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Journal articles on the topic 'Architecture, Hausa'

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1

Oliver, Paul, and J. C. Moughtin. "Hausa Architecture." Man 22, no. 3 (September 1987): 565. http://dx.doi.org/10.2307/2802511.

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2

Bravmann, René A., J. C. Moughtin, and Rene A. Bravmann. "Hausa Architecture." Canadian Journal of African Studies / Revue Canadienne des Études Africaines 21, no. 2 (1987): 294. http://dx.doi.org/10.2307/484397.

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3

Hull, Richard W., and J. C. Moughtin. "Hausa Architecture." International Journal of African Historical Studies 20, no. 1 (1987): 103. http://dx.doi.org/10.2307/219285.

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4

Fahrar, V. K. Tarikhu, and J. C. Moughtin. "Hausa Architecture." African Arts 19, no. 2 (February 1986): 86. http://dx.doi.org/10.2307/3336336.

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5

Okoye, Ikem Stanley, and Sabine Jell-Bahlsen. "Tubali: Hausa Architecture of Northern Nigeria." International Journal of African Historical Studies 32, no. 2/3 (1999): 482. http://dx.doi.org/10.2307/220388.

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Demissie, Fassil, and Kevin Carroll. "Architecture in Nigeria: Architectures of the Hausa and Yoruba Peoples, and of the Many Peoples between Tradition and Modernism." International Journal of African Historical Studies 32, no. 2/3 (1999): 504. http://dx.doi.org/10.2307/220400.

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7

Umar, Gali Kabir, Danjuma Abdu Yusuf, Abubakar Ahmed, and Abdullahi M. Usman. "The practice of Hausa traditional architecture: Towards conservation and restoration of spatial morphology and techniques." Scientific African 5 (September 2019): e00142. http://dx.doi.org/10.1016/j.sciaf.2019.e00142.

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8

Schwerdtfeger, F. W. "J. C. Moughtin, Hausa Architecture, Ethnographic Arts and Culture Series. London: Ethnographica Publishers, 1985, 175 pp., 0 905788 40 0." Africa 56, no. 4 (October 1986): 497–99. http://dx.doi.org/10.2307/1160013.

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9

Sa'Ad, Tukur. "Review: African Spaces: Design for Living in Upper Volta by Jean-Paul Bourdier, Trinh T. Minh-Ha; Hausa Architecture by J. C. Moughtin; Hatumere: Islamic Design in West Africa by Labelle Prussin; Traditional Housing in African Cities: A Comparative Study of Housing in Zaria, Ibadan and Marrakech by Friedrich W. Schwerdtfeger." Journal of the Society of Architectural Historians 46, no. 4 (December 1, 1987): 434–37. http://dx.doi.org/10.2307/990294.

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10

Kim, Young-Hyun, and Young-Keun Chang. "A Study on HAUSAT-1 Satellite Fault-Tolerant System Architecture Design." International Journal of Aeronautical and Space Sciences 4, no. 2 (November 30, 2003): 37–50. http://dx.doi.org/10.5139/ijass.2003.4.2.037.

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11

Ashbaugh, Cameron D., Sebastián Albertí, and Michael R. Wessels. "Molecular Analysis of the Capsule Gene Region of Group A Streptococcus: the hasAB Genes Are Sufficient for Capsule Expression." Journal of Bacteriology 180, no. 18 (September 15, 1998): 4955–59. http://dx.doi.org/10.1128/jb.180.18.4955-4959.1998.

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ABSTRACT Enzymes directing the biosynthesis of the group A streptococcal hyaluronic acid capsule are encoded in the hasABC gene cluster. Inactivation of hasC, encoding UDP-glucose pyrophosphorylase in the heavily encapsulated group A streptococcal strain 87-282, had no effect on capsule production, indicating thathasC is not required for hyaluronic acid synthesis and that an alternative source of UDP-glucose is available for capsule production. Nucleotide sequence and deletion mutation analysis of the 5.5 kb of DNA upstream of hasA revealed that this region is not required for capsule expression. Many (10 of 23) group A streptococcal strains were found to contain insertion element IS1239′ approximately 50 nucleotides upstream of the −35 site of the hasA promoter. The presence of IS1239′ upstream of hasA did not prevent capsule expression. These results elucidate the molecular architecture of the group A streptococcal chromosomal region upstream of thehas operon, indicate that hasABC are the sole components of the capsule gene cluster, and demonstrate thathasAB are sufficient to direct capsule synthesis in group A streptococci.
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Gaimster, David. "The Hanseatic Cultural Signature: Exploring Globalization on the Micro-Scale in Late Medieval Northern Europe." European Journal of Archaeology 17, no. 1 (2014): 60–81. http://dx.doi.org/10.1179/1461957113y.0000000044.

