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1
Sert, Gul Berrak. "A Survey On Photographic Representation In Architectural Magazine Covers: Covers Of Arredamento-mimarlik." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12608044/index.pdf.
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This study has an aim of exploring how a Turkish architectural magazine, Arredamento Mimarlik, communicates itself to the reader by its cover designs. Since, representation is a tool for architects to transmit ideas and express positions in the discipline of architecture, usage of representation in architectural media has a critical role to promote the communication in architecture.
The theoretical framework of the research based on the photographic image investigation of Roland Barthes. In the light of this investigation, the study cites that photographic images with accompaniment of texts transmit messages which construct the communicative role of magazine covers in architectural media. In the realm of predefined identity of a magazine, the interpretation of cover concept confronts with a critical position which identifies magazine&rsquo<br>s approach to both architecture and its mediatic character.
Since Arredamento-Mimarlik is a significant magazine which has a discursive approach on cover concept, the publication history and critical position of the magazine is investigated elaborately in the light of Bü<br>lent Erkmen&rsquo<br>s, the designer of the covers, and Ugur Tanyeli&rsquo<br>s, the managing editor, citations.
Through this survey on Arredamento Mimarlik covers, the representation of architecture in media through a significant representative tool-magazine cover- is studied in terms of signification character of image and text. In this sense, the critical role of magazine which orients the comprehension of architecture in society is emphasized as a discursive value in addition to magazine&rsquo<br>s informative character.
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ROSARIO, PINA GRICELYS. "Caribbean modernisms.The discourse on the modern dwelling in four architectural magazines, 1945-1960." Doctoral thesis, Politecnico di Torino, 2015. http://hdl.handle.net/11583/2618309.
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The dissertation examines the relationship between modernity, dwelling and architecture in the Caribbean through an analysis of the postwar disciplinary debates in four architectural magazines Arquitectura (Cuba), Proa (Colombia), Arquitectura/México (Mexico) and Integral (Venezuela). The complexity of the debates on the house shows how the definition of what was modern was not limited to the professional domain, but was simultaneously a cultural, political and disciplinary construction. This research adopts Bourdieu’s theoretical framework regarding the field of cultural production to examine the architectural magazines’ involvement in the production and reproduction of architectural knowledge, and their capacity to establish a common standard of living as the key criterion for modernity and to legitimate a professional practice faithful to the needs of modern living. The investigation reconstructs the collective imagery on the modern dwelling, by scanning all the production mechanisms – debates, advertisement, projects, ideas, technical progress and modernization processes – diffused and discussed through the architectural magazines, that had a critical ongoing impact on the domestic architecture culture.
There are three main narratives to this research: The modern image of the home, which analyses the single ideas, spatial and formal innovations and modernizing factors that shaped a common vision of the modern home, an approach that examines the house not as a unified entity but as one modeled by a series of paradigms, theories, programs and technological choices related to the cultural setting and its modernizing processes; collective housing: social housing and the tall urban building and the single-family house, proposes a transversal examination of the three housing typologies radically transformed by modernity in the Caribbean – or born with it – to observe the theories, projects and debates that defined the modern dwelling, through a review of the production apparatus behind the changes on each category, and that is, the institutions linked to its development, their impact on the various fields of the discipline, the changes on the architectural referents, the new spaces and programs to accommodate modern living ideals, the paradigm shifts caused by the implementation of new types supporting different social interactions, and the productive structures and modernizing forces that made essential, and possible, certain living standards.
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Suwatcharapinun, Sant. "Spaces of male prostitution : tactics, performativity and gay identities in streets, Go-Go bars and magazines in contemporary Bangkok, Thailand." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/10720/.
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This research explores the spatial practices of male prostitutes meeting gay male clients in various urban environments in Bangkok, Thailand. The research focuses on the male prostitutes’ spatial practices in three meeting places: the streets around Saranrom park, the gay go-go bars in Surawong’s Boys’ Town, and the representations of space in local gay newsletters. Examining the male prostitutes’ spatial practices through ‘tactics’, this research suggests that male prostitutes use the meeting places differently as ways of responding to the ‘strategies’ of gay male clients. This research also suggests that the tactics of male prostitutes can be examined by exploring the relationship between spatial practices and subjectivities. By exploring how specific performative acts constitute male prostitutes’ subjectivities, this research suggests that male prostitutes ‘perform’ homosexuality. This thesis draws upon Judith Butler’s performativity theory as a discursive mode of constituting subjects and Michel de Certeau’s theoretical discussion, specifically spatial practices of ‘strategies’ and ‘tactics’, as a means of differentiating between ‘place’ and ‘space’. Methodologically, this research works in two directions: the first explores how the spatial practices of male prostitution produce ‘gay’ subjectivities in the moment of sexual encounter – arguing that male prostitutes actively reposition themselves as ‘subjects’ rather than ‘objects’ through spatial and sexual practices; and the second examines the social and sexual constitution of space – arguing that ‘places’ are produced as ‘spaces’ through the practices and tactics of male prostitutes. This research aims to make an original contribution to knowledge in four main ways. The first is an exploration of the relationship between de Certeau’s spatial theory of ‘tactics’ and Butler’s concept of ‘performativity’ as a constitution of subjectivity. The second is the use of de Certeau and Butler’s theories to explore three spaces of male prostitution in contemporary Bangkok, Thailand, through observations drawn from interviews, accounts of spatial experience, and discussions of various representations of space. The third is a reconsideration of these theories of performativity and spatial practices in the light of the specific conditions of the case studies in Bangkok. The fourth is the production of new forms of cross-disciplinary knowledge to bring this discussion of tactics, performativity and gay subjectivities in streets, go-go bars and magazines into architectural history and theory, thereby producing new ways of understanding how spaces are produced through encounters and looks.
4
Silva, Maristela Siolari da. "Os periódicos de arquitetura e a formação da arquitetura moderna brasileira: tecnologia e habitação econômica (anos 1920 e 1930)." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/18/18142/tde-27112008-105251/.
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Neste trabalho pretendeu-se identificar nos discursos arquitetônicos dos periódicos de Arquitetura publicados no Rio de Janeiro e em São Paulo, entre 1920 e 1940, a presença de um pensamento tecnológico relacionado aos processos construtivos, ao estudo dos materiais, à recepção das concepções modernas, à problematização da habitação econômica, às possibilidades de uma arquitetura nacional e à propugnação das novas possibilidades construtivas, articuladas a um contexto propício à conformação da arquitetura moderna brasileira. Verificou-se que houve desenvolvimento tecnológico e introdução de indústrias de materiais de construção nacionais e que a consolidação da arquitetura moderna brasileira ocorreu de forma paralela, articulada, mas não dependente, ora se apropriando dos recursos tecnológicos já disponíveis, ora demandando novas soluções que respondessem às preocupações de linguagem, ora também operando no interior das dificuldades técnico-construtivas e, apesar destas, sendo realizada. Nesse processo, a questão habitacional se manteve à margem dos debates presentes nos periódicos do período, não conformando um novo programa vinculado ao novo estatuto da nova arquitetura.<br>This work aims at identifying, in the architectonical speeches of Architecture magazines published in Rio de Janeiro and São Paulo between 1920 and 1940, the presence of a technological thinking related to the constructive processes, as well as to the material study, reception of modern conceptions, problematization of the economic dwellings, possibilities of a national architecture and to the propagation of new constructive possibilities, articulated to a propitious context for the conformation of the Brazilian modern architecture. It was verified that there was a technological development and the introduction of national building material industries, and that the consolidation of the Brazilian modern architecture occurred in a parallel and articulated way, but not in a dependent one, sometimes taking hold of the already existent technological resources, sometimes demanding new solutions that would fulfill the language worries, sometimes operating in the inner of the technical-constructive difficulties, and despite them, being successfully performed. In this process, the housing matter stayed outside of the debates present in the periodical of the researched time, not conforming to a new program bounded to the new statute of the new architecture.
