Relevant bibliographies by topics / Architecture, Gothic Architecture, Gothic Architecture / Dissertations / Theses
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Dissertations / Theses on the topic 'Architecture, Gothic Architecture, Gothic Architecture'

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Published: 4 June 2021
Last updated: 1 February 2022

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1

Chase, Davis William. "Architectural design principles as evidenced in Gothic architecture." Thesis, Virginia Polytechnic Institute and State University, 1985. http://hdl.handle.net/10919/53714.

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Three specific architectural design principles are identified and documented through a study of gothic architecture. The comparative method is used to show progressive change in gothic architecture and to illustrate how these design principles are evident in this change.<br>Master of Science
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2

Grzesiak, Filip. "Capturing the Gothic Line : Parametric Exploration of the Gothic Ornament." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-229425.

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The project explores the ‘Gothic Line’ as observed in ornament. Escaping strictly geometrical means of defining, the study focuses on capturing the Line’s elusive properties in connection to chosen architectural elements. With selected properties, the two-dimensional principles are extracted into the 3D environment. Using parametric design tools each feature is transformed into multiple prototypes of three-dimensional interpretation. The project aims to capture subtlety of the Gothic Line while providing a system enabling creation of architecturally relevant ornamental structures.
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3

Grant, Lindy M. "Gothic architecture in Normandy, c.1150-1250." Thesis, Courtauld Institute of Art (University of London), 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.281784.

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This thesis covers Gothic architecture in Normandy from c.1150-c.1250. It establishes a chronology for the large number of ecclesiastical buildings erected in Normandy in this period, and traces stylistic developments. Chapter I discusses the emergence of an Early Gothic style with distinctly Norman Characteristics, epitomised at Fecamp, out of a stolid vaulted Romanesque, current in the early years of the 12th century in the Lower Oise and the Vexin, as well as Normandy. Chapter II considers the obverse of the 12th century Norman coin, that is, those buildings, notably Lisieux and Nortemer ch
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4

Weston, Lindy. "Gothic architecture and the liturgy in construction." Thesis, University of Kent, 2018. https://kar.kent.ac.uk/67341/.

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Medieval Christian action, which is sometimes venerational, provides the embodiment of Christian narrative within relics. Abbot Suger saw masonry stones as if they were relics, and there must therefore be a corresponding Christian veneration and collective Christian working, i.e. liturgy, specifically to do with construction. Though the articulation of this collective Christian action in construction has not been attempted because masons left no written record of their work, it is certain manual construction was seen as a spiritual process of edification. This "liturgy in construction" is here
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5

Bayless, James D. "Digital Gothic: Integration and Material Experimentation in Contemporary Architecture." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397476805.

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6

Etemad, Yousefi Arash. "Medieval Islamic and Gothic architectural drawings : masons, craftsmen and architects." Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/33024.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2005.<br>Includes bibliographical references (leaves 54-57).<br>As medieval designers and craftsmen have left us with no textual evidence of their thinking processes, their drawings offer valuable sources through which their approach to design and construction can be investigated. Focusing on the early architectural drawings of the medieval period, this thesis will explore the intersections between Late Gothic and Timurid architectural practices. Both Timurid and Gothic designers were also skilled builders. Their educ
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Quinn, Caroline. "Dueling Dualities: The Power of Architecture in American Gothic Literature." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/897.

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This article seeks to establish the importance of gothic convention and architecture’s role in Poe’s “The Fall of the House of Usher” and Southworth’s The Hidden Hand. By examining these stories’ dualities this article analyzes Poe and Southworth’s projects behind setting up dual spaces. Specific to Poe, this article follows architecture’s effect on mental health. Specific to Southworth, this article investigates her criticism of binaries and convention and how she uses architecture to shape her analysis.
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8

Aspin, Philip. "Architecture and identity in the English Gothic revival 1800-1850." Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669903.

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9

Briggs, Alana Samantha. "Architecture and Thomas Hardy." Thesis, University of Exeter, 2015. http://hdl.handle.net/10871/20775.

