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Journal articles on the topic 'Architecture – japan – exhibitions'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Bryol, Radek. "In the Shinkansen Country: Life from Open-air Museums in Japan." Muzeum Muzejní a vlastivedná práce 55, no. 1 (2017): 42–47. http://dx.doi.org/10.1515/mmvp-2017-0024.

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Historical wooden buildings can be seen not only in Japanese open-air museums and in the Japanese countryside, but also in the largest metropolises. On the individual Japanese islands we can find almost ten open-air museums, all of a different character. They include local, regional and national museums - thereby presenting several areas at the same time. Most of them are rural buildings that are primarily related to agricultural subsistence, while some of them also exhibit urban life. In addition to exhibitions of real life and thematic exhibitions, the museums also prepare such programmes as

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2

Gaskell, Rupert, and Xiaoyue Hu. "Preface: 2nd International Conference on Civil Engineering, Architecture and Transportation (CEAT 2024)." Highlights in Science, Engineering and Technology 86 (March 27, 2024): I. http://dx.doi.org/10.54097/7maq6m32.

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On the behalf of the organizing committee, the 2024 2nd International Conference on Civil Engineering, Architecture and Transportation (CEAT 2024) was successfully held in Kyoto, Japan during January 20-21, 2024. Related exhibitors from research laboratories, industrialists and suppliers were invited to propose exhibitions and demonstrations. CEAT 2024 allows for the free exchange of ideas and challenges faced by these two key stakeholders and encourage future collaboration between members of these groups. The conference also fosters cooperation among organizations and researchers involved in

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3

ÇAVDAR, Ayşegül ÇELENK, and Cengiz TAVŞAN. "Examining the Concepts of Future and Experimentation in Architecture through Expo2025." Proceedings of the international conference of contemporary affairs in architecture and urbanism-ICCAUA 8, no. 1 (2025): 327–42. https://doi.org/10.38027/iccaua2025tr0027.

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Architecture is a discipline that reflects changing trends, offering new perspectives on the evolving world and bridging the gap between the past and the present. Today’s rapidly advancing technologies are influencing design in pavilions at fairs, exhibitions, Expos, and biennales, introducing innovative approaches. This study aims to examine the concept of experimentation and analyze how new approaches in materials, design processes, and production techniques are applied in pavilions designed for future-oriented projects. The study will focus on pavilions designed for Expo 2025 in Japan, exam

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4

Tozer, Luke. "The Japanese House." Architectural Research Quarterly 21, no. 3 (2017): 203–7. http://dx.doi.org/10.1017/s135913551700032x.

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Western fascination with Japan and Japanese design is long established. The popularity of the recent exhibition The Japanese House: Architecture and Life After 1945 at London's Barbican illustrates that this fascination remains. This ‘blockbuster’ review of postwar domestic Japanese Architecture, supported by The Japan Foundation and previously hosted at MAXXI, National Museum of 21st Century Arts, Rome, responds to an enormous challenge: to try to account for the range and diversity of architectural approaches to domestic design within the broader contexts of traditional Japanese architecture

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Harbar, Maryna, and Viktoria Shchurova. "Prerequisites for the creation of a World Exhibition environment in Ukraine (on the example of EXPO-2020 experience)." Current problems of architecture and urban planning, no. 65 (March 17, 2023): 43–58. http://dx.doi.org/10.32347/2077-3455.2023.65.43-58.

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The article presents analytical material on the experience of organizing World Exhibitions, special attention is to EXPO-2020. The main postulates of the EXPO-2030 program in Ukraine are provide. Modern scientific approaches to the study of the problem of sustainable development, the economics of organizing exhibitions, social tasks, the aesthetics of the symbolism of the architectural composition of pavilions of different countries and exhibition sites in Dubai with the final Program for People and Planet are considered. The purpose of the publication is to identify the main chara

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6

Akcan, Esra. "Translations in Architecture." International Journal of Middle East Studies 45, no. 3 (2013): 578–80. http://dx.doi.org/10.1017/s0020743813000524.

