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Relevant bibliographies by topics / Architecture, Medieval, in literature

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Academic literature on the topic 'Architecture, Medieval, in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Architecture, Medieval, in literature"

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Classen, Albrecht. "The Cambridge Companion to the Literature of the Crusades, ed. Anthony Bale. Cambridge: Cambridge University Press, 2019, xvii, 281 pp." Mediaevistik 32, no. 1 (January 1, 2020): 393–94. http://dx.doi.org/10.3726/med.2019.01.80.

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No other event in the entire Middle Ages has stirred as much excitement, interest, intrigue, fear, frustration, and religious enthusiasm as the crusades (1096–1291). Medievalists do not need to be reminded of that fact since medieval literature, the arts, music, religion, and countless chronicle accounts are filled with references and allusions to these religious-military endeavors to regain the Holy Land from Muslim control. But this volume, well edited by Anthony Bale, obviously appeals mostly to student and general readers and alerts them to the enormous impact which the crusades really had on medieval imagination and the subsequent world of writing. Other volumes might also consider medieval architecture or music in light of the crusades, but again, there is already much work published in that respect.

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Pellecchia, Linda. "The Patron's Role in the Production of Architecture: Bartolomeo Scala and the Scala Palace." Renaissance Quarterly 42, no. 2 (1989): 258–91. http://dx.doi.org/10.2307/2861627.

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Architectural patronage in the late Quattrocento was a way of demonstrating status. In spite of the republican and unaristocratic rhetoric espoused by the Florentine ruling class, powerful families, like the Medici or Strozzi, sought to impress their compatriots with conspicuous displays of wealth. In the course of the fifteenth century, the attitude towards the manifestation of riches passed from a medieval and Christian contempt to a distinct appreciation of magnificence as a virtue and duty of the rich. This need to impress is nowhere more apparent than in the patronage of architecture—especially palace building.

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Murdoch, Brian. "Defining and Defending the Middle Ages with C. S. Lewis." Humanities 9, no. 2 (June 18, 2020): 51. http://dx.doi.org/10.3390/h9020051.

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The scholarly writings of C. S. Lewis (1898–1963) have both inspired the study of the Middle Ages and confirmed the relevance to the humanities that medieval literary texts can have for the present. He was aware that the straitjacket implied by periodisation can blind us to the universal values presented in medieval literature. Qualitative assumptions made about the (usually undefined) Middle Ages include an alienating remoteness, and also a general ignorance, especially of science and technology. Lewis drew attention to the knowledge of astronomy, for example, and pointed out that medieval technical skills in architecture, agriculture and medicine are important for us to be aware about. Three medieval works illustrate this universality with respect to technical skills (the Völundarkviða); identity and the self (the Hildebrandslied); and the popular love-song (the courtly love-lyric). Lewis cautioned against pejorative terms like ‘Dark Ages’, noted problems of perspective in assessing all pre-modern literature, and showed that earlier works have a continuing value and relevance.

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Fernie, E. C. "Architecture and Ideology in Early Medieval Spain.Jerrilynn D. Dodds." Speculum 68, no. 2 (April 1993): 495–96. http://dx.doi.org/10.2307/2864573.

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Zulfiqar, Zain. "TRACING THE ORIGIN OF JHAROKHA WINDOW USED IN INDIAN SUBCONTINENT." Journal of Islamic Architecture 5, no. 2 (December 11, 2018): 70–76. http://dx.doi.org/10.18860/jia.v5i2.4763.

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The Jharokha is a distinctive feature of the architecture of Indian Sub-continent of medieval times. The study of the built heritage features is a way to discover and know about the old culture and society. A Jharokha is an oriel window projecting from upper storeys of a building used in medieval Indian architecture. Jharokha window projecting from the wall face of the building in an upper storey overlooking a street, market or any other open space. This study aims to trace the origin of traditional Jharokha window used in Indian subcontinent. In order to do it, the available data and literature have been carefully reviewed and studied to draw inferences. This study shows that the trend of a protruding window similar to Jharokhas seems to be present in different regions with their regional architectural flavor. The Indian architecture has influenced by various empires, and a lot of external influences came to this region because of the trade route. The external and regional influences have been studied to investigate the Jharokha window origin and form. The 3rd century BC balconies in Mauriyan Empire seems to amalgamate with the windows of Islamic architecture and developed finally into a local window form in the shape of Jharokha. The style and features of Jharokha vary concerning the local material and techniques available. The different era and different regions adopted this window form according to their own needs and aesthetics.

