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Relevant bibliographies by topics / Architecture, Japanese / Dissertations / Theses

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Dissertations / Theses on the topic 'Architecture, Japanese'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 March 2023

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1

ZHU, ZHENGYANG. "TOWARDS A JAPANESE ARCHITECTURE." The University of Arizona, 1993. http://hdl.handle.net/10150/555401.

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2

Inoue, Hiroshi. "Japanese aesthetic principles & their application." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1116356.

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Japanese have been known to have a special notion toward the aestheticism which deals with human experiences. They are ingenious about finding subtle beauty within every little thing which exists in nature and apply that to their architecture. What are the secrets behind all this? This thesis focuses on the research of Japanese aesthetic principles to find out the way for application in the architecture in the United States.<br>Department of Architecture

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3

Sá, Vitor Hugo Gilde de. "Boundaries in Architecture. The Japanese transitions." Master's thesis, Faculdade de Arquitetura de Lisboa, 2013. http://hdl.handle.net/10400.5/5830.

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4

Gonçalves, Mariana Pedro. "Time as formgiver in japanese architecture." Master's thesis, Universidade de Lisboa. Faculdade de Arquitetura, 2015. http://hdl.handle.net/10400.5/10598.

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Berns, Torben. "The paradox of a modern (Japanese) architecture /." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38463.

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This thesis analyzes the problems and contradictions inherent in modernity's levelling of the fabricative and political realms. Seeking a broader perspective on the origins of aesthetic culture and aestheticized politics, it examines the relation of architecture to technology, culture, and politics. The thesis examines the consequences of the Enlightenment and "Radical Enlightenment" (understanding the rise of the modern nation-state as a direct consequence of the 18th century's yoking of history and nature) from the perspective of Japan and its encounter with modernity. Japan as a modern nati

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6

Min, Myungkee. "Japanese/American architecture : a century of cultural exchange /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/6237.

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7

Tsushima, Midori. "Comparative analysis of U.S. and Japanese lenders in U.S. real estate workouts : what have Japanese lenders learned?" Thesis, Massachusetts Institute of Technology, 1996. http://hdl.handle.net/1721.1/70278.

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8

EASTMAN, CHRISTOPHER EDWARD. "JAPAN CULTURAL FORUM ARCHITECTURAL SYNTHESIS THROUGH TRANS-CULTURAL STRATEGIES." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1053368953.

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9

Gomez, Leonardo. "Reconsidering Vernacular Japanese Architecture for Sustainable Ecological Design." Kyoto University, 2004. http://hdl.handle.net/2433/147721.

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Kyoto University (京都大学)<br>0048<br>新制・課程博士<br>博士(人間・環境学)<br>甲第10963号<br>人博第250号<br>15||205(吉田南総合図書館)<br>新制||人||62(附属図書館)<br>UT51-2004-G810<br>京都大学大学院人間・環境学研究科文化・地域環境学専攻<br>(主査)教授村形明子, 助教授ハヤシブライアンマサル, 助教授ロバートファウザー<br>学位規則第4条第1項該当

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Melay, Alexandre. "Temporalité et spatialité dans l'esthétique japonaise : Formes de l'architecture au Japon." Thesis, Saint-Etienne, 2015. http://www.theses.fr/2015STET2209.

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Cette thèse porte sur la question de l’identité de l’architecture contemporaine au Japon à travers l’esthétique traditionnelle, profondément ancrée dans l’ensemble de la culture ancienne de ce pays : un véritable cheminement passant à la fois par l’intellectuel, le spirituel et l’artistique. L’objet de cette recherche est donc d’analyser l’interrelation existante entre tradition et modernité ; d’établir une « filiation », une possible évolution et de comprendre aussi la transformation de l’architecture contemporaine et ses problématiques à travers les différents concepts, qui fondent l’ensembl

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DUNFIELD, LEE WARREN. "Dynamic Balance: Bringing Traditional Japanese Architecture to the 21st Century." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212096223.

