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Relevant bibliographies by topics / Architecture, Modern Philosophy / Dissertations / Theses

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Dissertations / Theses on the topic 'Architecture, Modern Philosophy'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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1

Wilk, Michael. "Affinity to infinity : the endlessness, correalism, and galaxies of Frederick Kiesler." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0029/MQ64122.pdf.

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García, Moreno Beatriz. "Contextualist thought and architecture." Diss., Georgia Institute of Technology, 1992. http://hdl.handle.net/1853/22370.

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Chen, Hui-Min. "A critique on scientific rationality in the production of architecture." Diss., Georgia Institute of Technology, 1993. http://hdl.handle.net/1853/23114.

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Marchisen, Kirk Joseph. "Transformation through analogy : narrative in architecture." Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/22379.

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5

Bloomer, Jennifer Allyn. "Towards an architecture of desire : the (s) crypt of Joyce and Piranesi." Diss., Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/23414.

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6

McFeat, Lin Gillian. "The architecture of colonisation : the concept of depiction : Colon : the colonisation of a(a)rchitecture : the depiction of the concept." Title page, contents and abstract only, 1999. http://web4.library.adelaide.edu.au/theses/09PH/09phm1432.pdf.

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Includes bibliography. This thesis examines deconstructive writings, employing those strategies as a basis for re-forming approaches to architecture. A theory is posited that a distinction must be made between architecture as idiom and architecture as medium, expressed as a separation between architecture as a built form, Architecture the Idea and A(a)rchitecture as a new direction for framing an approach to its discourse.

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7

Burniat, Patrick. "Le plan libre, syncrétisme de la modernité corbuséenne: essai de clarification du concept de plan libre dans l'oeuvre architectural de Le Corbusier." Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210512.

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Le sujet de la thèse —la clarification du concept de plan libre dans l’œuvre architectural de Le Corbusier— s’inscrit dans un cadre général de recherches portant sur les modes de conception architecturale en contexte de modernité. Cette préoccupation prend comme horizon la compréhension des processus qui servent l’architecture comme construction d’idées et qui permettent d’en articuler les différentes phases, depuis l’amont des intentions exprimées par le concepteur, jusqu’à l’aval des expressions prises par la solution, en passant par les moyens qui, précisément, permettent d’articuler une pe

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Prucka, Leslie J. "Linguistic, strategies for architectural activities : Wittgenstein, philosophy, and language." Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/21705.

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Tavel, Jose Enrique. "A theory of architecture based on the synthesis of bricolage and linguistic devices." Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/21742.

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10

Elliott, Benjamin Wing. "An object under light : the metaphysical strength of light as revealed in Saint Augustine's Confessions." Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/23928.

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Rimmer, Scott. "The Symbolic Form of Architecture: An investigation into its philosophical foundations and a discussion on the development of the perception of architectural form by modern heoreticians and symbolist architects." Thesis, Virginia Tech, 1997. http://hdl.handle.net/10919/36755.

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This thesis investigates the concept of the symbolic form of architecture. It first focuses on the philosophical foundations for this concept in the works of Ernst Cassirer, Immanuel Kant, Conrad Fiedler, and Theodor Adorno. Then, the development of the modern perception of form in architectural theoreticians, where "modern" architectural theory evolved from an analogical state into a symbolic state, is examined: Karl BÃ¶tticherâ s concept of a Junktur and his attempt to transcend the presumed dichotomy in architecture between ornamentation and form is discussed; Gottfried Semper's concept of

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12

Troiani, Igea Santina. "The politics of friends in modern architecture : 1949-1987." Thesis, Queensland University of Technology, 2005. https://eprints.qut.edu.au/16040/1/Igea_Troiani_Thesis.pdf.

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This thesis aims to reveal paradigms associated with the operation of Western architectural oligarchies. The research is an examination into "how" dominant architectural institutions and their figureheads are undermined through the subversive collaboration of younger, unrecognised architects. By appropriating theories found in Jacques Derrida's writings in philosophy, the thesis interprets the evolution of post World War II polemical architectural thinking as a series of political friendships. In order to provide evidence, the thesis involves the rewriting of a portion of modern architectur

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Troiani, Igea Santina. "The Politics of Friends in Modern Architecture : 1949-1987." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16040/.

