Log in

Relevant bibliographies by topics / Architecture, Japanese

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers
Reports

Academic literature on the topic 'Architecture, Japanese'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 March 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Architecture, Japanese.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Architecture, Japanese"

1

Tamari, Tomoko. "Metabolism: Utopian Urbanism and the Japanese Modern Architecture Movement." Theory, Culture & Society 31, no. 7-8 (September 16, 2014): 201–25. http://dx.doi.org/10.1177/0263276414547777.

Full text

Abstract:

The Fukushima catastrophe has led to important practical and conceptual shifts in contemporary Japanese architecture which in turn has led to a re-evaluation of the influential 1960s Japanese modern architecture movement, Metabolism. The Metabolists had the ambition to create a new Japanese society through techno-utopian city planning. The new generation of Japanese architects, after the Fukushima event, no longer seek evolutionally social change; rather, the disaster has made them re-consider what architecture is and what architects can do for people who had everything snatched from them by technology (nuclear power station) and nature (earthquake and tsunami). Drawing on the architectural projects of Tange Kenzo and Metabolists in the 1960s and Ito Toyo’s ‘Home-for-All project’ in 2011, the paper explores this major paradigm shift in Japanese architectural theory and practices.

APA, Harvard, Vancouver, ISO, and other styles

2

Hasegawa, Shiho. "A study of the biological concept in architectural thought: A comparison between 'Der raum als membran' (1926) and 'Metabolism' (1960)." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 427–40. http://dx.doi.org/10.5937/saj1903427h.

Full text

Abstract:

This study analyzes the biological influence on the architecture in the 20th century by focusing on two particular biological architectural thought; "Der Raum als Membran (Space as Membrane)" by Siegfried Ebeling in 1926 and "Metabolism" by a group of Japanese architects in 1960. First, I discuss "Der Raum als Membran". Ebeling saw architecture or space as a biological membrane, like skin or a cell, and he proposed a theory of biological architecture. He not only introduced into planning an environment this biological metaphor with its flexibility of a membrane but also incorporated a biological concept like Umwelt. Second, I investigate a manifesto by the name of "Metabolism", which was produced in 1960 by a group of Japanese architects. They thought buildings and urban designs had an existence and underwent metabolism, which is a basic function of living things, and proposed variable and proliferate architectures having dynamic time spans. By comparing these biological architectural concepts, I point out three main similarities: 1) the expansion of the biological concept into architecture; 2) the cell as a metaphor; and 3) dynamic buildings or urban design. Although the authors had different backgrounds, all of them introduced new architectural ideas in their own times.

APA, Harvard, Vancouver, ISO, and other styles

3

Tozer, Luke. "The Japanese House." Architectural Research Quarterly 21, no. 3 (September 2017): 203–7. http://dx.doi.org/10.1017/s135913551700032x.

Full text

Abstract:

Western fascination with Japan and Japanese design is long established. The popularity of the recent exhibition The Japanese House: Architecture and Life After 1945 at London's Barbican illustrates that this fascination remains. This ‘blockbuster’ review of postwar domestic Japanese Architecture, supported by The Japan Foundation and previously hosted at MAXXI, National Museum of 21st Century Arts, Rome, responds to an enormous challenge: to try to account for the range and diversity of architectural approaches to domestic design within the broader contexts of traditional Japanese architecture and national life after 1945.The seven decades covered in the exhibition span postwar reconstruction, rapid economic expansion, bubble-era boom and bust, and deflationary stagnation, brought up to the present day. Material is organised ‘genealogically’ rather than chronologically, drawing together certain threads and traditions. It makes connections across time periods to suggest how the design of the Japanese house has dealt with sociological changes over this period, from the fracturing of the nuclear family and an increase in single-person households to an ageing population.

APA, Harvard, Vancouver, ISO, and other styles

4

Коновалова, Нина Анатольевна. "«WATERS ERA» IN JAPANESE ARCHITECTURE." ВОПРОСЫ ВСЕОБЩЕЙ ИСТОРИИ АРХИТЕКТУРЫ, no. 2(13) (June 5, 2020): 311–20. http://dx.doi.org/10.25995/niitiag.2020.13.2.015.