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Costa, Juliana Braga. "Ver nâo é só ver: dois estudos a partir de Flavio Motta." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-09062010-102456/.
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A dissertação trata das relações entre o campo intelectual da arquitetura e a atividade de projeto, na tentativa de reconhecer aproximações entre os projetos culturais, estéticos e políticos de vanguarda e a prática profissional. Nosso foco especifico é a interlocução de Flavio Motta com o meio arquitetônico em São Paulo, através de sua atividade crítica, da sua produção intelectual, do ensino de história da arte e das colaborações diretas que desenvolveu com alguns arquitetos. Partimos de uma breve apresentação de sua trajetória, sobretudo sua atuação como professor no MASP, no Curso de Formação de Professores de Desenho da FAAP e na FAU-USP. A partir daí, desenvolvemos dois estudos específicos: o primeiro se detém no texto que Motta escreveu como apresentação do número especial sobre o Brasil para a revista italiana Zodiac, em 1960; o segundo tem como foco o plano de atividades que ele propôs para o Pavilhão do Brasil em Osaka, na equipe vencedora do concurso, coordenada pelo arquiteto Paulo Mendes da Rocha, em 1970.<br>This essay addresses the relationships between the intellectual field of architecture and its design activities, in the attempt to recognize connections among cultural, aesthetics and political avant-garde projects, with professional practices. Our specific focus is the exchanges between Flavio Mottas work and the architectural environment of São Paulo, throughout his critical activity, as a professor of Art History, and his direct work with some architects. Primarily we begin with a brief presentation of Flavio Mottas path, stressing in his teaching activities at the MASP (São Paulo Art Museum), and as a professor at both Universities FAAP and FAU_USP. From there we develop two specific surveys: the first is centered in the introduction text that Motta wrote for the Zodiac Magazines special issue about Brazilian Architecture in 1960; the second focuses in the exhibition plan that he conceived for the Brazilian Pavilion project to the Osakas International Exhibition in 1970, which project was design by the architect Paulo Mendes da Rocha.
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Souza, Jacqueline Adriana Diorio de. "A prática profissional do arquiteto no Brasil: o debate em revistas especializadas (1962-1996)." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/102/102132/tde-02072013-144823/.
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Este trabalho estuda a prática profissional do arquiteto no Brasil, tomando como referência reportagens editadas em três periódicos especializados: \"Arquitetura: Revista do IAB\", \"Projeto: arquitetura, planejamento, desenho industrial, construção\" e \"AU - Arquitetura e Urbanismo\", no período compreendido entre os anos de 1962 e 1996. Realiza também uma revisão bibliográfica deste tema nos contextos internacional - com enfoque nos séculos XIX e XX - e nacional - do período monárquico até a virada da década de 1960. Analisa as atribuições da classe, o papel do ofício e os processos de formação profissional, dos ateliês às escolas. Investiga a heterogeneidade da categoria, as relações de trabalho entre profissionais liberais e assalariados e a composição de diversos tipos de escritórios de arquitetura. Verifica as conquistas e desafios relacionados à regulamentação e à remuneração profissionais. Aponta os diversos métodos de produção do projeto, com ênfase especial nas ferramentas informatizadas. Examina as principais características da interação arquiteto-cliente e as alterações no perfil desta clientela ao longo do período em análise.<br>This work studies the architect\'s professional practice in Brazil, having as reference articles published in three journals: \"Arquitetura: Revista do IAB\", \"Projeto: arquitetura, planejamento, desenho industrial, construção\" and \"AU - Arquitetura e Urbanismo\", between 1962 and 1996. It also makes a literature review of this topic in the international - with emphasis on the nineteenth and twentieth centuries - and the national - from monarchic period up to the turning of the 1960\'s - contexts. It analyzes professional assignments, the worker\'s role and professional education process, from ateliers to schools. It investigates the class heterogeneity, the working relationship between liberal professional and earners and the organization of different types of architecture offices. Moreover, it checks achievements and challenges related to professional regulation and remuneration; it points out different production methods of project, with special focus on computerized tools. Finally, it checks the main characteristics of architect-costumers interaction and the changes on this clientele\'s profile during the analyzed period.
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Grinover, Marina Mange. "Uma idéia de arquitetura: escritos de Lina Bo Bardi." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-01062010-113936/.
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Este trabalho de pesquisa refere-se à documentação da obra escrita da arquiteta ítalo-brasileira Lina Bo Bardi (1914-1992). A partir do levantamento de seu acervo escrito, estrutura o banco de dados para organizar a catalogação de seus textos com informações bibliográficas, dados das revistas e resumo de conteúdos, bem como faz a indicação dos acervos onde é possível encontrar os textos. Em paralelo, a pesquisa descortina o cenário intelectual das publicações nas quais a arquiteta trabalhou na Itália e no Brasil. Através do levantamento das ideias fundamentais de seus colegas na Itália racionalista de 40 a 46, do debate nas revistas e jornais como Domus, Casabella, Lo Stile, Grazia, apresenta-se o contexto no qual a arquitetura moderna se consolidou no país. Os discursos transitavam entre as definições estéticas e técnicas do racionalismo e as posições político-sociais. Lina Bo Bardi, recém formada, absorveu este debate de modo estrutural para a atividade profissional desenvolvida no Brasil. O trabalho aborda também o panorama das ideias de arquitetura no Brasil modernista e pós Brasília percorrendo o período de 1947 a 1985 para estruturar o percurso do trabalho escrito da arquiteta imigrada. Elaborando sua ideia de arquitetura nas revistas Habitat, Mirante das Artes, Malasartes, ou jornais da época, Lina Bo Bardi colaborou para a difusão da arquitetura moderna nacional valorizando a construção de uma cultura urbana ancorada nas experiências das vanguardas modernas europeias e de um sentido desalienado para o léxico popular. A pesquisa publica ainda, fac-similares de artigos ao longo do texto sobre este estado de questões no campo da arquitetura na Itália e no Brasil. Eles estão articulados ao panorama de conceitos e debates no qual forjou-se a ideia de arquitetura de Lina Bo Bardi.<br>This work refers to the written documentation about the Italian-Brazilian architect Lina Bo Bardi (1914-1992). It is the result of a survey of the archives of her written works. It structures the data bank to organize the catalog of her texts which contain bibliographic information, data from magazines and abstracts, and it indicates the archives where the texts are. Also, this research unveils the intellectual scene of the publications in which the architect worked both in Italy and in Brazil. Through the survey of her colleagues fundamental ideas in the 1940-46 rationalist Italy and the debate in magazines and newspapers such as Domus, Casabella, Lo Stile, and Grazia, the context in which modern architecture consolidated in the country presents itself. The discourse variegated between the aesthetic and technical definitions of rationalism and the social-political positions. Lina Bo Bardi, newly graduated then, absorbed this debate in a structural fashion into her professional activities in Brazil. The research also addresses the panorama of ideas on architecture in modernist Brazil post-Brasília from 1947 to 1985 to structure the pathway of the written works of the immigrant artist. Elaborating her ideas on architecture either in magazines such as Habitat, Mirante das Artes, Malasartes, or in newspapers from that period, Lina Bo Bardi collaborated with the diffusion of the national modern architecture, emphasizing the construction of an urban culture based on the state of the art experiences in modernist Europe, and on a non-alienated sense for the popular lexicon. The research also publishes facsimiles of articles about this state of questions in the architectural field both in Brazil and in Italy. They are articulated to the scenery of concepts and debates in which Lina Bo Bardis idea of architecture was steadily built.
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Brancas, António Manuel Quintas. "A prática social do arquiteto na habitação económica da década de 1920 e a sua divulgação n´A Achitectura Portugueza." Master's thesis, Universidade de Évora, 2020. http://hdl.handle.net/10174/27792.
