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Journal articles on the topic 'Architecture, modern – 19th century – history'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Tumanik, A. G. "ARCHITECTURE AND HISTORY OF ZHYTOMYR TRANSFIGURATION CATHEDRAL." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 1 (February 27, 2019): 74–84. http://dx.doi.org/10.31675/1607-1859-2019-21-1-74-84.

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This article in the historical and professional context reconstructs the process of creating, characterizes the architectural and artistic quality of the Orthodox Cathedral in the name of the Transfiguration of Christ in Zhytomyr, created in the second half of the 19th century and is currently one of the category of the rarest monuments of the historic Russian temple architecture, but exists outside the bounds of the cultural space of modern Russia.

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Penyaz, Tetiana. "ANALYSIS OF THE STUDY OF THE ARCHITECTURE OF ELIZABETHGRAD IN THE SECOND HALF OF THE 19TH CENTURY - THE BEGINNING OF THE 20TH CENTURY IN THE HISTORICAL AND SCIENTIFIC WORKS." Architectural Bulletin of KNUCA, no. 26-27 (September 24, 2023): 106–19. http://dx.doi.org/10.32347/2519-8661.2023.26-27.106-119.

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Specific features of the forming of architecture in the second half of the 19th - beginning of the 20th centuries of cities of the central region of Ukraine need a detailed study to understand the ways of forming modern architectural space. The article is dedicated to the analysis of the state of study of historical and scientific sources about to the architecture of Yeolysavetgrad (Kropyvnytskyi) in the second half of the 19th and early 20th centuries. In the process of studying literature, based on the received on primary information and its systematization, little-studied and unexplored pro

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Bozdoğan, Sibel. "Architecture, Modernism and Nation-Building in Kemalist Turkey." New Perspectives on Turkey 10 (1994): 37–55. http://dx.doi.org/10.1017/s0896634600000832.

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Deeply rooted in “the great transformation” brought about by capitalism, industrialization and urban life, the history of modern architecture in the West is intricately intertwined with the rise of the bourgeoisie. Modernism in architecture, before anything else, is a reaction to the social and environmental ills of the industrial city, and to the bourgeois aesthetic of the 19th century. It emerged first as a series of critical, utopian and radical movements in the first decades of the twentieth century, eventually consolidating itself into an architectural establishment by the 1930s. The diss

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Bode, Andrey В., and Tatiana V. Zhigaltsova. "History and Architecture of the Sretenskaya Church in Maloshuyka Village, Onega District of the Arkhangelsk Province." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 66 (2022): 353–67. http://dx.doi.org/10.37816/2073-9567-2022-66-353-367.

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The paper deals with the history and architecture of the wooden architecture complex, situated in Maloshuyka (modern name — Abramovskaya village) in Onega District, Arkhangelsk Region. It describes the construction history of the Sretenskaya (Meeting of the Lord) Church (1873) and the bell tower (1807) in detail on the basis of the field research and archival data. The study of archival historical sources made it possible to reveal the architectural appearance of the preceding 18th century Sretenskaya Church. The identified features of its architecture were compared with the analogue Pomor chu

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Pärn, Elis. "Wooden Manor Houses In Estonia 1700–1850: From Archaic Traditions to Modern Ideas." Baltic Journal of Art History 24 (August 22, 2023): 47–80. http://dx.doi.org/10.12697/bjah.2022.24.02.

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Estonian manorial architecture has been a topic of interest toarchitectural and art historians for the last hundred years, buthundreds of wooden manor houses, of which many still exist day,have largely remained unnoticed. The reason for this lack of researchinto wooden architecture are manifold but can most easily beassociated with socially complex relationships and previous researchmethods, resulting in the only monograph to date, Gustav Ränk’s Dieälteren baltischen Herrenhöfe in Estland (1971), which analysed woodenarchitecture in the 17th century, known in Estonia as the Swedishperiod. Sinc

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Piluk, Dominika. "Próby uobecniania tradycji w gdańskiej architekturze lat dziewięćdziesiątych XX wieku." Porta Aurea, no. 17 (November 27, 2018): 244–68. http://dx.doi.org/10.26881/porta.2018.17.10.