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In a recently discovered photograph of German architect Bruno Taut's retrospective exhibition at the Istanbul Academy of Fine Arts, which opened on 4 June 1938, Taut in-exile stands with Erica Taut and his assistant Şinasi Lugal in front of a display (see Figure 1). What interests me in this image is not so much the frontal figures who posed for it as the documentary value of the exhibit in the background, the photographs inside the photograph. These images display Taut's Siedlungen (residential settlements/collective housing projects), designed and constructed as part of the Berlin Housing Pr

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7

Kim, Jihong, and Jeonghyun Kim. "Korea at the Exhibition: Making the Appearance of Korean Style with ‘Hybrid Roof’ in Early 20th Century." Buildings 12, no. 8 (2022): 1090. http://dx.doi.org/10.3390/buildings12081090.

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This study analyzed 15 unique cases of buildings designed by the Japanese that had the exterior appearance of traditional Korean architecture while the Western timber truss was applied. The characteristics of Korean-style roofs were first categorized into three parts: structural frame, roof curve, and eaves space. Then, the analytic drawings were prepared in order to scrutinize the cases in accordance with these characteristics. The analysis revealed that the Western truss was hybridized to embody the Korean-style roofs. The truss was segmented, diagonal supplementary building components were

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YAMASAKI, Yasuhiro, and Hiroshi MATSUKUMA. "DIFFERENT OUTLOOKS ON JAPANESE ARCHITECTURE BETWEEN JAPAN AND THE U.S. AMONG AN EXHIBITION ^|^ldquo;THE ARCHITECTURE OF JAPAN^|^rdquo; CIRCULATED BY MUSEUM OF MODERN ART, NEW YORK." Journal of Architecture and Planning (Transactions of AIJ) 78, no. 691 (2013): 2077–82. http://dx.doi.org/10.3130/aija.78.2077.

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Werdantara, I. Gede Putu Astamarsa, Tri Anggraini Prajnawrdhi, and Antonius Karel Muktiwibowo. "Kajian Arsitektur Bali pada Tampilan Bangunan Komersial di Koridor Jalan Danau Tamblingan, Kelurahan Sanur, Denpasar Selatan." RUANG-SPACE, Jurnal Lingkungan Binaan (Space : Journal of the Built Environment) 7, no. 2 (2020): 129. http://dx.doi.org/10.24843/jrs.2020.v07.i02.p02.

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The development brings inevitable changes to the built environment in which architectural design holds a significant part. Architecture, undoubtedly, has a strong association with identity and the character of a certain built urban environment. Changes in architectural principles and designs may bring two-side impacts, which may either strengthen or harm the existing urban identity. This is especially true when we discuss architectural changes and the formation of urban identity on the Island of Bali. This study aims to examine the conformance of numerous facades of commercial buildings locate

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10

Bridnia, Larysa. "NAKAGIN RESIDENTIAL TOWER IN TOKYO, JAPAN: A FUTURISTIC ARCHITECTURAL CONCEPT OF THE MID-20TH CENTURY AND REALITY." Urban development and spatial planning, no. 86 (May 31, 2024): 17–26. http://dx.doi.org/10.32347/2076-815x.2024.86.17-26.

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The work is devoted to a retrospective analysis of the historical and social conditions of the construction, existence and dismantling of the futuristic Nakagin capsule tower. The Nakagin Capsule Tower was built in 1970-1972 in central Tokyo by architect Kisho Kurokawa and was similar to the modernist building of the Shizuoka Press Center by architect Kenzo Tange. Both buildings appeared as a practical illustration of the concept of architectural metabolism, that is, the possibility of giving architecture the ability of living organisms to grow and renew themselves, adapting to the external en

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Esya Fairuz Nurfadillah and Jason Derian Richardo. "Arsitektur Lawang Sewu sebagai Landmark dan Destinasi Wisata Kota Semarang, Jawa Tengah." Jurnal Mahasiswa Kreatif 1, no. 2 (2023): 07–10. http://dx.doi.org/10.59581/jmk-widyakarya.v1i2.132.

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Lawang Sewu is a historic building owned by PT KAI in Operational Area 4 Semarang, Central Java. Lawang Sewu is a relic from the Dutch Colonial period. Now Lawang Sewu has become a cultural heritage building that is included in the building protection law. In this museum we can find the legacy of the old PT KAI. Lawang Sewu is also one of the leading tourist attractions in the city of Semarang and witnessed the 5-day battle in Semarang which took place from 14 to 19 August 1949 and is marked by the location of the Tugu Muda Monument which is on the west side of Lawang Sewu or more precisely at

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12

Lázaro, Carlos. "Mamoru Kawaguchi: Master of motion and lightness of structures." International Journal of Space Structures 35, no. 1-2 (2020): 35–42. http://dx.doi.org/10.1177/0956059920931316.