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Dunfield, Lee. "Dynamic balance bringing traditional Japanese architecture to the 21st Century /." Cincinnati, Ohio : University of Cincinnati, 2008. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1212096223.

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Thesis (Master of Architecture)--University of Cincinnati, 2008.<br>Advisors: Elizabeth Riorden (Committee Chair), Tom Bible (Committee Chair). Title from electronic theses title page (viewed Sept. 7, 2008.). Includes abstract. Includes bibliographical references.

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13

von, Wiedersperg Carolina Sophie. "Kyoto art in nature habitat /." Thesis, Montana State University, 2009. http://etd.lib.montana.edu/etd/2009/von_wiedersperg/von_WiederspergC0509.pdf.

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The purpose of this thesis is to find architectural solutions which apply the theoretical findings centered around the biophilia hypothesis. The principles resulting from this investigation should help architecture to soften the separated conditions of the natural and the man-made environment. The application of these principles will then result in the design development of an Art in Nature Habitat in Kyoto, Japan.

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Ellis, Charles. "Direct Radical Intuition: toward an 'Architecture of Presence' through Japanese ZEN Aesthetics." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1306498199.

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15

Luo, Anna S. (Anna Sheng-Wei). "Creating demand through diversification : the evolving strategies of the large Japanese construction firms." Thesis, Massachusetts Institute of Technology, 1991. http://hdl.handle.net/1721.1/68260.

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16

Lee, Hyun Kyung. "Dealing with difficult heritage : South Korea's responses to Japanese colonial occupation architecture." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709101.

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Wendelken-Mortensen, Cherie. "Living with the past : preservation and development in Japanese architecture and town planning." Thesis, Massachusetts Institute of Technology, 1994. http://hdl.handle.net/1721.1/12003.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture and Planning, 1994.<br>Includes bibliographical references (v 2., leaves 309-325).<br>The study examines the architectural preservation program as it has developed over the past century in Japan, and demonstrates how relics of the past have been manipulated and re-interpreted by individuals and communities seeking to define a modern identity. The study chronicles the development of preservation practice from a national perspective, followed by a local historical analysis of the town of Tsumago in Nagano Prefecture. I

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Kiura, Takayuki 1965. "Finance matters in the Japanese real estate market : interaction between finance and real estate ownership." Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/32189.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2000.<br>Includes bibliographical references (leaves 105-107).<br>Finance does not matter in perfect and efficient markets. Based on neoclassical economics, financial capital is always perfectly priced, and all investments are completely valued in frictionless markets. In the real world, however, finance does matter, especially in the real estate market, which is relatively imperfect and inefficient. There are several phases through which funds flow into real estate. Among others, the interaction between the financial

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Dahlin, Kenneth C. "The Aesthetics of Frank Lloyd Wright's Organic Architecture| Hegel, Japanese Art, and Modernism." Thesis, The University of Wisconsin - Milwaukee, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13422325.

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<p> The goal of this dissertation is to write the theory of organic architecture which Wright himself did not write. This is done through a comparison with GWF Hegel’s philosophy of art to help position Wright’s theory of organic architecture and clarify his architectural aesthetic. Contemporary theories of organicism do not address the aesthetic basis of organic architecture as theorized and practiced by Wright, and the focus of this dissertation will be to fill part of this gap. Wright’s organic theory was rooted in nineteenth-century Idealist philosophy where the aim of ar

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Traganou, Georgia. "The transformations of the ToÌ‚kaidoÌ‚ from the Edo to the Meiji Period." Thesis, University of Westminster, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286123.

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Nute, Kevin Horwood. "The role of traditional Japanese art and architecture in the work of Frank Lloyd Wright." Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.281969.

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Yang, Jing. "Weak tectonics : the ambiguous role of materiality in the work of contemporary Japanese architects SANAA." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/48944/.