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This thesis aims to reveal paradigms associated with the operation of Western architectural oligarchies. The research is an examination into "how" dominant architectural institutions and their figureheads are undermined through the subversive collaboration of younger, unrecognised architects. By appropriating theories found in Jacques Derrida's writings in philosophy, the thesis interprets the evolution of post World War II polemical architectural thinking as a series of political friendships. In order to provide evidence, the thesis involves the rewriting of a portion of modern archite

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14

Terakawa, Toru. "History and tradition in modern Japan : translation and commentary upon the texts of Sei'ichi Shirai." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32822.

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This thesis examines the concepts of history and tradition in modern Japan, with an emphasis on the writings of Sei'ichi Shirai (1905--1983). Although Shirai has been considered as one of the most important architects of 20th century Japan, he has also been treated as an obscure figure, no doubt partly because of the enigmatic quality of his writings. A major element that contributed to his obscure status and set him apart from his contemporaries was his understanding of history and tradition.<br>The introductory essay examines the concept of tradition prevalent around Shirai's time: how it wa

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Cowan, Gregory John. "Nomadology in architecture : ephemerality, movement and collaboration." Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09ARCHM/09archmc8742.pdf.

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Bibliography: leaves 138-149. This thesis investigates the theoretical and practical importance of nomadic ways of life for architecture. Nomadology is a construction of Deleuze and Gattari's 'counter-philosophy' challenging authenticity and propriety, in this case, in the context of architecture. It describes how nomadology may challenge static, permanent, heroically solitary ways of working and dwelling, and suggests strategies - diagramming, ephemerality, movement, and collaboration - as ways of reconciling nomadism and architecture.

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Marbehant, Sylvain. "Concevoir le contexte de l'architecture: réalité habitée et réalité projetée dans trois doctrines du 20e siècle." Doctoral thesis, Universite Libre de Bruxelles, 2014. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209176.

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Cette thèse de doctorat développe un questionnement de nature épistémologique à propos du domaine architectural et des connaissances qui lui sont associées. La théorie architecturale se distingue par la grande diversité de ses formes, par la multiplicité des acteurs qui la mobilisent et surtout par la grande complexité de l'objet qu'elle vise :l'œuvre architecturale. Pour pouvoir aborder de manière lucide ces différents filtres, nous proposons d'en décoder les origines pour une notion théorique particulière: le contexte de l'œuvre architecturale.<p>Le contexte d'une œuvre rassemble l'ensemble

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Haghighi, Farzaneh. "Bazaar as Event: An exploration of the Tehran bazaar through the Foucauldian notion of event." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/14685.

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The Tehran bazaar has become the object of several studies which focus on the Iranian bazaar’s response to social transformations and its inextricable relation to the history and future of the city. It is these two features that the sociopolitical and architectural discourses tend to fixate upon in describing, defining and analysing the complexity of Iranian marketplaces. This dissertation initially maps the conceptualisations being formulated by the sociopolitical and architectural discourses. In doing so, it identifies what has remained outside of such disciplinary frameworks. By charting

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Bigonville, Delphine. "Association des idées et intuition: la réponse des architectes anglais à la Querelle des Anciens et des Modernes." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209775.

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Ce travail s’intéresse au problème de la relativisation de l’expression architecturale liée à la remise en question, durant le XVIIe siècle, de l’origine divine et de la valeur des canons proportionnels qui sous-tendent la tradition classique. Emblématique de la Querelle qui opposa Claude Perrault et François Blondel au sein de l’Académie royale de Paris, ce problème recevra une formulation privilégiée dans la tradition théorique anglaise qui se caractérise par la volonté de préserver une forme d’objectivité à l’expression formelle tout en cherchant à y intégrer la valeur subjective de l’usage

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19

Rocha, Eva. "Antithetical Commentaries on X, Y and the Disruption of Being." VCU Scholars Compass, 2016. https://scholarscompass.vcu.edu/etd/4278.

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Through discursive essays and poetic narrative, Antithetical Commentaries on X, Y and the Disruption of Being explores the tenuous relationship between modes of measurement and the struggle for human relevance in the post-contemporary digital age. In the introductory essay, “Not the Feather, but the Bird”, I give an overview of the inherent problems of object-oriented ontology, and how it relates to aesthetics and social issues of our times. In the Developmental Overview, I detail how I developed my installation approach and techniques, particularly with regard to the three-way dynamic of the

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20

Kiaer, Ian. "Endless house : models of thought for dwelling." Thesis, Royal College of Art, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.602325.

