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Dissertations / Theses on the topic 'Architecture exhibitions'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Tabibi, Baharak. "Exhibitions As The Medium Of Architectural Reproduction &quot." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606077/index.pdf.

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This thesis studies the influential role of architectural exhibitions in shaping and directing architectural discourses. The study accepts architectural exhibitions and associated publications as the critical act of architecture, in which (the work of) architecture is interpreted, reproduced and publicized. The main focus of this thesis is Modern Architecture: International Exhibition, held in 1932 at the Museum of Modern Art (MoMA). This particular exhibition is a significant historical event, which officially announced architecture of the early 20th century as International Style. The thesis

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2

Uchill, Rebecca 1978. "Developing experience : Alexander Dorner's Exhibitions, from Weimar Republic Germany to the Cold War United States." Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/100327.

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Thesis: Ph. D. in History and Theory of Art, Massachusetts Institute of Technology, Department of Architecture, 2015.<br>CD-ROM contains PDF of Addenda section, quarterly report and 5 PDFs of images for thesis.<br>Cataloged from PDF version of thesis. Pages 237 to 428 of original thesis for Addenda section are removed and copied onto CD-ROM.<br>Includes bibliographical references (pages 429-446).<br>Following the work of German-American curator Alexander Dorner (1893-1957) from his early curatorial career in Niedersachsen to professorships in New England, this dissertation explores the interse

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3

PRENCIPE, MONICA. "Building exchanges (1895-1953). International Exhibitions and Swedish resonances in Italian Modern Architecture." Doctoral thesis, Università Politecnica delle Marche, 2018. http://hdl.handle.net/11566/253126.

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Questo lavoro fa parte di una più ampia ricerca sul rapporto tra l’Italia e i Paesi Nordici, guidata dal prof. Antonello Alici presso l'Università Politecnica delle Marche. Il lavoro è stato organizzato cronologicamente, attorno all'analisi di articoli italiani sul tema paesi nordici e di materiali d'archivio originali, tracciandone i rapporti reciproci con il pubblico italiano, e concentrandosi su viaggi ed esposizioni architettoniche e artistiche. In particolare, la ricerca si concentra sugli eventi legati alla nazione –la Svezia– che per prima ha avuto l'introduzione più rilevante nel pan

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4

Pepchinski, Mary. "Feminist space : exhibitions and discourses between Philadelphia and Berlin 1865-1912 /." Weimar : VDG, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016250710&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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5

Jin, Jiayi. "When exhibitions become experiences : the nARration of augmented space inside a science museum." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/50489/.

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This Ph.D. thesis is focused on the concept of ‘Augmented Space’ and its design sensitivities, not only by combining physical space and all kinds of AR technologies as the one, but also exploring this new spatial format in a broader sociological context of augmented interaction that flows between digital and physical layers inside museums. Throughout the article, augmentation is reconceptualised as an idea/concept and cultural/aesthetic practice rather than as the pure technology. It first articulates the notion of augmented space, highlights different dimensions of augmented space that visito

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6

Chasse, Sarah Noble. ""A Certain Kinship": The First Exhibitions of American Folk Art, New York, 1924-1932." W&M ScholarWorks, 2012. https://scholarworks.wm.edu/etd/1539626675.

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7

Wesemael, Pieter van. "Architecture of instruction and delight : a socio-historical analysis of world exhibitions as a didactic phenomenon (1798-1851-1970) /." Rotterdam : 010 Publishers, 2001. http://catalogue.bnf.fr/ark:/12148/cb377125625.

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8

Slabbert, Barend Petrus. "The impact of contemporary exhibitions in historical buildings: Retaining significance and authenticity during adaptation." Thesis, Cape Peninsula University of Technology, 2015. http://hdl.handle.net/20.500.11838/2408.

