Relevant bibliographies by topics / Architecture, Hausa

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Architecture, Hausa'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "Architecture, Hausa"

1

Oliver, Paul, and J. C. Moughtin. "Hausa Architecture." Man 22, no. 3 (September 1987): 565. http://dx.doi.org/10.2307/2802511.

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Bravmann, René A., J. C. Moughtin, and Rene A. Bravmann. "Hausa Architecture." Canadian Journal of African Studies / Revue Canadienne des Études Africaines 21, no. 2 (1987): 294. http://dx.doi.org/10.2307/484397.

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Hull, Richard W., and J. C. Moughtin. "Hausa Architecture." International Journal of African Historical Studies 20, no. 1 (1987): 103. http://dx.doi.org/10.2307/219285.

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Fahrar, V. K. Tarikhu, and J. C. Moughtin. "Hausa Architecture." African Arts 19, no. 2 (February 1986): 86. http://dx.doi.org/10.2307/3336336.

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Okoye, Ikem Stanley, and Sabine Jell-Bahlsen. "Tubali: Hausa Architecture of Northern Nigeria." International Journal of African Historical Studies 32, no. 2/3 (1999): 482. http://dx.doi.org/10.2307/220388.

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Demissie, Fassil, and Kevin Carroll. "Architecture in Nigeria: Architectures of the Hausa and Yoruba Peoples, and of the Many Peoples between Tradition and Modernism." International Journal of African Historical Studies 32, no. 2/3 (1999): 504. http://dx.doi.org/10.2307/220400.

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Umar, Gali Kabir, Danjuma Abdu Yusuf, Abubakar Ahmed, and Abdullahi M. Usman. "The practice of Hausa traditional architecture: Towards conservation and restoration of spatial morphology and techniques." Scientific African 5 (September 2019): e00142. http://dx.doi.org/10.1016/j.sciaf.2019.e00142.

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Schwerdtfeger, F. W. "J. C. Moughtin, Hausa Architecture, Ethnographic Arts and Culture Series. London: Ethnographica Publishers, 1985, 175 pp., 0 905788 40 0." Africa 56, no. 4 (October 1986): 497–99. http://dx.doi.org/10.2307/1160013.

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Sa'Ad, Tukur. "Review: African Spaces: Design for Living in Upper Volta by Jean-Paul Bourdier, Trinh T. Minh-Ha; Hausa Architecture by J. C. Moughtin; Hatumere: Islamic Design in West Africa by Labelle Prussin; Traditional Housing in African Cities: A Comparative Study of Housing in Zaria, Ibadan and Marrakech by Friedrich W. Schwerdtfeger." Journal of the Society of Architectural Historians 46, no. 4 (December 1, 1987): 434–37. http://dx.doi.org/10.2307/990294.

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Kim, Young-Hyun, and Young-Keun Chang. "A Study on HAUSAT-1 Satellite Fault-Tolerant System Architecture Design." International Journal of Aeronautical and Space Sciences 4, no. 2 (November 30, 2003): 37–50. http://dx.doi.org/10.5139/ijass.2003.4.2.037.

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Dissertations / Theses on the topic "Architecture, Hausa"

1

Muhammad-Oumar, Abdulrazzaq Ahmad. "Gidaje : the socio-cultural morphology of Hausa living spaces." Thesis, University College London (University of London), 1997. http://discovery.ucl.ac.uk/1317656/.

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Hausa architecture is an important part of African indigenous architecture. In many respects its construction techniques, its wail decoration and its structural forms, have been recognised as unique. Most of the Hausa Architecture studied has been in the form of palaces, mosques and few houses of the affluent, merchants and administrators. However the bulk of the Hausa built environment is, and for long has been, composed of ordinary domestic houses that accommodate the citizens of its cities and hamlets. This work deals with Hausa architecture as found in the older parts a major Hausa urban centre; to wit the walled city of Kano. The Kano built environment is composed of several forms of architecture, but the main concern here is specifically with the Hausa domestic architecture in the walled city of Kano. The study is informed by the theoretical proposition that a correlation exists between the spatial organisation of domestic house and the social life of its inhabitants; consequently changes in one result in changes in the other and vice-versa. The study has four main objectives: to establish the basic characteristics of Hausa domestic architecture, i.e. its dominant spatial themes; to show how the resulting domestic environment is supportive of the Hausa-Islamic culture; to examine the cultural impact of colonialism on the concept of the dwelling unit and by extension, on the culture of the Hausa; and to broaden the data base of an indigenous knowledge system in the field of architecture. The principal findings of the work are: that Hausa domestic architecture as found in the walled city is conceptually of two broad types; that the design concept of these types is rooted in the Hausa socio-cultural paradigm; that the design concept is flexible enough to cater for the subcultural elements that are the hallmarks of any Hausa society; that the changes in the political, economic and social fabric of the Hausa society in its recent history have had very little effect on the spatial quality of Hausa domestic architecture.
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2