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Mamoru Kawaguchi (1932–2019) was one of the great structural engineers of the late 20th century. He developed his career mostly in Japan and he has also superb works in China, Singapore and Spain. The spectrum of his structures is manifold: he designed shells, space frames, inflatable structures, tension structures, timber–steel hybrid systems and so on. With them, he conceived and provided the bones and muscles of sports halls, exhibition halls, museums, railway stations, towers, bridges and sculptures. Kawaguchi collaborated with some of the best architects of his time: Kenzo Tange, Arata Is

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Usman, Nizar Firdaus, and Denny Husin. "PENERAPAN ARSITEKTUR NARATIF PADA MUSEUM DE GROTE POSTWEG DI KOTA BANDUNG." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 4, no. 1 (2022): 113. http://dx.doi.org/10.24912/stupa.v4i1.16899.

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The Anyer-Panarukan post road was a monumental colonial project with the aim of connecting areas on the northern coast of Java Island whose the benefits can still be felt today. The phenomenon that occurs along with the times is the erosion of the community’s collective memory about the origin of the post road. This is caused by the socio-cultural changes by the people along the road which which have slowly shifted the function and image of the post road. In adition, the existence of toll roads also makes it no longer the only choice for people to travel. The purpose of the project “De Grote P

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14

Prabowo, Taufik Sigit, Lisa Astria Milasari, and Khoirul Huda. "PERENCANAAN FASHION CENTER DIKOTA SAMARINDA." Jurnal Totem : Architecture, Environment, Region and Local Wisdom 2, no. 1 (2021): 67. http://dx.doi.org/10.31293/ttm.v2i1.5493.

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Fashion Show activities in the city of Samarinda are quite often held, both single events and filler events. The development of clothing in the city of samarinda is currently still developing with the fashion show event that is often held in the city of samarinda as well as the existence of a vocational school in the field of Clothing and Fashion Agency. How to plan a Fashion Center with the concept of Eco-Tech Architecture focus on the principles of the Civic Symbolic. The purpose of this research is to create a Fashion Center in the city of samarinda to support the interests and talents of t

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15

Aziz, Abdul, Esty Poedjioetami, and Failasuf Herman Hendra. "MICE sebagai Wadah Kreatifitas Supporter Bonek pada Rancangan Pusat Bisnis Gelora Bung Tomo." Tekstur (Jurnal Arsitektur) 1, no. 2 (2020): 101–8. http://dx.doi.org/10.31284/j.tekstur.2020.v1i2.1101.

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MICE (meeting, incentive, convention, and exhibition) dipertimbangkan dari beberapa aspek yang belum terpenuhi di Kawasan Gelora Bung Tomo, yaitu membeludaknya supporter di luar stadion yang kehabisan tiket, minimnya tenant penjual sehingga Pedagang berkeliaran di sepanjang jalan, dan agenda rutinan oleh Official Persebaya yang belum terwadahi sehingga meminjam tempat lain yang sangat jauh. Dengan adanya daya tarik Pusat Bisnis, supporter dapat memiliki tempat nobar dekat stadion walau kehabisan tiket, Tenants yang tertata demi kelangsungan ekonomi pedagang, serta wadah untuk berkreatifitas an

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16

Kato, Shiro. "Dr Mamoru Kawaguchi: His grand thought, prominent works, and contribution to the advancement of spatial structures." International Journal of Space Structures 35, no. 1-2 (2020): 12–27. http://dx.doi.org/10.1177/0956059920926361.

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This article describes an engineer, his grand thought, prominent works, and contribution to the advancement of spatial structures based on geometry and mechanism. He is Dr Mamoru Kawaguchi, who lived in Japan for almost 90 years from 1932 to 2019. In his life, he designed a large number of epoch-making structures in the field of spatial structures in Japan and worldwide. These encompass structures of wood, concrete, steel, fabrics, and even air and water. His approach for structural design is very strict and broad with respect to geometry and mechanism and with respect to design concept, analy

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17

Yazid, Sultan, Asep Yudi Permana, and Suhandy Siswoyo. "Perancangan Kawasan Kreatif Tekstil Cigondewah Dengan Pendekatan Arsitektur Organik Menggunakan Metode Konstruksi Arsitektur Modular." Jurnal Arsitektur ARCADE 5, no. 1 (2021): 100. http://dx.doi.org/10.31848/arcade.v5i1.655.