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The Hansa formed the principal agent of trade and cultural exchange in northern Europe and the Baltic during the late medieval to early modern periods. Hanseatic urban settlements in northern Europe shared many things in common. Their cultural ‘signature’ was articulated physically through a shared vocabulary of built heritage and domestic goods, from step-gabled brick architecture to clothing, diet, and domestic utensils. The redevelopment of towns on the Baltic littoral over the past 20+ years offers an archaeological opportunity to investigate key attributes of late medieval society on the micro-scale. Such attributes include the development of mercantile capitalism, colonialism, and proto-globalization. For instance, distributions of artefacts now point to the Hansa as an agent of the Reformation movement in northern and western Europe. Where they were once almost exclusively regarded as material evidence for long-distance commercial activity, domestic artefacts, such as table and heating ceramics, are now subject to scrutiny as media for social, cultural, ethnic, and confessional relationships, and combine to create a distinctive Hanseatic material signature. Ceramic case studies illustrate how the archaeology of the Hansa now intersects with the wider historical debate about Europeanisation and proto-globalization arising from the development of long-distance maritime trade from the thirteenth century onwards.
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13

Markovskyi, Andrii. "PARALLELS OF GERMAN AVANT-GARDE ARCHITECTURE AND DEVELOPMENT IN KYIV." Current problems of architecture and urban planning, no. 58 (November 30, 2020): 302–13. http://dx.doi.org/10.32347/2077-3455.2020.58.302-313.

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The article presents a comparative analysis of some key objects of German and Kyiv architecture of the early twentieth century to determine the corresponding trends. Parallels and identities are shown and noted. An analysis of the background and context is given, as well as the author's conclusions of the respective styles. In particular, German Werkbund, international Art Nouveau, Ukrainian architectural Art Nouveau, "New Objectivity", Bauhaus, functionalism, constructivism, post-constructivism, German and Soviet neoclassicism are mentioned. Were analyzed in detail: The Fagus Factory (1910-1911) by Walter Gropius and Adolf Meyer, Centennial Hall (1911-1913) by the Max Berg, the Kyiv district power plant (named after Stalin), (1926–1930) by Mikhailo Parusnikov with the participation of George Goltz and Andrey Burov, Rolit (1932) by Vasul. Krychesky, Ehrentempel (1933–1936) and The Haus der Kunst in Munich (1933 - 1937) by Paul Ludwig Troost, competitive proposals for the construction of the Government Quarter in Kyiv (1934 - 1935) and the hotel within the Government Quarter (1939). Mentioned Esposizione Universale Roma (EUR) by Marcello Piacentini, projects by Albert Speer and others. The article summarizes a series of author's researches devoted to a detailed analysis of international context and parallels of Kyiv architecture which is represented in the background of the consistent artistic transitions (from eclecticism and historical reminiscences to modernism, from Art Nouveau to avant-garde, from constructivism to Soviet neoclassicism and, finally, from Stalinist empire to modernism).
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14

Jell, George, and Sabine Jell-Bahlsen. "From “Haus Tambaran” to Church: Continuity and Change in Contemporary Papua New Guinean Architecture." Visual Anthropology 18, no. 5 (October 2005): 407–37. http://dx.doi.org/10.1080/08949460500288272.

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15

Kraftl, Peter. "Architectural movements, utopian moments: (in)coherent renderings of the hundertwasser‐haus, vienna." Geografiska Annaler: Series B, Human Geography 92, no. 4 (December 2010): 327–45. http://dx.doi.org/10.1111/j.1468-0467.2010.00356.x.

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16

Corbo, Stefano. "Air design, meteorological architecture, and atmospheric preservation: towards a theory of feeling." Architectural Research Quarterly 22, no. 3 (September 2018): 188–93. http://dx.doi.org/10.1017/s1359135518000490.

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In 1960, Belgian artist Rene Magritte painted La Corde Sensible. In the background is a natural landscape, characterised by mountains and by a river. At the front is a champagne glass topped by a cloud. It prompts questions: does the cloud have its own weight? Is the glass mediating between the liquid state of the river and the gaseous state of the cloud? A few years later in 1972, the Viennese group Haus-Rucker-Co depicted a similar provocative scenario in ‘Big Piano’. In place of a champagne glass, a ladder with many steps – each with a different sound – reaches towards a cloud, which is a site of immersion and the loss of orientation.These two examples, along with other artistic manifestations from the same period, reveal the rise of an aesthetic sensibility, which for the first time, questioned traditional physical and perceptual boundaries seemingly fixed by tradition, pursuing a sort of material evanescence. They illustrate a process of formal and conceptual dematerialisation. Generally, one may say that, from the second half of the twentieth century, the discipline of aesthetics experienced a radical change: shifting away from semantic or hermeneutic interpretations back to its original meaning: aesthetics as aisthesis, the ancient Greek word for perception. This implied a rediscovery of the body, the rehabilitation of the senses, and a renewed interest in phenomenology.
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Weyand, Nicole, Hermann Heinrich, and Karl-Heinz Dahlem. "“3-Liter-Haus” im Bestand – Messkonzept und Messergebnisse von 3 Heizperioden." Bauphysik 29, no. 3 (July 2007): 213–20. http://dx.doi.org/10.1002/bapi.200710030.

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18

Bergmann, Sigurd. "Making Oneself at Home in Environments of Urban Amnesia: Religion and Theology in City Space." International Journal of Public Theology 2, no. 1 (2008): 70–97. http://dx.doi.org/10.1163/156973208x256457.