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The following thesis is a 38,400 word document of a part-time PhD by project undertaken at the painting department of The Royal College of Art between October 2002 and September 2008. The purpose of this research has been to reflect on how an expansive interpretation of the architectural model operates as a mode of fragmentary thought for dwelling. I extend critical / theoretical approaches to the use of the model within my art practice, and its equivalent, 'the essay form,' in the written component of the thesis. I begin by deflning the use of the model within a speciflc work I made early in

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Benson, Martin L. "Beginner's Mind." ScholarWorks@UNO, 2017. http://scholarworks.uno.edu/td/2365.

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My art distills my relationship to spirituality, digital culture, and the practices and side-effects therein, into a simplified visual language. The work manifests in the form of paintings, drawings, and light sculptures. Meditation and mindfulness training are a large part of my influence and interests. I often wonder how mindfulness practice can be mirrored in my artwork, not only in my process for creating the work, but also with what the resulting imagery does for the viewer. My intention is to provide an art form that invites one to look and experience one’s own capacity to observe, witho

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22

Smith, Albert Cowper III. "Architectural model as a machine." Diss., Georgia Institute of Technology, 1995. http://hdl.handle.net/1853/22978.

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23

Richard, Thomas. "Prolégomènes à une herméneutique existentielle des antéformes architecturales." Thesis, Lyon, 2020. http://www.theses.fr/2020LYSE3002.

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Dans l’historiographie contemporaine, le déconstructivisme constitue un moment significatif d’une expression négative de la forme. En effet, la morphologie architecturale met en vue une recomposition à partir d’une décomposition : elle affirme et présente un processus de négation. Comment comprendre ces formes architecturales paradoxales qui expriment leur propre abolition et quelles sont les différentes manifestations de cette négativité morphologique dans l’architecture contemporaine ? En effet, bien que se défendant de toute attention à la forme, les architectures qualifiées de non-rhétoriq

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Laruë-Charlus, Michèle. "L'évolution du goût depuis 1770 au travers du théâtre de Bordeaux." Paris 1, 1992. http://www.theses.fr/1992PA010648.

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Ce travail, pluridisciplinaire, étudie l'histoire du théâtre de Bordeaux depuis sa création en mille sept cent quatre-vingt jusqu'à sa dernière restauration en mille neuf cent quatre-vingt-dix. Il est centré sur l'architecture et ce qui, dans les modifications dont il a été l'objet, a permis de perpétuer, dans l'expérience esthétique qu'il procure, une relation narcissique continue depuis deux siècles. Ces restaurations successives n'ont donc pas été étudiées en fonction du modèle originel, toujours trahi, mais en tenant compte des climats successifs dans le temps, de l'évolution des idées et

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25

Austin, Travis R. "Laminated PAINT." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5462.

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Though we may not perceive it, we are surrounded by material-in-flux. Inert materials degrade and the events that comprise our natural and social environments causally thread into a duration that unifies us in our incomprehension. Sounds reveal ever-present vibrations of the landscape: expressions of the flexuous ground on which we stand.

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Lee, Jae-Young. "L’esthétisation de la nature dans l’architecture et l’urbanisme modernes et contemporains : principalement à travers l’œuvre de Wright, Le Corbusier, Mies, Aalto, Koolhaas et Nouvel." Paris, EHESS, 2014. http://www.theses.fr/2014EHES0078.

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Dans les architectures moderne et contemporaine, la nature est présente dans la notion de paysage en tant qu'esthétique de la nature. Les architectes sont à l'origine de la création des instruments et des dispositifs au service de l'esthétique de la nature. Ces réalisations reflètent leurs idées de la nature lesquelles sont influencés par celles qui existent au cours des siècles précédents et présents. Les idées modernes, caractérisées par les aspects naturalistes, essentialiste et matérialiste, influencent largement les conceptions et les méthodes employées pour représenter la nature. Le pays

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Rocha, Eduardo. "Arquiteturas do abandono : [ou uma cartografia nas fronteiras da arquitetura, da filosofia e da arte]." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/24722.

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Penser les architectures de l'abandon dans contemporaneidade et fuir de la description au détriment de l'expérience. Tout au moyen de la cartographie sentimentale. Abandonner la centralité des certitudes de la matière, de la significação et du sujet, proposées dans les théories de l'architecture et de l'urbanisme, pour, de cette forme, s'ouvrir à l'art, à la philosophie et à la vie. Croiser des frontières, quelquefois, abandonner est oublier, renoncer, laisser quelque chose. Les architectures de l'abandon, avant toute chose, c'est un état, une condition, qui passent par la découverte des signe

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Labbé, Mickaël. "Le Corbusier et le problème de la norme." Thesis, Strasbourg, 2015. http://www.theses.fr/2015STRAC006/document.