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Gdansk architecture of last decade of 20th century by all means tried to reconnect to the Gdansk architectural tradition, especially the glorified 19th-century German/ Gdańsk Renaissance. The essay aims to present a preliminary analysis of the phenomenon strongly present in the Gdańsk architectural discussion in the nineties: the phenomenon of reconstruction. The city’s architectural achievements of the 19th-century were reinterpreted. Moreover, not only did architects in democratic Poland have to face a new economic situation, but also the need to emphasize the departure from the visual

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Pravdolyubova, Svetlana, Mikhail Vekilyan, Gennadiy Nechiporuk, Anna Kozhnova, and Svetlana Guseva. "THE PRACTICE OF USING THE GOLDEN SECTION IN ARCHITECTURE IN THE CITY OF RYAZAN." Architecture and Engineering 6, no. 1 (2021): 50–57. http://dx.doi.org/10.23968/2500-0055-2021-6-1-50-57.

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Introduction: At present, the preservation of unique architectural ensembles is one of the most urgent problems of sustainable development in historical settlements. In the context of transforming the settlement’s environment while minimizing the discordant impact of new construction, it is important to study the development sites that will be used as the basis for modern planning. Method: The article applies the method of geometric analysis to the historical buildings of the city of Ryazan, which exhibit classical architecture traits and were designed by the 19th- and 20th-century architects,

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Pankratov, V. M. "FEATURES OF THE EVOLUTION OF THE ARCHITECTURE OF THEATER BUILDINGS." Regional problems of architecture and urban planning, no. 16 (December 23, 2022): 90–98. http://dx.doi.org/10.31650/2707-403x-2022-16-90-98.

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The article is devoted to a thematic study of the history of the emergence and development of the architecture of theater buildings as a specific area of architectural creativity. Theater buildings have always been located, and are located today, in the public centers of large cities and urban agglomerations. These buildings perform an important cultural and educational function and are distinguished by architectural uniqueness and originality. They play an important organizing role in the architectural ensembles of city streets and squares, emphasizing the prospects of avenues and boulevards.

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Colijn, Bram. "The Concept of Religion in Modern China: A Grassroots Perspective." Exchange 47, no. 1 (2018): 53–70. http://dx.doi.org/10.1163/1572543x-12341467.

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Abstract Modern Chinese history offers scholars plenty of reasons to abandon the state-imposed neologism of ‘religion’. For its popularization in the late 19th century marked the start of multiple cycles of violence against ‘superstition’, its ideological twin. To the contrary, this article explores how ‘religion’ (zongjiao) is deployed by ordinary people in contemporary Southern Fujian. Through three case studies I demonstrate that ‘religion’ has become part of the ways ordinary people in contemporary Southern Fujian harmonize their conflicting ritual practices and ideas about the world. A mo

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Korotkyi, Oleksii. "Compositional and stylistic features of the Northern Black Sea region’s detention facilities of the first third of the 19th century." Architectural Studies 10, no. 1 (2024): 115–24. http://dx.doi.org/10.56318/as/1.2024.115.

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The investigation of the history of prison infrastructure development is being updated by the ongoing (2024) penitentiary reform in Ukraine. The planning and development of a new network of penitentiary institutions that will meet modern standards and goals of imprisonment requires attention to similar processes of rethinking prison architecture that took place in the first third of the 19th century. In this regard, the purpose of the study was to explore the transformation of the structural and spatial organisation of detention facilities during the active prison construction of the 19th cent

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Gaspar, Natalia Maria. "A arquitetura moderna do século 20, tecnologia herdeira da eugenia do século 19." Revista Brasileira de História 43, no. 94 (2023): 409–15. http://dx.doi.org/10.1590/1806-93472023v43n94-19.

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Curran, Kathleen. "The German Rundbogenstil and Reflections on the American Round-Arched Style." Journal of the Society of Architectural Historians 47, no. 4 (1988): 351–73. http://dx.doi.org/10.2307/990381.

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This article investigates the German Rundbogenstil and its influence on the American "round-arched style." A stylistic and theoretical phenomenon of the 19th century, the German Rundbogenstil held both a specific and a generic meaning: as a contemporary building style and as a term for historical round-arched architecture. In modern scholarship, the Rundbogenstil has come to denote any round-arched building with Romanesque or Italianate features designed by certain early to mid-19th-century German architects. A general contextual analysis of the complex nature of the 19th-century round-arched

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ISMITA, SINGH. "impact of architecture movement on architecture education." IJSER Volume 8, Issue 4 (2017): 365–41. https://doi.org/10.5281/zenodo.5418522.