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AbstractHow is urban space to be developed as a habitable place, and what could religion and theology contribute to it? This article explores the question in three sections. First, urbanization is considered as a religious phenomenon, and examples from Mayan sacred geography, Swedish landscape architecture and the medieval European Hansa city are presented and discussed. Then, the human dimension, and the human capacity 'to make oneself at home', are elaborated clearly in articulating the need for a more plastic critical urban theory. The challenge to public theology in this context is to reflect deeply about how the Spirit is taking place in urban space. The final section investigates the dynamics of the space between oblivion, amnesia and remembrance and its significance for urban transformation. The design of places for remembering the sufferings of the past and the differences between strangers and residents are thereby outlined as a necessary condition for a city where humans can make themselves at home.
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19

Woo, Chang-Ok, and Mun-Duk Kim. "A Study on the Architectural Characteristics and Its Implications in Eurythmeum Anbau zu Haus Brodbeck." Korean Institute of Interior Design Journal 23, no. 5 (October 31, 2014): 165–73. http://dx.doi.org/10.14774/jkiid.2014.23.5.165.

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20

López Marcos, Marta. "Inhabiting leftovers." idea journal 16, no. 1 (January 14, 2018): 148–63. http://dx.doi.org/10.37113/ideaj.vi0.21.

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The question of the cultural and physical articulation of interior and exterior is far from recent. If modern Western philosophy had identified time with interiority and the spirit, leaving space in a secondary position as the realm of mutability and imperfection, almost two hundred years later this dichotomy continues to evolve. Still, as Sloterdijk recalls, we are immersed in the ‘World Interior of Capital’, which emerges as a hypertrophic system of immunity against the erratic and unreliable exterior. With regard to architecture, this division between interior and exterior has run parallel to the relation between public and private, city and home, façade and interior architecture. However during and after the so-called spatial turn, architecture as a discipline has experienced how one of its main and almost exclusive instruments has become a transversal element shared and studied from diverse fields and perspectives. Thus, a worth exploring theoretical gap is open within the critical relation between space and architecture, and more specifically within the cultural and spatial readings of the inside and the outside. This research paper aims at exploring the contemporary understanding of the leftover, which forms the counterpart to hegemonic spatiality, in order to suggest a transfer from the formal dichotomy interior/exterior to a multidimensional comprehension of space, following the philosophical notion of negativity. This contemporary fascination with leftovers is manifest in the work of several authors and artists, such as Slavoj Žižek’s interest in Gould and Lewontin’s ‘spandrels’, the Chapuisat Brothers’ Intra Muros, or Gregor Schneider’s Haus u r. However, these reflections also appeared almost forty years ago when the architect Steven Peterson coined the term ‘negative space’ to designate the hybrid realm in between geometrical constraints and the neutral transparency of modern space. This unmapped, but suggestive lineage suggest a transfer from the formal dichotomy interior/exterior to a multidimensional comprehension of space.
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21

Zha, X., H. V. Fuchs, and H. Drotleff. "Eine neue Akustik für vier Sparten - das Große Haus des Staatstheaters Mainz." Bauphysik 25, no. 3 (May 2003): 111–21. http://dx.doi.org/10.1002/bapi.200300610.

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22

SANO, Satoshi, Yasunori TSUMURA, and Tomohiko YAMANAKA. "CITIZENS’ INITIATIVES REGARDING THE CONSTRUCTION, MANAGEMENT AND MAINTENANCE OF “HAUS-HYAZINTH”-A CITY PARK PAVILION." AIJ Journal of Technology and Design 26, no. 64 (October 20, 2020): 1149–54. http://dx.doi.org/10.3130/aijt.26.1149.

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23

Stratigakos, Despina. "Women and the Werkbund: Gender Politics and German Design Reform, 1907-14." Journal of the Society of Architectural Historians 62, no. 4 (December 1, 2003): 490–511. http://dx.doi.org/10.2307/3592499.

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In this article, I explore the gender of everyday design in the Werkbund discourse. The German Werkbund, an alliance of artists, critics, and business-people, sought to restore harmony to German culture through the aesthetic transformation of daily life. Analyzing new sources that introduce the voices of women and expand the category of texts hitherto used for Werkbund scholarship, I examine the role of gender in the organization's efforts to impose a new aesthetic discipline. In the first section, I address attitudes toward women as consumers, sellers, and producers of everyday commodities. Whether seeking to portray women as agents of reform or to dismiss them as lovers of kitsch, women and men in the Werkbund employed gender norms in formulating their notions of good design and in devising strategies for its implementation. In the second section, I focus on how contemporary theories of gender, and particularly the idea of a female aesthetic lack, contributed to shaping the Werkbund's central design values of quality and Sachlichkeit. In the concluding section, I track the convergence of these issues at the Haus der Frau, the women's pavilion at the 1914 Werkbund exhibition in Cologne. I discuss how the organizers of the Haus der Frau attempted to feminize Werkbund design values in their conception and presentation of female-designed spaces and objects. The pavilion's critical reception reflects deeply divided beliefs on gender and modern design. By bringing together these elements, I seek to demonstrate that the Werkbund's discipline, which promised a new spiritual and aesthetic unity in Germany, was grounded in conflicting assumptions about gender roles in modern society.
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Di Nallo, Marco. "Die Schule als offenes Haus: school building and leisure in Switzerland during the 1950s and 1960s." Journal of Architecture 18, no. 5 (October 2013): 647–71. http://dx.doi.org/10.1080/13602365.2013.835854.

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de la O Cabrera, Manuel Rodrigo. "Embodying an Architectural Theory: The Exhibition Yves Klein: Monochrome und Feuer in Mies van der Rohe’s Haus Lange, 1961." Architectural Theory Review 23, no. 1 (January 2, 2019): 5–22. http://dx.doi.org/10.1080/13264826.2019.1616868.