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No início do século XX a industrialização promoveu a oferta de trabalho nas grandes cidades, dando
origem a um carência de habitação económica. O aumento da população verificado nas grandes
cidades na década de 20 causa novos problemas de salubridade e higiene, a que os arquitectos
procuram dar resposta, quer em artigos de opinião quer na elaboração de projectos de arquitectura,
que se publicam em periódicos de arquitectura e construção.
Ao identificar-se a necessidade de promover, projectar e construir habitação económica, procurou-se investigar como se expressa na prática profissional do arquitecto a resposta a este problema,
explorando a sua divulgação na 1ª série da revista A Architectura Portugueza (1908-1929).
A metodologia estabelecida permitiu concluir que, face a uma necessidade social premente nos
meios urbanos, houve uma resposta da classe profissional à necessidade de construir habitação
económica condigna e confortável, que se divulgou nos periódicos de arquitectura; ABSTRACT:
In the beginning of the 20th century industrialization promoted the supply of work in large cities,
giving rise to a shortage of economic housing. The increase in the population observed in large cities
in the 20’s creates new health and hygiene problems, to which architects seek to respond both in
opinion articles and in the design of architectural projects, which are published in architectural and
construction journals.
By identifying the need to promote, design and build economic housing, it was sought to research
how the answer to this problem is expressed in the architect’s professional practice, exploring its
dissemination in the 1st series of the magazine A Architectura Portugueza (1908-1929).
The established methodology led to the conclusion that, in view of a pressing social need in urban
areas, there was a professional class response to the need to build decent and comfortable economic
housing, which was disseminated in architectural journals.
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Salomon, Gitta B. "Design and implementation of an electronic special interest magazine." Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/15057.
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Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1986.<br>MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.<br>Bibliography: leaves 81-86.<br>Electronic publishing has been established as a unique means for providing information in an interactive and personalized manner. Although scholarly journals have been published electronically, large circulation magazines have not. The trend in these popular magazines towards more specialized content makes their electronic publication particularly attractive. This thesis explores the possibilities for such a publication. A system has been developed which assembles and displays an electronic magazine containing both editorial content and advertisements of specific interest to an individual. Useful methods of interaction with the magazine are provided. The material is presented in a stylized and entertaining manner, in keeping with the nature of popular magazines.<br>by Gitta B. Salomon.<br>M.S.V.S.
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MARCHETTI, GUSTAVO. "DESIGN REVIEW: ARCHITECTURE AND PHOTOGRAPHY IN MÓDULO MAGAZINE (1955-1965)." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2016. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=32491@1.
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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>O presente trabalho apresenta uma reflexão sobre a relação entre arquitetura e fotografia no contexto das revistas especializadas ao longo do período de modernização acelerada que se deu no Brasil a partir da década de 1950. Com o amparo de uma investigação sobre o histórico da fotografia de arquitetura e da consolidação do modelo de revista ilustrada moderna, foi realizada uma breve análise gráfica da revista Módulo em seu primeiro período de circulação (1955-1965), com o objetivo de verificar na publicação elementos identificados na pesquisa e discutir a importância da memória gráfica na historiografia da arquitetura moderna brasileira.<br>This work presents an examination on the relationship between architecture and photography concerning the specialized magazines through the rapid process of modernization that took place in Brazil from the 1950s. Supported by an investigation on the history of architectural photography and the development of the modern illustrated magazine standard, we conduct a brief graphical analysis of the first circulation phase of Módulo magazine (1955-1965), aiming to relate some of the publication aspects to the research made and ratify the
importance of graphic memory to the Brazilian modern architecture historiography.
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Dedecca, Paula Gorenstein. "Sociabilidade, crítica e posição: o meio arquitetônico, as revistas especializadas e o debate do moderno em São Paulo(1945-1965)." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-10072012-130257/.
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Esta dissertação pretende discutir a unidade e a pluralidade no meio arquitetônico paulista, a partir de suas redes de sociabilidade, espaços de profissionalização e movimentações críticas, tendo como material primário as revistas especializadas publicadas na cidade no período de 1945 a 1965. Trata-se de percorrer a dupla direção das relações entre um grupo intelectual - uma parcela de arquitetos atuantes na cidade - e suas manifestações, procurando traçar o espaço particular no qual se desenvolveram parte de seus laços profissionais, de suas trocas culturais e ideológicas, e de seus posicionamentos projetuais. Operando na intersecção entre espaço urbano, organizações culturais, instituições profissionais e acadêmicas, o primeiro capítulo procura traçar as redes de sociabilidade dos arquitetos em São Paulo. O segundo capítulo busca percorrer os meandros da crítica paulista - suas aproximações, desarticulações, rupturas e deslocamentos críticos - a partir de seus diálogos internos e dos diversos olhares lançados sobre a arquitetura contemporânea no Brasil, principalmente aquela produzida no Rio de Janeiro. Por fim, o terceiro capítulo é uma tentativa de aproximação das interlocuções projetuais entre os arquitetos locais através da análise de alguns dos concursos de arquitetura realizados em São Paulo no período e que encontraram eco nas revistas de arquitetura locais.<br>This work intends to discuss the unity and plurality of the architectonic environment of São Paulo, through their social networks, professional spaces and critical movements, using as primary source some specialized magazines, published in the city between 1945 and 1965. The study will investigate the relationship between an intellectual group - a parcel of architects working in São Paulo - and its manifestations, seeking to understand the particular space in which some of its professional ties, cultural and ideological exchanges, and projetual attitudes were developed. The first chapter seeks to outline the social networks of those architects, through the intersection of urban space, cultural, professional and academic institutions. The second chapter studies the local criticism - their intellectual approaches, disarticulations, fractures and dislocations - across their inner dialogues and their different looks launched on Brazilian contemporary architecture, especially the one produced in Rio de Janeiro. Finally, the third chapter aims to approach the projectual dialogues between the local architects through the analysis of some architectural competition held in São Paulo in the period and that found an echo in local architecture magazines.
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Gonzalez, Robert Alexander. "Sunset magazine : in search of a house for western living." Thesis, Massachusetts Institute of Technology, 1993. http://hdl.handle.net/1721.1/66754.
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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1993.<br>Includes bibliographical references (leaves 125-126).<br>This thesis inquires into Sunset's activity as a home magazine in the 1930s and 1940s. In viewing this period, this study draws from Sunset's entire history: from its inception in 1898 as a travel brochure for Southern Pacific Railroad, through a period as a literary magazine, through the late 1940s when it was already recognized as a leading western home magazine. In the 50th Anniversary issue, the editors reflected on the magazine's accomplishments and concluded that Sunset had been a "constructive and helpful influence in the development of Western homes and Western home life." This thesis investigates the extent of Sunset's interaction within this development. Three separate enterprises that reveal the magazine's attempt to define domesticity for the 'westerner' will be outlined in this thesis. First, spanning Sunset's first fifty years, a construction of a concept called Western Living is revealed by following the development of the magazine's departments and subtitles. Second, focusing on a period that begins with the Great Depression and ends with the postwar migration to the suburbs, Sunset's involvement in a search for the appropriate 'western' home unfolds through a study of a series of articles. This endeavor deemed the Ranch Style house as the 'western' house, and with that, the magazine's Western Living construct was completed. Finally, a study of Sunset's exploration of the 'backyard' and the relationship between the house and the constrained and ubiquitous lot ends this investigation. The author of this thesis presents the first comprehensive study of Sunset's mode of operation as a home magazine. It is the intent that this inquiry will initiate a discussion regarding the role of the popular home magazine as an operative variant of architectural discourse.<br>by Robert Alexander Gonzalez.<br>M.S.
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Silva, Naiane Marcon da. "As revistas Acrópole e Habitat e a consolidação da Arquitetura Moderna Brasileira (1950-1956)." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/102/102132/tde-04092017-122658/.