Full text

Abstract:

В первые десятилетия эпохи Мэйдзи, после прекращения самоизоляции Японии в 1868 г., глобальный процесс модернизации охватил все сферы жизни государства и общества. Архитектура в этом процессе играла одну из ведущих ролей. Контакты в сфере архитектуры в этот период у Японии шли прежде всего с Великобританией. Для того чтобы быстрее и качественнее освоить западные стили и методы строительства, японцы стали приглашать в страну консультантов из европейских стран.Томас Джеймс Уотерс, британский инженер-строитель и архитектор, стал одним из первых иностранцев, нанятых новым правительством Мэйдзи (после открытия страны в 1868 г.) на государственную службу. Им был спроектирован и построен ряд ключевых зданий и инженерных сооружений в городах Японии, он проводил обучение японских архитекторов и выполнял многочисленные частные заказы.Проработав на новое правительство 10 лет, Уотерс покинул Японию, столкнувшись с конкуренцией многочисленных иностранных архитекторов, приезжающих в Японию в качестве иностранных консультантов. Главным образом конкуренцию ему составил Джошуа Кондер, получивший серьезные должности и крупные правительственные заказы. Безусловно, вклад Дж. Кондера в развитие современной японской архитектуры был больше, чем кого-либо из иностранцев, и поэтому так хорошо исследован. Однако 10 лет, которые Т. Дж. Уотерс провел на государственной службе в Японии, оказали настолько заметное влияние на введение в стране западной архитектуры, что их называют «эрой Уотерса». In the first decades of the Meiji era, after the end of Japan’s self-isolation in 1868, the global process of modernization covered all spheres of life of the state and society. Architecture played a leading role in this process. As for contacts in the field of architecture in this period, Japan went, first of all, with the UK. In order to quickly and efficiently master Western styles and methods of construction, the Japanese began to invite consultants from European countries, primarily from the UK. Thomas James Waters, a British civil engineer and architect, was one of the first foreigners employed by the new Meiji government (after the country’s opening in 1868) in public service. He designed and built a number of key buildings and engineering structures in Japanese cities, trained Japanese architects, and carried out numerous private commissions. After working for the new government for 10 years, Waters left Japan, facing competition from numerous foreign architects coming to Japan as foreign consultants. His first competitor was Joshua Conder, who received a serious positions and large government commissions. Of course, the contribution of J. Konder in the development of modern Japanese architecture was greater than that of any of the foreigners, and therefore so well researched. However, the ten years that T. J. Waters spent in public service in Japan had such a prominent role in the introduction of Western architecture in the country, that they are called the “Waters era”.

APA, Harvard, Vancouver, ISO, and other styles

5

On, Yunjung. "Social History of Postwar Japanese Architecture : Cho Hunjung, Postwar Japanese Architecture (Mati, 2021)." Journal of Korean Modern & Contemporary Art History 41 (July 31, 2021): 275–78. http://dx.doi.org/10.46834/jkmcah.2021.07.41.275.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Awano, Takashi. "A study on the preservation situation and spatial characteristics of Japanese style garden built in Taiwan during the Japanese rule." Impact 2020, no. 6 (November 16, 2020): 70–72. http://dx.doi.org/10.21820/23987073.2020.6.70.

Full text

Abstract:

Japanese well developed cultural and aesthetic styles have influenced architecture, décor and landscaping around the world. Japanese influence has been particularly marked in eastern Asian countries such as Taiwan, where the nation's colonisation efforts between 1895 and 1945 led to a trend for garden design and landscaping at the time to demonstrate strong characteristics of Japanese style. The gardens created during this time showed a unique blend of Japanese and Taiwanese influences not otherwise found in landscape architectural history. Associate Professor Takashi Awano, from the Department of Landscape Architecture Science at Tokyo University of Agriculture, leads a study that looks into the preservation status, the construction and design processes and the characteristics of land allocation and design of Japanese gardens in palaces, official residences and other key locations during the Japanese occupation of Taiwan

APA, Harvard, Vancouver, ISO, and other styles

7

Fridh, Kristina. "From Japanese tradition towards new subjectivity in the architecture of Kengo Kuma and Toyo Ito." Architectural Research Quarterly 21, no. 2 (June 2017): 113–30. http://dx.doi.org/10.1017/s1359135517000252.