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Academia did San Luca later served model for the Académie royale de peinture et de sculpture founded in France in 1648, and which later became the Académie des beaux-arts brought  revolutionary development of the European architecture which lead  to the development of philosophical schools over the world. The Industrial Revolution was a one of the pivoting points in human history and cultural. Idea of a professional architect with formal training and academic qualifications is a product of the 19th century, when architectural courses were instituted for the first time a

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Minea, Cosmin. "Medieval Art, National Architectural Heritage and Museums in Late 19th Century Romania." Anastasis Research in Medieval Culture and Art VIII, no. 1 (2021): 109–42. https://doi.org/10.5281/zenodo.5584898.

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This article describes how the material heritage was given new shape and meaning in the context of the new nation-state of Romania. It starts by looking at the history of the first public museum in Romania, namely the Museum of Natural History and Antiquities in Bucharest and also at the broader interest in the Roman antiquities in 19th century Romania. It then focuses on the first restoration of historical monuments and the initiatives of two of the most well-known architects at the time to establish museums of religious art: André Lecomte du Noüy (1844-1914) and Ion Mincu (1852- 1912). The p

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Watenpaugh, Heghnar Zeitlian. "Architecture without Images." International Journal of Middle East Studies 45, no. 3 (2013): 585–88. http://dx.doi.org/10.1017/s0020743813000548.

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The Venetian nobleman Ambrosio Bembo (1652–1705) included this panorama of Aleppo by the French artist G.J. Grélot (see Figure 1), as one of the fifty-one carefully observed line drawings of cities, buildings, and people integral to his travelogue, proudly entitled Travels and Journal through Part of Asia during about Four Years Undertaken by Me, Ambrosio Bembo, Venetian Noble. During his visits to Aleppo between 1672 and 1675, Bembo may have crossed paths with the great Ottoman traveler Evliya Çelebi (1611–82?), who included his own description of that commercial capital of the eastern Medite

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Karimov, Nodir, Maman Sarybaev, Aynazar Kaipnazarov, Nematjan Djumageldiev, Rustem Reymbaev, and Fariza Kholdarova. "HISTORICAL DEVELOPMENT OF CONSTRUCTION TECHNIQUES: FROM ANCIENT ARCHITECTURE TO MODERN ENGINEERING." Archives for Technical Sciences 31, no. 2 (2024): 36–48. http://dx.doi.org/10.70102/afts.2024.1631.036.

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The history of architecture has been molded with the development in modes of construction, reflecting the social, economic, and technological advancement of different civilizations. This paper discusses the chronological development of the various methods of construction from ancient architecture to modern engineering and cites some key milestones shaping today's construction processes. The study embraces developments throughout four major periods: early developments during the era of 'Masters of Structuring Matter', geometric and structural novelties developed during Gothic and then during th

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Rozmus, Jacek. "Kolej jako figura nowoczesności w krakowskim krajobrazie pamięci. Juliusz Kaden-Bandrowski, "Łuk"." Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura 2, no. 10 (2018): 32–39. http://dx.doi.org/10.24917/20837275.10.2.3.

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Novel Łuk by Juliusz Kaden-Bandrowski is a innovatory of polish modernism. The writer showed citizens of Cracow, just before the I World War, in a really epic way. Unique landscape of the city in the novel is represented by it’s modern character, which contains urban engineering, housing and city buildings from the 19th/20th century, history and culture from the ancient architecture. Also the art stored in museums. This process was run by war, railway is the metaphor of the violent passage and influence on people.

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Brindle, Steven. "The rise of the civil engineering profession in Britain." Structural Engineer 99, no. 7 (2021): 8–15. http://dx.doi.org/10.56330/clvq5793.

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In this paper, based on his James Sutherland History Lecture delivered to the Institution of Structural Engineers in 2020, Steven Brindle provides a brief history of civil engineering in Britain, charting its development from hydraulic projects and early attempts to apply intellect to structural design in the 17th century, through a great commercially driven boom in the Georgian era, to the foundations of the modern profession in the late 18th and early 19th centuries.

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Roter-Blagojević, Mirjana, Boško Drobnjak, and Ilija Nikolić. "A contribution to the research of the architecture of the Court complex on Terazije: Knežev dvorac (Stari konak) and the Court of Crown Prince Mihailo." Nasledje, no. 22 (2021): 185–205. http://dx.doi.org/10.5937/nasledje2122185r.