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Thomas Hardy is the only major English novelist to have been a professional architect. In his essay, “Memories of Church Restoration,” written for the Society for the Protection of Ancient Buildings (1906), it was clear that, for Hardy, architectural structures preserved the spirit of all those who had created and originally worked and lived within them. By their very presence, then, ancient and medieval buildings were historical artifacts housing the memories of past lives. This intertwining of humans and the built environment became the stuff of Hardy’s novels, short stories, poetry, and ess
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10

Kennedy, Alexandra Katharina Maria. "Gothic architecture in northern Burgandy in the 12th and early 13th centuries." Thesis, Courtauld Institute of Art (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362726.

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11

Johns, Ann Collins. "Defining the Gothic in Italy : the Cistercians of San Galgano and civic architecture in Siena 1250-1350 /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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Springer, Mary Ruth. "American Collegiate Gothic architecture: the birth of a style and its architects, patrons, and educational associations, 1806-1906." Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/5640.

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Collegiate Gothic architecture can be found on many American campuses, yet its beginnings in nineteenth-century United States are something of a mystery. As the nation’s colleges and universities grew more innovative in their modernized curricula and research, strangely, their architecture became more anachronistic with Collegiate Gothic being the most popular. Around the greens of their campuses, Americans built quadrangles of crenellated buildings and monumental gate towers with stained-glass windows, gargoyles, pointed arches, turrets, and spires, thus transforming their collegiate grounds
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13

Timmermann, Achim. "Staging the Eucharist : late Gothic sacrament houses in Swabia and on the Upper Rhine." Thesis, Courtauld Institute of Art (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.309509.

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14

Albo, Frank. "Freemasonry and the nineteenth-century British Gothic Revival." Thesis, University of Cambridge, 2013. https://www.repository.cam.ac.uk/handle/1810/283920.

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Olympios, Michalis. "Gothic church architecture in Lusignan Cyprus c. 1209 – c. 1373 : design and patronage." Thesis, Courtauld Institute of Art (University of London), 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.633515.

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Bennett, Vicki. "The use of Gothic in nineteenth century church architecture of the Ottawa Valley." Thesis, University of Ottawa (Canada), 1994. http://hdl.handle.net/10393/6669.

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Stobbe, Frauke. "Romanischer und gotischer Sakralbau in Frankreich : am Beispiel der Abteikirche von Saint-Denis." Master's thesis, Universität Potsdam, 2008. http://opus.kobv.de/ubp/volltexte/2011/5503/.

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Die Magisterarbeit „Romanischer und gotischer Sakralbau in Frankreich am Beispiel der Abteikirche von Saint-Denis“ beschäftigt sich mit den Gründen für den im 12. Jahrhundert stattfindenden Baustilwandel, wie und warum er sich ausgerechnet zuerst an der kleinen Abteikirche im Pariser Umland vollzog und welche Rolle dem dortigen Abt Suger zukam. Zunächst werden grundlegende Fakten und Beispiele zum mittelalterlichen Sakralbau in Frankreich vermittelt, anschließend die beiden aufeinanderfolgenden Epochen Romanik und Gotik temporal, territorial und vor allem architektonisch eingeordnet und besc
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Cunningham, Jane Alison. "Buildings and patrons : early Gothic architecture in the Diocese of Durham, c.1150-c.1300." Thesis, Birkbeck (University of London), 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294951.

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19

Bagley, Julie Arens. "Dallas as Region: Mark Lemmon's Gothic Revival Highland Park Presbyterian Church." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc5560/.

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Informed by the methodology utilized in Peter Williams's Houses of God: Region, Religion, and Architecture in the United States (1997), the thesis examines Mark Lemmon's Gothic Revival design for the Highland Park Presbyterian Church (1941) with special attention to the denomination and social class of the congregation and the architectural style of the church. Beginning with the notion that Lemmon's church is more complex than an expression of the Southern cultural region defined by Williams, the thesis presents the opportunity to examine the church in the context of the unique cultural regio
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Sawkins, Annemarie. "The architecture of the Parisian parish churches between 1489 and 1590 /." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68135.

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The parish churches of Paris rebuilt between 1489 and 1590 are defined as an important group late Gothic monuments. They were each modeled after the Cathedral of Notre-Dame and given many of the same characteristics. The architectural features used in the rebuilding of the parish churches are part of a well-defined architectural vocabulary of both classical and flamboyant forms. The building histories show that the stylistic qualities of these monuments are the result of the constant application and reception of prevailing architectural ideas. The architectural arrangements and iconographic pr
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21

Roy, Francine 1948. ""...Templum nova forma constructum..." : early 17th-century late Gothic churches in Wolfenbüttel and Bückeburg." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=31137.