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Morbitzer, Christoph. "Low Eenergy and Sustainable Housing in the Uk and Germany." Open House International 33, no. 3 (September 1, 2008): 17–25. http://dx.doi.org/10.1108/ohi-03-2008-b0003.

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This article reviews the development of low energy and sustainable housing in the UK and Germany. It illustrates that despite their close geographical proximity substantially different approaches have been applied in the two countries in the pursuit of an energy efficient, domestic built environment. The article describes and compares the German Passivhaus and the UK Code for Sustainable Homes, both important drivers for low energy housing. It also relates them to two project examples, the ‘Energieautarkes Haus’ (energy independent house) in Freiburg and the BeDZED project near London. A main conclusion from the article is that Germany has developed with the Passivhaus a design concept that holds a considerable potential to reduce the energy consumption of the UK housing sector, and points out the surprisingly limited uptake so far. It however also emphasises the ability of the UK to apply a holistic building design approach, and points out that the UK has developed with BREEAM and the Code for Sustainable Homes a framework that directs the flow of activity in the pursue of buildings with a low environmental impact. Finally, the article emphasises the need for better collaboration between different countries.
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Tóth, Edit. "Breuer's Furniture, Moholy-Nagy's Photographic Paradigm, and Complex Gender Expressivity at the Haus am Horn." Grey Room 50 (January 2013): 90–111. http://dx.doi.org/10.1162/grey_a_00097.

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Neumann, Dietrich. "Review: Im Brennpunkt der Moderne: Mies van der Rohes Haus Tugendhat; Mies van der Rohe: Möbel und Bauten in Stuttgart, Barcelona, Brno." Journal of the Society of Architectural Historians 59, no. 1 (March 1, 2000): 96–100. http://dx.doi.org/10.2307/991564.

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Shaw, J. W. "Sequencing the EH II ‘Corridor Houses’." Annual of the British School at Athens 102 (November 2007): 137–51. http://dx.doi.org/10.1017/s0068245400021456.

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One of the most exciting discoveries in Greek prehistory is a type of building of Early Helladic II date, discussed earlier by the present author and nicknamed “Corridor House.” The present study concerns itself with the relative chronology of seven of these, using two main criteria. One criterion concerns structural changes that can be ordered chronologically, namely the use of partial or complete “corridors” alongside a series of axially set rooms, with the more complete corridors, housing stairways, being later. A new structural criterion is whether the building used roof tiles. For instance, the lack of tiles, combined with the simple plan of the corridor house at Thebes, places it at the beginning of the development. Further, a restudy of the corridor house with an undeveloped plan at Akovitika has shown that it was without tiles, the tiles found near it actually belonging to a later building. Thus special roofing seems to have been introduced midway into the sequence. The second criterion makes use of recent publication on EH pottery. For instance, the style associated with the Theban building was Thebes Group A, earlier than the Lefkandi I style characteristic of the later corridor house on Aegina (The Weisses Haus). Clearly the Theban building is at the beginning of the development, with the later examples at Aegina and Lerna at the end. Other examples fall somewhere in between. Terms suggested for the architectural stages discernable are “rudimentary,” “transitional,” and “coalesced.”
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Buchloh, Benjamin H. D. "The Dialectics of Design and Destruction: The Degenerate Art Exhibition (1937) and the Exhibition internationale du Surréalisme (1938)." October 150 (October 2014): 49–62. http://dx.doi.org/10.1162/octo_a_00200.

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As a genre of cultural production, where iconic (painterly or photographic), sculptural, and architectural conventions intersect to represent the uniquely specific and current conditions of experience in public social space, exhibition design by artists has only recently emerged as a category of art-historical study. While earlier discussions of El Lissitzky's design of the Pressa exhibition in Cologne in 1928, an exhibition that likely had the widest-ranging impact and is the central example of such an emerging genre in the twentieth century, might have served as a point of departure,1 Romy Golan's important, relatively recent book Muralnomad2—primarily concerned with the history of mural painting and its various transitions into exhibition design—has to be considered for the time being the most cohesive account of the development of these heretofore overlooked practices. Yet, paradoxically, two of the most notorious cases of the historical development of exhibition design after Lissitzky are absent from her study: the infamous Degenerate Art exhibition that opened in Munich on July 19, 1937 (two days after the opening of Nazi Fascism's first major propaganda building, Paul Ludwig Troost's Haus der Deutschen Kunst, and its presentation of German Fascist art in the Grosse Deutsche Kunstausstellung),3 and the Exposition internationale du Surréalisme in Paris, which was installed by André Breton and Marcel Duchamp six months later and 427 miles to the west, on January 17, 1938, at Georges Wildenstein's Beaux Arts Galleries in Paris.4
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Allies, Bob. "Dialogues in Time: New Graz Architecture by Peter Blundell Jones Haus der Architektur, Graz, 1998368 pp., 483 and 277 colour illus. ISBN 3 901174 36 2 Price 780 Austrian Schillings or £35.00 (hb)." Architectural Research Quarterly 3, no. 2 (June 1999): 191. http://dx.doi.org/10.1017/s1359135500001986.

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Hamer, Naomi. "The hybrid exhibits of the story museum: The child as creative artist and the limits to hands-on participation." Museum and Society 17, no. 3 (November 29, 2019): 390–403. http://dx.doi.org/10.29311/mas.v17i3.3256.