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This paper presents research on the historical and urban development of the palace complex on Terazije during the 19th and early 20th centuries, placing a focus on the period from the 1840s to the 1880s, i.e. upon the architecture of the Prince's Court (Knežev dvorac, also known as the Stari konak) and the Court of Crown Prince Mihailo, which were both demolished in the early 20th century. The process of urban transformation of the complex and the design of buildings for the accommodation of the then-rulers is presented, based on the available historical material (old plans and photographs), a

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Mohmad Shukri, Sharyzee, Mohammad Hussaini Wahab, Rohayah Che Amat, Idris Taib, and Syuhaida Ismail. "The Morphology of Early Towns in Malay Peninsula." International Journal of Engineering & Technology 7, no. 3.9 (2018): 77. http://dx.doi.org/10.14419/ijet.v7i3.9.15281.

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Malay Peninsula has a very compelling socio geographical, cultural history and town setting comprises historical sites, fortress and early towns that has formed an evolution of the urban sprawl. The history of the early towns on the Malay Peninsula goes as far back as the beginning of the ancient Malay kingdom of Lembah Bujang and Langkasuka; and maybe far before that period. Early Malay towns in Malay Peninsula (currently known as Peninsular Malaysia) have unique characteristics in terms of architecture urban form and history. The morphology study of towns in Malay Peninsula have found charac

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Boguszewska, Kamila. "Architektura domów handlowych na przełomie XIX i XX wieku w Paryżu - Les grands magasins." Budownictwo i Architektura 22, no. 4 (2024): 113–26. http://dx.doi.org/10.35784/bud-arch.5540.

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The extensive transformation of 19th-century Paris significantly influenced the development of innovative architecture for large retail stores during that era. These structures were a response to the dynamic social, urban, and technological changes of the time. Buildings like Le Bon Marché, Le Printemps, La Samaritaine, and Galeries Lafayette became icons of retail trade, introducing a new approach to commerce and creating modern spaces to attract customers. Constructed with materials like steel, iron, and glass, these grand retail buildings featured spacious interiors without columns. Element

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Omilanowska, Małgorzata. "Gdańsk: Specificity of Its Architecture in the Modern Era. The Question of National and Regional Identity." Studia Historica Gedanensia 13 (2022): 178–96. http://dx.doi.org/10.4467/23916001hg.22.012.17432.

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The architectural heritage and the mode of its analysis and interpretation, especially in the perspective of the national and regional question, can and often does become an issue prone to manipulation. The attempts to define national and regional identity by means of cultural legacy have accompanied research into art and also the creation of modern architecture in the spirit of national Historicism since the 19th century. The place where the phenomena can be observed in a particularly acute way is Gdańsk, a city of extremely complicated identity, multicultural structure, and a rich architectu

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Moldovan, Horia. "André-Emile Lecomte du Noüy: medieval architecture at the beginning of Romanian modernity." CaieteARA. Arhitectură. Restaurare. Arheologie, no. 6 (2015): 155–74. http://dx.doi.org/10.47950/caieteara.2015.6.10.

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Andre-Emile Lecomte du Nouy’s name occurs frequently in the Romanian architectural historiography, becoming famous for his involvement in the restoration or reconstruction works for some of the most representative Romanian medieval monuments, as well as in new projects. Despite the large number of controversies generated by his work - most of which was conducted under the patronage of King Carol I – and the abundant documentary evidence available, one century after his death Lecomte du Nouy continues to be a controversial character. His work also remains just as controversial, so much discusse

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Steinhardt, Nancy Shatzman. "Toward the Definition of a Yuan Dynasty Hall." Journal of the Society of Architectural Historians 47, no. 1 (1988): 57–73. http://dx.doi.org/10.2307/990256.

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The structure of buildings from the Yuan dynasty (1271-1368) in China has heretofore been studied alternatively as the culmination of earlier periods of architectural styles from about the 10th century and as the beginning of a new phase in Chinese construction that lasts until the beginning of the Modern period in the 19th century. This article takes as its focus halls built at palatial or religious complexes in north China during the Yuan period to determine if a period style can be defined within the homogeneous timber frame building tradition. Studying the buildings and their details throu

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MEHAN, Asma. "“TABULA RASA” PLANNING: CREATIVE DESTRUCTION AND BUILDING A NEW URBAN IDENTITY IN TEHRAN." JOURNAL OF ARCHITECTURE AND URBANISM 41, no. 3 (2017): 210–20. http://dx.doi.org/10.3846/20297955.2017.1355277.