Full text

Abstract:

The Japanese architects Kengo Kuma and Toyo Ito work with the formation of mental processes, which include spatial perceptions, but also haptic experiences. In this regard, they both connect to the Japanese architectural tradition. Therefore, it is interesting to compare their work, especially since visually the architecture of these two architects differs. However, through staged, unexpected and changeable experiences of materiality and spatial organisation – interacting in dynamic flow with the surroundings – similar mental processes are evoked when conceiving and perceiving their architecture that are an integral part of the ongoing processes to transform their architecture into ‘abstractions’. The point of departure for being involved in these similar, processual stage-settings is the creation of uncompleted experiences of wonder; a void, which is recognised from the traditional Japanese expressions for beauty – shibui and yugen – and described by Soetsu Yanagi as a hidden, subjective beauty. This in turn leads to a new subjectivity in connection with traditional Japanese conceptions of space, where space is a subjective perception and a changeable process in the mind of the beholder, and not an outside object. The references to the architectural tradition include the villa and the garden of Katsura and the architect Kazuo Shinohara, who opposed and criticised Western Modernism with the basis in his own Japanese tradition.

APA, Harvard, Vancouver, ISO, and other styles

8

Sutemi, Horiguchi, and Robin Thompson. "“Japanese Taste” in Modern Architecture." Art in Translation 4, no. 4 (January 2012): 407–34. http://dx.doi.org/10.2752/175613112x13445019280817.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Ißler, L., A. Winter, K. Takabayashi, and F. Jahn. "Comparing a Japanese and a German Hospital Information System." Methods of Information in Medicine 48, no. 06 (2009): 531–39. http://dx.doi.org/10.3414/me09-01-0023.

Full text

Abstract:

Summary Objectives: To examine the architectural differences and similarities of a Japanese and German hospital information system (HIS) in a case study. This cross-cultural comparison, which focuses on structural quality characteristics, offers the chance to get new insights into different HIS architectures, which possibly cannot be obtained by inner-country comparisons. Methods: A reference model for the domain layer of hospital information systems containing the typical enterprise functions of a hospital provides the basis of comparison for the two different hospital information systems. 3LGM2 models, which describe the two HISs and which are based on that reference model, are used to assess several structural quality criteria. Four of these criteria are introduced in detail. Results: The two examined HISs are different in terms of the four structural quality criteria examined. Whereas the centralized architecture of the hospital information system at Chiba University Hospital causes only few functional redundancies and leads to a low implementation of communication standards, the hospital information system at the University Hospital of Leipzig, having a decentralized architecture, exhibits more functional redundancies and a higher use of communication standards. Conclusions: Using a model-based comparison, it was possible to detect remarkable differences between the observed hospital information systems of completely different cultural areas. However, the usability of 3LGM2 models for comparisons has to be improved in order to apply key figures and to assess or benchmark the structural quality of health information systems architectures more thoroughly.

APA, Harvard, Vancouver, ISO, and other styles

10

Думнова, Эльнара Михайловна. "VISUALIZATION OF TRADITIONAL AESTHETIC PRINCIPLES IN MODERN ARCHITECTURE OF JAPAN." ΠΡΑΞΗMΑ. Journal of Visual Semiotics, no. 4(34) (December 8, 2022): 82–101. http://dx.doi.org/10.23951/2312-7899-2022-4-82-101.

Full text

Abstract:

Представлен результат исследования соотношения традиций и новаций в современной архитектуре Японии. Уникальность современной японской архитектуры состоит в эффективной экспликации традиционных эстетических принципов в визуальном искусстве, развитие которого неизбежно детерминировано социально-историческим контекстом. Прослежена экспликация эстетических принципов (моно-но аварэ, югэн, ваби, саби), сформированных в эпоху Средневековья, в современном социокультурном пространстве Страны восходящего солнца. Эти принципы сохраняют себя в качестве элементов современной эстетической парадигмы, на основе которой происходит развитие архитектуры, и детерминируют формирование кодов архитектурного пространства. Продемонстрировано развитие новых направлений в современной японской архитектуре. Обосновано, что среди них доминирующее значение получили минимализм и метаболизм. Несмотря на влияние западных архитектурных образцов, их представителям удалось сохранить архитектурную самобытность, сформировав новые архитектурные стили. Это оказалось осуществимым благодаря гибкому балансированию между традициями и новациями, а также их эффективному синтезу; современная японская архитектура становится одним из способов сохранения культурной самобытности в контексте влияния западных архитектурных образцов. Выявлены основные архитектурные приемы, являющиеся проводниками традиции в современной архитектуре: позиционирование архитектуры как продолжения природы, чем обусловлено формообразование; воплощение традиционных эстетических принципов посредством элементов архитектурного пространства (пустота–промежуток–тень); использование сочетаний традиционных и современных материалов. The article analyzes the problem of the correlation of traditions and innovations in modern architecture in Japan. The problem of preserving architectural identity has become especially relevant in the context of globalization. The uniqueness of modern Japanese architecture consists in the effective explication of traditional aesthetic principles in visual art, whose development is inevitably determined by the socio-historical context. The traditional aesthetic principles which were formed in the Middle Ages and have preserved their significance and influence on the modern socio-cultural space of the Land of the Rising Sun are considered. Among them are the principles of mono-no avare, yugen, wabi, sabi. These principles reflect the traditional Japanese worldview and peculiarities of thinking, since they go back to the traditional religious and philosophical teachings that have spread in Japan. Their visualization by means of architectural techniques is especially significant because it allows us to maintain socio-cultural continuity and the connection of times. They are the elements of the modern aesthetic paradigm on the basis of which architecture develops, they determine the formation of codes of architectural space. The most important is the aesthetics of wabi-sabi, which has combined two principles. It defines moral qualities as well as their visualization in material culture, particularly in architecture. It underlies the simplicity and incompleteness of forms close to emptiness, proximity to nature, appeal to the inner essence of things that are inconspicuous externally, the value of damages reflecting the course of time and events in the past. Japanese minimalism originates in the aesthetics of wabi-sabi. Taken together, these aesthetic principles form the quintessence of the Japanese worldview, which is notable by contemplation and positioning of nature and man as a unity. Visualization of this aesthetics in architecture has proved to be achievable through the use of natural materials (wood, bamboo, rice paper) and planning of residential space. New trends have been developed in modern Japanese architecture, including minimalism and metabolism. Despite the influence of Western architectural patterns, representatives of the trends managed to preserve architectural identity by forming new architectural styles. This turned out to be feasible due to the flexible balancing between traditions and innovations, and their effective synthesis. The main architectural techniques that are the conductors of tradition in modern architecture are considered: (a) positioning of architecture as a continuation of nature, which is the reason for special shaping; (b) embodiment of traditional aesthetic principles through elements of architectural space – emptiness–gap–shadow; (c) combination of traditional and modern materials. The article presents a semiotic analysis of several architectural objects: the Museum of Modern Art, Hiroshima, architect Kisho Kurokawa; Global Loop, EXPO 2005, Aichi, architect Kiyonori Kikutake; Church of the Light, Ibaraki, architect Tadao Ando; the Water Temple, Awaji, architect Tadao Ando. The analysis demonstrates some spatial codes that reveal the deep iconic and symbolic wholeness of architectural objects, reflecting the amalgamation of traditional and modern consciousness of the Japanese.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Architecture, Japanese"

1

ZHU, ZHENGYANG. "TOWARDS A JAPANESE ARCHITECTURE." The University of Arizona, 1993. http://hdl.handle.net/10150/555401.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Inoue, Hiroshi. "Japanese aesthetic principles & their application." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1116356.

Full text

Abstract:

Japanese have been known to have a special notion toward the aestheticism which deals with human experiences. They are ingenious about finding subtle beauty within every little thing which exists in nature and apply that to their architecture. What are the secrets behind all this? This thesis focuses on the research of Japanese aesthetic principles to find out the way for application in the architecture in the United States.
Department of Architecture

APA, Harvard, Vancouver, ISO, and other styles

3

Sá, Vitor Hugo Gilde de. "Boundaries in Architecture. The Japanese transitions." Master's thesis, Faculdade de Arquitetura de Lisboa, 2013. http://hdl.handle.net/10400.5/5830.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Gonçalves, Mariana Pedro. "Time as formgiver in japanese architecture." Master's thesis, Universidade de Lisboa. Faculdade de Arquitetura, 2015. http://hdl.handle.net/10400.5/10598.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Berns, Torben. "The paradox of a modern (Japanese) architecture /." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38463.