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Since the Brooklyn Children’s Museum opened in 1899, the concept of the children’s museum has evolved internationally as a non-profit public institution focused on informal family-centred education and interactive play environments (Acosta 2000; Allen 2004). The majority of these museums highlight science education; however, over the past decade, a new specialized institution has emerged in the form of the children’s story museum that concentrates on children’s literature, storytelling, and picture book illustration. These story museums feature childhood artifacts through the curatorial and display conventions of museums and art galleries, in combination with the active play environments and learning stations of science-oriented children’s museums. These exhibits also reflect the changing place of the museum as an institution in the age of the “participatory museum”: a movement away from collections towards interactive curatorial practices across physical and digital archives (Simon 2010; Janes 2011). Framed by cross-disciplinary theoretical and methodological approaches from critical children’s museology, picture book theory, and children’s culture studies, this analysis draws upon selected examples (2014-2018) of curatorial practices, exhibits, and the spatial/ architectural design from Seven Stories: National Centre for Children’s Books (Newcastle, UK), the Hans Christian Andersen Haus/Tinderbox (Odense, Denmark), and The Eric Carle Museum of Picture Book Art (Amherst, MA, USA). These institutions provide distinctive venues to examine the tensions between discourses of museums as institutions that house collections of material artifacts including children’s literature texts, discourses of the creative child and ‘hands-on’ engagement (Ogata 2013); and discourses of critical engagement and participatory museums. While these exhibits affirm idealized representations of childhood to some extent, participatory engagements across old and new media within these spaces have significant potential for critical and subversive dialogue with ideological constructions and representations of gender, race, socio-economic class, mobility and nationalism rooted in the children’s literature texts.
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Étienne, Roland. "Architecture et démocratie (Wohnen in der klassischen Polis, I (1986), II (1989), IIΙ (1989) : I. (1986) W. Hoepfner und E.L. Schwandner, Haus und Stadt im klassischen Griechenland ; II. (1989) Demokratie und Architektur, Der hippodamische Städtebau und die Entstehung der Demokratie, Konstanzer Symposium, Juillet 1987, ed. W. Hoepfner und E.L. Schwandner ; III. (1989) M. Carroll-Spillecke, ΚΗΠΟΣ, Der antike griechische Garten)." Topoi 1, no. 1 (1991): 39–47. http://dx.doi.org/10.3406/topoi.1991.1456.

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Merlo, Michele. "Wie baue ich mein Haus? Edoardo Gellner e il dilemma dell’architetto." ARCHALP, Volume 2019, Issue N.3 (October 12, 2020). http://dx.doi.org/10.30682/aa1903j.

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"To be able to resist to the most folkloristic calls of the mountain environment, one must be a cultured architect, and Gellner with his works has certainly proven to be one. In the “Casa Menardi”, his first project, built in Cortina d’Ampezzo in 1947, he proves to be an attentive connoisseur of the valley’s traditional architecture, by defining the way in which the building relates to the land and to the landscape. Later, with the “Palazzo Poste/Telve”, built for the 1956 Winter Olympics, Gellner renewed the tradition of old local houses by instilling them with the language of modernity. To further understand why we should consider Gellner a milestone in the history of alpine architecture, we need to look very closely at “Ca’ del Cembro”, his home and studio, built in Cortina d’Ampezzo in 1951. Inside his home, Gellner seems to be willing to transfer and inculcate all his past experience, his studies on rural architecture and his wish to invent a new alpine architecture. This building becomes the prototype from which he will then develop all of his architecture: the concept of continuous space, the relationship between interior and exterior, the mixture of traditional and modern materials, the concept of integrated furniture generating all the surrounding space. All these experiences will lead the architect, a few years later, to develop the project of the “Villaggio di Borca di Cadore” in which he will be able to realize a work of “total architecture” with the creation of a new inhabited and animated landscape, made of architecture and living spaces."
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"Forschungsgebäude “Sandwich-Demo-Haus”." Bauphysik 27, no. 6 (December 2005): 382. http://dx.doi.org/10.1002/bapi.200590101.

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"75 Jahre Haus der Technik e. V." Bauphysik 24, no. 6 (November 2002): 395. http://dx.doi.org/10.1002/bapi.200201640.

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"Schimmel im Haus Erkennen - vermeiden - bekämpfen (M. Köneke)." Bauphysik 24, no. 2 (March 2002): 125. http://dx.doi.org/10.1002/bapi.200200700.

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Moneim, Ashraf Abdel, Omar Elmenshawy, Mohamed Al Kahtani, Abdalla Sayed, and Manal Alfwuaires. "Pattern of renal pathology in fish from Al-Hassa waterways, Saudi Arabia." Indian Journal of Animal Research, Of (June 21, 2018). http://dx.doi.org/10.18805/ijar.b-910.

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Pollution of aquatic environment is a great concern worldwide. The teleostean kidney is one of the first organ to be affected by contaminants in water. The aim of this study is to assess histological changes of Oreochromis niloticus kidney collected from spring canals in Al-Hassa, Saudi Arabia. We report histological alterations in the kidney tissue of fish collected from three sites, namely Al-Jawhariya (site #1), Um-Sabah (site #2) and Al-Khadoud spring (site #3). The histopathological studies revealed relative differences in the severity of organ lesions among the three sites. The overall results showed that kidney architecture of fish samples was markedly disrupted. The major symptoms were dilation of the glomerular capillaries, reduction of Bowman’s space, degeneration of tubular epithelium, tubule cast deposition, and accumulation of pigmented macrophages (i.e., melanomacrophages). The histological damage in the kidney of O. niloticus is an evidence of the poor environmental quality of these spring canals. It appears that these wetland areas are still threatened by human activities and environmental degradation.
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"Großer Erfolg der Fachtagung in Celle zum 3-Liter-Haus." Bauphysik 23, no. 6 (November 2001): 375–76. http://dx.doi.org/10.1002/bapi.200101850.

