East and began considering them as ‘Ours’. This allowed the Russians to assert their identity within the boundaries of the European community while simultaneously separating themselves from the Roman-Germanic “West”. We examined four different types of descriptions of the Balkans by Russian travelers of the 1800–1830s. The authors’ approaches to these narratives were e

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Шкотов, С. С. "Architecture of Temples at Higher Educational Institutions of St Petersburg of the Late 20th – Early 21st Century (Free-Standing Temples)." Scientific Papers of St Petersburg Academy of Fine Arts, no. 68 (March 25, 2024): 202–17. http://dx.doi.org/10.62625/2782-1889.2024.68.68.014.

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В статье рассмотрена архитектура современных отдельно стоящих храмов при высших учебных заведениях Санкт-Петербурга, как осуществленных, так и не осуществленных. Проанализированы их стилевые особенности и объемно-пространственное решение. На основании анализа отмечены произведения, представляющие важное значение для современной церковной архитектуры. The article examines the architecture of modern free-standing temples at higher educational institutions of St Petersburg, both implemented and not implemented. Their stylistic features and spatial solution are analyzed. Based on the analysis, the

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Makała, Rafał. "Nawiązania do tradycji nowożytnej w ceglanej architekturze wczesnomodernistycznej północnych Niemiec." Porta Aurea, no. 17 (November 27, 2018): 94–111. http://dx.doi.org/10.26881/porta.2018.17.04.

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One of the manifestations of the so called ‘conservative modernism’ was the reference to the brick building tradition in Northern Germany. The trend was primarily associated with the activities of Fritz Schumacher and Fritz Höger in Hamburg and Bremen in the 1920s and 1930s, but the genesis of this architecture dates back to the first decade of the 20th century and is associated with the attempts to shape North German patriotism. Just as in the art of neo-Gothic, brick architecture of ‘conservative modernism’ was meant to express the ‘North German Identity’, and in fact help in the creation of

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Klyn, Dan. "A Comparison in Pursuit of “The Masterworks of Information Architecture”: Learning from James Joyce's Ulysses and Richard Saul Wurman's The City, Form and Intent." Bulletin of the Association for Information Science and Technology 42, no. 5 (2016): 27–37. http://dx.doi.org/10.1002/bul2.2016.1720420508.

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EDITOR'S SUMMARYIn a search for classic works on information architecture, Joyce's Ulysses and Richard Saul Wurman's The City, Form and Intent are each compared internally across different versions and considered in terms of content, context and user. Each author modified readers' experiences through changes in the content and physical form of their works. Wurman's 1963 work, a loose‐leaf collection reflecting architecture through clay models of cities, was redone in 1974 with the same content but different physical presentation. Joyce's Ulysses was marked by variations across versions, with o

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