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Ward, Susan Leibacher. "Anjou: Medieval Art, Architecture and Archaeology. John McNeill , Daniel Prigent." Speculum 80, no. 3 (July 2005): 931–33. http://dx.doi.org/10.1017/s0038713400008605.

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Sevcenko, Nancy Patterson. "Medieval Architecture in Eastern Europe. Heinrich L. Nickel , Alisa Jaffa." Speculum 60, no. 2 (April 1985): 443–45. http://dx.doi.org/10.2307/2846509.

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Williams, Tara. "Magnificence and the Sublime in Medieval Aesthetics: Art, Architecture, Literature, Music ed. by C. Stephen Jaeger." Arthuriana 23, no. 3 (2013): 116–18. http://dx.doi.org/10.1353/art.2013.0040.

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Sebregondi, Giulia Ceriani. "“Ars sine scientia” or rather “Ars sine geometria”? The debate of 1400 on the elevation of Milan cathedral." Resourceedings 2, no. 3 (November 12, 2019): 65. http://dx.doi.org/10.21625/resourceedings.v2i3.627.

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The construction of Milan Cathedral from 1386 was one of the most important episodes in the history of Italian and European architecture because of the uniqueness of the building itself — the largest Gothic church ever constructed in Italy — and because of the presence of some of the most authoritative architects of the late Fourteenth and Fifteenth centuries in Europe (Lombard, French, German).The documentation about the discussions on how to build the Duomo in the late Trecento and early Quattrocento, especially on the structural choices to be made and the different Lombard and Northern building-site practices, made famous to English readers in a celebrated article by James Ackerman, is extraordinarily rich and extensive, permitting considerations on the relationship between medieval architectural ideals and an actual project.The paper focuses on the famous discussions of 1400, in part a re-run of those of 1392. It will be argued that famous criticism by the French expert Jean Mignot of Milanese architects involving the terms ars and scientia could have a very different meaning from the one generally accepted in the literature. Consequently, it will result that Mignot wanted to return to the original project proposed by Gabriele Stornaloco, which embodied the desired correspondence between the sacred architecture and the perfect God’s world.All of which, could be of some interest to medievalists in general, and to those concerned with architectural theory and with the relationship between Gothic architecture and literature in particular.

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Malkiel, David. "Renaissance in the Graveyard: The Hebrew Tombstones of Padua and Ashkenazic Acculturation in Sixteenth-Century Italy." AJS Review 37, no. 2 (November 2013): 333–70. http://dx.doi.org/10.1017/s0364009413000299.

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The acculturation Ashkenazic Jews in Italy is the focus of the present discussion. By 1500 Jews had been living in Padua for centuries, but their cemeteries were destroyed in the 1509. Four cemeteries remained with over 1200 inscriptions between 1530–1860. The literary features of the inscriptions indicate a shift from a preference for epitaphs written in prose, like those of medieval Germany, to epitaphs in the form of Italian Jewry's occasional poetry. The art and architecture of the tombstones are part and parcel of the Renaissance ambient, with the portals and heraldry characteristic of Palladian edifices. The lettering, too, presents a shift from the constituency's medieval Ashkenazic origins to its Italian setting. These developments are situated in the broader context of Italian Jewish art and architecture, while the literary innovations are shown to reflect the revival of the epigram among poets of the Italian Renaissance.

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Dissertations / Theses on the topic "Architecture, Medieval, in literature"

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Malo, Roberta. "Saints' relics in medieval English literature." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1186329116.

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Vidal, Teva. "Houses and domestic life in the Viking Age and medieval period : material perspectives from sagas and archaeology." Thesis, University of Nottingham, 2013. http://eprints.nottingham.ac.uk/13634/.