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In the years around 1600, a change was noted in architecture towards a return to Gothic elements in Europe. The Gothic, in contrast to the Classical or Ancient, became a "new manner", a modern style. The residence churches at Wolfenbuttel and Buckeburg, which were erected around 1600 by Lower Saxon territorial princes, are Late Renaissance constructions that were made to look partly Gothic. This was neither a lingering on of Late Gothic design nor a misunderstanding of Renaissance architecture: it was rather a conscious evocation of the past and its merger with contemporary architecture. The f
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Smith, Candice. ""Fine old castles" and "pull-me-down works" : architecture, politics, and gender in the Gothic novel of the 1790s." Thesis, University of Aberdeen, 2014. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=203790.

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This thesis examines the way in which four women writers of the 1790s appropriated the architectural metaphors of the Revolution debate in their Gothic novels. By transforming the political metaphor of the Gothic building into a material environment in their writing, this thesis argues that Charlotte Smith, Ann Radcliffe, Mary Robinson, and Jane Austen staked their own variant positions in contemporary debates regarding revolution and reform. In the 1790s, the more general struggle for political and social improvement was linked by writers such as Mary Wollstonecraft to the need for reform of
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23

Smith, Rebecca Avery. "Measuring the past: the geometry of Reims Cathedral." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6289.

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Reims Cathedral holds a great deal of significance for the history of Gothic architecture, as well as the larger history of France as the coronation church. Given the historic significance of Reims, it is not surprising that much scholarship has been dedicated to the building’s sculpture, glass, and architecture. Most studies dealing with the cathedral’s architecture are based on stylistic and archaeological analysis, augmented by the use of surviving documents related to the construction. Although much fruitful work has been done in this vein, important questions about the building’s chronolo
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24

Macdonell, Cameron. "Haunted by the gothic: deconstructing the new St. Mary's Anglican church, Walkerville, Ontario." Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=114416.

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Ralph Adams Cram (1863–1942) was among the rare Gothicists who practiced both Gothic architecture and literature. He designed several Gothic-Revival churches and campuses across North America, and he wrote a book of Gothic ghost stories in 1895, calling the collection Black Spirits and White. Traditionally, scholars have assumed that the discourses of modern, Anglo-Gothic architecture and literature parted company after the 1830s. Scholars have based that assumption on two interrelated arguments. First, the Victorian Gothic novel evolved beyond the distinctly medieval; whereas, Victorian Gothi
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Nakhai, Farzad 1947. "From Classic to Gothic: The interplay between the universals and the particulars in the European architectural history." Thesis, The University of Arizona, 1991. http://hdl.handle.net/10150/291943.

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This thesis deals with the development of and the interaction between the ideals of classical universalism and the ideas of Gothic particularism. Part One traces the birth and the development of classical universalism; Part Two, medieval particularism. Part Three deals with the renaissance of the classical formulas, the adversary position the Renaissance held against medievalism and its consequences for the succeeding centuries. Part Four deals with the ideas of particularism making a come-back, leading to the formation of the Gothic Revival Movement. The Gothic Revival Movement and its advers
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Sturgis, Alexander J. "The liturgy and its relation to gothic cathedral design and ornamentation, in late twelfth and early thirteenth century France." Thesis, Courtauld Institute of Art (University of London), 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321172.

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27

Schilling, Martina. "The thirteenth-century abbey of Sant'Andrea in Vercelli : the Gothic architecture and its historical context." Thesis, University of Warwick, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369453.

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Lindfield, Peter Nelson. "Furnishing Britain : Gothic as a national aesthetic, 1740-1840." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3490.

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Furniture history is often considered a niche subject removed from the main discipline of art history, and one that has little to do with the output of painters, sculptors and architects. This thesis, however, connects the key intellectual, artistic and architectural debates surfacing in 'the arts' between 1740 and 1840 with the design of British furniture. Despite the expanding corpus of scholarly monographs and articles dealing with individual cabinet-makers, furniture making in geographic areas and periods of time, little attention has been paid to exploring Gothic furniture made between 17
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Kerrigan, Steven James. "Normandy's role in the development of the Flamboyant style: decoration, meaning, and exchange in Late Gothic architecture." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/2542.