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Este trabalho analisa as revistas Acrópole e Habitat, publicadas na cidade de São Paulo, entre 1950 e 1956, buscando compreender sua relação com a difusão e construção do ideário e prática modernos ao longo destes anos. A pesquisa parte da compreensão da década de 1950 em sua dimensão de momento de disputa pela hegemonia do campo arquitetônico moderno em expansão, ainda em aberto, antes da consolidação que a arquitetura nascida com Lúcio Costa e desenvolvida por Oscar Niemeyer encontrou em Brasília; e antes da constituição de um grupo coeso em torno da arquitetura pautada na preocupação social e na técnica construtiva referenciado em São Paulo. Para tanto, busca identificar e compreender, no conteúdo das revistas, os posicionamentos que se destacavam e as narrativas sendo costuradas diante dos debates em pauta, bem como as características da produção arquitetônica documentada e divulgada; tudo isso a partir das particularidades e transformações pelas quais Acrópole e Habitat passaram neste período<br>This dissertation analyzes Acrópole and Habitat magazines, published in São Paulo city, between 1950 and 1956, in order to understand their relationship with the progress of Modern Architecture principles and practices through those years. The research is based on the understand of 1950s decade as a moment of discussions about the expanding modern architecture field, before the consolidation of Lúcio Costa and Oscar Niemeyer\'s architecture in Brasilia, and before there was a cohesive group in São Paulo based on social ideals and technical building elements. Therefore, the research investigates the magazines standpoints and opinions within the current debates, as well as the published architecture characteristics, based on Acrópole and Habitat magazines aspects and transformations through that time
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Smith, Elizabeth A. "Living in the American style : an analysis of House Beautiful magazine, 1935-1955." Thesis, Manhattan, Kan. : Kansas State University, 2009. http://hdl.handle.net/2097/2363.
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Patteeuw, Véronique. "Architectes sans architecture : le dispositif éditorial et les aspirations a la figure de l’architecte-intellectuel : Paris, 1958-1974." Thesis, Paris Est, 2016. http://www.theses.fr/2016PESC1009.
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La période qui s'étend de la fin des années 1950 à la fin des années 1970 est marquée, en France, par de profonds bouleversements sur le plan politique, économique et social ; bouleversements qui trouvent un écho dans les grandes questions qui traversent le champ architectural. On passera de la Reconstruction de la France toute azimut à la crise urbaine, et du constat d'échec de l'urbanisme moderne au retour à la question de la ville, de l'histoire et des fondements de la discipline architecturale. Cette mutation est vécue et nourrie par la génération des architectes-intellectuels formés dans les années 1960 à l'Ecole Nationale Supérieure des Beaux-Arts à Paris. Ayant contribués à la mise en abîme des structures pédagogiques de leur école, ces élèves-architectes sont devenus les acteurs principaux de la fondation des Unités Pédagogiques d'Architecture et de la naissance de la recherche architecturale en France. Portés par la question de l'autoreprésentation, ils revendiquent l'importance d'une ré-intellectualisation de leur discipline et se positionnent à l'encontre d'une pratique architecturale pragmatique. Leurs actions s'expriment, s'articulent et se concrétisent au sein d'une série de revues initiées, fondées et/ou investies par ces acteurs même. Si la question de l'autoreprésentation devient le référentiel et l'enjeu central de ces architectes, c'est au travers de leurs activités éditoriales qu'ils repensent leur enseignement, leur métier et leur pratique. L'objectif de la thèse est de mettre en évidence, d'une part le renouvellement des problématiques et des aspirations de ces architectes français, et d'autre part le rôle productif du dispositif éditorial dans la conception des nouvelles représentations qu'ils proposent. Si leurs activités éditoriales permettent d'articuler les relations entre le champ architectural, leurs positions et leurs aspirations, elles mettent également en évidence en quoi les outils éditoriaux à disposition construisent les différentes facettes de la figure de l'architecte-intellectuel qu'ils désirent devenir. La thèse vise à éclairer l'implication des activités éditoriales sur la pensée architecturale des années soixante, sur le décloisonnement de la pédagogie architecturale et sur la mutation de l'autoreprésentation des jeunes architectes. Elle démontre également en quoi ces revues ont contribué à la mise entre parenthèse de la pratique architecturale qui aboutit in fine à des architectes sans architecture<br>In France, the period that stretches from the end of the 1950s to the end of the 1970s is marked by major political, economic and social upheavals. These upheavals reverberate in the pressing questions that permeate the architectural field, which passes from the Reconstruction of France to urban crisis, and from the assessment of the failure of modern urbanism, to return to questions of the city, history and the foundations of the discipline of architecture. This transformation was experienced and fostered by the generation of architect-intellectuals trained in the 1960s at the Ecole Nationale Supérieure des Beaux-Arts in Paris. Having contributed to the critical evaluation of the pedagogical structures of their school, these student-architects became the principal actors of the foundation of the Unités Pédagogiques d'Architecture, and of the birth of architectural research in France. Driven by the issue of self-representation, these architects insisted upon the importance of a re-intellectualization of their discipline, and positioned themselves in opposition to a pragmatic architectural practice. Their actions were expressed, revolved around, and were concretized by a series of magazines initiated, founded and/or actively contributed to by these same actors. If the issue of self-representation became the frame of reference and the central concern for these architects, it is through their editorial activities that they rethought their teaching, their profession and their practice. The aim of this dissertation is to highlight on the one hand, the renewal of the issues and aspirations of these French architects, and on the other, the productive role played by the editorial apparatus in the elaboration of the new representations that these actors proposed. If their editorial activities enabled them to articulate the relationships between the architectural field, their positions and their aspirations, they also highlighted to what extent these available editorial tools constructed the different facets of the figure of the architect-intellectual that these young architects wished to become. The dissertation seeks to illuminate the implications of these editorial activities on architectural thought during the 1960s, on the breaking down of established architectural pedagogy, and on the transformation of the self-representation of these young architects. The dissertation also demonstrates to what extent these magazines contributed to the putting aside of architectural practice, and ultimately, to architects without architecture
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Reijo, Stella. "Scan, Cut, Unfold : A Critical Analysis of The Swedish Review of Architecture." Thesis, KTH, Arkitektur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-169196.
Full textAbstract:
I have zoomed in and out, cut and pasted, simplified and exaggerated my way through twelve shelf metres of Swedish architecture history. My ambition with this project has been to understand how Swedish architecture has been narrated in The Swedish Review of Architecture - tidskriften Arkitektur - during the 113 years the publication has existed. Has its "dramaturgy" changed and is this reflected in the development of Swedish design? Through using the architectural skills I have developed through my education, I was able to use the relatively simple, yet complex technique of photomontage as a means of analysing historical images. Each montage, once composed, vividly suggest certain tendencies of different historical periods, from the use of material, the social ways in which spaces are inhabited, the way light is managed, and so forth. I developed this method of photomontage because it exposes much more than documentary photography and writing. The project suggest an active engagement in history, rather than a passive acceptance of thing that have been. The final spreads can be read as retrospective and visionary simultaneously, to open up for several readings, and a possibility to keep on producing more material.<br>Sedan 1901 har tidskriften Arkitektur dominerat den svenska arkitekturscenen. Det är en viktig historisk källa, inget annat tidskriftsarkiv innehåller en sån stor mängd svensk arkitektur.I mitt examensarbete har jag försökt definiera hur tidskriften har skildrat den svenska arkitekturen. Hur har detta förändrats under de 113 år tidskriften har existerat? Fokus för min undersökning har varit presentationer av villor och sommarhus. Med hjälp av digitala verktyg har jag zoomat in i materialet, klippt och klistrat och byggt upp nya verkligheter som ger en ny bild av berättelsen om svensk arkitektur.
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PRENCIPE, MONICA. "Building exchanges (1895-1953). International Exhibitions and Swedish resonances in Italian Modern Architecture." Doctoral thesis, Università Politecnica delle Marche, 2018. http://hdl.handle.net/11566/253126.