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This thesis examines the representations of houses as physical structures in the Íslendingasögur with specific emphasis on the material aspect of housing culture in the Viking Age and medieval period, as well as the interactions between material culture and text. The Íslendingasögur were written in Iceland as of the thirteenth century, but look back onto the Viking Age (c. 800-1100 AD). Comparison with the archaeology of domestic space reveals that the house in the Íslendingasögur generally corresponds with medieval housing models, contemporary with the period of saga writing. However, there are also examples of structures which correspond to the models of the Viking Age. Descriptions of antiquated buildings are sometimes framed in statements that make explicit reference to the chronological separation between the Viking Age and the writer’s present time, suggesting a familiarity with the evolution of housing culture. Detailed analysis of buildings in the sagas reveals domestic space in its context of use, and demonstrates how the physical nature of the house and farm framed the productive and social activities that went on within. The materiality of domestic life has particular importance for the dispensing of hospitality. Demonstrations of domestic space in use also allow for a better understanding of the relationship between objects and language, and elucidate some difficulties in translation and academic usage both in archaeology and literary studies. Material culture can itself influence the processes of composition in oral/written narratives such as the sagas, by inspiring the formation of narrative episodes. The built environment can also provide a contextual framing for narratives, acting as a mnemonic device facilitating the preservation and transmission of saga narratives.

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Maravi, Pilar L. "Del cielo a la tierra: Gonzalo de Berceo, Signos que aparecerán antes del Juicio Final, y sus nexos con la arquitectura medieval española." Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/272222.

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Spanish
Ph.D.
This dissertation is a study of the links between the poem Signos que aparecerán antes del juicio final of Gonzalo de Berceo and the Spanish medieval architecture. The analysis is based on a comparative and systematic contrast between the literary work of Berceo and the monumental sculptures present in three cathedrals that represent the Spanish medieval architecture. The iconographies found in the portals of these cathedrals have thematic and symbolic similarities with the poem of Gonzalo de Berceo.
Temple University--Theses

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Byington, Danielle N. "“The Bedroom and the Barnyard: Zoomorphic Lust Through Territory, Procedure, and Shelter in ‘The Miller’s Tale’” & HAUNCHEBONES." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/honors/291.

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“The Bedroom and the Barnyard: Zoomorphic Lust Through Territory, Procedure, and Shelter in ‘The Miller’s Tale’” is an academic endeavor that takes Chaucer’s zoomorphic metaphors and similes and analyzes them in a sense that reveals the chaos of what is human and what is animal tendency. The academic work is expressed in the adjunct creative project, Haunchebones, a 10-minute drama that echoes the tale and its zoomorphic influences, while presenting the content in a stylized play influenced by Theatre of the Absurd and artwork from the medieval and early renaissance period.

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Sigalos, Eleftherios. "Housing in medieval and post-medieval Greece /." Leiden : University of Leiden, 2004. http://catalogue.bnf.fr/ark:/12148/cb39248084k.

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DeVoe, Lauren E. "Erichtho’s Mouth: Persuasive Speaking, Sexuality and Magic." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2020.

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Since classical times, the witch has remained an eerie, powerful and foreboding figure in literature and drama. Often beautiful and alluring, like Circe, and just as often terrifying and aged, like Shakespeare’s Wyrd Sisters, the witch lives ever just outside the margins of polite society. In John Marston’s Sophonisba, or The Wonder of Women the witch’s ability to persuade through the use of language is Marston’s commentary on the power of poetry, theater and women’s speech in early modern Britain. Erichtho is the ultimate example of a terrifying woman who uses linguistic persuasion to change the course of nations. Throughout the play, the use of speech draws reader’s attention to the role of the mouth as an orifice of persuasion and to the power of speech. It is through Erichtho’s mouth that Marston truly highlights the power of subversive speech and the effects it has on its intended audience.

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Byrne, Aisling Nora. "The otherworlds of medieval insular literature." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610076.

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Citrome, Jeremy J. "The surgeon in medieval English literature /." New York : Palgrave Macmillan, 2006. http://catalogue.bnf.fr/ark:/12148/cb41014151z.

