Relevant bibliographies by topics / Architecture exhibitions

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Architecture exhibitions'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Architecture exhibitions"

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Stefańska, Joanna. "Painting in the exhibition space, interactions." Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych 17, no. 4 (2021): 19–24. http://dx.doi.org/10.35784/teka.2661.

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The article is based on the author's search for the relationship between painting and architecture and experiencing the space in the context of using its potential for painting exhibition. This is a summary of research carried out in 2017- 2019 at the Faculty of Architecture of Poznań University of Technology, entitled "Artwork in architecture".
 This project aimed to explore the relationship between art and architectural space. Participation in the collective exhibitions, as a part of the first research stage, and the implementation of individual exhibitions in the second stage of the pr
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Świtek, Gabriela. "Architecture as politics." SAJ - Serbian Architectural Journal 6, no. 1 (2014): 63–74. http://dx.doi.org/10.5937/saj1401063q.

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The paper presents a comment on Jacques Rancière's thinking on architecture as traced in The Politics of Aesthetics and juxtaposed with a case study - 1st Exhibition of Architecture of the People's Poland. The exhibition organized in the era of Stalinism (1953) and shown in the Central Bureau for Artistic Exhibitions (nowadays the Zachęta - National Gallery of Art in Warsaw) is seen as a manifestation of 'artistic regimes' of the period and as aesthetisation of architecture which is commonly considered the most 'political' of all the (fine) arts. Architecture does not seem to be the main conce
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Gawlak, Agata, Paulina Kowalczyk, and Joanna Stefańska. "Unconventional exhibition spaces as an example of the synergy of architecture and art." Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych 16, no. 1 (2020): 20–27. http://dx.doi.org/10.35784/teka.2414.

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The article pertains to the relationship between an artwork (painting) and architectural space, as well as the issue of adapting unconventional architectural spaces for an exhibition function in relation to the author's exhibitions presenting the paintings from the same painting series. Different exhibition concepts of each of the exhibitions emphasize the role of a painting in shaping the architectural space and the quality of this space. An artwork becomes a tool that organizes space and influences its quality. At the Faculty of Architecture of Poznań University of Technology, as part of the
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Rizka Felly, Reza Arlianda, Muhammad Fahri, Helfa Rahmadyani, and Andina Syafrina. "The Role of Architecture Exhibitions in Introducing Architecture to the Community." ABDIMAS: Jurnal Pengabdian Masyarakat 7, no. 4 (2024): 1755–62. https://doi.org/10.35568/abdimas.v7i4.5460.

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An architecture exhibition serves as an important platform for professionals in architecture, designers, academics, and the community. This event is utilized as a space to gather, discuss, and share views on the development of the architectural world. The exhibition functions as a medium to showcase ideas, both those that have been built and those still in conceptual form. In addition to providing an opportunity for architecture students and professional architects to demonstrate their skills and creativity, the exhibition also aims to educate the community about the importance of architectura
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Nikitin, Yury, Vasiliy Goryunov, Vera Murgul, and Nikolay Vatin. "Research on Industrial Exhibitions Architecture." Applied Mechanics and Materials 680 (October 2014): 504–9. http://dx.doi.org/10.4028/www.scientific.net/amm.680.504.

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All-Russian and regional exhibition architecture in the second half of the 19th century through the early 20th century had varied distinct differences in style and design. Temporality of exhibition architecture in those days contributed to a variety of experiments made for pavilions in the context of styles and structures. There was a high demand for the Russian style to be applied for pavilions both in Russia and abroad. First search and application experience in respect to the modern art principles are connected with exhibition architecture. These experiments in the national architecture and
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Reynolds, Jessica. "What is ‘minimal’ anyway? John Pawson: Plain Space at the Design Museum and About a Minute at the Gopher Hole." Architectural Research Quarterly 15, no. 2 (2011): 100–103. http://dx.doi.org/10.1017/s1359135511000522.