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As the overlap of real and virtual spaces takes place more and more frequently in our daily lives, it could be said that our sensibility towards embodied physical space is being affected by our experience of the virtual world. This raises the question of how architecture should respond to these changes. It seems there is a confrontation between the necessarily material dimension of architecture and the increasingly immaterial nature of the information age. A new strand of Japanese architects is pushing the limits of the dematerialisation of architecture, which has been called, by some critics,

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23

Takenaka, Akiko. "The construction of a war-time national identity : the Japanese Pavilion at New York's World's Fair, 1939/40." Thesis, Massachusetts Institute of Technology, 1997. http://hdl.handle.net/1721.1/10403.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1997.<br>Includes bibliographical references.<br>The period between the mid-nineteenth century and World War II was the age of international expositions for the countries of the European and American continents. Events were launched every few years in various cities, in order to demonstrate the level of cultural sophistication or technological advancement. The predominate ways in which these events have been studied are: as stages for the display of technology and design; as sites for the manifestation of imperialism

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BHIMANI, SHEFALI. "AN INQUIRY INTO THE MAKING OF JAPANESE ARCHITECTURE THROUGH THE STUDY OF TEA HOUSES." Thesis, The University of Arizona, 1995. http://hdl.handle.net/10150/555233.

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Bondesan, Carlotta <1997&gt. ""How Will We Live Together?": The Japanese Answer to the 2021 Venice Architecture Biennale." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21336.

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Questo progetto di ricerca considera la partecipazione nazionale del Giappone alla Biennale di Architettura di Venezia del 2021 a tema “How Will We Live Together?”. La mostra “Co-Ownership of Action: Trajectories of Elements”, curata da Kozo Kadowaki, è qui approfondita per discutere fino a che punto oggi gli eventi di architettura, come la Biennale di Venezia, forniscano sempre più un'ampia consapevolezza sociale, ecologica e un'importante collaborazione diffusa. Il concept di Kadowaki, basato infatti sullo smontaggio e rimontaggio di una normale casa in legno di Tokyo a Venezia, pur essendo

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26

Cheng, Terry Hsu-Huang. "Bonsai." AUT University, 2009. http://hdl.handle.net/10292/964.

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This thesis includes an introduction to my bonsai container design along with a history of bonsai, discussion of the philosophies of key bonsai masters, the details of two bonsai containers based on Japanese courtyard culture and Japanese architectural philosophy. It also documents the design process of all 1:1 scale Bonsai containers and the exhibition space, which includes bonsai planted in each container on the presentation day.

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Sfakiotaki, D. (Despina). "Analysis of movement in sequential space:perceiving the traditional Japanese tea and stroll garden." Doctoral thesis, University of Oulu, 2005. http://urn.fi/urn:isbn:9514276531.

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Abstract The research aims to investigate the spatiality of the sequential Japanese tea (roji) and stroll garden (kaiyûshiki), whose appearance reached its peak during the Feudal period in Japan (1573–1868), in relation to the perceiver's locomotion. The desire of that era to go beyond sensual beauty and to make a philosophical statement, led to the development of a garden where the moving participant perceives a series of successive fragmentary views. Such a concept of space, with the principle of successive observation, is a distinct feature of Japan, and can also be observed in urban design

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Coffey, Shaun C. "The 21st Century Cancer Care Wellness Facility: A Study, Interpretation, and Application of 16th Century Japanese Tea-house Themes." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/64515.

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Buildings which address space through all the senses, rather than being dominated by ocular centric considerations solely, have become the minority within the discipline of Architecture. This can create an imbalance, perceivable as feelings of estrangement and detachment for the inhabitant. Estrangement is particularly evident within health care architecture, which owes much of its current form to ideas developed during Modernism. In response to this imbalance, Architecture from the past may have lessons which can be applied. This thesis investigates the potential of applying spatial technique

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Klouse, Fuentes Amy. "Reconciling sustainable and resilient design in cities| Cross laminated timber and the future of Japanese wooden buildings." Thesis, Indiana University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1596465.

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<p> In countries particularly susceptible to environmental disturbances like Japan, discourse has centered on resilient design: seeking building materials that withstand natural forces to protect populations while being the most up to date with international trends in technology and science. As a culture with a long history of wood use in buildings, the sudden surge in stone, concrete, masonry, and steel production and use in building applications following the Meiji Restoration of 1868 signaled a momentous shift in Japanese architectural practices and customs. While a preference for these &ld

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Holm, Petter. "Onsen At Långholmen : Swedish Bath House Inspired by Japanese Bathing Culture." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223400.