Full textAbstract:
Questo lavoro fa parte di una più ampia ricerca sul rapporto tra l’Italia e i Paesi Nordici, guidata dal prof. Antonello Alici presso l'Università Politecnica delle Marche. Il lavoro è stato organizzato cronologicamente, attorno all'analisi di articoli italiani sul tema paesi nordici e di materiali d'archivio originali, tracciandone i rapporti reciproci con il pubblico italiano, e concentrandosi su viaggi ed esposizioni architettoniche e artistiche.
In particolare, la ricerca si concentra sugli eventi legati alla nazione –la Svezia– che per prima ha avuto l'introduzione più rilevante nel panorama italiano, a partire dalla prima Biennale veneziana nel 1895.
Il primo capitolo indaga la genesi di questo rapporto prima dell'inizio della prima guerra mondiale, grazie al contributo di persone come Vittorio Pica e Ferdinand Boberg.
Il secondo capitolo affronta le conseguenze della prima guerra mondiale, con l'emigrazione del futurista Arturo Ciacelli (1883-1966), l'incisore Guido Balsamo Stella (1882-1941) ed i viaggi dell'architetto Giuseppe Broglio (1874-1956).
Il terzo capitolo si concentra sui due decenni fascisti, concentrandosi sul ruolo di istituzioni come la Triennale di Milano e l'Istituto Svedese di Studi Classici a Roma.
Infine, l'ultimo capitolo esamina il periodo del dopoguerra, quando l'ammirazione italiana per il design e l'architettura svedese ha trovato risonanze interessanti sia nei piani INA Casa che in alcuni progetti espositivi, nel lavoro di architetti quali Piero Bottoni (1903-1973), Piero Maria Lugli (1923-2008), Gio Ponti e Franco Albini (1905-1977).
La ricerca ha evidenziato come le nuove Istituzioni, sulla scia di quelle fondate nei decenni precedenti, come l'Istituto Svedese (SI) e l'Istituto Italiano di Cultura di Stoccolma (IIC) –oggi ancora attive– abbiano avuto un ruolo fondamentale nel propaganda internazionale.
Infine, la ricerca vuole mettere in luce come questa complessa combinazione di esperienze personali, riviste (di arte e architettura) e istituzioni costituisca il vero sfondo per storici come Bruno Zevi (che fu il primo a inserire tre maestri nordici nel suo pamphlet Verso un'architettura organica) e Leonardo Benevolo, che nel 1960 riconobbe il ruolo di aree ‘periferiche’ come la Svezia e la Finlandia, nella sua Storia dell'architettura moderna.<br>This work is part of a wider research on the relationship between Italy and the Nordic countries, headed by prof. Antonello Alici at the Università Politecnica delle Marche. The work is organized chronologically around the analysis of both Italian articles on Nordic countries and original archival materials, tracing back the mutual relationships with the Italian audience, focusing on artistic and architectural travels and exhibitions. In particular, the research focuses on the events related to the nation –Sweden– which first had the most relevant introduction into Italian Architecture since the first Venetian Biennale in 1895.
The first chapter investigates the genesis of this relationship before the beginning of the First World War, thanks to the contribution of figures as Vittorio Pica and Ferdinand Boberg.
The second chapter deals with the consequences occurred after the First World War, with the emigration of the futurist Arturo Ciacelli (1883-1966), the engraver Guido Balsamo Stella (1882-1941) and the travels of the architect Giuseppe Broglio (1874-1956).
The third chapter concentrates on the two Fascist decades, focusing on the role of Institutions like the Triennale in Milan and the Swedish Institute of Classical Studies in Rome.
Finally, the last chapter examines the Post-war period, when Italian admiration for Swedish design and architecture found interesting resonances both in the INA Casa plans as well as in some exhibition projects, in the work of Italian architects like Piero Bottoni (1903-1973), Piero Maria Lugli (1923-2008), Gio Ponti and Franco Albini (1905-1977).
The research highlights how the new Institutions, on the heels of the ones founded in the previous decades, like the Swedish Institute (SI) and the Italian Institute of Culture in Stockholm (IIC) –both still active nowadays– had a fundamental role in the International propaganda.
Finally, the thesis discusses how this complex combination of personal experiences, art and architectural magazines and official institutions formed the real background for an historian like Bruno Zevi, who was the first to insert three Nordic masters in his seminal pamphlet Verso un’architettura organica, and Leonardo Benevolo, who in 1960 recognized the role of ‘peripheral’ areas like Sweden and Finland, in his History of Modern Architecture.
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Usalp, Melike. "Potential For Popular Dissemination: An Analysis Of The &." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12607280/index.pdf.
Full textAbstract:
POTENTIAL FOR POPULAR DISSEMINATION:
AN ANALYSIS OF THE &<br>#8216<br>IDEAL HOME&<br>#8217<br>DISCOURSE IN THE
WEEKLY YEDiGÜ<br>N MAGAZINE
TUNCER, Melike Usalp
M.Arch. in Architecture, Department of Architecture
Supervisor: Assoc. Prof. Dr. Ali Cengizkan
April 2006, 179 pages
The social transformations beginning by the end of the nineteenth
century and the political and economic changes of the Early
Republican Era (1923-1938) and the Transition Era (1938-1950) had
important effects on Turkish architecture. The effects of the &<br>#8216<br>new&<br>#8217<br>and &<br>#8216<br>ideal&<br>#8217<br>life accelerated by the establishment of the new
democratic nation state brought rapid changes and transformations
to all aspects of life including housing. This study deals with the
housing discourse in Yedigü<br>n magazine which was published weekly
during the single party era of the Republic. It was published weekly
from 1933 to 1950 and was followed by a wide portion of the
society, as an important popular magazine of the era. Its effort to
present articles, pictures and news on housing and decoration for 17
years, with only short interruptions, makes it necessary to
investigate these popular architectural products. In this study, it is
claimed that the visual and the written material of Yedigü<br>n
magazine, related to house, is part of the theme of what is called
&<br>#8216<br>ideal home&<br>#8217<br>. The investigation and analysis of the &<br>#8216<br>ideal home&<br>#8217<br>2
discourse in Yedigü<br>n magazine as a whole is useful in improving
one&<br>#8217<br>s understanding of the modernization practices of the newly
established Republic of Turkey. Two methods are used in order to
understand the visual and written materials in the magazine: the
first one is the Visual Analysis Method described in the book
&<br>#8216<br>Reading Images: The Grammar of Visual Analysis&<br>#8217<br>by Gunther Kress
and Theo van Leuween. The aim by using this method is to decipher
the relationship of the representative medium with the reader, treat
the material as a whole. The second method is the analysis of the
whole material in the context in relation with the architectural,
political, social and economical events of the period, to investigate
the construction processes of the discourse. Therefore, this study
aims at understanding the action-reaction potential of the tools of
the &<br>#8216<br>ideal home&<br>#8217<br>discourse of the Yedigü<br>n magazine, by deciphering
the visual and written material. Some results of the thesis show us
that<br>both Arkitekt and Yedigü<br>n magazines follow the agenda of the
foreign publications in a similar way<br>the foundation for a sort of
&<br>#8216<br>collective union&<br>#8217<br>namely &<br>#8216<br>housing cooperatives&<br>#8217<br>was set, by keeping
individual home acquisition constantly on the agenda<br>problems of
the new and modern life were tried to be addressed by Yedigü<br>n
as well as in the current architectural publications<br>these home
presentations may be judged as &<br>#8216<br>a catalogue of idealized ideas&<br>#8217<br>or
&<br>#8216<br>two dimensional advice manual&<br>#8217<br>, for early Republican Era home
icons.
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Almeida, Maisa Fonseca de. "Revista Acrópole publica residências modernas: análise da revista Acrópole e a sua publicação de residências unifamiliares modernas entre os anos de 1952 a 1971." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/18/18142/tde-02022009-143405/.