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Architecture shows and biennales have proliferated in the last decade, accompanied by new courses and publications on architectural curation. The curation of an exhibition can be as complex and political as the realisation of a work of architecture. It can be presented as an effective vehicle for critical discourse, challenging the traditional definition of architectural practice as the design, procurement and construction of a building. In response, existing architecture exhibition spaces are adapting and new galleries are opening, reconceptualising modes of display. This review considers two
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Stefańska, Joanna, Agata A. Gawlak, and Paulina Kowalczyk. "ALTERNATIVE EXHIBITION SPACES. MULTI-CRITERIA METHOD OF COMPARATIVE ANALYSIS." Space&FORM 2024, no. 57 (2024): 145–67. http://dx.doi.org/10.21005/pif.2024.57.b-08.

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The aim of this article is to make a multi-criteria analysis of various exhibition spaces of an originally non-exhibition character and to determine how these spaces affect the selection of works and the exhibition concept. The analysis is based on the exhibitions of art objects at collective exhibitions in unconventional architectural spaces: commercial, post-industrial and in the historic interior. The multi-criteria comparative analysis shows a variety of features of the studied spaces as well as the relationship between architecture and art and their mutual interaction, and the participato
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Pešić, Mladen. "Big scale or small scale: A typology of architectural exhibitions held in Yugoslavia (SFRY) and their present significance." SAJ - Serbian Architectural Journal 12, no. 3 (2020): 1–20. http://dx.doi.org/10.5937/saj2001001p.

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With the notion that exhibitions, independently of their format or content, can always be considered as both discursive and visual platforms for the study of specific time periods, this research will provide an insight into a possible typology of architecture exhibitions that were organised socialist Yugoslavia between 1945 and 1991. The exhibitions in question were considered as collective activities, and they provide an insight into a wider context of social, economic, political and cultural events in Yugoslavia after World War Two as well as the status that architecture as practice held wit
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Visminaitė, Asta, and Julija Reklaitė. "ARCHITEKTŪRA PARODOJE (LIETUVOS ATVEJIS)." JOURNAL OF ARCHITECTURE AND URBANISM 35, no. 1 (2011): 51–61. http://dx.doi.org/10.3846/tpa.2011.06.

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The title of this paper reveals an ambiguity of the issue analysed and ambivalent role of architecture at exhibitions: architecture here can be perceived as an object or topic tackled within exhibition (exhibition of architecture) as well as means to form the space of exposition (architecture of exhibition). The paper analyses different implications of architecture at exhibition and will try to demonstrate that terms of interdisciplinarity and collaboration can be introduced while talking about presentation of architecture and its context. Also, the transformations of relationship between an o
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Charitonidou, Marianna. "Exhibitions in France as Symbolic Domination: Images of Postmodernism and Cultural Field in the 1980s." Arts 10, no. 1 (2021): 14. http://dx.doi.org/10.3390/arts10010014.

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The article examines a group of exhibitions that took place in the late seventies and early eighties and are useful for grasping what was at stake regarding the debates on the tensions between modernist and post-modernist architecture. Among the exhibitions that are examined are Europa-America: Architettura urbana, alternative suburbane, curated by Vittorio Gregotti for the Biennale di Venezia in 1976; La Presenza del passato, curated by Paolo Portoghesi for the Biennale di Venezia in 1980; the French version of La presenza del passato—Présence de l’histoire, l’après modernisme—held in the fra
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Dissertations / Theses on the topic "Architecture exhibitions"

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Tabibi, Baharak. "Exhibitions As The Medium Of Architectural Reproduction &quot." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606077/index.pdf.

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This thesis studies the influential role of architectural exhibitions in shaping and directing architectural discourses. The study accepts architectural exhibitions and associated publications as the critical act of architecture, in which (the work of) architecture is interpreted, reproduced and publicized. The main focus of this thesis is Modern Architecture: International Exhibition, held in 1932 at the Museum of Modern Art (MoMA). This particular exhibition is a significant historical event, which officially announced architecture of the early 20th century as International Style. The thesis
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Uchill, Rebecca 1978. "Developing experience : Alexander Dorner's Exhibitions, from Weimar Republic Germany to the Cold War United States." Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/100327.