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This dissertation explores the significance of Norman Flamboyant architecture by considering its origins, its local meanings, and its place in the larger narratives of late medieval architectural history. This examination of Normandy's role in the development of the Flamboyant style includes a brief assessment of the historiography of the Late Gothic period, with emphasis on questions of regional and national identity. Since many elements of the Flamboyant style had been imported from the Decorated Style that developed in
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Janko, Joan Paula. "The Chapel of the Assumption of the Virgin in Spišský Štvrtok : Late Gothic architecture on the periphery." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99376.

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The aim of this thesis is to address the dating, attribution, patronage, formal motifs, structural solutions, stylistic associations and historical context of the Chapel of the Assumption of the Virgin in the Slovakian town of Spissky Stvrtok. In the course of the text, it is revealed that the structure is a contained and coherent system of architectural forms that represents an international transmission of ideas, a continuous development of the architectural vocabulary of the Gothic, and the relevance of "the periphery" to a comprehensive understanding and appreciation of the Late Middle Age
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McAuley, Jenny. "Representations of Gothic abbey architecture in the works of four romantic-period authors : Radcliffe, Wordsworth, Scott, Byron." Thesis, Durham University, 2007. http://etheses.dur.ac.uk/2564/.

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This study argues the importance of the Gothic abbey to Romantic-period constructions of creative imagination and identity. I examine four Romantic-period authors with reference to particular abbey sites with which they engaged, placing their works in dialogue with contemporary topographical and antiquarian literature, aesthetic theory, and cultural trends. I consider these authors' representations of Gothic abbeys specifically in the terms of eighteenth-century picturesque landscape aesthetics, according to which the abbey was associated with contemplation. My study thus provides an alternati
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O'Callaghan, Adrienne Patrice. "Space as a function of structure and form : the integrity of architectural vision in the cathedral of St. Etienne at Bourges." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26891.

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Despite its monumental scale, its position at a turning point in the development of Gothic architecture and its visionary spatial conception, the cathedral of Bourges has remained an anomaly of medieval architectural history. Conceived and built concurrently with the cathedral of Chartres, Bourges has persistently been viewed as the lesser of the two buildings. This thesis attempts to contextualize supposed irregularities of Bourges' design and to review existing historiographical notions of the building in order to rearticulate its artistic character and redefine its historic position. Histo
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Monckton, Linda. "Late Gothic architecture in South West England : four major centres of building activity at Wells, Bristol, Sherbourne and Bath." Thesis, University of Warwick, 1999. http://wrap.warwick.ac.uk/34754/.

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By 1360 the Perpendicular style was established as the successor to Decorated architecture. During the subsequent one hundred and eighty years, until the Reformation, major building work was carried out at four great churches in the south west of England. The complete reconstructions of St Mary Redcliffe, Sherborne Abbey and Bath Abbey, and considerable work to the precinct at Wells Cathedral during this period, form the basis for this thesis. Through a study of each of these major centres, the issues of workshop identity and stylistic trendsetters are considered. It is shown how the interpret
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Fiore, Lyzabeth Ana. "Redesign of the exterior space at Gambier Village in order to integrate it with the remarkable Gothic Revival buildings and the overall open space quality of Kenyon College at Gambier, Ohio." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1406730550.

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Kenneally, Rhona Richman. "The tempered gaze : medieval church architecture, scripted tourism, and ecclesiology in early Victorian Britain." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19609.

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This dissertation explores how architecture is valorized by the cultural artifacts, both visual and text-based, which present and describe it. It examines aspects of the Gothic Revival in early Victorian Britain, to consider the assimilation of models of evolving architectural discourse by one organization with specialized interest in its promotion, and adaptations of that discourse in the realm of popular culture. The dissertation focuses on the ideology of the Cambridge Camden Society, from its inception in 1839 through to 1850. The Society advocated an appreciation of Gothic churches both f
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Joyner, John Edward III. "The architecture of orthodox Anglicanism in the Antebellum South : the principles of Neo-Gothic parish church design and their application in the southern parish church architecture of Frank Wills and his contemporaries." Diss., Georgia Institute of Technology, 1998. http://hdl.handle.net/1853/22975.

