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1

Nardo, Don. Medieval European art and architecture. Detroit [Mich.]: Lucent Books, an imprint of Gale Cengage Learning, 2012.

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2

Hepplewhite, Peter. Medieval Britain. London: Franklin Watts, 2006.

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3

A medieval castle. Detroit: KidHaven Press, 2005.

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4

Cairns, Conrad. Medieval castles. Minneapolis: Lerner Publications Co., 1989.

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5

Cairns, Conrad. Medieval castles. Cambridge: Cambridge University Press, 1987.

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6

Lace, William W. The medieval cathedral. San Diego, Calif: Lucent Books, 2001.

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7

Jaeger, C. Stephen. Magnificence and the sublime in Medieval aesthetics: Art, architecture, literature, music. New York: Palgrave Macmillan, 2010.

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8

Magnificence and the sublime in Medieval aesthetics: Art, architecture, literature, music. New York: Palgrave Macmillan, 2010.

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9

Art and architecture. London: Wayland, 2014.

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10

Howarth, Sarah. Medieval places. Brookfield, Conn: Millbrook Press, 1992.

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11

The medieval castle. San Diego, CA: ReferencePoint Press, Inc., 2014.

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12

Clements, Gillian. Medieval castle. London: Franklin Watts, 2008.

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13

Golob, Nataša. Srednjeveški rokopisi: Stavbarnice. Ljubljana: Zal. Mladika, 1992.

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14

Structuring spaces: Oral poetics and architecture in early medieval England. Notre Dame, Ind: University of Notre Dame Press, 2011.

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15

Cathedrals, stone upon stone. Ossining, NY: Young Discovery Library, 1989.

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16

1946-, Woods Mary B., ed. Seven wonders of the ancient Middle East. Minneapolis: Twenty-First Century Books, 2009.

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17

Harlaxton Symposium (1996 Harlaxton Manor, Lincolnshire). England and the Continent in the Middle Ages: Studies in memory of Andrew Martindale : proceedings of the 1996 Harlaxton Symposium. Stamford: Shaun Tyas, 2000.

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18

Building the text: Architecture as metaphor in late medieval and early modern France. Oxford: Clarendon Press, 1998.

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19

Biesty, Stephen. Stephen Biesty's cross-sections : castle. Richmond Hill, ON: Scholastic Canada, 1994.

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20

L' œuvre cathédrale: Proust et l'architecture médiévale. Paris: J. Corti, 1990.

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21

Fraisse, Luc. L'œuvre cathédrale: Proust et l'architecture médiévale. Paris: Classiques Garnier, 2014.

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22

Architectural structure in the Lais of Marie de France. New York: P. Lang, 1995.

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23

Robert, Curtius Ernst. European literature and the Latin Middle Ages. Princeton, N.J: Princeton University Press, 1990.

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24

Ehlers, Martin. Maulbronn: Das Kloster und die Maler : eine Abtei in alten Ansichten. Maulbronn: Verlag am Klostertor, 1998.

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25

Ehlers, Martin. Maulbronn: Das Kloster und die Dichter. Horb am Neckar: Geiger-Verlag, 1996.

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26

Gunderson, Jessica Sarah. Gothic art: Odysseys. Mankato, MN: Creative Education and Creative Paperbacks, 2016.

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27

Kazakova, Gandalif. The problem of formation of romantic historicism and rehabilitation of medieval culture in the creative heritage of F. R. de Chateaubriand. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1044190.

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The monograph is devoted to the literary and scientific heritage of the famous French writer, historian, philosopher, thinker, diplomat and statesman F. R. de Chateaubriand, whose scientific works were practically unknown to the Russian reader for many decades. Being the founder of French romanticism and laying the main elements of this direction of culture, F. R. de Chateaubriand nevertheless causes numerous disputes and questions. The monograph shows the process of formation of the writer's romantic worldview on the example of his early works, which still retain traces of the literature of the XVIII century and already carry new romantic trends of the XIX century. The author also presents the facts of the writer's biography and analyzes a number of his historical works devoted to medieval France. From the Renaissance until the end of the XVIII century, one of the elements of medieval architecture and Christian religion-Gothic architecture — was perceived as something negative, barbaric, rude, completely inconsistent with the aesthetics of the XVI — XVIII centuries. F. R. de Chateaubriand was one of the first researchers who discovered the beauty of Gothic churches and the color of national history to the mass reader at the turn of the XVIII—XIX centuries. The rehabilitation of Gothic architecture was accomplished by F. R. de Chateaubriand in his Treatise "the genius of Christianity". The famous "forest theory" of the origin of Gothic helped to "remove" negative assessments of the middle Ages and influenced the formation and development of romanticism both in France and in other European countries. It was F. R. de Chateaubriand's idea of the relationship between medieval architecture and Christian consciousness that influenced all the subsequent development and formation of the history of medieval art. For a wide range of readers interested in the history of literature.
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28

Alexander, Michael. Medievalism: The Middle Ages in modern England. New Haven, CT: Yale University Press, 2007.

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29

Dante and the book of the Cosmos. Philadelphia: American Philosophical Society, 1987.

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30

Elisabeth, Vavra, ed. Virtuelle Räume: Raumwahrnehmung und Raumvorstellung im Mittelalter ; Akten des 10. Symposiums des Mediävistenverbandes, Krems, 24.-26. März 2003. Berlin: Akademie Verlag, 2005.

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31

Labbé, Alain. L' architecture des palais et des jardins dans les chansons de geste: Essai sur le thème du roi en majesté. Paris: Champion, 1987.

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32

Clark, Mary Beth Jarvis. The Leaning Tower of Pisa. Mankato, MN, U.S.A: Capstone Press, 1991.

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33

Housing in medieval and post-medieval Greece. Oxford: Archaeopress, 2004.

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34

Sigalos, Eleftherios. Housing in medieval and post-medieval Greece. [Leiden: Leiden University, 2004.

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35

Medieval Southwark. London: Hambledon Press, 1996.

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36

Record, Wiltshire Buildings, ed. Medieval houses in Wiltshire. Stroud, Gloucestershire: A. Sutton, 1992.

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37

Paul Mellon Centre for Studies in British Art., ed. Medieval London houses. New Haven: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1994.

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38

Schofield, John. Medieval London houses. New Haven, Conn: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1995.

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39

Scottish medieval churches. Edinburgh: J. Donald, 1986.

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40

Medieval Tuscany and Umbria. Harmondsworth: Penguin, 1993.

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41

Medieval Tuscany and Umbria. Harmondsworth: Viking, 1992.

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42

Medieval Tuscany and Umbria. San Francisco: Chronicle Books, 1992.

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43

Narrative art of South Indian temples: Srisailam. Delhi: Bharatiya Kala Prakashan, 2004.

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44

Gordana, Babić, ed. Srpska umetnost u srednjem veku. Beograd: Srpska književna zadruga, 1997.

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45

Braun, Hugh. English mediaeval architecture. 2nd ed. London: Bracken Books, 1985.

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46

The medieval cathedrals. Westport, Conn: Greenwood Press, 2005.

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47

Northern heritage - Medieval. [England]: Packhorse, 2002.

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48

Studies in medieval Indian architecture. New Delhi: M.D. Publications, 1995.

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49

Hillenbrand, Robert. Studies in medieval Islamic architecture. London: Pindar Press, 2001.

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50

New approaches to medieval architecture. Farnham, Surrey, England: Ashgate, 2011.

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