Full textAbstract:
Analisa e interpreta o desenvolvimento de tipologias espaciais e plásticas dentro da produção arquitetônica de residências modernas unifamiliares. Assim como, as soluções de seus ambientes e sua relação com a cidade no contexto dos seus condicionantes históricos, sociais, econômicos, tecnológicos e culturais no quadro da arquitetura brasileira. Questionando e verificando a existência da pertinência de uma tipologia espacial particular no interior do movimento moderno brasileiro que dê sustentação à formulação de uma distinção característica, a qual possui suas próprias particularidades diante do veio mais expressivo do modernismo brasileiro. Para tanto, utiliza como referência, as publicações deste gênero na revista Acrópole, considerada o periódico brasileiro especializado em arquitetura de maior período de funcionamento e publicações no Brasil (maio de 1938 a dezembro de 1971), desde sua mudança editorial, em setembro de 1952, a seu término, em dezembro de 1971. Esta revista sediada na cidade de São Paulo centra-se em expor obras residenciais unifamiliares, em sua maioria, na própria cidade, em um período em que a arquitetura moderna brasileira intensifica o debate sobre a sua produção teórica e prática, e esta cidade encontra-se em pleno processo de crescimento demográfico e desenvolvimento industrial. Diante desta intensificação das ações culturais, conjuntamente às discussões e apreensões em diversas escalas dos ideais de modernização e modernismo, a arquitetura brasileira desenvolve-se, retrabalhando suas dimensões modernas e adquirindo características consideradas particulares, vistas como conformadoras de uma identidade nacional. Por fim, este trabalho busca expor a grande diversidade arquitetônica que caracterizava a arquitetura moderna em São Paulo, verificando distinções divergentes de sua vertente maestra, a partir do momento em que adquire qualidades próprias e singulares da considerada \"escola carioca\". Esta maior pluralidade arquitetônica a qual se procura verificar explora conjuntamente as novas teorias, as novas características materiais e as possibilidades trazidas pela tecnologia dos novos materiais oferecidos na construção civil. Questões que foram incorporadas com maior pluralidade na arquitetura brasileira do que a simples aplicação de uma nova teoria poderia sugerir, principalmente, no período que antecede a definição de seu modelo reconhecido como hegemônico dentro da arquitetura moderna.<br>It examines and interprets the development of spatial and plastic typologies in the production of architectural modern single homes. Their environments and relationship solutions related with the city in the context of their historical, social, economic, technological and cultural features as part of a brazilian architecture. Questioning and verifying the existence of a particular typology in the brazilian\'s modernism movement supporting the formulation of a distinguished feature, which has its own particularities inside the more expressive brazilian\'s modernism vein. According to the Acrópole magazine, a brazilian periodical specialized in architecture with the longest period of publications in Brazil (May 1938 to December 1971). This magazine based in the city of Sao Paulo focused on publishing single homes works, mainly in that city. This work uses as its reference temporal scale the magazines editorial change, since September 1952 (until December 1971). This period is considered the mainly search of resource in this essay when the brazilian modern architecture intensifies its theoretical and practical production debate. When the city\'s population was growing and the industrial sector was developing. The intensification of its cultural activities and modernization discussions was incorporated in a different scale of the modernity idea. At the same time the brazilian architecture develops itself working its own dimensions and acquiring modern particular features such as a national identity former. All in all, this essay demands to expose the architectural diversity in the modern architecture in Sao Paulo, verifying distinctions in its mainly slope from the moment it acquires its single and particular features distinguishing itself from the Rio de Janeiros school. Finally, this architectural plurality which this essay verifies explores new theories, guaranteed by new materials features and possibilities brought by the new technology offered in the building system. These issues have been incorporated with more plurality in the Brazilian architecture than a new theorys simple application might suggest, mainly in the previous period of its model recognized as hegemonic in the modern architecture.
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Plehwe, Livia. "G-Material zur elementaren Gestaltung (1923-1926) : une revue au croisement des avant-gardes artistiques et architecturales sous la République de Weimar." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL187.
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Cette étude est consacrée à la revue G : Material zur elementaren Gestaltung, publiée par Hans Richter à Berlin entre 1923 et 1926. Située au croisement de Dada, De Stijl, du Bauhaus et du constructivisme russe, G réunit un groupe hétérogène d’artistes, d’architectes et de cinéastes d’avant-garde, parmi lesquels on compte notamment Theo van Doesburg, Mies van der Rohe, El Lissitzky, Ludwig Hilberseimer, Kurt Schwitters, Hans Arp, Werner Gräff et Viking Eggeling. Après l’analyse des aspects concrets de sa publication (édition et diffusion), de son format et design graphique, et après la reconstitution des étapes de sa fondation autour du collectif spécifique que formait le « groupe G », nous étudions l’ancrage de G dans le réseau international des revues, en mettant en lumière sa fonction de plaque tournante entre les avant-gardes d’Europe de l’Ouest et d’Europe centrale, de l’Est et de Russie. Nous examinons ensuite la spécificité de son projet esthétique, articulé autour de la « configuration élémentaire » [elementare Gestaltung] de divers matériaux (articles, photographies, objets d’art et d’architecture, objets techniques, objets de mode et de loisirs) selon le principe de l’économie des moyens. Nous réinscrivons enfin le projet artistique et intellectuel de la revue dans la dimension politique contemporaine, en montrant que son engagement réside dans sa dynamique internationaliste et collective, dans le potentiel émancipateur qu’elle accorde aux nouveaux médias (exploiter les possibilités du médium filmique pour transformer la perception sensible) et dans sa volonté de reconfigurer radicalement l’environnement matériel et culturel de l’homme<br>This study focuses on the magazine G : Material zur elementaren Gestaltung, published by Hans Richter in Berlin between 1923 and 1926. Standing at the crossroads of Dada, De Stijl, Bauhaus and russian constructivism, G brought together an eclectic group of avant-garde artists, architects and filmmakers (among which Theo van Doesburg, Mies van der Rohe, El Lissitzky, Ludwig Hilberseimer, Kurt Schwitters, Hans Arp, Werner Gräff and Viking Eggeling). After the analysis of the concrete aspects of its publication (edition and distribution), of its format and graphic design, and after the reconstruction of the different steps of its foundation around the specific constellation formed around the “Group G”, we examine G’s connection to the international network of avant-garde magazines, by showing its turntable role between the avant-gardes of Western and Central-Eastern Europe and Russia. We then analyse its specific aesthetic project, based on the “elemental configuration” [elementare Gestaltung] of various materials (articles, photographs, artistic and architectural objects, technical objects, fashion and leisure objects), according to the principle of the economy of means. Finally, we resituate G’s artistic and intellectual project within the contemporary political dimension, by showing that its engagement consisted in its internationalist orientation and collective organisation, in the emancipatory potential assigned to new media (one main objective was to exploit all the possibilities of film medium in order to transform human perception) and in its desire to radically reconfigure the material and cultural environment of human being
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Lin, Shao-ping, and 林紹萍. "A Study Of Visual Information and Information Architecture Findability In Electronic Magazines." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/whygd7.
Full textAbstract:
碩士<br>國立臺灣科技大學<br>設計研究所<br>99<br>With the rapid development of digital technology and the coming of paperless era, reading e-information has almost become a part of daily life. Under the situation of massive information, it is important to rapidly search for and grasp the information one needs. However, because there are many information resources and the quality varies, a great deal of unprocessed information may lead to the phenomena of incomplete information and information interference. Therefore, users tend to lose their directions after reading for a while. As a result, it is important to provide user-based visual information presentation and information architecture in an e-reading system to enable users to find the information they need.
Taking e-magazines in Taiwan for example, current e-magazines usually directly transform the content in the hardcopy into “actual e-version of the magazine” and integrate with different reading devices to enable users to read online or off-line after downloading the contents. Because different cognitive behaviors may be developed during the browsing and reading of different media, it is necessary to investigate whether it is easy for users to find and use the information via the visual information presentation and information architecture of e-magazines. Past studies on information architecture focused on the depth and width of information architecture, and seldom investigated the relationship between visual information presentation and information architecture. Based on the investigation on relevant literature, this study intend to understand the current development of e-magazines in Taiwan, use KJ approach to generalize the information architecture of e-magazines, use user task to conduct an experiment, and use perception scale to investigate the correlation between visual information and information architecture of e-magazines.