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Thesis (MTech (Design))--Cape Peninsula University of Technology, 2016.<br>Historical interiors hold within them significance which provides us with cultural identity, as well as historical and aesthetic value, and their physical materials offer us a connection to the past. These interiors and their functions often become obsolete and need to acquire a new function that is more suited to our modern-day society. One such change in function which was identified to be steadily on the rise in Cape Town is the reappropriation of historical interiors into contemporary exhibition venues. It

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9

Sartorelli, César Augusto. "As exposições das arquitetas curadoras Lina Bo Bardi e Gisela Magalhães como linguagem de arquitetura." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/16/16136/tde-10072014-154205/.

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Este trabalho tem o objetivo de analisar as exposições como um fenômeno de linguagem de arquitetura, pensando a ação de arquitetos curadores como um exercício de ressignificação do espaço onde ela será construída. Neste espaço inicial, denominado espaço base, que tem características físicas, institucionais e simbólicas será processada uma ressignificação, que parte de ideias e programas dentro de uma lógica discursiva. Esta lógica será transposta através do desenho de projeto num dispositivo de comunicação, construído através de uma narrativa espacial. Esta narrativa espacial se dá pelo encade

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10

Hedqvist, Eric. "Varats och utvecklingens kedja : en naturhistorisk museiutställning i Göteborg 1923-1968." Doctoral thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-18922.

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This dissertation is a museological study of the coming into being of a natural history museum, its building and its adherent zoological exhibition during the years around the First World War. The main problem of the dissertation is the opposition between the curator´s program 1903 for the exhibit and its realization twenty years later. The theoretical perspective is that in its synchronic aspect science, in accordance with the views of swedish sociologist, Thomas Brante, is divided into three levels interdependent upon one another in varying degrees – theoretical, sociological and psychologic

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11

Orr, Kirsten School of Architecture UNSW. "A force for Federation: international exhibitions and the formation of Australian ethos (1851-1901)." Awarded by:University of New South Wales. School of Architecture, 2006. http://handle.unsw.edu.au/1959.4/23987.

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In 1879 the British Colony of New South Wales hosted the first international exhibition in the Southern Hemisphere. This was immediately followed by the Melbourne International Exhibition of 1880 in the colony of Victoria and the success of these exhibitions inspired the Melbourne Centennial Exhibition, which was held in 1888 to celebrate the centenary of white settlement in Australia. My thesis is that these international exhibitions had a profound impact on the development of our cities, the evolution of an Australian ethos and the gaining of nationhood. The immense popularity and compreh

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12

Assal, Marianna Ramos Boghosian Al. "Arenas nem tão pacíficas - arquitetura e projetos políticos em Exposições Universais de finais da década de 1930." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-17062015-152616/.

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Em finais da década de 1930, mais especificamente entre 1937 e 1940, o estado brasileiro se fez representar internacionalmente com a construção oficial de pavilhões nacionais em quatro grandes exposições universais: a Exposition Internationale des Arts e Techniques dans la Vie Moderne (Paris, 1937); a New York Worlds Fair (1939-1940), a Golden Gate International Exposition (São Francisco, 1939-1940) e a Exposição do Mundo Português (Lisboa, 1940). Procedentes de uma tradição de quase um século de grandes exposições universais, chama atenção as particularidades do cenário político internacional

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13

Durmaz, Nur. "Awarding Architecture In Turkey: National Architecture Exhibition And Awards Program." Master's thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/3/12611377/index.pdf.

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The establishment of the National Architecture Exhibition and Awards (NAEA) program in 1987, by Chamber of Architects, coincides with the period of dissolving modernist paradigm and rising pluralist influences in Turkey. The program, as a critical medium, is expected to reflect &ldquo<br>national&rdquo<br>architectural practice and contribute in the &ldquo<br>contemporary&rdquo<br>architectural practice in Turkey. In order to evaluate the consistencies with these objectives, firstly the program identity and then the participations are analyzed. On the other hand, regarding the searches for &ld

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14

Fernandes, Maria Amélia Bizarro Leitão. "A exposição de arte portuguesa em Londres 1955-1956 "a personalidade artística do país"." Master's thesis, Instituições portuguesas -- UL-Universidade de Lisboa -- -Faculdade de Letras, 2001. http://dited.bn.pt:80/29346.