Full text

Abstract:

This thesis analyzes the problems and contradictions inherent in modernity's levelling of the fabricative and political realms. Seeking a broader perspective on the origins of aesthetic culture and aestheticized politics, it examines the relation of architecture to technology, culture, and politics. The thesis examines the consequences of the Enlightenment and "Radical Enlightenment" (understanding the rise of the modern nation-state as a direct consequence of the 18th century's yoking of history and nature) from the perspective of Japan and its encounter with modernity. Japan as a modern nation-state, neither part of the European Enlightenment nor colonized by its instruments, was able to initiate a unique discourse around the question of history and the concomitant issues of identity and nihilism.
The thesis tracks the discourse through architecture as the terms shift and become more and more indistinguishable from the Western manifestations from which the Japanese architects wished to claim distinction.
The discussion on difference and possibility---cultural identity and the creative project---as fundamental questions for a contemporary practice of architecture is undertaken through an analysis of the polar positions of Tange Kenzo and Shirai Sei'ichi.

APA, Harvard, Vancouver, ISO, and other styles

6

Min, Myungkee. "Japanese/American architecture : a century of cultural exchange /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/6237.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Tsushima, Midori. "Comparative analysis of U.S. and Japanese lenders in U.S. real estate workouts : what have Japanese lenders learned?" Thesis, Massachusetts Institute of Technology, 1996. http://hdl.handle.net/1721.1/70278.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

EASTMAN, CHRISTOPHER EDWARD. "JAPAN CULTURAL FORUM ARCHITECTURAL SYNTHESIS THROUGH TRANS-CULTURAL STRATEGIES." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1053368953.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Gomez, Leonardo. "Reconsidering Vernacular Japanese Architecture for Sustainable Ecological Design." Kyoto University, 2004. http://hdl.handle.net/2433/147721.

Full text

Abstract:

Kyoto University (京都大学)
0048
新制・課程博士
博士(人間・環境学)
甲第10963号
人博第250号
15||205(吉田南総合図書館)
新制||人||62(附属図書館)
UT51-2004-G810
京都大学大学院人間・環境学研究科文化・地域環境学専攻
(主査)教授村形明子, 助教授ハヤシブライアンマサル, 助教授ロバートファウザー
学位規則第4条第1項該当

APA, Harvard, Vancouver, ISO, and other styles

10

Melay, Alexandre. "Temporalité et spatialité dans l'esthétique japonaise : Formes de l'architecture au Japon." Thesis, Saint-Etienne, 2015. http://www.theses.fr/2015STET2209.

Full text

Abstract:

Cette thèse porte sur la question de l’identité de l’architecture contemporaine au Japon à travers l’esthétique traditionnelle, profondément ancrée dans l’ensemble de la culture ancienne de ce pays : un véritable cheminement passant à la fois par l’intellectuel, le spirituel et l’artistique. L’objet de cette recherche est donc d’analyser l’interrelation existante entre tradition et modernité ; d’établir une « filiation », une possible évolution et de comprendre aussi la transformation de l’architecture contemporaine et ses problématiques à travers les différents concepts, qui fondent l’ensemble de l’esthétique au Japon, entre temporalité et spatialité. Il est question d’apporter un éclairage sur les expressions de la tradition : une « nouvelle tradition », une japonéité, où la tradition devient la matrice de la modernité. La tradition est à comprendre alors comme un véritable catalyseur. L’objectif de cette thèse est de montrer que l’architecture japonaise a su résoudre la difficile adéquation de relier la tradition nationale et la modernité internationale. La tradition semble être aussi l’une des matrices du futur. En d’autres termes, il s’agit de comprendre les traditions culturelles japonaises comme de véritables leviers conceptuels pour la nouvelle génération d’architectes japonais. La tradition est un héritage du passé qu’il faut préserver pour garder une identité, et qui permet de donner un chemin et une perspective pour l’avenir. De la qualité du rapport avec la tradition dépend non seulement l’harmonie et la beauté du cadre de vie, mais aussi la richesse du message architectural à transmettre aux générations futures
This thesis focuses on the question of the identity of contemporary Japanese architecture through Japanese traditions and aesthetics, deeply rooted from the cultural background of Japan : a real passage through both intellectual, spiritual and artistic fields. The purpose of this research is to analyze the interrelation existing between tradition and modernity ; to establish a filiation, or a lineage, a possible evolution, to understand the transformation of Japanese architecture through different concepts between space and time. It comes to shed light on the expression of tradition in Japanese architecture : a “new tradition”, a notion of japan-ness where tradition becomes the matrix of modernity. In other words, tradition could be understand as a true catalyst. The goal of this thesis is to show that Japanese architecture has resolved the difficult balance between National tradition and International modernity. The tradition seems to be also one of the matrix of the future. The tradition is not only architectural, but it includes spirituality, aesthetics, art, and the manner how culture is linking to space and time. In other words, it is important to understand the cultural Japanese tradition background as a true conceptual levers for the new generation of Japanese architects. The tradition is a legacy of the past which should be preserved to maintain an identity, which could give a path, and vision for future. The quality of the relationship with the tradition depends not only of the harmony and beauty of our living, but also from the wealthy architectural message transmitted to future generations