22
Chang, Ya-Ming, and 張雅銘. "A Study of the External Space Planning for Housing - Sample Cases are obtained from relevant architecture magazines-." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/54229457239248830943.
Full textAbstract:
碩士<br>國立雲林科技大學<br>空間設計系碩士班<br>90<br>This study is mainly through the real cases posted on the domestic relevant architecture magazines to examine the historical state of external space planning for
“Single Housing and Condominium”. The purpose is for the designer to explore the tendency of planning methods for the construction style for external space, space allotment, and the formation of outside realm for buildings, and also control the demands of the inhabitants. The study method is from an independent sample to analyze its graphical data, planning ideas, and the housing external spaces. Also, the sample showing “the elemental construction analysis relationship” between the building assembles and the units.
This study concludes five results：
1. From these samples, the base surroundings of the buildings
are commonly adjacent to next buildings, roads, pedestrian
roads and etc, namely environments which are created by
humankind. In order to isolate these surroundings,
“enclosing walls” are mostly used to have the single-layered
border to distinct with the land base line.
2. Under the limitations of the width, depth, acre scale, shut
area ratio, construction allotments and other conditions, the
external space of single housing will establish
“Segregation” style and “Wrapped” style while the
condominium housing will have “Segregation”, “Wrapped”
and “Atrium” three styles。
3. The basic constituting units of the external space for
housing includes six functional spaces which are walking
path, leisure, exercising, water view, plants growing and
parking lots; among them, the plants growing is the most
popular one, whereas leisure and exercise space are tended to
be allotted in the backyard.
4. The planning of construction unit from external space whose
function is apparently determined, but its methods are
various.
5. The planning method for housing external space reflects the
consideration of privacy, security, leisure, and outside
communication between the inhabitants and the designers.
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Ibelings, Johannes. "The Story of the Story of Another Idea: Forum 1959-1963+1967." Doctoral thesis, 2019. http://hdl.handle.net/10316/90756.
Full textAbstract:
Tese de doutoramento em Arquitetura apresentada à Faculdade de Ciências e Tecnologia da Universidade de Coimbra<br>Entre 1959 e 1963, a revista de arquitetura holandesa Forum teve como editores Dick Apon, Jaap Bakema, Gert Boon, Aldo van Eyck, Joop Hardy, Herman Hertzberger e Jurriaan Schrofer. As vinte edições produzidas por esses editores — incluindo a edição final de julho de 1967 —, são um manifesto ‘em câmara lenta’, ou uma unidade coerente na qual cada número acrescenta um novo capítulo à História de uma outra Ideia — tema e título da primeira publicação dos novos editores, lançada em setembro de 1959, e apresentada durante a última reunião do CIAM em Otterlo.
Uma revista não é apenas um veículo para imagens e ideias, sendo ainda um produto impresso e tangível. A conceção da Forum, nos seus aspetos organizativos e financeiros, constitui também uma parte crucial de sua existência.
Embora a Forum seja frequentemente considerada como uma das frentes do Team Ten - no qual Bakema e Van Eyck tiveram um papel fulcral - o facto é que a sua direção editorial esteve muito vagamente ligada ao debate interno nesse movimento.
O paralelo mais relevante entre a nova Forum e o Team Ten — além do envolvimento de Bakema e Van Eyck em ambos —, reside no facto de cada um desses casos representar um ‘render da guarda’ geracional, e consensual, transição essa que foi não apenas bem aceite, como foi ativamente estimulada pela geração precedente.
As ideias da Forum circulam em torno da questão central do alojamento – estarmos em casa, encontrando o nosso o lugar no mundo —, em consonância com a nunca concluída Carta do Habitat, que os membros da CIAM vinham tentando formular desde 1953. Essas ideias encontram contexto no ambiente cultural europeu e norte-americano do pós-Segunda Guerra Mundial.<br>Between 1959 and 1963 the Dutch architecture magazine Forum was edited by
Dick Apon, Jaap Bakema, Gert Boon, Aldo van Eyck, Joop Hardy, Herman
Hertzberger and Jurriaan Schrofer. The twenty issues produced by these
editors, which included a final issue in July 1967, is a manifesto in slow motion, a
coherent unity, with each issue adding a new chapter to the ‘Story of Another
Idea’, the theme and title of the first issue of the new editors, which came out
in September 1959 and was presented during the last CIAM meeting in Otterlo,
and the subsequent full emergence of Team Ten.
A magazine is not only a vehicle for images and ideas, but also a tangible
printed product. The making of Forum, including its organizational and
financial aspects, form a crucial part of its existence as well.
While Forum is often considered as an outlet of Team Ten, in which Bakema and
Van Eyck played a pivotal role, the editorial direction of the magazine was only
very loosely connected to the discussions within Team Ten.
The most striking parallel between the new Forum and Team Ten, aside from the
involvement of Bakema and Van Eyck in both, was that each represented a
consensual generational changing of the guards, a transition which was not
only accepted but also actively stimulated by the older generation.
The ideas of Forum circled around the central issue of dwelling, being at home
and finding one’s place in the world, in line with the never completed Charter of
Habitat, which CIAM members had tried to formulate since 1953. These ideas
are contextualized in a West European and North American cultural climate
after the Second World War.
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Su, Ya-Lin, and 蘇雅玲. "Representation of Contemporary Architectural Magazinein Consuming Society." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/mmp9m8.
Full textAbstract:
碩士<br>中原大學<br>建築研究所<br>102<br>Representations of Contemporary
Architectural Magazines in Consumer Society
Abstract
An architectural magazine is in fact a process of creating large quantities of images and ideologies. How a space is transformed into a flat reproduction represents a given ideology. It is how the editor utilizes flat dimensions to form a space that expresses the sense of location of the architecture and that transmits an experience of being onsite to the readers. It is also an objective commentary and description, representing a connected societal process. Magazine editors are always reproducers, they describe a story that belongs to them, and we live within their stories.
In the 1980s, real-estate began to flourish, and with the appearance of leisure consumption spaces, architecture gradually developed to have a focus on consumption. After the government removed restrictions, Taiwanese society gradually revealed a new middle class. Through transformations in media publications, events, and era characteristics, the majority of current publications utilize a mixed approach to editing with injections of emerging culture. The pulse of magazines and current events as a whole are now interconnected. Architect Magazine was first published in 1975, and witnessed the flourishing development and transformation of Taiwanese architecture while also accurately recording its development. After restrictions were lifted in 1990, architecture media and culture began to possess many different development methods.
The present study will investigate the reasons and context for the formation of transformations after 1990. The 1990s was a period of fierce competition in architecture magazines, with the addition of a myriad of architectural magazines offering a variety of voices that could be transformed into images, photos, and text and published through media (magazines, articles). There are currently many phenomena that are results of the influence of broadcast, images, and text. Behind these resulting ideologies, representations of authority and changes in the trends of time are worthy of in-depth investigation. Every magazine has represented a transmitted ideology, and the focus of the present study is to fully analyze and unravel the characteristics of these ideologies along with modern architecture cultural thinking.
Key Words: Architect Magazine, Representation, Architectural Discourse
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Wang, Ya-hui, and 王雅慧. "A Study of Visual and Information Architecture in the Magazine application on mobile devices." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/25161721938612589845.
Full textAbstract:
碩士<br>國立臺灣科技大學<br>設計研究所<br>101<br>As the e-publishing process progress, it integrates the technology of the Information industry, the contents of the publishing industry, and the internet of the Information industry. Less comprehensive measures were in place due to the development delay and poor market. The researcher believes that the segment range, technology developers should be more committed to improve the interface design of the e-magazine application, and adjustment of visual and information architecture step by step, in order to enhance the user experience of reading.