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The concept of Tabula Rasa, as a desire for sweeping renewal and creating a potential site for the construction of utopian dreams is presupposition of Modern Architecture. Starting from the middle of the 19th century to the first half of the 20th century, Iranian urban and architectural history has been integrated with modernization, and western-influenced modernity. The case of Tehran as the Middle Eastern political capital is the main scene for the manifestation of modernity within it’s urban projects that was associated with several changes to the social, political and spatial structure of

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M., Tselishcheva, and Dyshlyuk M. "“MERCHANT MANSION” IN BARNAUL – A MONUMENT OF ARCHITECTURE OF THE END OF THE 19TH CENTURY: HISTORY AND MODERN USE." Preservation and study of the cultural heritage of the Altai Territory 26 (2020): 299–305. http://dx.doi.org/10.14258/2411-1503.2020.26.49.

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Kutsevych, Vadym. "ARCHITECTURE OF MUSLIM MOSQUES IN UKRAINE." Current problems of architecture and urban planning, no. 62 (January 31, 2022): 264–77. http://dx.doi.org/10.32347/2077-3455.2022.62.264-277.

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The article deals with the historical prerequisites for the penetration of Islam into the territory of Ukraine and the formation of Islamic architecture. It was revealed that the geographical position of Ukraine contributed to the emergence of Muslims in Ukrainian lands, especially in the south, on the border of two great civilizations – Christian and Muslim. At the same time, Islam in Ukraine played a significant ethno-forming role in the life of the Turkic peoples. Evidence of the permanent presence of Muslims in Kievan Rus dates back to the 11th century, when the Pecheneg Muslim

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Valevičius, Martynas. "APŠVIETIMAS KAIP ARCHITEKTŪROS MODERNUMO SIMBOLIS." JOURNAL OF ARCHITECTURE AND URBANISM 33, no. 3 (2009): 183–94. http://dx.doi.org/10.3846/13921630.2009.33.183-194.

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The paper is designed to reveal the aesthetics of artificial lighting and its influence on the architecture of the 20th century. The main topics discussed are electric lighting, which appeard in our history at the end of the 19th century, and the technical development of lighting till the middle of the 20th century. Connections of artificial lighting with visual arts, its influence on advertisement, building architecture and the whole city are analysed. An idea is proposed that although lighting by nature was purely functional, very soon it acquired symbolic ambitions to represent architecture

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Draganić, Anica, and Maria Silađi. "The use of bricks in the industrial heritage of Vojvodina." Fragmenti : casopis za arhitekturu i urbanizam, no. 1 (2024): 64–73. https://doi.org/10.5937/frg2401064d.

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In the late 19th century, the first industrial brick and tile production plant was established in Velika Kikinda. This marked a shift from using traditional materials such as mud and adobe to bricks in the Torontl and Bcs-Bodrog counties. The paper provides an overview of the brickmaking history in these regions, focusing on the factories of the influential Bohn brothers. It further discusses brick use in shaping industrial architecture at the beginning of the 20th century. Bricks were not only used as basic building materials but also to design and emphasize various facade elements including

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Bembel, Irina O. "Mimesis as a Universal Principle of the Form Making." Vestnik of Saint Petersburg University. Arts 12, no. 3 (2022): 487–99. http://dx.doi.org/10.21638/spbu15.2022.305.

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The stylistic method of revealing regularities, formed by the 19th century and dominating up until recently, proves to be ever less relevant to architectural and artistic processes of the Contemporary (Newest) times. To systemize the entire historical experience of architecture as a whole, more profound generalizations are required. An essential prerequisite for such generalizations appears to be the philosophical context of the paradigm shift: tradition — modernity — postmodernity. Without a clear understanding of all the differences between these paradigms, it is impossible to talk about the

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Corovic, Dragana, and Ljiljana Blagojevic. "Water, society and urbanization in the 19th century Belgrade: Lessons for adaptation to the climate change." Spatium, no. 28 (2012): 53–59. http://dx.doi.org/10.2298/spat1228053c.

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This paper traces urban history of Belgrade in the 19th century by looking into its waterscape in the context of its transformation as the capital of the Princedom of Serbia. Aiming to underline the importance of water as a resource, with the view to contemporary environmental concerns, we explore how citizens historically related to waterscape in everyday life and created a specific socio-spatial water network through use of public baths on the river banks and public fountains, water features and devices in the city. The paper outlines the process of establishing the first modern public water

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Read, Justin. "Intermedial Maps: The Street as Site of Cultural-Political Regulation in Modern Brazil." bâtir, no. 14 (September 15, 2010): 143–70. http://dx.doi.org/10.7202/044414ar.