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Thesis: Ph. D. in History and Theory of Art, Massachusetts Institute of Technology, Department of Architecture, 2015.<br>CD-ROM contains PDF of Addenda section, quarterly report and 5 PDFs of images for thesis.<br>Cataloged from PDF version of thesis. Pages 237 to 428 of original thesis for Addenda section are removed and copied onto CD-ROM.<br>Includes bibliographical references (pages 429-446).<br>Following the work of German-American curator Alexander Dorner (1893-1957) from his early curatorial career in Niedersachsen to professorships in New England, this dissertation explores the interse
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PRENCIPE, MONICA. "Building exchanges (1895-1953). International Exhibitions and Swedish resonances in Italian Modern Architecture." Doctoral thesis, Università Politecnica delle Marche, 2018. http://hdl.handle.net/11566/253126.

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Questo lavoro fa parte di una più ampia ricerca sul rapporto tra l’Italia e i Paesi Nordici, guidata dal prof. Antonello Alici presso l'Università Politecnica delle Marche. Il lavoro è stato organizzato cronologicamente, attorno all'analisi di articoli italiani sul tema paesi nordici e di materiali d'archivio originali, tracciandone i rapporti reciproci con il pubblico italiano, e concentrandosi su viaggi ed esposizioni architettoniche e artistiche. In particolare, la ricerca si concentra sugli eventi legati alla nazione –la Svezia– che per prima ha avuto l'introduzione più rilevante nel pan
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Pepchinski, Mary. "Feminist space : exhibitions and discourses between Philadelphia and Berlin 1865-1912 /." Weimar : VDG, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016250710&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Jin, Jiayi. "When exhibitions become experiences : the nARration of augmented space inside a science museum." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/50489/.

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This Ph.D. thesis is focused on the concept of ‘Augmented Space’ and its design sensitivities, not only by combining physical space and all kinds of AR technologies as the one, but also exploring this new spatial format in a broader sociological context of augmented interaction that flows between digital and physical layers inside museums. Throughout the article, augmentation is reconceptualised as an idea/concept and cultural/aesthetic practice rather than as the pure technology. It first articulates the notion of augmented space, highlights different dimensions of augmented space that visito
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Chasse, Sarah Noble. ""A Certain Kinship": The First Exhibitions of American Folk Art, New York, 1924-1932." W&M ScholarWorks, 2012. https://scholarworks.wm.edu/etd/1539626675.

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Wesemael, Pieter van. "Architecture of instruction and delight : a socio-historical analysis of world exhibitions as a didactic phenomenon (1798-1851-1970) /." Rotterdam : 010 Publishers, 2001. http://catalogue.bnf.fr/ark:/12148/cb377125625.

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Slabbert, Barend Petrus. "The impact of contemporary exhibitions in historical buildings: Retaining significance and authenticity during adaptation." Thesis, Cape Peninsula University of Technology, 2015. http://hdl.handle.net/20.500.11838/2408.

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Thesis (MTech (Design))--Cape Peninsula University of Technology, 2016.<br>Historical interiors hold within them significance which provides us with cultural identity, as well as historical and aesthetic value, and their physical materials offer us a connection to the past. These interiors and their functions often become obsolete and need to acquire a new function that is more suited to our modern-day society. One such change in function which was identified to be steadily on the rise in Cape Town is the reappropriation of historical interiors into contemporary exhibition venues. It
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Sartorelli, César Augusto. "As exposições das arquitetas curadoras Lina Bo Bardi e Gisela Magalhães como linguagem de arquitetura." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/16/16136/tde-10072014-154205/.

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Este trabalho tem o objetivo de analisar as exposições como um fenômeno de linguagem de arquitetura, pensando a ação de arquitetos curadores como um exercício de ressignificação do espaço onde ela será construída. Neste espaço inicial, denominado espaço base, que tem características físicas, institucionais e simbólicas será processada uma ressignificação, que parte de ideias e programas dentro de uma lógica discursiva. Esta lógica será transposta através do desenho de projeto num dispositivo de comunicação, construído através de uma narrativa espacial. Esta narrativa espacial se dá pelo encade
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Hedqvist, Eric. "Varats och utvecklingens kedja : en naturhistorisk museiutställning i Göteborg 1923-1968." Doctoral thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-18922.

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This dissertation is a museological study of the coming into being of a natural history museum, its building and its adherent zoological exhibition during the years around the First World War. The main problem of the dissertation is the opposition between the curator´s program 1903 for the exhibit and its realization twenty years later. The theoretical perspective is that in its synchronic aspect science, in accordance with the views of swedish sociologist, Thomas Brante, is divided into three levels interdependent upon one another in varying degrees – theoretical, sociological and psychologic
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Books on the topic "Architecture exhibitions"

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Basyn, Jean-Marc. Brunfaut's progressive architecture = architecture progressiste = progressieve architectuur. Atomium editions, 2013.