Kahera, Akel I. (Akel Ismail). "The architecture of the West African mosque : an exegesis of the Hausa and Fulani models." Thesis, Massachusetts Institute of Technology, 1987. http://hdl.handle.net/1721.1/74785.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1987.
Includes bibliographical references (leaves 107-109).
This thesis will examine two models of West African architecture-- the Mosque at Zaria, Nigeria and the Mosque at Dingueraye, Guinea. It will also attempt to illustrate implicit patterns of creative expression, both literal and allegorical , in the space-making processes of the Hausa and Fulani peoples. In passing, some attention will also be given to the cultural and building traditions of the Mande people. The notion of space and place in much of sub-Saharan Africa oscillates in a realm which is neither absolutely rational nor ethereal. Culture, it could be argued, can offer us an opportunity to investigate an analytical taxonomy through which we can compare and discover particular attributes of space and the phenomenological dimensions of built form. Culture , as a layered accumulation of historical events , visual vocabularies, and architectural expression, is subject at one time or another to an ethos which may have had a syncretic origin. Among the Hausa and Fulani, the image which exists within the architectural paradigm can be described as a language, or code or a method of explaining spatial concepts related to concrete space and traditional culture. The Hausa and Fulani spatial schemes are concerned with the nature of space as a context and metaphor for experience , inner and outer, hidden and manifest.
by Akel I. Kahera.
M.S.
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Amos, Thomas. "Architectura cimmeria Manie und Manier phantastischer Architektur in Jean Rays Malpertuis." Heidelberg Winter, 2000. http://deposit.d-nb.de/cgi-bin/dokserv?id=2841337&prov=M&dok_var=1&dok_ext=htm.

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Novák, Jakub. "Vlastní rodinný dům." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2012. http://www.nusl.cz/ntk/nusl-215881.

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The design of multi-generation house on the piece of land which belongs to the investor family for six generations is based on the proportions of a traditional Czech Elbeland house. The resulting layout provides a logical construction in stages according to the actual needs of the young family. Dimensionally, the building is trying to convey the dialogue between the optimal contours of the thermal envelope of passive house and the traditional silhouette. Lamina part of the roof jacket assumes abbreviated form of this silhouette, creating a soft transition zones between the interior and exterior - stoop and covered terrace. Cubic mass of the building protrudes slightly from this outlines, making the composition more surprising. The house is designed in a passive energy standard, using hay bales as insulation and adobe bricks (made on site from local clay) as a filling for non-bearing partitions to improve thermal accumulation properties of the object. Structures are mostly wooden and from agglomerated wooden materials. The whole design is based on the assumption of self-help construction, taking into account the least possible interference in the landscape we very much respect.
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Illi, Dieter Walter. "Das Hindukush-Haus : zum symbolischen Prinzip der Sonderstellung von Raummitte und Raumhintergrund /." Stuttgart : Steiner Verl. Wiesbaden, 1990. http://catalogue.bnf.fr/ark:/12148/cb366582671.

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Funke, Henrik L., Sandra Gelbrich, Andreas Ehrlich, and Lothar Kroll. "A Fiber-Reinforced Architectural Concrete for the Newly Designed Façade of the Poseidon Building in Frankfurt am Main." Universitätsbibliothek Chemnitz, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-147926.

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In the course of revitalizing the Poseidon Building in Frankfurt, an energetically optimized façade, made of architectural concrete was developed. The development of a fiber-reinforced architectural concrete had to consider the necessary mechanical strength, design technology and surface quality. The fiber-reinforced architectural concrete has a compressive strength of 104.1 MPa and a 3-point bending tensile strength of 19.5 MPa. Beyond that, it was ensured that the fiber-reinforced high-performance concrete had a high durability, which has been shown by the capillary suction of de-icing solution and freeze thaw test with a weathering of abrasion of 113 g/m² after 28 freeze-thaw cycles and a mean water penetration depth of 11 mm.
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Books on the topic "Architecture, Hausa"

1

Moughtin, J. C. Hausa architecture. London: Ethnographica, 1985.

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Moughtin, J. C. Hausa architecture. New York: Barber Press, 1985.