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15

Rudnycky, Andrew. "Architecture and the exhibition of sound." PDF viewer required Home page for entire collection, 2008. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

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16

Conradie-Faul, Jacqueline. "'n Museologiese ondersoek na die mens se benutting van die mollusk (skulp en skulpdier) in geselekteerde kunsvorme, vir die doel van die ontwerp van 'n uitstalling." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52361.

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Thesis (MA)--University of Stellenbosch, 2001.<br>ENGLISH ABSTRACT: The aim of this study is to investigate man's use of the mollusk within selected art forms, and to use the research results to design a contemporary museum exhibition, relevant within a South African context. Two sections are presented. In section A the selected art forms, fine arts, architecture, furniture design, masks and music and other sound instruments are thoroughly investigated to determine in what way the mollusk/shell is used in or on these art forms. A large number of figures are included to illustrate the av

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17

Girard, Max. ""La Grande Emotion". La mise en scène des missions chrétiennes dans les expositions coloniales et universelles : France - Belgique. 1897 - 1958." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSE3010.

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La France et la Belgique organisent plusieurs expositions coloniales internationales et universelles de la fin du XIXe siècle à 1958. Ces deux puissances coloniales y développent une propagande multiforme pour justifier leurs « missions civilisatrices ». Les missionnaires catholiques et protestants participent à ces grandes fêtes. La consultation d’archives des congrégations religieuses (Spiritains, Jésuites…), de l’œuvre de la Propagation de la Foi, de fonds publics français, belges, suédois et du Saint-Siège permet de comprendre comment s’organisent les missionnaires pour participer à ces ex

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18

De, Silva Nushelle (Dinuki Nushelle). "Assembling smallness : the American Small Industries Exhibition, Ceylon 1961." Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/99271.

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Thesis: S.M., Massachusetts Institute of Technology, Department of Architecture, 2015.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages 134-141).<br>The American Small Industries Exhibition was the first instance during the Cold War wherein the USA assembled a solo exhibit outside the framework of an established trade fair. It toured three nonaligned nations between 1958 and 1961: India, Ghana, and Ceylon (now Sri Lanka). Ceylon's political climate was suffused with mounting anti-West sentiment, and the exhibition constitutes one of the few moments of sust

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19

Kenoff, Jeffrey Adam. "Architectural ligature: Seattle Aquatic Research and Exhibition Center." Thesis, Virginia Polytechnic Institute and State University, 1999. http://hdl.handle.net/10919/52149.

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20

Kim, Yong-Seung. "An approach to evaluating exhibition spaces in art galleries." Thesis, University of Bath, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303059.

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21

Caldwell, Andrew E. "Daylighting and exhibition at the High Museum of Art." Thesis, Georgia Institute of Technology, 1985. http://hdl.handle.net/1853/23971.

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22

Bernie, Victoria Clare. "The art of disappearance : the architecture of the exhibition and the construction of the modern audience." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23694.

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A critical culture requires that the site of appearance, the temporal coincidence of the subject, the object and the site, be acknowledged as a ground for meaning. Through a built investigation and a theoretical address this thesis examines the site of appearance for contemporary creative practice; the extent to which it continues to be defined by and contained within the conceptual frame of the Enlightenment aesthetic as the privileged discourse of the object. In a detailed analysis of the architecture of the exhibition, the 18th century Academy Salon and the Parisian bourgeois hotel are juxt

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23

Arnold, Susanne K. "An Exhibition of Recent Work by Robert Colescott." VCU Scholars Compass, 1989. http://scholarscompass.vcu.edu/etd/4343.

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My thesis project involved organizing, curating, designing and mounting a temporary traveling exhibition of recent work by Robert Colescott, a nationally-known black American artist. The Eye of the Beholder: Recent Work by Robert Colescott was installed at the Marsh Gallery of the University of Richmond September 7-28, 1988. It included 12 large-scale acrylic paintings on canvas and four framed drawings completed since 1981. Colescott's figurative paintings are known for their satirical commentary on society in America and on the history of Western art.