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Melis, Alessandro, Rozina Vavetsi, and Fabio Finotti. The Architecture of Exhibitions. Routledge, 2024. https://doi.org/10.4324/9781003465188.

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Borne, Emmanuelle. Architectures vives: Viva architecture! Archipress & Associés, 2022.

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Kristin, Feireiss, Cohen Jean-Louis, and Nederlands Architectuurinstituut, eds. The Art of architecture exhibitions. NAi Publishers, 2001.

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Kaufmann, Jacques. MUR | murs: Jacques Kaufmann : ceramic architecture = architectures céramiques. 5 continents, 2019.

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Zugmann, Gerald. Architecture in the box: Architectural photography, 1980-1995. Springer-Verlag, 1995.

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Likierman, Michael. Eileen Gray: Une architecture de l'intime = intimate architecture. HYX, 2017.

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Komatsu, Nami. Sensai: Japanese architecture exhibition. Edited by Museo Nacional de Arquitectura (Mexico). Executive Committee for Japanese Architecture Exhibition in Mexico, 2003.

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Riverside, Design at, and ACADIA (Conference) (33rd : 2013 : Cambridge, Ont.), eds. Prototyping architecture. Riverside Architectural Press, 2013.

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Adilon, Georges. Georges Adilon, architecture, peinture. Réunion des musées nationaux, 2001.

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Book chapters on the topic "Architecture exhibitions"

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Massey, Anne. "Writing Exhibitions: Architecture and Design." In Writing and Publishing in Architecture and Design. Routledge, 2024. http://dx.doi.org/10.4324/9781003335450-5.

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Lin, Francis Chia-Hui. "Exhibitions Without Exhibits: Musealising History and Architecture." In Architectural Theorisations and Phenomena in Asia. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58433-1_7.

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Pittarello, Fabio, Mauro Pittarello, and Giuseppe F. Italiano. "Architecture and Digital Exhibitions the Einstein Tower World." In Eurographics. Springer Vienna, 1998. http://dx.doi.org/10.1007/978-3-7091-7519-4_16.

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Meryem, Ambri, Lamzah Assia, and Mouloudi Hicham. "Revisiting Traditional Moroccan Architecture Through Universal Exhibitions Pavilions (1867–2020)." In Advances in Science, Technology & Innovation. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-60641-0_5.

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Gigliotti, Roberto, and Nina Bassoli. "Displaying Displays. Contemporary Architecture Exhibitions and Their Production of Images." In Lecture Notes in Networks and Systems. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-25906-7_28.

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Clark, Judith. "Exhibition-Making." In Architects After Architecture. Routledge, 2020. http://dx.doi.org/10.4324/9781003007753-28.

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Schwinn, Tobias. "Landesgartenschau Exhibition Hall." In Advancing Wood Architecture. Routledge, 2016. http://dx.doi.org/10.4324/9781315678825-9.

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Dunnett, McGregor Harding, and Alan Powers. "1951 Exhibition of Architecture." In 1951 Exhibition of Architecture. Routledge, 2017. http://dx.doi.org/10.4324/9781315142685-1.

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Cleckley, Elgin. "Pedagogy + exhibition." In Emerging Practices in Architectural Pedagogy. Routledge, 2021. http://dx.doi.org/10.4324/9781003174080-2.

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Lahiji, Nadir. "Pornography and exhibition-value." In Architecture in the Age of Pornography. Routledge, 2021. http://dx.doi.org/10.4324/9781003195092-16.

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Conference papers on the topic "Architecture exhibitions"

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Xun, Gao. "Research on System Architecture of Communication Network in Virtual Reality Art Exhibition." In 2024 IEEE 2nd International Conference on Electrical, Automation and Computer Engineering (ICEACE). IEEE, 2024. https://doi.org/10.1109/iceace63551.2024.10898967.