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Le Corbusier est un architecte qui non seulement construit, mais qui n’a de cesse de dire comment on doit construire. Faisant le pari de la force et de la cohérence de la pensée corbuséenne, le présent travail vise à interroger l’œuvre théorique de l’architecte au prisme de l’une des ses «colorations» les plus propres, à savoir sa dimension foncièrement normative. À partir d’un tel essai de reconstruction de la pensée corbuséenne par le biais du concept de norme, il s’agira de poursuivre un triple objectif : premièrement, chercher à comprendre pourquoi Le Corbusier rejette les normes sur lesqu

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Alvim, Sandra. "Architecture religieuse coloniale à Rio de Janeiro : une méthodologie d'étude." Paris 1, 1991. http://www.theses.fr/1991PA010525.

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La thèse intitulée "L'architecture religieuse coloniale à Rio de Janeiro : une méthodologie d'étude" repose sur l'analyse de l'oeuvre architecturale religieuse de Rio de Janeiro. Celle-ci représente ce que Rio a produit de plus grand et de meilleur depuis sa fondation jusqu'au début du XIXième siècle. Le présent travail vise à comprendre la signification esthétique de l'architecture des églises coloniales de Rio et à la rattacher aux aspects historiques de la ville ainsi qu'au contexte architectural luso-brésilien qui lui est contemporain. L'objet principal de cette thèse demeure néanmoins l'é

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TAYLOR, SHAWN. "SPEED AND RESOLUTION IN THE AGE OF TECHNOLOGICAL REPRODUCIBILITY." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3888.

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The rate of acceleration of the biologic and synthetic world has for a while now, been in the process of exponentially speeding up, maxing out servers and landfills, merging with each other, destroying each other. The last prehistoric relics on Earth are absorbing the same oxygen, carbon dioxide and electronic waves in our biosphere as us. A degraded .jpeg enlarged to full screen on a Samsung 4K UHD HU8550 Series Smart TV - 85” Class (84.5” diag.). Within this composite ecology, the ancient limestone of the grand canyon competes with the iMax movie of itself, the production of Mac pros, a You

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31

Ferreira, J. M. Simões. "Visões de utopia-as teorias de arquitectura e as utopias políticas nos alvores da Idade Moderna, Alberti, Filarete, Colonna, da Vinci, Morus, Campanella, Bacon, Rabelais." Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas -- -Departamento de Filosofia, 2001. http://dited.bn.pt:80/30498.

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Bucknell, Clare. "Poetic genre and economic thought in the long eighteenth century : three case studies." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:71e97b4d-c009-487c-8efb-fdb71eefa080.

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During the eighteenth century, the dominant rhetorical and explanatory power of civic humanism was gradually challenged by the rise of a new organising language in political economy. Political economic thought permitted radically different descriptions of what laudable private and public behaviour might be: it proposed that self-interest was often more beneficial to society at large than public-mindedness; that luxury had its uses and might not be a threat to liberty and political integrity; that landownership was no particular guarantee of virtue or disinterest; and that there was nothing inh

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Remaud, Romain. "De l'architecture organique à l'architecture environnementale, itinéraire dans l'autre tradition constructive du XXe siècle." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040064.

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Et si l’architecture pouvait être vécue comme élément d’intercession orienté entre l’homme et son environnement ? Cette idée a été soutenue par un mouvement architectural cohérent, l’architecture organique, formant une tradition constructive alternative traversant tout le XXe siècle et repérable dans le monde entier. En considérant qu’une pratique architecturale adaptée favorise une relation apaisée entre l’homme et son environnement bâti ainsi qu’une reconnexion entre l’homme et son environnement naturel, l’organicisme peut véritablement être considéré comme une architecture environnementale.

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34

Swanson, Joshua. "Talk This Way: A Look at the Historical Conversation Between Hip-Hop and Christianity." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etd/3810.

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Christianity and Hip-Hop culture are often said to be at odds with one another. One is said to promote a lifestyle of righteousness and love, while the other is said to promote drugs, violence, and pride. As a result, the public has portrayed these two institutions as conflicting with no willingness to resolve their perceived differences. This paper will argue that there has always been a healthy conversation between Hip-Hop and Christianity since Hip-Hop’s inception. Using sources like Hip-Hop lyrics, theologians, historians, autobiographies, sermons, and articles that range from Ma$e to Tipp

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35

Fontaine, Gérard. "Le décor d'opéra, ses rapports avec l'architecture et la peinture." Paris 1, 1993. http://www.theses.fr/1993PA010696.