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Abstract: Indonesia in 2045 will have a demographic bonus with a population structure of 70% in the productive age group (15-64 years). One of the biggest contributors is the province of West Java. The young generation of West Java is recognized by UNESCO by making the West Java Capital City, Bandung, a creative city. Bandung people's creativity is used as a provision for Bandung's highest export commodity, textiles, to increase its productivity. Textile productivity is poured by accommodating textile players to sell textiles, creating textile ideas, creating textile products, and introducing

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18

Jonathan, Hans, and Alvin Hadiwono. "TEMPAT PENGEMBANGAN GRIT." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 2, no. 2 (2020): 2067. http://dx.doi.org/10.24912/stupa.v2i2.8591.

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One of the problems in human life is individualism. This is because humans spend too much time at work and at home, so they rarely do social activities, along with the existence of social media that causes people to socialize with each other. This particular problem will be discussed in "Open Architecture as Third Place" project, which discusses how to create a third place as a place for people to socialize with each other and also as a public information space. The issue raised in this project is about "Grit" where people can learn how to grow grits within themselves to achieve the goals they

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19

Ogata, Keiichi. "A reflection on cinematic architecture through light, poetic imagery, narrative and social issues." Journal of Design for Resilience in Architecture and Planning, December 30, 2022. http://dx.doi.org/10.47818/drarch.2022.v3si068.

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The Light and its Disappearance in the Darkness; The chapter begins with the question of what can be found in the integration of architecture and cinema and continues exploring light in the context of cinematic architecture theory. This is followed by a discussion of the illusions of light that emerge in spaces where cinema and architecture meet. The thought then reaches Paul Virilio's conception of the aesthetics of architecture as a metaphor for cinema from the experience of space, the image of disappearance. It suggested I make a film work, 'Hiroshima Through Light', in the AA. The Experime

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20

Carlin, Brendon. "The Architecture of Homelessness: A Critique of the New York Museum of Modern Art's Exhibition, A Japanese Constellation." City as a Project, January 29, 2017. https://doi.org/10.5281/zenodo.15174242.

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This essay traces the ideological and architectural lineage that connects Toyo Ito and the group of Japanese architects featured in <em>A Japanese Constellation</em>, a 2016 MoMA exhibition curated by Pedro Gadanho. Using Ito’s 1998 essay “Shedding the Modern Body Image” as a conceptual anchor, the author explores a recurring tension in Japanese architecture between the natural body and abstract spatial typologies. Ito’s reflections on Juan O’Gorman’s functionalist modernism and subsequent rejection of architecture set the stage for a broader inquiry into th

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21

Macken, Marian. "And Then We Moved In." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2687.

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   Working drawings are produced, when a house is designed, to envisage an imagined building. They are a tangible representation of an object that has no tangible existence. These working drawings act as a manual for constructing the house; they represent that which is to be built. The house comes into being, therefore, via this set of drawings. This is known as documentation. However, these drawings record the house at an ideal moment in time; they capture the house in stasis. They do not represent the future life of the house, the changes and traces the inhabitants make upo

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22

Nuijsink, Cathelijne. "House Vision." FOOTPRINT, 2019. http://dx.doi.org/10.59490/footprint.13.1.3629.

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The design of the detached house has been at the core of architectural developments in post-Second World War Japan and the subject of a lively discussion among architects about what makes a good home at a particular moment. Alongside the continuous production of houses, architects actively proposed new ways of living that contrasted with what was increasingly becoming a uniform housing stock based on mass fabrication. However, the intensification of neoliberal policies after a decade of severe economic crisis in the 1990s drove architects towards social involvement once again, initiating a hou

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23

Sejrup, Jens. "Pasts of the Present." Copenhagen Journal of Asian Studies 41, no. 1 (2023). http://dx.doi.org/10.22439/cjas.v41i1.6885.

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In light of today’s global boom in landmark architecture, urban megaprojects and reconstructions of cultural heritage buildings, this paper analyses two large-scale reconstruction projects at iconic historical locations in Japan: the Heijō Palace in Nara and Dejima in Nagasaki. Since the 1990s, the two projects have recreated long-lost built environments, gradually transforming the sites, turning them into museums and exhibition spaces and giving rise to thorough reform of the surrounding urban fabric. In this paper I trace the involved agents’ motivations to engage in historical reconstructio

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24

Motoe, Masashige. "Design process of ruins of the Great East Japan Earthquake: Nakahama Elementary School." Disaster Prevention and Management: An International Journal, October 15, 2024. http://dx.doi.org/10.1108/dpm-11-2023-0311.