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Oprică, Alice Maria, Miruna Moldovan, Oana Antonia Filip, and Silviu Claudiu Borș. "THE ROLE OF AUDIENCE DYNAMICS IN SHAPING ARCHITECTURAL DIPLOMAS EXHIBITIONS: BALANCING EXPECTATIONS AND EDUCATIONAL OUTCOMES." In 19th International Technology, Education and Development Conference. IATED, 2025. https://doi.org/10.21125/inted.2025.1785.

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Greub, Charlott. "On Planting and Deconstruction: The Architecture Exhibition as Radical Medium." In 2021 ACSA Teachers Conference. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.teach.2021.37.

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This presentation reviews Rotor’s strategic use of the exhibition medium in the light of radical practices in architecture and design since the 1960’s. To interrogate these radical manifestations two architecture exhibitions will be examined as case studies. The first exhibition was curated by Emilio Ambasz and titled, “Italy: The New Domestic Landscape” in 1972 at the Museum of Modern Art in New York and the second one was staged at the Venice Biennale in Italy in 2010 by Rotor titled “Usus/Usures”. The selected exhibitions will be reviewed to explore the current and past debate of radical pr
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Silva, Leonor Matos, and Ana Vaz Milheiro. "Women in Southern European Architecture Syllabi:Contributions Toward Fostering Gender Inclusion." In 113th Annual Meeting Paper Proceedings. ACSA Press, 2025. https://doi.org/10.35483/acsa.am.113.39.

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The history of architecture demonstrates that architectural education often reflects trends within the profession. While the presence of women in teaching and research has been widely studied, their representation in the syllabi of major graduate architecture courses remains largely overlooked. This paper addresses the prevalence of references to women in the architecture schools of five Southern European countries, chosen as representative of the region and its curriculum model. Recently, Silva (2024) highlighted a significant discrepancy in Portugal between the attention given to the biograp
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Gaessler, Stéphane, Ksenia Malich, Ilya Pechenkin, and Anna Vyazemtseva. "Russian and Soviet Pavilions for International Exhibitions in Europe: New Findings." In 4th International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2022). Athena International Publishing B.V., 2023. http://dx.doi.org/10.55060/s.atssh.221230.019.

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Day, Kristen, and Erin Campbell. "Four Melbourne Architects (1979): The Creation of Contemporary Perceptions for Australian Architecture." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2022. http://dx.doi.org/10.55939/a3994pszy5.

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In 1979, Peter Corrigan conceived the idea for the ‘Four Melbourne Architects’ exhibition to be held at South Yarra’s Powell Street Gallery. Corrigan led the charge to draw a line between a new generation of architectural practitioners with a fresh design agenda and the conservative practices represented by the Royal Australian Institute of Architects (RAIA). This exhibition, along with the establishment of the Half Time Club and the launch of Transition Magazine, provided platforms for a lively and vigorous profession. The ‘Four Melbourne Architects’—Greg Burgess, Peter Crone, Norman Day and
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White, M., J. Chmielewski, M. Stawniak, et al. "ARCO - an architecture for digitization, management and presentation of virtual exhibitions." In Proceedings. Computer Graphics International. IEEE, 2004. http://dx.doi.org/10.1109/cgi.2004.1309277.

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López-Dinardi, Marcelo. "Eurocentric Legacies: The Institute for Architecture and Urban Studies and Delaying Change in Architecture in 1970s New York City." In 110th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2022. http://dx.doi.org/10.35483/acsa.am.110.53.

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This paper examines how the Institute for Architecture and Urban Studies (IAUS) that existed in New York City between 1967-1984, constructed a space that reinstated a Western epistemology for architecture and created an audience and discourse for an emerging architecture scene in a distressed New York through its events and media during the 1970s. Given their resonance, the paper positions current demands for change in architecture education and the profession concerning their equivalent in the late 1960s when the IAUS was founded. This paper will ask whether a change in architecture and non-E
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INAGAKI, Takuya. "ONSITE EXPERIENCE OF PAST EXHIBITIONS USING REALITY TECHNOLOGY AND DISPLAY OF SCULPTURE." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s13.022.

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Grbić, Marta, and Sanja Nikolić. "Back to the Future: Challenges of Experimental House Projects designed for Future Scenarios." In On Architecture — Shaping the City through Architecture. STRAND, 2024. https://doi.org/10.60152/k81s6ct1.