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Castro, Lingl Vera. "Assertive women in medieval Spanish literature." Thesis, Queen Mary, University of London, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.704745.

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Beckett, Ruth. "Medieval perspectives on Waverley." Thesis, University of York, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.292507.

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Books on the topic "Architecture, Medieval, in literature"

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Nardo, Don. Medieval European art and architecture. Detroit [Mich.]: Lucent Books, an imprint of Gale Cengage Learning, 2012.

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Hepplewhite, Peter. Medieval Britain. London: Franklin Watts, 2006.

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A medieval castle. Detroit: KidHaven Press, 2005.

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Cairns, Conrad. Medieval castles. Minneapolis: Lerner Publications Co., 1989.

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Cairns, Conrad. Medieval castles. Cambridge: Cambridge University Press, 1987.

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Lace, William W. The medieval cathedral. San Diego, Calif: Lucent Books, 2001.

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Jaeger, C. Stephen. Magnificence and the sublime in Medieval aesthetics: Art, architecture, literature, music. New York: Palgrave Macmillan, 2010.

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Magnificence and the sublime in Medieval aesthetics: Art, architecture, literature, music. New York: Palgrave Macmillan, 2010.

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Art and architecture. London: Wayland, 2014.

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Howarth, Sarah. Medieval places. Brookfield, Conn: Millbrook Press, 1992.

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Book chapters on the topic "Architecture, Medieval, in literature"

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Mahnke, Wolfgang, Stefan-Helmut Leitner, and Matthias Damm. "Literature." In OPC Unified Architecture, 323–25. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-540-68899-0_15.

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Meisami, Julia Scott. "Medieval Persian Panegyric." In Courtly Literature, 439. Amsterdam: John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/upal.25.34mei.

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Fergusson, Peter. "Cistercian Architecture." In A Companion to Medieval Art, 857–79. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119077756.ch35.

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Vlček, Pavel. "Bohemian Protestant Church Architecture." In Medieval Church Studies, 143–64. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.mcs-eb.5.110906.

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White, R. S. "Medieval Pacifism." In Pacifism and English Literature, 85–109. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583641_5.

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Morrissey, Lee. "Architecture." In A Companion to Modernist Literature and Culture, 272–77. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996331.ch30.

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Fannon, Beatrice. "Introduction: Reading Medieval English Literature." In Medieval English Literature, 1–9. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-46960-1_1.

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Allen, Valerie. "Chaucer and the Poetics of Gold." In Medieval English Literature, 144–59. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-46960-1_10.

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Fannon, Beatrice. "The Torment of the Cross: Perspectives on the Crucifixion in Medieval Lyric and Drama." In Medieval English Literature, 163–80. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-46960-1_11.

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Batt, Catherine. "Encountering Piers Plowman." In Medieval English Literature, 181–96. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-46960-1_12.

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Conference papers on the topic "Architecture, Medieval, in literature"

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Orihuela Uzal, Antonio. "Nuevas aportaciones sobre la cronología de los restos conservados de las murallas medievales de Almería (España)." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11461.

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New contributions on the chronology of the preserved remains of the medieval city walls of Almeria (Spain)The medieval city walls of Almeria have abundant references in Arabic sources and numerous preserved remains, either in all its elevation, or as small archaeological remains on the current slope and even under the ground. This circumstance has given rise to a lot of scientific literature on the chronology of each of the different existing precincts: Alcazaba, Medina, suburbs and outer enclosure. The problem lies in the fact that, since its foundation in the tenth century until the conquest by the Catholic Monarchs in 1489 and its reuse until the mid-nineteenth century, the medieval walls have undergone various repairs, extensions and reconstructions. In order to provide greater chronological precision, from the School of Arab Studies (CSIC), a Project of the State Research Plan was requested, which was granted with reference HAR2015-71609-P. It has allowed to make radiocarbon dating of wood and other building materials of the walls, in combination with studies of construction, metrological, historical techniques and restorations carried out since the mid-twentieth century. All this has allowed us to contribute new hypotheses about the chronology of the preserved remains, many of which are much more recent than the foundational walls that they have replaced.