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24

Andreotti, Libero. "Art and politics in Fascist Italy : the Exhibition of the Fascist Revolution (1932)." Thesis, Massachusetts Institute of Technology, 1989. http://hdl.handle.net/1721.1/14179.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, 1989.<br>Title as it appeared in M.I.T. Graduate List, Sept. 1989: Art and politics in Italy; the Exhibition of the Fascist Revolution.<br>Includes bibliographical references.<br>by Libero Andreotti.<br>Ph.D.

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25

Monasterio, Clelia Maria Coutinho Teixeira. "O processo de projeto da arquitetura efemera vinculada a feiras comerciais." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/257851.

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Orientadores: Ana Lucia N. de Camargo Harris, Regina Coelo Ruschel<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Engenharia Civil, Arquitetura e Urbanismo<br>Made available in DSpace on 2018-08-09T16:25:51Z (GMT). No. of bitstreams: 1 Monasterio_CleliaMariaCoutinhoTeixeira_M.pdf: 9835011 bytes, checksum: 447ec688bc4fb2726f30d9d859653b81 (MD5) Previous issue date: 2006<br>Resumo: Em conseqüência da acirrada concorrência empresarial no mercado globalizado, o desenvolvimento da arquitetura promocional cresce continuamente para atender às necessidades do marketing d

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26

Nam, Keon-soo 1971. "In search of water : Aqua Exhibition Center in Erie Basin, Red Hook, Brooklyn, New York." Thesis, Massachusetts Institute of Technology, 2003. http://hdl.handle.net/1721.1/28264.

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Thesis (M.Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2003.<br>Includes bibliographical references (p. 98-99).<br>The main purpose of this thesis is to provide a solution to the underutilized and abandoned drydock and defamiliarized water in New York Shipyard within the Brooklyn Waterfront caused by a rapid change in maritime technology. After the new introduction of modern maritime technology -from labor intensive break-bulk shipment to containerization-, there has been a significant declination in the Brooklyn Waterfront. Although the modern technology increases the

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27

Rahmlow, Rebecca Suzanne. ""Indigenous" -- "Vernacular" : negotiating an American history for modernism through the lens of the architectural exhibition." Thesis, Massachusetts Institute of Technology, 2008. http://hdl.handle.net/1721.1/43746.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2008.<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Includes bibliographical references (p. 183-189).<br>After modernism was conceptualized as the "International Style" at the Museum of Modern Art in 1932, historians and critics sought to legitimate American architecture through the construction of a linear ancestry which placed the beginnings of modernism in the nineteenth century, on American soil. Victorian-er

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28

Ozden, Basak. "Transformation Of Architectural Space With The Aid Of Artistic Production." Master's thesis, METU, 2011. http://etd.lib.metu.edu.tr/upload/12613361/index.pdf.

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The goal of this thesis is to study the transformation of architectural space with the aid of artistic production. By questioning architectural production as a non-static process open to alteration and intervention, this condition is claimed to enlarge the frontiers of architecture in terms of interdisciplinary contributions and new design methods. Inspired by the course ARCH 524, conducted by Assoc. Prof. Dr. Aysen Savas in the METU Department of Architecture, this study aims to understand the possible ways of transforming architectural space by the defined function of exhibition. The condi

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29

Obrusníková, Magdalena. "Horečky." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2018. http://www.nusl.cz/ntk/nusl-377197.

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The main aim of the diploma thesis is the revitalization of the site Horečky in Beskydy mountains, which contains several abandoned buildings. In the introduction, the work provides an analysis in the wider context and comes up with a concept of urban strategy on the larger scale. The main item of the urban and architectural study itself is a complex of existing buildings called Pantata, Marianka and Panimama and their setting in the terraced hilly landscape. The first necessary step is purging the buildings of nonconceptual extensions, which were added in the past. The function, which was cho

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30

Helsel, Sand, and n/a. "A Search For Common Pleasures: CURATING THE CITY." RMIT University. Architecture and Design, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20091216.141950.