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Carter, McKee Kirsten. "Genius Loci of the Athens of the North : the cultural significance of Edinburgh's Calton Hill." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/15833.

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At the eastern end of the Edinburgh World Heritage Site, a protrusion of volcanic rock known as Calton Hill is situated on the northern side of the Waverley Valley. This area sits approximately 100m above sea level at its highest point - around 20m higher than Princes Street in the First ‘New Town’ and at approximately the same height as the Castle Esplanade in the ‘Old Town’ of Edinburgh. During the early nineteenth century, the hill and its land to the north were developed, to extend the city of Edinburgh towards the Port of Leith, in order to open up new routes of access and communications
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De, Swardt Ignatius P. "Die koloniale manifestasie van die Neo-Gotiese kerkboustyl op die Tuinroete van Suid-Afrika." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/79867.

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Thesis (MA)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: During the 12th century the Ab Suger, a church leader from near Paris in France, initiated a new approach to church architecture, the Gothic style. He diverted from the existing traditions and utilized pointed arches as one of the basic components of the new style. Pointed arches, unlike normal arches, distribute load-carrying weight not only downwards, as normal arches do, but also sideways. Strategically placed flying buttresses can help neutralize the thrust to the sides and reduce the weight on walls. Walls no longer had to b
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Arends, Isabel Maria. ""Gothische Träume" : die Raumkunst Edwin Opplers auf Schloß Marienburg /." Hannover : Hahn, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2773088&prov=M&dok_var=1&dok_ext=htm.

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Nobbs, Garrett Brandon. "The St. Johns Bridge: a prayer in steel." Thesis, University of Iowa, 2010. https://ir.uiowa.edu/etd/865.

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The St. Johns Bridge is a 1,207 foot span suspension bridge crossing the Willamette River in Portland, Oregon, connecting the Portland communities of St. Johns and Linnton on the eastern and western banks, respectively. Commissioned in 1928, the bridge was completed in 1931, with much fanfare in the local community. The two neighborhoods are some distance from downtown Portland, and the bridge brought prestige to an otherwise nondescript locale. It was designed by the New York-based firm of Steinman & Robinson. David Barnard Steinman (1886-1960) acted as the public face for the firm, however,
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Zuo, Julie Qun. "Chinoiserie: Revisiting England’s Eighteenth-Century Fantasy of the East." University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1082042574.

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Kim, Narae. "Architecture des Missions Étrangères de Paris en Corée (Père Coste 1847 – 1897)." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEP001.

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Cette recherche consacrée au Père Eugène Jean Coste suivra trois orientations. La première est historique : la diffusion du catholicisme en Extrême-Orient menée par les missionnaires occidentaux à la fin du XIXe siècle. Malgré deux grandes persécutions, grâce au traité de 1886 la situation a complétement changé. L’Eglise reprend vie, et la paroisse épiscopale de Myeongdong croît rapidement. Les activités architecturales des missionnaires qui ont commencé à cette période ont par ailleurs révélé la culture européenne aux coréens. La cathédrale de style européen a inspiré une esthétique nouvelle
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Martínez, Moya Joaquín Ángel. "La arquitectura del expoliado Palacio Condal de Oliva a través del legado gráfico." Doctoral thesis, Universitat Jaume I, 2017. http://hdl.handle.net/10803/404100.

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El Palacio Condal de Oliva, Monumento Nacional desde 1920, hoy casi desaparecido, fue un referente de la arquitectura tardogótica valenciana. El objetivo principal del presente trabajo consiste en profundizar en su conocimiento y fomentar su difusión. Se ha realizado una búsqueda de fuentes documentales para contextualizar el edificio, así como a sus promotores y posibles creadores desde un punto de vista histórico, social y estilístico. Partiendo de la documentación gráfica levantada por los arquitectos daneses Fischer y Lauritzem (1917-1920) se han analizado los elementos arquitectónicos q
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Heath, Anne Elizabeth. "Architecture, ritual and identity in the Cathedral of Saint-Etienne and the Abbey of Saint-Germain in Auxerre, France /." View online version; access limited to Brown University users, 2005. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3174619.