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Since the late 19th century Rio de Janeiro has grown in relation to two primary spatial axes: the planned and regularized cidade (“city”) where most wealth and power are located; and the unregulated morro (“hill”) where most poverty has been concentrated. The history of social order in modern Brazil may not flow from the city per se, but rather from the streets that link cidade and morro the spaces that channel movement between regulated and unregulated areas of the city. One might argue that the modernization of Brazil since 1900 has followed the mapping of Rio de Janeiro’s streets over the s

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Buck-Morss, S. "The Dialectics of Seeing: Walter Benjamin and the Arcades Project." Versus 2, no. 4 (2023): 172–200. http://dx.doi.org/10.58186/2782-3660-2022-2-4-172-200.

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As is well known Walter Benjamin devoted his unfinished magnum opus to arcades, the covered shopping galleries that emerged in the mid 19th century, as the central image revealing the economic, socio-political, and cultural features of that era. From Benjamin’s point of view these were the direct material embodiment of self-consciousness, or rather, of an unconscious society fascinated by the capitalist spectacle unfolding before its eyes. Arcades reflect all the errors and shortcomings of bourgeois consciousness — commodity fetishism, reification, taking the world as a “thing in itself”, they

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Jokelainen, Janne. "Ülevaade Soome palkehituse ajaloost." Studia Vernacula 4 (November 5, 2013): 101–24. http://dx.doi.org/10.12697/sv.2013.4.101-124.

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This article takes a look at the history of Finnish log construction and log architecture. Logs have been used as a building material in Finland for as long as the country has been inhabited. The modern corner-notching technique arrived in Finland in the late Iron Age (600−800 AD) from the east, leading to a building type that survived until the 20th century.During the era of church builders (1620−1810), log construction achieved its highest form: the churches built during this period represent Finnish log architecture of the highest quality. Church builders had an excellent command of log con

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Jokelainen, Janne. "Ülevaade Soome palkehituse ajaloost." Studia Vernacula 4 (November 5, 2013): 101–24. http://dx.doi.org/10.12697/sv.2013.4.101-124.

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This article takes a look at the history of Finnish log construction and log architecture. Logs have been used as a building material in Finland for as long as the country has been inhabited. The modern corner-notching technique arrived in Finland in the late Iron Age (600−800 AD) from the east, leading to a building type that survived until the 20th century.During the era of church builders (1620−1810), log construction achieved its highest form: the churches built during this period represent Finnish log architecture of the highest quality. Church builders had an excellent command of log con

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Labisch, Alfons. "The Role of the Hospital in the Health Policy of the German Social Democratic Movement before World War I." International Journal of Health Services 17, no. 2 (1987): 279–94. http://dx.doi.org/10.2190/326a-bepd-0fp8-hluc.

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In this article, the author aims to contrast the traditional architecture-oriented history of hospitals with an empirical sociohistorical approach. The main topic discussed is the hospital's role in health policy as seen by German Social Democrats in the late 19th and early 20th centuries. Social democratic hospital policy developed as a compromise between two extreme positions: the party theoretician's abstract ideals on the one side and the rank and file's pragmatic view on the other. Thus, the social history of the hospital can illustrate how, around the turn of the century, the political l

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Busquets, Joan. "Housing and City: Old Problems, New Approaches." Modern Housing. Patrimonio Vivo, no. 51 (2014): 4–9. http://dx.doi.org/10.52200/51.a.sbjoxt1a.

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In the course of the 20th century, housing became a science due to the huge efforts of progressive architects and their great interest in addressing this issue that had been raised with major political impact by Engels in the first half of the 19th century. The concern of modernist architects with these new problems facing the population, prompted advanced designs that are still regarded as exemplary in the history of urbanistics. In the 1930s, housing complexes in Moscow, Berlin, Frankfurt and Rotterdam constituted role models for other cities. They even became banners of housing and a strate

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Apostol, Virgil, and Ștefan Bîlici. "Structuri architectural-arheologice din centrul istoric București." CaieteARA. Arhitectură. Restaurare. Arheologie, no. 1 (2010): 119–78. http://dx.doi.org/10.47950/caieteara.2010.1.06.

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"The archaeological research undertaken on the occasion of the rehabilitation project for the infrastructure of the Pilot Area of the Historic Centre in Bucharest has brought to light elements of built structures or features dating to medieval, modern and contemporary times, either transformed along the centuries or radically retrofit following the destructive events of the first half of 19th century or consequence of the intense building activity of the end of 19th century. The important information brought by the research undertaken between 2007 and 2009 can be divided in two major categorie

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Zyukina, Zulfira, Yulia Voropaeva, and Zoya Zyukina. "Intellectual games concept review in THE XIX – XXI century (Google book Ngram Corpus scientific materials base)." E3S Web of Conferences 210 (2020): 16035. http://dx.doi.org/10.1051/e3sconf/202021016035.