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The project-based research questions how professionals working in the built environment can engage a broader range of 'others' (students, client, users) in ways of seeing and acting in a meaningful way. It challenges the role of the expert in architecture and urban design and in particular their use of the masterplan, which is often an oversimplified reductive response, laden with generalisations and the ill-considered overlay of inappropriate models. Design methods are designed to enable us to see afresh and respond accordingly. These are demonstrated in three suites of projects that inc

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31

Lif, Jakob. "The Royal Barge Museum - Use of Light in Exhibition Space Design." Thesis, KTH, Arkitektur, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-280185.

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The Maritime museum is currently investigating possibilities for an exhibition building housing the ceremony boat the “Royal Barge of Sweden” and 18th century King Gustav III’s leisure boats. I hope to influence this debate with this degree project. The architectural theme of the project has been learning about natural light and its relation to exhibition spaces. The initial research phase consisted of museum visits, research into projects by Gunnar Mattson and a historic comparison of the Maritime museum’s exhibition rooms. The proposed building is in Haga park, connecting to an existing jett

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32

Moffat, Isabelle 1967. "The Independent Group's encounters with logical positivism and searches for unity in the 1951 Growth and Form Exhibition." Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/17555.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, 2002.<br>"September 2002."<br>Includes bibliographical references (v. 2, leaves 329-339).<br>This study analyzes the intellectual and historical milieu of the Independent Group. Its point of departure is Growth and Form, an exhibition of scientific imagery, largely conceived and designed by Richard Hamilton, and the book accompanying the exhibition, Aspects of Form, edited by Lancelot Law Whyte and including a wide range of essays by leading scientists of the day, as well as by Konrad Lorenz, Rudolf Arnheim, and Ern

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33

Szacka, L. C. "Exhibiting the Postmodern : three narratives for a history of the 1980 Venice Architecture Biennale." Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1344099/.

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This thesis explores the history of the 1980 Venice Architecture Biennale. Held under the title ‘The Presence of the Past’, this multi-faceted show displayed international contemporary architecture with an Italo-American twist. After this exhibition, postmodernism became a galvanic term in relation to architecture. A growing specialist interest both in architectural exhibitions as a ‘genre’ of cultural manifestation, and in postmodernism as an architectural period or style were the theoretical impetus for this research. Looking at the question of architectural exhibitions in a postmodern conte

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34

Shanks, David. "IRF UTSTÄLLNINGSHALL." Thesis, KTH, Arkitektur, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-289611.

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IRF Utställningshall är en utökning av det befintliga IRF Kiruna. IRF - Institutet för rymdfysik - är en anläggning med både forskning och utbildning relaterat till rymden i allmänhet. Funktionen av utökningen är att fungera som en ständigt förändrande utställning som visar aktuella verk och forskning som görs på IRF, samt att tillhandahålla ett arkiv för lagring av dessa arbeten i framtiden. Utställningen ska vara tillgänglig för allmänheten i syfte att engagera fler medborgare i Kiruna i rymdrelaterade ämnen.Ljus och mörker spelar essentiella roller i detta projekt, vilket hjälper skapa star

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Lesniak, Piotr Jerzy. "Towards Warsaw of the future : exhibiting, archiving and moving through architectural imaginaries." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/22998.

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Thesis argument: There is a Culture of Violent Reductivism in Representing Warsaw, which means that: Warsaw is reduced to a symbol of heroism in the hands of God/History or the Expert; imagining is reduced to historic imaginary and by the same token futuristic imaginary; both based on a positivist-romanticist system of thought; the reductivism deploys philosemiotic violence (acts of offering with expectations attached); the reductivism/violence is a symptom of a ‘neurosis’ of the social national/imaginary; the reductivism stops Warsaw/Poland from imagining present and future more openly. An al

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Udovicki-Selb, Danilo. "The elusive faces of modernity : the invention of the 1937 Paris Exhibition and the Temps Nouveaux pavilion." Thesis, Massachusetts Institute of Technology, 1994. http://hdl.handle.net/1721.1/11394.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture and Planning, 1994.<br>Includes bibliographical references (p. 342-374).<br>The 1937 Paris Exhibition, the "final European enactment of the ritual of peace and progress before the deluge," remains the least researched and most misunderstood in the history of the World's Exhibitions in France. This study deals primarily with the years that preceded the opening of the Exhibition and with the broad debates that led to its "invention." In order to establish the historical foundations of the Exhibition, attention is given

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37

Ozkal, Gunes. "Exhibition Space As The Site Of Isolation, Unification, And Transformation." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12607717/index.pdf.