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McBride, Stephen Richard. "Bishop Mant and the Down and Connor and Dromore Church Architecture Society : the influence of the Oxford and Evangelical movements, the Cambridge Camden Society and the Gothic Revival on the Church of Ireland and its architecture in Ulster 1838 - 1878." Thesis, Queen's University Belfast, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.318793.

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Drapeau, Samuel. "L'église Saint-Michel, la fabrique d'un monument : étude historique, artistique et archéologique de l'église Saint-Michel de Bordeaux." Thesis, Bordeaux 3, 2016. http://www.theses.fr/2016BOR30041.

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L’église Saint-Michel de Bordeaux est construite à la fin du Moyen Âge au centre d’une paroisse urbaine très dynamique. L’activité portuaire et commerciale fait vivre de nombreux artisans et enrichit les puissants marchands du quartier de la Rousselle. Ils sont investis dans le gouvernement de la commune et financent copieusement le chantier de leur église paroissiale. Leurs pratiques pieuses et leur activité à la tête de l’administration de la fabrique et des confréries sont représentatives de la religion civique à la fin du Moyen Âge. L’église accueille depuis la fin du XVe siècle un collège
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Jeudy, Fabienne. "L'architecture religieuse en Haute-Saône à l'époque gothique : (de la fin du XIIe siècle au début du XIVe siècle)." Thesis, Besançon, 2011. http://www.theses.fr/2011BESA1020.

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L’art gothique apparu en Île-de-France vers 1135 atteignit le département de la Haute-Saône, partie nord du comté de Bourgogne relevant de l’Empire germanique aux XIIe et XIIIe siècles, à partir des années 1160. Les cisterciens jouèrent un rôle déterminant dans l’introduction de ce nouvel art de bâtir dans la région. À la fin du XIIe siècle, ce mode de construction demeura d’ailleurs l’apanage de leurs abbatiales. Les formules gothiques ne se généralisèrent en effet dans l’ensemble des édifices religieux qu’à l’aube du XIIIe siècle. Ce moment précis marque le point de départ de ce mémoire de d
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48

Pégeot, Séverine. "L’architecture gothique flamboyante dans le comté de Bourgogne : de la fin du XIVe siècle aux grands chantiers du XVIe siècle." Thesis, Besançon, 2016. http://www.theses.fr/2016BESA1016/document.

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Cette thèse porte sur l'architecture gothique flamboyante du comté de Bourgogne dela fin du XIVe siècle aux grands chantiers du XVIe siècle : Notre-Dame de Gray etNotre-Dame de Dole. Le corpus compte dix-sept monuments comprenant une majoritéd'églises paroissiales et deux chapelles commanditées par de puissants seigneurs comtois.Cette étude s'inscrit dans un vaste cadre chronologique et permet de poser unjalon dans la compréhension de l'architecture flamboyante en France. La confrontationdes sources écrites à l'analyse monumentale des édifices permet d'appréhender la complexité et la diversité
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Chan, Amy Beth. "Trembling Earth." VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1248.

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This thesis details the literary and visual influences in my work, the definition of American Gothic, and its connection it to my work. Literary sources such as Edgar Allan Poe and Fanny Kemble help spark a vision of the landscape. Visual influences include Japanese woodblock prints, scenic wallpapers, vintage postcards and Victorian mourning pictures. My regional explorations span the James River, Tidewater swamps and architecture within the city of Richmond.My work depicts local history and ecology inspired by Richmond and the surrounding region. Subtle Gothic elements add anxiety to the oth
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50

Reus, Planells Guiem Alexandre. "L’arquitectura religiosa en els antics territoris de la Corona de Mallorca, segles XIII-XIV Un estudi de paisatge monumental." Doctoral thesis, Universitat Autònoma de Barcelona, 2017. http://hdl.handle.net/10803/457776.

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Aquesta tesi doctoral proposa l’estudi de l’arquitectura religiosa construïda en el conjunt dels territoris que varen pertànyer a la Corona de Mallorca, des de la conquesta catalana de l’illa l’any 1229, per part de Jaume I, fins a la mort del rei Jaume III, l’any 1349. Després d’una introducció històrica per delimitar el context espai-temporal en el qual s’emmarca el treball, un segon apartat proposa una aproximació a l’arquitectura duta a terme en aquells moments tenint present les conseqüències que tengué la conquesta catalana de Mallorca i, al mateix temps, la creació del Regne Privatiu e
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