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The idea for my Thesis project sprung from a trip I made last June around the Northernmost of the great Japanese islands, Hokkaido. Due to unexpectedly rough weather conditions we had to cancel many of the hikes and climbs that we had planned and instead immerse our bodies and senses in the wonderful onsen culture of Japan. These bathing institutions really lured my architectural interest and especially everything surrounding the actual bathing. The connectivity between architecture and nature, the almost profanely directed rituals, and the special relationship between water, space and materia

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Kim, Myung-hwan. "A past adapts to the future : an old Japanese city will adapt to the future with preserving its past." Thesis, Massachusetts Institute of Technology, 1990. http://hdl.handle.net/1721.1/67388.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture; and, (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning, 1990.<br>Includes bibliographical references (leaves 151-157).<br>Over the last quarter of a century, historic preservation has become a major component of urban revitalization in the US. Along with the cultural and economic benefits, the restoration of historic structures and environments has also produced a distinct improvement in the quality of life in several American cities. Japan, on the other hand, has only recently begun

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Tyana, Santini Salzano. "ROBERT B. HALL'S GEOGRAPHIC STUDIES ON THE JAPANESE BUILT ENVIRONMENT." 京都大学 (Kyoto University), 2015. http://hdl.handle.net/2433/202808.

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Chang, Hui Ju. "Victorian Japan in Taiwan : transmission and impact of the 'modern' upon the architecture of Japanese authority, 1853-1919." Thesis, University of Sheffield, 2014. http://etheses.whiterose.ac.uk/7615/.

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This research assesses how contact with Europe and America from 1853 created a new notion of the modern in Japan and colonial Taiwan, through exploring the architectural expressions of Japanese architects. Taking a detailed look at relevant theories of the modern, and the geo-political, governmental and intellectual histories of Meiji Japan, I analyse how Japan used architecture in their nation-building process, and later the role of architecture in building colonial modernity in Taiwan. The study explores how colonial buildings crystallised Japan’s fledgling modernity, cumulating in an extens

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Medema, Kara N. "Chiyo-ni and Yukinobu: History and Recognition of Japanese Women Artists." FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3914.

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Fukuda Chiyo-ni and Kiyohara Yukinobu were 17th-18th century (Edo period) Japanese women artists well known during their lifetime but are relatively unknown today. This thesis establishes their contributions and recognition during their lifespans. Further, it examines the precedence for professional women artists’ recognition within Japanese art history. Then, it proceeds to explain the complexities of Meiji-era changes to art history and aesthetics heavily influenced by European and American (Western) traditions. Using aesthetic and art historical analysis of artworks, this thesis establishes

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Basham, Anna Elizabeth. "From Victorian to Modernist : the changing perceptions of Japanese architecture encapsulated in Wells Coates' Japonisme dovetailing East and West." Thesis, University of the Arts London, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.442115.

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Ishii, Regiane Akemi 1986. "Tóquio no cinema contemporâneo : aproximações." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285307.

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Orientador: Gilberto Alexandre Sobrinho<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-27T22:55:13Z (GMT). No. of bitstreams: 1 Ishii_RegianeAkemi_M.pdf: 6759325 bytes, checksum: 58e1d65d408f67ebcc4a99ad2a50af31 (MD5) Previous issue date: 2015<br>Resumo: Este trabalho propõe a análise de investimentos espaciais e processos de significação em filmes realizados em Tóquio por diretores não japoneses, na década de 2000. Nosso interesse recai sobre a relação entre cinema e cidade, tomando como principal aporte teórico as id

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GLOAGUEN, Yola. "TOWARDS A DEFINITION OF ANTONIN RAYMOND'S "ARCHITECTURAL IDENTITY" : A STUDY BASED ON THE ARCHITECT'S WAY OF THINKING AND WAY OF DESIGN." 京都大学 (Kyoto University), 2008. http://hdl.handle.net/2433/57260.