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Georgopoulos, Andreas, Margarita Skamantzari, and Sevi Tapinaki. "Digitally Developing Medieval Fortifications." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11468.

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Modern technological advances have enabled digital automated methods to be applied for accurate and detailed documentation. Such techniques include image based modelling and terrestrial laser scanning. They can easily be adapted to perfectly suit the documentation needs for small and large objects. In this paper the digital geometric documentation of two medieval fortifications using such contemporary methods is briefly described. These are the western part of the Castle of Chios and an important part of the medieval Rhodes fortifications. The purpose of the geometric documentation for both cases was the restoration of these parts, hence detailed documentation was necessary. Conventional two-dimensional plans with digital orthophotographs were produced and from them conventional line drawings were required for the case of Chios castle. Both castle parts included cylindrical bastions, whose projection on two dimensional plans is obviously deformed. Such non-planar parts constitute a special challenge for the geometric documentation. To solve this problem the three-dimensional digital documentations of these parts were developed by using suitable development routines. Thorough presentation of all considerations for these developments are presented and the implementations are briefly described. The results of these developments are evaluated for their usefulness, accuracy, and efficiency as digital documentation products.

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Kozlowska, Izabela. "ADAPTATIONS OF THE MEDIEVAL DEFENSIVE ARCHITECTURE." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/5.3/s21.004.

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Hench, Christopher. "Phonological Soundscapes in Medieval Poetry." In Proceedings of the Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature. Stroudsburg, PA, USA: Association for Computational Linguistics, 2017. http://dx.doi.org/10.18653/v1/w17-2207.

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Navarro Palazón, Julio. "La fortaleza medieval de Isso (Albacete) y su territorio." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11761.

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This paper presents some of the information obtained during the archaeological surveys carried out in 2019 in the stately fortress known as Torre de Isso, located in the municipality of Hellín (Albacete). These fieldworks have attempted to answer some questions related to the historical interpretation of the preserved monumental remains, specifically two large towers and some walls from the second half of the thirteenth or fourteenth century. The initial study and graphical documentation were carried out to obtain the data needed to draft a conservation project in line with current scientific criteria.Extending the investigation to the whole neighborhood of houses that surrounds the towers resulted in the discovery of a quadrangular fortress of 44 x 42 m, which incorporates the towers and in which different construction phases have been identified, certainly prior to and subsequent to the Christian conquest. The remains found were reused in the load-bearing walls of some of the houses. Beside the fortress, we extended the study to the entire village of Isso, in order to find out if the medieval castle had an annexed relevant village. Finally, the surveys expanded throughout the entire territory of Isso, with the desire to know if its characteristic dispersed settlement, made up of small farmhouses, and its traditional irrigation system, have a medieval origin.This multidisciplinary research project has allowed us to obtain extensive data and produce significant information, although it should be noted that many issues and some of the interpretations offered in this article are still hypothetical. Therefore, only future development of additional archeological and historical works will make it possible to tackle those questions that remain to be answered.

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Zemánek, Petr, and Jiří Milička. "Quotations, Relevance and Time Depth: Medieval Arabic Literature in Grids and Networks." In Proceedings of the 3rd Workshop on Computational Linguistics for Literature (CLFL). Stroudsburg, PA, USA: Association for Computational Linguistics, 2014. http://dx.doi.org/10.3115/v1/w14-0903.

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Sarr, Bilal, Luca Mattei, and Yaiza Hernández Casas. "Asentamientos fortificados en el Rif Oriental (siglos VIII-XV). Nuevos datos sobre Ghassasa y Tazouda (Nador, Marruecos)." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11519.