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40

"Buchbesprechungen." Zeitschrift für Historische Forschung 46, no. 1 (January 1, 2019): 83–218. http://dx.doi.org/10.3790/zhf.46.1.83.

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(Jörg Sonntag, Dresden) Deutschländer, Gerrit / Ingrid Würth (Hrsg.), Eine Lebenswelt im Wandel. Klöster in Stadt und Land (Quellen und Forschungen zur Geschichte Sachsen-Anhalts, 14), Halle a. d. S. 2017, Mitteldeutscher Verlag, 287 S. / Abb., € 35,00. (Niels Petersen, Göttingen) Holbach, Rudolf / David Weiss (Hrsg.), Vorderfflik twistringhe unde twydracht. Städtische Konflikte im späten Mittelalter (Oldenburger Schriften zur Geschichtswissenschaft, 18), Oldenburg 2017, BIS-Verlag, 244 S. / Abb., € 22,80. (Robin Köhler-Kelzenberg, Bochum) Kah, Daniela, Die wahrhaft königliche Stadt. Das Reich in den Reichsstädten Augsburg, Nürnberg und Lübeck im Späten Mittelalter (Studies in Medieval and Reformation Traditions, 211), Leiden / Boston 2018, Brill, X u. 455 S. / Abb., € 125,00. (Marco Tomaszewski, Freiburg i. Br.) Kobayashi, Asami, Papsturkunden in Lucca (1227 – 1276). 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Jahrhundert (Schriftenreihe der Historischen Kommission bei der Bayerischen Akademie der Wissenschaften, 97), Göttingen 2017, Vandenhoeck & Ruprecht, 655 S. / Abb., € 90,00. (Markus Frankl, Würzburg) Lüpke, Beatrice von, Nürnberger Fastnachtspiele und städtische Ordnung (Bedrohte Ordnung, 8), Tübingen 2017, Mohr Siebeck, 286 S., € 64,00. (Thorsten Schlauwitz, Erlangen) Wenzel, Silke, Lieder, Lärmen, „L’homme armé“. Musik und Krieg 1460 – 1600 (Musik der frühen Neuzeit, 4), Neumünster 2018, von Bockel, 422 S. / Abb., € 48,00. (Kirstin Wichern, Bad Homburg) Wilangowski, Gesa, Frieden schreiben im Spätmittelalter. Entstehung einer Vertragsdiplomatie zwischen Maximilian I., dem römisch-deutschen Reich und Frankreich (Ancien Régime, Aufklärung und Revolution, 44), Berlin / Boston 2017, de Gruyter Oldenbourg, X u. 288 S., € 69,95. (Harald Kleinschmidt, Tokio) Gamper, Rudolf, Joachim Vadian 1483/84 – 1551. Humanist, Arzt, Reformator, Politiker, Zürich 2017, Chronos, 391 S. / Abb., € 48,00. 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(Bettina Pfotenhauer, München) Cristellon, Cecilia, Marriage, the Church, and Its Judges in Renaissance Venice, 1420 – 1545 (Early Modern History: Society and Culture), Cham 2017, Palgrave Macmillan, XVII u. 286 S., € 96,29. (Bettina Pfotenhauer, München) Sweet, Rosemary / Gerrit Verhoeven / Sarah Goldsmith (Hrsg.), Beyond the Grand Tour. Northern Metropolises and Early Modern Travel Behaviour, London / New York 2017, Routledge, IX u. 228 S., £ 110,00. (Michael Maurer, Jena) Naum, Magdalena / Fredrik Ekengren (Hrsg.), Facing Otherness in Early Modern Sweden. Travel, Migration and Material Transformations 1500 – 1800 (The Society for Post-Mediaeval Archaeology Monograph, 10), Woodbridge 2018, Boydell Press, XVI u. 367 S. / Abb., £ 40,00. (Heiko Droste, Stockholm) Klaniczay, Gábor / Éva Pócs (Hrsg.), Witchcraft and Demonology in Hungary and Transylvania (Palgrave Historical Studies in Witchcraft and Magic), Cham 2017, Palgrave Macmillan, XIV u. 412 S., € 96,29. (Karen Lambrecht, St. Gallen) Bongartz, Josef / Alexander Denzler / Ellen Franke / Britta Schneider / Stefan A. Stodolkowitz (Hrsg.), Was das Reich zusammenhielt. Deutungsansätze und integrative Elemente (Quellen und Forschungen zur höchsten Gerichtsbarkeit im Alten Reich, 71), Köln / Weimar / Wien 2017, Böhlau, 182 S., € 60,00. (Jonas Stephan, Bad Sassendorf) Stretz, Torben, Juden in Franken zwischen Mittelalter und Früher Neuzeit. Die Grafschaften Castell und Wertheim im regionalen Kontext (Forschungen zur Geschichte der Juden. Abteilung A: Abhandlungen, 26), Wiesbaden 2017, Harrassowitz, X u. 598 S. / Abb., € 89,00. (Maja Andert, Würzburg) Schmölz-Häberlein, Michaela (Hrsg.), Jüdisches Leben in der Region. Herrschaft, Wirtschaft und Gesellschaft im Süden des Alten Reiches (Stadt und Region in der Vormoderne, 7; Judentum – Christentum – Islam, 16), Baden-Baden 2018, Ergon, 377 S. / Abb., € 58,00. (Rotraud Ries, Würzburg) Stalljohann-Schemme, Marina, Stadt und Stadtbild in der Frühen Neuzeit. Frankfurt am Main als kulturelles Zentrum im publizistischen Diskurs (Bibliothek Altes Reich, 21), Berlin / Boston 2017, de Gruyter Oldenbourg, X u. 493 S. / Abb., € 89,95. (Johannes Arndt, Münster) Schmidt-Funke, Julia A. / Matthias Schnettger (Hrsg.), Neue Stadtgeschichte‍(n). Die Reichsstadt Frankfurt im Vergleich (Mainzer Historische Kulturwissenschaften, 31), Bielefeld 2018, transcript, 483 S. / Abb., € 49,99. (Holger Th. Gräf, Marburg) Huber, Vitus, Beute und Conquista. Die politische Ökonomie der Eroberung Neuspaniens (Campus Historische Studien, 76), Frankfurt a. M. 2018, Campus, 432 S. / Abb., € 39,95. (Laura Dierksmeier und Anna Weininger, Tübingen) Caravale, Giorgio, Preaching and Inquisition in Renaissance Italy. Words on Trial, übers. v. Frank Gordon (Catholic Christendom, 1300 – 1700), Leiden / Boston 2016, Brill, VIII u. 274 S., € 115,00. (Andreea Badea, Frankfurt a. M.) 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(Thomas Fuchs, Leipzig) Mariotte, Jean-Yves, Philipp der Großmütige von Hessen (1504 – 1567). Fürstlicher Reformator und Landgraf, übers. v. Sabine Albrecht (Veröffentlichungen der Historischen Kommission für Hessen, 24; Quellen und Darstellungen zur Geschichte des Landgrafen Philipp des Großmütigen, 10), Marburg 2018, Historische Kommission für Hessen, 301 S. / Abb., € 28,00. (Thomas Fuchs, Leipzig) Doll, Eberhard, Der Theologe und Schriftsteller Friedrich Dedekind (1524/25 – 1598). Eine Biographie. Mit einem Beitrag von Britta-Juliane Kruse zu Dedekinds geistlichen Spielen und der Erstedition der „Hochtzeit zu Cana in Galilea“ (Wolfenbütteler Forschungen, 145), Wiesbaden 2018, Harrassowitz in Kommission, 623 S. / Abb., € 92,00. (Julia Zech, Sarstedt) Bullinger, Heinrich, Tigurinerchronik, 3 Teilbde., hrsg. v. Hans U. Bächtold (Werke. Vierte Abteilung: Historische Schriften, 1), Zürich 2018, Theologischer Verlag Zürich, XXVII u. 1388 S. (Teilbde. 1 u. 2); V u. 425 S. / Abb. (Teilbd. 3), € 450,00. (Volker Leppin, Tübingen) Francisco de Vitoria, De iustitia / Über die Gerechtigkeit, Teil 1 u. 2, hrsg., eingel. u. ins Deutsche übers. v. Joachim Stüben, mit Einleitungen v. Thomas Duve (Teil 1) bzw. Tilman Repgen (Teil 2) (Politische Philosophie und Rechtstheorie des Mittelalters und der Neuzeit, Reihe I: Texte, 3 bzw. 4), Stuttgart-Bad Cannstatt 2013 bzw. 2017, Frommann-Holzboog, CXII u. 191 S. bzw. CIX u. 355 S., € 168,00 bzw. € 188,00. (Nils Jansen, Münster) Der Portulan-Atlas des Battista Agnese. Das Kasseler Prachtexemplar von 1542, hrsg., eingel. u. komm. v. Ingrid Baumgärtner, Darmstadt 2017, Wissenschaftliche Buchgesellschaft, 144 S. / Abb., € 99,95. (Christoph Mauntel, Tübingen) Brevaglieri, Sabina / Matthias Schnettger (Hrsg.), Transferprozesse zwischen dem Alten Reich und Italien im 17. Jahrhundert. Wissenskonfigurationen – Akteure – Netzwerke (Mainzer Historische Kulturwissenschaften, 29), Bielefeld 2018, transcript, 341 S. / Abb., € 39,99. (Christiane Liermann, Como) Asmussen, Tina, Scientia Kircheriana. Die Fabrikation von Wissen bei Athanasius Kircher (Kulturgeschichten, 2), Affalterbach 2016, Didymos-Verlag, 220 S. / Abb., € 39,00. (Mona Garloff, Stuttgart / Wien) Schlegelmilch, Sabine, Ärztliche Praxis und sozialer Raum im 17. Jahrhundert. Johannes Magirus (1615 – 1697), Wien / Köln / Weimar 2018, Böhlau, 352 S. / Abb., € 50,00. (Pierre Pfütsch, Stuttgart) Félicité, Indravati, Das Königreich Frankreich und die norddeutschen Hansestädte und Herzogtümer (1650 – 1730). Diplomatie zwischen ungleichen Partnern, übers. aus dem Französischen v. Markus Hiltl (Quellen und Darstellungen zur hansischen Geschichte. Neue Folge, 75), Köln / Weimar / Wien 2017, Böhlau, 439 S., € 60,00. (Guido Braun, Mulhouse) Renault, Rachel, La permanence de l’extraordinaire. Fiscalité, pouvoirs