The purpose of this study is the interface for use with experience feelings research of the magazines transformation application on the mobile device. Three existing e-magazine application were used as samples, the researcher observed and analyzed user mental models in the visual and information architecture on the interface. The exploration and study is the software development whether user demand thinking designed to help clearly grasp the information and avoid reading disorientation.
This study includes two parts of experiments: (1) The user interface investigation for the current e-magazine application. It explored the icon layouts and style of reading auxiliary function. By understanding the functionality, procedure, interface satisfaction rate, and system usability, an interaction designer can generate important user requirements to be incorporated in the future design. (2) Combine the first stage experiment results with the relevant literatures to help conduct validate experiment. The experiment has been planned base on a 2 (auxiliary icon layouts) by 3 (content guide mode) two-way ANOVA design. There are two levels in the independent variable of auxiliary icon layouts: (1) Apparent auxiliary icon layouts which pop-up independent window: All auxiliary icon layouts are arranged. After a user clicks the information, it will be displayed on the independent windows. (2) Hidden auxiliary icon layouts which open automatic unfolding window: All auxiliary icon layouts are collected. After a user clicks clicking the information, the window will automatically rise and become visible. There are three levels in the content guide mode: (1) The rectangular frame: A matrix will render its image from the text. (2) Word list: the text of column presented. (3) Expand the page: thumbnail for each page to do image rendering.
The generated results indicated that: (1)The magazine is a collection of many themes, images, and intelligence media category navigation mode attributes for the magazine, combined with the visual image as a directory to guide. (2)The plant of auxiliary icon layouts together with the independent pop-up window allow information presented more clearly. (3)Consider the e-reader load user's physiological to be should be the dismantling of a magazine published by short theme batches.(4)Planning function symbols can be supplemented by the design of the symbols of the page, allowing users to rely on their intuitions. (5)Supplemental information should make good use of digitized unique search features, helping users quickly link to external. (6)E-magazine with social magazine integration can share knowledge resources quickly, and traditional paper cannot have the same experience. (7)The number of operations and functions of the position of the button level will affect the reading fluency. (8)Guide should indicate left and right turn to help switch Magazine theme, slide up and down as the single theme extends content, and should be placed prominently on the second page or an independent function buttons. (9) E-publishing needs to differ from the mode of the tradition publications, not the random placement of advertising, and the content cannot be separated. (10)E-magazine strives for meaningful supplemental information, not only to render special effects.
Keyword: E-publishing, Application, Visual and information architecture, Interface design, Content guide mode
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Khandkar, Meera Ashok. "The consumption of leisure decoding Travel and leisure magazine and Architectural digest /." 2010. http://hdl.handle.net/10090/15146.
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Wei, Yu-Chi, and 衛玉麒. "An Exploratory Study on Applying Service-Oriented Architecture to the English Learning Magazine CustomerRelationship Management." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/07809907738670776225.
Full textAbstract:
碩士<br>中原大學<br>資訊管理研究所<br>96<br>Recent years, the new model to conduct marketing and customer relationship management, the existing empirical literature to maintain long-term customer relationship than the benefits of the development of new customers, speaking to the publishing industry, on the magazine more long-term customers need to step up peacekeeping sales targets. This study English teaching magazine customer relationship management service-oriented framework for the application of feasibility, through the prototype system built to verify SOA in English teaching magazine of the effectiveness of CRM applications. In this English-teaching magazine in customer relationship management service-oriented architecture in the magazine subscription company and customer service personnel system as a prototype of the source of demand, the UML as a model to describe tools, and J2EE as the implementation of the system technology platform. In this article, UML document is a systematic analysis of the main document design tools, which USE CASE activities of the map and described the system-wide demand model system and the role of the activities of processes, and the User Interface, as a progressive plans to communicate with the users operating screen demand Tool. For the rapid implementation of object model, we use an intermediary design software (MDA TOOL) definition of objects as tools, the model for all types of objects on January 1 is defined as individual objects defined XML file format, through the MODEL COMPILER tools for the rapid conversion J2EE platform on the code, and the deployment and testing. Such a system development model practice the necessary elements of the SOA, rapid, flexible and integrated development of the enterprise CRM services required.
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Xu, Jia-Zhang, and 許家彰. "The Intention Analysis of Elites Discourse in Architectural Ma- gazines. ---Case study on《ARCH》Magazine." Thesis, 1994. http://ndltd.ncl.edu.tw/handle/14903773642575123582.
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Hsu, Chia-Chang, and 許家彰. "The Intention Analysis of Elites Discourse in Architectural Ma- gazines. ---Case study on《ARCH》Magazine." Thesis, 1994. http://ndltd.ncl.edu.tw/handle/35248233313263903244.
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Ribeiro, Ana Cláudia Faria. "Revista Nu: um corpo (que vive) em constante movimento." Master's thesis, 2020. http://hdl.handle.net/10316/93873.
Full textAbstract:
Dissertação de Mestrado Integrado em Arquitetura apresentada à Faculdade de Ciências e Tecnologia<br>Reconhecendo que a escola de arquitetura se deverá posicionar criticamente em relação ao seu tempo e ao seu lugar, adaptando e adequando as suas formas de estar, ensinar e aprender (sem se autolimitar), a presente dissertação visa compreender de que modo os seus agentes – mais concretamente o corpo estudantil – poderão contribuir para atmosferas de ensino e aprendizagem despertas, inquietas e jamais conformadas sua existência.Tal argumento adquire especial relevância (e pertinência) quando analisado aos olhos da Revista Nu que, ao assumir-se como objeto de estudo, possibilita decifrar aquilo que terão sido, em parte, as contaminações entre os seus agentes e o Departamento de Arquitetura da UC – seja por sincronia, oposição ou, tão validamente, por complementaridade. Neste seguimento, analisam- se os enredos e personagens, a evolução editorial, social e pedagógica da Nu que, quando cruzados com as especificidades e paradigmas do DARQ, permitem defini-la como ferramenta catalisadora da intensidade da Escola, das suas motivações e das suas dinâmicas.A transposição de tais premissas para outros contextos específicos permitiu, simultaneamente, aferir do que comungam e o que distingue realidades aparentemente distintas, determinadas pelos seus contextos, agentes e momentos de contaminação específicos.Salienta-se, por fim, o papel da Revista Nu enquanto espaço (informal) que aprendizagem, no qual se potencia a expressão estudantil e instigação das suas posições individuais e coletivas – entre sinergias, afinidades e contradições – e que, por ser fértil em inquietudes e interrogações, estimula e permite a construção (de mais um pedaço) da Escola.<br>Recognizing that the school of architecture should critically position itself in relation to its time and place, adapting its ways of being, teaching and learning (without being self-limited), this dissertation aims to understand how its agents – more specifically the students – can contribute to awakened and restless atmospheres of teaching and learning, never conformed to their existence.This argument acquires special relevance (and pertinence) when analyzed in the eyes of Nu Magazine which, by assuming itself as the study case, makes it possible to decipher what may have been, in part, the contaminations between its agents and the Department of Architecture of the University of Coimbra – either by synchrony, opposition or, so validly, by complementarity. In this sense, the plots and characters, the editorial, social and necessarily pedagogical evolution of Nu are analyzed and, when crossed with the specificities and paradigms of Department of Architecture, allow to define Nu as a catalyst tool of the intensity of the School, its motivations and its dynamics.The transposition of such premises to other specific context allowed, simultaneously, to assess what they share and what distinguishes apparently distinct realities, determined by their specific contexts, agents and moments of contamination.In conclusion, it is crucial to understand the role of Nu Magazine as an informal learning space, in which student expression and instigation of their individual and collective positions are enhanced – between synergies, affinities and contradictions – and due to being fertile in concerns and questioning, stimulates and allows the construction (of another piece) of the School.