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This thesis re-evaluates the exhibition space as a site of &ldquo<br>indeterminacy&rdquo<br>defined by the dialectical interaction of architectural space and art object. The ways in which different forms of space-object interactions are constructed, and the architectural tools used to accommodate the exhibition event will be the departure points of this investigation. In this respect, the cases of Dia Beacon, Tate Modern and Stazione Leopolda will be analyzed and the means of &ldquo<br>indeterminacy&rdquo<br>will be elucidated by using the conceptual tools of &ldquo<br>isolation&rdquo<br>, &ld

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Raubenheimer, Hendrieka. "WARP + WEFT : translating textiles into interior architecture - in search for inspiration and continuation of African textile traditions." Diss., University of Pretoria, 2012. http://hdl.handle.net/2263/30222.

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WARP and WEFT is a textile making guild, intricately woven into KNOOP, the proposed Clothing and Consumer Science building for the University of Pretoria. This building is situated in Hatfield next to the railway line, in close proximity to the Gautrain station and Rissik Station. KNOOP was designed in 2008 by Korine Stegmann in fulfilment of her MArch(Prof) at the University of Pretoria. Therefore, the building in which the intervention is proposed is, to date, only an architectural proposal and has not yet been built. The project was initiated due to a fascination with textiles and the relev

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39

Meister, Lauren L. "Opportunities in Liminality: An Inquiry into Museum Narratives and Structures as Catalysts for Culture." University of Cincinnati / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1623166529808358.

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40

NASO, MONICA. "Curated in China. Manipulating the City through the Shenzhen Bi-City Biennale of Urbanism Architecture." Doctoral thesis, Politecnico di Torino, 2021. http://hdl.handle.net/11583/2957775.

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41

Lee, Jenny Rose. "Empire, modernity and design : visual culture and Cable & Wireless' corporate identities, 1924-1955." Thesis, University of Exeter, 2014. http://hdl.handle.net/10871/16467.

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During the twentieth century, Cable & Wireless was the world’s biggest and most important telegraphy company, employing large numbers of people in stations across the world. Its network of submarine cables and wireless routes circumnavigated the globe, connecting Britain with the Empire. This thesis examines the ways in which the British Empire and modernity shaped Cable & Wireless’ corporate identity in order to understand the historical geography of the relationships between Empire, state, and modernity. Additionally, it investigates the role of design in the Company’s engagement with the di

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42

Eriksson, Anton. "Balticum." Thesis, KTH, Arkitektur, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-276852.

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The project aims to examine how an architectural experience can help to increase awareness and encourage solutions for the Baltic Sea issues. The essence of the project lies in the experience which will be embodied by an exhibition as well as a gathering space for the Baltic science community on a remote island called Lilla Båtskär, situated in the archipelago of Åland, Finland. The exhibition aims to explain the issue from different perspectives, categorized into three themes. The incisions, linked to the themes, will serve as generators for creating awareness and understanding of the issue,

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Flaherty, Kristen R. "Fragments of Narrative: Hidden Voices of the Archival Process." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1336742036.

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Ábalos, Ramos Ana. "ALISON AND PETER SMITHSON: THE TRANSIENT AND THE PERMANENT." Doctoral thesis, Universitat Politècnica de València, 2016. http://hdl.handle.net/10251/62223.