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Architecture, Japanese"

1

Maggie, Toy, ed. Japanese architecture. London: Academy Editions, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Japanese detail: Architecture. San Francisco: Chronicle Books, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Steele, James. Contemporary Japanese Architecture. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315673813.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Museum, Setagaya Art, ed. Japanese museum architecture. [Tokyo: Setagaya Art Museum?], 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Hibi, Sadao. Japanese detail: Architecture. San Francisco: Chronicle Books, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Maggie, Toy, ed. Japanese architecture III. London: Academy Group, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

1944-, Bognár Botond, ed. Japanese architecture II. London: Academy Group, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Light in Japanese architecture. Tokyo, Japan: a+u Publishing, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Nishi, Kazuo. What is japanese architecture? Tokyo: Kodansha International, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Plummer, Henry. Light in Japanese architecture. Tokyo: A & U Publishing, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Architecture, Japanese"

1

Kuroishi, Izumi. "Mathematics of Carpentry in Historic Japanese Architecture." In Architecture and Mathematics from Antiquity to the Future, 333–47. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-00137-1_23.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Lin, Lin. "Roof Structure of Japanese Zen-Style Buddha Halls." In East Asian Architecture in Globalization, 502–13. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-75937-7_38.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Park, Young Won. "Japanese Monozukuri and Platform-Based Ecosystem Strategy." In Business Architecture Strategy and Platform-Based Ecosystems, 93–102. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5535-5_8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Arakawa, Hiroshi. "A Symmetrical View of Japanese Cosmology and Architecture." In Katachi ∪ Symmetry, 381–88. Tokyo: Springer Japan, 1996. http://dx.doi.org/10.1007/978-4-431-68407-7_45.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Kato, Yuki. "Knowledge of Past Japanese Architecture in the Edo and Early Meiji Periods." In East Asian Architecture in Globalization, 534–40. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-75937-7_40.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Saito, Mamoru. "Argument Doubling in Japanese with VP-Internal Focus." In Perspectives on the Architecture and Acquisition of Syntax, 137–47. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-4295-9_6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Lee, Hyun Kyung. "South Korean Responses to Japanese Colonial Occupation Architecture (JCOA)." In 'Difficult Heritage' in Nation Building, 253–91. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-66338-8_6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Murasugi, Keiko. "Root Infinitive Analogues: Evidence from Tamil, Korean, and Japanese." In Perspectives on the Architecture and Acquisition of Syntax, 243–59. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-4295-9_13.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Kato, Morimichi. "The Katsura Imperial Villa and the Educational Function of Japanese Garden Architecture." In Nature, Art, and Education in East Asia, 43–56. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003301516-4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Takabayashi, Hiroki, Keita Kado, and Gakuhito Hirasawa. "Versatile Robotic Wood Processing Based on Analysis of Parts Processing of Japanese Traditional Wooden Buildings." In Robotic Fabrication in Architecture, Art and Design 2018, 221–31. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92294-2_17.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Architecture, Japanese"

1

Beita, E. "Ambiguous boundaries: a Japanese way of designing with nature." In ECO-ARCHITECTURE 2010. Southampton, UK: WIT Press, 2010. http://dx.doi.org/10.2495/arc100021.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Watanabe, Shun. "Minka, Machiya, and Gassho-Zukuri, Procedural Generation of Japanese Traditional Houses." In CAADence in Architecture. Budapest University of Technology and Economics, Faculty of Architecture, 2016. http://dx.doi.org/10.3311/caadence.1614.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Pollok, Alexander, and Francesco Casella. "Universal Controllers for Architecture Simulation." In The 2nd Japanese Modelica Conference Tokyo, Japan, May 17-18, 2018. Linköping University Electronic Press, 2019. http://dx.doi.org/10.3384/ecp18148223.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Şirikçi, Tuğçe. "The Effect of Wood on Japanese Architecture: The Sample of The Horyu-Ji Temple." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021tr0057n20.