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Prediction of new ways of living is repeatedly used as unlimited inspiration for architectural design through history. Narrowing down the range of the research in order to understand the flux of historical ideas for future living, we focused on the design of domestic environments imagined for various future scenarios and challenges. The aim was to create a clearly cross-examined overview of projects of houses dating from 1927 to 2009 by extracting and defining their aims, strategies and imagined future scenarios. We endeavoured to present the breakthrough radical designs, but also a series of
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Reports on the topic "Architecture exhibitions"

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Ma
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Mosalam, Khalid, Issac Pang, and Selim Gunay. Towards Deep Learning-Based Structural Response Prediction and Ground Motion Reconstruction. Pacific Earthquake Engineering Research Center, 2025. https://doi.org/10.55461/ipos1888.

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This research presents a novel methodology that uses Temporal Convolutional Networks (TCNs), a state-of-the-art deep learning architecture, for predicting the time history of structural responses to seismic events. By leveraging accelerometer data from instrumented buildings, the proposed approach complements traditional structural analysis models, offering a computationally efficient alternative to nonlinear time history analysis. The methodology is validated across a broad spectrum of structural scenarios, including buildings with pronounced higher-mode effects and those exhibiting both line
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Plessi, Fabrizio, Celestino Soddu, and Adriano Abbado. digitalyart: An exhibition honoring Italy, Host of the 44th Annual Meeting of the Board of Governors of the Inter-American Development Bank. Inter-American Development Bank, 2003. http://dx.doi.org/10.18235/0005909.

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An exhibition of technological art from Italy, featuring the seminal piece ROMA II by Venetian contemporary master Fabrizio Plessi, with digitally designed architectural projects by Celestino Soddu, and interactive images by Adriano Abbado. Held in honor of Italy and the City of Milan, host of the 44th Annual Meeting of the IDB Board of Governors, the show was organized by the IDB Cultural Center with support from the IDB Information and Communication Technology for Development Division, and cooperation from the Istituto Italiano di Cultura of Washington, D.C.
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Quimba, Francis Mark, and Mark Anthony Barral. ASEAN Centrality amid Increasing Global Multipolarity. Philippine Institute for Development Studies, 2024. https://doi.org/10.62986/dp2024.38.

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The Association of Southeast Asian Nations is considered one of the most successful regional cooperations and has played a remarkable role in regional and potentially global order through principles of consensus, non-interference, and peaceful resolution of conflicts, providing a platform for dialogue both among member states and external partners. Crucial to its architecture is ASEAN centrality, the principle that directs ASEAN to be at the center of every mechanism and discussion concerning political, security, and economic issues, among others. Over the years, however, regional and global d
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Dolatowski, Emily, Burton Suedel, Jon Calabria, et al. Embracing biodiversity on engineered coastal infrastructure through structured decision-making and Engineering With Nature®. Engineer Research and Development Center (U.S.), 2024. http://dx.doi.org/10.21079/11681/48395.

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Extreme weather variation, natural disasters, and anthropogenic actions negatively impact coastal communities through flooding and erosion. To safeguard coastal settlements, shorelines are frequently reinforced with seawalls and bulkheads. Hardened shorelines, however, result in biodiversity loss and environmental deterioration. The creation of sustainable solutions that engineer with nature is required to lessen natural and anthropogenic pressures. Nature-based solutions (NbS) are a means to enhance biodiversity and improve the environment while meeting engineering goals. To address this urge
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Melbourne Project - December 1961-September 1966 - Architectural exterior from Collins and Exhibition Streets corner - 26 November 1964. Reserve Bank of Australia, 2023. http://dx.doi.org/10.47688/rba_archives_pn-011769.

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On with the Show!: A Celebration of the 100th Anniversary and Restoration of the Teatro Colón in Buenos Aires, Argentina. Inter-American Development Bank, 2008. http://dx.doi.org/10.18235/0006423.

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The process of upgrading the Teatro Colón infrastructure began eight years ago with the design and unveiling of a Master Plan. Included will be the completion of several of its urban components left partially unfinished, and the restoration of the many architectural features and artistic treasures, both inside and out, while maintaining the integrity and character of the structure; this process is expected to be fully completed by 2012. The Inter-American Development Bank has been an important partner in this effort of preparing the theater to actively continue with its role as beacon of Argen
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