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University of Nottingham. Institute of Planning Studies., ed. Hausa architecture. London: Ethnographica, 1985.

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4

Delisse, Louis François. Enquête sur l'architecture et la décoration murale hausa =: Konkonto da bincike bisa kan gini da adon gidaje a kassar hausa. [Niamey, Niger]: OUA-CELTHO, 1986.

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Delisse, Louis François. Enquête sur l'architecture et la décoration murale à Zinder (Damagaram) Niger. [Niamey, Niger]: OUA-CELTHO, 1986.

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Carroll, Kevin. Architectures of Nigeria: Architectures of the Hausa and Yoruba peoples and of the many peoples between--tradition and modernization. [London: published for the Society of African Missions by Ethnographica Ltd. in association with Lester Crook Academic Publishing, 1992.

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Carroll, Kevin. Architectures of Nigeria: Architectures of the Hausa and Yoruba peoples and of the many people between--tradition and modernization. London: Ethnographica, 1992.

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Yörükoğlu, Nihat. Hafsa Sultan ve Külliyesi. [Ankara: s.n., 1993.

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Yörükoğlu, Nihat. Hafsa sultan ve külliyesi. Ankara: Sevinç Matbaası, 1993.

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Janiszewski, Bertram. Das alte Hansa-Viertel in Berlin: Gestalt und Menschen. Berlin: Haude & Spener, 2000.

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Book chapters on the topic "Architecture, Hausa"

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Batagarawa, Amina, and Rukayyatu Bashiru Tukur. "Hausa Traditional Architecture." In Sustainable Vernacular Architecture, 207–27. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-06185-2_11.

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Boeckl, Matthias. "Burgwiesenschule und Mehrzweckhalle „Haus Bommersheim“, Oberursel." In TREUSCH architecture, 96–99. Vienna: Springer Vienna, 2010. http://dx.doi.org/10.1007/978-3-211-69290-5_17.

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"Focus constructions in Hausa." In The Architecture of Focus, 579–608. De Gruyter Mouton, 2006. http://dx.doi.org/10.1515/9783110922011.579.

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"Jigo: The Essence of the Non-Tangible Architecture of the Hausa Traditional Religion." In Sacred Precincts, 43–56. BRILL, 2015. http://dx.doi.org/10.1163/9789004280229_005.

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"Haus Lange: The Elegant Analyst." In The Meaning of Modern Architecture, 143–52. Routledge, 2016. http://dx.doi.org/10.4324/9781315555669-14.

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"1.4 Hermann Muthesius: Wie Baue Ich Mein Haus." In Architecture and Movement, edited by Peter Blundell Jones, 35–43. Routledge, 2014. http://dx.doi.org/10.4324/9781315764771-6.

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"Papua New Guinea’s concrete haus tambaran." In Architecture, Power and National Identity, 211–39. Routledge, 2014. http://dx.doi.org/10.4324/9781315880921-14.

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Sandler, Daniela. "Cultural Centers." In Counterpreservation. Cornell University Press, 2016. http://dx.doi.org/10.7591/cornell/9781501703164.003.0004.

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This chapter focuses on independent, nonprofit cultural and art centers. Cultural centers such as the Haus Schwarzenberg—the primary focus of this chapter—as well as Schokoladen and the defunct Tacheles may look similar to Hausprojekte at first glance, with a juxtaposition of graffiti and posters over eroded walls, odd sculptures, architectural fragments, grime, and overgrown ivy. However, these spaces are composed with more forethought and coordination, and undergo significant (but selective) repairs, refurbishment, and even preservation measures. These cultural centers also articulate the meaning of their dilapidation clearly and self-consciously in pamphlets, websites, and interviews. They demonstrate that counterpreservation can be premeditated and self-reflective, and not just an ad hoc, opportunistic tactic.
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"Die Landschaft. Das Haus. Die Architektur. Die Bewohner / The landscape. The house. The architecture. The inhabitants." In Schedlberg, 20–25. DETAIL, 2019. http://dx.doi.org/10.11129/9783955534738-002.

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"Socio-cultural influence of the Hausas and Tivs of northern Nigeria on their traditional architecture and building design." In The Urban Experience, 58–72. Routledge, 2003. http://dx.doi.org/10.4324/9780203222270-11.

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Conference papers on the topic "Architecture, Hausa"

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Zhang, J., and Z. L. Yusuf. "A Study on the Building Materials and Construction Technology of Traditional Hausa Architecture in Nigeria." In The International Workshop on Materials, Chemistry and Engineering. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0007439804340441.

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