Full text

Abstract:

Traditional Japanese architecture consists of natural wood, hay, earthenware, and similar types of materials. Japanese architecture has a linear structure. The main purpose of Japanese architecture is to be unified. Many of the materials used here have a higher moisture protection function than those made of plywood or spinning. The structure has a breathing mechanism that naturally preserves good air and moisture. The fact that Japan is rich in vegetation has a great effect on the formation of natural materials. There is a bond in Japanese architecture that respects the harmony between human and nature. Human beings are a part of nature. This article refers to the oldest wooden building in the world. The first world cultural heritage in Japanese architecture, and the temple of Horyu-ji, which has been standing for over 1300 years. The aim is to investigate the aesthetic, ethical awareness and ethnology of traditional wood used on Japanese architecture. While the structure and varieties of wood refer to the findings on the buildings, it is an attempt to approach the "lifestyle and values" of the wood form and structure.

APA, Harvard, Vancouver, ISO, and other styles

5

Bignell, Martin. "Tokyo 20/20: Learning From Japanese Prefabricated Housing Manufacturers." In Annual International Conference on Architecture and Civil Engineering. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2301-394x_ace15.166.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Yeo, W., C. Lou, Atsuko Kaga, Tsuyoshi Sasada, C. Byun, and T. Ikegami. "An Interactive Digital Archive for Japanese Historical Architecture." In CAADRIA 2003. CAADRIA, 2003. http://dx.doi.org/10.52842/conf.caadria.2003.513.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Vansina, Nico, Bruno Loyer, and Yosuke Ogata. "Managing Heterogeneous Simulations Using Architecture-Driven Design." In The 2nd Japanese Modelica Conference Tokyo, Japan, May 17-18, 2018. Linköping University Electronic Press, 2019. http://dx.doi.org/10.3384/ecp18148202.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Elmqvist, Hilding, Martin Malmheden, and Johan Andreasson. "A Web Architecture for Modeling and Simulation." In The 2nd Japanese Modelica Conference Tokyo, Japan, May 17-18, 2018. Linköping University Electronic Press, 2019. http://dx.doi.org/10.3384/ecp18148255.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Kamogawa, Takaaki, and Hitoshi Okada. "Enterprise Architecture and Information Systems: In Japanese Banking Industry." In 2008 International Symposium on Applications and the Internet. IEEE, 2008. http://dx.doi.org/10.1109/saint.2008.66.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Sigfridsson, Sara, Lixiang Li, Håkan Runvik, Jesse Gohl, Antonin Joly, and Kristian Soltesz. "Modeling of Fuel Cell Hybrid Vehicle in Modelica: Architecture and Drive Cycle Simulation." In The 2nd Japanese Modelica Conference Tokyo, Japan, May 17-18, 2018. Linköping University Electronic Press, 2019. http://dx.doi.org/10.3384/ecp1814891.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Architecture, Japanese"

1

Yoozbashizadeh, Mahdi, and Forouzan Golshani. Robotic Parking Technology for Congestion Mitigation and Air Quality Control Around Park & Rides. Mineta Transportation Institute, June 2021. http://dx.doi.org/10.31979/mti.2021.1936.

Full text

Abstract:

A lack or limited availability for parking may have multiple consequences, not the least of which is driver frustration, congestion, and air pollution. However, there is a greater problem that is not widely recognized by the public, namely the negative effect on the use of transit systems due to insufficient parking spaces close to key transit stations. Automated parking management systems, which have been successfully deployed in several European and Japanese cities, can manage parking needs at transit stations more effectively than other alternatives. Numerous studies have confirmed that quick and convenient automobile access to park-and-ride lots can be essential to making public transit competitive with the automobile in suburban areas. Automated parking systems use a robotic platform that carries each vehicle to one of the locations in a custom designed structure. Each location is designed compactly so that considerably more vehicles can be parked in the automated garages than the traditional parking lots. Central to the design of these systems are three key technologies, namely: 1. Mechanical design and the operation of vehicle transfer, i.e., the robotic platform 2. Structural and architectural requirements to meet safety and earthquake standards, among other design imperatives, 3. Automation and intelligent control issues as related to the overall operation and system engineering. This article concerns the first technology, and more specifically the design of the robotic platform for vehicle transfers. We will outline the overall design of the robot and the shuttle, followed by a description of the prototype that was developed in our laboratories. Subsequently, performance related issues and scalability of the current design will be analyzed.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!