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[EN] Exhibitions are a cornerstone of Alison and Peter Smithsons' multifaceted approach to their work. A powerful medium for conveying and materialising their ideas which provided them, throughout their career, with the opportunity to freely create experimental constructions to relay their thoughts. The exhibitions they staged in the 1950s and 60s, such as 'Parallel of Life and Art', 'House of the Future', and 'Patio & Pavilion' were, and still are, at least as important to architectural critics as their few built works or many writings. However, from the 1970s onwards little is known about

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De, Montgolfier-Seznec Flavie. "Théodore (1817-1885) et Albert (1849-1939) Ballu : architectes constructeurs et restaurateurs." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040037.

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Elève à l’école des Beaux-arts de Paris, premier prix de Rome à l’âge de 23 ans, Théodore Ballu (1817-1885) prolonge sa formation à l’Ecole française de Rome, et en Grèce, avant même l’ouverture de l’Ecole française d’Athènes. Sa carrière d’architecte, longue d’une trentaine d’années, est exceptionnelle. Auteur d’un quart des églises parisiennes construites sous le Second Empire, de l’Hôtel de Ville de Paris en collaboration avec Deperthes, et de plusieurs édifices ou monuments civils, il est un représentant majeur de l’éclectisme architectural. Ses édifices religieux auront une influence sur

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PEREIRA, VALÉRIA VERAS DE ASSIS. "THE 32ND BIENNIAL OF SÃO PAULO, AN EXHIBITION IN BEHALF OF UNCERTAINTIES AS A PROCESS OF ARTICULATIONS BETWEEN ART, ARCHITECTURE AND URBANITY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2018. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=35190@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>O projeto expográfico da trigésima segunda Bienal de São Paulo Incerteza Viva se reveste de possibilidades de estudos sobre representações do espaço, integrados a ações da arte, arquitetura e urbanismo, para estruturar plataformas curatoriais em sistemas - teórico e prático - de análises conjunturais do espaço social.<br>The exhibition design of the 32nd Biennial of São Paulo Live Uncertainty grounds possibilities on st

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Zamani, Pegah. "Views across boundaries and groupings across categories the morphology of display in the galleries of the High Museum of Art 1983-2003 /." Diss., Atlanta, Ga. : Georgia Institute of Technology, 2008. http://hdl.handle.net/1853/31823.

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Snook, Laura Jane Caroline. "Exhibiting ancient Greek architectural sculpture : a comparison of the heritagescape and visitor responses in ten European collections." Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/6325/.

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This thesis examines the exhibitions of Greek architectural sculpture in ten European collections. The exhibitions used as case studies display both original sculptures and plaster copies. These displays can be found in the Acropolis Museum, Athens; the British Museum, London; the Musée du Louvre, Paris; the Archaeological Museum of Olympia, Olympia; Delphi Archaeological Museum, Delphi; the Museum of Classical Archaeology, Cambridge; the Ashmolean Museum of Art and Archaeology, Oxford; the Kongelige Afstøbningssamling, Copenhagen; and the Skulpturhalle, Basel. These exhibitions are assessed u

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Ferrell, Susanna S. "Black and White: The Exhibiting of Chinese Contemporary Ink Art in European and North American Museums." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/688.

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Contemporary Chinese ink art is often seen as a part of an ongoing history in the Western art world, as opposed to a part of the contemporary. This thesis addresses the history of Chinese ink, the Westernization of the Chinese art world, and the major exhibitions of Chinese contemporary ink artwork that have been held in the Western world.

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Campbell, Emily G. "Bracquemond, Ruskin, the Haviland-Hayes Service, and Rookwood: Japonisme and Permanence in Art Pottery." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3771.

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There are two principle arguments in this thesis. First, this thesis will show that Félix Bracquemond had a profound impact on late-nineteenth-century and early-twentieth-century ceramics in America. Second, this thesis will illustrate how John Ruskin’s principle that pottery is “more permanent than the Pyramids” encouraged reform of the ceramic arts and shaped the Art Pottery Movement of the late nineteenth century. After this thesis introduces Bracquemond as an innovator in ceramic decoration and the dissemination of Ruskin’s principle, the thesis will examine two instances in the America

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