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PurposeThis study clarifies the design process for preserving and opening Nakahama Elementary School, damaged in the 2011 Great East Japan Earthquake, to the public in 2020 as a museum facility that allows visitors to view the interior and learn about what was experienced here on March 11, 2011.Design/methodology/approachThere are several unique aspects of the processes for preserving Nakahama Elementary School and the design for reopening it as a disaster ruins and museum facility. This paper explains the significances of the processes and results and provides detailed insights from involveme

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25

Lee, Yoon Kyung, Gileung Lee, and Hee-Jong Koh. "Molecular signatures of selection for amylose and protein content in Northeast Asian rice (Oryza sativa L.)." Plant Biotechnology Reports, April 7, 2025. https://doi.org/10.1007/s11816-025-00964-2.

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Abstract Grain quality of rice (Oryza sativa L.) holds significant cultural value for Northeast Asian consumers, with low levels of amylose and protein content preferred for their contribution to the soft and sticky texture of cooked rice. Understanding the genetic diversity at the subpopulation level, in conjunction with local adaptation as identified by the signatures of selection for amylose and protein content, forms the basis for precise calibration of phenotypes in local breeding programs. This study investigated the genetic and phenotypic variations, as well as selective sweeps for amyl

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26

He, Yukun, Keji Chen, and Xiao Han. "Residential urban heritage space identification, delimitation, and potential assessment model based on space syntax." Journal of Chinese Architecture and Urbanism, April 24, 2024, 1732. http://dx.doi.org/10.36922/jcau.1732.

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In the era of post-modernization, profound transformations in urban spaces have led to significant shifts in the spatial composition paradigms of contemporary urban heritage. Research on this process is crucial for elucidating the spatial pathways and compositional changes in the modernization transformation of urban heritage. This study aims to establish identification indicators and assessment systems for the spatial structure of urban residential environments exhibiting historical characteristics and heritage potential through a comparative analysis of residential urban heritage spatial par

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27

Sully, Nicole. "Modern Architecture and Complaints about the Weather, or, ‘Dear Monsieur Le Corbusier, It is still raining in our garage….’." M/C Journal 12, no. 4 (2009). http://dx.doi.org/10.5204/mcj.172.

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Historians of Modern Architecture have cultivated the image of the architect as a temperamental genius, unconcerned by issues of politeness or pragmatics—a reading reinforced in cultural representations of Modern Architects, such as Howard Roark, the protagonist in Ayn Rand’s 1943 novel The Fountainhead (a character widely believed to be based on the architect Frank Lloyd Wright). The perception of the Modern Architect as an artistic hero or genius has also influenced the reception of their work. Despite their indisputable place within the architectural canon, many important works of Modern Ar

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28

Lupton, Deborah, Vaughan Wozniak-O'Connor, Megan Catherine Rose, and Ash Watson. "More-than-Human Wellbeing." M/C Journal 26, no. 4 (2023). http://dx.doi.org/10.5204/mcj.2976.

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Introduction The concept of ‘wellbeing’ is typically thought of in human-centric ways, referring to the affective feelings and bodily sensations that people may have which inform their sense of health, safety, and connection. However, as our everyday lives, identities, relationships, and embodiments become digitised and datafied, ‘wellbeing’ has taken on new practices and meanings. The use of digital technologies such as mobile and wearable devices, social media platforms, and networks of information mediate our interactions with others, as well as the ways we conceptualise what it means to be

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29

Lee, Seryun, Jae-Hoon Jung, and Doohyun Kwon. "Reconciling the Conservation of Cultural Heritage with Rural Development." M/C Journal 25, no. 3 (2022). http://dx.doi.org/10.5204/mcj.2904.

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Introduction: Cities as Open-Ended Place-Making Events The shaping and development of cities can be understood as a “place-making” process. Through the assemblage of diverse human and non-human elements—including various social and natural elements—abstract space gains meaning and is transformed into the more concrete form of place (Jaffe and Koning). Indeed, people, nature, arts, and architecture can all contribute to constituting a city, and depending on how these elements engage with each other, each city can be shaped differently, which makes cities “inherently dynamic and heterogeneous” (

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