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In the context of the development of information technology in the world, modern scientists have noted in children, youth and adults the processes of creative and intellectual degradation, the growth of functional illiteracy. In the 20th century, the value of general intelligence for each new generation was one more statistical “norm” than the previous one. Scientists have discovered that the activity of a man of the 21st century in his free time becomes more significant for the development of his intellect and creativity (gaining a state of "flow") than activity during working hours. The inte

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I Kadek Dwi Noorwatha,, Imam Santosa,, Gregorius Prasetyo Adhitama,, and Anak Agung Gede Rai Remawa. "Dewasa Ngundaginin: Cultural History Of Balinese Concept Of Time And Transformation Of Balinese Traditional Architect (Undagi) From Pre-Colonial To Contemporary Era." Journal of Namibian Studies : History Politics Culture 33 (March 20, 2023): 6303–28. http://dx.doi.org/10.59670/jns.v33i.5071.

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This study examines how traditional Balinese architects (undagi) have used time from classical to contemporary times. The study aims to understand Balinese culture, specifically the architectural interpretation of time, with an emphasis on undagi practises today. Modern Bali's cultural evolution is reflected in the temporal paradigm shift. The study takes a cultural history approach to create a historiography the social cultural transformation of concept of time in Bali based on government authority and undagi as architectural design labour. The research uses a diachronic system to trace the c

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Bushati, Etleva. "Meaning and Symbolism of Industrial Architecture in Albania." Rocznik Filozoficzny Ignatianum 29, no. 4 (2023): 203–24. http://dx.doi.org/10.35765/rfi.2023.2904.14.

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Industrial architecture represents the evolution of technology, the growth of industry and the presence of new urban forms in the context of the city. The Albanian industrial history dates back to 19th century. The country’s industrial sector has experienced significant growth and transformation particularly during the socialist period from 1945 to 1990. Industrial facilities and complexes built over 50 years impacted the urban and social development of Albanian cities. Their architecture is characterized by a mix of different styles, including socialist realism and functionalism. These styles

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Chen, Xi, Jiabao He, and Shiruo Wang. "The Intersection of Collegiate Gothic Architecture and Missionary Education: A Case Study of Anderson Hall at Soochow University." Buildings 14, no. 2 (2024): 367. http://dx.doi.org/10.3390/buildings14020367.

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This research delves into the influence of Collegiate Gothic style on modern Chinese Christian universities, with a specific focus on Soochow University’s Anderson Hall. Originating from the medieval universities of Oxford and Cambridge, the Collegiate Gothic style underwent a historical trajectory that saw its migration to the United States in the late 19th century. With Western colonization in China, Collegiate Gothic emerged as a tangible expression of Christian missions within Chinese academic institutions. Methodologically, this study employs historical analysis and empirical research to

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Kutsenkov, Petr. "“Idol in the Shape of a Woman”. Architecture and Art of Mali in Written Sources of the 11th–19th Centuries." Oriental Courier, no. 2 (2025): 0. https://doi.org/10.18254/s268684310035374-9.

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Medieval Arabic-language written sources on the history and ethnography of Africa contain some information on architecture and fine arts. African art historians rarely refer to them, although these sources themselves are not rare or little known. Thus, al-Bakri left a short description of the ‘city of Ghana’, which contains important information on construction techniques. The same technique is used in modern traditional architecture of Mali. This same message, combined with the place in Tarikh al-Sudan where the ‘city of Kumbi’ is mentioned, leads one to assume that the “city of Ghana” does n

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Antenišķe, Anita, and Jānis Krastiņš. "Industrial heritage of the 1920s and 1930s in Riga." Landscape architecture and art 24, no. 24 (2024): 60–67. https://doi.org/10.22616/j.landarchart.2024.24.08.

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Riga is best known for its industrial growth at the turn of the 19th and 20th century and in the 2nd part of the 20th century. The interwar period of industrialization (1920–1940) is famous with a number of impressive industrial products while the impact of production activities on architectural and urban development is almost neglected. This paper addresses the industrialization of Riga during the interwar period between the WWI and WWII, examining the actual industrial development and the architectural testimonies still to be found in urban environment of the city, while addressing the perce

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Kotliar, Elena Romanovna, Natal'ya Anatol'evna Zolotukhina, and Arina YUr'evna Zolotuhina. "Architecture in the "Stalinist Empire" style in the cultural landscape of Crimea." Культура и искусство, no. 4 (April 2025): 99–120. https://doi.org/10.7256/2454-0625.2025.4.72345.