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Fortified settlements in Eastern Rif (eighth-fifteenth centuries): new data on Ghassasa and Tazouda (Nador, Morocco)The present paper attempts to aproximate to the archaeological research of two of the most relevants fortified settlements of the Medieval Rif (north of Morocco), Ghassasa and Tazouda. Reviewing the written sources –Ibn Ḥawqal, al-Bakrī, al-Idrīsī, Ibn Ḥayyān, al-Bādisī, etc.– and comparing the data they offer with the archaeological records of surface, we report here the recent hypothesis deduced from the analysis of their emerging structures and pottery, trying to trace some new information of the fortification process in the Rif since Early Medieval centuries to the fifteenth century and to detect the development of the interrelations and influences by the commercial exchanges between twice Mediterranean coasts: North African and al-Andalus. So, we offer the planimetry of both settlements, Ghassasa and Tazouda, which haven´t been documented before, and also some typologies of Magrib’s medieval pottery founded there, contributing with an original research to the study of medieval urbanism in Magrib al-Aqṣā and the role that they take on the trade routes existing between Bilād al-Sūdān, to Siŷilmāsa, and al-Andalus.

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Mezzavilla, Marco, Michelle Wetterwald, Leonardo Badia, Daniel Corujo, and Antonio de la Oliva. "Wireless access mechanisms and architecture definition in the MEDIEVAL project." In 2011 IEEE Symposium on Computers and Communications (ISCC). IEEE, 2011. http://dx.doi.org/10.1109/iscc.2011.5984021.

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Oulmas, Mohand, Amina Abdessemed-Fouda, and Ángel Benigno González Avilés. "Évaluation de degré de défense de l’architecture défensive pré-coloniale en Algérie : cas des villages fortifiés." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11376.

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Assassing the defensibility of the pre-colonial defensive architecture in Algeria: case study on the medieval fortified villagesAlgeria’s pre-colonial towns of the medieval period still exist in different typologies, ranging from the isolated buildings (forts, castles) and town enclosures to whole urban units (fortified villages, defensives towns). Indeed, the constituent of these fortresses was their defense system, characterized by its large dimension, constituted essentially by the enclosure wall, and architectural features of defensiveness correlated with the outside and the inside of the fortresses. This paper aims to evaluate the relationship between physical landscape, built defensive features and cultural values of the medieval fortified villages in Algeria, two medieval fortified villages in our case “Kalaa of Beni Abbes” in Bejaia and “Kalaa of Beni Rached” in Oran, that we identified as an evolved landscape and interpreted as complex system (both defensive architecture and continuing cultural landscape). This current study consists of quantifying the defensiveness degree of these sites situated within different contexts, in fact, this method ensures to identify the strategy adopted to be protected against different invasions. However, in order to achieve this we calculate a spatial defensiveness index (DI) of these sites. The parameters of our choice are related to the implantation site, the elevation, the visibility and the geometrical shape, which allow us to estimate the defensiveness degree of the defense system of our case studies.

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Collado-Espejo, Pedro Enrique, Juan Fernández-del-Toro, Josefina García-León, and Vincenzina La-Spina. "Análisis integral, reconstrucción 3D y propuesta de musealización de la muralla medieval de Mula (Región de Murcia, España)." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11433.

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Integral analysis, 3D reconstruction and proposed musealization of the medieval wall of Mula (Region of Murcia, Spain)The city of Mula (Region of Murcia, Spain), still retains important canvases of the medieval wall of the three enclosures (Alcazaba, Albacar and Medina) that shaped the urban layout from the twelfth century (Muslim domain), until the end of the fifteenth century (Christian Reconquest). Currently, the Albacar site is the most complete. On the Islamic Alcazaba was built, in the sixteenth century, the Castle and the wall of the Medina, only a few sections remain. Until now, the medieval wall was a great unknown. The historical landmark of the city has always been the castle. The communication focuses on exposing the exhaustive historical analysis, material, constructive and the state of conservation carried out of the medieval wall of Mula and, especially, of Albacar (the best preserved site). In addition, there has been a virtual volumetric recomposition, in 3D, of the entire Islamic walled complex (walls, towers, entrance doors to the Medina and cistern of Albacar). Also, the musealization of the Albacar site and the recovery of the volume of the cistern has been projected. This work is contributing to the recognition and social awareness of the heritage importance of the Islamic walls of Mula, being a guarantee for its restoration and conservation as a cultural reference of the city.

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Reports on the topic "Architecture, Medieval, in literature"

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Brooks, Kathryn. Anticlerical Sentiment in Castilian and Galician-Portuguese Medieval Literature. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6960.

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