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Ce travail s'articule autour de deux thèmes : - l’Opera possède des spécificités qui se retrouvent de manière privilégiée dans son décor. Au service du rêve éveillé lyrique, le décor ne s'inféode à aucune autre règle qu'à celles de l’opéra, ce qui induit une esthétique originale. - Les rapports théoriques et historiques du décor d’Opera avec les beaux-arts puis avec les arts plastiques montrent son indépendance à leur égard. Le décor d’Opera est une entité artistique visuelle se développant dans l'espace en fonction du temps d'une partition musicale : c'est un "chronotrope" (M. Baktine). Cette

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Didelon, Valéry. "L' affaire "Learning from Las Vegas" : productions et réceptions (1968-1988)." Paris 1, 2010. http://www.theses.fr/2010PA010526.

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Ce travail envisage Learning from Las Vegas, le livre co-écrit par les architectes Robert Venturi, Denise Scott Brown et Steven Izenour, du point de vue de sa réception par la critique journalistique, architecturale et universitaire entre 1968 et 1988. Le sens et la valeur de ce texte tels qu'ils sont aujourd'hui unanimement reconnus, Y apparaissent comme le fruit d'une interaction constante pendant vingt années entre ses auteurs et ses lecteurs. Dans une première partie, est décrite l'apparition de Learning from Las Vegas dans le contexte politique et culturel particulièrement agité de la fin

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Vitalis, Louis. "Modéliser le processus de conception architecturale à l’aune d’une « conception de la réception » : étude épistémologique." Thesis, Paris, CNAM, 2019. http://www.theses.fr/2019CNAM1260/document.

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Il arrive que l’architecture soit critiquée pour les usages qu’elle a « produits » ou ceux qu’elle a « interdits » (un certain désaveu des grands ensembles en est symptomatique). Parfois, la critique porte justement sur le décalage entre l’intention d’origine et l’effet réellement produit (les grands ensembles étaient à l’époque pétris d’humanisme). Mais la connaissance de cette intention fait défaut, et engage donc à un travail de recherche.Les théories de la conception ont pour objet une certaine intelligibilité de la conception. Mais il semble que l’activité de conception explicitée par ces

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"Unseen vision." 1999. http://library.cuhk.edu.hk/record=b5895787.

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Chan Yuk Shing Brain.<br>"Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 1998-99, design report."<br>Includes bibliographical references.<br>Chapter 00 --- book<br>Chapter 00.1 --- brief ofbook<br>Chapter 002 --- design of the book´ؤbookof senses<br>Chapter 003 --- how to read<br>book [i]- writing<br>Chapter 01 --- foreplay<br>Chapter 01.1 --- acknowledgements<br>Chapter 01.2 --- preface<br>Chapter 02 --- prologue explains the thesis topic: unseen vision<br>Chapter 02.1 --- background study<br>Chapter 0211 --- sense study<br>sensation dialogue bet

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Duncan, Eve. "Butterfly modernism : composing with non-musical mathematics of architecture, East Asian aesthetics, and Steiner spirituality." Thesis, 2017. http://hdl.handle.net/1959.7/uws:51592.

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The purpose of the exegesis is to explain the space-time sensibility and an inner listening process that lies behind my creative process and its six scores. Its focus is a discussion of how my compositional space-time sensibility encountered three aesthetic aspects, of non-musical coastal architectural mathematics, East Asian aesthetics and Steiner spirituality, that together had a revitalizing effect that propelled my work towards a new genesis. I argue that implementing a three-pronged approach of incorporating the non-musical mathematics of architecture, East Asian spatial aesthetics and St

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Fanelli, Kathryn. "The Passing Show." 2021. https://scholarworks.umass.edu/masters_theses_2/1011.

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The Passing Show, examines the interface between contemplative practices and the destabilizing effect of the carnivalesque. A repurposed early 20th century merry-go- round is reconfigured as a conceptual vehicle for renewing our attention to removing hindrances. The site-specific installation, titled Vimoksha, is viewed through the lens of the radical imaginary, investigating notions of karmic inheritance through a heuristic approach to material processes, personal history, kinetics and sound.

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