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This thesis presents a study on the way of thinking and way of design of the Czech born architect Antonin Raymond (1888-1976). The data used for this study was a series of lectures and articles written by Raymond between 1935 and 1967 and original architectural drawings and photographs. These documents were all collected personally by the author at Raymond’s former studio in Karuizawa and Architectural Office in Tokyo. These documents provide a new source of information on Raymond’s residential work and have been compiled in an electronic database available with the thesis. The database includ

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Hijioka, Akemi. "Minka - Casa dos imigrantes japoneses no Vale do Ribeira." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/102/102131/tde-12012018-101224/.

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A casa dos imigrantes japoneses é estudada nesta tese do ponto de vista qualitativo, sendo as construções analisadas não como objetos, mas focadas no processo que decorre das implicações culturais, sociais e técnicas. As moradias construídas em uma área de imigração ainda inexplorada como fronteira agrícola, situada na região do Vale do Ribeira ao sul do estado de São Paulo, surgiram com as famílias que deparavam com a mata virgem. A despeito da situação de pioneirismo e das dificuldades enfrentadas pelas famílias, formou-se um acervo de mais de 500 casas no auge da prosperidade, todas constru

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Steuer, Carl P. "An architectural investigation into some aspects of ancient Japanese metaphysics and their application in the design of a crematorium in an allegedly haunted building in Savannah, Georgia." Thesis, Georgia Institute of Technology, 1995. http://hdl.handle.net/1853/23017.

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Swan, Marilyn Rose. "HAYASHI YASUO AND YAGI KAZUO IN POSTWAR JAPANESE CERAMICS: THE EFFECTS OF INTRAMURAL POLITICS AND RIVALRY FOR RANK ON A CERAMIC ARTIST’S CAREER." UKnowledge, 2017. https://uknowledge.uky.edu/art_etds/15.

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The use and firing of clay to make art instead of vessels was a revolutionary concept in Japan when it first was introduced by Hayashi Yasuo in 1948 with Cloud, and expanded upon by Yagi Kazuo in 1954 with Mr. Samsa’s Walk. Although both avant-garde artists were major forces in the advancement of abstract, nonfunctional ceramics, Yagi is usually given sole credit and occupies a prominent place in the literature, while Hayashi’s name can scarcely be found, despite his numerous international awards, large body of work and career spanning seven decades. This thesis seeks to identify the factors t

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Veal, Alexander. "Influence and architecture : a study of Japanese and 'Oriental' influence in European modernism, with particular reference to the work of Ludwig Mies van der Rohe and Alvar Aalto." Thesis, Cardiff University, 2007. http://orca.cf.ac.uk/55740/.

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This thesis examines the influence of traditional Japanese culture and related 'Oriental' concepts in European Modern architecture, with particular consideration of the work of Ludwig Mies van der Rohe and Alvar Aalto. The study is organised into six chapters, the first of which addresses the concept of influence, its direct and indirect modes of operation in architecture and the issues associated with Far Eastern sources. In the second chapter, the availability of information on Japanese architecture in Europe from the mid-nineteenth century through to the start of the Second World War is dis

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Wang, Hai. "A case study of Tadao Ando's Church of the Light and the Eychaner/Lee : the traditional Japanese sense of 'Ma' and 'Oku', dnd its reinterpretation in contemporary architecture." Kansas State University, 2003. http://hdl.handle.net/2097/36086.

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Távora, Maria Teresa Caldeira Rodrigues de Mendonça Falcão e. "(In) Visibilidades da tradição japonesa no olhar de Távora." Master's thesis, Universidade de Évora, 2015. http://hdl.handle.net/10174/18211.