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The subject of the study is the features of the architectural style known as "Stalinist Empire" as part of the cultural landscape of Crimea. The article examines the concept of "cultural landscape" and its significance in the multi-ethnic territory of Russia in general and Crimea in particular, the concept of architectural style, the influence of ethnic cultures and shifting state formations on the development of styles in Crimea, the formation of a local "Crimean style" during the modern period, and its impact on the subsequent development of postmodernism. The Empire style spread during the

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Bereczki, Zoltán. "The reconstruction of the Bratislava Franciscan Monastery's tower in the 19th century. Pyramid or dome?" Ars 48, no. 1 (2015): 95–105. https://doi.org/10.5281/zenodo.823540.

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The tower of the Franciscan monastery in Bratislava was completely restored in the last decade of the 19<sup>th</sup> century under the supervision of Frigyes Schulek. It was first disassembled and then reconstructed. A garden pavilion was built in the Aupark (today Janko Kráľ Park) using the old stones. But there is an important difference between the tower of the monastery and the pavilion: while the aforementioned has a pointed, pyramid-like spire, the latter’s termination is curved and dome-shaped. As discussed in this article, over the decades it became widely accepted that the dome-shape

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Kyrylchuk, Oleksandr. "SPATIAL MODELS IN UKRAINIAN RETRO-DETECTIVE LITERATURE OF THE EARLY 21ST CENTURY: A POSTCOLONIAL ASPECT (BASED ON THE PROSE OF BOGDAN KOLOMIYCHUK AND ANDRIY KOKOTYUKHA)." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ Fìlologìčna 1, no. 22(90) (2024): 119–22. https://doi.org/10.25264/2519-2558-2024-22(90)-119-122.

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In the colonial and anti-colonial discourses of the 19th–20th centuries, mental mapping became a form of symbolic embodiment in space. Metropolitan texts tried to present the world as clearly hierarchical, in which the main role was assigned to the imperial “center”. In the counter-discursive narrative, they sought to overturn this model, opposing the imperial capital with the self-sufficiency of peripheral territories. Detective works of the late 19th century, represented by the texts of Arthur Conan Doyle, present a colonial model of the world, where the victory over criminal activity, which

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KHOKHON, Mykhailo. "TO THE HISTORY AND ARCHITECTURE OF THE BUILDING AT 14 DOROSHENKA STREET IN LVIV." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 5, no. 1 (2023): 209–18. http://dx.doi.org/10.23939/sa2023.01.209.

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The residential architectural heritage of Lviv of the late 19th and early 20th centuries is an important part of the history and image of the city. Given the relatively low status of small-scale owners and the lack of funding, their condition is mostly unsatisfactory and requires professional restoration. Practical work is preceded by qualitative research, part of which is a historical reference and an architectural description with valuable elements that are the subject of monument protection. Among the researchers who worked with the object, it is worth mentioning Yakub Levytskyi, Yuriy Biry

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Chaplya, Tatyana. "The Public and/or Private Nature of Commercial Space in History: From Antiquity to the Present." Ideas and Ideals 15, no. 2-2 (2023): 420–37. http://dx.doi.org/10.17212/2075-0862-2023-15.2.2-420-437.

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The author of the article draws attention to the formation and development of consumption culture and its embodiment in architectural forms. The development of the consumer space and the retail space as its form developed in parallel throughout the history. The purpose of the article is to analyze the dynamics of organizational methods of the trading space from antiquity to the present day. The study is based on the wave theory presented in the works of E. Toffler, Yu. M. Lotman, where history is represented as a pendulum motion. However, each of the oscillations of the pendulum appears at a n

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Ковалева, Наталия Ивановна. "Image of a city in commemorative kerchief of the 19th – 21st centuries." Искусство Евразии, no. 2(17) (June 27, 2020): 51–69. http://dx.doi.org/10.25712/astu.2518-7767.2020.02.003.

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Статья продолжает серию публикаций автора об истории российской текстильной промышленности конца XVIII – начала XXI века. Данная работа посвящена эволюции художественных приемов воплощения образа города и передачи отдельных архитектурных элементов в сюжетных и памятных платках отечественного производства. В статье в хронологической последовательности рассматриваются изделия крупнейших московских мануфактур XIX – начала ХХ века: Даниловской, Прохоровской Трехгорной; агитационные платки, ставшие прямыми наследниками традиции платков памятных, и далее «текстильные сувениры» – предметы, созданные

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