et monde social en Allemagne aux XVIIe et XVIIIe siècles (Histoire moderne, 57), Paris 2017, Éditions de la Sorbonne, 389 S. / Abb., € 25,00. (Claire Gantet, Fribourg) Godsey, William D., The Sinews of Habsburg Power. Lower Austria in a Fiscal-Military State 1650 – 1820, Oxford 2018, Oxford University Press, XX u. 460 S. / Abb., £ 90,00. (Simon Karstens, Trier) Riotte, Andrea, Diese so oft beseufzte Parität. Biberach 1649 – 1825: Politik – Konfession – Alltag (Veröffentlichungen der Kommission für geschichtliche Landeskunde in Baden-Württemberg. Reihe B: Forschungen, 213), Stuttgart 2017, Kohlhammer, LII u. 779 S., € 64,00. (Stephanie Armer, Nürnberg) Müller, Andreas, Die Ritterschaft im Herzogtum Westfalen 1651 – 1803. Aufschwörung, innere Struktur und Prosopographie (Veröffentlichungen der Historischen Kommission für Westfalen. Neue Folge, 34), Münster 2017, Aschendorff, 744 S. / Abb., € 69,00. (Nicolas Rügge, Hannover) Lange, Johan, Die Gefahren der akademischen Freiheit. Ratgeberliteratur für Studenten im Zeitalter der Aufklärung (1670 – 1820) (Beihefte der Francia, 84), Ostfildern 2017, Thorbecke, 339 S., € 45,00. (Andreas Erb, Dessau) Schwerhoff, Gerd, Köln im Ancien Régime. 1686 – 1794 (Geschichte der Stadt Köln, 7), Köln 2017, Greven, XIV u. 552 S. / Abb., € 60,00. (Patrick Schmidt, Rostock) James, Leonie, „This Great Firebrand“. William Laud and Scotland, 1617 – 1645 (Studies in Modern British Religious History, 36), Woodbridge / Rochester 2017, The Boydell Press, XIV u. 195 S., £ 60,00. (Martin Foerster, Hamburg) Campbell, Alexander D., The Life and Works of Robert Baillie (1602 – 1662). Politics, Religion and Record-Keeping in the British Civil Wars (St. Andrews Studies in Scottish History, 6), Woodbridge / Rochester 2017, The Boydell Press, IX u. 259 S., £ 75,00. (Ronald G. Asch, Freiburg i. Br.) Parrish, David, Jacobitism and Anti-Jacobitism in the British Atlantic World, 1688 – 1727 (Studies in History. New Series), Woodbridge / Rochester 2017, The Boydell Press, X u. 189 S., £ 50,00. (Ronald G. Asch, Freiburg i. Br.) Graham, Aaron / Patrick Walsh (Hrsg.), The British Fiscal-Military State, 1660 – c. 1783, London / New York 2016, Routledge, XI u. 290 S. / Abb., £ 80,00. (Torsten Riotte, Frankfurt a. M.) Hoppit, Julian, Britain’s Political Economies. Parliament and Economic Life, 1660 – 1800, Cambridge 2017, Cambridge University Press, XXII u. 391 S. / graph. Darst., £ 22,99. (Justus Nipperdey, Saarbrücken) Talbot, Michael, British-Ottoman Relations, 1661 – 1807. Commerce and Diplomatic Practice in Eighteenth-Century Istanbul, Woodbridge / Rochester 2017, The Boydell Press, XIII u. 256 S. / graph. Darst., £ 70,00. (Christine Vogel, Vechta) Niggemann, Ulrich, Revolutionserinnerung in der Frühen Neuzeit. Refigurationen der „Glorious Revolution“ in Großbritannien (1688 – 1760) (Veröffentlichungen des Deutsche Historischen Instituts London, 79), Berlin / Boston 2017, de Gruyter, XII u. 653 S. / Abb., € 64,95. (Georg Eckert, Wuppertal) Ducheyne, Steffen (Hrsg.), Reassessing the Radical Enlightenment, London / New York 2017, Routledge, XII u. 318 S., £ 32,99. (Bettina Dietz, Hongkong) Lehner, Ulrich (Hrsg.), Women, Enlightenment and Catholicism. A Transnational Biographical History, London / New York 2018, Routledge, XI u. 236 S. / Abb., £ 100,00. (Elisabeth Fischer, Hamburg) Möller, Horst / Claus Scharf / Wassili Dudarew / Maja Lawrinowitsch (Hrsg.), Deutschland – Russland. Stationen gemeinsamer Geschichte, Orte der Erinnerung, Bd. 1: Das 18. Jahrhundert, Berlin / Boston 2018, de Gruyter Oldenbourg, 410 S. / Abb., € 29,95. (Martina Winkler, Kiel) Bittner, Anja, Eine königliche Mission. Der französisch-jakobitische Invasionsversuch von 1708 im europäischen Kontext (Schriften des Frühneuzeitzentrums Potsdam, 6), Göttingen 2017, V&R unipress, 277 S., € 45,00. (Torsten Riotte, Frankfurt a.M.) Schmidt-Voges, Inken / Ana Crespo Solana (Hrsg.), New Worlds? 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