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Resumo introdutório: Nesta tese, procuramos explorar diversos momentos de uma constelação de sentidos que não é senão o reverso teórico da multiplicidade de pontos pelos quais se constituiu, em tempos idos, a viagem do mestre Fernando Távora pelo Japão - o zénite de todos os locais que percorreu, por isso tão amplamente abordado - e procura tornar visível não somente aquilo que já seria um trabalho de monta, a saber, as fortes influências arquitectónicas - i.e., as componentes especificamente técnicas e visuais assaz tratadas ao longo do texto - que Távora recebeu ao longo do seu percurso pelo

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FURUOYA, Tomohiro, та 知浩古尾谷. "古代の漆工". 名古屋大学文学部, 2014. http://hdl.handle.net/2237/19775.

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Carmo, Filipe Miguel Brandão do. "O ideal e o real." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2018. http://hdl.handle.net/10400.5/18027.

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Dissertação de Mestrado Integrado em Arquitetura, com a especialização em Arquitetura apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.<br>O Japão é um lugar único no mundo. Devido à sua insularidade desenvolveu aspectos culturais singulares. Neste trabalho propomo-nos a estudar as características que definem a sua arquitectura e cidades. Para tal recuámos ao momento da sua concepção e idealização para percebermos os seus elementos e as dinâmicas que as compõem. Recorrendo a uma metodologia comparativa e a uma análise histórica, percorremos a e

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Massip-Bosch, Enric. "Five forms of emotion : Kazuo Shinohara and the house as a work of art." Doctoral thesis, Universitat Politècnica de Catalunya, 2016. http://hdl.handle.net/10803/393940.

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This research presents the work of the Japanese architect Kazuo Shinohara (1925-2006) and studies five of his residential designs as epitome of his oeuvre. lts development is understood as a continuous quest to reconcile two key elements, the house and the city, in order to put emotional the heart of domestic space. These two elements were present in his preoccupations from the beginning of his career but he only managed to merge them in his last designs. lt is based on the assumption that this is one of the first in-depth research studies developed beyond the conventional segmentation and ex

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Chan, Amy Beth. "Trembling Earth." VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1248.

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This thesis details the literary and visual influences in my work, the definition of American Gothic, and its connection it to my work. Literary sources such as Edgar Allan Poe and Fanny Kemble help spark a vision of the landscape. Visual influences include Japanese woodblock prints, scenic wallpapers, vintage postcards and Victorian mourning pictures. My regional explorations span the James River, Tidewater swamps and architecture within the city of Richmond.My work depicts local history and ecology inspired by Richmond and the surrounding region. Subtle Gothic elements add anxiety to the oth

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Ramos, Isabella. "Walking in The City: Koji Nakano’s Reimagining and Re-Sounding of The Tale Of Genji." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1037.

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Imagined Sceneries is a work written by composer Dr. Koji Nakano of Burapha University, Thailand for two sopranos, koto, light percussion, narrations, soundscapes recorded in Kyoto, Japan in December 2015, and digital projections of Ebina Masao’s 1953 print series Tale of Genji. Imagined Sceneries’ reimagining and “re-sounding” of Heian Kyoto relies on a balance between what is imagined and what is experienced in performance. Its many elements collectively explore multiple layers of Japanese histories, soundscapes, environments, and sensibilities. Using Michel de Certeau’s concepts of the city

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Anderson, Audrey Elizabeth. "Japanese architectural values through time : Frank Lloyd Wright's Usonian house and the creation of a modern Japanese-Usonian hybrid /." 2008. http://hdl.handle.net/10288/472.

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Chiang, Pei-Rung, and 江佩蓉. "The Study of Buddhist Architecture of Japanese Buddhism System in Taiwan Built during the Japanese Occupied Period." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/50410047283387784028.

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碩士<br>國立成功大學<br>建築學系<br>89<br>The process of Buddhist architecture has developed for more than 300 years in Taiwan . The 50 years of Taiwan Japanese-occupied period （1895 to 1945）play a role as transplant and transform. As a result of the spread of Japanese Buddhism to Taiwan, there suddenly appeared a large number of “Japanese style” Buddhist architecture in Taiwan. Owing to the difference of the cultural background between Taiwan and Japan, these architecture were completely different to the traditional “Taiwanese style” Buddhist architecture in spatial organization and built form, and their

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